NYC 2031, Black Sabbath, and Animated Chaos: The Legacy of Heavy Metal

Article Contributed by aaron | Published on Monday, September 15, 2025

When Heavy Metal hit theaters in 1981, it wasn’t just a movie, it was a stoner fever dream splashed across the big screen. Born from the cult magazine of the same name, this animated anthology stitched together sci-fi, fantasy, comedy, and psychedelia into one long strange trip. It was the kind of thing that didn’t need to make perfect sense — it just had to feel like a late-night cosmic ride soundtracked by the loudest stereo in town.

The movie opens with a Corvette dropping from outer space and never really comes down. Stories range from Den’s unlikely heroics to a zombified warplane in “B-17,” and of course the finale with Taarna, the silent warrior goddess who slices her way to redemption. The connective tissue is the glowing green orb of evil, the Loc-Nar, whispering doom and temptation in every story. It’s comic book pulp with a thick haze of smoke and neon wrapped around it.

One of the most memorable chapters takes place in New York City in the year 2031, where cab driver Harry Canyon navigates a future that looks like Times Square dipped in acid and grime. Harry’s a hardboiled wiseguy who narrates his days with deadpan noir wit. His cab is fitted with a hidden disintegrator to deal with unruly fares, and his love life is summed up in one unforgettable line: giving a passenger “the Stars and Stripes Forever.” It’s equal parts sleazy, hilarious, and weirdly prophetic — a dystopian vision of NYC where the Loc-Nar shows up just as easily as it does on alien worlds. The cabby story grounds the film in a cynical urban future, reminding us that evil doesn’t just haunt galaxies far away, it lurks right here at home.

What really sealed Heavy Metal into cult status was the soundtrack. Black Sabbath grinding out “The Mob Rules.” Blue Öyster Cult soaring through “Veteran of the Psychic Wars.” Cheap Trick, Journey, Sammy Hagar, Devo — it was like someone raided every turntable in 1981 and stuffed the best tracks into a cartoon. The music wasn’t background; it was the bloodstream of the film, fueling the madness and giving fans a reason to keep spinning the VHS long after theaters pulled it.

The comedy laced through the film is another reason it sticks. The voice cast featured John Candy, Harold Ramis, Eugene Levy, and other Second City heavyweights who brought sly humor to even the wildest scenes. Candy’s turn as Den — the nerd transformed into a musclebound barbarian — is pure gold, played with equal parts innocence and bravado. Ramis, who also contributed to the writing, injected just enough wit to keep the stories from collapsing under their own weirdness. Looking back, it’s bittersweet. Candy and Ramis both left us too soon, but their fingerprints are all over this movie. Their contributions remind us that even in a swirl of sex, spaceships, and sorcery, sharp humor is what makes it timeless.

Behind it all, there was the Howard Stern–ish publisher mentality that pushed the magazine’s edgy content onto the screen. The money guys might have been crooks, but in the chaos they accidentally green-lit a cult masterpiece. They probably didn’t understand it — but stoners, rockers, and midnight movie crowds absolutely did.

And then there’s Taarna. The avenging warrior woman who barely says a word but commands the screen with her presence. Clad in steel and riding a winged beast, she represents something rare for the era: unapologetic female power. No one saves her; she saves the world. The final sequence, where she takes on evil at unimaginable odds, still inspires chills. For all the male gaze that runs through Heavy Metal, it’s Taarna’s blade that defines the film’s spirit.

Decades later, Heavy Metal remains a cult classic, a rite of passage for anyone who loves music loud, stories weird, and visuals trippy. It’s messy, flawed, and often ridiculous — but that’s why it endures. It’s not a polished Hollywood epic, it’s a stoner’s sketchbook brought to life with distortion pedals cranked. A comic book opera about power, desire, humor, and rebellion.

In the end, the film is exactly what its name promises: heavy, loud, a little dangerous, and unforgettable. Whether you’re here for the Sabbath riffs, the Candy jokes, or Taarna’s sword cutting through the dark, Heavy Metal still hits like a lightning strike. A cult classic that never stopped glowing, just like the Loc-Nar itself.

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