When you bring a together a cast of musicians steeped in different backgrounds for the sole purpose of creating on-stage spontaneity, you have an improvisational outfit. The Everyone Orchestra, conducted by ringleader Matt Butler, is exactly that. The difference between your typical jam band and an improvisational outfit is that the latter shows up to the show with no songbook.

The music scene in Asheville, NC has been thriving as of late; however, the "word is out" so to say, and it's becoming increasingly difficult to stand out in the musical hotbed of the Carolinas.  The Get Right Band has the entire puzzle pieces needed to do just that, and their new EP Shake demonstrates a tasty mix of funk, reggae, rock, solid songwriting, and hip-swinging selections that leaves the listener thirsty for more from this three-piece group.  The EP opens with a very se

Long heralded and firmly entrenched as the psychedelic stalwarts of Austin, Texas, The Black Angels run on a reputation of mysticism that has them surrounded by dark, fuzzy guitar riffs and distorted vocals. Not adhering to conventions of modern rock, though grappling with elements of surf and late sixties acid rock, they’ve carved out their own slice of the Indie music scene. Regarded as musical savants in the towns and cities of America that really “get it,” the rest of the nation is finally catching up.

I had the pleasure of catching this homespun Nederland crew at Quixotes a couple weeks ago. It’s a venue I feel gracious to walk in alone to and find friends of all forms waiting inside. Gipsy Moon adds a whole new arena of affability to the experience. Though they are young, they take on the somber musical sentiment of an ensemble years ahead of their time.

After a spirited Jazz Fest, the Meter Men (3/4 of the original Meters) and Page McConnell from Phish came to Denver to play a sold out show at the Ogden Theater. They even added another show because of the huge demand for a place to see these legends culminate on stage.