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Yoko Ono's 'Give Peace A Chance' (The Remixes)

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  • Electronica
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Robin McKelle's 'Modern Antique'

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  • Blues
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Old 97's Murry Hammond's first solo album due August 18

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  • Folk
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New Mimi Fishman Foundation Auction Going On Now!

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Dressy Bessy To Release 'Holler And Stomp'

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  • Indie

After their critically acclaimed last album, Electrified, Dressy Bessy will release its highly anticipated new album, Holler And Stomp, on September 30th, 2008 via Transdreamer Records. Combining uber-indie sensibilities mixed with bombastic style, the band remains inspirational, hook-laden and upbeat. 13 songs will have you dancing and singing in seconds.

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The Dixon-Rhyne Project

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  • jazz
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New York Dolls "Live At Fillmore East"

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  • Indie
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The Spring Creek Bluegrass Band

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  • Bluegrass
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Richie Havens to Release 'Nobody Left To Crown'

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  • Folk
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Dylan, Cash, Miles + More at Morrison Hotel's 30th St. Exhibit

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  • jazz
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Grateful Web

May 17 at 4:52pm
grateful web

Progressive jam giants Umphrey's McGee‘s return to Las Vegas for the seventh installment of the massively popular UMBowl production was marked once again by a stand-out tour closing dual evening extravaganza where all stops were pulled out and the power given directly to the fans, for better or for worse.

grateful web

Grateful Web

May 17 at 4:52pm
grateful web

On June 24, Round Records & ATO Records will release GarciaLive Volume Six: July 5, 1973 – Jerry Garcia & Merl Saunders, the latest installment of the celebrated GarciaLive archival series. The three-CD set was recorded at the 200 capacity Lion’s Share club formerly located in the small town of San Anselmo, CA, just 20 miles north of San Francisco. The performance features Jerry Garcia performing with friend, mentor and legendary keyboardist/vocalist Merl Saunders. The duo is joined by drummer Bill Vitt and bassist John Kahn, who soon became a lifelong Garcia collaborator.

grateful web

Grateful Web

May 17 at 4:52pm
grateful web

Progressive jam giants Umphrey's McGee‘s return to Las Vegas for the seventh installment of the massively popular UMBowl production was marked once again by a stand-out tour closing dual evening extravaganza where all stops were pulled out and the power given directly to the fans, for better or for worse.

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