What started as a small reggae project in Sydney, Australia, has turned into the amalgamation of genres now known as Ocean Alley. Formed in 2011, their love for performing their unmistakable brand of music has only grown as they have been gathering momentum. Releasing a deep and personal album (Chiaroscuro), embarking on a long tour half the world away from home, and drawing inspiration from every experience along the way, the band is aiming to truly make 2018 their breakout year.
One of Australia’s most unique ambassadors, Xavier Rudd, has always found a way to stay authentic and true to himself. A passionate musician, environmentalist, and cultural advocate, his ambitions carry an immense weight. Through his music, with a bold, resonant, and tribal sound he strives to pay tribute to his Aborigines heritage with every performance.
Con Brio, translated “with verve,” is led by singer Ziek McCarter, a 20-something with the soul of a 40-something, who is like a shot of James Brown, a dash of Sam Cooke, a touch of Freddie Mercury, all with a splash of Otis Redding while on stage. His showmanship in a live setting is matched only by the band’s musicianship, much to the delight of those in attendance. Their live shows have garnered world-wide attention, and their continual development in songwriting is expanding their catalogue by the
Aqueous is an improvisational groove rock 4-piece powerhouse band from Buffalo, New York. Grateful Web got the opportunity to sit down with Mike Gantzer of Aqueous to discuss the band, future albums, their summer/fall tour, and debut performance at Denver's Bluebird coming up on June 9th.
Prodigious progressive jazz guitarist Julian Lage at age thirty has been playing professionally for the majority of his life. In recent years, collaborations with other innovative virtuosic players such as Nels Cline, Chris Thile, and Chris Eldrige, have broadened his adoring listener base. Julian was gracious enough to catch up with Grateful Web’s Dylan Muhlberg in the midst of an already bustling year of gigs with dozens more across the globe to come.
Mood and muse, two inexplicably intertwined elements of an ethereal nature, yet their power to move both body and mind know no bounds. Flowing throughout the in-between like gravity and wind, these forces are foundational and creative to the many worlds that arise out of the relationship of things, out of the happenings originated by togetherness; a place born betwixt seed and light, lung and tree, heart and rhythm, a place where all things come together to form each thing (each moment) throughout all size and time. And where all things come together—so too, does mood and muse.<
In mythology, folklore and speculative fiction, shapeshifting is the ability of a being or creature to completely transform its physical form or shape. In the world of music, the verb can be applied in a similar context, particularly to one New York powerhouse funk quartet. Enter TAUK, a mind-melting, constantly moving, an ever-evolving force of nature that has taken the jam community by storm with their complex time signatures and catchy, melodic grooves.
Spring has arrived in Southern California and with the new season comes the beginning of music festival season. The West coasts most prestigious musical gathering, the Coachella Music and Arts Festival is set to take place over the weekends of April 13-15 and 20-22. The festival is celebrating its 19th year, with a claim of being bigger and better than ever. Last year ticket sales were increased to 125,00 per year versus 90,000 the year before. The festival also added an eighth stage as well, the Sonora stage.
The Infamous Stringdusters—mid-stride a strong driving, country-wide, Grammy inspired tour—came rolling through Portland’s Crystal Ballroom breathing fire March 9th, and smoked the house. With the Stringdusters receiving well-deserved coverage from news media, music magazines, professional writers and PR firms, Grateful Web looked to the fan for the “real story.” I recently contacted Gail Lordi, whom attended the show with her husband, Kliff Hopson, an