Nine-piece Brooklyn based rock / soul / blues unit Sister Sparrow & The Dirty Birds have announced a U.S. tour this Fall supporting Seattle soul man Allen Stone. The tour will begin on September 24 in Philadelphia, PA and run until October 14 in Dallas, TX.

Sister Sparrow & The Dirty Birds are currently touring throughout the summer in support of their latest album Pound Of Dirt, released February 28 on Modern Vintage Recordings. Pound Of Dirt garnered positive reaction from a wide range of press, including The Wall Street Journal, USA Today, Glamour, The Washington Post, AOL Music, Chicago Sun-Times, among many others.

Progressive, groundbreaking bluegrass quintet, The Infamous Stringdusters have announced dates for their anticipated fall tour, in support of their self-released, fourth studio album, Silver Sky (High Country Recordings). Paste Magazine praised the album, saying,  "Though known for their raucous live performances, the band’s collective energy comes through in a big way on the new LP, particularly on the lead track, “Don’t Mean Nothin’”. To view the band’s deadpan video for the track, click, here.

Following a summer of breakout performances at major festivals, including Bonnaroo, Wakarusa, Summer Camp and Electric Forrest, the Infamous Stringdusters will hit the road on October 18 in Portland, ME and will run through November 17th, when they close at the Cat’s Cradle in Carrboro, NC. See tour dates and on-sale dates below.

The Infamous Stringdusters live performances are energetic, festive events featuring five virtuosos - Chris Pandolfi (banjo), Jeremy Garrett (fiddle/vox), Travis Book (upright bass/vox), Andy Hall (dobro/vox) and Andy Falco (guitar/vox) - who have broken down barriers proving that music with bluegrass instrumentation does not need to fit neatly in a box. Honest Tune says of the band’s performances, "...their live show is absolutely spell-binding..." The band refers to their unique blend of bluegrass, rock, country and sheer energy as High Country. A great example can be seen on this live clip of the instrumental “Black Rock”.

The Stringdusters have also announced the line up for their annual festival, The Festy Experience, October 5-7 in Charlottesville, VA. Now is it’s 3rd year, The Festy Experience was created and curated by The Stringdusters and looks to be the biggest and best yet. This year’s Festy boasts an impressive line up of artists playing with The Stringdusters, including Trampled By Turtles, Leftover Salmon, Keller & The Keels, Rubblebucket. Elephant Revival, Floodwood (featuring members of moe.) and many more.  Along with great music, The Festy Experience features a unique outdoor experience, including camping, The Blue Ridge Burn (5k & 10k trail runs), Devils Backbone Challenge (bike race) and local sustenance, with regional cuisine, craft beer and artisans. For more information, go to http://thefesty.com

Tour Dates:

Widespread Panic has announced the October 16 release of Wood, a double live CD featuring selections from the band’s first-ever fully acoustic 2012 Wood Tour. A special limited edition 3 LP Wood boxed will be released simultaneously. Wood will be available digitally and at retail.The Wood boxed set includes 180 gram vinyl, a 12 page photo booklet with liner notes written by Widespread Panic lead singer John Bell and an exclusive limited edition color letterpress poster made at the legendary Hatch Show Print woodblock letterpress shop in Nashville, TN. Both LP and CD packages will include download codes for digital, MP3 versions of the music and booklet.In January and February 2012, Widespread Panic embarked their final performances of 2012 with the 11-date, four-city “Wood Tour”. The acoustic tour ran through the Washington, DC area, Atlanta, GA, Denver, CO and ended with three special nights at the Belly-Up Tavern in Aspen, CO. Since then Panic has been on a long-overdue hiatus for the rest of 2012.Widespread Panic fans are sure to be pleased with the announcement of Wood. The set features acoustic versions, and some new arrangements of Panic originals, including “Tall Boy”, “Ain't Life Grand” and “Climb To Safety”. Covers of fan favorites, such as Jimmy Cliff’s “Many Rivers To Cross” and Sonny Boy Williamson’s “Good Morning Little Schoolgirl” are stand out highlights. Wood also features first time renditions of John Lennon’s “The Ballad of John and Yoko” and former Animal Alan Price’s “Sell Sell” from the legendary British film O’ Lucky Man.

Live From Alabama, the first full-length live album from Jason Isbell & The 400 Unit, is set for a November 20 release on Lightning Rod Records/Thirty Tigers. The live set comes on the heels of receiving the award for SONG OF THE YEAR at the 2012 Americana Music Awards & Honors for his song “Alabama Pines”. The song comes from the group’s the highly acclaimed 2011 release, Here We Rest, which received three other Americana Award nominations.

Here We Rest is Isbell’s most celebrated album to date. Upon its release, Here We Rest reached the highest debut chart position of Isbell’s career by cracking the top 100 on the Billboard Top 200 Albums Chart. This was accompanied by critical affirmation from a wide range of outlets, including NPR, Associated Press, Esquire, GQ, SPIN, USA Today, Blurt, My Old Kentucky Blog and many more capping 2011 with an appearance on The Late Show with David Letterman.

Live From Alabama was recorded in Isbell’s home state during a couple of sold out shows in August 2012 at the WorkPlay Theater in Birmingham, AL and Crossroads in Huntsville, AL. The album’s set list showcases the diversity of styles the band can ease into and the versatility and skill of their musicianship. Add in the passion and sheer intensity of their performances, plus a three-piece horn section, and you have an album that captures a band in their true element at their prime.

Jason Isbell & The 400 Unit (keyboardist Derry deBorja, bassist Jimbo Hart and drummer Chad Gamble) perform favorites from Isbell’s entire body of work, as well as a few nuggets, including a no-holds-barred rendition of Neil Young’s “Like A Hurricane.”

Jason Isbell & The 400 Unit have announced a winter tour that is likely to be their last for some time as Isbell prepares to record a solo album in 2013. Stay tuned for more details.

– It has been nearly two years since world-renowned guitarist John McLaughlin released To the One, his highly acclaimed, first studio recording, with The 4^th Dimension.  The veteran guitar aficionado celebrates his 70^th birthday year with his newest studio recording, Now Here This (Abstract Logix) set for release tomorrow, October 16^th as he ups-the-ante even further with greater fire, finesse and freewheeling interplay.

McLaughlin’s musical influences carry over to many of the musical elite also declaring him to be “the best guitarist alive,” as Jeff Beck mused in 2010. In 2003, McLaughlin was ranked 49th in Rolling Stone magazine list of the "100 Greatest Guitarists of All Time" and in the summer of 2007, McLaughlin performed at Eric Clapton’s Crossroad Guitar Festival in Bridgeview, Illinois.   Chick Corea remarked to DownBeat Magazine that “…what John McLaughlin did with the electric guitar set the world on its ear.  No one ever heard an electric guitar played like that before, and it certainly inspired me. John's band, more than my experience with Miles, led me to want to turn the volume up and write music that was more dramatic and made your hair stand on end."

McLaughlin’s latest creative venture with The 4^th Dimension reflects a slight, yet significant, alteration of the dynamic, specifically the recruitment of powerhouse Indian drummer Ranjit Barot.  Cameroon-born/Paris-resident bassist Etienne M'Bappe is back from To the One, as is keyboardist/drummer Gary Husband. This 8-track set of McLaughlin originals, recorded at Studio 26 in Antibes, France, testifies to the guitarist's decades-long fascination with Indian music, through his effortless virtuosity, and relentless lyricism, even when the guitarist is shredding at near-light speed.   As John himself simply states, “Now Here This is the culmination of my life's work till now.”

The critical praise for McLaughlin’s previous musical venture cascaded forth immediately; John Fordham of The Guardian declared, "…this tight 40-minute document hums with a collaborative energy."  There is little doubt that McLaughlin's return to the electrified fusion he first innovated more than 40 years ago in groups led by trumpet icon Miles Davis and drum legend Tony Williams - and, of course, with his own earth-shattering Mahavishnu Orchestra - is as electrifying and exhilarating as ever. And for those new to the genre, Now Here This is the perfect introduction - one that will surely encourage them to also dive, head-first, into this legendary guitarist's lengthy and groundbreaking discography.

Acclaimed singer/songwriter Josh Rouse will release The Happiness Waltz on March 19 through Yep Roc Records. Sonically, The Happiness Waltz takes a trip back into Rouse’s early-2000’s period, a time when so many of his longtime fans really came on board. A number of the new tracks could easily find a home on the AM radio of the late 1970’s, nestled between some of the biggest songs of the day. Lyrically, The Happiness Waltz is very much an album in the present, featuring some of Rouse’s most personal songs to date. Rouse reunites with producer Brad Jones, who produced and engineered two of his most beloved albums, 1972 (2003) and Nashville (2005). The Happiness Waltz was recorded in Valencia, Spain at Rouse’s Rio Bravo studio; with overdubs and mixing completed at Alex The Great in Nashville, TN.

After nine acclaimed studio albums, residing all over the U.S. and touring the world, Rouse found his muse for The Happiness Waltz in what is most near and dear to him, his new family. In 2005, the Nebraska native moved to Spain, where he now spends the majority of his time with his wife and two young children. The thoughts and perspective gained from his experience as a husband and father pervades the 12 songs that make up The Happiness Waltz.

The Happiness Waltz is filled with Rouse’s thoughtful, delicate and infectious pop craft, a sound that has become his signature. The subtle grooves of “It’s Good To Have You” and “Julie (Come Out Of The Rain)” blend seamlessly with the poignant “The Ocean” and “Our Love” and the jovial “A Lot Like Magic” and “City People and City Things”. The common thread running throughout The Happiness Waltz is derived from a newfound wisdom that can only be the result of life-changing transitions. For Rouse, it is his loved ones who have provided the inspiration.

In a time when music careers come and go faster than ever, there is something to be said for an artist who has maintained a level of consistent quality output, building a solid body of work that spans over 15 years. The Happiness Waltz is a sure sign that Josh Rouse will not be ending that streak anytime soon.

After a yearlong hiatus, Widespread Panic has announced dates for their much-anticipated 2013 Spring Tour. The tour marks the first time the legendary sextet will tour featuring their full electric set up since 2011. To help celebrate the long-awaited return to the road, Widespread Panic will include intimate, fan favorite venues during select stops this spring.The tour begins with two nights at the Peabody Opera House in St. Louis, MO on April 9 & 10 and wraps with two nights in Nashville, TN at The Woods at Fontanel on May 3 & 4. Other cities include Atlanta, Chicago, Minneapolis and Louisville.Fans recently had a taste of what they have been missing when Widespread Panic played a rousing sold-out New Year’s Eve show at the Time Warner Cable Arena in Charlotte, NC. The prior evening, the band wowed the crowd during their annual Tunes For Tots benefit. To date, Tunes for Tots has raised over $900,000. for music programs in Georgia public schools.In early 2012, Widespread Panic embarked on their first-ever fully acoustic “Wood Tour”. The tour featured select, small venue performances in four cities over 11-dates. In October of 2012, the band released Wood, a special edition 3LP boxed set and double live CD, featuring selections from the special tour. Wood was very well received in the press and the fan reaction was overwhelming.After 27 years, Widespread Panic (John Bell, Dave Schools, Todd Nance, John “Jojo” Hermann, Domingo “Sunny” Ortiz and Jimmy Herring) is as strong as ever as they continue to break attendance records at major venues throughout the U.S. Stay tuned for more dates.

Tour dates have been announced for acclaimed singer/songwriter Matt Costa in support of his upcoming self-titled album to be released on February 12 via Brushfire Records. Matt Costa was recorded in Scotland and produced by long-time Belle & Sebastian/Mogwai collaborator Tony Doogan at his Castle of Doom studio. Belle & Sebastian’s Stevie Jackson, Chris Geddes and Bobby Kildea are also featured throughout the new 10-song collection.Costa’s upcoming tour will begin on March 14 in Tucson, AZ, and includes stops in Los Angeles, San Francisco, Seattle, Denver, Minneapolis, Chicago, Toronto, Montreal, Boston, New York, Washington DC, Atlanta and Nashville before the first leg ends in Houston, TX on April 29. See below for a full list of tour dates.For his fourth album, Costa had originally set out to make an album of folk/roots-inspired songs, but once he arrived in Glasgow, his initial idea evolved into something else entirely. Costa blends expansive horn and string arrangements with ethereal harmonies, thoughtful lyrics and warm vocals. The new tracks evoke elements of psychedelic 60’s pop, 70’s Laurel Canyon rock and British folk all fused with Costa’s penchant for pushing melodic boundaries. However, the singer does not hang on one style for the length of album. Matt Costa ranges from lush, elaborate arrangements (“Golden Cathedrals”) to nostalgic jangly pop (“Early November”) to dreamy folk (“Ophelia”) to enchanting ballads (“Eyes For You”).The songs, sounds, lyrics and overall vibe of Matt Costa feature an artist who has taken his music to another level. Upon first listen, it is evident that Matt Costa has made a serious artistic statement with his strongest work to date.Matt Costa – Spring Tour DatesMarch 14 – Club Congress – Tucson, AZMarch 15 – Crescent Ballroom – Phoenix, AZMarch 16 – Constellation Room – Santa Ana, CAMarch 19 – Casbah – San Diego, CAMarch 21 – The Troubadour – West Hollywood, CAMarch 22 – Slo Brewing Co. - San Luis Obispo, CA March 23 – Slim’s – San Francisco, CAMarch 24 – Harlow’s – Sacramento, CAMarch 26 – Wonder Ballroom – Portland, OR March 27 – The Crocodile – Seattle, WAMarch 28 – Electric Owl – Vancouver, BCMarch 29 – Sugar Space Nightclub – Victoria, BCMarch 30 – Wild Buffalo – Bellingham, WAApril 1 – Kilby Court – Salt Lake City, UTApril 2 – Bluebird Theater – Denver, COApril 4 - Triple Rock Social Club – Minneapolis, MNApril 5 – High Noon Saloon – Madison, WIApril 6 – Schubas – Chicago, ILApril 7 – Blind Pig – Ann Arbor, MIApril 9 – Beachland Ballroom – Cleveland, OHApril 11 – The Mod Club Theater – Toronto, ONTApril 12 – Le Petit Campus – Montreal, QC April 13 – Inn On The Blues - York Beach, MEApril 14 – Brighton Music Hall – Boston, MAApril 15 – Bowery Ballroom – New York, NYApril 17 – Johnny Brenda’s – Philadelphia, PAApril 19 – U Street – Washington, DCApril 20 – Cat’s Cradle – Carrboro, NCApril 21 – Vinyl – Atlanta, GAApril 22 – Mercy Lounge - Nashville, TNApril 24 – Firebird – St. Louis, MOApril 25 – Bottleneck – Lawrence, KSApril 26 – Cain’s Ballroom – Tulsa, OK April 27 – House Of Blues Cambridge – Dallas, TXApril 28 – Stubb’s BBQ – Austin, TXApril 29 – House Of Blues – Houston, TX

Baba Yaga, the new album from Athens, Georgia’s Futurebirds will be released on April 16 via Fat Possum Records/VL4L. Baba Yaga features 13 songs that, much like the album’s legendary mythical namesake, defy typical categorization. The ambiguity of Futurebirds’ sound comes from their dynamic blend of experimental atmospheric textures, alt-rock tones and laid-back harmonies. Their music is equally as warm and inviting as it is brooding and assertive. The energy of their live shows is that of a primal, sweat-filled, cosmic rock revival with soaring harmonies. And the word is out. Hear Ya said, “...it’s a requirement to see them live. There are few emerging bands with their energy and zeal on stage.”In 2009, Futurebirds released their self-titled EP, followed by their full-length debut, Hampton’s Lullaby in 2010. Stark Online said the album was, “...tastefully laced with weeping pedal steel, mandolins, and imbued with a distinct flair for well-crafted and efficient melodies.”  Since then, the band released the EP Via Flamina (2011) and Live at Seney-Stovall Chapel, a special 2011 Record Store Day release that sold out on the same day, showing how rapidly their loyal fan base was growing.Futurebirds has toured relentlessly, sharing bills with Drive-By Truckers, Widespread Panic, Heartless Bastards and Alabama Shakes. Their reputation as a must-see live act has landed them spots at major festivals, including, Austin City Limits, Outside Lands, Hangout, Wakarusa, Forecastle and Bonnaroo. The band was also invited to join the Bonnaroo Buzz tour (leading up to the 2011 festival), and were slotted between Gary Clark Jr. and headliner Grace Potter & The Nocturnals.Futurebirds are a six-headed beast, with each member contributing something distinctive to their sound. Together they have crafted a style that is simultaneously familiar yet fresh. Whether it is the spacey folk of the opener, “Virginia Slims”, the driving rhythm of “Serial Bowls” the hauntingly melodic  “Death Awaits” or the epic “St. Summercamp”, there is no doubt that Futurebirds have cemented their identity on Baba Yaga.Futurebirds recently released Exhume, a free 10-song collection of tracks from previous albums, as well as a few extras. Download Exhume for free at: http://www.noisetrade.com/futurebirds.

Denison Witmer, the new self-titled album from the veteran singer/songwriter will be released on April 30 by Asthmatic Kitty Records. Denison Witmer is a stunning collection of 11 songs inspired by love, loss, self-affirmation as well as self-discovery. Witmer makes soft-music, not to be confused with soft-rock, that is thoughtful, atmospheric, engulfing and continues to unveil itself upon each listen.Rolling Stone referred to Witmer as “...our favorite underrated singer-songwriter...” Underrated is an appropriate word for Witmer, who has released eight full-length albums and garnered critical praise from outlets such as Pitchfork, Entertainment Weekly and Popmatters, to name a few. Even with a myriad of acclaimed supporters and collaborators such as Sufjan Stevens, William Fitzsimmons (both appear on the album), Damien Jurardo, and Noah Gundersen Witmer’s career always seems to have flown just under the radar. Perhaps, that is, until now.After building a substantial body of work, why did Witmer choose to self-title his ninth album? With the birth of his son, the loss of his father and the arrival at a crossroads, questioning his chosen career path, Witmer found inspiration and validation from another artist, who had never recorded a single note. While in Amsterdam, Witmer visited the Van Gogh Museum, where he spent numerous hours absorbing some of the master’s greatest pieces. The true discovery for Witmer came from Van Gogh’s earlier works, before his most famous period. He marveled at the vast amount of rarely discussed Van Gogh creations. Witmer then observed that traces of the artist’s earliest work appeared in his most cherished paintings. Witmer had an epiphany. The simple, yet powerful, realization that our past experiences truly shape who we are and what we do in the present had a profound impact on him. It was now obvious that his present could not exist without his past, and it was vividly clear that everything he had created in his past had now brought him to, Denison Witmer, a fully realize piece of art.The songs on Denison Witmer are delivered with a gentle beauty that is both transfixing and hypnotic. Right from the opening track “Born Without the Words”, Witmer’s voice, lyrics and arrangements exude warmth, delicately easing into the depth and sentiment that runs throughout the album. From the inspired “Constant Muse” to the short, but poignant “Let Go A Little”, each track on Denison Witmer is a window into the artist’s own experiences.

The indomitable Widespread Panic has announced dates for their highly anticipated 2013 Summer Tour. After a year-long hiatus Widespread Panic returns for their summer trek, which has become an annual pilgrimage for thousands of fans.

The tour kicks off June 1st at the Wakarusa Festival in Ozark, AR before routing towards the West where the band will headline four consecutive nights (a Panic first) at the legendary Red Rocks Amphitheatre in Morrison, Colorado. Widespread Panic holds the record for sold out performances at Red Rocks with 38 (three nights in 2011 sold out in seven minutes). The 24-date tour will also include stops in Knoxville, TN, Vienna, VA, Hunter, NY, Raleigh, NC, Lincoln, NE, Alta, WY, Missoula, MT, Boise, ID, Las Vegas, Flagstaff, AZ and Grand Prairie, TX before concluding at the Oak Mountain Amphitheatre outside of Birmingham, AL.

The band’s most recent release is a special edition 3LP boxed set and double live cd entitled Wood.  Wood featured entirely acoustic live performances recorded at four select intimate venues in 2012 and were very well received by both the press and fans.

Widespread Panic is known as a national touring force and continues to hold attendance records at major venues across the country including Lakefront Arena in New Orleans, Oak Mountain Amphitheatre in Birmingham, AL and Philips Arena in Atlanta, GA.  They are a mainstay at many major U.S. festivals, having headlined 10 nights on the main stage at Bonnaroo. This year Widespread Panic will be making stops at The New Orleans Jazz & Heritage Festival, Wakarusa in Ozark, AK and Mountain Jam in Hunter, NY.  The band still holds the single one-day attendance record for New Orleans Jazz & Heritage Festival – 63,000 in 1999.

For over ten years Widespread Panic has been dedicated to making their concerts “food drive events.”  Since Summer 2008 the charity Feeding People Through Music has raised over $50,000 in monetary donations and over 6,000 pounds of food.  Since each dollar donated is worth seven meals, these events have bought over 350,000 meals.

WIDESPREAD PANIC 2013 SUMMER TOUR DATES

June 1 – Ozark, AR – Wakarusa Festival

June 3-4 – Knoxville, TN – Tennessee Theatre

June 5 – Vienna, VA - The Filene Center @ Wolf Trap

June 7 – Hunter, NY - Mountain Jam Festival

June 8-9 – Raleigh, NC – Red Hat Amphitheater

June 21 – Lincoln, NE – Pinewood Bowl Theater

June 22 – Kansas City, MO - The Starlight Theatre

June 27-30 – Morrison, CO - Red Rocks Amphitheatre

July 4-6 – Alta, WY – Grand Targhee Resort Amphitheater

July 9 – Missoula, MT – Big Sky Brewing Company

July 10 – Boise, ID – Idaho Botanical Garden

July 12-13 – Las Vegas, NV – The Joint At Hard Rock

July 14 – Flagstaff, AZ - Pepsi Amphitheater @ Fort Tuthill Park

July 17 – Grand Prairie, TX – Verizon Theatre @ Grand Prairie

July 19-20 – Pelham, AL – Oak Mountain Amphitheatre

The venerable Widespread Panic has announced the May 28 release of the 3-disc set Oak Mountain 2001 Night 1, their 8th multi-track release from the Widespread Panic Archives Series. Recorded at the Oak Mountain Amphitheatre in Pelham, AL on July 27, 2001, Oak Mountain 2001 Night 1 is the first night of three sold out performances that feature all six original band members: John Bell, Michael Houser, Todd Nance, John Hermann, Domingo Ortiz and Dave Schools.A regular stop for Panic over the years, the Oak Mountain Amphitheatre became sacred ground for Panic fans, whose energy fed the band night after night, particularly during this run. On the first night, Panic dug deep into their catalogue performing rousing versions of fan favorites “Conrad”, “Barstools and Dreamers” and “Greta”, while infusing the set with newer songs that would become band staples, including “One Arm Steve”, “Action Man” and “Bear’s Gone Fishin’”. Night 1 also features the first-ever performance of Jimmy Cliff’s “The Harder They Come”, which has since cemented its place in the diverse list of songs Panic covers.  See full set list below.The 2001 Oak Mountain shows left fond, lasting memories on fans and band members alike. So much so, that Widespread Panic’s next archival release will feature Night 2 of the run, also to be released via their independent label Widespread Records. (Date TBA).Widespread Panic just finished their sold out spring tour, and have recently announced dates for their much-anticipated summer tour, which begins on June 1 at the Wakarusa Music Festival in Ozark, AR and ends with a return to Oak Mountain Amphitheatre on July 19 & 20. June 28th mark Widespread Panic’s 40th consecutive sold out show at the legendary Red Rocks Amphitheatre in Morrison, CO. For the first time, Panic will play a four-night run June 27-30, all of which sold out in minutes, extending the venue’s record of sold out performances by any act to 42. For full list of tour dates, please visit: http://www.widespreadpanic.com/tour.

Meet Me At The Edge Of the World, the upcoming double album from the highly acclaimed band Over The Rhine, is set for a September 3rd release on their Great Speckled Dog label. Over The Rhine’s nucleus of husband and wife duo Karin Bergquist and Linford Detweiler have created their most ambitious offering to date with Meet Me At The Edge Of The World, and they did not need to look far to find their muse.The 19 tracks on Meet Me At The Edge Of The World were all recorded live in only six days, with Grammy-winning producer Joe Henry (Bonnie Raitt, Bettye LaVette et al) at the helm. Most of the songs were literally born out of the land surrounding the 1830s brick farm house Bergquist and Detweiler purchased eight years ago in southern Ohio. The couple refers to their home as Nowhere Farm. Upon moving there, they knew little about the land’s flora and fauna. Over time, the land began to slowly reveal itself to them as they became more in tune with the natural setting and began calling trees, birds, weeds and wildflowers by name. Eventually the surroundings seeped into the music, both physically and spiritually, that would become Meet Me At The Edge Of The World.All songs were written by Bergquist and Detweiler, with the exception of their stunning rendition of The Band’s “It Makes No Difference.” The transitional experience of moving from the city to the farm is captured on “All Of It Was Music,” while the two trade vocals for the first time on the beautiful “All Over Ohio”. The heartwarming “Earthbound Love Song” cites the love of Johnny Cash and June Carter Cash as an important reference for any aspiring musical couple, and “Favorite Time Of Light” documents the daily ritual of stepping outside when the changing evening light conjures an imaginary Ohio Ocean. “Baby If This Is Nowhere” is an affirmation that Nowhere Farm is where they know they are meant to be. And on “Sacred Ground” and “Blue Jean Sky” the couple incorprate  a new sound as they began singing in unison for the first time.Through the years, Over The Rhine’s music has maintained an important place in the lives of their thousands of devoted fans. Their songs become close friends and often accompany the band’s followers during life’s major milestones, both happy and sad. There is no doubt the songs on Meet Me At The Edge Of The World will also become tried and true companions.See Complete Track Listing & Tour Dates BelowOver The RhineMeet Me At The Edge Of The WorldTrack ListingAlbum I1.)  “Meet Me At The Edge Of The World”2.)  “Called Home”3.)  “Sacred Ground”4.)  “I’d Want You”5.)  “Gonna Let My Soul Catch My Body”6.)  “All Of It Was Music”7.)  “Don’t Let The Bastards Get You Down”8.)  “Highland County”9.)  “Wait”Album II1.)  “All Over Ohio”2.)  “Earthbound Love Song”3.)  “Against The Grain”4.)  “It Makes No Difference”5.)  “Blue Jean Sky”6.)  “Cuyahoga”7.)  “Baby If This Is Nowhere”8.)  “Wildflower Bouquet”9.)  “The Birds Of Nowhere Farm”10.) “Favorite Time Of Light”Over The Rhine - Upcoming Tour DatesJune 22 - Nelsonville, OH - Stuart's Opera HouseJuly 12 - Winnipeg, MB - Winnipeg Folk FestivalJuly 20 - Akron, OH - MusicaJuly 21 - Charleston, WV - Mountain StageJuly 27 - Calgary, AB - Calgary Folk FestivalAugust 10 - Boulder, CO - Triple A ConventionAugust 11 - Nashville, TN - 3rd & LindsleyAugust 23 - Decatur, GA - Eddie's AtticAugust 24 - Duluth, GA - Red Clay TheatreSeptember 3 - 6  - Alaska – Alaska  Train TourSeptember 13 - Cincinnati, OH - Coney IslandSeptember 20 - Chicago, IL - Park WestSeptember 21 - Grand Rapids, MI - Calvin CollegeSeptember 22 - Milwaukee, WI - Turner Hall BallroomSeptember 24 - Iowa City, IA - The Englert TheatreSeptember 25 - St. Louis, MO - Old Rock HouseSeptember 27 - Minneapolis, MN - Cedar Cultural CenterSeptember 28 - Madison, WI - Majestic TheatreOctober 5 - Dayton, OH - Victoria TheaterOctober 11 - Ann Arbor, MI - Power CenterOctober 12 - Kent, OH - The Kent StageOctober 13 - Alexandra, VA - The BirchmereOctober 15 - Philadelphia, PA - World Cafe LiveOctober 17 - New York, NY - Highline BallroomOctober 19 - Boston, MA - Somerville, MA

Build Me Up From Bones, the third release from acclaimed 22-year-old singer/songwriter/multi-instrumentalist Sarah Jarosz, is set to drop October 1st via Sugar Hill Records. Build Me Up From Bones was recorded in the midst of Jarosz’s final semester at the prestigious New England Conservatory (where she graduated with honors) and a rigorous touring schedule.  Following her mid-May graduation, she flew straight to Nashville to put the finishing touches on the album.  Now set to embark on an exciting new chapter of her life, the songs on Sarah Jarosz’s newest release are a compelling portrait of an artist coming into her own.Over the past four years Jarosz has covered a remarkable amount of ground for someone so young.  She has toured across the US, UK and Canada, appeared on A Prairie Home Companion, and taped Austin City Limits and the BBC Series The Transatlantic Sessions. Her two previous records received high praise from outlets including Rolling Stone, USA Today, Paste, Mojo and American Songwriter.The growth in Jarosz’s songwriting is prominent on this new release.  She penned nine out of the eleven tracks, and while Jarosz previously tended to write and sing in third person narratives, her new material connects in a much more personal way.  Love songs such as “Build Me Up From Bones” pair vulnerability with enough mystery to allow listeners to find their own meaning.  The covers she has chosen–Joanna Newsom’s “Book of Right-On” and Bob Dylan’s “Simple Twist of Fate” reflect the breadth of her evolving influences.Build Me Up From Bones was co-produced with Sarah’s longtime collaborator – GRAMMY® award-winning engineer and producer Gary Paczosa.  The concept was to keep the focus of the album on a trio configuration of Alex Hargreaves (fiddle) and Nathaniel Smith (cello) that Jarosz has been touring with since 2010.  As the recording progressed, other guests were added, including Dan Dugmore, Darrell Scott and Chris Thile, building a tasteful instrumental backdrop for Jarosz’s warm and expressive vocals.Sarah Jarosz is that rare combination of instrumental virtuosity, emotive vocals and songwriting chops.  With a college degree under her belt, a stunning new release completed and a national tour beginning, she continues to chart her own unique artistic path.  SARAH JAROSZ UPCOMING TOUR DATES         6-21 - Telluride, CO - Telluride Bluegrass Festival    6-22 - Telluride, CO - Michael D. Palm Theatre    7-06 - Quincy, CA - High Sierra Music Festival7-07 - Quincy, CA - High Sierra Music Festival  7-11 - Tupelo, MS - Down on Main Street    7-13 - Louisville, KY - Forecastle Festival    7-18 - Missoula, MT - Top Hat Lounge    7-20 - Alta, WY - Targhee Fest    7-25 - Northampton, MA - Iron Horse Music Hall    7-26 - Hiram, ME - Ossipee Valley Music Festival    7-27- Newport, RI - Newport Folk Festival    7-28 - Ogunquit, ME - Jonathan's Restaurant    8-10 - Portland, OR - Oregon Zoo Amphitheatre    8-11 - Seattle, WA - Woodland Park Zoo Amphitheatre    9-07 - Charlottesville, VA - Monticello    9-20 - North Adams, MA - Fresh Grass Festival    9-28 - Hamilton, OH - Parrish Auditorium    10-10 - Ann Arbor, MI - The Ark    10-12 - Stoughton, WI - Stoughton Opera House    10-20 - Johnson City, TN - Mountain Stage D.P. Culp University Center    11-7 - Austin, TX - Paramount Theatre (with the Milk Carton Kids)    11-9 - Fischer, TX - Rice FestivalMore Tour Dates Coming Soon . . . .

Acclaimed singer-songwriter Jason Isbell's new album, Southeastern reached the artist’s highest ever debut on the Billboard Top 200 chart at #23, selling over 17,500 units. The album debuted at #8 at rock, #5 indie and #13 at digital. These numbers represent something special for Isbell and his small indie label Southeastern Records/Thirty Tigers. Combined with the overwhelming support from the press upon its June 11 release, Southeastern marks a true milestone for Isbell as an artist. He opens himself up to the world in a very personal and courageous way that only a solo album could embody. The songs reflect his fears, failures, regrets, triumphs and, above all, growth, as a result of being sober for well over a year now. Isbell does this with such honesty, beauty and grace that it has, and continues to, resonate with so many people.Isbell was recently the subject of features in The New York Times Magazine, Wall Street Journal, NPR’s All Things Considered, Billboard, Huffington Post, Garden & Gun, Popmatters, as well as the cover of Paste. Thus far, Southeastern has garnered great reviews from a wide range of outlets, including NPR’s Fresh Air, SPIN, USA Today, The New Yorker, Rolling Stone, American Songwriter and many more. Isbell will be performing with his band, The 400 Unit, on The Late Show with David Letterman on July 23, with appearances scheduled on Conan and Austin City Limits as well.Here is what some of the press has said thus far:"Every song on Isbell's fourth studio album punches your gut.” 3 ½ Stars (out of 4) – USA Today“This album is harrowing and not for the timid, but those who stick with it will be treated to a truthful, moving journey and a master class in songwriting to boot.”4 ½ Stars – American Songwriter“The words and music are scrubbed clean of self-pity and instead give off energetic ruefulness, of the kind of that is one of the best combinations of sobriety and clarity.”– NPR Fresh Air“As good as the songs are (and I can’t stress enough just how good they really are), Isbell’s singing may be even better.”Grade: 9 (out of 10) – PasteJason Isbell & The 400 Unit just completed a triumphant set at the Bonnaroo Music & Arts Festival before kicking off their summer tour today including the recently announced headline debut at the Ryman Auditorium in support of Southeastern. See tour dates below.Jason Isbell - Tour DatesJune 19 - St. Louis, MO - Off BroadwayJune 20  - Kansas City, MO - CrossroadsJune 22 – Monterey, CA - Monterey Americana Music FestJune 23 – Salt Lake City, UT – Utah Arts FestivalJune 25 - Akron, OH - MusicaJune 26 - Columbus, OH - Skully’sJune 27 - Ann Arbor, MI - The ArkJune 28 – Pittsburgh, PA – WYEP Summer Music FestivalJune 30 - Charleston, WV - Culture Center TheaterJuly 1 - Alexandria, VA - The Birchmere SOLD OUTJuly 2 - Raleigh, NC - Lincoln TheaterJuly 3 - Charlotte, NC - Visulite TheaterJuly 5 - Charleston, SC - Pour HouseJuly 6 – Chattanooga, TN – Track 29July 20 - Maryville, TN – The ShedJuly 26 - Floyd, VA - FloydfestJuly 27 - Newport, RI - Newport Folk FestivalJuly 29 – Cambridge, MA -The SinclairJuly 30 – Portland, ME - Port City Music HallAugust 1 – Buffalo, NY – The Waiting RoomAugust 2 – Toronto, ON – Lee’s PalaceAugust 4 – Hartford, CT – Arch Street TavernAugust 6 – Lancaster, PA – Chameleon ClubAugust 7 – Philadelphia, PA – World Café LiveAugust 9 – Wilkes-Barre, PA – Kirby CenterAugust 10 – New York, NY – Lincoln Center Out of DoorsAugust 17 – Nashville, TN  - Ryman Auditorium Tickets on sale Friday at 10 am.August 23 – Friendship, IN – Whispering Beard Folk FestivalAugust 24 – Birmingham, AL – Revival FestivalSeptember 7 – Big Sky, MT – Music In The MountainsSeptember 14 – Santa Barbara, CA - Sings Like Hell at Marjorie Luke TheatreNovember 1-5  - Miami, FL to Great Stirrup Cat, Bahamas – Rombello Cruise

Widespread Panic has announced dates for their highly anticipated 2013 Fall Tour, as well as their New Year’s Eve return to Atlanta’s Philips Arena, where the band holds the all time attendance record.Widespread Panic’s fall tour begins in September and runs through November. The band will be returning to some of their favorite cities and venues, including their annual Halloween celebration in New Orleans that kicks off a three-night run at the city’s Lakefront Arena, where they also happen to hold the all time attendance record. The seminal sextet’s tour stops will include performances in Memphis (two nights), Detroit, Milwaukee (three nights), Charleston, SC (two nights), Austin (two nights), Houston, Miami, Boston, New York City and more.Widespread Panic is on the heels of their first summer tour since 2011, and the fans came out in droves packing venue after venue. The summer tour marked a Panic first when the band headlined four consecutive nights (one more than the usual three) at the legendary Red Rocks Amphitheatre in Morrison, Colorado, adding to their already staggering attendance record. The four shows brought their total number of consecutive sold out shows at the venue to an unprecedented 42, and counting.For over ten years Widespread Panic has been dedicated to making their concerts “food drive events.”  Since Summer 2008 the charity Feeding People Through Music has raised over $55,000 in monetary donations and over 7,000 pounds of food.  Since each dollar donated is worth seven meals, these events have bought over 350,000 meals.WIDESPREAD PANIC - 2013 FALL TOUR DATESSeptember 7 & 8 – Arrington, VA – Interlocken Music FestivalSeptember 20 & 21 – Memphis, TN – Snowden Grove AmphitheaterSeptember 22 – Cincinnati, OH – Taft TheatreSeptember 24 – Detroit, MI – The FillmoreSeptember 26-28 – Milwaukee, WI – Riverside TheaterSeptember 29 – Indianapolis, IN – Murat Theatre at Old National CentreOctober 1 – Carbondale, IL – SIU ArenaOctober 3 – Tuscaloosa, AL – Tuscaloosa AmphitheaterOctober 4 & 5 – Charleston, SC – Family Circle Stadium**w/Umphrey’s McGeeOctober 25 & 26 – Austin, TX – Austin City Limits Live at Moody TheaterOctober 27 – Houston, TX – Bayou Music CenterOctober 29 – Tulsa, OK – The Brady TheaterOct. 31 – Nov. 2 – New Orleans, LA – Keifer Uno Lakefront Arena**11/1 w/The New Orleans Suspects*11/2 w/BoneramaNovember 5 – Miami, FL – The Fillmore Miami Beach at the Jackie Gleason Theatre**w/Roosevelt Collier & Bobby Lee Rodgers BandNovember 6 – Jacksonville, FL – Moran TheaterNovember 8 & 9 – Asheville, NC – Exploreasheville.com ArenaNovember 12 – Baltimore, MD – Modell Performing Arts Center at the LyricNovember 14 – Syracuse, NY - Landmark TheatreNovember 15 – Boston, MA - Orpheum TheatreNovember 16 – New York, NY – Theater at Madison Square GardenDecember 31 – Atlanta, GA – Philips Arena2014March 17-20 – Dominican Republic Panic En La Playa Tres at Hard Rock Hotel

What do you get when you take a batch of incredible songs, five veteran players who have never played together, with an arsenal of five musical minds working in unison to reinvent them? You get Hard Working Americans. Hard Working Americans is the self-titled debut from this new musicians’ collective, scheduled for a January 21 release on Melvin Records/Thirty Tigers. Genres meld seamlessly with the birth of this group, featuring artists from the Americana, singer/songwriter, experimental, jam and rock communities. Hard Working Americans is: Todd Snider (vox), Dave Schools of Widespread Panic (bass), Neal Casal of The Chris Robinson Brotherhood (guitars/vox), Chad Staehly of Great American Taxi (keys) and Duane Trucks of King Lincoln and of the Trucks family lineage (drums). See how Hard Working Americans came to be in this short in-studio EPK: View HereHard Working Americans features 11 tracks written by a range of artists that include Randy Newman, Lucinda Williams, Kevin Gordon, Hayes Carll, Kevn Kinney (Drivin’ ‘N Cryin’), Gillian Welch & Dave Rawlings, Brian Henneman (The Bottle Rockets), Will Kimbrough, Tommy Womack, Kieran Kane, Chuck Mead (BR5-49), Don Herron and Frankie Miller (Elizabeth Cook). As the five band members came together, they had no idea what to expect. Snider, known more as a songwriter than interpreter of songs, would just start singing and clapping, which then set the creative ideas in motion with his new band mates. This was uncharted territory as the players had not worked together previously, but it became an uninhibited, creative and fruitful environment as their chemistry was almost instant, a very pleasant surprise. In the end, the group created fresh and uniquely original arrangements of great songs, led by Snider’s intrepid vocals and backed by a band of virtuosos. The songs were then sequenced in an order that tells a story of the everyday person, the blue-collar worker, the frustrated, the struggling, the Hard Working American.Hard Working Americans was produced by Dave Schools and Todd Snider. Special guests include John Popper and John Keane. The album was recorded at Bob Weir’s TRI Studios is San Rafael, CA, mastered by Bob Ludwig and mixed by John Keane. Look for Hard Working Americans on tour in early 2014.

The Charleston, SC duo Shovels & Rope entered the Americana Awards & Honors last week leading all nominations with four. The multi-talented husband & wife team of Cary Ann Hearst and Michael Trent left the historic Ryman Auditorium that evening with two of the top honors, Song of the Year (“Birmingham”) and Emerging Artist of the Year. During the ceremony, Shovels & Rope performed “Birmingham” to a capacity crowd and received a rousing ovation.The AMA nominated Album of the Year, O’ Be Joyful came out in July 2012 and garners high praise from the press, including Wall Street Journal, USA Today, Associated Press, Filter, Nylon, and more (View Highlights). 2013 has been an even more incredible year for Shovels & Rope as they firmly made their presence known during debut appearances at major festivals including Coachella, Newport Folk, Lollapalooza, Sasquatch, Hangout, Forecastle and Wakarusa. They continue to add to the growing list of sold out shows during their current headlining fall tour. NPR recently posted their Tiny Desk Concert performance (View Here) and the two are the subject of a “Talk Of The Town” feature in the current issue of The New Yorker (View Here).Earlier this year, Shovels & Rope made their national television debut with a captivating performance on The Late Show with David Letterman (View Here). They will make their debut on PBS’ Austin City Limits on October 19, as well as their debut appearances at the Austin City Limits Music Festival on October 4 & 11.On November 26, Dualtone Records will re-issue, for the first time on vinyl, the duo’s 2008 debut collaboration, originally titled Shovels & Rope by Cary Ann Hearst and Michael Trent. The album‘s title was a foreshadowing of what would become the duo’s permanent moniker just a few years later. The re-issue will be titled Shovels & Rope by Shovels & Rope, and will include and a CD copy of the album. Shovels & Rope can be pre-ordered at dualtonestore.com.

Hard Working Americans, the new ensemble featuring veteran musicians Todd Snider, Dave Schools (Widespread Panic), Neal Casal (Chris Robinson Brotherhood), Chad Staehly (Great American Taxi) and Duane Trucks (Col. Bruce Hampton), has announced dates for their first-ever tour to hit select cities. Hard Working Americans’ self-titled debut album will be released on January 21 via Melvin Records/Thirty Tigers.  Take a look at the 60-second in-studio teaser of "Another Train".The eight-city major market tour will kick off in New York City on January 23, followed by stops in Boston, Philadelphia, Los Angeles, San Francisco, Atlanta and Nashville. Tickets go on sale October 25th, tickets for San Francisco go on sale October 27th.A special debut performance of Hard Working Americans has been scheduled on December 20 at the Boulder Theater in Boulder, CO to benefit the Foothills Flood Relief Fund to assist victims of the recent floods that ravaged the area. The benefit is being sponsored by the Boedecker Foundation. Tickets for the benefit are available HERE.Hard Working Americans feature one of the country’s most original singer/songwriters alongside four virtuosos with the focus being all about the songs. The result is something truly unique, only to be matched by what they bring to the stage. View the full Hard Working Americans in-studio EPK that explains how the collective came to be.Hard Working AmericansUpcoming Tour Schedule*Click Embedded Links For Ticketing Information* December 20 – Boulder, CO – Boulder Theater*Special Benefit For Colorado Flood ReliefWith Hayes Carll Supporting January 23 - New York, NY - Bowery BallroomJanuary 24 - Boston, MA - Brighton Music HallJanuary 25 - Philadelphia, PA - Union TransferJanuary 30 - Los Angeles, CA - The TroubadourJanuary 31 - San Francisco, CA - The FillmoreFebruary 20 - Atlanta, GA - Variety PlayhouseFebruary 21 - Nashville, TN - Marathon Music HallWith Turbo Fruits Supporting

Half The City (Single Lock/Thirty Tigers) the full-length debut from the explosive Birmingham, AL soul sextet St. Paul & The Broken Bones is set for release on February 18. St. Paul & The Broken Bones has already garnered much attention due to their high-energy live performances, led by charismatic front man Paul Janeway. The group’s sweat-soaked, take-no-prisoners style has converted many, including Paste Magazine, who named St. Paul & The Broken Bones one of their “2013 Best Of What’s Next” artists, and NPR Music, who included the album in their “Under The Radar Albums Preview”. Take a look at this Our Vinyl clip of “Call Me” which showcases some of Janeway’s dynamics as well as the rhythm and power the young Broken Bones possess.Half The City oozes with key elements of Memphis soul, Muscle Shoals R&B and the Motown experience, which lay solid ground for Janeway’s expressive vocals. Raised in a Pentecostal-leaning church in Alabama, Janeway studied to be a preacher until he was 18 years old. Little did he know that his years in front of congregations would evolve into a fully charged, electric stage persona. However, this is no shtick. St. Paul & The Broken Bones also write great songs. Tracks such as “Like A Mighty River”, “Don’t Mean A Thing” and “Sugar Dyed” overflow with infectious grooves, old school horn arrangements shout-out-loud choruses that exude sheer joy. The soulful blues of “Torn Up” and “Broken Bones and Pocket Change” hearken back to 1960’s Stax, while still sounding fresh and vibrant.Half The City was produced by Ben Tanner of Alabama Shakes, who co-founded Single Lock Records with John Paul White (Civil Wars) and Will Trapp. The album’s 12 tracks were recorded live to tape at the Nutthouse in Muscle Shoals, AL and mixed at the legendary FAME Studio A. Special guests include Al Gamble (piano/organ/wurlitzer), Daniel Stoddard (pedal steel) and Tanner (piano/organ/background vocals).St. Paul & The Broken Bones was founded by Janeway and bassist Jesse Phillips, who met in a previous band playing rock covers. Guitarist Browan Lollar, drummer Andrew Lee, trumpeter Allen Bransetter and trombonist Ben Griner fill out the ensembles muscular sound. St. Paul & The Broken Bones provide a high-spirited, uplifting experience not to be missed, answering the question, YES, you can get a witness!

The inaugural Phases Of The Moon Music + Art Festival is set to take place September 11-14 at the beautiful 3000 acre Kennekuk Country Park just outside Danville, IL. Phases Of The Moon is proud to announce Phase I of artists scheduled to perform at the first annual event. Artists include: Widespread Panic (two nights), Tedeschi Trucks Band, Gov’t Mule, Leon Russell, Galactic, Robert Randolph & The Family Band, Chris Robinson Brotherhood, Jackie Greene Band, Anders Osborne, Leftover Salmon with Bill Payne of Little Feat, Dumpstaphunk, Karl Denson’s Tiny Universe, JJ Grey & Mofro, Monophonics, The Revivalists, Soulive, Tea Leaf Green, Rumpke Mountain Boys, Matt Schofield, James Jones Trio and Artist-In-Residence David Gans. To stay on top of all upcoming artist announcements, go to http://potm.us/lineup.Phases Of The Moon is a four-day music, arts and camping event thoughtfully tailored to provide a unique festival experience. Phases Of The Moon boasts four outdoor stages: two main stages that alternate following each set and two smaller stages. Along with amazing music, attendees will have access to farm-to-table food, craft beer, a farmer’s market and a mall of diverse craft vendors featuring and array of original items. POTM is an all-inclusive event that includes The Crescent Moon Kids Area set up for families featuring fun and creative activities for children.Phases Of The Moon has put a strong emphasis on art.  Large interactive sculptures, live art, and works from renowned national and local artists will be on display. A variety of performance artists will be roving through the crowds performing and connecting with the new Phaser family.Phases Of The Moon will provide fun, informative and thoughtful ways to spend the weekend when you are not listening to you favorite music. The Non-Profits Participation Row will feature local and national organizations, including food drives, greening initiatives and workshops ranging from music to art to sustainability.One of the major factors that set Phases Of The Moon apart from the multitude of music festivals is the stunning setting. Kennekuk Country Park boasts several miles of hiking trails, scenic ponds, streams, wide-open spaces, lush canopies of trees, a historic collection of turn-of-the-century buildings and the 170-acre Lake Mingo. The park is located within a short drive from a number of major metropolitan areas – 2.5hrs from Chicago, 1.5hrs from Indianapolis, less than 1hr from Champaign, and about 3.5hrs from St. Louis.

Widespread Panic has just announced dates for their upcoming 2014 Summer Tour, which includes performances at some of the band’s fan favorite venues.  This year, Widespread Panic is excited to be joined on tour by some very special guests and friends.

The 2014 Summer Tour begins at The Riverbend Festival in Chattanooga, TN before heading to the Northeast making stops in Boston on June 13th and Philadelphia on June 14th where Galactic will share the stage performing 60 minute sets to kick off the shows.  Galactic will also join the band in Lincoln, NE on June 24th and Kansas City on June 25th.  On June 21st, Widespread Panic will headline a festival-type event in Somerset, WI, which will include performances by Galactic, Conspirator, Jerry Joseph and others TBA.  Their very good friends Tedeschi Trucks Band and Jerry Joseph will also join Panic for a very special evening on June 20th.  Summer Tour finishes up with a bang as the band will play three nights at The Red Rocks Amphitheatre followed by three nights at The Joint At Hard Rock Hotel & Casino in Vegas.  Widespread Panic currently holds the attendance record for most consecutive sold out shows at Red Rocks Amphitheatre with an unprecedented 42.  Panic will also take the stage at the beautiful High Sierra Music Festival held annually in Quincy, California on July 6th.  See a complete list of tour dates below.

Widespread Panic has just released the 22nd and 23rd installments of their Porch Songs Live Archives Series.  The series, beloved by fans, picks up with the band near the tail-end of their 2000 Fall Tour with a two-night run in Memphis, TN at the Mid-South Coliseum.  Though the band has since returned to the venue three years running, this live recording marks their first visit.  Highlights include sit-ins from the brothers Dickinson, Luther and Cody, with song highlights including “Vacation”, “Sleeping Man” “Let It Rock” and “Aint’ Life Grand” encores.  For more information about the series please visit: http://widespreadpanic.com/archive

Widespread Panic (John Bell, Dave Schools, Todd Nance, John “Jojo” Hermann, Domingo “Sunny” Ortiz and Jimmy Herring) remain one of the top touring acts in the US, playing to packed arenas, amphitheatres and enthusiastic festival crowds  all over the country. Fans continue to travel great distances to take part in the unique communal live experiences, which have grown into legendary status.  

Full list of tour dates below.  Visit www.widespreadpanic.com

WIDESPREAD PANIC 2014 SUMMER TOUR DATES 

June 7th – Chattanooga, TN - Riverbend Festival
June 11th – Augusta, GA – James Brown Arena
June 13th – Boston, MA – Blue Hills Bank Pavilion
(Special Guest: Galactic)
June 14th – Philadelphia, PA – The Mann Center For Performing Arts
(Special Guest: Galactic)
June 19th – Cleveland, OH - Jacobs Pavilion At Nautica
June 20th – Chicago, IL – FirstMerit Bank Pavilion at Northerly Island
(Special Guests: Tedeschi Trucks Band & Jerry Joseph)
June 21st – Somerset, WI – Somerset Amphitheater
(Special Guests: Galactic, Conspirator & Jerry Joseph and more TBA)
June 24th – Lincoln, NE – Pinewood Bowl Amphitheater
(Special Guest: Galactic)
June 25th – Kansas City, MO – The Starlight Theatre
(Special Guest: Galactic)
June 27th – Morrison, CO – Red Rocks Amphitheatre
June 28th – Morrison, CO – Red Rocks Amphitheatre
June 29th – Morrison, CO – Red Rocks Amphitheatre
July 2nd – Las Vegas - The Joint At Hard Rock Hotel & Casino
July 3rd – Las Vegas - The Joint At Hard Rock Hotel & Casino
July 4th – Las Vegas – The Joint At Hard Rock Hotel & Casino
July 6th – Quincy, CA – High Sierra Music Festival

The inaugural Phases Of The Moon Music + Art Festival announces Phase II of artists scheduled to perform at the September 11-14 event. The Phase II lineup includes, Bob Weir & RatDog, Railroad Earth, Vintage Trouble, Donavon Frankenreiter, Sam Bush Band, Nicki Bluhm & The Gramblers, Martin Sexton (two sets), Kung Fu, The California Honeydrops (two sets), Toubab Krewe, Poor Man’s Whiskey (two sets), The Brothers Comatose, Cornmeal (two sets), The Steepwater Band, Mingo Fishtrap, Futurebirds, Go Down Moses, Moon Hooch, The Dawn, Abnormous, Naked Rock Fight, The Harmaleighs, A Live One, Steady Flow, Flatland Harmony Experiment, Ernie Hendrickson Band, Kevin Bilchik, The Brothers, Kasey Burton, Boat Drink Caucus (featuring actual state legislators) and The Moonrise Gospel Brunch. 

The Phase II artists join an already impressive lineup that includes, Widespread Panic (two nights), Tedeschi Trucks Band, Gov’t Mule, Leon Russell, Galactic, Robert Randolph & The Family Band, Chris Robinson Brotherhood, Jackie Greene, Anders Osborne, Leftover Salmon with Bill Payne of Little Feat, Artist-In-Residence David Gans and many more. To view all artists scheduled to perform thus far, go to http://potm.us/lineup.

Phases Of The Moon is a four-day music, arts and camping event, thoughtfully curated to provide a unique festival experience for all. Phases Of The Moon boasts four outdoor stages: two alternating main stages and two smaller stages. While music remains the primary focus of Phases Of The Moon, the festival’s emphasis on art comes in as a close second. Works from renowned national and local artists will be on display, featuring large interactive sculptures, live art and a variety of performance artists. Stay tuned for upcoming art announcements.

The Phases Of The Moon Music + Art Festival streaming radio station is now live. Phases Radio features music and news of artists appearing at the Festival as well as music from other artists loved by the Phases Family. Phases Radio is accessible via a tab on all pages of the Phases website and is also available on TuneIn Radio and the TuneIn Radio app. Tune in now at: http://phasesofthemoonfestival.com/media/radio/

The Phases Of The Moon Music + Art Festival will take place September 11-14 at the 3000 acre Kennekuk County Park outside Danville, IL. The beautiful setting boasts several miles of hiking trails, scenic ponds, streams, wide-open spaces, lush canopies, a historic collection of turn-of-the-century buildings and the 170-acre Lake Mingo. The park is located within a short drive from a number of major metropolitan areas – 2.5 hours from Chicago, 1.5 hours from Indianapolis, less than 1 hour from Champaign and about 3.5 hours from St. Louis.

Genre-defying sextet Umphrey’s McGee announces the release of their highly anticipated eighth studio album Similar Skin (June 10). Similar Skin will be released via the band’s newly formed independent label, Nothing Too Fancy Music, named after one of their most beloved songs. As one of the most progressive and forward thinking DIY bands around, Umphrey’s McGee continues to set new industry standards where music and the fan experience intersect.Umphrey’s McGee’s dynamic sounds, virtuosic playing and cutting edge live spectacles continue to draw fans as they sell out major venues throughout the US. Their groundbreaking approach to fan-friendly, communal live experiences have raised the bar in the music industry. Their pioneering live interactive efforts include fan curated sets, “audio immersion” via their Headphones & Snowcones experience - see Rolling Stone piece, the Stew Art series and the annual UMBowl events - featured in Wired, to only name a few. These extraordinary fan relations efforts have been the subject of stories in numerous other outlets, including Billboard, Mashable, Pollstar, Relix, Chicago Tribune and Time.com, who said, “As the record business continues to struggle, bands like Umphrey’s McGee are expanding the notion of what a rock band can offer to their fans.” Similar Skin features 11 new songs; some part of their vast live repertoire that have been recorded here for the first time. While Umphrey’s calling card for years has been their grand live events, the band’s focus in the studio has continued to evolve and break new ground with each album. The culmination of past recording experiences has brought them to Similar Skin. Following the overall success of 2009’s Mantis and 2011’s Death By Stereo, the band decided to forgo some of the dense productions of the past and create a work that includes more concise tracks filled with addictive melodies and memorable choruses. Fans need not worry though, there is plenty of signature Umphrey’s throughout the entire album. Diversity is a trademark of Umphrey’s McGee and it is well represented on Similar Skin. There are few bands that could have so many stylistic touchstones on the same album while blending them seamlessly and brilliantly. From the intricate prog-infused (“The Linear”, “Bridgeless”) to the pop-influenced (“No Diablo”, “Hourglass”) to thick heavy guitars tracks (“Little Gift”, “Hindsight”) and epic rock crescendos (“Cut The Cable”, “Loose Ends”), Similar Skin represents a band that continues to push forward in its 16th year.Umphrey’s McGee will spend most of the next four months on the road, featuring some very special stops along the way. For the first time in four years the band will return to London for a long-awaited three-night stand at the new Brooklyn Bowl June 19-21. Umphrey’s will perform at major festivals throughout the country, including Wanee, Summer Camp, Mountain Jam, Wakarusa and returning for their seventh appearance at Bonnaroo. The band continues to headline major venues, including The Beacon Theatre (New York), Red Rocks (Morrison, CO), The Wiltern (Los Angeles) and many more. See a full list of upcoming Umphrey’s McGee tour dates below.Upcoming Umphrey’s McGee Tour DatesMarch 18 & 19 – Aspen, CO – Belly UpMarch 20 – Salt Lake City, UT – The DepotMarch 21 – Las Vegas, NV – Hard Rock Live March 22 – Tempe, AZ – The Marquee TheatreMarch 27 – Athens, OH – Hoopla In The HillsApril 1 – Chattanooga, TN – Track 29April 2– Winston-Salem, NC – Ziggy’sApril 3 – Wilmington, NC – Greenfield Lake AmphitheatreApril 4 – Charleston, SC – N. Charleston Performing Arts Center April 5 – Birmingham, AL – Iron City Music HallApril 7 – Augusta, GA – Jessye Norman AmphitheaterApril 8 – Athens, GA – Georgia TheatreApril 10 – Ft. Lauderdale, FL – Revolution LiveApril 10-11 –  Live Oak, FL – Wanee Music FestivalApril 16 – Mobile, AL – Saenger TheatreApril 17 – New Orleans, LA – The Civic TheatreApril 18 – Dallas, TX – House Of BluesApril 19 – Austin, TX – Stubb’s BBQMay 3 – Port Chester, NY – UMBowl V at The Capitol TheatreMay 23-25 – Chillicothe, IL – Summer Camp Music FestivalJune 5 – Hunter, NY – Mountain JamJune 6-8 – Ozark, AR – WakarusaJune 12-15 – Manchester, TN – BonnarooJune 28 – Kettering, OH – Fraze PavilionJuly 4 – Boulder, CO – Boulder TheatreJuly 5 – Morrison, CO – Red Rock AmphitheatreJuly 25 – Highland Park, IL – RaviniaJuly 31-Aug. 3 – Bridgeport, CT – Gathering Of The Vibes

The inaugural Phases Of The Moon Music + Art Festival releases the Phase III final lineup announcement featuring seminal band The String Cheese Incident as the second headliner performing for two nights. As previously announced, the legendary Widespread Panic will headline the other two evenings. Friday night will feature the debut of Lunar Landing Conspiracy, a multi-sensory, guest filled collaboration curated by members the String Cheese Incident.The String Cheese Incident solidify an impressive lineup that includes, Widespread Panic, Bob Weir & Ratdog, Tedeschi Trucks Band, Gov’t Mule, Leon Russell, Galactic, Robert Randolph & The Family Band, Chris Robinson Brotherhood, Jackie Greene, Railroad Earth, Vintage Trouble, Donavon Frankenreiter, Sam Bush Band, Nicki Bluhm & The Gramblers, Martin Sexton, Anders Osborne, Leftover Salmon with Bill Payne of Little Feat, Kung Fu, The California Honeydrops, Toubab Krewe, Mingo Fishtrap, Futurebirds, Artist-In-Residence David Gans and many, many more. To view the entire lineup, go to: http://potm.us/lineupThe Phases Of The Moon Music + Art Festival will take place September 11-14 at the 3000 acre Kennekuk County Park outside Danville, IL. The four-day music, art and camping event has been thoughtfully curated to provide a unique festival experience for all. The stunning setting boasts miles of hiking trails, scenic ponds, streams, wide-open spaces, lush canopies, historic turn-of-the-century buildings and the 170-acre Lake Mingo. Visit WebsiteAlong with the incredible music, Phases Of The Moon offers more than a festival experience with something for all, including the transformative mind, body and soul healing space called The Sanctuary, an eclectic roster of dazzling Performance Artists, celebrated nationally renowned visual artists, The Crescent Moon Kids Camp and so much more. Tier II ticket pricing for Phases of the Moon will begin on June 19. Tier I pricing will remain for only ten more days. Ticket & package information can be found HEREThe Phases of the Moon Music + Art Festival streaming radio station is now live. Phases Radio is accessible via a tab on all pages of the Phases website and is also available on TuneIn Radio and the TuneIn Radio app. Tune in HEREVisit the festival website for more info at: http://phasesofthemoonfestival.com

Acclaimed musician’s collective Hard Working Americans announces the release of special limited edition 12 inch single, a topical and controversial music video and dates for a summer tour that will begin on July 19. The new dates are an extension of Hard Working American’s first-ever tour, which included a series of sold out shows before the band mates went back to their other musical day jobs.

Tickets go on sale July 18th for Widespread Panic’s highly anticipated 2014 Fall Tour.  Along with the Fall tour, Widespread Panic is providing a myriad of unique opportunities to experience their music, including performances at Gathering of The Vibes Music Festival, Lockn’ Music Festival & Phases Of The Moon Music + Art Festival.

The 2014 Fall Tour kicks off in October with two dates in Charleston, SC.  The tour will continue in the deep south with shows in Florida, Alabama, Georgia and Mississippi, before heading to Texas for a two night stand at the Moody Theatre in Austin.  Halloween will be celebrated in the very popular First Bank Center in Broomfield, Colorado.  Tickets go on sale for the three-day run on August 8th at 10:00 AM MT.

For the music fan who likes to plan ahead, the band’s Annual Tunes For Tots benefit concert will take place on December 30th in Charlotte, NC at The Fillmore followed by a New Year’s Eve celebration at the Time Warner Cable Arena.  Founded in 2005, Tunes For Tunes has raised over $1,200,000 to purchase musical instruments for Georgia Public Schools.

For the fan seeking the ultimate destination concert and vacation experience, Widespread Panic will return to the Dominican Republic on January 24th-28th for Panic En La Playa Cuatro.  The event is headquartered at the popular Hard Rock Hotel & Casino and includes four full Widespread Panic shows on the beach. Tickets for this coveted musical experience go on sale July 10th at 12:00 EST.

For the first time ever, Widespread Panic’s first four albums will be available on vinyl.  The album that started it all, Space Wrangler, drops on July 15th, the self titled Widespread Panic will be released on 7/29 with Ain’t Life Grand and Everyday being released on August 26th.  The albums will be available only at indie record stores throughout the country via ThinkIndie.com.

Widespread Panic is excited to announce two unique viewing opportunities.  The band's epic acoustic performance shot 333-feet underground in McMinnville, TN's Cumberland Caverns will air as the debut episode of season four of the PBS series Bluegrass Underground.  The air date is set for September 3rd and a list of PBS affiliates can be found here. The band also taped a special performance at Bob Weir’s TRI Studios, a state of the art, world-class video streaming venue and recording facility, which will available July 22 at 5:00 & 8:00 PM & July 24th at 5:00 & 8:00 PM PDT.  For updates for that performance please visit: www.tristudios.com/upcoming

WIDESPREAD PANIC 2014 SUMMER TOUR DATES




August 2nd – Gathering Of The Vibes Festival – Bridgeport, CT



September 6th – Lockn’ Music Festival – Arrington, VA



September 7th – Lockn’ Music Festival – Arrington, VA



September 13th – Phases Of The Moon Music & Art Festival – Danville, IL



September 14th - Phases Of The Moon Music & Arts Festival – Danville, IL



October 3rd  - North Charleston Coliseum – North Charleston, SC


October 4th – North Charleston Coliseum – North Charleston, SC



October 5th – St. Augustine Amphitheatre – St. Augustine, FL



October 8th – Montgomery Performing Arts Center – Montgomery, AL



October 10th – Von Braun Center – Huntsville, AL


 
October 11th – Verizon Wireless Amphitheatre – Alpharetta, GA



October 12th – Mississippi Coast Coliseum – Biloxi, MS



October 14th – Austin City Limits Live @ Moody Theatre – Austin, TX



October 15th – Austin City Limits Live @ Moody Theatre – Austin, TX



October 17th – Verizon Theatre – Grand Prairie, TX



October 18th – The Orpheum Theatre – Memphis, TN

October 19th – The Orpheum Theatre – Memphis, TN 

October 21st – Peabody Opera House – St. Louis, MO



October 22nd – Peabody Opera House – St. Louis, MO 


October 24th – The Riverside Theater – Milwaukee, WI 


October 25th – The Riverside Theater – Milwaukee, WI 

October 26th – The Riverside Theater – Milwaukee, WI 


October 28th – Paramount Theatre Cedar Rapids – Cedar Rapids, IA



October 29th – Stephens Auditorium – Ames, IA



October 31st – 1st Bank Center – Broomfield, CO



November 1st – 1st Bank Center – Broomfield, CO



November 2nd – 1st Bank Center – Broomfield, CO 

December 30th – Tunes For Tunes @ The Fillmore – Charlotte, NC 

December 31st – Time Warner Cable Arena – Charlotte, NC



January 24th – 27th – Panic En La Playa Cuatro/Hard Rock - Dominican Republic

*ALL SHOWS ARE FOOD DRIVE EVENTS*

Remedy (ATO Records), the new album from the Grammy Award-winning Old Crow Medicine Show’s latest studio album has had an incredible first week on all fronts. Remedy's July 1st release, marks the band's highest debut on the Billboard Top 200 (#15) in the band's 16 year career.  The album currently holds the #4 position on the Top Country Albums Chart, and #1 on the Folk Albums Chart, accurately representing the broad cross section of music lovers who are rapid fans of Old Crow Medicine Show.The new song "Sweet Amarillo” is a collaboration with Bob Dylan and has been a hot topic of interest for press, and the video for the song premiered worldwide via CMT during release week.  The video was directed by Phillip Andelman (Beyonce, Jay-Z and The Avett Brothers).  Click HERE to view. The Associated Press ran a video and print feature about the track including clips from the video.  Click HERE to view.  The press has unanimously embraced Remedy.  NPR Music premiered the album via First Listen followed by an in depth interview for NPR’s Morning Edition.  (Click HERE to listen.) Old Crow Medicine Show will be the subject of a feature in the upcoming issue of Rolling Stone.  Remedy also has received positive coverage via reviews and features in Garden & Gun, Wall Street Journal, USA Today, Esquire.com, Country Weekly, Billboard.com, Huffington Post, Boston Globe, Onion AV Club, Relix and Paste. See more highlights HERE.

With the “Music” portion of the inaugural Phases Of The Moon Music + Art Festival in full swing, the Phases team is proud to announce the lineup for the festival’s second major component, the “Art.”

The Phases Of The Moon Music + Art Festival already boasts an impressive list of musical performers in its first year, including, Widespread Panic, The String Cheese Incident, Bob Weir & Ratdog, Tedeschi Trucks Band, Gov’t Mule, Leon Russell, Galactic, Robert Randolph & The Family Band, Chris Robinson Brotherhood, Donavon Frankenreiter, Sam Bush Band, and many more. (View full lineup HERE). The addition of this incredible and diverse collection of renown visual and performance artists is sure to make the four-day event a festival experience like no other.

The amazing visual art will feature giant sculptures, large-scale installations and dazzling visual displays. Many of the attending artists have been seen at events throughout the U.S. including Burning Man, Symbiosis Gatherings, Lightning in a Bottle, Coachella, Electric Daisy Carnival and more. Some of the acclaimed visual artists confirmed include Peter Hudson, Symbiotic Creations, Alex & Allyson Grey, Alchemy Arts Collective, GuildWorks, Impermanence Arts, Subconscious Development Motion Project and more. To see examples and info on the visual artists, click HERE.

To stimulate the senses, Phases of the Moon has also brought in an eclectic array of heralded performances artists. From the giant puppets of the Astral Gypsies to the exotic Quixotic to the captivating acrobatics of Tammy Firefly to circus arts collectives Big Fun Circus, Nomadic Circus, Fractal Tribe and more, this lineup will astonish, astound and amaze. To see examples and info on the performance artists, click HERE.

Along with the incredible music and art, Phases Of The Moon offers something for all, including the transformative healing space called The Sanctuary, The Crescent Moon Kids Camp, miles of hiking trails, the scenic 170-acre Lake Mingo, placid ponds, flowing streams, farm-to-table food, a farmer’s market, a mall of diverse craft vendors and so much more.

The Phases Of The Moon Music + Art Festival will take place September 11-14 at the 3000 acre Kennekuk County Park outside Danville, IL. The park is just a short drive from a number of major metropolitan areas – 2.5 hours from Chicago, 1.5 hours from Indianapolis, less than 1 hour from Champaign, and about 3.5 hours from St. Louis.

Discounted ticket & package information for Phases Of The Moon Music + Art Festival can be found HERE.

The Phases Of The Moon Music + Art Festival proudly announces the addition of Grace Potter & The Nocturnals to the inaugural event taking place September 11-14 at Kennekuk County Park outside Danville, IL. Following the recent cancellation of all tour dates for Bob Weir & Ratdog, who were scheduled to perform at the festival on Friday, September 12, Grace Potter & The Nocturnals have graciously stepped in to fill the spot. The acclaimed quintet will perform right before the evening headliner featuring the debut of Lunar Landing Conspiracy, a multi-sensory, guest filled collaboration curated by members The String Cheese Incident.

Phases of the Moon Founder Sam Shear says, “Upon hearing the news of Bob Weir & Ratdog, we had three things to consider. Who would be a great fit for our first festival? Who would give the fans an incredible show? And, of course, who could do it on such short notice?”  Shear adds, “Grace Potter & The Nocturnals were at the top of that list and we are so excited and beyond grateful that they could make this happen, especially considering they have their own festival (http://www.grandpointnorth.com) that same weekend. To coin a phrase that ties in with Phases of the Moon, the planets have lined up.”

Grace Potter & The Nocturnals join an impressive lineup that includes headliners The String Cheese Incident and Widespread Panic, along with Tedeschi Trucks Band, Gov’t Mule, Leon Russell, Galactic, Robert Randolph & The Family Band, Chris Robinson Brotherhood, Jackie Greene, Railroad Earth, Vintage Trouble, Donavon Frankenreiter, Sam Bush Band, Nicki Bluhm & The Gramblers, Martin Sexton, Anders Osborne, Leftover Salmon with Bill Payne of Little Feat, Kung Fu, The California Honeydrops, Toubab Krewe, Mingo Fishtrap, Futurebirds, Artist-In-Residence David Gans and many more. To view the entire lineup, go to: http://potm.us/lineup.

Along with great music, the second major component to The Phases Of The Moon Music + Art Festival is the art. The diverse collection of renown visual and performance artists gathered is sure to make the festival an experience like no other. The visual art will feature giant sculptures, large-scale installations and dazzling displays. Many of the attending artists have been seen at events throughout the U.S. including Burning Man, Symbiosis Gatherings, Lightning in a Bottle, Coachella, Electric Daisy Carnival and more. To see examples and info on the visual artists, click HERE, for performances artists, click HERE.

The Phases of the Moon Music + Art Festival streaming radio station is live. Phases Radio is accessible via a tab on all pages of the Phases website and is also available on TuneIn Radio and the TuneIn Radio app. 
Tune in now at: http://phasesofthemoonfestival.com/media/radio/

Visit the festival website for more info at http://phasesofthemoonfestival.com

Hard Working Americans, featuring Todd Snider, Dave Schools, Neal Casal, Duane Trucks, Chad Staehly and Jesse Aycock, has announced the release of The First Waltz on October 28. The First Waltz is both a live album and live concert rockumentary film, which will be sold together in a special two-disc package via Melvin Records/Thirty Tigers. Take a look at this trailer of The First Waltz (Click HERE).

In January, the band released their self-titled debut album to much critical acclaim, that included Rolling Stone, NPR’s Fresh Air, Huffington Post, Relix and a TV debut performance on Conan (See Highlights). Hard Working Americans reached #1 on the iTunes Rock Chart and #1 on the Americana radio chart, where the album remained in the top 5 for 13 weeks. The band also received an Americana Music Award nomination for Best Duo/Group of the Year and will be performing on the awards show on September 17.

In The First Waltz, filmmaker Justin Kreutzmann (The Who, Grateful Dead) chronicles the band’s first collaboration, the making of their debut album and their sold-out, first-ever live performance in Boulder, CO. The band wanted to capture that first performance, as risky as that could be, and use it no matter what the outcome. Fortunately, the show was a major success, leading to a string of sold-out performances.  The film features interviews with band members, as well as extensive behind-the-scenes footage. The First Waltz CD features a selection of songs featured in the film, as well as live tracks from the first tour. The album includes the brand new studio track, “Come From The Heart”, with Rosanne Cash, that also closes the film. 

The First Waltz will premiere via a special showing, followed by a Q&A with the band and Kreutzmann, on September 16 at the Belcourt Theatre in Nashville. The second showing will be at midnight in NYC on September 20 at The City Winery following the band’s Beacon Theater performance that evening. Leading up to the release, The First Waltz will have multiple showings on Palladia with the first airing on October 24 at 9pm EST.

Hard Working Americans – The First Waltz

  Track Listing

1. “Blackland Farmer”
2. “Another Train/Working Man Blues”
3. “Play A Train Song”
4. “Mission Accomplished”
5. “Run A Mile”
6. “I Don’t Have A Gun”
7. “The Mountain Song” 
8. “Straight To Hell”
9. “Stomp and Holler”
10. “Guaranteed”
11. “Wrecking Ball”
12. “Come From The Heart” (Featuring Rosanne Cash)

Hard Working Americans – Tour Dates

 Sept. 17 – Americana Music Conference – Nashville, TN
Sept. 19 – Theatre of Living Arts – Philadelphia, PA #
Sept. 20 – Beacon Theater   –  New York, NY 
Sept. 21 - Howard Theatre – Washington, DC #
Nov. 11 – The Showbox – Seattle, WA %
Nov. 12 – The Crystal Ballroom – Portland, OR %
Nov. 13 – Phoenix Theater – Petaluma, CA %
Nov. 14 – The Regency Ballroom –  San Francisco, CA %
Nov. 15  – Cocoanut Grove  – Santa Cruz, CA %
Nov. 16  – The Fonda Theatre – Los Angeles, CA

# - with Todd Sheaffer of Railroad Earth
% - with The Congress

Announcing the 2nd Annual Phases of the Moon Music + Art Festival! Mark your calendars for September 17-20, 2015 - Phases will return to beautiful Kennekuk County Park in Danville, IL for 4 days of 100% organic feel-good music, camping, awe-inspiring art, and a conscious community of friends both old and new. We can't wait to see you there for another magical weekend!

Bob Dylan. Neil Young. Leonard Cohen. The Byrds. Paul McCartney. Ringo Starr. Joan Baez. The Nitty Gritty Dirt Band. J.J. Cale. Linda Ronstadt. Leon Russell. Gordon Lightfoot. Steve Miller. Ian & Sylvia. The Monkees. Simon & Garfunkel. All were among the many rock and folk artists who came to Nashville in the late 1960s and early ’70s to work with the city’s versatile, hotshot session musicians, the “Nashville Cats.”
 
The Country Music Hall of Fame® and Museum's upcoming major exhibition, Dylan, Cash, and the Nashville Cats: A New Music City, will explore this magical time, opening Friday, March 27, 2015, for a nearly two-year run.
 
Dylan’s decision to record in Nashville provided a major catalyst in bringing many others to what must have seemed a very unlikely destination in the politically polarized sixties. In spite of its reputation among hipsters as a conservative town, removed from the main trends in popular music, Nashville, in fact, was home to musicians who had a huge influence on other music scenes of the era, including those of New York, San Francisco, Los Angeles, Toronto, and London.
 
“Nashville has always been a more nuanced music center than it commonly gets credit for, and the same thing could be said for the Country Music Hall of Fame and Museum. We strive to tell the full story of country music’s evolving history using a mix of provocative learning experiences, and this exhibit is a great opportunity to talk about the early confluence of country and rock," said Museum Director Kyle Young. "Dylan recorded Blonde on Blonde, John Wesley Harding, and Nashville Skyline here. The Byrds made Sweetheart of the Rodeo, Neil Young recorded Harvest, and the Nitty Gritty Dirt Band created Will the Circle Be Unbroken. Albums like these had a profound influence on popular music as well as establishing Nashville as a music hub and cool southern city with a sense of place.”

Bob Dylan
While recording his album Highway 61 Revisited in 1965, Dylan was in New York working with producer Bob Johnston, a former Nashville resident who hired multi-instrumentalist Charlie McCoy to lead sessions in Nashville. McCoy attended one of Dylan’s New York sessions and was invited to play guitar on “Desolation Row.”
 
Taken with McCoy’s musicianship, Dylan was encouraged by Johnston to record in Nashville where there were other musicians as skilled as McCoy. Dylan took Johnston’s advice and arrived in Nashville in 1966 to make Blonde on Blonde, one of the great achievements of Dylan’s long career and a benchmark of American popular music. Dylan returned to Nashville to record John Wesley Harding, Nashville Skyline, and portions of Self Portrait.
 
Johnny Cash
Having met several years before, and having cemented their friendship at the 1964 Newport Folk Festival, Dylan and Johnny Cash were reunited in Nashville, in February 1969. Dylan already had recorded most of Nashville Skyline when he and Cash went into the studio. They cut more than a dozen duets in two days. “Girl from the North Country” appeared on Nashville Skyline, and Cash wrote Grammy-winning liner notes for the album.

Later that same year, Cash began hosting a weekly show for ABC. The Johnny Cash Show was shot at Nashville’s Ryman Auditorium and became an outlet through which country artists and folk, pop and rock musicians could reach new audiences. Dylan and Joni Mitchell were guests on the first show, and Ronstadt, James Taylor, Young, Lightfoot and Eric Clapton’s Derek & the Dominos appeared on subsequent shows.
 
Nashville Cats
Many artists who followed Dylan’s lead and made the pilgrimage to Nashville to record or appear on Cash’s show were rewarded with the opportunity to work with world-class musicians. In several cases, the experiment yielded some of the artists’ most successful or influential albums, thanks to the accomplished players drawn from a core group of Nashville studio musicians including David Briggs, Kenny Buttrey, Fred Carter Jr., Charlie Daniels, Pete Drake, Mac Gayden, Lloyd Green, Ben Keith, Grady Martin, Charlie McCoy, Wayne Moss, Weldon Myrick, Norbert Putnam, Jerry Reed, Pig Robbins, and Buddy Spicher, among others.
 
In the political climate of the era, Nashville’s mainstream country recordings were perceived as the music of the conservative South, overtly slick and commercial. In stark contrast were the folk-oriented, politically charged songs coming from Baez, Buffy Sainte-Marie and other left-leaning artists who looked past their differences to work with Nashville’s accomplished musicians.  This is not primarily a story of cultural or political divisions, but rather of people coming together from very different backgrounds and moving past perceived divisions to find common ground through music.   
 
Between 1966 and 1974, while contributing to countless country music classics, Nashville session musicians also played on landmark pop and rock songs such as Dylan’s “Rainy Day Women #12 & 35” and “Lay Lady Lay”; Young’s “Heart of Gold”; the Byrds’ “Hickory Wind”; Ronstadt’s “Long Long Time”; Simon & Garfunkel’s “The Boxer”; Cohen’s “Bird on a Wire”; Cale’s “Crazy Mama”; Baez’s “The Night They Drove Old Dixie Down”; and McCartney’s “Sally G.”
 
Dylan, Cash, and the Nashville Cats opens March 27, 2015, and runs through December 31, 2016. It will be accompanied by a series of educational programs, including live performances, panel discussions, films, instrument demonstrations and more. The exhibition will follow the nearly three-year run of The Bakersfield Sound: Buck Owens, Merle Haggard, and California Country, which closes December 31.

Last June, the genre-defying progressive sextet Umphrey’s McGee released their eighth studio album Similar Skin via their own independent label, Nothing Too Fancy Music. Similar Skin is the band’s most cohesive album to date and was very well received by the band’s ever-expanding and loyal fan base, and the press, including Rolling Stone, American Songwriter and Relix, who called the album “A heavy, unapologetic, rock-and-roll exhibition from start to finish that will have speakers everywhere trembling in fear from what is the Chicago sextet’s strongest work to date.” Umphrey’s McGee’s pioneering approach to fan-friendly, interactive musical experiences have set new industry standards, and have been the subject of coverage in Billboard, Mashable, Pollstar, Relix, Chicago Tribune and Time, who said, “As the record business continues to struggle, bands like Umphrey’s McGee are expanding the notion of what a rock band can offer to their fans.” 

Umphrey’s McGee continue on this groundbreaking path by announcing twelve live webcasts, billed as the “Couch Tour”, to take place in October and November, with the first and last of them being free to fans. The first will take place on October 22 from the House of Blue in Cleveland, OH as part of the Yahoo Music and Live Nation’s 365 shows in 365 days free series. This show can be streamed HERE. Umphrey’s will join a bill that includes such artists as Ray LaMontagne and The Dave Matthews Band as well as 362 more. Fans will have the ability to stream the concert via Yahoo Screen on iOS, Android, mobile, desktop, and Smart TV platforms including Apple.

The following 11 shows (dates listed below) will be a collaboration with webcast partner TourGigs, and will feature high quality, multi-camera shoots with a soundboard feed. Each stream will replay for 24 hours until the next evening’s performance. Each show is available for $9.99, including the 24-hour replay, or all 10 for $49.99. The band will offer audio download options via UMLive.net.

The final date of the run is a very special one, as Umphrey’s McGee will be celebrating their 2000^th show on November 8 in Madison, WI. The band will offer this live stream free as a gift to their loyal fans via this link HERE.

In yet another innovative move, Umphrey’s McGee has launched the first full service, streaming site for a single artist. Fans will have access to over 1000 live shows as well as band’s entire catalogue for $10.00 per month. The service is available via UMLive.net in both desktop and iOS versions (Android nearing completion).

In March 2013, Umphrey’s McGee started their Headphones & Snowcones audio immersion fan experience (see Rolling Stone piece), where fans can rent high-end wireless headphones at their shows to listen to a direct audio feed from the soundboard. The band recently posted a great video about the impetus of the program featuring testimonials and live footage. You can see the short video HERE.

Umphrey’s McGee Tour Dates

October 22 - House of Blues - Cleveland, OH

October 23 - The Rapids Theatre - Niagara Falls, NY

October 24 - Stage AE - Pittsburgh, PA

October 25 - Orbit Room - Grand Rapids, MI

October 29 - Forum Theatre - Binghamton, NY

October 30 - The F.M. Kirby Center - Wilkes-Barre, PA

October 31 - House of Blues - Boston, MA (Sold Out)

November 1 - House of Blues - Boston, MA

November 5 - The Canopy Club - Urbana, IL

November 6 - Kalamazoo State Theatre - Kalamazoo, MI

November 7 - The Orpheum - Madison, WI  (Sold Out)

November 8 - The Orpheum - Madison, WI  (Sold Out)

November 13-16 - Bear Creek Music & Art Festival - Live Oak, FL

December 3-7 – Dominican Holidaze – Punta Cana, DO (Sold Out)

December 30 - The Tabernacle - Atlanta, GA

December 31 - The Tabernacle - Atlanta, GA

January 1 - The Tabernacle - Atlanta, GA

January 2 - The Tabernacle - Atlanta, GA

January 3 - The Tabernacle - Atlanta, GA

January 6-11 – Jam Cruise - Miami, FL

January 16 - Beacon Theatre - New York, NY

January 17 - Beacon Theatre - New York, NY

January 18 - The Paramount - Huntington, NY

Just prior to the celebration of their 2000^th show on November 8, Umphrey’s McGee has announced dates for their 2015 Winter Tour. The tour picks up after two nights at New York’s Beacon Theatre with the sextet kicking things off in the Deep South on January 28 in Oxford, MS. From there, Umphrey’s will head out on a coast to coast run that will end at the MNoore Theatre in Seattle on March 21. View full tour dates HERE.

Along with their 2000^th show, 2014 has been a year of milestones for Umphrey’s McGee, starting with the launch of their own independent label, Nothing Too Fancy Music. In June, the band released their eighth studio album Similar Skin, which Relix called, “...the Chicago sextet’s strongest work to date.” Following the release, Umphrey’s had their debut main stage performance at Bonnaroo (their 8th appearance at the festival). Always on the cutting edge of fan-friendly technology, Umphrey’s McGee became the first act to launch the first full service, streaming site for a single artist, via UMLive.net. And in July, the band celebrated their first-ever sold out show at the famed Red Rocks Amphitheatre in Morrison, CO.

Recently, Umphrey’s McGee announced twelve live webcasts, billed as the “Couch Tour,” that began in October and continues in November. The first webcast took place on October 22 as part of the Yahoo Music and Live Nation 365 shows in 365 days free series. Following that, the band offered 11 live webcasts (dates and info HERE) in collaboration with webcast partner TourGigs. Audio downloads are available via UMLive.net. The final date of the run is the 2000^th show on November 8 in Madison, WI. The band will offer this live stream free as a gift to their loyal fans via this link HERE.

VIEW FULL TOUR DATES BELOW

UMPHREY’S MCGEE 2015 WINTER TOUR

1/16-17 – Beacon Theatre – New York, NY

1/18 – The Paramount – Huntington, NY

1/28 - Oxford, MS - The Lyric

1/29 - Knoxville, TN  - Tennessee Theatre

1/30 - Cincinnati, OH - Taft Theatre

1/31 - Detroit, MI - The Fillmore

2/4-5 - Chattanooga, TN - Track 29

2/6 - Nashville, TN - The Ryman Auditorium

2/7 - Asheville, NC - Asheville Civic Center

2/11 - Charlottesville, VA - The Jefferson Theater

2/12 - Richmond, VA - The National

2/13 - Norfolk, VA - The NorVA

2/14 - Raleigh, NC - The Ritz

2/18 - Northampton, MA - The Calvin Theatre

2/19 - Portland, ME - The State Theatre

2/20 – Syracuse, NY – Landmark Theatre

2/21 - Albany, NY - The Palace Theatre

3/5 - San Diego, CA - House of Blues

3/6 - Los Angeles, CA - The Wiltern

3/7 - Oakland, CA - The Fox Theater

3/12-13 - Aspen, CO - Belly Up Aspen

3/14 - Salt Lake City, UT - The Depot

3/15 – Missoula, MT – Wilma Theater

3/19-20 - Portland, OR - Crystal Ballroom

3/21 - Seattle, WA - Moore Theatre

On August 19, 2013, Jason Isbell and his band The 400 Unit, stepped out onto the stage in front of a live audience in Austin, TX to film his first appearance on the longest running original music series in the U.S., Austin City Limits. This special night for Isbell, his bandmates and all in attendance, will be released on DVD as Jason Isbell: Live at Austin City Limits on November 24 via Southeastern Records.

Isbell performs songs from his critically acclaimed, award-winning album Southeastern along with songs from throughout his career, including fan favorites “Outfit” and “Decoration Day”. The set closed with a rousing rendition of the Rolling Stones’ “Can’t You Hear Me Knocking”, a live staple. (See track listing below). Click HERE to pre-order the DVD.

In September, Isbell won Artist of the Year, Song of the Year (“Cover Me Up”) and Album of the Year for Southeastern at the Americana Music Awards. In October, Isbell reached a major milestone by selling out three consecutive nights at Nashville’s historic Ryman Auditorium. Catch Jason Isbell & The 400 Unit on tour in early 2015 (see tour dates below).

2015 Tour Dates

January 10 – Thackerville, OK – Winstar World Casino 
January 17 – Santa Rosa Beach, FL – 30A Songwriters Festival
January 30 – Ann Arbor, MI – Ann Arbor Folk Festival
February 2 – Charlottesville, VA – Paramount Theatre *
February 4 – Washington, DC – Lincoln Theatre SOLD OUT *
February 5 – Glenside, PA – Keswick Theatre *
February 6 – West Long Branch, NJ – Pollak Theatre at Monmouth University
February 7 – New York, NY – Beacon Theatre *
February 9 – Munhall, PA – Carnegie of Homestead Music Hall *
February 10 – Columbus, OH – The Southern Theatre *
February 12 – Chicago, IL – Orchestra Hall at Symphony Center *
February 13 – Kalamazoo, MI – Kalamazoo State Theatre *
February 14 – St. Louis, MO – Peabody Opera House *
February 15 – Des Moines, IA – Hoyt Sherman Theatre *
February 17 – Kansas City, MO – Uptown Theater *
April 16 – Chattanooga, TN – Track 29
April 18 – Columbia, SC – Music Farm Columbia

*Damien Jurado supports
** Strand of Oaks supports

Celebrated soulful ensemble JJ Grey & Mofro will release their newest recording Ol’ Glory on March 3rd.  This album marks their debut on Provogue Records, which is part of the Mascot Label Group.  Ol’ Glory contains 12 new songs that feature the deep, soulful blend of blues, rock, folk, funk, gospel, gritty R&B and personal, Southern-inspired narratives that have become synonymous with JJ Grey & Mofro. A true Southern renaissance man, JJ Grey’s intensely charismatic live performances, combined with the incredible musicianship of Mofro, have connected with audiences all over the world. Their work has been praised by the press, including The New York Times, Wall Street Journal, NPR, Relix, The Oxford American and many more. 

The material on Ol' Glory reflects two themes that run through JJ Grey & Mofro’s entire body of work, a strong sense of place, and finding happiness with where you are in life.  The opening track, "Everything Is A Song" is prime example, as is the joyous "Every Minute" with its mantra "loving every minute of living".  "Home in the Sky" allows listeners a glimpse at Grey's spirituality strongly rooted in his Florida home and the land he grew up on.  JJ Grey is a natural storyteller with a gift for delivering thoughtful and profound messages in a down-to-earth, laid-back way, while maintaining a level of intensity that goes straight to your core.

Ol' Glory was recorded at Retrophonics Studio in Saint Augustine, FL, where Grey has tracked many times.  An avid surfer, Grey often spent the mornings at the beach and the afternoons recording, a formula that has proven very effective in creating inspired recordings. Ol' Glory showcases the strength of Mofro members Anthony Cole (drums and percussion), Andrew Trube (guitar), Anthony Farrell (piano/organ), Todd Smallie (bass) and Dennis Marion (trumpet) and Jeff Dazey (saxophone).  Special guests include Luther Dickinson on dobro and electric slide guitar and Derek Trucks on electric slide guitar.  

JJ Grey & Mofro have captivated audiences at some of the largest festivals world wide, including Lollapalooza, Bonnaroo, Austin City Limits Festival, Glastonbury, North Sea Festival, Montreal Jazz Festival and Fuji Rock in Japan.  The band, who play over 120 dates per year, will be hitting the road in February in support of Ol' Glory, including a trip to Europe and Australia.  (See list of tour dates below.) 

JJ Grey is as genuine as they come, a do-it-yourselfer who is committed to making music that's true to his heritage and full of integrity.  In this day and age, that's a rare thing. 

JJ GREY & MOFRO 2015 TOUR DATES 

2/14 - Jannus Landing – St. Petersburg, FL
2/15 - The Moon – Tallahassee, FL
2/18 - 9:30 Club - Washington, DC
2/19 - The Egg - Albany, NY
2/20 - House of Blues - Boston, MA
2/21 - Terminal 5 - New York, NY
2/25 - Mr. Smalls - Pittsburgh, PA
2/26 - Vogue - Indianapolis, IN
2/27 - Taft Theatre - Cincinnati, OH
2/28 - The Vic - Chicago, IL
3/01 - Intersection - Grand Rapids, MI
3/04 - Jefferson - Charlottesville, VA
3/05 -  Ziggy's - Winston-Salem, NC
3/06 - Track 29 - Chattanooga, TN
3/07 - Buckhead - Atlanta, GA
3/18 - Islington Academy - London, England
3/19 - New Morning - Paris, France
3/20 - Kaufleuten Zurich - Zurich, Switzerland
3/21 - Technik Museum - Munich, Germany
3/23 - Batschkapp - Frankfurt, Germany
3/24 - Kesselhaus - Berlin, Germany
3/25 - Bluestage - Nuremberg, Germany
3/26 - Rockpalast Crossroads Festival - Bonn, Germany
3/27 - Paradiso Main Hall - Amsterdam, The Netherlands
3/28 -  Paard van Troje (Main Hall) - Den Haag, The Netherlands
4/2 – 6 Byron Bay Bluesfest - Byron Bay, Australia

The Country Music Hall of Fame® and Museum has unveiled the artwork for its forthcoming exhibit Dylan, Cash, and the Nashville Cats: A New Music City. Created by renowned artist and punk rocker Jon Langford, the commissioned painting will serve as the exhibit motif and inspiration for other artistic elements in the exhibit design. 

Langford is a founding member of influential punk band the Mekons and of pioneering hard-country rockers the Waco Brothers.  He was born in Newport, Wales, and studied fine art at Leeds University. Langford is known for his powerful portraits of country and rock icons, including Hank Williams, Johnny Cash, and Elvis Presley. His punk rock instincts and singular artistic eye converge in a painting style that is distinctive, demanding of engagement, and at times politically charged. For Langford, the line between Acuff-Rose and Strummer-Jones is a direct one. His preferred medium is acrylic/mixed media on “square-ish wooden objects. 

The exhibit logo is intricately layered in Langford’s characteristic style. It features portraits of ’60s-era Dylan and Cash, the cityscape as seen on the back cover of Dylan’s 1969 album, Nashville Skyline, and a background of exhibit-related graffiti—including names of the featured musicians, song titles, lyrics and symbols of the era. 

The Country Music Hall of Fame and Museum, in addition to its broad scope of educational programs and archival focus, is widely known for its provocative mix of museum exhibits showcasing the evolving history of country music.  The Nashville institution’s core exhibition is enhanced by numerous limited-engagement exhibits.  In 2014 those have included focuses on Glen Campbell, Crystal Gayle, Alan Jackson, Miranda Lambert, Reba McEntire, Ralph Peer, Tanya Tucker, Kenny Rogers, and The Bakersfield Sound. 

Dylan, Cash, and the Nashville Cats looks at the Nashville music scene in the late 1960s and early 1970s. Bob Dylan bucked executives at his record label and surprised his fans when he came to Nashville in 1966 to record his classic album Blonde on Blonde. Working with the city’s unmatched session musicians, Dylan produced a rock & roll masterpiece and went on to record two more albums there. Dylan’s embrace of Nashville and its musicians—the Nashville Cats—inspired many other artists, among them Neil Young, Joan Baez, Paul McCartney and Leonard Cohen, to follow him to Music City. Around the same time, Johnny Cash was recruiting folk and rock musicians—including Dylan—to appear on his groundbreaking network television show, The Johnny Cash Show, shot at the Ryman Auditorium, at that time home of the Grand Ole Opry. 

Accredited by the American Alliance of Museums, the Country Music Hall of Fame® and Museum is operated by the Country Music Foundation, a not-for-profit 501(c)(3) educational organization chartered by the state of Tennessee in 1964. The museum’s mission is the preservation of the history of country and related vernacular music rooted in southern culture.  With the same educational mission, the foundation also operates CMF Records, the museum’s Frist Library and Archive, CMF Press, Historic RCA Studio B and Hatch Show Print®.

What do you do with 12 hours booked at the world’s most famous recording studio? You make the most of it! Never a band to play things safe, Umphrey’s McGee surprised their fans and broke the news via Rolling Stone about a special new studio album titled The London Session. Recorded at Abbey Road Studios in one day, the innovative group will release The London Session on April 7^th. View an in-studio film HERE.

In June 2014, just following the release of their acclaimed eighth studio album Similar Skin and a triumphant set on the main stage at Bonnaroo, Umphrey’s McGee was headed to London for a three night stand at the city’s new Brooklyn Bowl. On a whim prior to the trip, they decided to just see if the legendary studio might be free. With a single 12-hour window available, it seemed the ideal opportunity to try something long discussed--to take some live songs into the studio for the first time and try out new arrangements with fan favorites. With one brand new song and an appropriate cover of “I Want You (She’s So Heavy)” to bookend the proceedings; the band entered the revered space on the morning of June 18th to record their ninth studio album, and second full length release on their own label Nothing Too Fancy Music. (Track listing below)

Umphrey’s tracked all of the music live over the next 12 hours, with vocals and a handful of overdubs completed upon their stateside return in Chicago and Los Angeles. Four tracks; “Eat,” “Plunger,” “Out Of Order” and “I Want You (She’s So Heavy)”, were recorded in a single take, from top to bottom. Fans of the band will be thrilled with the offering and those unfamiliar are sure to be impressed by the miraculous feat of recording 10 tracks of such high quality in such a short time.

On February 17, Rolling Stone posted the exclusive news story about The London Session, featuring interviews and the premiere of the in-studio video of  “I Want You (She’s So Heavy)”. View the story and video HERE.

Whether it is the scope of their music, technological innovations, creative fan-friendly experiences or their incredible live performances, Umphrey’s McGee continues to deviate from the norm by paving their own road. We invite you to come along for the ride.

Acclaimed, award-winning artist Jason Isbell will release Something More Than Free, his highly anticipated fifth album, on July 17 via Southeastern Records. Something More Than Free features Isbell’s Southern-inspired vignettes of working class men, women and traditions that permeate these 11 new songs. The pure honesty and authenticity of Isbell’s poetic lyrics and soulful vocals have connected deeply with so many, and they shine as brightly as ever on Something More Than Free.

Something More Than Free is Isbell’s most sonically diverse album to date. The opening track, “If It Takes A Lifetime” exudes a classic country tone, while “24 Frames” flows effortlessly with its easy, Laurel Canyon vibe. The wistful folk balladry of “Flagship”, along with the bluesy Southern rock timbre of “Palmetto Rose” and epic “Children Of Children” prove that Jason Isbell is an artist whose creative pinnacle has yet to be within sight.

Something More Than Free is the follow up to Isbell’s 2013 celebrated breakthrough album Southeastern, which received overwhelming support from the press and went on to sell over 150,000 copies. Isbell was subject of stories in outlets ranging from The New York Times Magazine and Wall Street Journal to NPR’s All Things Considered and Fresh Air with Terry Gross (See Highlights). Jason Isbell & The 400 Unit made multiple television appearances, including The Late Show with David Letterman, Conan and Austin City Limits. Isbell won Artist of the Year, Song of the Year (“Cover Me Up”) and Album of the Year at the 2014 Americana Music Awards. Catch Jason and his wife Amanda Shires during a very special performance on The Late Show with David Letterman on April 24.

Along with the media support, the success of Southeastern was the product of good old-fashioned hard work. Much like the working class subjects in his songs, Isbell grinded it out with his band The 400 Unit on the road. They toured extensively, made real connections with his audience, poured his heart out each night and stayed true to his convictions. Audiences grew as venue sizes expanded with sold out shows throughout the U.S. and Europe, including New York’s Beacon Theatre and three sold out nights at Nashville’s historic Ryman Auditorium, where an unprecedented four-night stand has been announced for October 23-26. See tour dates below.

Something More Than Free was recorded at the Sound Emporium in Nashville, TN and produced by Dave Cobb, who also produced Southeastern. Follow Jason on Twitter @jasonisbell or visit http://www.jasonisbell.com

 April16 - Chattanooga, TN - Track 29 ^^
April 17 - Charlotte, NC - Tuckfest at U.S. National Whitewater Center
April 18 - Greenville, SC - Horizon Records (Record Store Day 2015 In-Store)
April 18 - Columbia, SC- Music Farm Columbia ^^
May 2­ - Meridian, MS - Jimmie Rodgers Music Festival
May 8 - Richmond, VA - Friday Cheers at Brown’s Island
May 9 - Maryville, TN  - The Shed #
May 12 - Jacksonville, FL - Florida Theatre **
May 13 - Clearwater, FL - Capitol Theatre **
May 15 - Orlando, FL - The Plaza Theatre **
May 16 - Atlanta, GA - Shaky Boots Festival
May 17 - Wilmington, NC - Greenfield Lake Amphitheatre **
May 19 - Westbury, NY - The Space at Westbury **
May 20 - Port Chester, NY - Capitol Theatre **
May 22 - Albany, NY - Hart Theatre @ The Egg **
May 23 - Cumberland, MD - Del Fest
May 24 - Boston, MA - Boston Calling
May 26 - Rochester, NY - Water Street Music Hall **
May 27 - Cleveland, OH - House of Blues **
May 28 - Bristol, TN - Paramount Center for the Arts **
June 4 - Cincinnati, OH - PNC Pavilion %
June 5 - Dayton, OH - Rose Music Center at the Heights %
June 6 - Black Mountain, NC - Pisgah Brewing Co. Outdoor Stage°°
June 20 - Austin, TX - Texas Union Ballroom – SOLD OUT
July 4 - Austin, TX - Willie Nelson’s 4^th of July Picnic
July 9-12 - Winnipeg, Canada - Winnipeg Folk Festival
July 26 - Columbia, MD - Merriweather Post Pavilion ✚
July 31 – Fort Smith, AR – Peacemaker Music & Arts Festival
August 14-16 - Lyons, CO - Folks Festival
October 23-26 - Nashville, TN - Ryman Auditorium

Acclaimed, award-winning artist Jason Isbell has announced tour dates in support of the July 17 release of Something More Than Free, his highly anticipated fifth album (Southeastern Records). Isbell will be touring extensively with his band The 400 Unit, featuring Derry Deborja (Keys), Chad Gamble (drums), Jimbo Hart (bass) and Sadler Vaden (guitar). The tour will include stops in Brooklyn, Los Angeles, Philadelphia, Minneapolis, Seattle and Portland. (see tour dates below). Tickets for a four night stand at Nashville’s historic Ryman Auditorium October 23-26 sold out in 72 hours. 

Pre-sale tickets for the tour will be available at www.jasonisbell.com/presale on Wednesday, May 6 with regular on-sale beginning Friday, May 8. Pre-order Something More Than Free with iTunes now and receive an instant download of “24 Frames” at http://smarturl.it/SMTF

Something More Than Free is Isbell’s most sonically diverse album to date. It features Isbell’s Southern-inspired vignettes of working class men, women and traditions that permeate 11 new songs of pure honestly and authenticity. Rolling Stone caught up with Isbell and his band the 400 Unit during the making of the album. View the feature HERE.

Something More Than Free was recorded at the Sound Emporium in Nashville, TN and produced by Dave Cobb, who also produced Southeastern, which went on to sell over 150,000 copies. On April 24, Isbell and his wife Amanda Shires performed a beautiful version of Warren Zevon’s ”Multineer” for David Letterman on The Late Show.

Stay tuned for more appearances and announcements by following Jason on Twitter @jasonisbell or visiting http://www.jasonisbell.com

Jason Isbell & The 400 Unit

Summer Tour Dates

May 7 - Raleigh, NC - Walnut Creek Amphitheater !!!

May 8 - Richmond, VA - Friday Cheers at Brown’s Island

May 9 - Maryville, TN  - The Shed #

May 12 - Jacksonville, FL - Florida Theatre **

May 13 - Clearwater, FL - Capitol Theatre **

May 15 - Orlando, FL - The Plaza Theatre **

May 16 - Atlanta, GA - Shaky Boots Festival

May 17 - Wilmington, NC - Greenfield Lake Amphitheatre **

May 19 - Westbury, NY - The Space at Westbury **

May 20 - Port Chester, NY - Capitol Theatre **

May 22 - Albany, NY - Hart Theatre @ The Egg **

May 23 - Cumberland, MD - Del Fest

May 24 - Boston, MA - Boston Calling

May 26 - Rochester, NY - Water Street Music Hall **

May 27 - Cleveland, OH - House of Blues **

May 28 - Bristol, TN - Paramount Center for the Arts **

June 4 - Cincinnati, OH - PNC Pavilion %

June 5 - Dayton, OH - Rose Music Center at the Heights %

June 6 - Black Mountain, NC - Pisgah Brewing Co. Outdoor Stage°°

June 20 - Austin, TX - Texas Union Ballroom – SOLD OUT <<

June 27 – Aurora, IL – Two Brothers Summer Festival

July 3 – Jackson, MS – Livingstone LIVE

July 4 - Austin, TX - Willie Nelson’s 4^th of July Picnic

July 6 – Tulsa, OK – Cain’s Ballroom ~

July 7 – Iowa City, IA – The Englert Theatre ~

July 8 – Sioux Falls, IA – Orpheum Theater ~

July 10 – Winnipeg, Canada – Winnipeg Folk Festival

July 11 – Minneapolis, MN – Basilica Block Party

July 12 – Lafayette, IN – Lafayette Theater ~

July 24 – Brooklyn, NY – Celebrate Brooklyn //

July 26 - Columbia, MD - Merriweather Post Pavilion ✚

July 28 – Stroudsburg, PA – Sherman Theater &

July 29 – Philadelphia, PA – Skyline Stage at the Mann Center &

July 31 – Fort Smith, AR – Peacemaker Music & Arts Festival

August 2 – Wichita, KS – Orpheum Theatre ~

August 4 – Boise, ID – The Morrison Center $

August 5 – Missoula, MT – University Theatre $

August 7 – Seattle, WA – Moore Theatre $

August 8 – Portland, OR – Arlene Schnitzer Concert Hall $

August 9 – Reno, NV – Grand Sierra Theatre @@

August 11 – Oakland, CA – Fox Theater $

August 12 – Los Angeles, CA – The Wiltern $

August 14 – Salt Lake City, UT – The Depot $

August 16 - Lyons, CO - Folks Festival

October 23-26 - Nashville, TN - Ryman Auditorium – SOLD OUT

!!! = Supporting Zac Brown Band

** = Craig Finn opening

# = Anderson East opening

°° = Amanda Shires opening

% = Co-Headline with Dwight Yoakam

✚ = Opening for My Morning Jacket

<< = David Ramirez supporting

// = Dawn Landes supporting

& = Blake Mills supporting

~ = John Moreland supporting

$ = Damien Jurado supporting
@@ - Dawes & Damien Jurado supporting

Hard Working Americans will return in August for a summer tour, following a brief hiatus to tend to their regular gigs. Hard Working Americans features vocalist Todd Snider, bassist Dave Schools, guitarist Neal Casal, keyboardist Chad Staehly, guitarist Jesse Aycock and drummer Duane Trucks. Stops will include performances in St. Louis, Birmingham, Athens, Columbus, Asheville and Richmond (See Tour Dates Below).

Formed in 2013, the band released their self-titled debut album in January 2014 to much critical acclaim that included Rolling Stone, NPR’s Fresh Air, Huffington Post, The Washington Post and a debut TV performance on Conan (See Highlights). NPR Fresh Air called the album “…a statement of both solidarity and fun.” Hard Working Americans reached #1 on the iTunes Rock Chart and #1 on the Americana radio chart, where the album remained in the top 5 for 13 weeks. The band also received an Americana Music Award nomination for Best Duo/Group of the Year.

In October, the band released The First Waltz, a live album and live concert rockumentary film that chronicles the band’s first collaboration, the making of their debut album and their sold-out, first-ever live performance in Boulder, CO from filmmaker Justin Kreutzmann (The Who, Grateful Dead).

Hard Working Americans is currently putting the final touches on a new album to be released in early 2016.

As an anything-goes band rallying for American individualism, freedom and community, Hard Working Americans continue to spread their mission to packed houses across the country.

Hard Working Americans 2015 Summer Tour

8/13 - Richmond, VA - The National %
8/14 - Scranton, PA- The Peach Music Festival
8/15 - Wellston, MI - Hoxeyville Music Festival
8/16 - Columbus, OH - Park Street Saloon #
8/18 - Raleigh, NC - Lincoln Theatre @
8/19 - Wilmington, NC - Greenfield Lake Amphitheater @
8/20 - Athens, GA - Georgia Theatre **
8/21 - Asheville, NC - New Mountain Amphitheater **
8/22 - Chattanooga, TN - Southern Brewers Festival
8/23 - Birmingham, AL - Iron City **
8/25 - St. Louis, MO - Old Rock House #
8/26 - Fayetteville, AR - George's Majestic Lounge @
8/27 - Tulsa, OK - Cain's Ballroom @
8/28 - Kansas City, MO - The Madrid Theatre @
8/29 - Nederland, CO - NedFest
8/30 - Durango, CO - Community Concert Hall at Fort Lewis College

 % with Aquarium Rescue Unit
# with The Steepwater Band
@ with Turbo Fruits
** with Elizabeth Cook

Acclaimed Oklahoma band Turnpike Troubadours have announced the September 18th release of their third album, The Turnpike Troubadours (Bossier City Records/Thirty Tigers). The self-titled album contains 12 songs featuring the quintet’s signature blend of roots rock, folk and raw country played with grit, passion and conviction. Word of their fiery live performances has spread throughout the U.S. making them a “must-see” act. However, the true strength at the core of Turnpike Troubadours has always been their songwriting. The new album is yet another testament to that point. Songs such as “The Mercury” and “Bossier City” showcase the bands raucous energy and proficiency as musicians, while their more poignant and melodic side shines on “Down Here”, “How Do You Fall Out Of Love” and “A Little Song”.

In the April 2015 issue of Playboy Magazine, Turnpike Troubadours were part of a five-page feature focused on three song-oriented, tour driven bands who fly under the radar yet maintain large, loyal followings. The article stated that they are one of the bands who, “...are wrenching country music out of a staid rut and turning it into something else entirely.” Read the story HERE.

Turnpike Troubadours epitomize terms such as “DIY”, “blue collar” and “indie”. Formed in 2007, the group has built a rabid and loyal fanbase that is ever expanding. This is evident, as the band has gone on to sell over 200,000 records. Turnpike Troubadours went from playing small bars to headlining venues of 10,000+. On any given night, they will pack venues of 1000 – 4000 from Texas, Oklahoma and Colorado to Chicago, St Louis and Washington, DC.  They have sold out The Troubadour in Los Angeles and venues in New York City. Turnpike Troubadours have become somewhat of a phenomenon for those in the know.

The Turnpike Troubadours is the follow up to the band’s breakthrough 2012 sophomore release Goodbye Normal Street, which debuted at #57 on the Billboard Top 200 and #14 on the Billboard Country Chart. The album received major coverage ranging from The Wall Street Journal  to a 3-song acoustic performance on CMT's Concrete Country to The Washington Post, who called it “The most unjustly overlooked Americana album of 2012...” Based on what this little band from the Sooner State has built since then, with honest songwriting, great live performances and hard work, The Turnpike Troubadours is not likely to be overlooked in 2015.

Seminal band Widespread Panic has announced the September 25th release of Street Dogs, their long-awaited twelfth studio album on Vanguard Records. Panic recorded Street Dogs as a band, live in the studio, for the first time. The result is the most fun the veteran sextet has had making an album, which is apparent upon first listen. Widespread Panic’s large and loyal legions of fans have waited five years, since the release of 2010’s critically acclaimed Dirty Side Down, for a new offering from the group, and the 12 tracks on Street Dogs are sure to reward their patience, and likely turn on a few more.

For almost 30 years, Widespread Panic has been known for their masterful improvisational style, but their core has always been built around songwriting. Incorporating a vast range of styles, Panic’s songs run the gamut from compelling narratives to poignant ballads to southern blues to progressive jazz and rock. Street Dogs is a testament to how a veteran band can remain vibrant, relevant and continue to progress. The folk/jazz infused “Angels Don’t Sing The Blues”, the flowing “Poorhouse of Positive Thinking”, the boogie blues of “Street Dogs for Breakfast” and the epic New Orleans inspired “Cease Fire”, with it’s Radiohead-like interlude, have a swing and a swagger the runs through much of the album. Panic’s rock and blues roots shine brightly on renditions Alan Price’s “Sell Sell”, Murray McLauchlan’s “Honky Red” and Willie Dixon’s “Taildragger”, made famous by Howlin’ Wolf. 

Street Dogs was recorded at Echo Mountain Studios in Asheville, NC with long time friend and producer John Keane at the helm. Drummer Duane Trucks (Hard Working Americans), who has been performing with the band on the road since late-2014, sat in for the Street Dogs recordings. Look for Todd Nance’s return in 2016.

Widespread Panic’s music and live shows have become a rite of passage for multiple generations who continue to pack venues and follow the band throughout the U.S. Street Dogs is a clear indication that this group will continue to push the creative envelope and is no where near slowing down. 

Widespread Panic 2015 Tour Dates

June 23 – Lincoln, NE – Pinewood Bowl Theater

June 24 – Kansas City, MO – Starlight Amphitheater **

June 26-28 – Morrison, CO – Red Rocks Amphitheatre – SOLD OUT

July 2-4 – San Antonio, TX – Majestic Theatre 

July 8 – Dallas, TX – Winspear Opera House

July 10 – Albuquerque, NM – Sandia Casino

July 11-12 – Telluride, CO – Ride Festival

July 15 – Oklahoma City, OK – The Zoo Amphitheatre

July 17 – Rogers, AR – Arkansas Music Pavilion

July 18 – Southaven, MS – Snowden Grove Amphitheater

July 19 – Louisville, KY – Forecastle Festival

September 4 – Chicago, IL – North Coast Music Festival

September 5-6 – Nashville, TN – Ascend Amphitheater

September 12-13 – Arrington, VA – Lockn’ Music Festival

** = With special guest Yonder Mountain String Band

Country torchbearers Jason Boland & The Stragglers have announced the October 7th release of Squelch, their eighth studio album, on Proud Souls/Thirty Tigers. Squelch features the brand of true, no-frills country music Jason Boland has built a sterling reputation on as one of the genre’s genuine ambassadors. As an honest, intelligent, thought-provoking lyricist, Jason Boland has always pushed the boundaries of what country music could, and should be, while maintaining a high level of artistic integrity. At a time when the need for depth in country music is finally being acknowledged, and accepted, with the rise of a handful of quality newer artists, we should look to Jason Boland as an artist who has been an unwavering beacon of authenticity for over a decade. 

Squelch contains 11 new songs, featuring Boland’s soulful baritone, and the impeccable musicianship of The Stragglers  - Cody Angel (guitars/pedal steel), Nick Worley (fiddle), Grant Tracy (bass) and Brad Rice (drums). Squelch features an infusion of hard-edged rock via “I Guess It’s Alright”, swinging honky tonk on “Break 19”, driving Americana on “Heartland Bypass” and heartfelt country ballads, such as the beautiful “Do You Love Me Any Less”.

Jason Boland & The Stragglers have been selling out major venues throughout the Southeast, Southwest, Colorado and beyond, while going on to sell over 600,000 albums independently. Their reputation has never been confined by geography, as the band has received high praise from a wide range of press, including The New York Times, The Wall Street Journal, Garden & Gun, Country Weekly, Blurt, American Songwriter, Billboard and more.

Now that the void for smart, substantive country music is finally beginning to be populated, those who have been yearning for it have been heard. However, with Squelch, Jason Boland & The Stragglers remind us that it was out there all along, we just needed to look a little harder.

Progressive transcendental folk quintet Elephant Revival announce the April 1 release of their forthcoming album, Petals (Thirty Tigers). Formed in 2006, Elephant Revival is known for their thoughtful, literary inspired lyrics combined with an eclectic blend of arrangements performed with traditional folk instrumentation. The five songwriters and multi-instrumentalist’s approach is unique and fearless as they create genre-defying, yet highly accessible, music that has continuously evolved into a signature sound. That sound has never been stronger than on their fourth and finest offering, Petals.

Guided by the songwriting and haunting vocals of Bonnie Paine and Daniel Rodriguez, Elephant Revival has as much in common with American roots music as it does with indie rock. The songs on Petals touch on themes of love, overcoming loss and following your own path while remaining connected to others. Bandmates Bridget Law, Dango Rose and Charlie Rose add beautiful harmonies and superior musicianship, creating an ensemble of guitar, fiddle, washboard, cello, bass, horns, pedal steel, mandolin and banjo.

Since the 2008 release of their first album, Elephant Revival has been making an impact on all who hear them and experience their intimate and lively performances. The UK’s Maverick Magazine said, “Elephant Revival is not only one of the more interesting bands working on the American roots scene but one of the best...they have talent and chops to burn and confidence in what they do. Confidence that’s fully justified,” while The New York Times said, “If this doesn’t make you smile, something is wrong with you.”

Elephant Revival has toured extensively since their inception, garnering a large and loyal fanbase. The band headlines major venues and has performed at over 30 festivals each year, including Newport Folk Fest, Bumbershoot, Telluride Bluegrass, High Sierra, All Good and many more. On May 22, Elephant Revival will headline the legendary Red Rocks Amphitheatre in their home state of Colorado for the first time.

Petals was produced by Sam Kassirer (Josh Ritter, Lake Street Dive, Langhorne Slim) and recorded at the Great North Sound Society in Parsonsfield, ME and The Studio at eTown Hall in Boulder, CO.

Widespread Panic has announced spring tour dates in celebration of the band's 30th anniversary and twelfth studio album, Street Dogs (September 25th 2015 via Vanguard Records). The tour will kick off with three nights at Austin City Limits Live at The Moody Theater with stops in Chicago, Detroit and Wanee Music Festival. Their good friends Tedeschi Trucks Band will join them in Birmingham on April 23 and their good friend Jason Isbell will join them in Raleigh on April 30. See tour dates below.

The band's latest album, Street Dogs, is a testament to how the veteran band can remain vibrant, relevant and continue to progress. American Songwriter called it "...one of Widespread Panic’s finest discs." PopMatters said "...the band has never sounded better nor more relaxed" (8/10 stars). 

View Relix magazine's extensive feature with clips from Garden & Gun, Elmore and more HERE. Hear the lead track "Street Dogs For Breakfast" via Billboard HERE. The second single “Welcome To My World” will be at radio soon.

Throughout three decades, Widespread Panic has been featured on ABC Good Morning America, CBS Sunday Morning, CNN’s Showbiz Today, NPR, The Wall Street Journal, The New York Times, and has performed on Late Night with Conan O’Brien, Late Show with David Letterman, The Tonight Show with Jay Leno, Austin City Limits, Late Night with Jimmy Fallon and A&E Breakfast with the Arts. View highlights HERE. View a facts sheet HERE.

The band’s music and live shows have become a rite of passage for multiple generations who continue to pack venues and follow the band throughout the U.S. The band has remained in Pollstar’s Top 50 Tours of the Year for the past decade and holds attendance records at major venues across the country, including Red Rocks Amphitheatre (48 sell-outs).

Widespread Panic Spring 2016 Tour Dates

April 8-10 – Austin, TX – Austin City Limits Live at Moody Theater

April 12 & 13 – Jackson, MS – Thalia Mara Hall

April 15 & 16 – Miami Beach, FL – Wanee Music Festival

April 19 – Augusta, GA – James Brown Arena

April 20 – Chattanooga, TN – Soldiers and Sailors Memorial Auditorium

April 22 – North Charleston, SC – North Charleston Coliseum

April 23 – Birmingham, AL – Legacy Arena At The BJCC 

(with special guest Tedeschi Trucks Band)

April 25 & 26 – Knoxville, TN – Tennessee Theatre

April 28 – Charlottesville, VA – nTelos Wireless Pavilion

April 30 – Raleigh, NC – Walnut Creek Amphitheatre 

(with special guest Jason Isbell)

May 1 – Huber Heights, OH – Rose Music Center

May 3 – Detroit, MI – The Fillmore Detroit

May 5-7 – Chicago, IL – Chicago Theatre

Couchville Sessions, the new album from venerable Grammy nominated singer/songwriter Darrell Scott will be released on May 13th via Full Light Records. Ever the unconventional artist, Scott has always forged his own path. He has penned hit songs for mainstream artists, and has had songs covered by over 70 others spanning from from Keb Mo’ to Mary Gauthier. In 2012 Scott recorded and toured as part of Robert Plant’s brilliant Band Of Joy, gaining him even more respect and admiration from a wider range of musicians in broader genres. Couchville Sessions is Scott’s first solo album since Long Ride Home in 2012.

Scott’s approach to making music parallels the way he also has chosen to live. Currently making his home outside of Nashville, on the Cumberland Plateau, he focuses on a sustainable lifestyle, heating with wood, utilizing solar energy and growing his food. The fourteen songs on Couchville Sessions are a natural and inevitable product of this pure and unapologetic approach to making music and living life.  

The material on the album is comprised of mostly Darrell Scott originals, mixed with a few carefully chosen nods to “the masters” including Hank Williams, Johnny Cash, and Townes Van Zandt. Scott tackles profound issues - demise of relationships in “Time To Go Away”, mortality “It’s Another Day To Live And Die” and depression in “Another Grey Morning” (James Taylor), but delivers them in such a way that there’s a sense and light and comfort in this collection. 

The musicians gathered together for this recording are a hand-picked group of virtuosos including acclaimed English musician Danny Thompson on bass, percussionist Kenny Malone, steel guitar wiz Dan Dunmore, and Bill Payne (Little Feat/The Doobie Brothers) on piano and organ. Special guest appearances include vocals by Peter Rowan, John Cowan, and a rare narration by Guy Clark. The result is a collection of stunning and fearlessly played tracks, mostly recorded live, which offer the perfect backdrop for Scott’s mesmerizing vocals.

The way in which Darrell Scott lives and creates, his love and respect for “the masters”, and the unapologetic way he in which he approaches life across the board are just some of his beautiful and unique qualities. Couchville Sessions captures that spirit.

DARRELL SCOTT 2016 TOUR DATES

March 11 Hastings, NE @ The Listening Room

March 12 McCook, NE @ Fox Theater

April 6-8 Savannah, GA @ Savannah Music Festival

April 9 Decatur, GA @ Eddie’s Attic (2 shows)

April 29 Knoxville, TN - Tennessee Theatre (w John Prine)

May 6 Franklin, TN @ Franklin Theater

May 13 Washington, D.C. @ The Hamilton

May 20 Bristol, TN @ The Birthplace of Country Music (tentative)

May 21 Lexington, VA @ Lime Kiln Theater

June 3 Williamsburg, KY @ Sally Gap Bluegrass Festival

July 6 Vail, CO @ Vail Summer Bluegrass Series

July 9 Kansas City, MO @ Knuckleheads

July 10 Belle Plaine, KS @ Bartlett-Arboretum - Tree House

August 8 Chico, CA @ Sierra Brewing Company

August 10 Grass Valley, CA @ Center For The Arts

August 15-19 Lyons, CO @ Folks Fest

This summer marks the return of the much-anticipated Jerry Garcia Symphonic Celebration featuring Warren Haynes. The highly acclaimed fourth tour has just added two new dates in New York City and New Jersey to the previously announced seven performances. Curated by the Garcia family, the celebration will feature Garcia and lyricist Robert Hunter’s timeless original compositions and interpretations of songs that became standards at Jerry Garcia Band and Grateful Dead concerts. The groundbreaking collaboration of renowned orchestras and Grammy-winning singer/guitarist Warren Haynes (Allman Brothers, Gov’t Mule) continues to shine new light on the music and cultural significance of Jerry Garcia.

This year, Haynes will be joined for the first time by revered long-time Jerry Garcia Band vocalist Jaclyn LaBranch. LaBranch was an integral part of the latter era Jerry Garcia band and helped define their signature sound by injecting her angelic gospel and soul inspired vocals. The Symphonic Celebration band also includes bassist Lincoln Schleifer, drummer Jeff Sipe and vocalist Jasmine Muhammad.  

On this year’s tour, Haynes will return to the stage with Jerry Garcia’s signature guitar known to fans worldwide as the “Wolf“ (http://jerrygarcia.com/guitars/#wolf). Wolf was the first of Garcia’s iconic custom guitars designed by Doug Irwin. Haynes has proven to be one of the finest interpreters of Garcia’s music through his work with Phil Lesh & Friends and The Dead. "I’m looking forward to this summer’s symphony shows and continuing to explore the music of Jerry Garcia in such a beautiful and unique way,“ says Haynes. “It’s going to be very special having Jackie with us this summer and hearing her voice again on many of the songs she sang with Jerry."

The Tanglewood performance in Lenox, MA with Keith Lockhart and the Boston Pops will mark the fourth collaboration, which includes two prior sold out performances at Boston’s Symphony Hall and a historic 2013 performance at Tanglewood. This will also be the third performance with the Colorado Symphony at Red Rocks Amphitheatre in Morrison, CO. 2016 marks first time collaborations with the Nashville Symphony (June 23), Atlanta Symphony Orchestra (June 24) and the Hudson Valley Philharmonic (August 6), as well as the tour’s much anticipated first performance in New York City.

Jerry Garcia Symphonic Celebration featuring Warren Haynes – Tour Dates

June 23 – Nashville, TN – Schermerhorn Symphony Center

With the Nashville Symphony

June 24  – Atlanta, GA  – Chastain Park Amphitheatre

With the Atlanta Symphony Orchestra

June 26  – Highland Park, IL  – Ravinia Festival

With the Ravinia Festival Orchestra  

July 1  – Lenox, MA  – Tanglewood Music Center

With the Boston Pops and Conductor Keith Lockhart

August 1  – Morrison, CO  – Red Rocks Amphitheatre

With The Colorado Symphony

August 4  – Canandaigua, NY  – CMAC Performing Arts Center

August 6  – Bethel, NY – Bethel Woods Center For The Arts

With the Hudson Valley Philharmonic

August 7 – Holmdel, NJ – PNC Bank Arts Center

August 8 – New York, NY – Summerstage In Central Park

On June 24, Round Records & ATO Records will release GarciaLive Volume Six: July 5, 1973 – Jerry Garcia & Merl Saunders, the latest installment of the celebrated GarciaLive archival series. The three-CD set was recorded at the 200 capacity Lion’s Share club formerly located in the small town of San Anselmo, CA, just 20 miles north of San Francisco. The performance features Jerry Garcia performing with friend, mentor and legendary keyboardist/vocalist Merl Saunders. The duo is joined by drummer Bill Vitt and bassist John Kahn, who soon became a lifelong Garcia collaborator. 

GarciaLive Volume Six will be the subject of an hour-long special premiere broadcast on SiriusXM’s Grateful Dead Channel on Friday, June 24. 

Garcia has often credited Saunders with teaching and inspiring the guitarist to interpret covers, which became commonplace for The Grateful Dead, the group he led for nearly 30 years, as well as the foundation for much of The Jerry Garcia Band’s repertoire. Songs that appear on GarciaLive Volume Six, such as “I Second That Emotion," “How Sweet It Is (To Be Loved By You)," “That’s Alright, Mama” and “The Night They Drove Old Dixie Down," would become Jerry Garcia Band staples for decades.

Looking back, the July 5, 1973 show took place during what would be a pivotal time in Garcia’s creative arc. Five days following this show, the same ensemble would perform just miles away in Berkeley and record what would become the acclaimed Jerry Garcia & Merl Saunders: Live at Keystone releases. The Grateful Dead were at the top of their game around this time, and about to head East to perform to over a half million fans at Summer Jam in Watkins Glen, NY with The Band and The Allman Brothers, which became the largest single day concert in U.S. history. The Dead were only weeks away from laying down the foundation to record what would become one of their most celebrated albums, Wake Of The Flood. Garcia was also indulging his bluegrass roots in 1973 with the ensemble Old & In The Way, featuring David Grisman and Peter Rowan. To top it all off, the core band on the 1973 recording (Garcia, Saunders & Kahn) would go on to form Legion Of Mary in 1974 with Elvis Presley’s drummer Ron Tutt and sax player Martin Fierro. It was clearly the most creative and inspired period Garcia had experienced to that point.

Seeing what transpired right on the heels of that July evening in San Anselmo, makes what was captured that night all the more special.  The 14 songs performed at the Lion’s Share were recorded by famed Grateful Dead engineer Betty Cantor-Jackson, and feature a more-raw and intimate sound and feel than the beloved Keystone releases. In retrospect, these rock, jazz and R&B influenced interpretations by two masters of the form clearly illustrate that Garcia was at the precipice of a journey that would define all that he touched moving forward.

To preorder GarciaLive Volume Six: July 5, 1973 – Jerry Garcia & Merl Saunders, go to: http://jerrygarcia.shop.musictoday.com/. The album will be available as a 3-CD set or digital downloads in MP3 or FLAC format.  Bundles are available that include an exclusive t-shirt and limited edition screen print poster by Matt Leunig signed and numbered by the artist in an edition of 500 prints.

This summer marks the return of the much-anticipated Jerry Garcia Symphonic Celebration featuring Warren Haynes. This year, Haynes will be joined for the first time by vocalist Jacklyn LaBranch, who was an integral part of the latter era Jerry Garcia Band. The Symphonic Celebration band includes bassist Lincoln Schleifer, drummer Jeff Sipe and vocalist Jasmine Muhammad.  

Curated by the Garcia family, the celebration will feature groundbreaking collaborations with renowned orchestras interpreting Garcia and lyricist Robert Hunter’s timeless original compositions. For tour dates and information about the Jerry Garcia Symphonic Celebration featuring Warren Haynes, go to: http://jerrygarcia.com/event/.

Widespread Panic will be performing at the Arkansas Music Pavilion in Rogers on June 17th. Showtime is 7:30 p.m. and doors open at 6 p.m. Widespread Panic’s 2016 Summer Tour will stretch from the Midwest to the West Coast during the months of June and July. Highlights include a return to Mud Island in Memphis, TN, three nights at Red Rocks Amphitheatre in Morrison, CO, the band’s first ever shows in Bend, OR, three nights in Vegas, two in Oakland, CA and will conclude with a return to the Wiltern in Los Angeles, CA.  

The band's latest album, Street Dogs, is a testament to how a veteran band can remain vibrant, relevant and continue to progress. American Songwriter called it "...one of Widespread Panic’s finest discs." PopMatters said "...the band has never sounded better nor more relaxed" (8/10 stars).

Throughout three decades, Widespread Panic has been featured on ABC Good Morning America, CBS Sunday Morning, CNN’s Showbiz Today, NPR, The Wall Street Journal, The New York Times, and has performed on Late Night with Conan O’Brien, Late Show with David Letterman, The Tonight Show with Jay Leno, Austin City Limits, Late Night with Jimmy Fallon and A&E Breakfast with the Arts. View highlights HERE. View a fact sheet HERE.

The band’s music and live shows have become a rite of passage for multiple generations who continue to pack venues and follow the band throughout the U.S. The band has remained in Pollstar’s Top 50 Tours of the Year for the past decade and holds attendance records at major venues across the country, including Red Rocks Amphitheatre (48 sell-outs).

Undercurrent, the fourth album from acclaimed GRAMMY nominated singer/songwriter/multi-instrumentalist Sarah Jarosz will be released on June 17th via Sugar Hill Records.  Undercurrent features a newfound confidence and a more minimalist production, focused on Jarosz’s upfront vocals and most personal songwriting to date.
 
Undercurrentwas co-produced by Jarosz and Grammy award-winning engineer/producer Gary Paczosa. Jarosz is featured on guitar, octave mandolin, and banjo with tasteful accompaniment by Jedd Hughes and Luke Reynolds (Guster) on guitar/harmony vocals, and Mark Shatz contributing bass throughout the album.Sara Watkins and Aoife O'Donovan, her bandmates in I'm With Her, make an appearance on the Jarosz/O'Donovan co-write "Still Life."   The themes running through Jarosz’s writing range from transitions in life and love in “Early Morning Light” and “Take Me Back,” to nostalgia on “Back Of My Mind.”  The joyous and up-tempo “Comin’ Undone,” a co-write with Parker Millsap is an ode to pushing through when days feel heavy. 

Since the release of her last album Build Me Up From Bones (2013), Jarosz has toured internationally, acted as a guest host for Garrison Keillor’s famed A Prairie Home Companion and taught at Yo-Yo Ma’s prestigious Global Musician Workshop.  Build Me Up From Bones received high critical praise that includedThe New York Times, New York Magazine, NPR, LA Weekly and USA Today, and she performed on CONAN and The Late Late Show with Craig Ferguson in the same week.
 
Undercurrent reflects the unique way Jarosz combines her early roots-based background with new influences stemming from a recent move to NYC and a diverse group of musical colleagues.  The album encapsulates a true artist during the process of personal evolution and discovery, and should firmly secure her spot as one to watch.  

The Great Divide, the debut album from modern indie-folk band National Park Radio will be released on July 29th via The Edgewater Music Group. The Great Divide is a timeless and honest collection of original songs which reflect on family, the need to explore and a love for the outdoors. Although the band uses mostly acoustic instrumentation, their melodies are filled with infectious pop sensibilities.

Front man Stefan Szabo grew up in the shadow of the Ozarks in the tiny town of Harrison, Arkansas. An old soul, Stefan married young, and had two daughters by the time he was 21. He played music and sang in his teens, mostly through a church group, but didn’t begin writing songs until he turned 27. Stefan traded the Fender Strat he owned for a six-string banjo (played/tuned like a guitar) and began writing most of the material included on The Great Divide.

The themes on the new album range from perseverance in songs like “I Will Go On” to the intricacies of relationships in “Monochrome,” young love in “Steady” and, on the title track “The Great Divide,” the spirit of persistence and pursuit of happiness. Stefan’s sincere attitude towards life and music comes across naturally through his music, highlighted by his clear and expressive vocals.

National Park Radio band members also include Heath Shatswell on banjo, Jon Westover on fiddle/vocals, drummer Eli Barrett, and bassist Mike Womack, with regular guest appearances by Jimmy Moreland on piano/vocals. The band’s name was drawn from Stefan’s love of the outdoors, and luckily his partners on the road share in this passion, even opting for the occasional camp-out while on the road versus crashing in a hotel.

A joyous mix of relatable songwriting, emotive vocals, and acoustic based instrumental arrangements, The Great Divide is an album that will inspire listeners to reflect, think more deeply, and hopefully enjoy life’s important moments.

On August 19, Round Records & ATO Records will release the two-disc GarciaLive Volume Seven: November 8th, 1976 – Jerry Garcia Band, a previously unreleased and uncirculated performance recorded at Sophie’s in Palo Alto, CA. The original reels, along with several other recordings, which have come to be known as the “Houseboat Tapes,” were only recently discovered by former Grateful Dead and Jerry Garcia Band vocalist Donna Jean Godchaux. The chance finding is the subject of a Q&A with Godchaux in the current issue of Relix. Pre-order for GarciaLive Vol. Seven can be found at Garcia Family Provisions (http://jerrygarcia.shop.musictoday.com/).

Once a supermarket, Sophie’s was an unassuming and intimate venue where the Jerry Garcia Band played four times in 1976. The hall eventually became the Keystone Palo Alto and hosted the group many more times through the years. Palo Alto itself holds a distinctive place in Garcia’s history. After a brief stint in the Army, it was where Garcia settled and became fully committed to music in the early 1960’s when he was teaching guitar and playing in bands around the area. 

With former Elvis Presley drummer Ron Tutt manning the throne, longtime Garcia collaborator John Kahn on bass, Keith Godchaux on keys and Donna Jean Godchaux on backing vocals, this ensemble performed almost 70 shows that year and became known as one of the Garcia Band’s strongest lineups. One local critic agreed, and said, “More than any other Garcia band this one allows him room to run through all his guitar styles, often within a single song.” 

Many of the covers performed that evening were mainstays of the Jerry Garcia Band’s repertoire, such as “The Way You Do The Things You Do,” made famous by The Temptations, Hank Ballard’s “Tore Up Over You” Jesse Stone’s "Don’t Let Go,” Bob Marley’s “Stir It Up,” JJ Cale’s “After Midnight” and Peter Rowan’s “Midnight Moonlight.” Performances of Garcia/Robert Hunter originals “Friend of the Devil” and “Mission In The Rain” were standouts that evening as well.

The Jerry Garcia Band, in its many incarnations, was often underappreciated, yet a vital outlet for Garcia’s wide ranging artistic musical expressions. As much as the Grateful Dead pushed the limits of where live performances could go, the Jerry Garcia Band gave Garcia a forum to fully enable his insatiable curiosity by stretching out on a completely different playing field, with endless possibilities. 

Once thought as lost, Donna Jean’s surprise discovery of these tapes allows us to experience the breadth of Jerry Garcia as a solo artist on an amazing night in November 1976, for the very first time.

Today, August 1, 2016, marks what would have been the 74th birthday of Jerry Garcia. In honor of the occasion, The Jerry Garcia Family announces the legendary artist’s live and studio catalogue is available to fans via streaming services the very first time. iTunes, Apple Music and Google Play are included in the initial rollout with additional platforms to be added soon.

Garcia’s acclaimed solo albums Garcia, Garcia (Compliments), Reflections, Cats Under The Stars and Run For The Roses are featured along with the beloved GarciaLive archival series (with Vol. Seven releasing August 19th) and other live favorites including Fall 1989: The Long Island Sound, the legendary After Midnight: Kean College, 2/28/80 and much more, with additional titles coming soon.

This evening, a special birthday performance of the Jerry Garcia Symphonic Celebration Featuring Warren Haynes will kick off the second leg of the 2016 tour  (See Tour Dates Below) at Red Rocks Amphitheatre in Morrison, CO. The show will feature some special guests, such as former Jerry Garcia Band vocalist Jacklyn LaBranch, who joined the tour this year, and JGB organist Melvin Seals. Following the regular two-set performance, Seals will take part in a special third set created for the occasion and will feature the core band sans symphony. 

While there are sure to be a few surprises this evening, perhaps the unofficial ‘Guest of Honor’ will be Tiger, Garcia’s iconic guitar. Tiger, which has not been played live since the Grateful Dead’s final show in Tinley Park, IL in 1995, will be in the hands of guitar master, Warren Haynes. Thanks to the kindness of Tiger’s current owner Jim Irsay (owner of the NFL’s Indianapolis Colts) and The Irsay Collection, fans will be able to experience its beautiful tone again, and in some cases, for the first time. See today's Rolling Stone story.

Jerry Garcia Symphonic Celebration Featuring Warren Haynes
Remaining 2016 Tour Dates

August 1 – Morrison, CO – Red Rocks Amphitheatre With The Colorado Symphony

August 4 – Canandaigua, NY – CMAC Performing Arts Center

August 6 – Bethel, NY – Bethel Woods Center For The Arts With the Hudson Valley Philharmonic

August 7 – Holmdel, NJ – PNC Bank Arts Center  

August 8 – New York, NY – Summerstage In Central Park 

For tickets and more information, visit: http://jerrygarcia.com/event/

We are overjoyed to announce Warren Haynes will be playing Jerry Garcia's beloved “Tiger” guitar at SummerStage in Central Park on August 8th. Built specifically for Garcia by luthier Doug Irwin, Tiger debuted with the Grateful Dead on August 4th, 1979 and remained Garcia’s primary guitar for over a decade. Haynes is the first to perform on the guitar since Garcia last played it during his final performance with the Grateful Dead on July 9th, 1995 at Soldier Field in Chicago. Special thanks to Jim Irsay, Tiger’s steward, who has graciously provided Tiger for our tour closing performance in New York City.

Plus, Eric Krasno and Marco Benevento will be joining Warren and the band on stage for a very special encore without the orchestra, playing improvisations centered around Grateful Dead & Jerry Garcia Band favorites.

The Jerry Garcia Symphonic Celebration Featuring Warren Haynes will perform with a 40+ piece symphony in New York, NY at Central Park SummerStage on Monday, August 8 at 7:00 p.m. Curated by the Jerry Garcia family, the celebration will give prominence to Garcia and lyricist Robert Hunter's timeless original compositions and interpretations of songs that became standards at Jerry Garcia Band and Grateful Dead concerts. The highly-acclaimed fourth tour and groundbreaking collaboration of renowned orchestras and Haynes will continue to shine new light on the music and cultural significance of Jerry Garcia.

This year, the Grammy-winning singer/guitarist will be joined for the first time by revered long-time Jerry Garcia Band vocalist Jacklyn LaBranch. LaBranch was an integral part of the latter era Jerry Garcia Band and helped define their signature sound by injecting her gospel and soul inspired vocals. The Symphonic Celebration band also includes bassist Lincoln Schleifer, drummer Jeff Sipe and vocalist Jasmine Muhammad.

2016 marks first time collaborations with the Nashville Symphony (June 23), Atlanta Symphony Orchestra (June 24) and the Hudson Valley Philharmonic (August 6), as well as the tour's much anticipated first performance in New York City (August 8). The Tanglewood performance in Lenox, MA (July 1) with Keith Lockhart and the Boston Pops marked the fourth collaboration, which included two prior sold out performances at Boston's Symphony Hall and a historic 2013 performance at Tanglewood. This was also the third performance with the Colorado Symphony at Red Rocks Amphitheatre in Morrison, CO (August 1). For a full list of tour dates, visit www.JerryGarcia.com.

Genre-defying progressive sextet Umphrey’s McGee announce the November 11 release of ZONKEY, a truly unique collection of 12 innovative  mash-ups; conceived, arranged and performed in their entirety without the use of any samples. Always a band to challenge the boundaries of live performance, Umphrey’s McGee began a tradition eight years ago when the group started performing live mash-ups during their annual Halloween concerts. The event has become a fan favorite with sold out shows and highly coveted tickets. ZONKEY marks the first time the group has taken songs spanning 40+ years of popular music from 70’s Reggae to 80’s Pop to 90’s Metal and beyond, and recorded them in the studio.

Only a band with the caliber of musicians such as Umphrey’s McGee could pull off these ambitious compositions that include “National Loser Anthem” (Radiohead’s "National Anthem" + Beck’s "Loser" + Phil Collins "In The Air Tonight”), “Can't Rock My Dream Face” (Michael Jackson’s "Rock With You" + The Weeknd’s "Can't Feel My Face"  + Fleetwood Mac’s "Dreams"), “Strangletage” (Ted Nugent’s "Stranglehold" + Beastie Boys "Sabotage") or “Life During Exodus” (Talking Heads’ "Life During Wartime" + Bob Marley ‘s "Exodus" + Frank Zappa’s "City of Tiny Lites" +  Chicago’s "25 or 6 to 4"). The passion and precision in their playing is tremendous, as well as seamless blends and transitions within the arrangements.

ZONKEY clearly pays homage to some of our favorite artists & songs. While we’ve tried to reproduce the spirit of the original compositions & recordings, we’ve also tried to have some fun with the takes as we’ve often combined seemingly dissimilar musical elements to create a new vibe altogether,” notes keyboardist Joel Cummins

Aside from Umphrey’s McGee’s dynamic sounds, cutting edge live spectacles, massive fanbase and sold out shows, the band has set a new standard with their groundbreaking fan-engaging, communal live experiences. Their pioneering live interactive efforts include fan curated sets, “audio immersion” via their Headphones & Snowcones experience and the annual UMBowl events (featured in Wired), to name a few. These extraordinary fan relations efforts have been the subject of stories in numerous outlets, including Billboard, Mashable, Pollstar, Relix, Chicago Tribune and Time.

ZONKEY is yet another example of a band unwilling to sit idle as they continue to evolve and explore endless possibilities.

Progressive indie-folk quintet Elephant Revival is teaming up with NNIRR to raise awareness and understanding of the current refugee and immigrant crisis happening around the world and in our own country. The group makes a clear statement with the first music video from their acclaimed album Petals with the track “When I Fall.”

All proceeds from the Pay-What-You-Can donation link to download the audio track will be donated directly to NNIRR.

Colorado-based Elephant Revival believes strongly in the interconnectedness of all living things, which has inspired them to take a stand. The video is a paean to hope and overcoming adversity as it depicts an immigrant family walking a difficult path to freedom while working against the elements. Those elements can be as literal as the snow covering the ground and the fence the family must crawl through or as evocative the broken structure in our current society and how it fails to humanize refugees and immigrants, especially the children.

“We’re heartbroken thinking about all of the refugees and innocent people in our world who are experiencing war and watching their communities destroyed and people they love die. We are fortunate enough to be able to go home each night and feel safe and secure. They have to get up and walk to whatever country will take them in, while trying to keep their families alive. It puts the world into perspective. We just hope more people open their minds and hearts to the realities of what’s taking place,” said Vocalist/Guitarist Daniel Rodriguez.

About National Network for Immigrant and Refugee Rights
The National Network for Immigrant and Refugee Rights (NNIRR) works to defend and expand the rights of all immigrants and refugees, regardless of immigration status. Since its founding in 1986, the organization has drawn membership from diverse immigrant communities, and actively builds alliances with social and economic justice partners around the country. As part of a global movement for social and economic justice, NNIRR is committed to human rights as essential to securing healthy, safe and peaceful lives for all. For more info, visit www.nnirr.org.

Colorado-based Elephant Revival will be featured in the season premiere of “Open Air Live & Local” airing on CPT 12 on Saturday (10/1) at 9:30p.m. The segment will include performances from their first-ever headlining show at Red Rocks and the CPR Studio. The band’s been touring nonstop in support of their album Petals, which has been featured in UTNE Reader, The Wall Street Journal, The Huffington Post and more. Don’t miss their upcoming performances as they join the Colorado Symphony Orchestra at Boettcher Concert Hall in Denver, CO on 11/26 and perform in Boulder, CO (12/8) and Fort Collins, CO (12/9).

Elephant Revival has also launched a powerful campaign with their recently released music video, “When I Fall.” Check out more, here: http://www.elephantrevival.com/when-i-fall

Show: “Open Air Live & Local”

Channel: Colorado Public Television, Channel 12 (CPT 12)

Date: Saturday, October 1

Time: 9:30 p.m.

For the first time, the earliest known studio recording by Jerry Garcia will be released on November 11 through Round Records/ATO Records. In 1962, Garcia and his folk/bluegrass quintet The Hart Valley Drifters went into Stanford University’s KZSU studio in Palo Alto, CA to record a session for the stations program Folk Time (also the album’s title). The lost session resided in a closet for nearly 50 years before the reels were unearthed in 2008 by former Stanford student Ted Claire, who produced and recorded the original session. Five decades later, everyone can hear Garcia in his early adult musical phase where traces of his signature style were incubating. Hear for yourself via the Relix premiere of “Roving Gambler”, HERE.

The Hart Valley Drifters featured a 20-year old Jerry Garcia on lead vocals, banjo and guitar, Robert Hunter on bass, David Nelson on guitar, Ken Frankel on banjo, fiddle and guitar and Norm Van Maastricht on dobro. Years before Garcia and Hunter would form an iconic songwriting partnership, and Nelson would co-found New Riders of the Purple Sage, the three crafted soaring three-part vocal harmonies in the tradition of some of their American folk and bluegrass heroes.

Around this time, Garcia had been educating himself on American folk and bluegrass tradition. After learning guitar and banjo, he became a self-taught multi-instrumentalist adding, mandolin, autoharp and fiddle to his repertoire. In 1962, all five members were basically kids in the developmental stage of becoming great musicians. The band was trying to emulate their forbearers, more than expand on the foundation laid down before them. The Hart Valley Drifters recorded spirited renditions of traditionals such as, “Roving Gambler”, “Standing In The Need of Prayer”, “Cripple Creek” as well as the Ralph Stanley composition “Clinch Mountain Backstep” and Earl Scruggs’ “Ground Speed” and “Flint Hill Special”. The session ends with a soulful version of the Walter Jacobs Vinson/Lonnie Carter classic “Sitting On Top Of The World”, which Garcia eventually evolved into the lively rendition that would wind up on the Grateful Dead’s debut album five years later. (See track listing below)

As exciting and enjoyable as it is to hear these early recordings, Folk Time fills a void in Jerry Garcia’s musical canon. The album serves as an important historical document of a legendary cultural icon in the process of figuring out how his early influences would inform the influential artist he would go on to become.

Pre-order Hart Valley Drifters’ Folk Time at: JerryGarcia.com

Hart Valley Drifters – Folk Time
Track Listing

1. Band Introductions 

2. “Roving Gambler”
(Traditional) 

3. “Ground Speed”
(Earl Scruggs)

4. “Pig In A Pen”
(Fiddlin’ Arthur Smith [traditional] arr. by J. Garcia) 

5. “Standing In The Need Of Prayer”
(Traditional) 

6. “Flint Hill Special”
(Earl Scruggs) 

7. “Nine Pound Hammer”
(Traditional) 

8. “Handsome Molly”
(G.B. Grayson/Henry Whitter)

9. “Clinch Mountain Backstep”
(Ralph Stanley/Ruby Rakes) 

10. “Think of What You’ve Done”
(Carter Stanley)

11. “Cripple Creek”
(Traditional) 

12. “All The Good Times Have Past And Gone”
(Traditional) 

13. “Billy Grimes, The Rover”
(Traditional) 

14. “Paddy On The Turnpike (Boys, My Money’s All Gone)”
(Traditional)

15. “Run Mountain”
(J.E. Mainer) 

16. “Sugar Baby”
(Moran Dock Boggs) 

17. “Sitting On Top Of The World”
(Walter Jacobs Vinson/Lonnie Carter)

American Wilderness, the striking new Rock Ridge Music album by Nashville-based singer-songwriter Matt Hires, pays off the promise the musician makes to himself in “Begin Again,” one of the album’s key songs, to “shake the dust and start over.”

Produced by Randall Kent in Music City, the 10-song collection is a unified and probing work in which Hires – previously known for his work on F Stop Music/Atlantic Records – has created an intensely personal and self-revealing song-suite where he contemplates his life and his beliefs amid the oft-cacophonous backdrop of modern America.

Hires says, “It’s the most cohesive body of work that I’ve put out, and I didn’t intend it to be that way – it just happened. One of the first songs I wrote for the album was the first track, ‘Fighting a Ghost.’ The second verse contains the line that the title of the album came from. A lot of the ideas behind a lot of the other songs came from that – feeling a little lost amidst all the noise and commotion of culture and society. There’s a lot of struggling and wrestling with faith in the record, too.”

The making of American Wilderness was prefaced by a period of profound personal change for Hires. The well-traveled artist had previously issued two full-length albums, Take Us to the Start (2009) and This World Won’t Last Forever, But Tonight We Can Pretend (2013), on F Stop/Atlantic.

As that label relationship ended, Hires and his wife of eight years decided to relocate from Tampa, Florida, where they had both lived all their lives, for Nashville, home of both the U.S. country music production line and a burgeoning scene for independent songwriters and musicians. They arrived in the city the day after Christmas in 2014.

“I think that was a big part of the change in my music,” says Hires. “There’s something about moving to a new city, and experiencing new things that helped in opening up my songwriting to new levels of honesty.”

Hires quickly fell in with a group of like-minded indie musicians, and began exploring new avenues in his songcraft during informal living-room sessions with them.

He recalls, “We started doing this thing called ‘Scotch ‘n’ Songs.’ The average size of the group was five or six of us. We would get together every other week and share new stuff that we’d been working on, and share a bottle of scotch or bourbon. We’d talk about the songs. Pretty much all of this album was born out of that, partially out of necessity. A few weeks would roll by, and I’d say, ‘Oh, man, I need a song to bring to the group,’ so I would sit down and force myself to write. I’d say, ‘What do you want to write right now? If you could turn on your radio or your iPod right now, what would you want to hear?’”

The encouragement and feedback of the Scotch ‘n’ Songs crew moved Hires to set aside some of his earlier notions about his craft.

“When I would write songs before,” he says, “I would have these things hanging over my head – ‘What’s my A&R guy at the record label going to think? What are my parents going to think?’ I tried to shed all of that, and just write what I wanted to write. I remember talking to one of my friends in the songwriting group, and he said, ‘Write what scares you.’ I took that idea and ran with it, and it made the record what it is.”

The material on American Wilderness drew its stylistic inspiration from old and new strains of Americana and contemporaries whose work reflects Hires’ own engaging pop sensibility.

“Influences of mine who have been favorites over the years are Bob Dylan, Tom Petty, Wilco,” he says. “While I was writing the material for this album, I got way into Jason Isbell’s Southeastern. During the last year, I was listening to Brandon Flowers’ solo record The Desired Effect – I’m a big fan of The Killers. What I tried to do with this record was create songs that were lyrically interesting with something to say while remaining musically accessible, without being candy-coated.”

Many of the album’s songs explore an individual’s uncertain place amid the roiling tumult of modern life in the U.S. Others – like “Holy War” and “Glory Bound” – candidly observe Hires’ own internal conversation about religion and belief.

“I grew up in the church – my dad was a pastor,” he says. “It was something I was familiar with and comfortable with my whole life. Moving to Nashville, we stepped away from the church and stopped going for a little over a year. I feel that was a really good thing for me. I didn’t stop thinking about that sort of thing. I wanted to look at it from outside the lens of Christian culture, and try to delve into what I actually believe, and be able to question things and not be afraid of that.”

It is perhaps fitting that Hires and producer Kent recorded the basic tracks for the album at a Nashville facility, the Chapel.

Though American Wilderness looks deeply and unflinchingly into the darkness of personal and spiritual experience, Hires emphasizes that his new album concludes on a bright point of light.

“A strong theme on the album is rebirth, new beginnings, and the idea that tomorrow doesn't have to be like today,” he says. “The last song is ‘Don’t Let Your Heart Grow Cold.’ While it can go to some fairly dark places, I wanted to make sure it ended on a hopeful note. You can make it better. Winter always turns into spring.”

American Wilderness is itself a creative spring for Matt Hires, marking the blossoming and emergence of a bright voice in American songwriting.

Progressive transcendental folk quintet Elephant Revival will perform with Gipsy Moon at Boulder Theatre in Boulder, CO on Thursday, December 8th at 7:30 p.m. The band’s album Petals has been featured in The Huffington Post, Wall Street Journal, UTNE Reader and more. No Depression called the album, “…one precious piece of work” and American Songwriter praised their ‘characteristically strong harmonies’ and ‘disparate variety of genres’ throughout the album.

Guided by the songwriting and haunting vocals of Bonnie Paine and Daniel Rodriguez, Elephant Revival has as much in common with American roots music as it does with indie rock. The songs on Petals touch on themes of love, overcoming loss and following your own path while remaining connected to others. Bandmates Bridget Law, Dango Rose and Charlie Rose add beautiful harmonies and superior musicianship, creating an ensemble of guitar, fiddle, washboard, cello, bass, horns, pedal steel, mandolin and banjo.

The five Colorado-based songwriters and multi-instrumentalist have toured extensively since their inception. Garnering a large and loyal fanbase, they headline major venues across the Country and perform well over 30 festivals each year. Their approach is unique and fearless as they create genre-defying, yet highly accessible, music that has continuously evolved into a signature sound.

Recently, the band was inspired to take a stand and raise awareness and understanding about the current refugee and immigrant crisis happening in the world and in our country. The group believes strongly in the interconnectedness of all living things and is making a clear statement with the first music video from their album Petals with the track “When I Fall.” Post and share the video “When I Fall” (HERE) to help raise awareness.

Petals was produced by Sam Kassirer (Josh Ritter, Lake Street Dive, Langhorne Slim) and recorded at the Great North Sound Society in Parsonsfield, ME and The Studio at eTown Hall in Boulder, CO.  For more highlights, visit www.alleyesmedia.com/elephantrevival.

An Evening With JJ Grey to benefit Conscious Alliance will take place at Arcana Restaurant in Boulder, CO on Sunday, December 4th at 6:00 p.m.. The event will feature a live, solo acoustic performance by JJ Grey, the frontman of celebrated soulful ensemble JJ Grey & Mofro. Their latest album Ol’ Glory (Provogue Records / Mascot Label Group) garnered praise from The Wall Street Journal, The New York Times, Garden & Gun, and more. For more information about the event, visit www.consciousalliance.org. 

JJ Grey’s intensely charismatic live performance combined with the incredible musicianship of Mofro has connected with audiences across the globe, including at some of the world’s largest festivals; Bonnaroo, Lollapalooza, Glastonbury, North Sea Festival and Fuji Rock in Japan. For press highlights and more, click HERE. 

Sync, the first studio album from KWahtro, the most recent ensemble from genre hopping multi-instrumentalist/vocalist Keller Williams, will be released on January 20.

Led by Williams on guitar and vocals, KWahtro features the superb musicianship of bassist Danton Boller (Jazz Mandolin Project, Roy Hargrove), guitarist and longtime Williams’ collaborator Gibb Droll (Brandi Carlisle, Bruce Hornsby) and drummer Rodney Holmes (Carlos Santana, Steve Kimock). Special guests include The Accidentals, Mike Dillon and Williams’ son Cabell Williams.

KWahtro performs what can be referred to as “acoustic dance music.” With songs primarily written by Williams, the music infuses reggae, folk, jazz, afrobeat and dance rhythms into new, and innovative arrangements. The improvisational nature of the performances allows freedom as well as precision by musicians who have formed a symbiotic relationship. Like the album title, KWahtro are four musical spirits fully in sync, creating a sound that is something unto itself.

KWahtro will perform a handful of special dates in the Northwest in January (see dates below), with more to come later in 2017. Williams will spend most of January through April touring with one of his heroes, acoustic legend Leo Kottke. Their celebrated Shut The Folk Up & Listen tour will pick up on January 12 in Ridgefield, CT. Williams will also be performing solo dates. (See Dates Below).

As if one release wasn’t enough, on January 20, Williams will also release Raw, a 10-song collection of solo acoustic material. These straightforward performances are not enhanced by the masterful looping Williams has become known for during his solo performances. Raw showcases the artist and his instrument, hence the aptly titled album.

To coincide with the release of Sync and Raw, Williams has joined forces with the Summer Camp Music Festival for the “Go to Summer Camp with Keller” contest. The prize includes an all expenses paid trip to Summer Camp Music Festival (flights for two & rental car) as well as two VIP Weekend passes to the festival, backstage access during Keller’s set and two pairs of Keen shoes To enter, fans can purchase Sync or Raw (CD, Digital Download, or Vinyl) through www.kellerwilliams.net before 1/20/2017 and receive two entries into the contest. Purchase Sync or Raw between 1/20/2017 and 3/5/2017 and receive a single entry. Visit www.kellerwilliams.net for more info and official rules!

Keller Williams 2017 Tour Dates Thus Far

January 12 - Ridgefield, CT - Ridgefield Playhouse * 

January 13 - Rutland, VT - Paramount Theatre *

January 14 - Keene, NH - The Colonial Theatre * 

January 19 - Eugene, OR - WoW Hall ~ 

January 20 - Portland, OR - Wonder Ballroom ~

January 21 - Seattle, WA - Nectar Lounge ~ 

January 26 - Ocala, FL - Reilly Arts Center * 

January 27 - Clearwater, FL - Capitol Theater * 

Januar 28 - Fort Lauderdale, FL - Parker Playhouse *

February 02 - Cincinnati, FL - Live at the Ludlow Garage *

February 03 - Pittsburg, PA - Carnegie of Homestead Music * 

February 04 - Buffalo, NY - Performing Arts Center Rockwell Hall *

February 09 - Davenport, IA - Redstone Room #

February 10 - Omaha, NE - Waiting Room #

February 11 - Minneapolis, MN - The Cedar #

February 16 - Durham, NC - Carolina Theatre *

February 17 - Greensboro, NC - Carolina Theatre *

February 18 - Washington, DC - Lincoln Theatre *

February 23 - New York, NY - New York Society for Ethical Culture * 

February 24 - New Brunswick, NJ - State Theatre *

February 25 - Beverly, MA - Cabot Performing Arts Center *

March 09 - St. Louis, MO - Sheldon Concert Hall *

 March 10 - Chicago, IL - Park West *

March 11 - Madison, WI - Barrymore Theatre *

March 16 - Ann Arbor, MI - Blind Pig #

March 17 - Grand Rapids, MI – Intersection #

March 18 - Indianapolis, IN - The Vogue #

March 30 - Salt Lake City, UT - The State Room *

March 31 - Phoenix, AZ - Marquee *

April 01 - Green Valley, AZ - Green Valley Rec Center *

April 06 - Jacksonville, FL - Florida Theatre *

April 07 - Atlanta, GA - Variety Playhouse *

April 08 - Charleston, SC - Charleston Music Hall *

* = Shut the Folk Up & Listen ft. Leo Kottke & Keller Williams

~ = KWahtro

# = Keller Williams Solo

Musical renaissance man Keller Williams will celebrate New Year's Eve with a special performance at Rams Head Live on December 31. The show will open with The John Kadlecik Band, followed by a solo set from Keller Williams, with Grateful Gospel featuring both Williams and Kadlecik closing out the night. The New Year's Eve celebration marks the first club appearance for Grateful Gospel, better known as a LOCKN' Festival Sunday-morning staple that began when William's pitched the idea several years back and has since evolved into a standing tradition drawing massive crowds. The project features a variety of local artists and Williams' very talented friends all performing songs from the Grateful Dead/Jerry Garcia catalog in the style of traditional gospel music. Watch the group perform "Mighty High" at this year's LOCKN' HERE.  

With a career spanning more than two decades, Keller Williams has an unmatched ability to evolve and collaborate with a variety of artists in different genres. Most commonly known as the "one-man-jam band", Williams has released over 20 albums and created a large, almost cult-like following. He's appeared at major festivals including Lollapalooza, Bonnaroo and Electric Zoo and toured with The String Cheese Incident, Yonder Mountain String Band, The Rythm Devils and Umphrey's McGee, as well as his various side projects.

Keller Williams just announced the January 20 release of Sync, the first studio album from KWahtro, his new acoustic dance ensemble. Led by Williams on guitar and vocals, KWahtro infuses reggae, folk, jazz, afrobeat and dance rhythms into new, and innovative arrangements with the help of superb musicianship from bassist Danton Boller (Jazz Mandolin Project, Roy Hargrove), guitarist and longtime Williams’ collaborator Gibb Droll (Brandi Carlisle, Bruce Hornsby) and drummer Rodney Holmes (Carlos Santana, Steve Kimock). Special guests on the album include The Accidentals, Mike Dillon and Williams’ son Cabell Williams. And as if one release wasn’t enough, on January 20 Williams will also release Raw, a 10-song collection of solo acoustic material that simply showcases the artist and his instrument, hence the aptly titled album. More info HERE.

On March 10, Round Records & ATO Records will release GarciaLive Volume Eight: November 23rd, 1991 Bradley Center, recorded in Milwaukee, WI.  The two-disc set has been re-mastered from the original soundboard recordings allowing more of the warmth and vibe of the performance to shine through. GarciaLive Volume Eight is the first release in a series of archival releases set for 2017 in celebration of Jerry Garcia‘s 75th birthday on August 1. Pre-order for GarciaLive Vol. Eight can be found at Garcia Family Provisions.

This show was recorded during the group’s 1991 fall tour, the Jerry Garcia Band’s first full fall tour since 1984. This bright, soulful and high-energy set features the Jerry Garcia Band’s longest continuous lineup with Melvin Seals (keyboards), John Kahn (bass), David Kemper (drums), Gloria Jones (backing vox) and Jacklyn LaBranch (backing vox) alongside Garcia. As Seals puts it, “That was the magic band...we all knew we had something special. That was the band.” And he wasn’t exaggerating.

The band opens the set with a rousing version of the Garcia/Hunter fan favorite “Cats Under The Stars”, one of four songs by the seminal songwriting duo played that night. The show features Garcia’s signature renditions of classic covers including Bruce Cockburn’s “Waiting for A Miracle” and an electrifying version of Bob Dylan’s “Tangled Up In Blue”. The evening featured a few songs that had only recently been added to the JGB repertoire, including a swinging version of Eric Clapton’s “Lay Down Sally”, a jovial rendition of Van Morrison’s “Bright Side of the Road” and the gorgeous 13-minute epic take on The Manhattan’s classic, “Shining Star”.

For those fortunate enough to experience the Jerry Garcia Band live, listening to GarciaLive Volume Eight will feel like a visit with a long-lost friend; picking up right where you left off. For those who never had the experience, this set on this particular night is a wonderful way to begin a long lasting relationship.

GarciaLive Volume Eight – Track Listing

DISC ONE / SET ONE

1. CATS UNDER THE STARS 

(Jerry Garcia/Robert Hunter)

2. THEY LOVE EACH OTHER 

(Jerry Garcia/Robert Hunter)

3. LAY DOWN SALLY

(Eric Clapton/Marcy Levy/George Terry)

4. THE NIGHT THEY DROVE OLD DIXIE DOWN

(Robbie Robertson)

5. REUBEN AND CHERISE

(Jerry Garcia/Robert Hunter)

6. MONEY HONEY

(Jesse Stone)

7. MY SISTERS AND BROTHERS 

(Charles Johnson)

8. DEAL

(Jerry Garcia/Robert Hunter)

DISC TWO / SET TWO

1. BRIGHT SIDE OF THE ROAD

(Van Morrison)

2. WAITING FOR A MIRACLE

(Bruce Cockburn)

3. THINK

(Jimmy McCracklin/Deadric Malone)

4. SHINING STAR

(Paul Richmond/Leo Graham)

5. AIN’T NO BREAD IN THE BREADBOX

(Norton Buffalo)

6. THAT LUCKY OLD SUN

(Haven Gillespie/Beasley Smith)

7. TANGLED UP IN BLUE 

(Bob Dylan)

Powerhouse musicians collective Southern Soul Assembly featuring JJ Grey, Marc Broussard, Luther Dickinson, and Anders Osborne make their return to the road with a highly anticipated 2017 tour. The all-star collaboration of prolific Southern-influenced artists will come together for a special writers-in-the-round style acoustic jam, that will sweep through the southeast and Midwest, beginning in March. (See tour dates below)

Taking time from their successful careers, the four artists will again come together to form a soulful supergroup. The chemistry they have developed on stage is a result of years of performing separately, combined with their mutual admiration for each other and the love and respect of their musical and regional heritage. Each artist possesses a vibrant performance style and the ability to connect with an audience. The four will share their own songs and swap stories as they dive into the deep waters of the culture and spirit that exist below the Mason-Dixon Line. It’s an electric combination that blends Bayou-based Marc Broussard’s soul-soaked vocals, the guttural energy of Florida swamp-rocker JJ Grey, the guitar licks and commanding vocals of New Orleans’ Anders Osborne and celebrated Memphis-born songwriter/guitarist/vocalist Luther Dickinson, co-founder of the North Mississippi Allstars.

Southern Soul Assembly debuted in the spring of 2014, playing to sold-out crowds across the country including major markets such as Los Angeles, Birmingham, Atlanta, Nashville, Boston and more. Their personal testimonies, rich song catalogues and captivating musicianship has left audiences jonesing for more. See below for a full list of tour dates. For more information, visit www.southernsoulassembly.com.

Southern Soul Assembly Tour Dates

March 1 – Atlanta, GA – Variety Playhouse
March 2 – Birmingham, AL – The Lyric Theatre
March 3 - Germantown, TN – Germantown Performing Arts Center (GPAC)
March 4 – Meridian, MS – Riley Center for the Performing Arts, Mississippi State University
March 5 – New Orleans, LA – Orpheum Theater
March 7 – Lafayette, LA – The Acadiana Center For The Arts
March 8 – Jackson, MS – Duling Hall
March 9 – Nashville, TN – City Winery
March 10 – Charleston, WV – Clay Center for the Arts and Sciences of West Virginia
March 11 – Washington, DC – Howard Theatre
March 12 – Pittsburgh, PA – Carnegie Music Hall
March 15 – Virginia Beach, VA – Sandler Center for the Performing Arts
March 16 – Tarrytown, NY – Tarrytown Music Hall
March 17 – New York, NY – City Winery
March 18 – Glenside, PA – Keswick Theatre
March 19 – Fall River, MA – Narrows Center for the Arts
March 21 – Ann Arbor, MI – The Ark
March 22 – Louisville, KY – Brown’s Theatre
March 23 – St. Louis, MO – The Pageant
March 24 – Chicago, IL – Thalia Hall
March 25 – Milwaukee, WI – Pabst Theatre
March 26 – Indianapolis, IN – The Vogue Theatre

Singer-songwriter BJ Barham is hitting the road this summer on The Great 48 Tour and will perform at Marquis Theater in Denver, CO on Saturday, May 27th. The show starts at 7:00 p.m. Bringing just his guitar and his songs, Barham will perform acoustic shows in 48 states across the U.S. The American Aquarium frontman is touring in support of his debut solo album Rockingham, which landed in the Top 10 on Billboard's Heatseekers Albums chart and Americana/Folk Albums chart. Featured by CMT, Rolling Stone Country, American Songwriter, The Boot and more, press has praised Barham's masterfully crafted storytelling and narratives that reflect upon the meaning of home and growing up in rural america.

Rockingham was written in the days following the Paris terrorist attacks on Nov. 13, 2015. Headlining a show that same night in Belgium, the impact and shock of the moment gave Barham perspective on the circumstances that helped shape him. The tragedy prompted him to think of all the people and places who had walked with him throughout his life. Thus, Rockingham was born, a compelling collection of songs about fictional characters set in Barham's real-life hometown.

With stories revealing the struggle of blue-collar labor, a regional sense of pride and heartbreaking reflections of life's twists and turns, Rockingham is easily identifiable to Barham's hometown of Riedsville, NC. Once a thriving community supported by tobacco production and textile mills, Reidsville, like so many other towns, suffered from economic depression as the companies that supported so many shut down. With songs like "American Tobacco Company," "O' Lover" and "Madeline," Barham paints his picture of small town life through a striking analysis of the brokenness of the American dream.

A Northern Star, A Perfect Stone, the debut album from experimental Canadian artist Mappe Of, is set for release on July 28 through Paper Bag Records. The album’s opening two tracks, the delicate, atmospheric “Cavern’s Dark” and the progressive oeuvre “Nimbin” offer a glimpse into the scope of A Northern Star, A Perfect Stone. Both songs have just been released and can be heard HERE.

A Northern Star, A Perfect Stone is an other-worldly collection of 10 tracks that showcase Mappe Of’s ethereal avant-folk and sonic explorations. From classically-inspired, masterfully performed acoustic guitar arrangements to hauntingly beautiful melodies to lush epic soundscapes, this debut album introduces the world to a new artist unafraid to annihilate any musical boundaries and chart his own course.

Many of the narratives running throughout A Northern Star, A Perfect Stone are written from the perspective of troubled characters. “Carbon Scores and Smoke” finds a boy’s overactive mind leading him to burn his house down, while the inner conflict of “Unfound” reveals a man coping with a loved one suffering from a hereditary illness while facing the realization that he may suffer a similar fate. Mappe Of songs address the balancing of one’s own mental ability to exist while remaining cognizant of the mindset of the ones we love and others around us. All of these notions are delivered through an emotive range of vocal textures. 

In the fast-pace, short attention span society of today, music tends to be about a fleeting moment in time before moving on to the next. Mappe Of challenges us to lose ourselves within a complete musical work. A Northern Star, A Perfect Stone is a piece of art that is best to experience via full immersion, because it is just that, an experience.

Acclaimed cellist, composer, songwriter and activist Ben Sollee announces the release of Ben Sollee And Kentucky Native (Soundly Music) on August 11th. Tracing the origins of a traditional American genre back to early immigrants, Sollee takes a nontraditional approach, blending the influences of early Irish and Scottish musicians with the rhythms of Mexico, Africa and India. This album is Sollee’s most personally revealing work and a reflection of his native Kentucky, a place like many others, that’s still helping refine the ever-changing Bluegrass genre.

Inspired by the interactions and collaborations of string musicians from all walks of life, Sollee and his bandmates recorded twelve songs in a cabin at the Bernheim Arboretum and Research Forest in Clermont, KY. Each song was captured live as an ensemble with a mobile, analog studio and with just a few overdubs. Together, they thoughtfully reimagined a revered style with world music characteristics. The moving arrangement of “Carrie Bell” features syncopated African-influenced rhythms, which contrast Sollee’s melodic cello. Drawing inspiration from this side of the globe, “Mechanical Advantage” is built from the foundations of the Huapango musical-dance genre in Mexico. Sollee’s vision, influenced by the people, culture and environment around him, is elevated by lyrics reflecting life and human nature. 

“Pieces Of You” is a compelling and idealistic composition inspired by Sollee’s friendship with conceptual artist Louis Zoellar Bickett II and his art exhibit ‘The Archive.’ The piece, which shows no distinction between personal mementos and trash, reminds Sollee of everyday artifacts in his life. Objects like a U.S. Postal name badge given to him by his grandfather and the marked-up sheet music from his first cello teacher could be considered worthless, but to Sollee each has a story. In “Presence” which is perhaps the most poetic and personal, he shares a personal affinity for lying on his back in the deep end of a pool finding solace in the peacefulness of the water, before the need to come back to the surface. Just like that, he is thrown back into the frenetic pace of the real world and existence.  

Ben Sollee and Kentucky Native was produced by Alex Krispin. Musicians on the album include Jordon Ellis (Percussion), Bennett Sullivan (Banjo), Julian Pinelli (Fiddle), Jonathan Estes (Bass), Josh Hari (Bass) and Jonah Smith (Background Vocals). Sollee wrote all but two songs on the album (“Emily’s Song” and “Carrie Bell”). For more information, visit www.bensollee.com.

Three-time Grammy Award winner Lucinda Williams will perform at the Chautauqua Auditorium in Boulder, CO on Monday, July 31st at 7:30 p.m. Williams is touring in support of her highly-acclaimed album The Ghosts of Highway 20. Press reactions to the album have been fantastic with Pitchfork lauding the record as one that is, "...among the best works of her career..." and The New York Times highlighting her voice as "...rougher and more compelling than ever." Featured on "The Late Show With Stephen Colbert," Rolling Stone and PBS Newshour, Williams opened up about the new album, which explores how Interstate 20 has been a literal and figurative backdrop throughout her entire life. For more highlights, click HERE.

Recorded in the middle of arguably the most prolific period of her nearly four-decade career, The Ghosts of Highway 20 is unlike any other Williams’ album. The narratives revolve around the 1500-mile Highway 20 (aka Interstate 20) that runs in part from Georgia to Texas. Whether it is cities she has resided in (Atlanta, GA, Macon, GA), has family ties to (Shreveport, LA, Monroe, LA) or previously written about (Jackson, LA, Vicksburg, MS), Williams’ experiences and connections to these areas are the basis for one of her most uniquely personal albums yet.

The Ghosts of Highway 20 features some of the most expansive and experimental arrangements Williams has ever recorded. Revered guitarists Bill Frisell and Greg Leisz provide incredible sonic textures and ethereal tones that enhance her brilliant writing and wise and weathered vocals on the new 14-song collection.

Co-produced by Williams, Leisz and Tom Overby, The Ghosts Of Highway 20 was recorded with Williams’ ace band Buick 6, who was recently named Best Backing Band of 2015 by Garden & Gun. View HERE.

Williams’ live performances are filled with passion and intimacy as she connects with her audiences on a very personal level allowing insight into the soul of her artistry.

In the continued year-long celebration of the late Jerry Garcia’s 75th birthday, a special sold-out concert celebration has been announced for August 4 at the Red Rocks Amphitheatre, and GarciaLive Volume Nine: August 11, 1974 – Jerry Garcia & Merl Saunders (Round Records/ATO Records) is set for release on July 28.

GarciaLive Volume Nine is the latest installment of the celebrated GarciaLive archival series. The two-CD set was recorded at the legendary Keystone in Berkeley, CA and features Jerry Garcia collaborating with revered keyboardist/vocalist Merl Saunders, who was as much a mentor as he was a dear friend to the iconic guitarist. The band lineup is filled out with Grateful Dead drummer Bill Kreutzmann, Martin Fierro on flute and saxophone and longtime Garcia collaborator John Kahn on bass. Relix just premiered “The Harder They Come” which can be heard HERE.

Saunders had a profound influence on Garcia and, among many other things, inspired the legendary guitarist to interpret standards and covers. This had a powerful impact on Garcia’s approach to his repertoire outside of the Dead as well as inside. In an interview, Garcia once said about Saunders’ influence, “He filled me in on all those years of things I didn't do. I'd never played any standards; I'd never played in dance bands. I never had any approach to the world of regular, straight music. He knows all the standards, and he taught me how bebop works. He taught me music.”

Part of that teaching was bringing songs such as Jimmy Cliff’s “The Harder They Come” into the fold. The performance burns on this set and became a staple through the remainder of Garcia’s time. Saunders also brought in a current hit from the day with The Four Tops’ “Ain’t No Woman (Like The One I’ve Got)”. Performed only four times by the band, this R&B classic receives a 17-minute reimagined treatment featuring Garcia’s fiery virtuosity intertwined with Fierro’s masterful flute playing. This quintet is a force that exudes a soulful energy throughout the set on classics such as “(I’m A) Road Runner”, “That’s What Love Will Make You Do” and “Mystery Train”. (See full set list below.)

1974 would be a highly productive year for Garcia with the release of the Grateful Dead’s classic From The Mars Hotel and his second solo album Garcia (Compliments Of). The Dead would be getting ready to record the highly acclaimed Blues For Allah as they went into an almost year-long hiatus in 1975, playing only four shows. As active as Garcia was during this period, it was as if everything stood still whenever he and Saunders got together, and it clearly showed with this band on that night in August 1974 in Berkeley.

To preorder GarciaLive Volume Nine: August 11, 1974 – Jerry Garcia & Merl Saunders, go to: jerrygarcia.shop.musictoday.com.

August 1st will mark Jerry Garcia’s 75th birthday and in celebration a special event has been announced for August 4 at the Red Rocks Amphitheatre in Morrison, CO. The Jerry Garcia 75th Birthday Concert, which sold out immediately, will feature Bob Weir & The Campfire Band, comprised of The National’s Bryan Devendorf, Scott Devendorf with Josh Kaufman, Steve Kimock and Jon Shaw. Also featured will be The Jerry Garcia 75th Birthday Band featuring Melvin Seals, Jackie Labranch, Gloria Jones, Oteil Burbridge, Kamasi Washington, Tom Hamilton and Duane Trucks. A few more surprises to be announced soon.

On a “feel good” note, decades after Jerry Garcia’s famed Wolf guitar was last played by the revolutionary artist, Wolf remains an instrument for change. Recently, the famed guitar broke the record for the most money generated by a single guitar at auction by selling for 1.6 million dollars, with a silent matching donation, bringing it to an incredible 3.2 million dollars! All proceeds from the auction were donated to the Southern Poverty Law Center.

GarciaLive Volume Nine

August 11, 1974 – Jerry Garcia & Merl Saunders

Disc I // Set I

1. THAT’S WHAT LOVE WILL MAKE YOU DO [13:14]

(Henderson Thigpen/James Banks/Eddy Marion)

2. LA LA [17:06]

(Martin Fierro)

3. IT AIN’T NO USE [10:57]

(Jerry Williams/Gary Bonds/Don Hollinger)

4. MYSTERY TRAIN [13:33]

(Herman Parker/Sam C. Phillips)

Disc II // Set II

1. THE HARDER THEY COME [19:10]

(Jimmy Cliff)

2. AIN’T NO WOMAN (LIKE THE ONE I’VE GOT) [17:01]

(Dennis Lambert/Brian Potter)

3. IT’S TOO LATE [9:06]

(Chuck Willis)

4. (I’M A) ROAD RUNNER [10:43]

(Brian Holland/Lamont Dozier/Eddie Holland)

5. THE NIGHT THEY DROVE OLD DIXIE DOWN [6:34]

(Robbie Robertson)

The late Jerry Garcia would have turned 75 on August 1st and 22 years after his passing on August 9, 1995, his cultural impact has yet to reach its apex. Nationwide celebrations, concerts, commemorations and archival releases continue to honor his one-of-a-kind legacy throughout the year.

The Jerry Garcia 75th Birthday Acoustic Band has just been added to the sold out August 4th birthday concert celebration at Red Rocks Amphitheatre in Morrison, CO. The special ensemble came together for the event and features original Jerry Garcia Acoustic Band members Sandy Rothman and Kenny Kosek, joined by Anders Osborne and Infamous Stringdusters Chris Pandolfi and Travis Book. The concert features Bob Weir with The Campfire Band comprised of The National’s Bryan Devendorf, Scott Devendorf with Josh Kaufman, Steve Kimock and Jon Shaw. Also featured is the electric Jerry Garcia 75th Birthday Band with Melvin Seals, Jackie Labranch, Gloria Jones, Oteil Burbridge, Kamasi Washington, Tom Hamilton and Duane Trucks. For more information on the concert click HERE. Fan can live stream the event at Nugs.net (click for details).

The Jerry Garcia Family will co-sponsor an eclectic range of nationwide events that will be taking place around Garcia’s birthday in cities such as New York, Los Angeles, San Francisco, Nashville and Burlington, VT. The events include performances featuring the wide scope of Garcia’s repertoire from the Grateful Dead, Garcia/Grisman, Jerry Garcia Band and much more, interpreted by a vast cross section of artists from a variety of genres. The 15th Annual Jerry Day Celebration will take place at the Jerry Garcia Amphitheatre in San Francisco’s McLaren Park on August. 6. See full schedule below. For tickets and information on all of these events, click HERE.

On July 28th, Round Records/ATO Records released GarciaLive Volume Nine: August 11, 1974 – Jerry Garcia & Merl Saunders, the latest installment of the celebrated GarciaLive archival series. The two-CD set was recorded at the legendary Keystone in Berkeley, CA and features Garcia and keyboardist/collaborator/mentor Merl Saunders with Grateful Dead drummer Bill Kreutzmann, Martin Fierro on flute and saxophone and longtime Garcia collaborator John Kahn on bass.

Starting on his August 1st birthday, and running through the day he passed on August 9th, SiriusXM’s The Grateful Dead Channel will host Jerry Week, a celebration of Garcia’s life through his music, archival interviews, rare concerts and other special programming, including a re-airing of the 2017 Red Rocks 75th Birthday Concert and the 2016 Jerry Garcia Symphonic Celebration featuring Warren Haynes and the Colorado Symphony Orchestra. Go to http://www.siriusxm.com/gratefuldead for more info.

On August 6th, the 15th Annual Jerry Day, the city of San Francisco will unveil a new plaque in honor of Jerry Garcia. The plaque will be permanently placed in the Excelsior District near 121 Amazon Avenue where the artist lived during his first five years. This is the second time the city has dedicated a plaque in Garcia’s honor. Later that day, at the Jerry Garcia Amphitheatre in McLaren Park, the 15th Annual Jerry Day celebration continues with a concert featuring Melvin Seals and the JGB, Stu Allen & Mars Hotel and Midnight North.

On August 3rd, the San Francisco Giants will host the sold out annual Grateful Dead Tribute Night as the Giants take on the cross-bay rival Oakland A’s. Members of The Jerry Garcia Family will be on hand and proceeds will benefit The Rex Foundation.

On August 5th at 9pm EST, AXS TV will air The Jerry Garcia Symphonic Celebration featuring Warren Haynes and the Colorado Symphony recorded on Garcia’s 74th Birthday on August 1st 2016 at Red Rocks. This performance, recorded during the fourth installment of this special tour, featured inspiring collaborations on favorites, including “China Cat Sunflower,” “Scarlet Begonias,” “Morning Dew” and “Blues For Allah.”

On Garcia’s birthday in 2016, the legendary artist’s live and studio catalogue was made available via streaming services the very first time. Thanks to the overwhelming support from the various services, the longtime, passionate fans and the legions of new fans, the reaction and activity over the last year has been nothing short of incredible.

Garcia’s legacy continues to grow and touch newer generations worldwide, while remaining alive and vibrant in the hearts of millions thus proving the genuine love for Jerry will not fade away.

Jerry Garcia Regional Events Schedule

August 1st – Brooklyn Bowl – Brooklyn, NY http://www.brooklynbowl.com/event/1517052

The Jerry Garcia Family & Brooklyn Bowl Present a Jerry Garcia 75th Birthday
Celebration featuring The Garcia Project recreating a classic Jerry Garcia Band
performance, Andy Falco (of Infamous Stringdusters) & Friends performing
Garcia & Grisman’s Pizza Tapes

August 1st – Terragram Ballroom – Los Angeles, CA

http://www.teragramballroom.com/event/1516852-grateful-shred-friends-los-angeles

Aquarium Drunkard and the Jerry Garcia Family present Grateful Shred and
Friends celebrating the music of Jerry Garcia. Friends include Delicate Steve,
King Tuff, Emmett Kelly, Eric Johnson, Jenny O, William Tyler, Omar Velasco,
and Leslie Stevens

August 1st – Higher Ground Ballroom – Burlington, VT

http://www.highergroundmusic.com/event/1516635-jerry-garcia-75th-birthday-south-burlington/

Beg Steal or Borrow – a special opening set paying tribute to Old and in the Way.

Great North Special – Grateful Dead set featuring Seth Yacovone, Kevin Shapiro,
Trevor Ainsworth, Sheila Metcalf, Andy Burke, and Sean Preece.

Additional special guests include Ryan Miller (Guster), Brett Hughes, Zach
Dupont, Eric Olsen, Amanda Gustafson and more to be announced!

August 2nd – Basement East – Nashville, TN
http://thebasementnashville.com/event/7530255/ain-t-no-place-i-d-rather-be-jerry-
garcia-s-75th-birthday-celebration/

Ain’t No Place I’d Rather Be: Jerry Garcia’s 75th Birthday Celebration – A
Collection of Nashville’s finest musicians will explore the expansive Garcia
Songbook with three sets spanning Garcia’s career including Old And In The
Way, Jerry Garcia Band, and The Grateful Dead. Led by members of
Futurebirds, Los Colognes and Off The Wagon with special guests
including RayLand Baxter, Ben McLeod of All Them Witches, Robyn Hitchcock,
Trever Terndrup of Moon Taxi and many more!

August 6th – McLaren Park, Jerry Garcia Amphitheatre – San Francisco, CA
http://www.jerryday.org/

The 15th Annual Jerry Day featuring Melvin Seals and the JGB, Stu Allen & Mars Hotel and Midnight North

Go to http://jerrygarcia.com to keep up on more Birthday Celebration Announcements and Releases

In celebration of the 40th anniversary since the album’s creation, and the 75^th birthday of Jerry Garcia this year, Cats Under The Stars will be reissued in two vinyl configurations - a limited edition pressing of 5,000 marbled gold 180gram vinyl with individually numbered foil-stamped packaging and a 180gram black vinyl version.  Both 40th anniversary Cats Under The Stars reissues are pressed by Quality Record Pressings in Salina, Kansas from lacquers cut by Ron McMaster at Capitol Studios and remastered audio by Fred Kevorkian at Kevorkian Mastering.

Recorded and mixed in 1977 at the Grateful Dead’s Club Front, Cats Under The Stars represents Jerry Garcia’s fourth solo studio record, and the only studio record presented as the Jerry Garcia Band. Garcia enlisted John Kahn, Ron Tutt as well as Keith & Donna Godchaux for the recordings with contributions from Merl Saunders and Maria Muldaur, among others.  The album’s iconic cover art was created by Stanley Mouse who drew his inspiration from Egyptian iconography while the Grateful Dead were planning their landmark performances at the Great Pyramids of Giza.

Garcia regarded Cats Under The Stars as his favorite of all his studio projects.  In the late 80’s Garcia remarked, “The record I worked hardest at and liked best was Cats Under The Stars. That was kind of like my baby.” In another interview, he added, “That’s the one I’m happiest with, from every point of view in which I operate on that record.” In the 1990’s Garcia succinctly stated, "[Cats Under The Stars] had everything – chops, production, songs.” Those songs which included the Garcia/Hunter masterpieces "Rubin and Cherise,” "Cats Under The Stars," and “Gomorrah" would long remain staples of Jerry Garcia Band sets while versions of "Palm Sunday" and "Rhapsody In Red" capture Garcia at his best in the studio setting.

Both vinyl editions of the Cats Under The Stars reissue are available for pre-order at Garcia Family Provisions - GarciaFamilyProvisions.com

For the first time ever, Side Trips: Volume One, the celebrated live collaboration between Jerry Garcia and keyboardist Howard Wales will be reissued on vinyl and made available at streaming services on Record Store Day (November 24th). Side Trips: Volume One is the latest in a line of special reissues, live recordings, concerts and events planned throughout 2017 & 2018 in celebration of Jerry Garcia’s 75th birthday.

Originally released on CD in 1998, Side Trips: Volume One presents over an hour of exploratory instrumentals that infuse elements of jazz, rock, blues, fusion and funk. The improvisational performance was recorded during one of the legendary Monday night jam sessions at the Matrix in San Francisco during 1970 with bassist John Kahn and drummer Bill Vitt, who also anchored the lone Garcia/Wales studio effort, Hooteroll?. That 1970 album was Garcia’s first studio recording outside of the Grateful Dead after forming the band. The impact of Wales’ influence on Garcia could not be overstated, “Howard did more for my ears than anybody I ever played with because he was so extended and so different.”

Wales said of the performance around the 1998 original release, “Back in 1970 I was asked to put a Monday night jam together down at the Matrix, a club on Fillmore Street in San Francisco. So I invited Jerry down to play, as well as Bill Vitt and John Kahn. I put this thing together so that we could jam down there as well as with other people that came in. Many local musicians would show up and play with me on jam nights at the Matrix. We worked it into a beautiful scene. People came down, really enjoyed themselves and played a lot of really good music. It was a very free environment, capturing many great musical moments that have stood the test of time.”

The Record Store Day edition of Side Trips: Volume One is a 2-LP set pressed to 180-gram vinyl by MPO with gatefold packaging in a limited edition of 2,500.  For more information on Record Store Day and a list of local, independent record stores where the release will be available, go to RecordStoreDay.com.

Acclaimed alt-folk quartet Darlingside announces the February 23rd release of their anticipated new album Extralife (More Doug Records/Thirty Tigers), and a March/April tour (See Dates Below). Extralife is the follow up to the band’s 2015 breakthrough, the highly praised Birds Say. Where Birds Say was steeped in childhood nostalgia and the loss of innocence, Extralife finds Darlingside looking to the future, mourning the loss of our world with an almost post-apocalyptic view. While the subject matter may seem bleak, Extralife is not without an underlying sense of hope and optimism.

Birds Say emphatically marked the arrival of an eclectic, intelligent and dynamic band. Darlingside stretched the boundaries of traditional folk, chamber pop, baroque, progressive and indie rock by melding the various styles together and creating something not easily categorized and very much their own. The media seemed to agree as the album received positive coverage ranging from American Songwriter, Paste and Rolling Stone Country to NPR, The New Yorker, and The Huffington Post, who called it, “...one of the great albums released this year.”

Extralife looks at hard truths ranging from societal issues, politics, environmental concerns and religious tensions as catalysts for where we may be headed. While the issues of today dominate every form of media and communication, Darlingside views it all from a different lens. The group looks past the now and predicts the life to which we could potentially be headed as a fictional narrative, but is it? How the group could address such a dark subject with such artistic beauty and grace is a testament to the distinctive nature of Darlingside.

Lyrically and musically, Darlingside continues to move forward. Their pensive and poetic lyrics are sung utilizing divine harmonies reminiscent of The Beach Boys, Fleet Foxes and Simon & Garfunkel. The sonic landscape they build with their seamless vocals and masterful musicianship creates an ambient, dreamlike atmosphere that urges total immersion. Darlingside’s sound is not merely a studio creation as anyone who has seen the band live can attest to. The merging of their four voices into a single microphone is something to experience to believe.

At the core of Extralife the deepest questions remain; does anything we do matter or make a difference? Are we resigned to fate or are we able to change the future? The members of Darlingside - Don Mitchell, Auyon Mukharji, Harris Paseltiner, and David Senft - believe that we can and we must.

Darlingside Tour Dates

January 30 - London, UK - Courtyard Theatre

March 8 - Los Angeles, CA - The Echo

March 10 - San Francisco, CA - Great American Music Hall

March 12 - Chico, CA - Sierra Nevada Brewing

March 14 - Sisters, OR - Sisters High School

March 15 - Portland, OR - Mississippi Studios

March 16 - Seattle, WA - Tractor Tavern

March17 - Denver, CO - Bluebird Theater

March 22 - Cambridge, MA - The Sinclair

March 23 - Portland, ME - Portland House of Music and Events

March 24 - Northampton, MA - Academy of Music Theatre

March 25 - Burlington, VT – Higher Ground

March 28 - Brooklyn, NY - Rough Trade (Two Shows)

March 30 - Philadelphia, PA - Union Transfer

March 31 - Washington, DC - Union Stage

April 16 - Nashville, TN - The Basement

April 17 - Ann Arbor, MI - The Ark

April 19 - Evanston, IL - SPACE

April 21 - Dale, TX - Old Settlers Music Festival

April 22 – Atlanta, GA – Terminal West

Genre hopping multi-instrumentalist/vocalist Keller Williams will bring his signature solo looping show to The Caribou Room on February 10. Williams has built a reputation for his dynamic and unpredictable solo performances, where he creates samples on the fly using a special looping effect live on stage, playing both original songs and select covers. Nothing is pre-recorded and no two shows are alike, making for a completely unique experience of sonically infused alt-folk and groovy electronica. Entertainment Weekly recently included Williams' tour as a must-see event in their Fall Concert Guide. To get a sense of the magic in Williams’ improvisational style, watch him perform "Mantra" in his OurVinyl session HERE.

With a career spanning over 20 years, and just as many releases, the ever-evolving Keller Williams refuses to settle for the status quo. His unmatched creativity and ability to collaborate with a variety of artists has established a cult-like following among fans. He's toured with bands like The String Cheese Incident, Yonder Mountain String Band and Umphrey's McGee, as well as his various side projects. Most recently, Williams has performed with his Grateful Grass ensemble, a rotating lineup of talented musicians who perform loose interpretations of Grateful Dead songs in a psychedelic bluegrass style. You can watch Grateful Grass perform "Eyes Of The World" with The Infamous Stringdusters HERE.

Earlier this year Keller Williams released Sync, the debut from KWahtro. Led by Williams on guitar and vocals, KWahtro makes Acoustic Dance Music by infusing reggae, folk, jazz, afrobeat and dance rhythms into new, and innovative arrangements with help from bassist Danton Boller (Jazz Mandolin Project, Roy Hargrove), guitarist and longtime Williams’ collaborator Gibb Droll (Brandi Carlisle, Bruce Hornsby) and drummer Rodney Holmes (Carlos Santana, Steve Kimock). And as if one new album wasn't enough, Williams also released Raw, a 10-song collection of solo acoustic material that simply showcases the artist and his instrument. These straightforward performances are not enhanced by any of his looping, and Acoustic Guitar said, "Raw may just be the perfect Keller Williams album."

Willie Nelson. Waylon Jennings. Kris Kristofferson. Jessi Colter. Bobby Bare. Jerry Jeff Walker. David Allan Coe. Cowboy Jack Clement. Tom T. Hall. Billy Joe Shaver. Guy Clark. Townes Van Zandt. Tompall Glaser. Today, all names synonymous with the word “outlaw,” but 40 years ago they started a musical revolution by creating music and a culture that shook the status quo on Music Row and cemented their place in country music history and beyond.

The Country Music Hall of Fame® and Museum's upcoming major exhibition, Outlaws & Armadillos: Country’s Roaring ’70s, will explore this era of cultural and artistic exchange between Nashville, Tenn., and Austin, Texas, revealing untold stories and never-seen artifacts. The exhibition, which opens May 25 for a nearly three-year run, will explore the complicated, surprising relationship between the two cities.

While the smooth Nashville Sound of the late 1950s and ’60s was commercially successful, some artists, such as Nelson and Jennings, found the Music Row recording model creatively stifling. By the early 1970s, those artists could envision a music industry in which they would write, sing and produce their own music. At the same time, Austin was gaining national attention as a thriving music center with a countercultural outlook. Musicians of varying stripes migrated to Austin, where the disparate strains of country, bluegrass, folk, blues, rock, and conjunto blended to create a unique environment hosted by music–friendly venues such as the Armadillo World Headquarters, Broken Spoke, Soap Creek Saloon and Antone’s.

“Outlaws & Armadillos: Country’s Roaring ’70s offers an unprecedented look at some of the most compelling music and artists in music history,” said museum CEO Kyle Young. “This was an era in which renegades Bobby Bare, Waylon Jennings and Willie Nelson fought for and won creative control of their own songs and sounds. It was a time when melodic poets Guy Clark, Townes Van Zandt and Billy Joe Shaver elevated public perception of what a country song could be. It was a time when the Austin, Texas, music and arts scenes blossomed, and when characters like singer-songwriter Jerry Jeff Walker, Hondo Crouch (who bought his own town, Luckenbach, Texas), armadillo art specialist Jim Franklin and University of Texas football coach Darrell Royal changed Lone Star culture. At the time, some of these things seemed unusual, even insane. Now, they all seem essential to any understanding of this great American art form, country music.”

The Nashville Sound

The rising popularity of rock & roll in the 1950s dealt a severe blow to country music sales. In response, country producers—especially Chet Atkins and Owen Bradley—developed a mellow pop-country hybrid that would become known as the Nashville Sound. By replacing traditional country instrumentation such as fiddle and steel guitar with pop music identifiers like strings, horns and polished backing choruses, the Nashville Sound produced records that were both financially viable and crossover pop hits.

In the Nashville system, a single producer, such as Atkins or Bradley, would oversee as many as twenty artists. This recording model resulted in stylistic similarities among tracks by different artists, sometimes on different labels. Although employed to great effect by labels on Music Row, this formulaic approach to making music left many artists, including Nelson and Jennings, feeling uninspired. “They had a thing called the Nashville Sound,” Jennings said, “and it fit me about like syrup on sugar or something. It just didn’t work.”

Outlaw Movement

The 1960s were a time of political and social unrest, and the music of the day reflected that.  Pop and rock artists such as the Beatles and Bob Dylan, eager to respond to social, political and cultural issues, insisted on creative control of their work. They wrote their own songs and chose their studio musicians. They didn’t conform to the rigid expectations of record labels, instead they made folk and rock music that appealed to the growing counterculture.

As explained in the soon-to-close museum exhibition Dylan, Cash, and the Nashville Cats: A New Music City, Dylan’s late 1960s pilgrimage to record in Nashville led to an influx of folk and rock artists who wanted to make records with the “Nashville cats.” Those recordings were just the beginning of a major creative shift on Music Row.

In 1971, following a fire that destroyed his Tennessee pig farm, Nelson headed to Austin, where he found a vibrant arts and music scene, an audience eager to hear his music, and a venue, Armadillo World Headquarters, that would become legendary for hosting performances by Nelson and other forward-looking artists.

Back in Nashville, Bobby Bare and Waylon Jennings fought and won creative control that allowed them to develop their own sound and style, apart from the traditions of the Nashville Sound. When Nelson told them that something truly special was happening in Austin, they followed him west to play the Armadillo.

A Decade of Country Music Rebellion

In 1972, Bobby Bare went into RCA Studio B on Music Row with songs written by Shel Silverstein. He emerged with Lullabys, Legends and Lies, the album that would kick-start what became known as the Outlaw Movement. Jennings and Nelson followed with landmark albums of their own, releasing Honky Tonk Heroes (1973) and Shotgun Willie (1973), respectively.

On New Year’s Eve, 1972, Austin’s KOKE-FM shifted to a format that featured Nelson, Jennings, Michael Murphey, Doug Sahm, Jerry Jeff Walker, and other rabble-rousers who were turning Austin into what Sahm called a “Groover’s Paradise.” Sometimes called “cosmic cowboy music,” and more often referred to as “progressive country,” the blend of diverse musical styles was introduced as a format in 1973 by KOKE-FM disc jockey Joe Gracey and his colleagues. Terry Allen, Asleep at the Wheel, Alvin Crow, Freda & the Firedogs (featuring Marcia Ball), Joe Ely, Jimmie Dale Gilmore, Butch Hancock, Kinky Friedman, Gary P. Nunn and Willis Alan Ramsey are among the others who made Austin’s laid-back musical landscape famous throughout the nation.

Willie Nelson’s annual Fourth of July music festival began in 1973 at Dripping Springs, Texas, near Austin, and was staged in subsequent years at other Texas locations. It heightened Austin’s musical profile further and united musicians as diverse as Leon Russell and Roy Acuff. The long-running television performance series Austin City Limits was launched in 1975 to give the city’s music broader exposure.

The Outlaw phenomenon greatly increased country music’s audience during the 1970s. It ushered in a creative renaissance that eschewed the Nashville Sound, and artists wrote and produced their own records, often recording outside Nashville. They adopted the dress and hairstyles of rock & roll stars and wrote candidly about truths and topics that were not widely heard on country radio.

In 1976 RCA released the compilation Wanted: The Outlaws featuring Nelson, Jennings, Jessi Colter and Tompall Glaser. The album became the first country record to be certified platinum, for sales of a million copies. Younger listeners paid attention to country music, but drug and alcohol abuse, often viewed as Outlaw credentials, created health and legal issues for those who chose the lifestyle. Jennings expressed second-thoughts about the consequences of living on the wild side of life in his 1978 song “Don’t You Think This Outlaw Bit’s Done Got Out of Hand.”

Remarkable music was produced in both Texas and Tennessee. That music motivated and influenced many of today’s Americana and country artists, such as Dierks Bentley, Jack Ingram, Jason Isbell, Miranda Lambert, Kacey Musgraves, Margo Price, Sturgill Simpson and Chris Stapleton. The Outlaws exhibit will feature film content, including exclusive interviews and concert footage, by Austin-based filmmaker and exhibit co-curator, Eric Geadelmann, as well as visual art from Austin’s underground. Through untold stories and never-before-seen artifacts, the museum will examine these country music rebels who propelled Austin and Music Row to a modern age while revealing that “outlaw” is just another word for “freedom.”

Outlaws & Armadillos opens May 25, and runs through Feb. 14, 2021. It will be accompanied by educational programs, including live performances, panel discussions and films. Details will be announced soon. The museum will produce a companion book that will be available May 25. In addition, the museum in partnership with Legacy Recordings, a division of Sony Music, will release CD and LP sets featuring music by artists included in the exhibition. Release dates will be announced soon. The exhibition follows the nearly three-year run of Dylan, Cash and the Nashville Cats: A New Music City, which closes Feb. 18. For more information about the exhibit including video, visit countrymusichalloffame.org/outlaws.

On February 23rd, Round Records will release GarciaLive Volume Ten: May 20th, 1990 Hilo Civic Auditorium, recorded in Hilo, Hawaii.  The recording captures the only performance by Jerry Garcia on the Hawaiian Islands, outside of the Grateful Dead’s appearance in 1970. GarciaLive Volume Ten is the first 2018 archival release in the continuing year-long celebration of Jerry Garcia’s 75th Birthday. The album will be available as a two-disc set, digital download and at streaming services. The collection features an extensive essay by longtime Grateful Dead publicist and author Dennis McNally. Pre-order for GarciaLive Volume Ten: May 20th, 1990 Hilo Civic Auditorium can be found at Garcia Family Provisions.

Following a 1986 diabetic coma and an extensive recovery and rehabilitation (including learning to play guitar again), Garcia had gone to Hawaii to continue his recuperation. While there, he developed a newfound love for the island paradise and the rehabilitative sanctuary of its undersea world (a diver’s paradise introduced to him by Grateful Dead drummer Bill Kreutzmann). Like so many, Garcia found peace under the crystal waters and a place where the only attention he received was from some curious fish.

The medicinal benefits, both physical and mental, of his time there were never lost on Garcia. He returned in 1990 with the mighty Jerry Garcia Band - Melvin Seals (keyboards), John Kahn (bass), David Kemper (drums), Gloria Jones (backing vox) and Jacklyn LaBranch (backing vox) – to perform a concert benefitting the Ocean Recreation Council of Hawaii. Hilo, the largest city on the big island, had a population below 40,000 at the time of the concert. It had none of the high-rise hotels and cosmopolitan flair of Maui or Waikiki Beach,  but it did possess a warm, rural-like community with a relaxed vibe.

That warmth permeates both sets, starting with the joyous opener “How Sweet It Is (To Be Loved By You)” followed by the Garcia/Hunter penned “They Love Each Other”. Right out of the gate, there was clearly a special happiness radiating from that stage that night as the band played a diverse spectrum of music uniting multiple genres under one umbrella. The group firmly stamped their signature on reggae standards by Jimmy Cliff (“The Harder They Come”) and Peter Tosh (“Stop That Train”), contemporary songs of the day by Los Lobos (“Evangeline”) and Bruce Cockburn (“Waiting For A Miracle”) and R&B/gospel classics by Don Nix/Dan Penn (“Like A Road Leading Home”), Haven Gillespie/Beasley Smith (“That Lucky Old Son”) and Charles Johnson “My Sisters and Brothers). The Jerry Garcia Band performed a range of Bob Dylan classics that evening that featured inspired versions of “Tough Mama,” “Knockin’ On Heaven’s Door,” “Forever Young,” “Tears Of Rage” (co-written with Richard Manuel) and a fiery “Tangled Up In Blue” with Garcia in peak form ripping up the guitar to close the show.

As with many Jerry Garcia Band performances of that era, there are songs that became staples in their set lists, with each given its own unique treatment each time. However, there was clearly something in the air on that gorgeous night in Hawaii, and it breathes prominently throughout GarciaLive Volume Ten: May 20th, 1990 Hilo Civic Auditorium.

GarciaLive Volume Ten – Track Listing

DISC ONE / SET ONE

1. HOW SWEET IT IS (TO BE LOVED BY YOU)

(Lamont Dozier/Brian Holland/Eddie Holland)

2. THEY LOVE EACH OTHER 

(Jerry Garcia/Robert Hunter)

3. TOUGH MAMA

(Bob Dylan)

4. LIKE A ROAD LEADING HOME

(Don Nix/Dan Penn)

5. RUN FOR THE ROSES

(Jerry Garcia/Robert Hunter)

6. THE WAY YOU DO THE THINGS YOU DO

(William Robinson Jr/Robert Rogers)

7. MY SISTERS AND BROTHERS 

(Charles Johnson)

8. KNOCKIN’ ON HEAVEN’S DOOR

(Bob Dylan)

9. DEAL

(Jerry Garcia/Robert Hunter)

DISC TWO / SET TWO


1. THE HARDER THEY COME

(Jimmy Cliff)

2. FOREVER YOUNG

(Bob Dylan)

3. STOP THAT TRAIN

(Peter Tosh)

4. TORE UP OVER YOU

(Hank Ballard)

5. TEARS OF RAGE

(Bob Dylan/Richard Manuel)

6. EVANGELINE

(David Hidalgo/Louie Perez)

7. WAITING FOR A MIRACLE

(Bruce Cockburn)

8. THAT LUCKY OLD SUN

(Haven Gillespie/Beasley Smith)

9. TANGLED UP IN BLUE 

(Bob Dylan)

Keller Williams has announced a new Tom Petty-inspired project titled Keller Williams’ PettyGrass, which finds him performing select covers in a rollicking bluegrass style alongside eclectic bluegrass quintet The Hillbenders. The project began in 2015, when Williams put together a set of Petty covers for his annual hometown S.P.C.A. benefit, recording the rehearsals as voice memos on his phone. After Tom Petty’s shocking passing last year, Williams and his longtime collaborator Jeff Covert enhanced these recordings and posted them as a tribute to the legend’s legacy and inspiration. This year, Keller Williams will bring his PettyGrass project out on the road for the first time with The Hillbenders to perform select festival dates, including Redwood Ramble and FloydFest in July. These special performances will serve as a way to pay homage by bringing a new perspective to his time-honored songs.

“There is nothing like a room full of people singing along to the same song. With his untimely passing, these songs have been pushed to the forefront of my mind and it seems like as good a time as any to celebrate, publicly, the music of Tom Petty. Luckily, The Hillbenders share my passion for this music and it just so happens that they are kick ass pickers who have amazing attention to detail. These Petty songs lend themselves quite easily to bluegrass and by the end of the night, the audience will more than likely be singing in harmony.” – Keller Williams 

Keller Williams has established a reputation as a creative force with his unmatched ability to collaborate and evolve in a career spanning more than 20 years. He has toured with bands such as The String Cheese Incident, Infamous Stringdusters, Yonder Mountain String Band, The Rhythm Devils and Umphrey's McGee, as well as his various and eclectic side projects. In early 2017, Williams released two new albums at the same time – the debut from his acoustic dance project KWahtro called Sync, as well as a collection of stripped-down solo acoustic material called Raw. 

Joining Williams for his PettyGrass performances will be the genre-bending Springfield, MO ensemble The Hillbenders. The dynamic quintet is known for their ability to bridge the gap between popular music and more traditional bluegrass styles, infusing the genre with their varied influences.

Critically acclaimed husband & wife duo Shovels & Rope will bring a special performance to Boulder Theater on March 9 as part of their intimate spring tour. "An Evening With Shovels & Rope" is a limited run of shows specially curated for smaller, more intimate venues that allow the band to take their time and stretch out musically. The night will still feature Shovels & Rope's full musical set up, but will also find them performing deep cuts, as well as testing out new songs, telling stories in a way that is not usually possible in larger venues, and possibly even taking requests.

"They mix all of my favorite genres (country, folk, punk, and rock) together seamlessly, and have been releasing gorgeous “alt-country” albums years before Kacey Musgraves and Sturgill Simpson were household names." - Noisey

Shovels & Rope recently released their second surprise collaborative effort, Busted Jukebox Vol. 2, which features the multitalented Cary Ann Hearst and Michael Trent (aka Shovels & Rope) recording new versions of a thoughtfully curated selection of songs with a celebrated group of artists/friends. Produced by Trent, the album features 10 diverse tracks originally written and recorded by an eclectic list of artists, including The Clash, Concrete Blonde, Leonard Cohen, Faith No More, Sigur Ros, The Breeders, Willie Nelson and more. Artists such as Brandi Carlile, Hayes Carll, Nicole Atkins, John Fullbright and Rhett Miller help inject a new energy into the revised renditions of these tried and true classics. Hear Shovels & Rope and Hayes Carll cover The Clash's "Death or Glory" via Rolling Stone Country.

"From birth to death and back to birth again, Hearst and Trent take us through the entire cycle of life on 'Little Seeds'." - NPR Music

Shovels & Rope's latest studio album, Little Seeds (New West Records), has received the most critical praise of their career, with many hailing it as their finest and most personal album to date. The duo's penchant for writing literate, Southern Gothic infused songs that exude a dark humor, deep sentiment and the celebration of the genuine, quirky and beautiful things in life has never shined brighter than it does here. Little Seeds has garnered positive reviews everywhere from NPR Music to The New York Times and Garden & Gun, with extensive features at Entertainment Weekly, Noisey, Relix, and the cover of Southwest: The Magazine. (See Highlights). The duo has been touring and performing to sold out crowds coast to coast almost non-stop since release Little Seeds, including apperances on Conan and CBS This Morning. Shovels & Rope will be returning to the studio soon in preparation for their next studio album.

Acclaimed alt-folk quartet Darlingside will perform at Bluebird Theater on March 17 in support of their anticipated new album Extralife, which releases February 23 via More Doug Records/Thirty Tigers. Lyrically and musically, Darlingside moves forward on their latest effort, as they create an ambient, dreamlike atmosphere with their seamless vocals and masterful instrumentation. The band's sound is not merely a studio creation as anyone who has seen them live can attest to. The merging of their four voices into a single microphone is something to experience to believe.

“…exquisitely-arranged, literary-minded, baroque folk-pop.” – NPR Music

Extralife finds Darlingside looking to the future, mourning the loss of our world with an almost post-apocalyptic view. The new album takes a look at hard truths ranging from societal issues, politics, environmental concerns and religious tensions as catalysts for where we may be headed. While the subject matter may seem bleak, Extralife is not without an underlying sense of hope and optimism. Darlingside views it all from a different lens, with pensive and poetic lyrics sung utilizing angelic harmonies reminiscent of The Beach Boys, Fleet Foxes and Simon & Garfunkel. The band's ability to address such dark subjects with such artistic beauty is a testament to their distinctive nature. To experience Darlingside at full force requires total immersion, and there is no better way than to see them live.

Darlingside's previous release Birds Say emphatically marked the arrival of an eclectic, intelligent and dynamic band. The band stretches the boundaries of traditional folk, chamber pop, baroque, progressive and indie rock by melding the various styles together and creating something not easily categorized and very much their own. The media seemed to agree as the album received positive coverage ranging from American Songwriter, Paste and Rolling Stone Country to NPR, The New Yorker, and The Huffington Post, who called it, “...one of the great albums released this year.” View highlights HERE.

WHO: DARLINGSIDE
WHAT: DENVER PERFORMANCE
WHEN: MARCH 17
WHERE: BLUEBIRD THEATER

On May 11th, Round Records will release its most ambitious project to date with the long-awaited Jerry Garcia boxed set Before The Dead. The project features a meticulously researched and curated compilation of recordings the iconic Grateful Dead founder made prior to forming the legendary band. Before The Dead includes never before heard performances, recordings that have never been commercially released and a small selection that have. From intimate live recordings to live studio recordings to field recordings, Before The Dead serves as a historical document in the spirit of renowned releases by Smithsonian Folkways and influential field recordings by Alan Lomax. The music on Before The Dead was selected and co-produced by longtime Grateful Dead publicist/author Dennis McNally and documentarian Brian Miksis. The audio was restored and mastered by Fred Kevorkian.

The first release from Before The Dead features the Black Mountain Boys (Garcia, Robert Hunter, David Nelson and Eric Thompson) in a rare 1964 live recording of “Rosa Lee McFall”.  Written by Charlie Monroe, the song would remain with Garcia throughout his career, reinterpreted later on with The Grateful Dead, Jerry Garcia Acoustic Band and Garcia/Grisman. This is the first time this track has ever been released.

Before The Dead will be released in two physical formats: a 4-CD set and a limited-edition 5-LP boxed set. The 5-LP boxed set is pressed to 180-gram vinyl in a limited edition of 2,500 pieces and includes a special in-depth 32-page book featuring essays by McNally and Miksis, rare photos and memorabilia along with detailed listening notes and commentary on each track by Dr. Neil V. Rosenberg. Aside from being a renowned musicologist, Rosenberg was part of the Redwood Canyon Ramblers, an influential Bay Area bluegrass ensemble that would inspire a younger generation of players, including Garcia. Each section features a “Tales of the Tape” essay that includes details on how, when and where the music was recorded, how it was found and, in most instances, anecdotes about the particular date, including early interactions with many area musicians before they went on to greater things. Sara Ruppenthal Katz (formerly Sara Garcia, Jerry’s first wife) contributes an enlightening essay around the 1963 recording of her duo performance with Garcia at the intimate Pala Alto, CA club Top Of The Tangent (aka The Tangent). Tangent co-founder Stu Goldstein also adds a piece discussing the club’s origins and how it became a hot spot for the new folk scene that was developing in the Bay Area.

Before The Dead sheds light on the earliest period in Jerry Garcia’s odyssey going from the young, charismatic, developing multi-instrumentalist coming of age during the early 1960’s folk-revival (often sarcastically referred to as The Great Folk Scare) to one of the most influential and groundbreaking artists of the rock ‘n roll era. Like many during that time, Garcia’s influences were coming from the deep-rooted folk tradition of artists such as Doc Watson, Earl Scruggs, The Carter Family, The New Lost City Ramblers, The Stanley Brothers, The Weavers, a young Joan Baez and the Harry Smith Folkways collections to name a few. These influences would resurface prominently in some of Garcia’s most important work with the Dead on the 1970 albums Workingman’s Dead and American Beauty — regularly cited as foundational in the creation of what is now referred to as Americana.

From beginning to end, the listener will journey through the musical evolution of Jerry Garcia and how the impact of the folk forbearers gradually permeates his playing and technique. You can hear the earliest origins of Garcia’s signature style budding as he had become a student of the music constantly absorbing and endlessly challenging himself. His instrument rarely left his side from dawn to dust. What shines brightly throughout the set is Garcia’s outgoing personality and sense of humor, often described as “magnetic”, a clear early indicator.

Throughout this period from 1961 to 1964 were pivotal first-time meetings, (documented in the book) between Garcia and people who would become life-long collaborators and friends. From his revered writing partner and early bandmate Robert Hunter, to mandolin master David Grisman, to each member of the Grateful Dead to the many artists who would go on to take their own place in music history, including acclaimed instrumentalist Sandy Rothman, David Nelson (co-founder of New Riders of the Purple Sage) and Clarence White, guitarist of the Byrds.

Before The Dead showcases Garcia in various ensembles and configurations starting with the rarest piece in the entire collection, the earliest known recording of Garcia captured at his girlfriend’s 16th birthday party in 1961 alongside future Grateful Dead lyricist Robert Hunter. Outside of a short clip used in the Grateful Dead documentary Long Strange Trip, this recording has never been released, circulated or heard. Other highlights include the Sleepy Hollow Hog Stompers’ 1962 gig in San Carlos, CA, and the Hart Valley Drifters’ 1962 recording at Stanford’s KZSU Radio Studio A (Garcia’s first-known studio recording, released in 2017 for the first time). Arguably Garcia’s best and most beloved bluegrass band of that early period, The Black Mountain Boys are prominently featured via three separate occasions in 1963 and 1964, while a 1964 performance by Garcia’s Asphalt Jungle Mountain Boys rounds out Before The Dead. See a full list of dates, performances and players below.

Despite Jerry Garcia’s deep love for folk and bluegrass traditions, his time fully immersed in it was coming to a close. Encounters with one of his heroes, Bill Monroe, whose band he almost auditioned for (and Rothman went on to join), might have sent him deeper in that direction, but it was not to be. (Note: Garcia even used to tape Monroe’s shows, a possible foreshadowing of allowing fans to tape Grateful Dead shows later). By the end of 1964, The Beatles had become a household name, The Rolling Stones hit hard with their version of the blues and civil rights had become an important part of the social and political landscape. New influences and inspirations would impact Garcia’s direction as he went on to form The Warlocks, who would go on to become The Grateful Dead. However, the foundation in tradition was solidified during those early years and would resurface regularly throughout the remainder of his life in a multitude of ways, including the Dead, The Jerry Garcia Acoustic Band, Old and In The Way, Garcia/Grisman and so much more.

Independent country torchbearers Jason Boland & The Stragglers have announced their ninth studio album Hard Times Are Relative, releasing May 18th via Thirty Tigers. Together with his longtime band The Stragglers, Jason Boland has remained a true craftsman of genuine, no-frills country music for nearly two decades. In a genre that too often focuses on style over substance, Boland puts substance at the forefront with his intelligent, insightful lyricism that challenges listeners to think beyond the obvious. His unwavering aversion to artifice and audacious attitude is reminiscent of the genre's forbearers, while his deep, baritone delivery and the band's spirited live performances have earned them a fiercely loyal following. Hard Times Are Relative finds Jason Boland & The Stragglers once again expanding the boundaries of what country music can be, while staying true to its original purpose: storytelling in the purest form. 

Hard Times Are Relative is immediately gratifying country with a conscience and a shot of adrenaline. The theme running throughout much of the album focuses on our complicated relationship with the past and accepting the inevitability of change. Songs such as "Do You Remember When" and "Tattoo Of A Bruise" address the need to preserve our history, while "Predestined" questions how much we control the future. Hard Times Are Relative was recorded live to tape, a trademark of the band, and co-produced by The Stragglers, David Percefull and Adam Odor. 

Jason Boland & The Stragglers is a band with staying power. Taking a true DIY approach, with a crew of honky-tonk aces that currently includes Grant Tracy (bass), Brad Rice (drums and background vocals) and Nick Worley (fiddle, mandolin, and harmonies), the band has sold over a half million albums independently and continues to pack houses all over the country. Their explosive live performances and jangly, gritty albums have established a large and devoted fanbase that is not limited by geography. Critics seem to agree, as previous releases have garnered positive coverage from press including The New York Times, Garden & Gun, American Songwriter, The Wall Street Journal, Billboard and many more.  

Recently, there has been a healthy resurgence of artists inspired by country traditions ranging from classic to outlaw. Jason Boland has always stood as a beacon of honoring the genre's history while pushing forward to widen its borders. Hard Times Are Relative is yet another solid offering from a band that proves having one foot in tradition doesn't have to be limiting. Thankfully, substantive, quality country music has been right in front of us all along, and it doesn't appear to be going away anytime soon.

Rifles & Rosary Beads, the acclaimed new album from singer-songwriter Mary Gauthier has received unanimous praise from the press following its January 26th release via Thirty Tigers. Co-written with U.S. veterans and their families, the eleven songs on the album have connected deeply with those who have listened. In a celebrated career that spans nearly two decades, Rifles & Rosary Beads is Mary Gauthier’s more important work to date as it has changed lives and continues to do so. Mary Gauthier was recently the subject of an extremely moving feature by CBS This Morning that illustrates the magnitude of the impact. (View HERE)

The songs on Rifles & Rosary Beads were all co-written as part of SongwritingWith:Soldiers, a non-profit program that facilitates retreats bringing together professional songwriters with wounded veterans and active duty military. Participants have shared that the experience of songwriting was life changing for them, and in some cases, life-saving. Throughout this process Mary Gauthier has become extremely passionate about the power of song, and how the process of creating something has the ability to help heal trauma. Gauthier has recently developed a TED Talk on this very subject "Saved By A Song", which she gave in both Nashville and New York. To hear Gauthier speak on reworking trauma, check out her interview via NPR's Weekend Edition HERE. 

Rifles & Rosary Beads has resonated with the press and has received glowing coverage via reviews and features in The Los Angeles Times, The Wall Street Journal, The New York Times, Entertainment Weekly, Billboard, The Oxford American, Noisey and many more. Earlier this year Gauthier was featured on Sarah Silverman's Hulu TV Show I Love You, America. (Click HERE to view the episode.)

Rifles & Rosary Beads reached #6 on the Billboard Heatseeker’s Chart and has also charted on Americana radio. Gauthier, who has already played in key markets including New York and Los Angeles, will continue her nationwide tour in support of the new album with highlights including Kerrville Folk Festival, Roots On The River Festival, Rocky Mountain Folks Fest and a PBS taping at Bluegrass Underground at The Caverns.  

The finesse and empathy that Gauthier brings to these songs and stories is unprecedented, making Rifles & Rosary Beads a landmark in her career and proving that she continues to be one of the most important and honest voices in our musical landscape.

MARY GAUTHIER 2018 TOUR DATES

April 18 – Portland, ME – One Longfellow Square
April 19 – Dennis, MA – O’Shea’s Olde Inne
April 20 – Marblehead, MA – Me&thee Coffeehouse
April 21 – Yonkers, NY – Common Ground Coffeehouse
April 23 – Buffalo, NY – Sportsmen’s Tavern
April 24 – Rochester, NY – The Lovin’ Cup
April 25 – Albany, NY – The Linda
April 27 – Hartford, CT –Unitarian Society of Hartford
April 28 – Portsmouth, RI – Common Fence Music Hall
May 20 – Pelham, TN – Bluegrass Underground at The Caverns
May 26 – Martinsville, OH – Nowhere Else Festival
May 27 – Kerrville, TX – Kerrville Folk Festival
June 1 – Houston, TX – McGonigel’s Mucky Duck
June 6 – Toronto, ON – Hugh’s Room
June 8 – New York, NY – Rubin Museum of Art
June 9 – Cambridge, MA – Club Passim
June 10 – Bellows Falls, VT – Roots on the River Festival
June 11 – Dover, NH – Red & Shorty’s
June 13 – Hopewell, NJ – Hopewell Theater
June 14 – Northampton, MA – The Parlor Room
July 11 – Salt Spring Island, BC – Pitchfork Social *
July 14 – Courtenay, BC – Vancouver Island MusicFest *
August 5–8 – Alta, WY – Targhee Music Camp
August 11 – Billings, MT – Pub Station
August 17 – Lyons, CO – Rocky Mountain Folks Festival
August 23 – Kansas City, MO – Knuckleheads
August 24–25 – Fayetteville, AR – Fayetteville Roots Festival
August 26 – Pittsburg, KS – Lakewood House Concerts
September 20 – Houston, TX – McGonigel’s Mucky Duck *
September 21 – Baton Rouge, LA – Manship Theatre
September 22 – San Antonio, TX – Tobin Center for the Performing Arts *
September 23 – Austin, TX – One World Theatre *

* Three Women and The Truth feat. Eliza Gilkyson and Gretchen Peters

Hard Times Are Relative is immediately gratifying country with a conscience delivered with a shot of adrenaline. The fast-paced collection of 10 songs showcases Jason Boland & The Stragglers’ signature brand of authentic roots music infused with rock n’ roll, jangly honky tonk, traditional folk, and even a classic country duet with Texas powerhouse Sunny Sweeney. The theme running throughout much of the album focuses on our complicated relationship with the past and accepting the inevitability of change. View the recent Rolling Stone Country feature HERE for more insight.

Jason Boland & The Stragglers has proven to be a band with staying power. With a career that defines the term “DIY”, and a crew of honky-tonk aces that currently includes Grant Tracy (bass), Brad Rice (drums and background vocals) and Nick Worley (fiddle, mandolin, and harmonies), Boland has gone on to sell over a half million albums independently and continues to pack houses all over. The band’s explosive live performances have established a large and loyal fanbase, and their albums have garnered positive coverage from a wide range of press that includes The New York Times, Garden & Gun, American Songwriter, The Wall Street Journal and Billboard.

As there’s been a recent resurgence of artists inspired by the original outlaws of country music, Jason Boland & The Stragglers continue to stand as a beacon of honoring the genre’s past while broadening its horizons. Hard Times Are Relative is yet another solid offering from a band that proves keeping one foot in tradition doesn’t have to be limiting, and quality, substantive country music has been right in front of us all along. Thankfully, it doesn’t appear to be going away anytime soon.

On May 11th, Round Records will release its most ambitious project to date with the long-awaited Jerry Garcia boxed set Before The Dead. The project features a meticulously researched and curated compilation of recordings the iconic Grateful Dead founder made prior to forming the legendary band. Before The Dead includes never before heard performances, recordings that have never been commercially released and a small selection that have. From intimate live recordings to live studio recordings to field recordings, Before The Dead serves as a historical document in the spirit of renowned releases by Smithsonian Folkways and influential field recordings by Alan Lomax. The music on Before The Dead was selected and co-produced by longtime Grateful Dead publicist/author Dennis McNally and documentarian Brian Miksis. The audio was restored and mastered by Fred Kevorkian.
 
The first release from Before The Dead features the Black Mountain Boys (Garcia, Robert Hunter, David Nelson and Eric Thompson) in a rare 1964 live recording of “Rosa Lee McFall”.  Written by Charlie Monroe, the song would remain with Garcia throughout his career, reinterpreted later on with The Grateful Dead, Jerry Garcia Acoustic Band and Garcia/Grisman. This is the first time this track has ever been released.
 
Before The Dead will be released in two physical formats: a 4-CD set and a limited-edition 5-LP boxed set. The 5-LP boxed set is pressed to 180-gram vinyl in a limited edition of 2,500 pieces and includes a special in-depth 32-page book featuring essays by McNally and Miksis, rare photos and memorabilia along with detailed listening notes and commentary on each track by Dr. Neil V. Rosenberg.Aside from being a renowned musicologist, Rosenberg was part of the Redwood Canyon Ramblers, an influential Bay Area bluegrass ensemble that would inspire a younger generation of players, including Garcia. Each section features a “Tales of the Tape” essay that includes details on how, when and where the music was recorded, how it was found and, in most instances, anecdotes about the particular date, including early interactions with many area musicians before they went on to greater things. Sara Ruppenthal Katz (formerly Sara Garcia, Jerry’s first wife) contributes an enlightening essay around the 1963 recording of her duo performance with Garcia at the intimate Pala Alto, CA club Top Of The Tangent (aka The Tangent). Tangent co-founder Stu Goldstein also adds a piece discussing the club’s origins and how it became a hot spot for the new folk scene that was developing in the Bay Area.
 
Before The Dead sheds light on the earliest period in Jerry Garcia’s odyssey going from the young, charismatic, developing multi-instrumentalist coming of age during the early 1960’s folk-revival (often sarcastically referred to as The Great Folk Scare) to one of the most influential and groundbreaking artists of the rock ‘n roll era. Like many during that time, Garcia’s influences were coming from the deep-rooted folk tradition of artists such as Doc Watson, Earl Scruggs, The Carter Family, The New Lost City Ramblers, The Stanley Brothers, The Weavers, a young Joan Baez and the Harry Smith Folkways collections to name a few. These influences would resurface prominently in some of Garcia’s most important work with the Dead on the 1970 albums Workingman’s Dead and American Beauty — regularly cited as foundational in the creation of what is now referred to as Americana.
 
From beginning to end, the listener will journey through the musical evolution of Jerry Garcia and how the impact of the folk forbearers gradually permeates his playing and technique. You can hear the earliest origins of Garcia’s signature style budding as he had become a student of the music constantly absorbing and endlessly challenging himself. His instrument rarely left his side from dawn to dust. What shines brightly throughout the set is Garcia’s outgoing personality and sense of humor, often described as “magnetic”, a clear early indicator.
 
Throughout this period from 1961 to 1964 were pivotal first-time meetings, (documented in the book) between Garcia and people who would become life-long collaborators and friends. From his revered writing partner and early bandmate Robert Hunter, to mandolin master David Grisman, to each member of the Grateful Dead, to the many artists who would go on to take their own place in music history, including acclaimed instrumentalist Sandy Rothman, David Nelson (co-founder of New Riders of the Purple Sage) and Clarence White, guitarist of the Byrds.
 
Before The Dead showcases Garcia in various ensembles and configurations starting with the rarest piece in the entire collection, the of Garcia captured at his girlfriend’s 16th birthday party in 1961 alongside future Grateful Dead lyricist Robert Hunter. Outside of a short clip used in the Grateful Dead documentary Long Strange Trip, this recording has never been released, circulated or heard. Other highlights include the Sleepy Hollow Hog Stompers’ 1962 gig in San Carlos, CA, and the Hart Valley Drifters’ 1962 recording at Stanford’s KZSU Radio Studio A (Garcia’s first-known studio recording, released in 2017 for the first time). Arguably Garcia’s best and most beloved bluegrass band of that early period, The Black Mountain Boys are prominently featured via three separate occasions in 1963 and 1964, while a 1964 performance by Garcia’s Asphalt Jungle Mountain Boys rounds out Before The Dead. See a full list of dates, performances and players below.
 
Despite Jerry Garcia’s deep love for folk and bluegrass traditions, his time fully immersed in it was coming to a close. Encounters with one of his heroes, Bill Monroe, whose band he almost auditioned for (and Rothman went on to join), might have sent him deeper in that direction, but it was not to be. (Note: Garcia even used to tape Monroe’s shows, a possible foreshadowing of allowing fans to tape Grateful Dead shows later). By the end of 1964, The Beatles had become a household name, The Rolling Stones hit hard with their version of the blues and civil rights had become an important part of the social and political landscape. New influences and inspirations would impact Garcia’s direction as he went on to form The Warlocks, who would go on to become The Grateful Dead. However, the foundation in tradition was solidified during those early years and would resurface regularly throughout the remainder of his life in a multitude of ways, including the Dead, The Jerry Garcia Acoustic Band, Old and In The Way, Garcia/Grisman and so much more.

Acclaimed Oklahoma roots-rock powerhouse Turnpike Troubadours will perfom at Red Rocks Amphitheatre on June 13 in support of their acclaimed new album A Long Way From Your Heart (Bossier City/Thirty Tigers). With vivid character sketches and blue-collar narratives, Evan Felker continues to solidify his place as one of the finest songwriters to come out of the dustbowl in recent years. Combining Felker's honest and affecting vocals with his virtuosic bandmates - RC Edwards (bass), Kyle Nix (fiddle), Ryan Engleman (guitar), Gabe Pearson (drums) and Hank Early (pedal steel) - Turnpike Troubadours are a force. The new album debuted at #20 on the Billboard Top 200, #3 on the Country Albums Chart, and #1 on the Folk and Independent Albums Charts, and garnered praise from critics including Associated Press, Garden & Gun, American Songwriter and more. View the extensive Rolling Stone Country feature HERE and see press highlights HERE.

Felker's penchant for great storytelling in the tradition of his musical forebearers has become masterful, but if the songs are what initially hooks listeners, the live performances are what completes the conversion to diehard fan. From coast to coast, the fiercely independent outfit has become a live phenomenon, averaging sell-outs of 3000-5000 nightly, and their touring success expands far beyond any one region. Turnpike Troubadours epitomize terms such as “DIY”, “blue collar” and “indie”, yet continue to pack venues up and down both coasts, including capacity crowds in Los Angeles, San Francisco, New York, Washington, DC and more. Watch the band perform "The Housefire" on Austin City Limits HERE.

A Long Way From Your Heart is the follow up to their 2015 highly acclaimed third album, The Turnpike Troubadours. The album achieved major milestones for the band reaching #17 overall on the Billboard Top 200, #3 on the Billboard Country Albums Chart, and #2 on the Independent Albums Chart. Since the 2012 release of their breakthrough sophomore album Goodbye Normal Street the press has taken note of Turnpike Troubadours with major coverage in The Wall Street Journal, Rolling Stone Country, Noisey, Paste, American Songwriter, CMT and much more.

Acclaimed rock/alt-country quintet Lucero celebrates 20 years together with the announcement of the August 3rd release of their ninth studio album Among the Ghosts (Liberty and Lament/Thirty Tigers). Co-produced and engineered by Grammy Award winner Matt Ross-Spang (Jason Isbell, Margo Price, Drive-by Truckers), Among the Ghosts was recorded in the band’s home town of Memphis, TN at the historic Sam Phillips Recording Service. 

Among the Ghosts features 10 new songs written by lead singer/co-founder Ben Nichols that are steeped in the Southern gothic inspired vignettes that have become a Lucero trademark. This time around, the seminal band pulls back on the big arrangements and Memphis-styled horns of their recent work for the more straight up, rock band style of their earlier years. Nichols and bandmates Brian Venable (guitar), Roy Berry (drums), John C. Stubblefield (bass) and Rick Steff (keyboards) maintain their footing in their blues, rock, country gospel and R&B foundation, while simultaneously pushing their sound forward. 

Nichols’ penchant for writing songs that immediately create mental imagery is at the forefront of Among the Ghosts. The band sets the tone masterfully with the perfect balance of nuance and grit, where delicate moments can exist equally in the same space as anxious restraint, as heard in the opening title track. The narrator longs for the family that distance is keeping him from, before the snarling chorus blasts out with intensity. The moody “Back To The Night” features a haunting spoken word interlude by actor Michael Shannon. “Loving”, originally recorded by Nichols and appearing in the film Loving (from his filmmaker brother Jeff Nichols), receives a fresh full band treatment on the new album. The heartfelt “Always Been You” speaks tenderly of the trials and tribulations of love while the deeply moving “To My Dearest Wife” was inspired by Civil War letters written by soldiers that can easily apply to our fighting men and women today.

For 20 years, amidst the highs and lows many bands experience, Lucero has remained grounded firmly in their blue-collar ethos. They create music with a soul that provides a common ground for many. As a live band, they have consistently brought it night after night with exhilarating performances in a communal atmosphere. The droves of fans who jumped on board have remained for the journey through the years, and they continue to bring others along for the ride. With Among the Ghosts, it is clear that Lucero still has many miles left to travel.

Celebrated Minnesota sextet Trampled By Turtles will perform at Red Rocks Amphitheatre on July 19 in support of their long-awaited new album Life Is Good On The Open Road. After an indefinite hiatus, the group returns with their first new album in four years, consisting of 12 new songs that feature Trampled By Turtles’ signature blend of rock, folk, punk, country and their brand of progressive bluegrass. For some great insight into the band's journey and decision to come back together, view Garden & Gun's Q&A feature HERE. 

Life Is Good On The Open Road is the welcome return that the group’s legions of passionate fans have been waiting for. Led by the songwriting of lead singer Dave Simonett, the new songs touch on key elements from the entire spectrum of Trampled By Turtles body of work, while creating something that sounds fresh and invigorated. Simonett, and bandmates Erik Berry, Ryan Young, Dave Carroll, Tim Saxhaug and Eamonn McLain reunited at a cabin in the Minnesota woods to see if the special chemistry they once shared still existed. It did not take long for the magic to reveal itself with a renewed sense of purpose and the result shines brightly on Life Is Good On The Open Road. Hear the abum's debut track "The Middle" featured via Rolling Stone Country. 

After 15 years of recording, captivating high-energy live shows and Simonett’s writing, Trampled By Turtles have built a large and loyal fanbase that pack venues from coast to coast. The band's spring tour finds them playing multiple nights in theaters all over, as well as headlining major venues including the Ryman Auditorium, Fox Theatre and and Red Rocks Amphitheatre, with many dates already sold out. View a full list of tour dates HERE.

Southern soul-rockers JJ Grey & Mofro will perform at Red Rocks Amphitheatre on July 20. The band's charismatic live performances have captivated audiences all over the world, delivering songs with compassion and a relentless honesty. For a sense of Grey's commitment to building powerful musical moments, watch his performance of "The Sun Is Shining Down" HERE.  

JJ Grey's latest record Ol' Glory, captures the fierceness and intimacy that defines his live performance.  Personal, Southern-inspired narratives, along with a sound boasting an eclectic blend of blues, rock, gospel and gritty R&B, have become synonomous with JJ Grey and his incredible band Mofro. His music has been praised by The New York Times, Garden & Gun, USA Today and many more, for a sound that The Wall Street Journal calls "soulful rock ’n’ roll with a funky, down-home Southern feel." Watch an intimate performance on NPR's World Cafe Live HERE.  

JJ Grey is as genuine as they come — a do-it-yourselfer who is committed to making music that's full of integrity. In this day and age, that's a rare thing. From the days of playing greasy local juke joints to headlining major festivals around the world including Bonnaroo, Glastonbury, North Sea Festival and Fuji Rock, JJ Grey remains an unfettered, blissful performer who sings with a blue-collared spirit over the bone-deep grooves of his compositions. 

Critically-acclaimed Birmingham, Alabama octet St. Paul & The Broken Bones have announced the September 7th release of their highly-anticipated new album, Young Sick Camellia (RECORDS). Young Sick Camellia contains nine songs infused with the band’s cross-section of soul, rock ‘n’ roll, R&B and funk, mixed with passion, intensity and a boundary-blurring musical exploration that has become synonymous with St. Paul & The Broken Bones. The band teamed up with celebrated R&B/hip-hop/dance producer Jack Splash for Young Sick Camellia, whose work appears on albums by Solange, Kendrick Lamar, Diplo, Alicia Keys, Cee Lo Green, Mayer Hawthorne and many more.

The band just released the first single off the album. Listen to the soulful, intergalactic R&B of “Apollo” HERE.

Following the success of their debut album Half The City (2014), St. Paul & The Broken Bones made a strong statement and cemented their identity with 2016’s critically acclaimed follow up, Sea Of Noise. The sophomore album firmly established the group as a smart, thoughtful, socially-conscious band with much to say. Led by the insightful lyrics and extraordinary vocals of exhilarating front man Paul Janeway, St. Paul & The Broken Bones possess the unique ability to make you dance and shout while simultaneously making you think. The combination proved impactful as the band was the subject of features in Rolling Stone, The New York Times, Vanity Fair, Paste, Garden & Gun, NPR, Wall Street Journal and Associated Press, while appearing on The Late Show with Stephen Colbert, Conan, CBS Saturday Morning and Austin City Limits. View Highlights. 

Where Sea Of Noise featured an outward looking commentary on the current state of our society, Young Sick Camellia looks deeply inward featuring Janeway’s most personal lyrics to date. The singer dives into his own family dynamic, addressing generational differences while also searching to find common ground. How can we love those so dear to us while their thoughts, opinions and experiences are diametrically opposed to our own? How do we understand and relate to each other? Janeway began to focus on how each generation views the one that preceded them. The process was and continues to be cathartic with more exploration ahead.

Over the course of the last four years, St. Paul & The Broken Bones - Janeway (vocals), Jesse Phillips (bass), Browan Lollar (guitar), Al Gamble (keys), Andrew Lee (drums), Allen Bransetter (trumpet), Chad Fisher (trombone) and Jeronne Ansari (sax) - have become one the most exciting and explosive must-see live bands.

St. Paul & The Broken Bones make new fans out of anyone who experiences a performance, with no limitations. The band was selected by The Rolling Stones to open two stadium shows and befriended by Sir Elton John who invited the group to play his annual Oscar party, where he performed alongside them. Janeway has built a reputation as one of music’s most electrifying front men and the Broken Bones are a full-on rhythmic powerhouse. St. Paul & The Broken Bones have just announced a fall tour in support of Young Sick Camellia. See a list of dates below.

ST. PAUL & THE BROKEN BONES 2018 TOUR DATES

June 27 – Vancouver, BC – Vancouver International Jazz Festival
June 28 – Victoria, BC – Victoria Jazz Festival
July 4 – Montreal, QC – Festival International De Jazz Montreal
July 5 – Quebec City, QC – Festival Dété de Québec
July 6 – Ottawa, ON – Ottawa Bluesfest
July 8 – Winnipeg, MB – Winnipeg Folk Festival
July 10 – Fargo, ND – Sanctuary Events Center
July 11 – Apple Valley, MN – Music in the Zoo
July 12 – Kansas City, MO – Crossroads
July 15 – Birmingham, AL – Sloss Fest
September 13 – San Antonio, TX – Aztec Theatre
September 14 – Austin, TX – WhiskyX Event at Fair Market
September 15 – Houston, TX – House Of Blues
September 21 – Louisville, KY – Iroquois Amphitheater
September 22 – Indianapolis, IN – Holler On The Hill Festival 
September 28 – Atlanta, GA – Fox Theatre
September 29 – Black Mountain, NC – Pisgah Brewing
September 30 – Washington D.C. – The Anthem 
October 3-4 – Brooklyn,  NY – Brooklyn Steel
October 5 – Boston, MA – House Of Blues
October 7 – Toronto, ON – Danforth Music Hall
October 10 – Chicago, IL – Riviera Theatre 
October 12 – Boulder, CO – Boulder Theater
October 13 – Denver, CO – Ogden Theatre
October 16 – Seattle, WA – Moore Theatre
October 17 – Portland, OR – Crystal Ballroom
October 19 – Oakland, CA – Fox Theater
October 20 – Los Angeles, CA – The Wiltern 
October 21 – Santa Barbara, CA – The Arlington Theatre

After a prolific career of 22 studio albums, Keller Williams has announced his first ever entirely instrumental release SANS, out on October 19. The new album offers a fresh take on his previous work, with a collection of eight reimagined tracks plus one new song. Williams is set to hit the road this fall with a slew of new tour dates, including a special album release show at Brooklyn Bowl in New York City. The tour will also include solo shows as well as performances with PettyGrass, Keller & the Keels, More Than a Little and Keller Williams’ Duo with Danton Boller. See a full list of dates below.

SANS (as in without) finds Keller Williams breathing new life into some of his favorite songs that were once presented as solo acoustic guitar pieces. These invigorated renditions have been enhanced with bold acoustic bass and live and sampled drums, woven through futuristic soundscapes to create what Williams has dubbed “acoustic dance music.” To get a sense of his innovative approach to revisiting these songs, listen to Keller Williams’ new rendition of “Ticks When Told”, originally recorded for the acoustic album RAW. Listen Here. See the full track listing below.    

Through a career spanning more than two decades and more than a dozen projects, including his most recent Tom Petty-inspired tribute PettyGrass, Keller Williams has established himself as an unmatched artistic force with a penchant for collaboration and innovation. His unpredictable live shows and ability to seamlessly transition between genres has garnered a loyal and large cult following. The press has also taken notice, with recent positive coverage from Billboard, Entertainment Weekly, Paste Magazine, Relix, Acoustic Guitar and more. The follow up to his two simultaneous releases SYNC and RAW, the new instrumental album SANS is proof that even after all this time Keller Williams still has many creative roads left to explore.

Fans who pre-order SANS between now and September 24 will be eligible for the “In the Gutter with Keller at The Brooklyn Bowl” contest, where one winner will receive an all-expenses paid trip to New York City to attend Keller Williams’ album release party at The Brooklyn Bowl on October 19. Click Here for more details.

SANS TRACK LISTING

1. Fat B
2. Newness
3. Ticks When Told
4. Rosahamboagogo
5. M&Ms
6. Gracias Leo
7. Sheebs
8. Sorry From The Shower
9. The Cabella Vibe

KELLER WILLIAMS 2018 FALL TOUR 

September 7 – Boulder, CO – Boulder Theater *
September 8 – Bellvue, CO – Mishawaka Amphitheatre *
September 13 – Westbury, NY – The Space At Westbury
September 14 – Easton, PA – One Centre Square
September 15 – Greenfield, MA – Wormtown Music Festival
September 20 – Kalamazoo, MI – Bell’s Eccentric Café – Beer Garden *
September 21 – Thornville, OH – Resonance Music & Arts Festival *
September 22 – Columbia, SC – Glass Half Full #
September 26 – Fredericksburg, VA - James Monroe High School: Fall Fundraiser
September 29 – Oak Hill, WV – Adventure Grass Festival
October 5 – Ontario, CA – The Huck Finn Jubilee ^
October 6 – Solana Beach, CA – Belly Up
October 11 – Pensacola, FL – Vinyl Music Hall
October 12 – Live Oak, FL – Suwanee Roots Festival *
October 13 – Athens, GA – Georgia Theatre
October 19 – Brooklyn, NY – Brooklyn Bowl
October 20 – Ardmore, PA – Ardmore Music Hall
October 26 – Santa Cruz, CA – Moe’s Alley
October 27 – Mill Valley, CA – Sweetwater Music Hall *
October 28 – Placerville, CA – Hangtown Music Festival *
November 1-2 – Burnet, TX – UTOPIAfest
November 3 – Las Vegas, NV – Brooklyn Bowl *
November 8 – Chicago, IL – City Winery %
November 9 – Evanston, IL – SPACE %
November 10 – Ann Arbor, MI – The Ark %
November 14 – Portland, ME – Port City Music Hall *
November 15 – Concord, NH – Capitol Center for the Arts *
November 16 – Beverly, MA – Cabot Theatre *
November 29 – Menasha, WI – Source Public House
November 30 – Madison, WI – Majestic Theatre
December 1 – Minneapolis, MN – The Cedar

* - PettyGrass featuring The Hillbenders
# - More Than A Little
^ - Grateful Grass
@ - Keller and The Keels
% - Duo with Danton Boller

Four-time Grammy Award winner Jason Isbell and his longtime band The 400 Unit will perform at Red Rocks Amphitheatre on September 3 in support of their highly successful new album The Nashville Sound (Southeastern Records). Critically acclaimed singer/songwriter/violinist Amanda Shires will open the show with a solo set in support of her anticipated new release To The Sunset (out August 3). The Nashville Sound recently netted two Grammy awards (Best Americana Album & Best American Roots Song, "If We Were Vampires") as well as four Americana Music Association nominations (Album of the Year, Artist of the Year, Duo/Group of the Year and Song of the Year, "If We Were Vampires"). The independent release has gone on to sell over 150,000 copies and received tremendous support from the press, garnering high praise that includes NPR Music, Associated Press, Rolling Stone and Noisey, as well as extensive coverage from Men’s Journal, GQ, Vanity Fair, Entertainment Weekly and more. View highlights HERE.

Jason Isbell possesses an incredible penchant for identifying and articulating some of the deepest, yet simplest human emotions and turning them into beautiful poetry through song. Without exaggeration, Isbell has become one of the most respected songwriters of his generation, and when he steps onto the stage with his longtime band The 400 Unit they become one of the strongest live acts on the road today, selling out shows all over and captivating audiences worldwide. In the last year, the band's national television performances have included The Late Show with Stephen Colbert, Jimmy Kimmel Live and Austin City Limits, with Isbell appearing in featured segments on CBS This Morning, PBS Newshour, The Daily Show with Trevor Noah, Off Camera with Sam Jones and more. Jason Isbell and The 400 Unit have just announced the release of a new live album, Live From The Ryman (out October 19). Primarily recorded during the group’s six sold out nights at Nashville’s legendary Ryman Auditorium, the album features 13 live versions of songs from The Nashville Sound as well as Isbell's previous two critically acclaimed, award-winning studio albums - Southeastern (2013) and Something More Than Free (2015). 

2018 marks the 30th Anniversary of the release of Almost Acoustic, the out of print 1988 live classic from The Jerry Garcia Acoustic Band.  In honor of this milestone Almost Acoustic will receive a special limited-edition reissue for Record Store Day 2018 on November 23rd. The album will be made available on CD and as a double LP on 180-gram vinyl for the first time. The vinyl package will include two green and black marbled LPs with individually numbered foil-stamped gatefold jackets. Only 5000 copies of this limited-edition run will be available.

Recorded in 1987 at The Wiltern Theatre in Los Angeles and the Warfield Theatre in San Francisco, Almost Acoustic features Garcia (guitar & vocals) performing with some of his closest pre-Dead friends and collaborators from the early 1960’s – Sandy Rothman (mandolin, dobro & vocals) and David Nelson (guitar & vocals). Joining in were Kenny Kosek (fiddle) and long-time Jerry Garcia Band alums John Kahn (upright bass) and David Kemper (snare drum). Songs include influential folk traditionals, such as “Swing Low, Sweet Chariot”, “Blue Yodel #9” and “Diamond Joe”. The album also highlights songs that were consistently woven in and out of Garcia’s career as both a solo artist and with the Grateful Dead, including “Deep Elem Blues”, “Oh, The Wind And Rain” and the Garcia/Hunter classic, “Ripple”.

Much of 2017 and 2018 saw the year-long celebration of Jerry Garcia’s 75th birthday, which culminated with the release of the historic and critically acclaimed boxed set Before The Dead. The 4-CD/limited-edition 5-LP collection shed a new light on the earliest period in Garcia’s journey starting as a young, raw and developing multi-instrumentalist coming of age during the early 1960’s folk-revival, to becoming one of the most revered and groundbreaking artists of the rock ‘n roll era. By the time The Jerry Garcia Acoustic Band formed, Garcia had become a master of his instrument. Recorded and released during the apex of the Grateful Dead’s popularity, Almost Acoustic features the artist coming full circle by going back to his acoustic roots where it all began.

Genre-melding quintet The Way Down Wanderers have announced the February 22nd release of their independent sophomore album illusions. Hailing from Peoria, IL, the group craft stories inspired by the heartland with a unique blend of sounds stemming from their varied musical backgrounds. Produced by Grammy winner David Schiffman (HAIM, Johnny Cash, Rage Against The Machine), this is not your average roots/rock record. Though it is built on a foundation of Americana and bluegrass, illusions features The Way Down Wanderers’ signature multi-part harmonies injected with unexpected elements of pop, reggae, classical and jazz.

The Way Down Wanderers began when former rock drummer Austin Krause-Thompson met classically trained folk instrumentalist/vocalist Collin Krause at the ages of 19 and 15 respectively (the two recently became brothers-in-law). The two lead singers/songwriters were later joined by jazz percussionist John Merikoski, classical bassist John Williams and banjo player Travis Kowalsky. The band’s self-titled 2016 debut captured the attention of critics and peers alike with their boundary-blurring style and electrifying live performances.

While their sound is a melting-pot of genres, at the core The Way Down Wanderers are storytellers. The songs on illusions observes the cycle of life – love, loss and evolution – while looking to the future with hope. From the dreamy title track reminiscing on the simplicity of youth, to the sense of mourning in “Old Ford” to the excitement of new love in “Patient Pretender”, the album bridges a raw enthusiasm for life with the sobering reality of how quickly time passes. Combining Collin’s classic crooning over soaring instrumentals, Austin’s spoken-word breakdowns with island-style beats and the group’s clear knack for harmonies, the young band delivers an album that is equally as powerful and moving as it is frenzied and uplifting.

The Way Down Wanderers’ songs are inspiring, but their live shows take things to new heights. The band’s fast-paced performances, complete with foot-stomping sing-alongs, in-audience encores and drummer Merikoski’s infamous spoon solos are absolutely intoxicating. Their almost nonstop touring over the last few years has awarded them an enthusiastic grassroots following and created a communal environment that feels like hanging out with long-time friends. View a complete list of tour dates HERE.

Much like the community they strive to create, The Way Down Wanderers use music to encourage us to stay open to the people and things around us. illusions illustrates the idea that, for better or worse, this life is our only one so we should make it count.

Genre-defying quartet Darlingside has announced a new EP Look Up & Fly Away, set for release on February 22nd. Comprised of five songs selected from a handful of outtakes from the band’s acclaimed 2018 album Extralife, the EP continues to spotlight Darlingside’s seamless harmonies, unique skill as multi-instrumentalists, and intricate songwriting. While the two releases differ in lyrical content, they share similar thematic undertones, exploring the different stages of life and ultimately, the concept of death. The ideas behind the majority of the songs on Look Up & Fly Away, including the title track, began formulating over half a decade ago and represent Darlingside’s poetic and timeless ability to capture complex, ecumenical topics. 

Following its release, Extralife garnered praise from a wide range of outlets including NPR Music, Associated Press, The Wall Street Journal, ELLE, Rolling Stone, Paste, American Songwriter, The Boston Globe and many more (See Highlights). Last year, the band performed an NPR Music’s Tiny Desk Concert, which you can watch HERE. In addition, the album’s single “Hold Your Head Up High” was recently nominated for the 2019 “International Song of the Year” UK Americana Award.

DARLINGSIDE 2019 TOUR DATES

February 27 – San Diego, CA – Music Box **
February 28 – Los Angeles, CA – El Rey Theatre **
March 1 – Santa Barbara, CA – SOhO **
March 2 – San Francisco, CA – Great American Music Hall **
March 3 – Chico, CA – Sierra Nevada Brewing Company **
March 4 – Ashland, OR – Southern Oregon University Music Recital Hall **
March 6 – Sisters, OR – Sisters High School Auditorium **
March 7 – Portland, OR – Aladdin Theater **
March 8 – Seattle, WA – Neumos **
March 9 – Vancouver, BC, Canada – Biltmore Cabaret **
March 11 – Missoula, MT – Top Hat Lounge **
March 12 – Bozeman, MT – The Rialto **
March 14 – Denver, CO – The Bluebird Theater **
March 15 – Albuquerque, NM – The Cooperage **
March 16 – Tucson, AZ – 191 Toole **
March 17 – Phoenix, AZ – Musical Instrument Museum **
April 11 – Saratoga Springs, NY – Caffe Lena
April 12 – Ithaca, NY – Hangar Theatre ++
April 13 – Toronto, ON, Canada – The Baby G ++
April 14 – Ann Arbor, MI – The Ark ++
April 15 – Spring Lake, MI – Seven Steps Up ++
April 17 – Chicago, IL – Old Town School of Folk Music, Maurer Hall
April 18 – Minneapolis, MN – Cedar Culture Center
April 19 – Davenport, IA – Redstone Room ^^
April 20 – Kansas City, MO – recordBar ^^
April 23 – Nashville, TN – The Basement East ^^
April 24 – Louisville, KY – WFPK Waterfront Wednesday
April 25 – Chattanooga, TN – Songbirds North ^^
April 27 – Charlottesville, VA – Jefferson Theater ##
April 28 – Morgantown, WV – Mountain Stage
May 18 – Exeter, NH – Exeter Town Hall Theatre

 ** = with River Whyless
++ = with Molly Parden
^^ = with Lula Wiles
## = with The Milk Carton Kids

Electric On The Eel, the long-awaited six-CD box set featuring the Jerry Garcia Band, is set for release on March 15th via Round Records. Recorded at the semi-secluded French’s Camp on the Eel River in Piercy, CA, Electric On The Eel includes three full electric sets performed in 1987, 1989 and 1991. 

What became a biennial pilgrimage began in 1987 when Wavy Gravy asked Garcia to perform a benefit at the location to raise money for his famed Hog Farm. Garcia agreed as long as Bill Graham was brought in to co-produce and promote. When Graham agreed, it was on. Later that year, Garcia’s now legendary Broadway acoustic/electric runs in New York City was to take place, but not before he chose to work out the Jerry Garcia Acoustic Band and Jerry Garcia Band sets at Eel River. While this special box set focuses on the JGB electric shows, the complete August 29, 1987 acoustic set is included on the Acoustic On The Eel bonus disc available exclusively (while supplies last) to fans who purchase via their local, independent record shop or JerryGarcia.com. See full set list below.

Surrounded by mountains, evergreens and redwoods, the intimate setting set the tone for three transcendent performances in a unique environment over the course of five years. The Jerry Garcia Band was in its prime, featuring its most celebrated line up with Garcia on guitar and lead vocals, Melvin Seals (keyboards), John Kahn (bass), David Kemper (drums), Gloria Jones (backing vocal) and Jacklyn LaBranch (backing vocal). 

Each set features the Jerry Garcia Band’s signature renditions of classics, standards, originals and some surprises all performed with the soul, passion and playfulness Garcia’s ensemble had become known for. The 1987 performance features a classic JGB set that includes “How Sweet It Is (To Be Loved By You)”, Van Morrison’s “And It Stoned Me” and Jimmy Cliff’s “The Harder They Come”. The 1989 performance includes jaunty versions of two Garcia/Hunter originals (“Deal” and “They Love Each Other”), two Allen Toussaint gems (“I’ll Take A Melody” and “Get Out My Life Woman”) and a rare appearance of the gospel standard “I Hope It Won’t Be This Way Always”, released for the first time here. 

The 1987 and 1989 sets represent much of what made the Jerry Garcia Band special, and why fans flocked to this remote location for such a unique experience. However, the 1991 set may be the jewel of the collection showcasing the group at the height of their powers. The show features inspired versions of the gospel-infused “My Sisters And Brothers“, “Lay Down Sally”, Chuck Berry’s “You Never Can Tell”, and an epic, heart-melting interpretation of The Manhattans’ “Shining Star”. The 1991 set also includes The Jerry Garcia Band’s take on Mercer/Carmichael’s “Lazy Bones”, The Band’s “Twilight” and Eric Clapton’s “See What Love Can Do” (written by Jerry Lynn Williams), released for the first time. 

Pre-order Available at Electric On The Eel

The first run of tour dates have been announced for independent troubadour Shawn James, who will be out in support of his upcoming album The Dark & The Light. The new album will be released March 22nd on Parts + Labor Records. James was featured in a recent Billboard interview around the premiere of the album’s captivating opening track “Orpheus” (Read & Listen HERE). The track opens with a haunting a cappella leading to an enchanting rhythm before moving into a powerful refrain unleashing the soulful intensity of James’ voice. The song is a tour de force inspired by Greek mythology and the message that love is stronger than all else, including death.

To view a live version of “Orpheus”, click HERE for a stripped down performance recently featured via AllSaints’ “LA Sessions”.

James will hit the road with a full band starting in Las Vegas on February 7th, with stops scheduled in Phoenix, Portland, Seattle, Los Angeles, San Francisco and more. See tour dates below with more to come soon. Visit shawnjamesmusic.com for updates.

The Dark & The Light is the fourth album from James and his most fully-realized work to date. Its overall theme is turning darkness into light in the hopes of inspiring others to do the same. Born and raised on the south side of Chicago, James’ music is inspired by blues, gospel, rock, R&B and folk. His lyrics are informed by life experiences ranging from love to loss to reluctantly spending much of his youth as part of a Pentecostal congregation. A gifted vocalist, James studied opera and classical and was a standout while singing in gospel choirs as a kid.

James’ DIY work ethic and honest songwriting have awarded him a loyal fanbase allowing him to tour extensively playing 150+ shows a year in the U.S. and overseas. His music has generated over 85 million streams and his songs have been heard on television programs, in commercials and in video games. Fiercely independent, James accomplished all of this before ever having a label, marketing, publicity, promotion or even management.

Shawn James 2019 Tour Dates

March 7 – Las Vegas, NV – Backstage Bar & Billiards
March 8 – Phoenix, AZ – Valley Bar
March 10 – Santa Cruz, CA – Moe’s Alley
March 12 – Portland, OR – Hawthorne Lounge
March 14 – Eugene, OR – Wildcraft
March 15 – Seattle, WA – Barboza
March 16 – Bend, OR – Volcanic
March 17 – Sacramento, CA – Harlow’s
March 20 – Morro Bay, CA – The Siren
March 21 – Los Angeles, CA – The Moroccan Lounge
March 22 – San Francisco, CA – Milk Bar
March 24 – Anaheim, CA – Parish at House Of Blues

More dates to come. 

Visionary Austin band Los Coast has announced the June 14th release of their eagerly anticipated debut album Samsara on New West Records. The brainchild of charismatic lead vocalist Trey Privott and multi-instrumentalist/arranger John Courtney, Los Coast has created a sound that captures the spirit of Austin, delivering a blast of psychedelic-pop-soul infused with lyrical twists and a heavy dose of jazz, gospel and world music.

Prior to the recording of Samsara, Los Coast had built a reputation as one of the hottest young buzz bands in Austin. Their residency at C-Boy’s Heart & Soul on South Congress lead to a high-profile performance at Austin City Limits Music Festival in 2016, helping to spread the word about the band to a wider audience. Since then Los Coast has been touring and performing with a live show that has clearly resonated with fans who anxiously await the band’s upcoming debut (See full list of 2019 tour dates below.)

Georgia born vocalist and guitarist Trey Privott comes from a musical family, most notably as the nephew of jazz fusion guitarist Hiram Bullock who worked with Miles Davis, Gil Evans, and Steely Dan. Privott’s father had him in church regularly, where he was exposed to down-home gospel choirs - a clear influence on his vocal style. Texas native John Courtney, who performs on lead guitar is a versatile multi-instrumentalist whose style was influenced by studying jazz at the prestigious Berkley College of Music. Courtney cites Jerry Garcia as a major influence on his playing. Los Coast’s eclectic sound is rounded out by Megan Hartman on bass, Damian Llanes on drums and Natalie Wright on keys, plus a varied assortment of guest players.

With an impressive 2019 tour schedule that includes opening slots for Gary Clark Jr. and St. Paul & The Broken Bones and an explosive new album, Los Coast is poised for an exciting future and are ready to spread their message.

Los Coast 2019 Tour Dates

March 28 – Baton Rouge, LA – Beauvoir Park
March 29 – Oxford, MS – The Lyric *
March 30 – New Orleans, LA – The Maison
April 1 – Athens, GA – Georgia Theatre Rooftop
April 2 – Durham, NC – PAC #
April 3 – Charlotte, NC – Fillmore #
April 5-7 – Nashville, TN – Ryman Auditorium #
May 2 – Meridian, MS – The Max *
May 7 – Oklahoma City, OK – Jones Assembly *
May 10 – Austin, TX – Stubb’s *
June 13 – Bethel, NY – Mountain Jam, Valley Stage
June 19 – Santa Rosa Beach, FL – Seaside Concert Series

Support: * St. Paul & The Broken Bones / # Gary Clark Jr.

For the first time, newly discovered lyrics by John Denver will see the light of day on Earth Day, April 22nd, thanks to the esteemed Americana band Railroad Earth. The celebrated band wrote music to the unseen lyrics, unearthed by the late artist’s estate. The tracks will be available on a special 7 inch vinyl being sold at music retailers as well as digitally.

The collaboration came about when Denver’s management team came across notebooks containing handwritten lyrics of classic songs, poems and unfinished song ideas while prepping for a display in Denver’s 2017 Grammy Museum exhibit.  Railroad Earth front man, Todd Sheaffer set the lyrics to music and the band recorded two new songs “If You Will Be My Lady,” and “Through The Night”.

John Denver’s roots run deep in the folk tradition where he made a name for himself early on as a member of the Mitchell Trio, replacing founder Chad Mitchell in 1965.  Denver went on to launch a solo career becoming one of the highest selling artists ever worldwide with over 33 million records sold and seven Billboard Top Ten Albums in the U.S.  The Poet Laureate of Colorado is best known for the beloved songs including “Leaving on Jet Plane”, “Sunshine On My Shoulders”, “Annie’s Song”, “Take Me Home Country Roads”, and “Rocky Mountain High”.  Among his numerous awards and recognitions, Denver was also instrumental in championing environmental causes and space exploration.

Todd Sheaffer shares his emotions about the collaboration saying, “What an honor to have been given the opportunity to shape these John Denver words into songs.  Hopefully I’ve been able to convey some of the warmth and emotional bravery I found in them into the songs and hopefully we’ve been able to channel some of John’s pure and open musical spirit into the recordings.  It was fun to try, and it was a pleasure to go back and connect again with an artist I’ve known and loved for a long time.”

The sessions also hold a cherished memory for Railroad Earth as they are the last recordings that were made with beloved bandmate and multi-instrumentalist Andy Goessling, an integral member of the band who passed away in 2018.  Goessling’s contributions were essential to the band’s signature authentic style and he also happened to be a huge John Denver fan who was thrilled to participate in this project.

A portion of the proceeds from these two tracks will be donated to Youth Climate Strike, a movement rapidly gaining momentum across the globe, where young people are striking for climate justice.  For more information about the movement please visit: https://www.youthclimatestrikeus.org/

Railroad Earth will be touring nationally in 2019 including stops at high profile festivals including Telluride Bluegrass Festival and Del Fest.  A new studio album is set for release in September 2019.

Nowhere Else Festival aims to bring together over 1,000 fans and friends for a weekend of music, art and conversation. By continuing this festival each year, Linford Detweiler and Karin Bergquist (aka Over the Rhine) are creating a legacy, ensuring that the traditions of folk music endure for years to come. Read more about the festival here: http://www.nowhereelsefestival.com/about

The recently announced lineup includes performances by James McMurtry, Birds of Chicago, John Paul White, Leigh Nash, Joan Shelley, Carrie Newcomer and of course Over the Rhine and the Band of Sweethearts. There will also be a VIP farm-to-table dinner and various artists and writers will host workshops throughout the weekend, including exhibits from painter Thomas Metcalf and National Geographic award-winning photographer Rodney Bursiel. Proceeds from the festival will help the duo to continue restoring a 140-year-old barn into a fully-functioning performing arts center where they hope to host intimate concerts and workshops, record future albums, nurture younger artists and simply share good music, good food, good conversation and good stories.

The duo has established a reputation for delivering genuine, heartfelt stories of the human condition that are both intimate and provocative. Their thoughtful lyrics are often inspired by time and place, with each album representing a certain chapter in their lives – what they have experienced, and the resulting emotional landscape. Over The Rhine have recently been touring in support of their new album Love & Revelation, which has received praise from Associated Press, American Songwriter, No Depression, Paste and more. The record represents their first new music in four years and marks three decades of making music together. It’s a really beautiful and immersive album; the emotionally-charged tracks are full of grief, but like much of their music, have a strong undercurrent of positivity and hope for the future. You can listen to the record, which was recently spotlighted by Rolling Stone Country here.

Psychedelic soul ensemble Los Coast has announced national tour dates in support of their upcoming album Samsara, due out June 14th on New West Records.  Austin’s best kept secret, Los Coast will be opening dates for Lucas Nelson, St. Paul & The Broken Bones and Black Pumas over the next few months. 

Los Coast has unveiled a new video for the contagious track “Monsters” which was exclusively premiered via Relix.  Click HERE to view.  The brainchild of frontman Trey Privott and multi-instrumentalist John Courtney, Los Coast’s eclectic sound which is a blend of indie rock, new wave, jazz, funk, soul and world music, is rounded out by Megan Hartman on bass, Damian Llanes on drums and Natalie Wright on keys.  Rolling Stone Country recently highlighted the song “The Morning Weight” from the new album and described it as “…steady grooves, fat keyboard and clouds of reverb.  The result is a modern single that nods to the past.”  

Prior to the recording of Samsara Los Coast had been making a name for themselves around Austin, including a long-standing residency at C-Boys Heart & Soul on South Congress. Their electric live performances led to high profile booking at Austin City Limits Music Festival in 2016, helping to spread the word about the band.  Since signing with New West, the band has been touring heavily and connecting with fans in support of their upcoming album.  For a full list of 2019 tour dates see below.

Los Coast 2019 Tour Dates

May 7 - Oklahoma City, OK - Jones Assembly *
May 10 - Austin, TX - Stubb’s *
June 6 - Austin, TX - Waterloo Records Instore 
June 9 - Nashville, TN - 3rd & Lindsley
June 11 - Washington, D.C. - DC9
June 13 - New York, NY - Rockwood Music Hall - Stage 2
June 14 - Bethel, NY - Mountain Jam, Valley Stage
June 15 - Philadelphia, PA – Upstairs Live at World Cafe Live
June 16 - Carrboro, NC - Cat’s Cradle Back Room 
June 17 - Charlotte, NC - The Neighborhood
June 19 - Santa Rosa Beach, FL - Seaside Concert Series
June 20 - Athens, GA - 40 Watt
June 21 - Birmingham, AL - Saturn
June 22 - Mobile, AL - The Merry Widow
June 27 - Austin, TX - Antone's
July 11 - Baltimore, MD - WTMD First Thursday Festival
July 14 - Memphis, TN - Levitt Shell
July 16 - Davenport, IA - Raccoon Motel #
July 17 - Minneapolis, MN - 7th St. Entry #
July 18 - Spring Green, WI - Shitty Bar #
July 19 - Evanston, IL - SPACE #
July 20 - Detroit, MI - El Club #
July 21 - Milwaukee, WI - Backroom at Colectivo Coffee
July 23 - Kansas City, MO - RecordBar
July 25 - Denver, CO - Globe Hall
July 27 - Park City, UT - Canyons Resort
Sept. 24 - Milwaukee, WI - Turner Hall Ballroom @
Sept. 25 - Minneapolis, MN - Varsity @
Sept. 26 - Chicago, IL - Talia Hall @
Oct. 5 - Evansville, IN - Garvin Park
 

*  - w/ St. Paul & The Broken Bones 
# - w/ Black Pumas
- w/ Lukas Nelson

With a prolific career spanning 23 studio records and numerous live recordings, Keller Williams has announced the release of his new album, Add, on May 31. The follow up to his 2018 entirely instrumental release, SANS, Add sees Williams now adding vocals back into both new and previously unrecorded songs, as well as his own versions of “Brave Captain” by Firehose and Joni Mitchell’s “All I Want”. Of the first single titled “The Big One” Williams says, “I’m excited for ‘The Big One’ to see the light of day, as it’s had tons of stage time and no real place on any of my last few releases.” Listen to the track HERE.

Continuously evolving as an artist over the last two decades, Add showcases Williams’ masterful penchant for innovation and his impressive level of musicianship. Performing on vocals, acoustic and bass guitars, keys, percussion and upright bass, Williams has also injected the record with various drum samples and deep vocal bass effects to create a truly unique sound. Add was co-produced, recorded and mixed by Jeff Covert in Fredericksburg, Virginia, and will be released both digitally and on vinyl, with a very limited amount of CDs also available for purchase. To pre-order click HERE and to find more information visit HERE.

Keller Williams has established himself as a creative visionary, with his unpredictable live performances and ability to seamlessly transition between genres garnering a large and loyal cult following, as well as praise from press including Billboard, Entertainment Weekly, Relix, Acoustic Guitar and more. Keller Williams will bring this new music on the road for an extensive run of shows in 2019, including a string of festivals this summer. Following performances at Summer Camp Music Festival, Del Fest and Revival Music Festival, Williams will play alongside some of his various side projects at Keller In The Caverns, his very first 3-day underground event which is set to take place on June 21-23 at The Caverns in Pelham, Tennessee. See a full list of dates below.

Keller Williams 2019 Tour Dates

May 16 – Annapolis, MD – Rams Head On Stage 
May 17 – Chesterfield, MO – River City Bluegrass Festival^
May 18 – Kansas City, MO – Bluegrass In The Bottoms^
May 24 – Chilicothe, IL - Summer Camp Music Festival*
May 25 – Cumberland, MD – Del Fest*
May 26 – Ellendale, MN – Revival Music Festival
May 30-31 – Port Chester, NY – Garcia’s
June 1 – Ardmore, PA – Ardmore Music Hall
June 2 – Ozark, AR – Backwoods Festival
June 7 – Maui, HI – McCoy Studio Theater
June 8 – Kilauea, HI – Porter Pavilion
June 9 – Honolulu, HI – Blue Note Hawaii
June 21-23 – Pelham, TN – Keller In The Caverns*#%
June 28 – San Rafael, CA – Terrapin Crossroads
July 12 – Covington, KY – Paradise Music Festival
July 13 – Toledo, OH – Civic Music Hall
July 20 – Morrison, CO – Red Rocks Amphitheatre
July 21 – Huntsville, UT – Blues, Brews & BBQ
July 24 – Floyd, VA – Floyd Fest^
Aug 1 – Seattle, WA – The Triple Door
Aug 2 – Ninilchik, AK – Salmonfest
Aug 10-11 – Duck, NC – Tap Shack
Aug 16 – Kimberly, WI – 1st Annual Sol Dance
Aug17 – Wesllston, MI – Hoeyville Music Festival ~
Aug 25 – Arrington, VA – Lockn’ %
Sep 13 – Charlotte, NC – Sounds of Summer ~
Sep 14 – Lexington, VA – Lime Kiln ~
Sep 19 – Slippery Rock, PA – Resonance Music & Arts Festival
Sep 22 – Knox Farm State Park, NY – Borderland Festival ^
Sep 26 – Waterville, ME – Waterville Opera House
Sep 27 – Brownfield, ME – Stone Mountain Arts Center
Sep 28 – Derry, NH – Tupelo Music Hall

* - PettyGrass featuring The Hillbenders
# - More Than A Little
^ - Grateful Grass ft. The Infamous Stringdusters
% - Grateful Gospel
~ - Keller & The Keels

Hiss Golden Messenger has announced an extensive coast-to-coast fall tour. The acclaimed North Carolina band, led by the profound songwriting and vocals of M.C. Taylor, will set out on September 24th in Greenville, South Carolina before crisscrossing the US, and parts of Canada.

The group will be making stops in large and medium markets including Los Angeles, New Orleans, Dallas, San Diego, Nashville, Chicago, Toronto, New York, Boston and Philadelphia. Hiss Golden Messenger will set up for multiple nights in Seattle and Denver in October (see full list below).

Critically acclaimed husband and wife duo Over the Rhine will perform at e-Town Hall on July 7 in support of their latest album Love & Revelation  (released March 15). Celebrating 30 years of making music together, the duo’s first album in four years finds them in a deeply reflective place, contemplating both personal loss and the wavering of America’s collective compass. The record explores the many forms of grief and how we process it, but as with much of Over The Rhine’s body of work, there is a deep undercurrent of hope. The Associated Press says, “'Love & Revelation' is a subdued but lovely celebration...the topics are often sad and the tempos mostly slow, all the better to showcase Bergquist’s warm, wise, honest alto. She sounds better than ever.” You can listen to the album in its entirety via Rolling Stone Country here. 

Linford Detweiler and Karin Bergquist (aka Over The Rhine) have a long established reputation for delivering genuine, heartfelt stories of the human condition. The pair's thoughtful, incisive lyrics are often inspired by a certain time and place, illustrating life’s major moments, from suffering to celebration, while also creating a personal connection that feels innately human. Featuring deeply rich textures, intricate arrangements and Bergquist’s warm, evocative vocals, Love & Revelation reflects the last four years. The resulting soulful collection of songs showcases the pair's timeless craft and understated, yet powerful sound that continues to resonate.  Hear their new song "Los Lunas" via American Songwriter here. 

Over The Rhine's ability to connect on such a personal level has established a loyal following and garnered widespread critical acclaim from press including NPR Music, The New York Times, Huffington Post, American Songwriter and more (view highlights). Following a run of shows this spring, Over The Rhine will host their fourth annual Nowhere Else Festival over Memorial Day Weekend on their farm in rural Ohio. Featuring a variety of artists, writers and filmmakers, the “musical family reunion" acts as an extension of the community they have established, with over 1,000 fans and friends coming together for a weekend of music, art and conversation. (View More Info Here)

The Steel Woods’ sophomore Thirty Tigers album, Old News, represents a creative leap for the southern roots rock songwriting team of Alabama native Wes Bayliss and his North Carolina partner Jason “Rowdy” Cope, who completed their first recordings barely months after they first met.

Recorded in Asheville, NC at Echo Mountain Studios, the site of an old church during a six-day break in a hectic touring schedule, the new double-vinyl disc (the follow-up to 2017’s critically acclaimed Straw in the Wind) features more original songs and, for the first time, the whole band participated – including the rhythm section of bassist Johnny Stanton and drummer Jay Tooke– playing in a single room, cutting the tracks virtually live.

“We really hone in on what we do, our strengths as a band, establishing a musical identity,” explains Wes about their latest effort. “The first album, we were still figuring out our sound, so what came out, came out. This time, we had a premeditated blueprint, a real plan.”

The songwriting partnership between Bayliss and Cope continues to grow, mature and blossom. “Over time, you find out a person’s strengths and weaknesses, and it just happened to turn out his strengths are my weaknesses, and vice versa.”

Part Lynyrd Skynyrd, Allman Brothers, dual-guitar southern blues-rock with elements of R&B, country, bluegrass, gospel, blues, folk and metal, the descriptively named, Nashville-based band deepens its resolve on a theme-driven album that joins the mystery train of the past with the full- speed loco-motion of the present, seeking to bring people together with the universality of music.

Conceptually and musically, Old News delivers a set of songs at once eternal with lyrics wrenched from today’s headlines, featuring mythic reverberations and social critiques to boot. The album mourns an idealized past but isn’t afraid to point the way to a better future that enlists the best of both worlds.

Like The Steel Woods’ previous release, death and mortality make their chilling presence felt, whether it’s in the collection’s cemetery-placed set piece, “Rock That Says My Name,” whose theme is classic Shelley – “Ozymandias, look upon ye works and despair” – or the vintage bluegrass country of “Anna Lee,” the culmination of a murder trilogy begun with “Della Jane’s Heart” on the last album and ending with the Neil Young/Crazy Horse-ish instrumental, “Red River (The Fall of Jimmy Sutherland).” That preoccupation spills over into an idiosyncratic cover of Townes Van Zandt’s “The Catfish Song,” and a special four-song epilogue that includes faithful tributes to artists who have passed away - Tom Petty (“Southern Accent”), Merle Haggard (the prescient “Are The Good Times Really Over”), Gregg Allman (“Whipping Post” as funeral dirge) and Alabama singer/songwriter Wayne Mills (the meditation on mortality, “One of These Days”). Just as on Straw in the Wind, there’s a Black Sabbath cover, this time a take on “Changes” that transforms the song into a smooth Memphis-style Al Green soul croon, a nod to the cover by the late Charles Bradley.

“Death is a part of life that gets looked over,” says Wes. “It can be a positive or a negative, consequence or reward… It just finds its way into a lot of our writing.”

The album’s title track – which inspired the mock old-fashioned newspaper album cover representing each of the songs with a tintype illustration – is an example of the timeliness and timelessness of Old News, a song of hope that focuses on what connects us. “And pray for Miss Liberty,” sings Wes. “And the crack in Her bell/There’s a tear in Her eye/But Her arm hasn’t fell.”

“We wanted to write a song of hope,” says Bayliss, who notes his wife gave him a hard time about the grammatically incorrect use of “fell.” “Forget about those small things which divide us. This is about the things we all have in common. We’re all here living and working, trying to get by, raising families. We all just want to live and die free.”

In a world torn apart by differences, Old News invites us to partake of music as a common language, reinvigorating classic tropes with up-do-date relevance. The rowdy guitar blues of “Blind Lover” envisions a world where we trust our hearts without judgement, while “Compared to a Soul” offers another of The Steel Woods’ penchant for moral fables, this one a pair of Faustian bargains with the devil, one a man who shoots a friend for cheating at cards, the other a Jezebel stepping out on her Marine lover.

The opener, “All of These Years,” offers a ZZ Top-like guitar riff from an unrecorded song, “Shooting Scar,” while “Without You” offers tough love to a friend “in a bad place,” but in a last- minute narrative twist, turns out to be confronting his own reflection in a shattered mirror.

“This wasn’t an easy record to make,” acknowledges Bayliss about the blood on some of these Old News tracks.

“Rock That Says My Name” is arguably the album’s raison d’etre, a sprawling multi-part epic that recalls such forebears as Buffalo Springfield’s Jack Nitzsche-produced “Expecting to Fly,” confronting our own lives in the rear-view mirror. The song ends with Wes’ grandfather solemnly intoning the words of Matthew 6:19-21 from the King James Bible, a benediction that leads into the four-song “Obituaries” tribute that ends the album. The song was inspired by Wes reading an article about someone purchasing a tombstone in advance.

“What better way to drive yourself to live well than looking at your legacy, what you leave behind when you’re gone,” says Wes. “Just a rock with your name, when you were born and the day you died.”

“We’re going to tour this record and do everything in our power to do it justice and get it out to our fans,” says Bayliss. With Old News, The Steel Woods continue to build on the independent- minded approach to recording, touring and connecting to fans which has defined their career from the star.

Critically acclaimed singer-songwriter Marc Cohn and gospel titans Blind Boys of Alabama have announced the August 9th release of Work to Do, via BMG. Produced by John Leventhal, the unique collection combines the songwriting talents of Marc Cohn with the soul-stirring harmonies of Blind Boys of Alabama and falls on the heels of more than a year of live collaborative dates.

Work to Do is comprised of three studio tracks by Cohn and the Blind Boys (two originals, including the title track, and a version of the gospel standard “Walk In Jerusalem”) plus seven intimate live performances recorded at the Katharine Hepburn Cultural Arts Center in Old Saybrook, CT, during a taping of the PBS series The Kate.  Original plans were to release an EP containing the studio tracks, but the excitement and magic captured during the taping inspired the decision to create this unique hybrid album. 

John Loeffler, EVP, Repertoire & Marketing, New York, said, “The signing of Marc Cohn and the Blind Boys of Alabama is an exciting opportunity for BMG. Marc has been an admired friend, composer and world class vocalist for over 25 years. From our early days of singing on jingles together, I have watched Marc become one of the most respected singer/songwriters on the music scene today.  We have wanted to work with Marc for some time, and this recording opportunity with the Blind Boys is a perfect way to bring Marc’s songs and their amazing vocals to the public. The album, 'Work to Do', is already one of our favorites and we’re confident it will become a favorite of his many fans.”

The live performances on Work to Do feature the Grammy award-winning Blind Boys of Alabama adding their trademark harmonies and vocal textures to six songs drawn from the breadth of Cohn’s venerable career, including the mega-hit “Walking in Memphis,” “Ghost Train” and “Silver Thunderbird”.  The Blind Boys’ striking rearrangement of the traditional hymn “Amazing Grace,” to the tune of “House of the Rising Sun,” completes the collection. 

Grammy award-winning artist Marc Cohn has solidified his place as a highly acclaimed and compelling singer-songwriter, combining the precision of a brilliant tunesmith with the passion of a great soul man. 

Hailed as "gospel titans" by Rolling Stone, the Blind Boys first rose to fame in the segregated south with their thrilling vocal harmonies and roof-raising live show. They released their debut single on the iconic Veejay label in 1948, launching a 70-year recording career that would see them rack up five Grammy Awards (plus one for Lifetime Achievement), enter the Gospel Music Hall of Fame, collaborate with everyone from Mavis Staples and Stevie Wonder to Prince and Lou Reed, and perform on the world's most prestigious stages.

Marc Cohn and Blind Boys of Alabama have announced a string of summer tour dates in support of Work to Do beginning in June. This rare combination of the incredible soul of Marc Cohn mixed with the inspirational vocal harmonies of Blind Boys of Alabama is a moment not to be missed. 

Blind Boys of Alabama/Marc Cohn 2019 Tour Dates

June 7 –  East Providence, RI – Bold Point Park *^
June 8 –  Cohasset, MA – South Shore Music Circus *
June 9 – Hampton Beach, NH – Hampton Beach Casino Ballroom *^
June 11 – Huntington, NY – The Paramount *^
June 13 – Wilkes Barre, PA – F.M. Kirby Center for the Performing Arts *^
June 14 – Staten Island, NY – St. George Theatre *
June 15 – Atlantic City, NJ – Harrah’s Atlantic City *^
June 17 – Lancaster, PA – American Music Theatre *^
June 18 – Cleveland Heights, OH – Cain Park *^
June 19 – Huber Heights, OH – Rose Music Center at The Heights *^
June 21 – Rock Hill, SC – Old Town Amphitheater *^
June 22 – Peachtree City, GA – Frederick Brown Jr Amphitheater *^
June 25 – Rochester, NY – Rochester International Jazz Festival
August 12 – Boulder, CO – Chautauqua Auditorium #
August 13 – Park City, UT – Eccles Performing Arts Center #
August 15 – Seattle, WA – Woodland Park Zoo #
August 16 – Portland, OR – Oregon Zoo #
August 17 – Jacksonville, OR – Britt Festival Pavilion #
August 20 – Saratoga, CA – Mountain Winery #

*  - co bill with Robert Cray
^ - with special guest appearance/opener Shemekia Copeland
#  - co bill with Taj Mahal

On July 12th, Round Records will release the two-disc set GarciaLive Volume 11, November 11th, 1993, Providence Civic Center, recorded in Providence, Rhode Island on what would be their final East Coast tour. The tour featured the band’s most acclaimed line up with Garcia (guitar/vocals), Melvin Seals (keyboards), John Kahn (bass), David Kemper (drums), Gloria Jones (backing vocals) and Jacklyn LaBranch (backing vocals).

Located between Boston and New York City, where the Grateful Dead packed legendary arenas such as The Boston Garden and Madison Square Garden with epic multi-night runs for decades, Providence held a special place with the Dead, and The Jerry Garcia Band, as they seemed to perform at a consistently high level each time. From 1971 – 1987, the Grateful Dead played 20 shows there, 19 of them at the Providence Civic Center. Following 1987, the group’s commercial success created unexpected challenges that made it difficult to return to the small New England city again. While they didn’t experience the same challenges, The Jerry Garcia Band didn’t play the city again until 1991, when they returned for their biggest arena tour to date.

The success of the 1991 show set the stage for the highly-anticipated 1993 return. Recorded on 11/11, this 11th volume in the acclaimed GarciaLive archival series does not disappoint. Kicking things off with two signature Garcia/Hunter JGB classics “Cats Under The Stars” and “Mission In The Rain”, the group set the tone for what would be a stellar set, with a few surprises. In 1991, The Jerry Garcia band introduced Norton Buffalo’s soulful “Ain’t No Bread In The Breadbox” into the repertoire and they broke out a highly-spirited version on this night. The second set opens with a jubilant rendition of “The Way You Do The Things You Do” followed by the rarely performed Van Morrison song “He Ain’t Give You None” which appeared on Morrison’s debut album in 1967. The Beatles’ “Dear Prudence” receives a shorter Jerry Garcia Band treatment before rolling seamlessly into Smokey Robinson’s “When The Hunter Gets Captured By The Game”, made famous by The Marvelettes in 1967. The JGB only performed the song 13 times in two plus decades. The epic, 13-minute rendition of  “Don’t Let Go” sees the group take the song to the stratosphere for a while before returning for a smooth landing to close the second set. The encore features an electrified bluegrass version of Peter Rowan’s “Midnight Moonlight”, which Garcia originally played with Rowan as part of the highly influential bluegrass ensemble Old & In The Way on their self-titled 1975 album.

While no one knew this would be Jerry Garcia’s last performance in Providence, there is a poetic beauty that the last song he played there would be a song inspired by the folk and bluegrass foundation from which he began his career in the early 1960’s. Looking back, it seems that everything came full circle.

GarciaLive Volume 11  - Track Listing

Disc I / Set I

1. “Cats Under The Stars” (Jerry Garcia/Robert Hunter)

2. “Mission In The Rain” (Jerry Garcia/Robert Hunter)

3. “That’s What Love Will Make You Do” (Henderson Thigpen/James Banks/Eddy Marion)

4. “Simple Twist Of Fate” (Bob Dylan)

5. “Ain’t No Bread In The Breadbox” (Norton Buffalo)

6. “My Sisters And Brothers” (Charles Johnson)

7. “Deal” (Jerry Garcia/Robert Hunter)

Disc II / Set II

1. “The Way You Do The Things You Do” (William Robinson Jr./Robert Rogers)

2. “He Ain’t Give You None” (Van Morrison)

3. “Dear Prudence” (John Lennon/Paul McCartney)

4. “When The Hunter Gets Captured By The Game” (W. Robinson)

5. “Don’t Let Go” (Jesse Stone)

6. “Midnight Moonlight” (Peter Rowan)

Widespread Panic announces the ninth edition of their beloved concert vacation, Panic en la Playa, an all-inclusive destination event on the Caribbean coastline. Returning to Riviera Maya, Mexico from January 24 -28, 2020, Panic en la Playa Nueve features four nights of music by Widespread Panic.

Widespread Panic will perform each of the four nights creating another unforgettable experience for Panic’s devoted fanbase. Panic en la Playa Nueve also features afternoon and late night shows from top notch acts Marcus King Band, Big Something, Andy Frasco & The U.N., Jerry Joseph, and the Playa Allstars, a unique super-group of talented musicians curated specially for the event. The 2020 Allstars include Eric Krasno, George Porter Jr., Ivan Neville, Jennifer Hartswick, Cyril Neville, Terence Higgins, and Cheme Gastelum.

As always, the highly regarded concert vacation is matched with extras that go beyond the music, bringing artists and fans together in a Caribbean paradise. All concerts, activities, meals, beverages, alcohol, and room service are included in the event package price. Activities range from artist-led workshops, poolside games, daily yoga, and theme nights. Guests also have the opportunity to venture off-site and explore the culturally rich Riviera Maya region from Cancun to Tulum. Whether fans want to relax by the pool, test their poker face, or tour the area, there is no shortage of entertainment at Panic en la Playa.

Panic en la Playa Nueve returns to the Hard Rock Hotel Riviera Maya, a distinguished all-inclusive resort between Playa del Carmen and Tulum. Guests can choose from a wide array of room categories from Stagefront, Concert Courtyard, and Oceanfront suites, all within walking distance of the stages and event happenings. The renowned Concert Courtyard is the Main Stage for four Widespread Panic shows. Guests can expect first-rate production, unmatched acoustics, and a spacious dance floor during this intimate concert vacation. With specialty-curated food and wait service throughout the crowd, fans can enjoy the show and refreshments without ever having to lose their prime vantage point.

Panic en la Playa continues its partnership with charitable organization, Positive Legacy, who’s mission is to encourage artists and fans to participate in a day of service and cultural connection in the local community as a way of giving back. In addition to the day of service project, the event will feature its annual auction and donation drive. All proceeds from the auction go towards ongoing environmental and humanitarian projects in the region.

Panic en la Playa is brought to you by Cloud 9 Adventures. Cloud 9 Adventures is the premier provider of international concert vacations at all-inclusive resorts and on luxurious cruise ships, bringing bands and fans together in intimate settings, creating unforgettable memories & life-changing experiences since 2003. In addition to Panic en la Playa, Cloud 9 Adventures’ portfolio includes The Avett Brothers At The Beach, Brandi Carlile’s Girls Just Wanna Weekend, Strings & Sol, Closer to the Sun, My Morning Jacket One Big Holiday, Holidaze, Zac Brown Band’s Castaway with Southern Ground, Jam Cruise, and Holy Ship!

Rejuvenated artist collective Trigger Hippy is back with their first album in five years, Full Circle And Then Some, releasing October 11th via Turkey Grass Records/Thirty Tigers. Led by Black Crowes co-founder/drummer Steve Gorman and bassist/vocalist Nick Govrik, Trigger Hippy, version 2.0, now features Band Of Heathens vocalist/multi-instrumentalist Ed Jurdi and powerhouse vocalist/saxophonist Amber Woodhouse as they write the next chapter.

Full Circle And Then Some is the long-awaited follow up to the group’s 2014 self-titled debut, which American Songwriter gave four-stars calling it, “…one of this year’s finest Southern soul-rock releases.” Following the album cycle and ensuing tour, former bandmembers Joan Osborne and Jackie Greene returned to their established solo careers. Govrik, the band’s main songwriter, continued to write and play while also becoming a successful restauranteur. The multi-talented Gorman continued to play music while hosting his Fox Sports Radio show “Steve Gorman Sports!” (which ran for eight years) and finishing his book Hard to Handle: The Life And Death Of The Black Crowes, out this fall.

Govrik and Gorman always planned to keep Trigger Hippy going, but it wasn’t until they connected with Jurdi and newcomer Woodhouse, that everything clicked. Full Circle And Then Some finds the band building on a foundation steeped in music that grew out of the South. The unit infuses high energy doses of R&B, funk, blues, rock and gospel with a little Memphis soul and New Orleans boogie tossed into the mix. The result is both captivating and exhilarating.

Trigger Hippy flex their muscle right out of the gate on Full Circle And Then Some with the rousing “Don’t Want To Bring You Down”, featuring a lead by all three vocalists and a highly spirited refrain. The group’s eclectic sound ranges from the country soul infused “Strung Out On The Pain” to the hypnotic dance rhythm of ‘”Born To Be Blue” to Lowell George / Dr. John / Allen Toussaint stylings on  “Lost Lost Friend” and “One of Them”. Special guests on Full Circle And Then Some include harmonica virtuoso Mickey Raphael, and guitarist/mandolin player Guthrie Trapp.

With all of these styles melded into one, some might find Trigger Hippy difficult to categorize. We may need to recall a time way back, when all these influences would come together in a group and they were actually referred to as… A Rock ‘n’ Roll Band!

Critically acclaimed artists Marc Cohn and Blind Boys of Alabama have unveiled the spectacular and moving track “Work To Do” via Billboard. The Cohn original is the title track from an upcoming collaborative album from the two artists, which will be released on August 9th via BMG. Click HERE to read a Q & A with Marc Cohn and listen to the song. Produced by John Leventhal, this unique collection combines the extraordinary songwriting talents of Marc Cohn with the deep harmonies of the Blind Boys of Alabama.

The Work To Do album is comprised of a combination of three studio tracks plus seven live performances which were recorded at the Katharine Hepburn Cultural Arts Center in Old Saybrook, CT during a taping of the PBS series The Kate. The stunning live performances on Work To Do feature each artist performing a track on their own, and the Blind Boys adding their signature and soulful vocal textures to material drawn from Marc Cohn’s impressive career, including the mega-hit “Walking in Memphis”. Fans can pre-order the album HERE, and for a full track listing see below.

Marc Cohn and Blind Boys of Alabama are currently on tour together in support of their upcoming album.  This rare collaboration of songwriting, soul and charisma is a summer show not to be missed. 

Track Listing:

1. Walk In Jerusalem
2. Talk Back Mic
3. Work To Do
4. Ghost Train
5. Baby King
6. Listening To Levon 
7. Silver Thunderbird
8. Amazing Grace 
9. Walking In Memphis
10. One Safe Place 

Marc Cohn & Blind Boys of Alabama 2019 Tour Dates:

August 12 – Boulder, CO – Chautauqua Auditorium #
August 13 – Park City, UT – Eccles Performing Arts Center #
August 15 – Seattle, WA – Woodland Park Zoo #
August 16 – Portland, OR – Oregon Zoo #
August 17 – Jacksonville, OR – Britt Festival Pavilion #
August 20 – Saratoga, CA – Mountain Winery #

# - co bill with Taj Mahal

Genre hopping multi-instrumentalist/vocalist Keller Williams has announced an extensive U.S tour this fall. Kicking off on September 13, the run of dates will include performances in New Orleans, Asbury Park, Portland, OR, Boston and more (see a full list of tour dates below).

To round out his fall tour, Williams will bring his annual Thanksforgrassgiving holiday celebration West to The Ogden Theater in Denver on November 23, with its East Coast counterpart to be announced soon. Opening this special event will be Love Canon, followed by a set with his Keller & The Keels project. Williams will then be joined on stage for a headlining performance with his Grateful Grass Ensemble, featuring Keith Moseley (String Cheese Incident), Andy Thorn (Leftover Salmon), Jay Starling (Love Canon), Andy Thacker (Love Canon) and Zeb Bowles (Hot Buttered Rum).

Keller Williams’ dynamic and unpredictable live performances, along with his ability to seamlessly transition between genres, has earned him a large and loyal cult following as well as praise from press, including Billboard, Entertainment Weekly, Relix, Acoustic Guitar and more. Williams has proven his reputation as an artistic force, showcasing his masterful penchant for collaboration and innovation across a prolific career that has now spanned 24 studio albums and multiple creative projects. Following the release of his instrumental album SANS in 2018 and his most recent album Add (out May 31), Williams is excited to release his 25th studio album, due in the fall of 2019. Stay tuned for more. 

Keller Williams 2019 Fall Tour Dates

September 13 - Charlotte, NC - Sounds of Summer *
September 14 - Lexington, VA  - Lime Kiln Theater *
September 19-21 - Slippery Rock, PA - Resonance Music & Arts Festival
September 22 - East Aurora, NY - Borderland Music and Arts Festival ^
September 26 - Waterville, ME - Waterville Opera House
September 27 - Brownfield, ME - Stone Mountain Arts Center
September 28 – Derry, NH - Tupelo Music Hall
October 11 - Eureka Springs, AR - Hillberry “The Harvest Moon Festival” *
October 12 - Live Oak, FL - Sewanee Roots Festival * 
October 17 - Columbus, OH - Woodlands Tavern
October 24 - Albany, NY - Skyloft
October 25 - Syracuse, NY - Westcott Theater
October 26 - Holyoke, MA - Gateway City Arts
November 1 - New Orleans, LA - Tipitina’s *
November 2 - Asbury Park, NJ - The Stone Pony
November 7 - Edmonds, WA - Edmonds Center for the Arts #
November 8 - Bremerton, WA - Admiral Theatre #
November 9 - Portland, OR - Wonder Ballroom #
November 10 - Bend, OR - Tower Theatre #
November 15 - South Burlington, VT - Higher Ground Ballroom
November 16 - Boston, MA - Paradise Rock Club
November 22 - Santa Fe, NM - Meow Wolf
November 23 – Denver, CO - The Ogden Theater @
December 5 - Brevard, NC - 185 King Street
December 6 - Carrboro, NC - The Arts Center
December 27 - Savannah, GA - Southbound Brewing
December 28 - Atlanta, GA - Terminal West

* with Keller & The Keels
^ with Grateful Grass ft. The Infamous Stringdusters and Oteil Burbridge 
# featuring Keller Williams’ Pettygrass
@ with Grateful Grass, Keller & The Keels, Love Canon

This year, to honor Jerry Garcia on his Aug. 1 birthday, the Jerry Garcia Foundation is happy to announce that it has partnered with Seven Seas Music to produce its first musical release, “Annapurna’s Song, Music of the Himalayas,” a compilation of music from the Himalayan region consisting of 12 recorded tracks. “Annapurna’s Song, Music of the Himalayas” is planned for release on Sept. 28, 2019 and will be available through regular digital platforms. 

The compilation will include “Clouds,” a tune featuring Jerry Garcia on guitar. “Clouds” was composed by Indian musician Sanjay Mishra, and recorded in 1995 at the Grateful Dead’s Club Front studio in San Rafael, CA. The song was originally released on Mishra’s “Blue Incantation” album. 

All proceeds from the upcoming release will benefit the American Himalayan Foundation.

Jerry’s family members, his daughter, Keelin Garcia, and wife, Manasha Garcia, are working to produce the project with Brooke Wentz, founder and CEO of Seven Seas Music, an international music catalogue. Brooke received a Billboard Award in 1994 for producing the best International album of the decade: Global Meditation - Authentic Music from Meditative Traditions of the World.

The American Himalayan Foundation was founded in 1981 by a small group of climbers who were originally drawn to Nepal for its mountains and have continued to return to the region, inspired by their love for the people. Their organization helps create a positive impact on the education, health and opportunity for the Himalayan people.

“Love and compassion are necessities, not luxuries. Without them, humanity cannot survive.” — His Holiness, the Dalai Lama

“The American Himalayan Foundation is honored to be the recipient of proceeds from ‘Annapurna’s Song, Music of the Himalayas’ and we would like to thank the Jerry Garcia Foundation and Seven Seas Music for their support,” said Norbu Tenzing, Vice President of the American Himalayan Foundation.

The album title was inspired by a mountain located in Nepal named Annapurna . The name is derived from Sanskrit meaning “the giver of food and nourishment.” Anna (अन्न) means “food” or “grains” and pūrṇa (पूर्ण) means “full, complete and perfect.” Many streams flowing from the slopes of the Annapurna Massif provide water for the farms and pastures located at lower altitudes.

Seven Seas Music
Seven Seas Music Inc. is a streaming and licensing platform that supports creative professionals seeking quality international music for their media projects. Its website provides custom search tools and other unique features that make discovery and licensing of distant talent fast, easy and streamlined. Funds collected from licenses go back to the artists in their respective countries.  Seven Seas Music empowers both sides, producers and artists, to provide delivery of memorable audio-visual experiences to audiences.
For more information, please visit www.sevenseasmusic.com.

American Himalayan Foundation
The American Himalayan Foundation brings shelter, safety, education, health and opportunity to people across the Himalaya. AHF takes care of people in the Himalaya who are in need and have no one else. How? By opening doors to education and health care; by building stronger communities and developing lasting, trusting partnerships; by working in a way that respects both tradition and innovation; and by giving people opportunity and hope so they can look to the future.
For additional information, please visit www.himalayan-foundation.org.

Jerry Garcia Foundation
The Jerry Garcia Foundation, a 501(c)(3) nonprofit organization, supports meaningful causes through the beauty of art and music. The foundation was established in 2015 as an expression of gratitude by family members, Manasha and Keelin Garcia, in honor of musician, artist and visionary Jerry Garcia.
For additional information, please visit www.jerrygarciafoundation.org.

Keller Williams has announced the release of his 25th studio album, SPEED, which is due out on November 22nd. The new record features Williams with his Bluegrass outfit, Keller & The Keels, as they reinterpret popular songs by celebrated artists including The Doors, Kacey Musgraves, Fiona Apple, Weezer and more. 

Known for their unique musical approach, Keller & The Keels sees Williams on vocals, joined by progressive flatpicker Larry Keel and bassist Jenny Keel. SPEED is the trio’s third collaboration together – following their 2006 release GRASS and 2012's all-covers album THIEF – and features a combination of originals and covers including Fiona Apple’s “Criminal”, Kacey Musgraves’ “Slow Burn” and Weezer’s “Island In The Sun”, performed in their trademark psychedelic Appalachian bluegrass style. Of the record Williams says, “This project is nothing but fun. At least for us. When we first started playing together, we vowed not to gig too much, so it will be special every time we would pick. This record documents this theory perfectly. One of Larry’s, one of mine and a bunch of covers that chose me. Long live the Keels.” All album pre-orders made via Keller’s online store HERE will be entered into a pre-order contest (details to be announced soon). 

Williams recently announced an extensive Fall tour, which includes solo shows and dates with other ensembles. The tour kicks off on September 13th in Charlotte, North Carolina. Keller & The Keels will celebrate the release of SPEED during Williams’ annual Thanksforgrassgiving holiday celebrations, which begin out West at The Ogden Theatre in Denver on November 23, before heading East for two performances in Richmond, VA, and Washington, D.C. He’ll then reconnect with The Keels, as well as his Grateful Grass ensemble featuring The Hillbenders, for two New Year’s Eve shows at Old Rock House in St. Louis. (See a full list of tour dates below). 

Keller Williams’ dynamic and unpredictable live performances, along with his ability to seamlessly transition between genres, has earned him a loyal cult following as well as praise from press, including Billboard, Entertainment Weekly, Relix, Acoustic Guitar and more. Williams has upheld his reputation as an artistic force, building a prolific career which spans 24 albums and multiple creative endeavors. After the release of his instrumental album SANS in 2018 and his most recent record Add (out May 31st), SPEED once again showcases Williams’ masterful penchant for collaboration and innovation and proves he’s not planning to slow down any time soon. 

Keller Williams 2019 Fall Tour Dates

September 13 – Charlotte, NC – Sounds of Summer * 
September 14 – Lexington VA  – Lime Kiln Theater *
September 19-21 – Slippery Rock, PA – Resonance Music & Arts Festival 
September 22 – East Aurora, NY – Borderland Music and Arts Festival ^
September 26 – Waterville, ME – Waterville Opera House
September 27 – Brownfield, ME – Stone Mountain Arts Center
September 28 – Derry, NH – Tupelo Music Hall
October 11 – Eureka Springs, AR – Hillberry “The Harvest Moon Festival” *
October 12 – Live Oak, FL – Suwannee Roots Revival * 
October 17 – Columbus, OH – Woodlands Tavern
October 18 – Detroit, MI – St. Andrew’s Hall
October 19 – Grand Rapids, MI – The Intersection
October 24 – Albany, NY – Skyloft
October 25 – Syracuse, NY – Westcott Theater
October 26 – Holyoke, MA – Gateway City Arts
November 1 – New Orleans, LA – Tipitina’s *
November 2 – Asbury Park, NJ – The Stone Pony
November 7 – Edmonds, WA – Edmonds Center for the Arts #
November 8 – Bremerton, WA – Admiral Theatre #
November 9 – Portland, OR – Wonder Ballroom #
November 10 – Bend, OR – Tower Theatre #
November 14 – Pawtucket, RI – The Met 
November 15 – South Burlington, VT – Higher Ground Ballroom
November 16 – Boston, MA – Paradise Rock Club
November 22 – Santa Fe, NM – Meow Wolf
November 23 – Denver, CO – The Ogden Theatre @
November 29 – Richmond, VA – The National ~
November 30 – Washington, DC – The Hamilton ~
December 5 – Brevard, NC – 185 King Street
December 6 – Carrboro, NC – The Arts Center
December 27 – Savannah, GA – Southbound Brewing
December 28 – Atlanta, GA – Terminal West
December 30 – St Louis, MO – Old Rock House *
December 31 – St Louis, MO – Old Rock House %

* with Keller & The Keels
^ with Grateful Grass ft. The Infamous Stringdusters and Oteil Burbridge 
# featuring Keller Williams’ Pettygrass
@ with Grateful Grass, Keller & The Keels, Love Canon
% with Grateful Grass ft. The Hillbenders
~ with Keller & The Keels, Lindsay Lou

Red Tail, the compelling new album from acclaimed singer and songwriter Dave Simonett, is set for release on March 13th via Thirty Tigers. Simonett, who has spent almost two decades as the lead singer, guitar player and songwriter for the widely popular and beloved roots band, Trampled By Turtles, boldly steps forward with a shining collection of new solo material for the first time under his own name.

While Trampled By Turtles are known and loved for their frenetic and charismatic live performances, what has connected the band so deeply with their large and fiercely loyal fanbase are Simonett’s songwriting and emotive vocals. Simonett has recorded and performed as a solo artist under the Dead Man Winter moniker, releasing two albums.  The latest was 2017’s deeply personal and revealing Furnace, which garnered critical acclaim and a late-night performance on CONAN. (Click HERE). Furnace helped establish to many the depth of Simonett’s songwriting outside of those already in the know.

Red Tail is a carefully curated collection of eight brilliant Simonett originals. He went into the studio not knowing if the recordings would become an album or just demos, making the entire process feel surprisingly relaxed and casual. The lightness in attitude carried over into an album that is pure and genuine, while exuding a feeling of fulfillment and happiness. Simonett’s affecting vocals and gorgeous melodies result in a work that is both intellectually stimulating and musically soothing.

While Dead Man Winter’s Furnace was a much needed cathartic experience for Simonett during a dark time, he is not connecting these songs to his own life on Red Tail as he prefers to allow listeners to develop their own interpretations. The conversational and poetic style in which Simonett writes lends itself to this perfectly, inspired by the spacious and stark Northern woods of Minnesota, where he’s from. Drawing from the outdoors, Simonett uses light, weather and imagery to paint introspective, cinematic scenes that are easy to lose yourself in.

Red Tail documents an artist who is comfortable in his own voice, and who is not afraid to make an artistic statement outside of the band he’s known and loved for leading. Simonett’s eloquent writing and warm tenor resonate across genres and will leave listeners begging for more.

Acclaimed artist/producer Jonathan Wilson has announced select spring tour dates in support of his upcoming new album Dixie Blur (BMG/Bella Union). The highly anticipated new collection will be released on March 6th and features Wilson’s most personal and fully realized work to date. See full list of dates below.

Listen HERE to the recently released  single “In Heaven Making Love”. Wilson says of the song, “I wanted to write a song about a perfect evening, something worth remembering. A song about carrying letters of rock & roll freedom all over the world.” He adds, “SO happy to share this new music with  Cousin Kenny Vaughn taking that sweet guitar break and the legend Mark O’ Connor playing that fiddle solo. I remember the moment clear as a bell.”

For Dixie Blur, the North Carolina-bred, Los Angeles-based Wilson chose to go to Nashville and work with co-producer Pat Sansone of Wilco at Cowboy Jack Clement’s legendary Sound Emporium Studio. He recorded live in the studio with a personal wish list of players that included Mark O’Connor (fiddle), Kenny Vaughan (guitar) Dennis Crouch (bass), Russ Pahl (pedal steel), Jim Hoke (harmonica, woodwinds), Jon Radford (drums), and Drew Erickson (keyboards).

The results are incredible. Just listen to the tracks “So Alive” and “Korean Tea” to get a feel for Wilson’s vision, Watch the video for “69 Corvette”, featuring in-studio footage and home movies from Wilson’s youth that feed the longing for home narrative that runs throughout Dixie Blur. 

While Jonathan Wilson may not be a name immediately recognized in mainstream pop culture, chances are that the multi-talented artist’s work has crossed your path. As a producer, Wilson has worked with artists that include  Father John Misty, Conor Oberst,  Laura Marling and  Dawes. As a musician, he has appeared on albums by artists ranging from Jackson Browne to Karen Elson to Roger Waters. Wilson was also musical director, guitarist and vocalist on Waters’ epic US+THEM tour. As a solo artist, Wilson has released Gentle Spirit (2011), Fanfare (2013) and Rare Birds (2018), where he played nearly every instrument. On top of all of that, he is even a gifted luthier. There seems to be no limitation to what this modern renaissance artist is capable of.

Dixie Blur is available for pre-order now on Digital, CD and Double 180 gram color LP in die cut gatefold jacket with silver foil, double print dust sleeves and 15-page lyric booklet. Pre-order available at JonathanWilson.lnk.to/dixieblur.

JONATHAN WILSON SPRING TOUR DATES

March 6 - Los Angeles, CA - Masonic Lodge at Hollywood Forever
March 7 - Los Angeles, CA - Masonic Lodge at Hollywood Forever
March 10 - Toronto, ON - The Great Hall
March 12 - Brooklyn, NY - Brooklyn Bowl
March 13 - Philadelphia, PA - XPN Free at Noon
March 15 - Charleston, WV - Mountain Stage
March 17 - Nashville, TN - Mercy Lounge
March 18 - Denver, CO - Bluebird

Visit SongsOfJonathanWilson.com for news and additional dates

Singer and songwriter Dave Simonett has announced Spring tour dates in support of his upcoming album Red Tail, which will be released on March 13th via Thirty Tigers. Widely known and loved as the lead singer, guitarist and songwriter for the revered roots band Trampled By Turtles, Red Tail marks the first time that Simonett has recorded a collection of solo material under his own name. Click HERE to listen to the stunning new track “In The Western Wind and The Sunrise”.

While Trampled By Turtles are recognized for their electric and mesmerizing live performances, the element that has connected so deeply with fans is Dave Simonett’s poignant songwriting and expressive vocals. Simonett has previously released two albums under the Dead Man Winter moniker as a means to share and express the other side of his songwriting and artistry. His latest, Furnace (2013) was applauded by the press including a late-night performance on CONAN.  (Click HERE).

The songs on Red Tail have a surprisingly casual feel to them and reflect the relaxed approach of the recording process. While Furnace was a cathartic writing experience and documented a heavy time in his life, the new songs on Red Tail aren’t necessarily connected to personal experiences. Hailing from Northern Minnesota originally, Simonett draws inspiration from the outdoors using light, the seasons and natural imagery to create a mood.

Simonett will be hitting the road in support of Red Tail for a run of Spring tour dates along with a full band. Whether you’re a fan of Trampled By Turtles or incredibly fresh songwriting, don’t miss this chance to hear Simonett live.

DAVE SIMONETT SPRING TOUR DATES 

March 19 – Grand Rapids, MN – Reif Center
March 26 – Chicago, IL – City Winery*
March 27 – Cincinnati, OH – Ballroom at the Taft Theatre*
March 28 – Nashville, TN – City Winery*
March 29 – Atlanta, GA – City Winery*
March 30 – Asheville, NC – The Grey Eagle*
April 1 – Washington, DC – City Winery*
April 2 – Philadelphia, PA – City Winery*
April 3 – New York, NY – City Winery*
April 4 – Providence, RI – Columbus Theatre*
April 5 – Boston, MA –City Winery*
April 16 - Boulder, CO - Bluebird Music Festival
April 17 – Denver, CO – Bluebird Theater
April 18 – Boulder, CO – Bluebird Music Festival
April 19 –Fort Collins, CO – The Armory
May 9 – St. Paul, MN – Fitzgerald Theatre+

*w/ Andrea von Kampen
+w/ bnsn rmsy

Indie phenomenon John Craigie announces his newest album Asterisk the Universe, out June 12th via Thirty Tigers. Known for his wry wit, articulate lyrics and unmatched sense of humor, the charismatic singer/songwriter employs the captivating storytelling skills he has honed through years on the road. Political but not preachy, Asterisk the Universe features Craigie’s observant, character-driven lyrics alongside an earthy mix of soul, folk and rock. The result is his most inspired work to date.

Craigie has been steadily gaining fans telling those road tales since 2009, sharing candid stories, vibrant jokes and life musings, turning each show into a collective experience. He captured this unique feel in his 2016 live album Capricorn in Retrograde…Just Kidding…Live in Portland. Venerated artists from Jack Johnson to Todd Snider have taken notice of Craigie’s work and added him to their tours. Many more jumped on the Craigie train after the release of 2017’s No Rain, No Rose, which garnered millions of Spotify streams and led to several Summer 2017 dates opening for Jack Johnson.

The first single on Asterisk the Universe is “Part Wolf,” an ironic take on current American culture, seen through Craigie’s eyes while in the UK. The song starts with “I got that American meanness,” reminding voters to utilize their fighting spirit to stand up and vote in November. Watch the fun, communal recording of the “Part Wolf” video HERE, shot during the 2019 recording of the album in Northern California. Listen to “Part Wolf” HERE, and also check out the digital B-Side, a cover of The Flaming Lips’ “Ego Tripping at the Gates of Hell.”

Album opener “Hustlin’” sets the stage for Asterisk the Universe, offering Craigie’s trademark cleverness surrounded by instrumentation that feels like a live show in an intimate club. “Don’t Ask” shines with a vocal arrangement inspired by old Motown tracks. Craigie’s smooth take on JJ Cale’s “Crazy Mama” brings the slow, sexy classic to new audiences, while “Don’t Deny” is perhaps the most jubilant song on the album, with a big piano sound rooted in harmony. “Nomads” recalls Craigie’s Catholic school days with an ode to St. Christopher, the patron saint of travelers. And “Vallecito” finds Craigie ruminating on being at the crossroads and why folks choose the decisions they do.

To record Asterisk the Universe, Craigie holed up in coastal California at the home of The Rainbow Girls and added a host of musician friends including Matt Goff [drums, Marty O’Reilly], Ben Berry [bass, Old Soul Orchestra], Jamie Coffis [keys, The Coffis Brothers], Lorenzo Loera [organ, The California Honeydrops] and Niko Daoussis [guitar, Shook Twins]. Craigie notes, “My roots are always coastal California. It was great to be so close to the ocean when recording and surrounded by such amazing local talent.”

The prolific journeyman remains on the road, with US dates booked through May. A headlining tour to support Asterisk the Universe will also be announced shortly. For a full list, see below and go to johncraigiemusic.com.

John Craigie  2020 Tour Dates

March 6 – Petaluma, CA – Mystic Theatre [sold out]
March 7 – Santa Cruz, CA – Rio Theatre [sold out]
March 11 – Tacoma, WA – McMenamins Elks Temple*
March 12 – Portland, OR – Revolution Hall*
March 13 – Eugene, OR – Sessions Music Hall*
March 14 – Grants Pass, OR – Rogue Theatre*
March 15 – Bend, OR – Domino Room*
March 26 – Park City, UT – O.P. Rockwell
March 27 – Hailey, ID – The Mint
March 28 – Boise, ID – Treefort Music Festival
March 31 – Spokane, WA – Lucky You Lounge
April 2 – Sandpoint, ID – The Heartwood Center
April 3 – Bozeman, MT – The Filling Station [two shows]
April 5 – Rapid City, SD – Hay Camp Brewing Company
April 16 – Asheville, NC – Ambrose West
April 17 – Charlotte, NC – The Evening Muse
April 18 – Carrboro, NC – Cat’s Cradle
April 19 – Vienna, VA – Jammin Java
April 23 – South Burlington, VT – Higher Ground Showcase Lounge
April 24 – Portland, ME – One Longfellow Square
April 25 – Northampton, MA – The Heartwood Center  
April 26 – Saratoga Springs, NY – Caffe Lena
April 27 – Buffalo, NY – The 9th Ward at Babeville  
April 28 – Toronto, ON – The Dakota Tavern  
April 29 – Toronto, ON – The Dakota Tavern  
May 23 – Grass Valley, CA – Strawberry Music Festival  
May 24 – Port Angeles, WA – Juan de Fuca Music Festival  
July 16-19 – North Plains, OR – Northwest String Summit
*Opening for Anders Osborne & Hayes Carll

Genre-hopping multi-instrumentalist Keller Williams' Keller In The Caverns event will return for its second year on August 28 and 29. The unique music experience takes place in the spectacular underground setting of The Caverns, a subterranean concert hall located in a cave below the Cumberland Plateau in Pelham, TN. The stunning venue is home to PBS' Emmy Award-Winning television series Bluegrass Underground and draws music fans from all over the world. Single day tickets, weekend passes and VIP packages (which include special viewing access, commemorative swag, meals, lodging, transportation and more) are on sale today, Friday, March 6. To purchase tickets and for more information, click HERE.

Williams will perform his signature solo looping sets throughout the weekend, and will also be joined on stage by two of his eclectic side projects. Friday evening, August 28 features a performance by Keller & The Keels, with Williams joining progressive flatpicker Larry Keel and bassist Jenny Keel to perform a mix of originals and covers in their psychedelic Appalachian bluegrass style. Then, on Saturday, August 29, Williams performs with his Grateful Grass ensemble featuring Charlottesville roots outfit Love Canon, as they celebrate the music of the Grateful Dead. 

With a prolific career spanning 25 studio albums, Keller Williams is an artistic force who has a penchant for collaboration and innovation. His unpredictable live shows and ability to seamlessly transition between genres has garnered Williams a large and loyal cult following, as well as national praise from outlets including Billboard, Paste, Acoustic Guitar and Entertainment Weekly, who calls his live show "an enveloping experience." 

In November 2019, Williams released his third Keller & The Keels album, SPEED, which puts the bluegrass treatment to pop and rock songs by celebrated artists including The Doors, Kacey Musgraves, Fiona Apple and Weezer, as well as a few original tracks. The album garnered praise from No Depression, Glide, Live for Live Music and more. Listen to Williams' song "Medulla Oblongata" via Relix HERE. Williams has also released two Grateful Grass live albums, 2014's DOS and 2008's REX. Previous Grateful Grass lineups have featured members of String Cheese Incident, Leftover Salmon, Yonder Mountain String Band, The Hillbenders and The Infamous Stringdusters. Watch Grateful Grass perform "Eyes Of The World" with The Infamous Stringdusters HERE.

For more informatoin about Keller Williams' projects, visit www.kellerwilliams.net/projects

Today, indie phenomenon John Craigie releases his track “Vallecito” from Asterisk the Universe, out June 12th via Thirty Tigers. On “Vallecito,” the modern-day troubadour ruminates on the choices one makes when faced with adversity. Listen to “Vallecito” HERE and also check out the digital B-Side, a cover of the Bee Gee’s “To Love Somebody.” Pre-order Asterisk the Universe HERE and for physical cds, vinyl and merchandise go HERE.

Asterisk the Universe finds Craigie sharing his clever observations and humorous stories with a score of smoked-out soul, tender folk and American songbook eloquence. On “Vallecito” Craigie takes a more contemplative turn, wondering about decisions with life-altering consequences. He shares that the inspiration for the song came from reading 1900s survival stories. “A traveler had been caught in a really bad snowstorm and after being sure he would freeze to death came upon what looked like an abandoned cabin.  When he opened the door he saw that it was already taken by another traveler.  It was quickly discussed that the cabin held only enough food and space for one person to survive the long storm.  He was sure he would have to fight for his life to be the one to stay, but the inhabitant, for some reason, gave the space to him and mysteriously walked out into the snow to his death.  The story stuck with me and I often wondered why the other guy so easily gave up.”

Also, today Craigie hosts an “All Request Friday” on his Facebook page and Instagram beginning at 5pm PST. He will perform live and take requests from fans. While the recent turn of events has forced Craigie to stay off the road, he will offer his signature style of candid tales, entertaining anecdotes and prolific lyrics to the devoted fans he has earned, song by song, show by show since 2009.

Last month, Craigie released the video for “Part Wolf” which offers a glimpse into the collective effort of Asterisk the Universe’s creation. Recorded in the Northern California home of The Rainbow Girls, Craigie and a slew of musical guests gathered for the album’s collaboration. Spotify also added “Part Wolf” to their Fresh Folk and Pulse of Americana playlists upon release.

Craigie will return to the road this summer to support Asterisk the Universe. For updates please go to johncraigiemusic.com.

On June 26th, LoHi Records will release a very special album celebrating the life and lasting legacy of a true American original with On The Road: A Tribute To John Hartford. The collection brings together a diverse group of artists who represent a portion of those who grew from the seeds planted by Hartford over five decades ago. All net proceeds from On The Road: A Tribute To John Hartford will be donated to MusiCares in order to assist artists during this dire time as all live performances and touring has been halted, leaving an enormous percentage of artists and musicians with no source of income. Through the years, MusiCares has helped thousands in the music industry as a resource that covers a wide range of assistance during medical, financial and personal emergencies as well as human service issues that directly influence the health and welfare of the music community. Their support has never been more important than right now.

On The Road: A Tribute To John Hartford features 14 Hartford originals reinterpreted by an acclaimed group of artists and musicians that include, Jamie Hartford, Todd Snider, Sam Bush, John Carter Cash, Leftover Salmon, The Travelin’ McCourys, Keller Williams, Yonder Mountain String Band, Jerry Douglas, Norman Blake, The Infamous Stringdusters, Railroad Earth, The Band Of Heathens, Fruition and more. See full track listing below.

Along with “Gentle On My Mind”, two more tracks from the album have just been released. Listen to Sam Bush’s version of “On The Road”, which opens the album, and Leftover Salmon’s boisterous take on “The Category Stomp”.

As a master musician, author, singer, songwriter, steamboat pilot, dancer, calligrapher, disc jockey, folklorist and historian, John Hartford’s influence is immeasurable. He has won Grammy Awards in four different decades and as a true Renaissance man, his impact stretches far beyond roots music. His most enduring song, “Gentle On My Mind” has become a standard covered by everyone from Elvis Presley to Aretha Franklin. The song won four Grammys in 1967, two for Hartford as writer and performer and two for Glen Campbell for his version that has become a classic. Hartford became the vital link between traditional bluegrass and the progressive new style that would become a new genre referred to as Newgrass. He was a mentor and beacon for a new generation of artists and musicians. Hartford won his final Grammy for his contributions to the award-winning O’ Brother Where Art Thou soundtrack. His appearance on the subsequent Down From The Mountain concert was immortalized in the 2000 concert film. Those performances were bittersweet as Hartford was coming to the end of his long battle with non-Hodgkin’s lymphoma, which he would ultimately succumb to in 2001.

For so many artists and musicians, their career path is not a choice, but a calling. As fans, we receive so much from their music as it truly does become the soundtracks of our lives. From afar, artists’ lives seem so cool and carefree. While that may be the case for a small handful, the majority of artists’ careers do not come with medical benefits, sick leave, a 401k, paid vacation or any kind of security. Yet, their work gives us all so much, just like John Hartford.

Please support MusiCares and On The Road: A Tribute To John Hartford and help support artists in need now, and always.

On The Road: A Tribute To John Hartford Artist Track Listing

Sam Bush – “On The Road"
Fruition – “Back In The Goodle Days”
Yonder Mountain String Band – “Holding”
The Infamous Stringdusters – “Gentle On My Mind”
Leftover Salmon – “The Category Stomp”
The Travelin’ McCourys – “No End Of Love”
Railroad Earth – “Delta Queen Waltz”
Keller Williams – “Granny Woncha Smoke Some Marijuana”
The Band Of Heathens – “Up On The Hill Where They Do The Boogie”
Todd Snider – “I Wish I Had Our Time Again”
Horseshoes & Hand Grenades – “Let Him Go On Mama”
John Carter Cash & Jamie Hartford (Feat. Norman Blake & Jerry Douglas) – “In Tall Buildings”
The High Hawks – “Waugh Paugh”
Greg Garrison – “Tear Down The Grand Ole Opry”
Danny Barnes – “On The Road”

John Craigie releases his track “Don’t Ask” from his upcoming album Asterisk the Universe, out June 12th via Thirty Tigers. Originally released as a solo version in 2018, the song quickly became a live fan favorite. Craigie reimagined the track with a full band arrangement, featuring a funky groove underneath Motown-inspired vocal arrangements. Listen to “Don’t Ask” HERE and also check out the digital B-Side, a cover of Blaze Foley’s “Oval Room”. Pre-order Asterisk the Universe HERE and for physical cds, vinyl and merchandise go HERE.

Tomorrow Craigie hosts his “Live Stream Call-In Show” on his Facebook page and Instagram at 6pm PST. He will perform live and take requests from fans. While the recent turn of events has forced Craigie to stay off the road, he will offer his signature style of candid tales, entertaining anecdotes and prolific lyrics to the devoted fans he has earned, song by song, show by show since 2009.

Craigie has been steadily engaging new fans digitally. His listener numbers continue to rise and prestigious Spotify playlists such as Fresh Folk, Pulse of Americana have added latest tracks “Part Wolf” and “Vallecito.”

Asterisk the Universe finds Craigie sharing his clever observations and humorous stories with a score of smoked-out soul, tender folk and American songbook eloquence. He captured this unique feel in his 2016 live album Capricorn in Retrograde…Just Kidding…Live in Portland. Venerated artists from Jack Johnson to Todd Snider have taken notice of Craigie’s work and added him to their tours. Many more jumped on the Craigie train after the release of 2017’s No Rain, No Rose, which garnered millions of Spotify streams and led to several Summer 2017 dates opening for Jack Johnson.

Craigie will return to the road this summer to support Asterisk the Universe. For updates please go to johncraigiemusic.com.

Acclaimed singer/songwriter Joan Osborne is back with Trouble and Strife (Womanly Hips Records), her first album of original material in six years. Osborne self-produced the new collection and penned all ten songs, with two co-writes. Trouble and Strife finds the gifted vocalist offering a strong yet uplifting response to some of the socio-political issues plaguing our nation over the last several years. Osborne beautifully balances the weight of her messages with solace and optimism. The new track ”Boy Dontcha Know” touches on the challenges of being a female in our society and why one might prefer to be male. LISTEN HERE

The album opens with the inspiring “Take It Anyway That I Can Get”, a soulful calling to brazenly live life to the fullest.  “Hand’s Off” is a visceral reaction to the unchecked corruption that is happening before our eyes, while on “That Was A Lie” Osborne takes on the acceptance of misinformation and how it has been weaponized and normalized. Driven by an infectious 1970’s synth riff, “Never Get Tired (Of Loving You)” features a heartfelt message of reassurance for her teenaged daughter during unstable times. Osborne offers a comforting song of hope on the beautiful lullaby, ”Whole Wide World” as she sings, “We could see the whole wide world from here, Lookin’ past the sorrow and the tears, Let me take you to that better place, Let me put that smile back on your face.” 

On one of the album’s most important songs, “What’s That You Say” Osborne focuses on immigration and the plight of Ana Marie Rea.  Rea spoke in-depth with Osborne about the difficulties she and her family faced when coming to America from Mexico seeking asylum, and the challenges since. Rea’s words can be heard throughout the powerful song, spoken in her native tongue.

Throughout her 25-year, multi-Grammy nominated career, Joan Osborne has never been an artist confined to one space. She has utilized her incredible voice through her own songs while also becoming one of her generation’s finest interpreters. Osborne has shared the stage with artists ranging from Stevie Wonder and Mavis Staples to Bob Dylan and Lucinda Williams and she continues to seamlessly blend into any genre. On Trouble and Strife, her tenth studio album, the need for her voice and words has never been stronger.

A Young Man’s Country, the debut album from 25-year-old Nashville guitar ace, songwriter and vocalist Daniel Donato is set for release on August 7th (13J Productions/Cosmic Country Music). A Young Man’s Country serves as an introduction to a gifted, young artist who merges his extraordinary guitar chops with traditional outlaw country, Americana and Grateful Dead influences to bring his brand of cosmic country into the 21st century. Listen to an example via the first single “Luck Of The Draw” HERE.

Donato’s musical journey is one of discovery, determination and epiphanies. Before he even picked up a guitar, he realized he had a natural aptitude for the instrument by playing the Guitar Hero video game incessantly. Donato’s “big bang” moment took place at 12 in the form of Guns ‘N’ Roses’ “Paradise City”. Hearing that song was his first major musical epiphany, not unlike seeing The Beatles debut on The Ed Sullivan Show. There was no turning back. He practiced his guitar day and night, whenever time allowed. He was on a mission and would not be deterred.

As a young teen, he began busking on Nashville’s Lower Broadway playing up to eight hours a day on weekends for tips. Epiphany number two came the day he snuck into the legendary Robert’s Western World and had his mind blown by one of the venues amazing house bands, The Don Kelly Band. He eventually got the call to sit in which led to 450+ shows with the band and the chance to play with some of the finest musicians in Music City. This musical education was invaluable.

Epiphany number three came at 18 in the form of a wonderful gift from one of his schoolteachers who saw him play at the famed honky-tonk. Donato's teacher gave him 200+ Grateful Dead bootlegs and other live recordings that completely blew his mind while opening it up to endless musical possibilities. He began to incorporate his experiences and discoveries into what would become his signature style, cosmic country.

A Young Man’s Country features eight original songs and three covers that offer a glimpse into the barely tapped potential of Daniel Donato. His renditions of Waylon Jennings’ “Ain’t Living Long Line This”, The Dead’s “Fire On The Mountain” and John Prine’s “Angel From Montgomery” (recorded before his passing) find Donato as a distinctive interpreter. His own songs, such as album opener “Justice”, the infectious “Always Been A Lover” and the epic rocker “Meet Me In Dallas” showcase the promise of an ambitious young artist with no ceiling in sight.

Ambitious, creative and hyper-focused are apt descriptions of Donato, who has already amassed a large social media base with over 90k followers on Instagram before ever releasing an album. He also hosts his own podcast, “Daniel Donato’s Lost Highway,” where he already has an impressive list of guests including Brothers Osborne, Brent Cobb, Orville Peck and Garry Tallent of Bruce Springsteen’s E Street Band.

A Young Man’s Country was produced by revered guitarist Robben Ford (Miles Davis, Joni Mitchell, Yellowjackets, John Mayall) as the first project under 13J Productions, his newly minted production company. The album was recorded at The Sound Emporium in Nashville.

Acclaimed Malian rock band Songhoy Blues release their timely new song “Worry” worldwide today. The celebrated group felt a deep need to share the inspiring song of optimism, hope, strength and vigilance, during these troubled and uncertain times. “Worry” marks the first time Songhoy Blues has recorded an original song in English, so the significance of their universal message could be spread far and wide (See full lyrics below).  “The harshness of life still weighs on our societies and sinks many young people into a dead end,” says the band in a unified statement. “’Worry’ is a positive energy that Songhoy Blues want to be a ray of hope for humanity. ‘Worry’ is about not stopping fighting because at the very end you will find the light.” The new video was filmed in the capital of Bamako, by Malian director Fansé Sanogo. VIEW HERE.

Songhoy Blues has created a distinctive sound by blending Malian cross-rhythms with Western influences such as rock and punk alongside a uniquely virtuosic guitar style. These all come together on ‘Worry” with concept Don’t worry / You’re gonna be happy / Keep fighting today / That smile will come one day, sung as an empowering mantra. This feeling permeates the music of Songhoy Blues and is a glimpse of what’s to come as the band’s sound continues to evolve. They are finishing up their anticipated third album with producer/guitarist Matt Sweeney (Stephen Malkmus, Run the Jewels, Chavez, Bonnie Prince Billy) to be released later this year on Fat Possum (US)/Transgressive (UK).

Songhoy Blues understands first-hand what it means to stand up in the face of adversity and remain steadfast and positive in the fight. The group formed 10 years ago as refugees from the north of their homeland forced to head south during a series of events that included an al-Qaeda infiltration, imposed sharia law, civil war and a ban on music. The group has come a long way in their long, unremitting struggle, but their unwavering will shall not be deterred.

Songhoy Blues gained the attention of Damon Albarn (Blur/Gorillaz), who included them in his “Africa Express” project, as well as Nick Zinner of Yeah Yeah Yeahs who came on to produce their 2015 debut, Music In Exile. During successful tours in the US and Europe (UK and France in particular) the quartet performed in front of huge audiences that included Bonnaroo, Pilgrimage Music Festival, Glastonbury Festival and The Royal Albert Hall.  Their second album (2017’s Résistance), produced by Neil Comber (MIA, Gengahr), expanded on the musical foundation of their debut and featured Iggy Pop and Elf Kid. Résistance garnered high critical praise that included Rolling Stone (“Best Albums of 2017”) Mojo (★★★★), Uncut (★★★★), The Observer (★★★★), The Guardian (★★★★), Clash (★★★★), Drowned In Sound (★★★★) and their second appearance on Later With Jools Holland.

The award-winning documentary film They Will Have To Kill Us First centered around the situation in Mali and extensively featured Songhoy Blues and their plight. As activists, they are strong spokespersons for WaterAID, have performed at the UN Climate Action Summit and formed a key part of The Imperial War Museums “Culture Under Attack” summit.

In celebration of today's release of On The Road: A Tribute to John Hartford, a project benefitting MusiCares, please join Vince Herman from Leftover Salmon and The High Hawks at 4:20pm Mountain High Time for a special performance live on the LoHi Records Facebook page. They will be honoring the lasting legacy of John Hartford by performing some of his beloved songs and bringing more attention to this release to help artists in need during these challenging times. Good times, great music great cause. No cover charge and BYOW!

People can RSVP here: https://www.facebook.com/events/958978221181584/

From Nashville, TN via Provo UT, Desert Noises returns with Everything Always, the follow-up to their 2014 acclaimed release 27 Ways. The band recorded this effort in their adopted hometown with producer Bill Reynolds (Band of Horses), who built upon the group's melodic rock sound. On their new track “I’m Leaving", frontman Kyle Henderson sings about the freedom of breaking free, accompanied by trippy catchy hooks. Listen/watch HERE.

27 Ways earned the band (vocalist/guitarist Kyle Henderson, bassist Tyler Osmond and drummer Brennan Allen Lethbridge) a devoted following and performance slots at major festivals with its visceral energy and infectious rock songwriting. Six years later, after personal and professional changes, Everything Always finds them building their sound and expanding on the melodic, often psychedelic rock of its predecessor.

After the success of 27 Ways, Henderson endured a difficult divorce, substance issues and other setbacks. Henderson assumed his Desert Noises days were behind him, but after a period of self-reflection, other music projects and a move back to Nashville, the time was right to reunite with Osmond and Lethbridge. Although it took a while to find their footing, things eventually begin to fall into place.

Both Lethbridge and Osmond had spent their time away from Desert Noises touring extensively with other artists, including Cage the Elephant, Harpooner, Rayland Baxter and Liz Cooper and the Stampede. Both musicians say that time out on the road was formative to how they approached playing on Everything Always, and that the experiences granted them a new perspective on the music they would eventually make for themselves.

And although Desert Noises can’t perform live due to the COVID-19 pandemic, they are virtually touring, streaming shows live across the world. With a weekly rotating cast of special guest musicians and different venue pages helping stream the sets, the guys are still finding a way to get their album out to music fans everywhere.

Desert Noises releases "Coffee" from Everything Always, their new album out August 21st. American Songwriter premiered "Coffee," describing it as "an open and raw revelation of love” as singer Kyle Henderson reflects on the feelings surrounding a breakup and the lessons one eventually learns.  Listen to the song HERE.

While touring is canceled due to the pandemic, Desert Noises has been reaching more fans than ever online. With a highly produced weekly livestream featuring special guest musicians, the band reached the #3 slot for their July 1 online show, with 122,000 views. Tonight’s session, an Evening with Desert Noises, begins at 9pm ET; view on their YouTube page HERE.

Everything Always is the follow-up to their 2014 album 27 Ways which earned the band (vocalist/guitarist Kyle Henderson, bassist Tyler Osmond and drummer Brennan Allen Lethbridge) a devoted following and performance slots at major festivals with its visceral energy and infectious rock songwriting. Six years later Everything Always finds them teaming up with producer Bill Reynolds (Band of Horses) for the next chapter of their story, as the new tracks expand on the melodic, often psychedelic rock of its predecessor.

After the success of 27 Ways, Henderson endured a difficult divorce, substance issues and other setbacks. After a period of self-reflection, other music projects and a move back to Nashville, the time was right to reunite with Osmond and Lethbridge. Although it took a while to find their footing, with Reynolds on board, things eventually begin to fall into place. Everything Always truly signifies the band’s new arrival.

Multi-Grammy nominated singer/songwriter Joan Osborne addresses immigration on her new song “What’s That You Say”, released today. With all the new issues and controversies happening in real-time, immigration no longer leads the news cycle, but the problem still exists as much as ever. Osborne takes a thoughtful approach to the subject through the experience of one family. The track appears on Osborne’s upcoming new album Trouble And Strife, which comes out on September 18th via Womanly Hips/Thirty Tigers.

“What’s That You Say” was inspired by the story of Ana Maria Rea-Ventre, an immigrant whose family came to America from Mexico to seek a better life when she was a child. Her story is powerful and emotional. Rea-Ventre's words can be heard in her native tongue throughout the track. Listen HERE. Osborne talks below about what inspired the song and her experience talking to Rea-Ventre.

“The crisis at our Southern border has been pushed from the news cycle by fresh outrages, but it's still happening.  I hear these debates about ‘the problem’ of immigration and I'm just dismayed.  I think America has been enriched by its immigrants in every way.  How can we forget that?  Can you imagine how boring this country would be without the cultural traditions immigrants have brought with them - their food, their music, their ideas, their storytelling - and without the new forms that are created from the interplay between all these traditions? How have we come to this place where we don't celebrate that anymore?”

"‘What's That You Say’ is a song about a character who embodies that richness, that joy that immigrants bring to our nation. She is brought here as a child, and blossoms into a beautiful, vibrant, woman, a pillar of her community. There was a space in the song that was crying out for a spoken-word passage, so I thought, why not turn it over to someone who has lived this immigrant journey? It seems we're always talking about immigrants, debating this 'issue', and rarely listening to them speak for themselves, which makes me nuts."

"I knew about the legal and social services that RAICES provides to our incoming immigrant community, helping children and families who are seeking a better life in the US and navigating a dehumanizing immigration system, so I reached out to them to see if they could connect me with someone who'd be willing to talk about their experience. "

"They put me in touch with Ana Maria, and I interviewed her for several hours. It was very emotional, hearing her talk about her father's kidnapping, about how her parents no longer felt safe in Mexico and told her that they were leaving the only home she had ever known. She was a little girl who had to say goodbye to her cousins, grandparents, the teachers that she loved, and she knew she might never see them again."

"She told me about living in the small town in Texas where her family settled, about always feeling like an outsider, always afraid. When she applied for citizenship as a young adult, after living and working here, volunteering for AmeriCorps for 2 years, the officials still treated her like she was trying to steal something. As she says in the voice-over, her life hasn't been an easy one, but it has made her strong, and she uses that strength to give back to her community. My favorite line is the one that ends the song: 'I'm no longer afraid'." - Joan Osborne

Learn more about RAICES at https://www.raicestexas.org and follow their work on Twitter, Facebook, and Instagram.

Trouble and Strife is Osborne’s first album of original material in six years, which she wrote and self-produced. The new album is unlike anything the acclaimed vocalist has ever released as it offers a powerful and uplifting response to many of the socio-political issues taking place over the last several years. Osborne masterfully balances the weight of her messages with solace and optimism.

Throughout her celebrated 25-year career, Joan Osborne has never been restricted by any musical boundaries in her original music or as an extraordinary interpreter of other’s material.  She has shared the stage with artists ranging from Stevie Wonder and Mavis Staples to Bob Dylan and Bonnie Raitt. She continues use her powerful voice in song and now to raise awareness of injustices happening before our eyes.

From Nashville, TN via Provo UT, Desert Noises returns with Everything Always, the follow-up to their 2014 acclaimed release 27 Ways. The band recorded this effort in their adopted hometown with producer Bill Reynolds (Band of Horses), who built upon the group's melodic rock sound. On their new track “I’m Leaving", frontman Kyle Henderson sings about the freedom of breaking free, accompanied by trippy catchy hooks. Listen/watch HERE.

27 Ways earned the band (vocalist/guitarist Kyle Henderson, bassist Tyler Osmond and drummer Brennan Allen Lethbridge) a devoted following and performance slots at major festivals with its visceral energy and infectious rock songwriting. Six years later, after personal and professional changes, Everything Always finds them building their sound and expanding on the melodic, often psychedelic rock of its predecessor.

After the success of 27 Ways, Henderson endured a difficult divorce, substance issues and other setbacks. Henderson assumed his Desert Noises days were behind him, but after a period of self-reflection, other music projects and a move back to Nashville, the time was right to reunite with Osmond and Lethbridge. Although it took a while to find their footing, things eventually begin to fall into place.

Both Lethbridge and Osmond had spent their time away from Desert Noises touring extensively with other artists, including Cage the Elephant, Harpooner, Rayland Baxter and Liz Cooper and the Stampede. Both musicians say that time out on the road was formative to how they approached playing on Everything Always, and that the experiences granted them a new perspective on the music they would eventually make for themselves.

And although Desert Noises can’t perform live due to the COVID-19 pandemic, they are virtually touring, streaming shows live across the world. With a weekly rotating cast of special guest musicians and different venue pages helping stream the sets, the guys are still finding a way to get their album out to music fans everywhere.

Acclaimed Malian rock band Songhoy Blues have released their new track “Barre” today. The group has emerged as a vital band coming out of the surging African music scene who make music for both the moment and the people. Translated from their native Songhai, “Barre” means change. The song was written to inspire the youth of their Mali homeland to get involved and help change their corrupt and oppressive political system. In light of the very recent military coup d’etat in Mali, it could not come at a more prescient and poignant time. “Barre” serves as a figurative and spiritual call to arms for the younger generation to take control of their destiny and invest in their futures. View the video performance of “Barre” HERE, and read the English lyrics below.

As lead singer Aliou Toure states, “It’s like how yesterday gave today a chance, today needs to give tomorrow a chance.” Youth! Let’s rise for this change! / Just as Yesterday knew how to welcome Today / Just as Spring knew how to welcome Summer / And Summer knew how to welcome Winter / Old age must welcome Youth. “This verse describes how we are condemned to respect and accept the cyclical nature of all things,” Aliou adds. “We want the older generation to give space to the new generation. Especially in Mali right now, and to be honest, in Africa in general.”

The new track appears on the group’s highly anticipated third album Optimisme (French for optimism), which comes out of October 23rd via Fat Possum Records. “Barre” gives voice to the current situation in Mali and the people fighting for change. Like many of songs on Optimisme, the messages are universal, accessible and relevant. That is no coincidence. The members of Songhoy Blues are strong, smart and well-informed citizens who are aware of injustices, inequities and threats affecting people’s lives both inside and outside of their country’s borders, be they political, social or environmental. By marrying their music to their activism, they are able to impact the world around them in tangible and positive ways.

Their recently released track “Badala” was written from the perspective of a woman freed from male domination and oppression. The first single, ‘Worry” is an inspiring song of optimism, hope, strength and vigilance. “Worry” was also the first original song Songhoy Blues recorded in English.

Optimisme was produced by Matt Sweeney (Stephen Malkmus, Run the Jewels, Chavez, Bonnie Prince Billy). The album builds upon Songhoy Blues’ distinctive blend of Western rock and punk influences with desert blues and traditional Malian cross rhythms. Their music, as well as their message, are exhilarating, inspiring and vital.

Acclaimed multi-instrumentalist The Suitcase Junket releases the “Black Holes and Overdoses” track and video from his upcoming album The End is New, out November 20 via Renew Records/BMG. The Suitcase Junket is the moniker for one-man-band Matt Lorenz. “Black Holes and Overdoses” captures the eventual detachment that comes from a never ending news cycle, driven by a fierce, rocking blues beat.  Watch the “Black Holes and Overdoses” video HERE.

From Matt Lorenz / The Suitcase Junket: 
“I loved working with director Josh Arnoudse on this. Our initial concept for this video was relatively simple; a lyric-based piece that highlighted the intensity of the solitude created by modern media.  The technical approach gradually grew more and more complex until it was almost like we were making two videos simultaneously; the one that is featured on the TV in the foreground and the one that is in constant flux in the background. The over-the-top near-constant action serves to embody the relentlessness of the news cycle and the seemingly bottomless abysses that you can find on the internet.”

The End is New finds the artist expanding his possibilities, collaborating, matching his lyrical power over eleven tracks with the epic sounds and narratives of his imagination. Producer Steve Berlin says, “Most of the time making records for a living is both fun and edifying, but every once and a while I get rewarded with a simply superlative experience, and making The End is New was certainly one of those.” He adds, “We had a blast building these ideas into songs, and Matt’s endless inventiveness made each workday a genuine pleasure. His talent is a unique gift.”

‘The Suitcase Junket’ is a nod to Lorenz’s longtime love of collecting old suitcases, including an antique that he’s refurbished into a bass drum, and to a secondary definition of junket, i.e. “a pleasure excursion." The End is New is his sixth full-length album and his first for Renew Records/BMG. Renew is BMG’s recently launched Americana/ Roots based label. The End is New is its third release.

Lorenz tours extensively and plans to be back on the road for a waylaid release tour for The End is New in 2021. Lorenz is also a visual artist. In the early years he designed all The Suitcase Junket album art and merchandise and made the music videos generated with his songs. He continues to create the visuals for merchandise, and to produce some of his videos, now with collaborators. He gets very excited about coffee, gardening, bees, dogs, birds, mushrooms, tinctures, making his own wine and maple sugaring season.

Acclaimed rock/alt-country quintet Lucero is gearing up to release When You Found Me on January 29, 2021  (Liberty and Lament/Thirty Tigers). Lucero reunites with Grammy Award winner Matt Ross-Spang (Jason Isbell, Margo Price, Drive-by Truckers) who produced their 2018 acclaimed album Among The Ghosts.  When You Found Me was recorded in the band’s home town of Memphis, TN at the historic Sam Phillips Recording Studio. Listen to intense first track “Outrun The Moon” HERE.  Pre-order When You Found Me HERE.

When You Found Me finds Lucero founder Ben Nichols lyrically ruminating on family, while the band continues to evolve musically after 20 plus years. When You Found Me finds the group tapping into a more atmospheric widescreen vision, while expanding on their sound with heavier rock sonics. The use of keyboard player Rick Steff’s extensive collection of vintage synthesizers conjures an aural world of classic tracks with a firm foot in the present. Nichols, Steff and bandmates Brian Venable (guitar), Roy Berry (drums) and John C. Stubblefield (bass) uphold the urgency of past Lucero releases, while moving forward in both sound, writing and texture.

Opening track “Have You Lost Your Way” resembles an adult version of  Little Red Riding Hood, as Nichols channels the bedtime stories he reads to his daughter. “Outrun the Moon” continues the third person narrative, as the protagonist is a young girl running away from an uncertain future. “Coffin Nails” tells the story of Nichols’ grandfather dealing with the death of his own father, a veteran of World War 1. “Back in Ohio” is a raucous foot stomper, written about the incredulous true story of William Morgan from Ohio, who fought alongside Cuban rebels to help them win the Cuban Revolution.

The final song on the album, “When You Found Me,” is the bookend, bringing Lucero’s story full circle on a record that begins with “Have You Lost Your Way.” Nichols says, “I’m not sure how much longer I would’ve been around if it wasn’t for my wife and daughter and the family I have now,” Nichols says. “I feel like they saved me, and they keep saving me every day.”

For over two decades, Lucero has made their mark as a hard-working band, mixing heartfelt lyrics with the sounds of early rock and roll, classic punk, country-folk and deep-friend Southern soul. They have delivered their powerhouse sound night after night to legions of fans across the country, providing adrenaline-charged shows in a communal atmosphere. With When You Found Me it is clear that Lucero has earned their rightful place in the annals of Southern Rock musical heroes.

Today, David Huckfelt announces his newest album Room Enough, Time Enough out February 26, 2020. The Minneapolis singer/songwriter/activist (of acclaimed indie act The Pines) reaches for moments of tranquility and hope while emphasizing a host of Native voices and viewpoints. Room Enough, Time Enough is a record about restoring balance: space and attention, peace and equality, redeeming the marginalized, and remembering the forgotten.

The first track out today is “Better To See The Face” with a video featuring Huckfelt and his newborn son, born at the outset of the Covid pandemic and quarantine. “Better To See the Face” explores the notion of intimacy in a world separated not only by quarantine but by screens. Huckfelt explains, “We have to dive deep into our genetic memory to blow air on the coals of direct human touch, and to remember that the idea or name of something is just a shadow of the real experience itself. This song stems from a Zen koan about first-person direct experience, how the human spirit is hard-wired for intimacy, and every digital dream pales in comparison to the spark of a baby in your arms, a lover’s face in your hands, a grandmother’s hand on your shoulder, a meal at the family table, a campfire on the shores of Lake Superior with your friends. We’re living now in the digital shadow of the real world, but we long to go where the digital dream doesn’t roam...”. Watch the "Better To See The Face" music video here. 

Huckfelt enlisted a Who’s Who of celebrated Indigenous artists and borderlands musicians to record Room Enough, Time Enough at Dust & Stone studio in Tucson AZ. Ojibwe ambassador of Native Americana music Keith Secola wrote the track “Book of Life” and is also a featured vocalist on the Patti Smith cover of “Ghost Dance.” Tucson's own living songwriting legend Billy Sedlmayr contributes vocals to Huckfelt’s version of “Cole Younger,” while Giant Sand’s Howe Gelb offers guitar on "Calling Thunderbird Blues” and vocals on “Ghost Dance" as well. Award winning South Dakota Indigenous singer Jackie Bird contributes vocals to “Journey to the Spirit World,” as does Warm Springs Nation Native singer Quiltman who also adds to “Ghost Dance” and “Book of Life.” Other musicians featured on the album include Bob Dylan’s longtime drummer Winston Watson, Greg Brown, Dave Simonett & Ryan Young (Trampled by Turtles), Pieta Brown, Jeremy Ylvisaker (Andrew Bird), J.T. Bates (Big Red Machine, Taylor Swift), Erik Koskinen, Michael Rossetto and more, adding the finishing touches to this seamless mix of original, Indigenous & public domain songs.

David Huckfelt has shared stages with artists from Mavis Staples, Emmylou Harris, and Greg Brown to Trampled By Turtles, Calexico and Bon Iver, and garnered praise from David Fricke (Rolling Stone) as one of the finest songwriters of his generation. In 2018 Huckfelt received the prestigious Artist-In-Residence award at Isle Royale National Park on Lake Superior, where in sixteen days he wrote the fourteen songs that would become his solo debut Stranger Angels. Beginning in 2014 with his collaboration with American Indian Movement leader & poet John Trudell, Huckfelt has worked with an array of Native American artists and activists including Keith Secola, Quiltman, Winona LaDuke and novelist Louise Erdrich in the fight for social justice and protection for Mother Earth. In thousands of shows across the United States, Canada & overseas, Huckfelt’s grassroots following has grown from small-town opera houses, Midwestern barn concerts, and progressive benefit events to national tours and festival stages like Hardly Strictly Bluegrass, Edmonton and Calgary Folk Fests, and the legendary First Avenue club in his beloved Minneapolis home.

Today, singer/songwriter/feminist/activist/author DIY icon Ani DiFranco announces her twenty-second album Revolutionary Love, set for release January 29, 2021 on her Righteous Babe Records label. Revolutionary Love is DiFranco’s first studio album since her acclaimed 2019 memoir No Walls and the Recurring Dream.  Rooted in her poetic lyricism and ever-commanding vocal work, the album unfolds in an understated yet captivating alchemy of folk and soul and lushly textured jazz-pop.  The title track, a bold message of irrepressible hope, is available today, along with previously released songs “Do or Die” and “Contagious.” Listen to “Revolutionary Love” HERE and pre-order Revolutionary Love HERE.

Revolutionary Love (inspired by Valarie Kaur’s book See No Stranger) is a natural evolution for DiFranco, who has often seen her songs as reflections of not only her personal life but also society at large. With the current divisions and strife in our world, DiFranco sees “Revolutionary Love” as a vital next step. She says, “It’s about carrying the energy of love and compassion into the center of our social movements and making it the driving force. It’s about finding it within ourselves to stay curious about our opponents instead of shutting down.”

DiFranco wrote many of the new tracks on the road prior to returning home to New Orleans in February 2020. While the country soon encountered COVID and solitary lives, Di Franco felt the urgent need to collaborate creatively and record.  With her activism at the forefront, she recalls, “I felt very strongly that I needed a horse to ride to try to help get out the vote—to get people inspired and get them believing in democracy, believing in each other and in themselves.”

DiFranco headed to Durham NC, where she teamed up with Brad Cook to record Revolutionary Love with an eclectic group of musicians. The lineup included percussionist Brevan Hampden (Hiss Golden Messenger, Milton Suggs), horn/flute player Matt Douglas (The Mountain Goats, Josh Ritter), keyboardist Phil Cook (Megafaun, Shouting Matches), drummer Yan Westerlund (Quetico, Mipso) and Di Franco’s longtime touring band Terence Higgins on percussion and Todd Sickafoose on bass. With many of the performances captured in one or two takes, Revolutionary Love reveals Di Franco’s tremendous gift for seizing the moment of performance and transforming confusion into clarity, pain into perseverance.

Widely considered a feminist icon, Grammy winner Ani DiFranco is the mother of the DIY movement, being one of the first artists to create her own record label in 1990. While she has been known as the “Little Folksinger,” her music has embraced punk, funk, hip hop, jazz, soul, electronica and even more distant sounds. Her collaborators have included everyone from Utah Phillips to legendary R&B saxophonist Maceo Parker to Prince. She has shared stages with Bob Dylan, Bruce Springsteen, Pete Seeger, Kris Kristofferson, Greg Brown, Billy Bragg, Michael Franti, Chuck D., and many more. Her last studio album Binary was released in June 2017 on Righteous Babe Records. Her memoir No Walls and the Recurring Dream was released in May 2019, and DiFranco released a No Walls Mixtape alongside the book, offering a new take on songs related to the memoir. 

Celebrated Americana singer/songwriter Israel Nash is gearing up to release his resplendent album Topaz on March 12.  The follow-up to his 2018 release Lifted, Nash recorded the candid, textured album at Plum Creek Sound, his studio assembled from an old quonset hut near his home in the Texas Hill Country. Topaz marks the first album Nash has recorded mostly on his own, both taking his time and relishing his newfound access to immediacy, punching the red button moments after an idea hit. “It's allowed me to capture sounds and ideas, to really get stuff out of my head and into the world so quickly,” Nash says.  Listen to the hypnotic beauty of the track “Canyonheart” from Topaz HERE.

On Topaz, Nash is lyrically ruminating over the current political divide, while also delving into  more personal topics such as family and home. The album is both raw and refined, contemplative and gripping, soft yet forceful. “Dividing Lines” sets the tone and message with themes of schism and discord. High-pitched songbird guitar kicks off “Closer,” an achingly pretty song with forlorn harmonica and pedal steel giving voice to tears. “Stay” smoothly confesses that home is where love resides, wherever that may be. The comforting notes of “Howling Wind” feel like an old friend, reliable and reassuring, while “Pressure” echoes the constant struggle surrounding so many today. 

While early sonic comparisons to Neil Young remain understandable, Nash’s voice croons and shifts into full-on guttural soul singing––with goosebump-inducing fury. “Down in the Country,” a swampy new classic that sounds like it’s always existed, could have been sung by Wilson Pickett. Nash achieves a stunning cadence when he sings, adopting a distinct way of pausing to give listeners time to think about what they’ve just heard––but also leaving open the possibility of surprise as to where Nash decides to take it  next. “I want the vocals to feel percussive with the drums, because when that stuff goes together as an instrument, it is hypnotic. It is a trip,” Nash says. “Sometimes it’s shaving off or adding the smallest words just to turn the phrase.”

Hailing from the Ozark Mountains in Missouri, Nash moved to New York in 2006 and released his debut LP, New York Town, in 2009. After relocating from the big city to the small rural town of Dripping Springs, Texas, Nash released his third album, the psychedelic country-rock effort Rain Plans, which drew comparisons to Young.  Nash further honed his psychedelic folk sound on Silver Season in 2015, followed by Lifted in 2018.

Singer/songwriter/activist David Huckfelt releases his newest track “Book of Life,” from his upcoming album Room Enough, Time Enough out February 26th.

“Book of Life” is dedicated to Indigenous resisters and water and land protectors. The video features Tara Houska, Winona LaDuke & Lorna Many Horses in northern Minnesota & Standing Rock, Pua Case on Mauna Kea in Hawaii, and many others.  The video was made by Suez Taylor who directed and produced "LN3 Seven Teachings of the Annishinabe in Resistance.” Watch the compelling video for “Book of Life” HERE.

Huckfelt says, “I had a very strong desire to devote this song  and video to the Indigenous resisters and water and land protectors who have been fighting not only for decades but for millennia to protect the natural beauty and dignity of the Earth.  It’s not cliche, it’s not romantic - it’s the hard fact that Native people rely upon the land to live in correct relationship with the Creator, and therefore have developed a land / water ethics that includes being stewards of the Earth’s resources. Women like Winona LaDuke and Tara Houska, organizations like Honor the Earth and protests like Standing Rock are the kind of leadership we need to fight climate change & restore harmony. This song and video is my thank you to them.”

"Book of Life" was written by Ojibwe singer-songwriter Keith Secola, the underground hero of Native Americana music whose song "Indian Car" has become an anthemic hit on reservation radio stations all across Indigenous land. Secola and Huckfelt have a friendship that goes back a decade. They have collaborated on recordings and performed at pow-wows, tribal government centers, islands in Lake Superior and more.

On Room Enough, Time Enough Huckfelt pays tribute to songs and songwriters from the fringes of Americana & Indigenous folk music. In addition to "Book of Life,” Huckfelt covers Lakota/South Dakota Native American hero Buddy Red Bow's song "Journey To the Spirit World.” Billy Sedlmayr — an authority on the subjects of outlaws & redemption — and Huckfelt reimagined a postmodern version of the public domain ballad "Cole Younger”. "Ghost Dance" from Patti Smith’s Easter makes an appearance here, infused with new perspective from an Indigenous point of view with vocals by Secola & Quiltman. The ancient frontier lament “Bury Me Not” is presented as never before, and a breathless version of the classic country standard “A Satisfied Mind” features a duet with Greg Brown, and reminds us that where we place our treasure, our hearts will be there too.

As part of the acclaimed indie act The Pines as well as a solo artist, David Huckfelt has shared stages with artists from Mavis Staples, Emmylou Harris, and Greg Brown to Trampled By Turtles, Calexico and Bon Iver. In 2018 Huckfelt received the prestigious Artist-In-Residence award at Isle Royale National Park on Lake Superior, where in sixteen days he wrote the fourteen songs that would become his solo debut Stranger Angels. Beginning in 2014 with his collaboration with American Indian Movement leader & poet John Trudell, Huckfelt has worked with an array of Native American artists and activists including Keith Secola, Quiltman, Winona LaDuke and novelist Louise Erdrich in the fight for social justice and protection for Mother Earth. In thousands of shows across the United States, Canada & overseas, Huckfelt’s grassroots following has grown from small-town opera houses, Midwestern barn concerts, and progressive benefit events to national tours and festival stages like Hardly Strictly Bluegrass, Edmonton and Calgary Folk Fests, and the legendary First Avenue club in his beloved Minneapolis home.

Today, singer/songwriter/feminist/activist/author Ani DiFranco releases the video for “Simultaneously,” the latest track from her upcoming album Revolutionary Love, out January 29 on her Righteous Babe Records label. DiFranco’s 22nd release has been named one of 2021’s Most Anticipated Albums by Pitchfork and Rolling Stone. Watch “Simultaneously” HERE and pre-order Revolutionary Love HERE.

The mesmerizing “Simultaneously” speaks directly to the challenge of navigating the disconnect between a visionary inner life and a chaotic outside. “I look around and everything’s crashing and burning all around me,” says Di Franco, “but in my mind I can see this alternate reality playing out - one where we are all fulfilling our potential.”

Produced by Di Franco and mainly recorded in two whirlwind days at Brad Cook’s studio in Durham NC, Revolutionary Love more than justifies the mad dash behind its making. As her first studio effort since the release of No Walls and the Recurring Dream (DiFranco’s widely praised 2019 memoir), Revolutionary Love arrives as an instantly transportive selection of songs. Rooted in her poetic lyricism and ever-commanding vocal work, the album unfolds in an understated yet captivating alchemy of folk and soul and lushly textured jazz-pop. In sculpting that sound, Di Franco and Cook assembled an eclectic lineup of musicians, including percussionist Brevan Hampden (Hiss Golden Messenger, Milton Suggs) and horn/flute player Matt Douglas (The Mountain Goats, Josh Ritter), while longtime Di Franco bassist Sickafoose later enlisted the Oregon-based Delgani String Quartet. With many of those performances captured in one or two takes, Revolutionary Love again reveals Di Franco’s tremendous gift for transforming confusion into clarity, pain into perseverance.

Widely considered a feminist icon, Grammy winner Ani Di Franco is the mother of the DIY movement, being one of the first artists to create her own record label in 1990. While she has been known as the “Little Folksinger,” her music has embraced punk, funk, hip hop, jazz, soul, electronica and even more distant sounds. Her collaborators have included everyone from Utah Phillips to legendary R&B saxophonist Maceo Parker to Prince. She has shared stages with Bob Dylan, Bruce Springsteen, Pete Seeger, Kris Kristofferson, Greg Brown, Billy Bragg, Michael Franti, Chuck D., and many more. Her last studio album Binary was released in June 2017 on Righteous Babe Records. Her memoir No Walls and the Recurring Dream was released in May 2019, and Di Franco released a No Walls Mixtape alongside the book, offering a new take on songs related to the memoir. 

Singer/songwriter/activist David Huckfelt (of acclaimed Minneapolis group The Pines) reinterprets the definitive cowboy ballad “Bury Me Not” (The Dying Cowboy) on his upcoming album Room Enough, Time Enough out February 26th. “Bury Me Not” (often called “The Cowboy's Lament" & "Bury Me Not on the Lone Prairie") is considered one of the most famous folk songs in the American songbook and has been covered by Johnny Cash, Colter Wall, Burl Ives and many others. The video for Huckfelt’s rendition was filmed on Tohono O’odham Indigenous land along the US border just outside of Tucson, Arizona; watch HERE.

Huckfelt turns the original narrative of a dying man’s wish not to be abandoned on the prairie at the hands of westward expansion on its head, retold here as a warning to honor Native lands and respect for the Earth as a whole. Huckfelt, a long-time ally whose friendships and alliances with Native American artists and activists ring throughout the new record, says, "'Bury Me Not' has survived for generations in the public domain by perpetuating the myth of the heroic cowboy on the lone prairie, but as with many songs from deep in the American soil, the poetry tells another story as well. The Earth, the land itself, gets the last word on our efforts to subdue and conquer it. Manifest Destiny has left our spirits and the planet sick from our disrespect for the Mother. At the beginning of 2021, we have reason to hope that the myth of the conquering cowboy, driven by wealthy, corporate forces ("the men who own large droves and herds") is at long last starting to crack. Trampling nature underfoot with our greed, we forget that with a single heave the Earth could shake us from her back, and that the power we believe we possess is delusion. "Bury Me Not" (The Dying Cowboy) stands like a tombstone on the open plains, reminding all who pass here to travel lightly with respect for the fierceness and grace of Mother Earth.”

The themes of honoring the Indigenous artists and voices Huckfelt has been an ally of for decades and protecting the land are central throughout Room Enough, Time Enough. Recorded in four days at Dust + Stone Studio in Tucson, and finished remotely during quarantine, Huckfelt enlisted a posse of guest performers to capture the musical devotion to peace and equality, redeeming the marginalized, and finding common ground in an age of division. Guests include Ojibwe ambassador of Native Americana music Keith Secola, powwow circuit heroine Jackie Bird (Sisseton Wahpeton), multi-instrumentalist Gabriel Sullivan (XIXA), Tucson's own living songwriting legend Billy Sedlmayr, Giant Sand founder & desert rock purveyor Howe Gelb; former Bob Dylan drummer Winston Watson, Blues Hall of Fame harmonica player Tom Walbank, Calexico contributors Connor Gallaher & Jon Villa, Midwestern folk heroes Greg Brown, Dave Simonett of Trampled By Turtles, Pieta Brown, and American Indian Movement’s radical poet John Trudell’s Native singer Quiltman.

As part of the acclaimed indie act The Pines as well as a solo artist, David Huckfelt has shared stages with artists from Mavis Staples and Emmylou Harris, to Trampled By Turtles, Calexico and Bon Iver. In 2018 Huckfelt received the prestigious Artist-In-Residence award at Isle Royale National Park on Lake Superior, where in two weeks he wrote the 14 songs that would become his solo debut Stranger Angels. Beginning in 2014 with his collaboration with American Indian Movement leader & poet John Trudell, Huckfelt has worked with an array of Native American artists and activists including Keith Secola, Quiltman, Winona LaDuke and novelist Louise Erdrich in the fight for social justice and protection for Mother Earth. In thousands of shows across the United States, Canada & overseas, Huckfelt’s grassroots following has grown from small-town opera houses, Midwestern barn concerts, and progressive benefit events to national tours and festival stages like Hardly Strictly Bluegrass, Edmonton and Calgary Folk Fests, and the legendary First Avenue club in his beloved Minneapolis home.

Today, celebrated rock/alt-country group Lucero releases their 10th studio album When You Found Me (Liberty and Lament/Thirty Tigers). Lucero reunites with Grammy Award winner Matt Ross-Spang (Jason Isbell, Margo Price, Drive-by Truckers), who produced their 2018 acclaimed effort Among The Ghosts. When You Found Me was recorded in the band’s hometown of Memphis, TN at the historic Sam Phillips Recording Studio. Listen to When You Found Me HERE.

Magnet premiered the band’s newest single “Back In Ohio,” a raucous foot-stomper written about the incredulous true story of William Morgan from Ohio, who fought alongside Cuban rebels to help them win the Cuban Revolution.  Lucero frontman Ben Nichols directed the lyric video about this colorful character; watch HERE.

When You Found Me finds Nichols lyrically turning his musings on family and relationships into striking tales while the band turns up big classic rock sounds. Building on the strength of Lucero’s past releases, Nichols and bandmates Brian Venable (guitar), Roy Berry (drums), Rich Steff (keyboards) and John C. Stubblefield (bass) continue to grow their sound with deeper rhythms and textures. Nichols’ long-time fondness for film soundtracks likely contributed to the album’s feel as well, as the band has also recorded music for every movie made by Ben’s brother, acclaimed filmmaker Jeff Nichols, whose credits include Loving, Mud, Midnight Special, and Shotgun Stories.

After twenty years, Lucero continues to grow their sound and storytelling prowess, mixing echoes of early rock and roll, classic punk, country-folk and deep-friend Southern soul with heartfelt lyrics. NPR Music claimed, “While Lucero had nothing to fix, they still managed to build upon what’s become one of rock music’s strongest foundations…It’s the loving, craftsman-like work of the rare kind of band with enough spirit to fill an arena, but with its heart planted firmly in the garage.” With When You Found Me it is clear that Lucero has earned their rightful place in the annals of Southern Rock musical heroes.

While the current pandemic has kept them off the road, Lucero will return to deliver their powerhouse sound with socially distant shows in Tennessee. Performances are March 26 at The Caverns Above Ground Amphitheater in Pelham and September 29 at the Ryman Auditorium in Nashville. For info, visit www.luceromusic.com.

Amigo The Devil has released a new track and an evocative video for “Quiet As A Rat”, from his upcoming sophomore album Born Against. The new album is set for an April 16th release via Liars Club/Regime Music Group.

The video features Amigo The Devil (aka Danny Kiranos) style gallows humor, which is literal in the case. The narrator is subjected to what seems like tongue in cheek torture and execution attempts that ultimately represent questions of faith and the frequent doubt of it. With themes modeled after both fables and biblical elements, the Jodorowsky-esque approach to the video paints the dark and taboo subjects oddly enough to make them accessible. View the video HERE

As with many of Amigo The Devil’s songs, everything serves as a metaphor for  something larger that resides within. The song “Quiet As A Rat is comprised of three vignettes that feature characters hiding their inner turmoil in order to maintain a strong façade. “Faith without doubt seems unhealthy,” says Kiranos. “It’s an extreme that leaves no room for growth and honest learning, only the mindless repetition of old and sometimes hateful traditions. ‘Quiet as a Rat’ explores the bridge between faith and doubt, nurture and abandon…the fine line between belief and control. It plays to the true value of our spirit and whether we have a purpose to find or if we are the purpose and are simply here to be used and forgotten. You know…real fun stuff.”

Amigo the Devil has built a reputation as a storyteller with a penchant for both the tender and the macabre. On Born Against, he widens his scope by infusing his songs expansive arrangement and deeper romantic and emotional narratives that translate to the lives of the everyman/everywoman. Amigo the Devil has built a loyal and passionate cult following who wait anxiously for the release of the new offering.

Born Against is the follow up to Amigo The Devil’s 2018 debut Everything Is Fine, which crossed musical boundaries by connecting with fans of rock, folk, Americana, country, metal and beyond.

Singer/songwriter/activist David Huckfelt (of acclaimed Minneapolis group The Pines) reinterprets the renowned Patti Smith song “Ghost Dance” on his new album Room Enough, Time Enough, out today. On the album, Huckfelt celebrates the marginalized voices of the Native American community through a host of Indigenous singers and borderlands musicians alike. On “Ghost Dance” Huckfelt is joined by Ojibwe ambassador of Native Americana music Keith Secola and American Indian Movement’s radical poet John Trudell’s Native singer Quiltman. Listen to “Ghost Dance” HERE.

About “Ghost Dance” Huckfelt says:

“The Ghost Dance was a spiritual movement in the 1860’s throughout the tribes of the Great Plains and the southwest, a revival in response to the high crimes of genocide, land theft, trampling of religious rights, the bald-faced sins of the American government in our country’s early history.  To step into that feeling, to know that perspective, to see the original sins of America laid bare, to realize the fear the government had of these people who had everything taken from them, yet still danced and sang - it’s sacred ground.  I think Patti Smith wanted to feel these feelings, to understand them, and to keep this story fresh in our hearts.  We wanted to do the same here, to let Quiltman’s voice lead us both back in time and forward into the future at the same time.  Heavy guitar work, heavy groove, and a gang vocal that is all heart and tribute - deep in our genetic DNA we understand what it is to survive the things imposed upon us by tyrants and criminals.  Right now in America, “we shall live again” works on a thousand levels...”.

Room Enough, Time Enough is earning praise across the board. Highlights include:

“Created during the pandemic and in the wake of the murder of George Floyd (a mile from Huckfelt’s home), this is a soothing and spiritual recording—just what the doctor ordered for these tough times.” – Americana Highways

“With the history of his years in the Pines in his rearview (for now, anyway), the road ahead is one paved in the folk tradition of collaboration and activism. Huckfelt says in the same email that Manifest Destiny has left our spirits and the planet sick and in great need of healing. Clearly his music is the strong medicine we need.” – Little Village

"There are songs written by, inspired by or sung with Native Americans on the album, all naturally in step with the airy, land-swept twang-rock sound, folk music traditions and environmental bent that have long been Huckfelt's trademark.” – Minneapolis Star Tribune

"The credits on Minnesota folk-rock singer-songwriter David Huckfelt’s new album reads like a who’s-who of Tucson music royalty.” – Arizona Star Daily

As part of the acclaimed indie act The Pines as well as a solo artist, David Huckfelt has shared stages with artists from Mavis Staples and Emmylou Harris, to Trampled By Turtles, Calexico and Bon Iver. In 2018 Huckfelt received the prestigious Artist-In-Residence award at Isle Royale National Park on Lake Superior, where in two weeks he wrote the 14 songs that would become his solo debut Stranger Angels. Beginning in 2014 with his collaboration with American Indian Movement leader & poet John Trudell, Huckfelt has worked with an array of Native American artists and activists including Keith Secola, Quiltman, Winona LaDuke and novelist Louise Erdrich in the fight for social justice and protection for Mother Earth. In thousands of shows across the United States, Canada & overseas, Huckfelt’s grassroots following has grown from small-town opera houses, Midwestern barn concerts, and progressive benefit events to national tours and festival stages like Hardly Strictly Bluegrass, Edmonton and Calgary Folk Fests, and the legendary First Avenue club in his beloved Minneapolis home.

Acclaimed singer/songwriter and multi-instrumentalist Amy Helm is set to release What the Flood Leaves Behind (Renew Records/BMG) on June 18th. Produced by Josh Kaufman (Taylor Swift’s Folklore, Bob Weir, Bonny Light Horseman) who is also featured on piano, guitar, and mandolin, the record brings Helm’s powerful, emotive vocals to the forefront. Listen to the captivating first single “Breathing” HERE.

After recording 2018’s This Too Shall Light in Los Angeles, Helm returned home to Woodstock and Levon Helm Studios to record What The Flood Leaves Behind. The historical significance of returning to that special place built by her father clearly resonated with Helm. “Going back to the place where I learned so much about how to express music, how to hold myself in music, how to listen to music,” she begins, “It was humbling in a funny way. I could see clearly where I came from and where I am now in my life. I was singing from a different place now and for a different reason.”

With the studio acting as the vital supporting actor, the ensemble cast consisted of a band of renowned players. The synergy of Helm, Kaufman and Phil Cook (keys, harmonica), Michael Libramento (bass, organ, percussion), Tony Mason (drums), Daniel Littleton (guitar), Stuart Bogie (saxophone), Jordan McLean (trumpet), and her son Lee Collins (congas) brought out the highest heights. Kaufman says, “I wanted her to feel like she had that freedom to be herself on the recordings and she just filled up the whole room. Her singing was coming from this deeply rooted place of family and music and wanting to convey a beauty.”

The album opens with Helm softly singing “Verse 23” penned by M.C. Taylor (Hiss Golden Messenger). The theme of acceptance resonates deeply with Helm and led to the album’s title. “‘What the flood leaves behind,’ I love how he says in the chorus, ‘is what we've got to make,’” she emphasizes. “I like that reckoning — the good and the bad and everything in between.”

Born into music as the daughter of The Band’s drummer/singer Levon Helm and singer-songwriter Libby Titus, Helm was raised between Woodstock, NY, NYC and Los Angeles. She is a founding member of folk group Ollabelle and a longtime member of The Midnight Ramble Band. What the Flood Leaves Behind is her third solo album.

Son Volt, one of the most influential bands of their generation, has announced the July 30th release of their tenth studio album, Electro Melodier (Transmit Sound/Thirty Tigers). The title, taken from the names of two vintage amplifiers from the late ‘40s and early ‘50s, also describes the album’s unique blend of folk, country, blues, soul and rock. Listen to rocking first track “Reverie” HERE and pre-order Electro Melodier HERE.

The follow-up to 2019’s acclaimed release Union, Electro Melodier finds band founder Jay Farrar’s unparalleled songwriting as poignant and intelligent as ever. Electro Melodier touches on the thought-provoking issues that impact us all, including the pandemic, love, and the inevitable passing of time. The current political divide makes its appearance on the album as well. “I wanted to concentrate on the melodies which got me into music in the first place,” says Farrar. “I wanted politics to take a back seat this time, but it always seems to find a way back in there.”

“Livin’ in the USA” echoes protest songs of old, highlighting both the breakdown of our culture and planet.  “Share a little truth with your neighbor down the block, We’ve all got fossil fuel lungs while we run out the clock," Farrar sings. “The Globe” reverberates with the tensions that arise with the fight for equality. “People climbing skyward stairs, Deciders of their fate, You can see it everywhere, Change is in the air…” The sentimental “Diamonds and Cigarettes,” featuring vocals by country singer Laura Cantrell, lovingly pays homage to his wife, while “Lucky Ones” is a weary tale of gratitude.

Electro Melodier features band members Mark Spencer (piano, organ, acoustic slide, lap steel, backing vocals) Andrew DuPlantis (bass, backing vocals), Chris Frame (guitar) Mark Patterson (drums, percussion).  Son Volt will take Electro Melodier on the road with select tour date in summer and fall. See below and for tickets go to https://sonvolt.net.

Farrar started Son Volt in 1994 after leaving the seminal group Uncle Tupelo, whose No Depression album helped define the alt-country and Americana genre. Son Volt’s debut Trace was heavily lauded and remains a defining document of the ’90s alt-country movement. Two decades later, the group continue to decidedly capture the times while breaking new musical ground on Electro Melodier.

SON VOLT TOUR DATES
8/7 - Open Highway Music Festival - St. Louis
8/20 - Fitzgerald’s - Berwyn, IL
9/9 - George’s Majestic - Fayetteville, AR
9/10 - Diamondhead Music Fest - Tahlequah, OK
9/11 - Knuckleheads - Kansas City, KS - MO
9/18 - Ludlow Garage - Cincinnati, OH
9/19 - Headliners - Louisville, KY
9/23 - Visulite - Charlotte, NC
9/24 - Haw River Ballroom - Saxapahaw, NC
9/26 - Graceland Guest House Theater - Memphis, TN

Ronnie Wood and the Ronnie Wood Band return to the blues with the second installment of his live album trilogy - Mr. Luck - A Tribute to Jimmy Reed: Live at the Royal Albert Hall.

Mr. Luck - A Tribute to Jimmy Reed: Live at the Royal Albert Hall will be released by BMG on September 3, 2021. The 18-track album features The Ronnie Wood Band including Mick Taylor with incredible special guests, Bobby Womack, Mick Hucknall, Paul Weller, and pays tribute to one of Ronnie’s musical heroes and major influences, the Mississippi electric blues pioneer Jimmy Reed.

The album is recorded live on a memorable night at the Royal Albert Hall on November 1, 2013. It features stunning tracks including "Good Lover" and "Ghost of A Man." With unique album artwork specially created by Ronnie, Mr. Luck will be available digitally, on CD, as a vinyl release, and as a beautiful limited-edition dual-tone smoky blue vinyl.

A ‘Tayle’ of Two Sidemen

When self-taught guitarist Eddie Taylor imparted his skills onto his friend Jimmy Reed, he surely couldn't have imagined the effect this was to have on the Chicago blues scene. Backing up such luminaries as John Lee Hooker, he is best remembered for his work with his former student.

Sweet coincidence, then, that in 1974 another Taylor, Mick, would make way for Ronnie Wood in the Rolling Stones, paving the way for these two friends and celebrated guitarists to work on projects ever since. The culmination of this to date is Taylor’s place in The Ronnie Wood Band at the Royal Albert Hall for 2013’s Blues fest, where they played the now-legendary set that would come to birth to this recording.

In regard to Mr. Luck, Ronnie comments:

“Jimmy Reed was one of the premier influences on the Rolling Stones and all the bands that love American blues from that era until the present day. It is my honor to have the opportunity to celebrate his life and legacy with this tribute.”

This album marks the second iteration in a trilogy of special and personal albums by Wood and the band, celebrating Ronnie’s musical heroes. The first album, Mad Lad explored the work of Chuck Berry as an emotional commemoration after Berry’s passing just over two years ago. Ronnie toured with Berry and was a lifelong fan.

bLOW, the new album from blues singer/songwriter/guitarist/producer Colin Linden will be released September 17, 2021 (on Highway 20/Thirty Tigers).  bLOW is the first release on Lucinda Williams’ imprint Highway 20 and embodies the powerful blues-meets-rock-meets-roots style Linden has crafted over his illustrious 45-year career, which set its course following a fateful meeting with Howlin’ Wolf at age 11. The opening track “4 Cars” is available on all DSP’s today. Listen HERE, and pre-order bLOW HERE.

“If I started to tell you all the people Colin Linden has played guitar with, you wouldn’t believe me,” says Lucinda Williams. “With bLOW, Colin has made a record that will let everyone else in on the secret. Having him be the first artist on my Highway 20 Records feels like his coming out party here in the US, and it’s better late than never.”

As a singer/guitarist, Linden has accompanied an incredible list of artists, who include Bruce Cockburn (as his producer and touring musician), Bob Dylan, Gregg Allman, Rihannon Giddens, Pistol Annies, John Prine and many more.  Linden was a main contributor to the music for the Nashville TV show and subsequent live tours. Along the way, Linden played on over 500 albums and produced 140, including his first-ever actual Grammy in 2020 for producing Keb Mo’s Oklahoma, winner for Best Americana Album. He has also nabbed a staggering 25 Juno Award nominations and nine wins.

The seeds for bLOW were planted when Linden was commissioned for another television project. “I had been asked to come up with some Texas-Louisiana border music as stock music for a TV show. After coming up with and recording maybe 18 pieces of music, I came to feel that a number of them were songs just waiting to be finished, so when the air cleared and we were locked down, I let the music lead me to the words.” The result is a collection of raw, riveting tracks, rooted in the deep valleys of the genre, while feeling perfectly modern for today’s times.

About Linden, acclaimed author Peter Guralnick (Searching for Robert Johnson, Last Train to Memphis) notes, “Colin always has something soulful to say.  Howlin’ Wolf charged him with bringing everything he had to offer, all of his feeling and all of his humanity, to the music, and he has.”

Grammy nominee Hiss Golden Messenger has just released the new track "Glory Strums (Loneliness of the Long Distance Runner)” from the highly anticipated album Quietly Blowing It (Merge Records), out on June 25th. The video for "Glory Strums (Loneliness of the Long-Distance Runner)," directed by Vikesh Kapoor, premiered today at Consequence as part of their insightful "Origins" series. Watch it HERE

Hiss Golden Messenger bandleader, songwriter and lead vocalist M.C. Taylor says of the new song: "Glory Strums' was written in the chaotic green spring of 2020 as a hymn to finding the places and spaces that make us human."

Hiss Golden Messenger has announced a long-awaited Winter/Spring tour in support of Quietly Blowing It, which begins on November 30th in Hummelstown, P. heading to Webster Hall in New York City on December 2nd. The run of 30+ dates will take the Durham, NC-based group coast to coast with stops that include Cambridge, MA, Philadelphia, Washington, DC, Charleston, SC, Atlanta, New Orleans, Austin, San Francisco, Portland, OR, Seattle, Denver, Minneapolis and Chicago before winding things up in Nashville on March 12th. See full list of dates below.

Quietly Blowing It was written, arranged, and produced by Taylor and is the follow-up to 2019's critically acclaimed release Terms of Surrender, which received a 2021 Grammy Award nomination for Best Americana Album. Special guests and contributors include Griffin and Taylor Goldsmith of Dawes, Tony Award-winning artist Anaïs Mitchell, Zach Williams of The Lone Bellow, Nashville guitar great Buddy Miller, and producer/musician Josh Kaufman of Bonny Light Horseman.

Pre-order Quietly Blowing It HERE now on CD, LP, and metallic blue Peak Vinyl, or wherever records are sold.

Hiss Golden Messenger Winter/Spring Tour Dates

November 30 – Hummelstown, PA – The Englewood 

December 2 - New York, NY – Webster Hall

December 3 – Cambridge, MA – The Sinclair

December 4 – Hamden, CT – Space Ballroom

December 6 - Providence, RI – Fete Music Hall

December 7 - Philadelphia, PA – World Cafe Live 

December 8 - Washington, DC – 9:30 Club

December 9 – Asheville, NC – The Orange Peel 

December 10 – Columbia, SC - The Senate

December 11 - Charleston, SC - The Pour House 

February 3 - Greenville, SC – Radio Room

February 4 – Atlanta, GA – Terminal West 

February 5 – Birmingham, AL - Saturn 

February 6 - New Orleans, LA – Tipitina's F

ebruary 9 – Houston, TX - White Oak Music Hall 

February 10 – Fort Worth, TX – Tulips

February 11 – San Antonio, TX – Paper Tiger 

February 12 - Austin, TX - Scoot Inn

February 14 – Phoenix, AZ – Crescent Ballroom 

February 16 – Solana Beach, CA – Belly Up

February 18 – Los Angeles, CA – The Troubadour

February 19 - San Francisco, CA - The Fillmore

February 23 – Portland, OR – Mississippi Studios

February 24 – Portland, OR – Mississippi Studios 

February 25 – Seattle, WA - Neptune Theatre

February 26 – Vancouver, BC – Imperial Vancouver 

March 1 – Boise, ID – Neurolux

March 2 - Salt Lake City, UT – The Commonwealth Room 

March 3 – Fort Collins, CO – Venue TBA

March 4 – Denver, CO – Bluebird Theate

March 5 – Denver, CO - Bluebird Theater

March 7 – Kansas City, MO – Record Bar

March 8 - St. Louis, MO - Off Broadway 

March 9 – Madison, WI – High Noon Saloon

March 10 – Minneapolis, MN – Fine Line Music Cafe 

March 11 – Chicago, IL - Thalia Hall

March 12 - Nashville, TN - Brooklyn Bowl

Son Volt’s Jay Farrar is an iconic alt-country/Americana pioneer and one of the genre’s most vital and beloved songwriters. With his thoughtful, raw and honest lyrics, Farrar is once again speaking to our social consciousness in a way that only he can with new track “Livin’ in the USA.” The song questions the notion of the American dream as many continue to grapple with the reality of what that is. Is it actually attainable for all, as many of us were taught? Is the land of the free and the brave free for everyone?  And at what cost? In the spirit of the great activist artists before him, Farrar asks, “Where’s the heart from days of old?  Where’s the empathy? Where’s the soul?” Listen to/view “Livin’ in the USA” HERE.

"The song didn't start out as an intentional homage thing, but in retrospect I see it as a nod to Springsteen's 'Born in the USA' or Neil Young's 'Rockin’ In The Free World',” Farrar says. “Those songs established a thematic tradition. I'm just updating and asking similar questions. How can so much wrong happen in this country that's held up as an example of what's righteous? Is America the healthiest or happiest country?  Democratic Darwinism is the brutal American reality..."

The Bluegrass Situation recently premiered the video which you can view HERE. “Livin’ in the USA” is featured on Son Volt’s tenth studio album, Electro Melodier (Transmit Sound/Thirty Tigers). The title, taken from the names of two vintage amplifiers from the late ‘40s and early ‘50s, also describes the album’s unique blend of folk, country, blues, soul and rock. Electro Melodier features Mark Spencer (piano, organ, acoustic slide, lap steel, backing vocals) Andrew DuPlantis (bass, backing vocals), Chris Frame (guitar) and Mark Patterson (drums, percussion). Son Volt will take Electro Melodier on the road with select tour dates in summer and fall. See below and for tickets go to https://sonvolt.net.

Farrar started Son Volt in 1994 after leaving the seminal group Uncle Tupelo, whose No Depression album helped define the alt-country and Americana genre.  Son Volt’s debut Trace was heavily lauded and remains a defining document of the ’90s alt-country movement. Two decades later, the group continues to decidedly capture the times while breaking new musical ground on Electro Melodier.

SON VOLT TOUR DATES
8/7 – St. Louis, MO – Open Highway Music Festival
8/8 – Indianapolis, IN – HiFi Annex
8/20 – Berwyn, IL – Fitzgerald’s
8/21 – Manitowoc, WI – Metro Jam
9/9 – Fayetteville, AR – George’s Majestic
9/10 – Tahlequah, OK – Diamond Stone Music Festival
9/11 – Kansas City, MO – Knuckleheads
9/17 – Cape Girardeau, MO – Shipyard Fest
9/18 – Cincinnati, OH – Ludlow Garage
9/19 – Louisville, KY – Headliners
9/21 – Knoxville, TN – Bijou Theatre
9/22 – Asheville, NC – Orange Peel
9/23 – Charlotte, NC – Visulite
9/24 – Saxapahaw, NC – Haw River Ballroom
9/25 – Thomson, GA – Blind Willie McTell Music Festival
9/26 – Memphis, TN – Lafayette’s

Shortly after announcing their much-anticipated sophomore album The Incredible Heat Machine, out October 15th (Mama Bird Recording Co.), TK & The Holy Know-Nothings are now sharing the dates for their headlining tour alongside a new music video for the album’s first single “Serenity Prayer”. The celebrated Portland band will take their *half-facetiously* self-described “psychedelic doom boogie” to venues throughout the US, starting September 15th at Schubas in Chicago and including a stop at AmericanaFest, Borderland Music Festival and an Indianapolis affair with Deer Tick and Cedric Burnside. After that, they head out on the road with JJ Grey & Mofro. For a full list of dates and to buy tickets, go HERE. Pre-order The Incredible Heat Machine HERE.

TK & The Holy Know-Nothings’ bar band ethos is embodied in the new music video for their groove-heavy first single “Serenity Prayer”, which you can watch HERE. The video, by Eric J. Loeffler and Aaron Curry, was filmed in a little shack-tavern in the yard of songwriter and lead vocalist Taylor Kingman’s childhood home.

The Incredible Heat Machine follows up the band’s 2019 debut Arguably OK and 2020’s B-sides EP Pickled Heat, which collectively introduced listeners to their distinct brand of unbound rock & roll infused with the strange, wide-open, outsider nature of Western country. TK & The Holy Know-Nothings amassed a devoted following as they performed sold-out shows throughout their home region and across the US. Like their last record, The Incredible Heat Machine was recorded live, with no overdubs, on stage at the OK Theatre in the quiet Eastern Oregon cowboy town of Enterprise.

TK & The Holy Know-Nothings 2021 Tour Dates

August 5-8 – Stanley, ID – Sawtooth Valley Gathering
August 20 – Bend, OR – 4 Peaks Music Festival
August 21 – Hood River, OR – The Ruins
September 15 – Chicago, IL – Schubas
September 16 – Louisville, KY – The Flamingo Lounge
September 17 – Indianapolis, IN – Hi-Fi Annex*
September 18 – Kalamazoo, MI – Bells Eccentric Cafe
September 19 – Buffalo, NY – Borderland Music Festival
September 21 – Knoxville, TN – Barley's Tap Room
September 22-24 – Nashville, TN – AmericanaFest
September 25 – Cincinnati, OH – Summer Music Series
September 29 – Des Moines, IA – xBK =
September 30 – Kansas City, MO – The Record Bar =
October 1 – Denver, CO – Lost Lake Lounge =

November 3 – Scottsdale, AZ – Scottsdale Center for the Performing Arts**
November 4 – Las Vegas, NV – Brooklyn Bowl Las Vegas**
November 5 – San Diego, CA – The Observatory North Park**
November 6 – Berkeley, CA – UC Theatre Taub Family Music Hall**
November 7 – Sacramento, CA – Ace of Spades**
November 9 – Crystal Bay, NV – Crystal Bay Club Casino Crown Room**
November 11 – Portland, OR – Crystal Ballroom**
November 12 – Seattle, WA – The Moore Theatre**
November 13 – Missoula, MT – The Wilma**
November 14 – Bozeman, MT – Elm**
November 19 – Bend, OR – Commons Concert Series

* supporting Deer Tick with Cedric Burnside
** supporting JJ Grey & Mofro
= with Extra Gold

Texas singer/songwriter/guitarist Seth James announces the August 27th release of his new album Different Hat (Tiny Ass Records). The new collection is a musical gumbo of Texas blues, R&B, rock, country soul, rootsy funk and more. James’ signature sound defies pigeonholing with an eclectic style that is on full display with Different Hat, an appropriate title for an artist who blends so many varied styles. On the Stax-inspired new track “World Full Of Strangers”, James touches on the challenges of reacquainting with each other following the last year apart. Listen HERE.

James is a true testament to the idiom ‘what you see isn’t always what you get’. How can a life-long working West Texas rancher, donned in cowboy hat and boots, authentically embody the rock, soul, R&B and blues stylings of an artist one might think came from a city such as Detroit, Chicago, New York, New Orleans or Memphis? He digs. Isolated on his family farm with no radio while growing up, James dug up the records of Muddy Waters and Lightning Hopkins – then Booker T. & the MGs, NRBQ, Delbert McClinton and so many more. They all laid the foundation that James built on. Ultimately, he found his musical identity and established himself as a force through his soulful vocals, songwriting and virtuosic guitar playing.

On Different Hat, James runs the gamut from tackling the last year of isolation in “World Full of Strangers” and his bluesy take on Fort Worth folklore in “Please Linda Lou” to his quiet prowess as an interpreter in “Ohoopee River Bottomland” to the seductive album closer, “Real Bad Deal” – the first time James has omitted his guitar on one of his recordings.

A large grassroots following has been hip to James for years as he has shared the stage with artists ranging from Percy Sledge to Buddy Guy to ZZ Top. The miles logged and music played have given James the self-assurance to remain true to oneself as an artist regardless of the current trends and flavor.  

Today, blues singer/songwriter/guitarist/producer Colin Linden releases his newest track “Until the Heat Leaves Town” from his upcoming album bLOW, out September 17, 2021 (on Highway 20/Thirty Tigers). The groove-heavy track conjures up a traditional blues theme of a down-on-his-luck character whose time has ultimately run out. Listen HERE and pre-order bLOW HERE.

Linden shares the true story behind the smoking song:   
“Larry. Country blues legend. My hero. Playing music fed his soul. Side deals fed his family. He ran afoul of some unsympathetic folks on a deal. He was in need of a place to hide. Me and Dave. Hanging out, playing guitar. A warehouse by the Brooklyn Bridge. Larry showed up one night, breathless and shifty. He stayed a few days, vague on details, one eye on the door. One morning he was gone, like a puff of smoke. I pictured him walking away, dawn climbing up the side of Manhattan Island like a cool breeze.”

bLOW is the first release from another artist on Lucinda Williams’ imprint Highway 20 and embodies the powerful blues-meets-rock-meets-roots style Linden has crafted over his illustrious 45-year career. Linden’s epic blues odyssey began at the mere age of 11 during a fateful encounter with Howlin’ Wolf, who implored him to carry on the torch after he was gone. An act of beautiful foreshadowing, Linden’s career has seen him share the stage with legends like Bob Dylan, Gregg Allman, Bruce Cockburn and John Prine. In 2020, after playing on over 500 albums and producing 140, he landed his first Grammy for his producer role on Keb’ Mo’s Oklahoma. Complete with 25 Juno Award nominations, nine wins and contributions to the Nashville TV show, O Brother, Where Art Thou and Inside Llewyn Davis, Linden has a stacked resume.

About Linden, acclaimed author Peter Guralnick (Searching for Robert Johnson, Last Train to Memphis) notes, “Colin always has something soulful to say.  Howlin’ Wolf charged him with bringing everything he had to offer, all of his feeling and all of his humanity, to the music, and he has.”

Revered Portland band TK & The Holy Know-Nothings will bring their self-described "psychedelic doom boogie" to Lost Lake Lounge in Denver, CO on October 1 with special guest Extra Gold. As the band gears up for the release of their sophomore album, The Incredible Heat Machine, out October 15 (Mama Bird Recording Co.), they will traverse across the country led by frontman Taylor Kingman, whose equally irreverent, delicate and cerebral first-person narratives somehow merge seamlessly with the group’s bar band ethos. See ticket information HERE.

Ahead of their forthcoming record, TK & The Holy Know-Nothings released the groove-heavy first single "Serenity Prayer", which shares the Sisyphean journey of a working musician who makes good for a few hours each evening playing at the local tavern before finding themselves inevitably drawn to a seat at the bar again. The accompanying video recreates the ambiance of a dive bar and was filmed in a little shack-tavern in the yard of Kingman's childhood home. Listen and watch HERE.

The Incredible Heat Machine follows up the band’s 2019 debut Arguably OK and 2020’s B-sides EP Pickled Heat, which collectively introduced listeners to their distinct brand of unbound rock & roll infused with the strange, wide-open, outsider nature of Western country. TK & The Holy Know-Nothings amassed a devoted following as they performed sold-out shows throughout their home region and across the US. Like their last record, The Incredible Heat Machine was recorded live, with no overdubs, on stage at the OK Theatre in the quiet Eastern Oregon cowboy town of Enterprise. TK & The Holy Know-Nothings are heading back on the road on September 15 in Chicago and wrapping up on October 1 in Denver before suporting JJ Grey & Mofro on their fall tour in November.

Acclaimed singer-songwriter-producer-musician Scott Hirsch releases “Night People” off his upcoming album Windless Day, which comes out on October 8 through Echo Magic Records with Soundly Music. Listen to the “Night People” through the DSPs here and watch the art video for the song on YouTube here. The album is available for pre-order here.

“We are all trapped in our minds, for better or for worse” says Hirsch, “This is a forever dilemma, but it has felt even more acute in recent days, hasn’t it? ‘Night People’ explores these corners of our minds --a place often shrouded in darkness, but sometimes, there’s a little light in there too. William Tyler, a frequent collaborator of mine wrote, ‘the psychic toll of the last few years, the fatigue, and the need to imagine something different and more hopeful all emerge in the songs on this record.’ On “Night People”, in the midst of a rhythmic strut and fuzzed-out guitars, Hirsch reaches into the murk to pull out some precious gems and hold them up for us so we can admire them glistening in the purple light. Hirsch acknowledges, "I wanted to capture a feeling that is simultaneously serene and fleeting, like a Windless Day."

Hirsch will be promoting the release with Windless Day with tour dates on the west coast, including some with the venerable folk band Fruit Bats (see below).
 
A founding member of such groundbreaking bands as Hiss Golden Messenger and The Court & Spark, Scott Hirsch has spent much of the past half-decade gradually growing an acclaimed solo canon, staking his own visionary, deeply personal approach towards traditional American studio craft and songwriting. Hailed by the Chicago Reader as “an album of kaleidoscopic range and beauty that encompasses his varied interests,” 2016’s BLUE RIDER SONGS prompted Pitchfork to enthuse, “It’s taken a long time for (Hirsch) to let out his voice – a cool, soulful thing filled with deep reverence for his source material, if some cynicism about the myths it’s spun…On BLUE RIDER SONGS, Hirsch debunks the idea that redemption is ever a cakewalk, and finds something more truthful and lasting in the pursuit of accepting responsibility.”
 
Hirsch followed up two years later with LOST TIME BEHIND THE MOON, praised by Sungenre as “a genre-defying blend of all things Americana, showcasing Hirsch’s innate songwriting ability…a mixture of country, blues, folk-rock and psychedelic which come together to create something wholly different from the separate parts. It is moving and contemplative, bold and adventurous, whilst also delicate and sensitive.” LOST TIME BEHIND THE MOON “answers the question of what we might have gotten if Lou Reed had headed for Tulsa instead of Long Island when he bolted from the Velvet Underground,” declared MAGNET, while Pitchfork wrote, “There’s a new confidence here…These songs suggest that Hirsch has reached a destination, at least with his music: that he has arrived at a place where he is able to harness these sounds and allusions to convey the particulars of his wanderlust.” “LOST TIME BEHIND THE MOON bristles and broods,” raved Raven Sings The Blues, “and in the end is a salve and solace to lost souls…Hirsch’s vision of country elegance and barbiturate boogie hangs heavy on the diaphragm, groovin’, and singin’ in the same breath.”

Hirsch continues to work closely with Hiss Golden Messenger as a multi-instrumentalist, arranger, producer, and most recently, mixer on this year’s acclaimed QUIETLY BLOWING IT. The founder of Ojai, CA-based studio and sound design firm, Echo Magic, Hirsch received a 2015 GRAMMY® Award nomination for his work as engineer and mixer on folk music legend Alice Gerrard’s FOLLOW THE MUSIC. Other recent credits include collaborations with like-minded artists including Mikael Jorgensen, Orpheo McCord, Daniel Rossen, and William Tyler, the latter of whom recently wrote of Hirsch’s journey to WINDLESS DAY, “To the wandering soul, the promise of travel, the motion of the road, and necessary transience instills a love of the novel experience and fortifies the restless spirit. But when travel is no longer possible, when ‘the road’ becomes the familiar paths around your town and home, is there the time and space to create a new kind of journey? When else would we go inward, by choice or practice, then when the world shuts down around us and we are left with the thoughts and melodies in our heads?”

TOUR DATES
OCTOBER

14 - Los Angeles CA - Gold Diggers
15 - Ojai CA - Deer Lodge
16 - Pioneertown CA - Pappy & Harriet's*
21 - San Rafael CA - Terrapin Crossroads*
22 - Sonoma CA - Sebastiani Theatre*
23 - Big Sur CA – Fernwood*
24 - San Luis Obispo CA - SLO Brew Concert Hall*
*w/ Fruit Bats

Celebrated Americana band Son Volt has announced a 2022 tour that will run from January through March, beginning on January 14th in support of the band’s critically acclaimed album Electro Melodier.

The 35-date run will circle the US starting on January 14th in Springfield, MO. Scheduled stops will include Los Angeles, San Francisco, Portland, Seattle, Cleveland, Pittsburgh, Brooklyn, Chicago, Detroit, Boston and more. The tour winds down in the band’s hometown of St. Louis on March 18th. Jesse Farrar from the band Old Salt Union will open on all shows. See the full list of tour dates below and go to https://sonvolt.net to purchase tickets.

Released in July, Electro Melodier further cemented Son Volt as one of the most influential bands of their generation. The title, taken from the names of two vintage amplifiers from the late ‘40s and early ‘50s, also describes the album’s unique blend of folk, country, blues, soul and rock. Electro Melodier features Mark Spencer (piano, organ, acoustic slide, lap steel, backing vocals) Andrew DuPlantis (bass, backing vocals), Chris Frame (guitar) and Mark Patterson (drums, percussion).  Listen to Electro Melodier HERE.

Farrar started Son Volt in 1994 after leaving the seminal group Uncle Tupelo, whose No Depression album helped define the alt-country and Americana genre. Son Volt’s debut Trace was heavily lauded and remains a defining document of the ’90s alt-country movement. Two decades later, the group continues to decidedly capture the times while breaking new musical ground on Electro Melodier.

SON VOLT 2021-22 TOUR DATES
9/21 – Knoxville, TN – Bijou Theatre
9/22 – Asheville, NC – Orange Peel
9/23 – Charlotte, NC – Visulite
9/24 – Saxapahaw, NC – Haw River Ballroom
9/25 – Thomson, GA – Blind Willie McTell Music Fest
9/26 – Memphis, TN – Lafayette’s
10/1 – Cedar Park, TX – The Haute Spot
10/2 – Dallas, TX – Oktoberfest
10/3 – Houston, TX – Heights Theater

2022
1/14 – Springfield, MO – Outland Ballroom
1/15 ­– Tulsa, OK – The Vanguard
1/16 – Amarillo, TX – Hoots Pub
1/17 – Albuquerque, NM – El Rey Theater
1/19 – Tucson, AZ – 191 Toole
1/20 – Flagstaff, AZ – Orpheum Theater
1/21 – Pioneertown, CA – Pappy & Harriet’s
1/22 – Los Angeles, CA – Teragram Ballroom
1/23– San Diego, CA – Casbah
1/25 – San Francisco, CA – Chapel
1/28 – Portland, OR – Aladdin Theater
1/29 – Seattle, WA – Neptune
1/31 – Boise, ID – Olympic
2/1 – Salt Lake City, UT – Commonwealth
2/3 – Boulder, CO – Boulder Theater
2/4 – Colorado Springs, CO – Lulu Downstairs
2/24 – Minneapolis, MN – Fine Line Music Hall
2/25 – Evanston, IL – SPACE
2/26 – Evanston, IL – SPACE
2/28 – Cleveland, OH – Beachland Ballroom
3/1 – Pittsburgh, PA  – Mr. Smalls
3/2 – Alexandria, VA  – Birchmere
3/3 – York, PA  – Appel Center for the Arts
3/4 – Ardmore, PA  – Ardmore
3/5 – Woodstock, NY  – Levon Helm Studios
3/6 – Woodstock, NY  – Levon Helm Studios
3/8 – Fairfield, CT  – Warehouse
3/9 – South Orange, NJ  – SOPAC
3/10 – Brooklyn, NY – Brooklyn Bowl
3/11 – Brooklyn, NY  – Brooklyn Bowl
3/12 – Boston, MA  – Sinclair
3/13 – Holyoke, MA  – Gateway City Arts
3/15 – Bellefontaine, OH – Holland Theatre
3/16 – Ferndale, MI  – Magic Bag
3/18 – St. Louis, MO  – The Pageant

Bear Family Records® proudly announces the release of the third and final CD box set in their retrospective of Connie Smith's RCA and Columbia recordings, The Latest Shade Of Blue: The Columbia Recordings 1973-1976, out November 19th. The limited-edition, 4-CD set includes all of the tracks from the second chapter in Connie Smith’s epochal recording career as she moved to the Columbia Records label from RCA Victor in 1973—and the first reissue of the majority of them.

The collection features classic, infectious 1970s honky-tonk singles such as “Just One Time,” “Ain’t Love A Good Thing,” her own co-write “You’ve Got Me Right Where You Want Me” and her hit takes on The Everly Brothers’ “(Till) I Kissed You” and “So Sad.”

Also included are dozens of out-of-print and long, hard-to-find recordings, including her unforgettable Christmas album Joy to the World, shaped by her own arrangements of sacred holiday songs, and the singular, history-making Connie Smith Sings Hank Williams Gospel.

In addition, The Latest Shade of Blue offers Connie Smith’s riveting interpretations of prime-era country songs from the pens of Dallas Frazier, Don Gibson, Bill Anderson, Doug Kershaw, Tom T. Hall, Lefty Frizzell, Harlan Howard, Eddie Raven and Jessi Colter. Also highlighted are detailed stories of Connie Smith’s close work with Columbia producers Ray Baker and George Richey, as they arrived at the song choices and up-to-date, yet traditionalist sounds that brought her through the pop-centric John Denver/Olivia Newton-John country era with her core classic country intact. The anecdotes are based on extensive new interviews with Smith and Baker themselves. They are found in the accompanying book by author Barry Mazor.

The Latest Shade of Blue is the third in Bear Family’s chronicle of one of country music’s most masterful vocalists in the years that cemented her reputation and renown, following the two sets covering her previous years at RCA Victor, Born to Sing (1964-1967) and Just For What I Am (1968-1972). The 80-page book includes dozens of previously unpublished photos, a detailed discography, a session-by-session discussion of the making of the records and an overview of Connie Smith’s life as she balanced session scheduling, Grand Ole Opry performances and touring performances while being an actively involved, dedicated mother of five. The introduction is by Connie’s husband and musical collaborator Marty Stuart, who has now joined her as an inducted member of the Country Music Hall of Fame.

The Latest Shade of Blue follows the August 2021 release of Connie Smith’s 54th album, The Cry of the Heart. The effort received high critical praise running throughout the US and overseas, including a segment on NPR All Things Considered and major features in The New York Times, Billboard, People.com, Paste, Wide Open Country, American Songwriter and more. Other positive coverage ran in media outlets such as The Associated Press, No Depression, UNCUT, The Sun, The Independent and others.

Acclaimed indie-folk singer/songwriter John Craigie is gearing up for his third KeepItWarm Tour, the biggest tour of his career, beginning November 10th & 11th with back-to-back shows in Arcata, CA. In the tradition of past KeepItWarm tours, Craigie has partnered with nonprofits for these shows to help the communities he plays for, with $1 from each ticket sold going to a regional charity. Organizations include Western Center on Law & Poverty (November California Shows) Northwest Harvest (December Pacific Northwest Shows) and Hunger Free Colorado (December Colorado Shows).  For a full list of shows see below and on John Craigie's website HERE.

Craigie recorded the new track “Laurie Rolled Me a J” while stuck at home during the height of the pandemic. Craigie says, “This song was written in the midst of lockdown. Themes range from stimulus checks, isolation, dating during a pandemic, BLM protests, Wim Hof and the apocalypse. Recorded in Portland, OR with an all-star lineup. Members of TK and the Holy Know Nothings: Taylor Kingman, Lewi Longmire and Sydney Nash. Ned Folkerth on drums as well. Recorded in a live take at Hallowed Halls studio. Already a fan favorite since its live debut earlier this year.”  Laurie is Laurie Shook of the Shook Twins, longtime Craigie collaborators. The lyrics perfectly capture the anger and despondency that many of us have been experiencing. Read them HERE and listen to “Laurie Rolled Me a J” HERE.

Craigie is finally able to get back on the road where he shines brightest, displaying his articulate songwriting, telling his candid stories and humorous anecdotes and leaving everything on the stage. After releasing his acclaimed 2020 album Asterisk the Universe, Craigie was unable to share his signature blend of songcraft and wry wit with live audiences.

More than just a show, a John Craigie performance is a collective event, as audiences personally connect and relate to Craigie’s narratives and characters. This was captured on Craigie’s last live album Opening For Steinbeck, which earned raves from fellow musicians and fans alike. Check out “Don’t Ask” live from Portland, OR right before the pandemic HERE.

JOHN CRAIGIE KEEPITWARM 2021 TOUR DATES
11/10 – Arcata, CA – Arcata Theatre Lounge*
11/11 – Arcata, CA – Arcata Theatre Lounge*
11/12 – Chico, CA – The El Rey Theater*
11/13 – San Francisco, CA – The Fillmore*
11/17 – Solana Beach, CA – The Belly Up*
11/18 –  West Hollywood, CA – Troubadour*
11/19 – Santa Barbara, CA – Lobero Theatre*
11/20 – Arroyo Grande, CA – Clark Center for the Performing Arts*
12/1 – Vancouver, BC – Imperial^ [Low Ticket Alert]
12/2 – Bellingham, WA – Wild Buffalo^
12/3 – Seattle, WA – TBA
12/4 – Portland, OR – Aladdin Theater° [Low Ticket Alert]
12/5 – Portland, OR – Aladdin Theater^
12/9 – Ashland, OR – TBA
12/10 – Bend, OR – Tower Theatre^
12/11 – Eugene, OR – Hult Center for the Performing Arts^
12/17 – Fort Collins, CO – Washingtons‡
12/18 – Denver, CO – Bluebird Theater‡

* w/ Chris Pureka
^ w/ Kassi Valazza
° w/ Taylor Kingman

Singer/songwriter Joan Osborne will release a collection of unearthed live in-studio radio recordings entitled Radio Waves on February 22 (via her imprint Womanly Hips Records). The 13-song album is a unique, hand-picked assortment of Osborne’s favorite and most captivating live appearances culled from 100+ radio station performances over her 25-year career. See the full track listing below.

Following the 2020 release of her critically acclaimed Trouble and Strife, Osborne canceled her touring plans and spent the lockdown like many others – visiting backburner projects and sorting through the contents of old, dusty shoeboxes.

“Most of my life’s work has disappeared without a trace,” Osborne said. “I’ve made 10+ studio albums, but the vast majority of the songs I’ve sung hundreds and thousands of times over decades of touring across the globe, has never been recorded.”

What Osborne found buried deep within her closets are relics of those lost performances; time-capsule live recordings spotlighting the lightning-in-a-bottle dynamism that makes her a mesmerizing performer. The tracks of Radio Waves cover a wide range in style and source material, perfectly exhibited in the album’s bookends – starting with “Saint Teresa” from a KCRW session in 1995 and ending on a take of Sly and the Family Stone’s “Everybody Is A Star” performed at KROQ in 2002.

Consistent throughout Radio Waves are Osborne’s bigtime silky voice, soulful and smooth instrumentation from the likes of veteran accompanists Andrew Carillo and Jack Petruzzelli and a keen ear for heart-lifting song selections. Inspiring, stylistic choices span classics like Stevie Wonder’s “Love’s In Need of Love Today” and Bob Dylan’s “Make You Feel My Love”, as well as deeper cuts such as Bill Withers’ “Same Love That Made Me Laugh” and Toshi Reagon’s “Real Love”.

Osborne has announced dates for her first tour since the release of Trouble and Strife in 2020. See the full list below.

Throughout her 25-year, multi-Grammy nominated career, Joan Osborne has never been an artist confined to one space. She has utilized her incredible voice through her own songs while also becoming one of her generation’s finest interpreters. Radio Waves is a living document of that.

Radio Waves track listing

1.    “Saint Teresa” (KCRW, 1995)
2.    “My Love Is Alive” (KPRI, 2000)
3.    “Dream A Little Dream” (demo, 2005)
4.    “How Sweet It Is” (Radio Bremen, Germany, 2003)
5.    “Shake Your Hips” (WXPK, 2012)
6.    “One Of Us” (Dutch Radio, 2001)
7.    “Real Love” (demo, 2006)
8.    “Little Wild One” (KBCO, 2008)
9.    “Same Love That Made Me Laugh” (The Loft – Sirius XM, 2012)
10. “Make You Feel My Love” (Radio Bremen, Germany, 2002)
11. “Only You Know and I Know” (The Loft – Sirius XM, 2012)
12. “Love’s In Need of Love Today” (Radio Bremen, Germany, 2002)
13. “Everybody Is A Star” (KROQ, 2002)

JOAN OSBORNE 2022 TOUR DATES

January 13 – Bellingham, WA – Mount Baker Theatre
January 14 – Federal Way, WA – Federal Way Performing Arts and Event Center +
January 15 – Edmonds, WA – Edmonds Center for the Arts +
January 17 – Portland, OR – Revolution Hall +
January 20 – Livermore, CA – Livermore Valley Performing Arts Center +
January 21 – Santa Cruz, CA – Rio Theatre
January 22 – San Juan Capistrano, CA – The Coach House +
January 24 – Solana Beach, CA – Belly Up +
January 25 – Malibu, CA – Smothers Theatre +
January 26 – Scottsdale, AZ – Virginia Piper Theater at Scottsdale Performing Arts Center +
January 27 – Tucson, AZ – Fox Tucson Theatre +
February 18 – Natick, MA – The Center for Arts in Natick
February 19 – Uncasville, CT – Wolf Den at Mohegan Sun Resort
March 31 – Alexandria, VA – The Birchmere
April 1 – Easton, MD – Avalon Theatre
April 2 – Richmond, VA – Tin Pan
April 3 – Charleston, WV – Mountain Stage
April 5 – Nashville, TN – City Winery
April 6 – Atlanta, GA – City Winery
April 7 – Ponte Vedra Beach, FL – Ponte Vedra Concert Hall
April 30 – Patchogue, NY – Patchogue Theatre for the Performing Arts
May 13 – New London, CT – The Garde Arts Center
May 14 – Glenside, PA – Keswick Theatre
June 10 – South Orange, NJ – South Orange Performing Arts Center

+with The Weepies

Singer/songwriter Joan Osborne will release a digital single of “Shake Your Hips” on January 21. Recorded live at WXPK in 2012, the track is from her forthcoming album Radio Waves, which will be released on February 22. The 13-song album [available for pre-save now] is a unique, hand-picked assortment of Osborne’s favorite and most captivating live appearances culled from 100+ radio station performances over her 25-year career. She recently released a single for the song “Real Love” (WATCH).
 
In support of the album release, Joan is touring around the United States, starting on January 13 in Bellingham, WA. All tour dates are listed below.

Following the 2020 release of her critically acclaimed Trouble and Strife, Osborne canceled her touring plans and spent the lockdown like many others – visiting backburner projects and sorting through the contents of old, dusty shoeboxes.

“Most of my life’s work has disappeared without a trace,” Osborne said. “I’ve made 10+ studio albums, but the vast majority of the songs I’ve sung hundreds and thousands of times over decades of touring across the globe, has never been recorded.”

What Osborne found buried deep within her closets are relics of those lost performances; time-capsule live recordings spotlighting the lightning-in-a-bottle dynamism that makes her a mesmerizing performer. The tracks of Radio Waves cover a wide range in style and source material, perfectly exhibited in the album’s bookends – starting with “Saint Teresa” from a KCRW session in 1995 and ending on a take of Sly and the Family Stone’s “Everybody is a Star” performed at KROQ in 2002.

Consistent throughout Radio Waves are Osborne’s big-time silky voice, soulful and smooth instrumentation from the likes of veteran accompanists Andrew Carillo and Jack Petruzzelli, and a keen ear for heart-lifting song selections. Inspiring, stylistic choices span classics like Stevie Wonder’s “Love’s in Need of Love Today” and Bob Dylan’s “Make You Feel My Love”, as well as deeper cuts such as Bill Withers’ “Same Love That Made Me Laugh” and Toshi Reagon’s “Real Love”.

Throughout her 25-year, multi-Grammy nominated career, Joan Osborne has never been an artist confined to one space. She has utilized her incredible voice through her own songs while also becoming one of her generation’s finest interpreters. Radio Waves is a living document of that.

Radio Waves track listing

1.    “Saint Teresa” (KCRW, 1995)
2.    “My Love Is Alive” (KPRI, 2000)
3.    “Dream A Little Dream” (demo, 2005)
4.    “How Sweet It Is” (Radio Bremen, Germany, 2003)
5.    “Shake Your Hips” (WXPK, 2012)
6.    “One Of Us” (Dutch Radio, 2001)
7.    “Real Love” (demo, 2006)
8.    “Little Wild One” (KBCO, 2008)
9.    “Same Love That Made Me Laugh” (The Loft – Sirius XM, 2012)
10. “Make You Feel My Love” (Radio Bremen, Germany, 2002)
11. “Only You Know and I Know” (The Loft – Sirius XM, 2012)
12. “Love’s In Need of Love Today” (Radio Bremen, Germany, 2002)
13. “Everybody Is A Star” (KROQ, 2002)

JOAN OSBORNE 2022 TOUR DATES
January 13 – Bellingham, WA – Mount Baker Theatre
January 14 – Federal Way, WA – Federal Way Performing Arts and Event Center +
January 15 – Edmonds, WA – Edmonds Center for the Arts +
January 17 – Portland, OR – Revolution Hall +
January 20 – Livermore, CA – Livermore Valley Performing Arts Center +
January 21 – Santa Cruz, CA – Rio Theatre
January 22 – San Juan Capistrano, CA – The Coach House +
January 24 – Solana Beach, CA – Belly Up +
January 25 – Malibu, CA – Smothers Theatre +
January 26 – Scottsdale, AZ – Virginia Piper Theater at Scottsdale Performing Arts Center +
January 27 – Tucson, AZ – Fox Tucson Theatre +
February 18 – Natick, MA – The Center for Arts in Natick
February 19 – Uncasville, CT – Wolf Den at Mohegan Sun Resort
March 31 – Alexandria, VA – The Birchmere
April 1 – Easton, MD – Avalon Theatre
April 2 – Richmond, VA – Tin Pan
April 3 – Charleston, WV – Mountain Stage
April 5 – Nashville, TN – City Winery
April 6 – Atlanta, GA – City Winery
April 7 – Ponte Vedra Beach, FL – Ponte Vedra Concert Hall
April 9 – Immokalee, FL – Seminole Casino Hotel
April 10 – Savannah, GA – District Live at Plant Riverside District
April 30 – Patchogue, NY – Patchogue Theatre for the Performing Arts
May 13 – New London, CT – The Garde Arts Center
May 14 – Glenside, PA – Keswick Theatre
June 10 – South Orange, NJ – South Orange Performing Arts Center
June 14-16 – Big Indian, NY – Full Moon Resort

+with The Weepies

British musician Jack Broadbent releases “Ride,” the title track and video from his upcoming album Ride out April 8th.  The blues-heavy rock track offers a groove-infused, updated take on the classic road song, as Broadbent barrels down the highway in a convertible with his guitar. Ride was created while Broadbent was grounded during the pandemic, and the direction effortlessly evolved into what he calls “the rock 'n' roll record I've been wanting to make for a long time."  Listen to “Ride” HERE and pre-order the Ride album HERE.

Broadbent began crafting his musical chops as a youth in Lincolnshire England, where he originally started off on the drums before moving towards the guitar and songwriting. While busking in his early 20s Broadbent refined his slide guitar technique, complete with his requisite whiskey flask, which attracted fans of all ages to the young virtuosic bluesman. In 2016, the Montreux Jazz Festival hailed him as, "The new master of the slide guitar."  Many musicians took note of the young luminary as well, and Ronnie Wood, Peter Frampton and others enlisted Broadbent to join them on the road. Listeners continued to engage, earning Broadbent over 10 million streams on Spotify.

And while his background may be rooted in the blues and rock of classic artists like John Lee Hooker and Little Feat, the sound is distinctly his own. The songs on Ride are steeped in grit and power. The Americana vibe of “I Love Your Rock ‘n’ Roll” moves into the funky “New Orleans,” an homage to one of Broadbent’s favorite towns. "Grace" soars with a kind of front-porch spirituality, while album closer “Who Are You” offers brooding moments, depicting the ongoing journey that is life.

Broadbent plans to take Ride on the road throughout 2022, eager to bring the songs to life on the stage. No matter what lies on the road ahead, Broadbent’s fans can rely on his dedication to the music and to his evolving craft. Little Feat founding member and current US tourmate Bill Payne says it best: "I love his voice. His playing is superb, showing an almost reckless abandon when he gets revved up. He is performing on the edge, and if he falls, so be it. The pieces will not break."

JACK BROADBENT 2022 TOUR DATES

January 22 – Daytona Beach, FL – Peabody Auditorium*
January 23 – Ft. Lauderdale, FL – Parker Playhouse*
January 25 – Clearwater, FL – Ruth Eckerd Hall*
January 26 – Melbourne, FL – The King Center*
January 27 – Fort Pierce, FL – Sunrise Theatre*
January 30 – Runaway Bay, Jamaica – Feat Camp 2022
April 9 – Akron, OH – Akron Civic Theatre*
April 10 – Rochester, NY – Kodak Center*
*supporting Little Feat

UK guitar virtuoso Jack Broadbent releases “Midnight Radio” from his upcoming album Ride out April 8th.  Describing “Midnight Radio” as  “a song for the night owls, for the people that love their music by moonlight and stars,”  Broadbent’s distinctive voice accompanies the country-blues track with a swinging jazz groove. The video is a black and white, smoky, film-noir scene, evoking images of classic style and a time gone by.  Listen to/watch “Midnight Radio” HERE and pre-order the Ride album HERE.

Eager to get back on the road, Broadbent will headline dates in April, along with opening for long-time tour mates Little Feat. He will also be supporting alt-country pioneers Son Volt in August. He shined at his AmericanaFest showcase last year, about which No Depression said, “Brit Jack Broadbent and his flask-slide gave a show of virtuosity with his lap-picking style.” A full list of dates is below and on his website.

Broadbent began crafting his musical chops as a youth in Lincolnshire England, where he originally started off on the drums before moving towards the guitar and songwriting. "Being a drummer, I tried to develop a very rhythmic approach to my guitar playing," he recalls. "What interested me was being able to hold down a groove and do some gymnastics to incorporate solos and subtle bass lines.” While busking in his early 20s Broadbent refined his slide guitar technique, complete with his requisite whiskey flask, which attracted fans of all ages to the young virtuosic bluesman. In 2016, the Montreux Jazz Festival hailed him as, "The new master of the slide guitar."  Many musicians took note of the young luminary;  Bootsy Collins famously proclaimed him “the real thang!” while Ronnie Wood, Peter Frampton and others enlisted Broadbent to join them on the road. Listeners continued to engage, earning Broadbent over 10 million streams on Spotify.

JACK BROADBENT 2022 TOUR DATES
April 6 – New York, NY– Rockwood Music Hall
April 7 – Broad Brook, CT – Broad Brook Opera House
April 9 – Akron, OH – Akron Civic Theatre*
April 10 – Rochester, NY – Kodak Center*
April 12 – Evanston, IL– SPACE
April 13 – Madison, WI – The Bur Oak
*supporting Little Feat
August 1 – Boise, ID – The Olympic**
August 2 – Salt Lake City, UT – Commonwealth Room**
August 4 – Boulder, CO – Boulder Theater**
August 5 – Fort Collins, CO – Aggie Theatre**
August 6 – Basalt, CO – TACAW**
August 7 – Colorado Springs, CO – Lulu’s Downstairs**
**supporting Son Volt

Legendary band Widespread Panic announces the long-awaited official release of Miss Kitty’s Lounge on May 20th. The album will be released on vinyl in independent record stores, digitally on Livewidespreadpanic.com and streaming everywhere.

Following the success of their debut album Space Wrangler (1988 Landslide Records), Widespread Panic began what has become an illustrious touring career, breaking attendance records throughout the country. During some rare time off the road in 1990, the group, which then consisted of John Bell, Dave Schools, Michael Houser, Todd Nance and Domingo “Sunny” Ortiz, asked longtime friend/producer/collaborator John Keane to record and help produce a quality demo to give to the labels who had been showing interest in the Athens, GA quintet.

After spending much of the previous two years performing and honing their skills and with the help of Phish’s Page McConnell on keys, Randall Bramlett on sax and Keane on pedal steel, the tracks were complete.

This 14-song collection initially served as a set of demos that ultimately led to the group’s first record deal with Capricorn Records, the label that went on to release their next five celebrated studio recordings and one live album.

Dusted off, remixed and remastered, Miss Kitty’s Lounge offers fans a unique snapshot of where Widespread Panic was at this point in their evolution. The seeds had been planted and things were only just starting to blossom.

As lead singer/songwriter John Bell explains, “We filled the late ’80's calendars with a lot of road time. That’s where these tunes were born, raised, and sometimes beat up on the playground. This was Widespread Panic un-filtered - or, at least self-filtered - filling in almost every cranny with sound and movement.”

Miss Kitty’s Lounge
Track Listing
“A of D”
“C. Brown”
“Rock”
“Pigeons”
“Holden Oversoul”
“Proving Ground”
“The Last Straw”
“Love Tractor”
“Machine"
“Barstools and Dreamers”
“Contentment Blues”
“Impossible”
“LA”
"Conrad”