Under overcast skies and a mild, comfortable breeze, the second day of week two at the New Orleans Jazz & Heritage Festival delivered a truly memorable experience. The crowds—neither overwhelming nor sparse—created an intimate yet vibrant atmosphere that perfectly complemented the diverse lineup of local, international, jazz, rock, and world music acts.
Irma Thomas, the legendary “Soul Queen of New Orleans,” commanded the Gospel Tent with her soulful presence. The tent overflowed, and ushers had to turn away late arrivals at one point. For those who found a spot in the back, witnessing her perform gospel classics with heartfelt sincerity was a blessing. Backed by a tight band—drums, bass, guitar, organ—and four powerful vocalists, Thomas’s rendition of “Jesus Loves Me” was deeply spiritual, burnished by church-organ tones and her signature soulful touch. Her stories of a Sunday‑school upbringing added warmth and authenticity, reminding everyone of her enduring connection to the music of faith.
Over in the Blues Tent, Jonathan “Boogie” Long delivered his best performance yet, shredding through the aisles during an extended improvisational segment. He closed with a Hendrix‑inspired rendition of the national anthem, infused with his own Boogie flair.
International flavors enriched the day’s musical tapestry. On the Lagniappe Stage inside the Grandstand paddock, 007 celebrated 25 years of Jamaican rocksteady mastery. Led by Jeffrey Clemens (of G. Love & Special Sauce), along with Alex McMurray, Jonathan Freilich, and Joe Cabral, the band paid homage to the 1960s Jamaican sound—blending ska, reggae, and soul with seasoned precision. Their infectious groove and Clemens’s authentic vocal inflections kept the crowd moving.
At Congo Square, Benin International Musical brought Afro‑pop garage rock, fusing Afrobeat, hip‑hop, and rock to demonstrate the festival’s global reach. Later, Haitian‑Canadian reggae rapper and guitarist Wesli stood out both musically and stylistically, sporting a look reminiscent of D’Angelo. Backed by a dynamic band, he engaged the crowd—his saxophonist even jumping into the pit for a solo amidst cheering fans. Their set’s transition into Latin American rhythms foreshadowed Son Rompe Pera’s explosive performance at the Jazz & Heritage Stage.
Son Rompe Pera, one of the festival’s most buzzed‑about Mexican bands, brought exhilarating punk‑cumbia energy. A shirtless, heavily tattooed musician paraded a papier‑mâché bull on his head while wildly playing a xylophone. Their finale—a raucous “Cariñito” featuring guest brass and percussion from a Mexican parade—was a high‑octane celebration of the genre’s modern reinvention.
On the main Jazz & Heritage Stage, Julian Marley and the Wailers offered a laid‑back but deeply groovy set. Revisiting classics like “Stir It Up” and “Waiting in Vain,” they connected the audience to reggae’s roots with steady, soulful rhythms—underscoring the enduring legacy of Bob Marley.
Meanwhile, on the Gentilly Stage, local band Sweet Crude showcased progressive music rooted in southern Louisiana’s French‑speaking traditions. Their intricate harmonies, four‑on‑the‑floor percussion, and grand pop hooks felt both authentic and inviting. Their warm stage presence and upbeat energy created an atmosphere where you genuinely felt you could hang out with them after the set.
Closing the night at Gentilly was Joan Jett & the Blackhearts, the epitome of rock ’n’ roll attitude. Dressed all in black, Jett delivered a masterclass in raw energy. Despite a brief interruption when a tech clipped lyrics onto her stand—an unusual sight for such a seasoned performer—she powered through hits like “Love Is Pain,” “Everyday People,” and the iconic “I Love Rock ’n’ Roll.” The crowd peaked during “Bad Reputation,” turning the finale into an enthusiastic sing‑along that reaffirmed her rock‑legend status.
Friday at Jazz Fest was a celebration of musical diversity: heartfelt gospel, international fusion, and iconic rock. The overcast skies and gentle breeze encouraged exploration and spontaneous joy. From Irma Thomas’s spiritual uplift to Son Rompe Pera’s punk‑cumbia frenzy and Joan Jett’s timeless rebellion, the day proved why this festival remains an unforgettable cultural landmark.
