October 2017

Winnie Brave are a husband-and-wife, highway-stormin’, Americana/country-soul duo. They tour in a 1976 Winnebago with their two dogs and two old guitars. Space is tight but they love to log the miles and play their music to folks all across the country. They've recently released their latest album which is entitled, 'Cheap Gin'.

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Terrapin Crossroads welcomes M. Ward with open arms to the Grate Room on October 29th. Our thoughts are with our friends at Gundlach Bundschu as they work tirelessly to open their winery doors to the public, after what has already been an emotional and exhausting couple of weeks fighting the fires back. 
 

The sound of Anders Beck’s dobro cuts through the crisp October air, animating as it were, the twenty-five-hundred-plus friends gathered here to witness this. Asheville, NC in the fall is, by any measure, a lovely place to be. Gathered down on the banks of the French Broad river, at The Salvage Station, a venue that manages to be somehow both expansive and inclusive, I can’t think of any place I would rather be.

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Budding blues-rock outfit SAENTS has shared “Blood” exclusively with New Noise Magazine. The track announces the Los Angeles-via-Nashville duo’s self-titled debut EP available everywhere November 10TH. The EP can be pre-ordered on iTunes HERE.

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Join us for an all-star benefit show featuring Cyril Neville and Gaynielle Neville, Bill McKay (Derek Trucks Band, Leftover Salmon), Jordan Linit (Analog Son, Kinetix), Tori Pater (Dyrty Byrds, Polytoxic),Chadzilla (Polytoxic), Charlie Martens, Emily Clark, and Ashley Niven Fairman. Also featuring Jaden Carlson Band and Cass Clayton and the Riders. 100% of proceeds will benefit hurricane victims through a partnership with MusiCares, the non-profit arm of the Grammy’s. Full ticket price goes to the cause (excluding ticket fees).

Guitarist, bandleader, and composer Steve Kimock already had an impressively diverse backdrop of music before co-founding KIMOCK, taking a notion from a creative apex following his previous album, the deeply personal and experimental Last Danger of Frost. The veteran multi-genre improvisor admitted in an interview with Grateful Web that he wanted to explore a side his musical self that was lesser seen onstage. His potently cascading compositions have always taken focus, each song is a journey, and the payoff is blissful yet unpredictable.