Lana del Rey

Newport Folk Festival made a triumphant return to the fort this year, laden with curiosity and high anticipation. The buzz from last year's surprise performances by Paul Simon and Joni Jam carried over, setting the stage for another captivating experience. Adding further intrigue was this year's inclusion of Lana Del Rey, which pushed ticket prices on the controversial secondary market to unprecedented heights, primarily driven by her fan base.

Over the course of her decades-spanning, accomplished discography, singer/songwriter/producer Cat Power AKA Chan Marshall has consistently contributed a musical conversation that spans genres and generations, and her new album Covers out now on Domino is no exception.  The album has been met with widespread praise from The New Yorker, MOJO, Pitchfork, Vulture, FADER, NYLON, Rolling Stone and more, all highlighting her unmatched art of song interpretation, as well as echo

This all started with Lizzy Grant—back before Lana del Rey’s somehow-transcendent Born to Die managed to convince the vogue among us that trailer park chic was most certainly in, there was this beautiful young girl singing tortured-soul musings out of a doublewide, claiming that hell and salvation could all be found just cruising down Main Street in any blue collar town—simple as that.

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