Connecticut based jam rock quintet Goose unfurled sweet covers and tasty originals last Saturday on the first of their two night stand at the sold out Palladium in Worcester, Mass. This group has seen a remarkable growth surge compared to Halloween weekends past, having played at the 500 person capacity South Farm in 2020, albeit this capacity constraint was partly because of the covid-19 pandemic. In comparison, the Palladium capacity is 2600.

Perpetual Groove returned to the Brooklyn Bowl in Brooklyn, NY last Friday to deliver an eclectic set of covers as PGramps, along with a set of originals. This Athens, Ga based jam band specializes in a fusion of southern rock, funk, jazz improvisation, indie rock and synth loops. New York City's Q104.3 disc jockey Ken Dashow joined them on drums for a few songs during PGramps set.

Southern rockers Blackberry Smoke have been busy with their newly released record (May 28th, 2021) "You Hear Georgia” and The Spirit of the South Tour that was postponed in 2020 for a year due to the pandemic.

Locally loved western Massachusetts concert space Gateway City Arts, situated in downtown Holyoke, made a celebrated return to its live music capabilities. The unique, industrial-style venue has been hosting some big shows in just the past few months from the likes of Julien Baker, Delvon Lemar Organ Trio, members of moe., and more.

For Deadheads across the land, this has been a wonderful week to be in Colorado. Tuesday night, Dead and Company kicked off the first of four Denver Area shows to take place in the Centennial State. Originally scheduled as just two performances at Fiddler’s Green in Englewood, the band announced mid-September that they were adding two more shows at the famed Red Rocks Amphitheatre.

Sometimes from within the musical world the cosmos comes together in just such a way, at just such a time that it produces something truly special. In this case, two historic characters, Johnny Cash and Owsley “Bear” Stanley collide with Haight-Ashbury’s famously historic venue, The Carousel, in one of the most historic times in music history, 1968.

Sean and Sara Watkins are currently touring in support of their new album Brother Sister. The sibling’s duo-centric record has a big sound and a big feel for two people. Sharing in the vocal responsibilities and with Sean on guitar and Sara on fiddle, they both provide the musical dynamics on the masterfully engineered sound of the album. The record has an honest sincerity and their writing skills are truthful, energetic and personal.

Phish on October 15 returned to Sacramento, California, opening the fall tour with two sets of skillfully innovative rock, jazz, and funky songs, instrumental textures, and artistic noodling. The three-plus-hour show found Phish firing on all cylinders, including guitarist Trey Anastasio’s ever-imaginative bag of guitar tricks, Page McConnell’s incredible array of organ and grand piano keyboard flourishes, Mike Gordon’s always-solid substructural bass, and Jon Fishman’s bright, rat-a-tat-tat drumming.

Phish brought extended jams and a catalog of vintage tunes with a peppering of new tracks to the state of the art Chase Center in San Francisco, California last night. This was the first time the Vermont based rock band has performed at the Golden State Warriors' quarters, though they certainly felt at home. The band kicked off their west coast fall tour on Friday night in neighboring Sacramento, Ca.

My first concert was Willie Nelson in January of 1984. I was only eight years old. My mum took me as her date since my dad was sick. We trekked across town to the Universal/Gibson Amphitheatre which was later demolished for The Wizarding World of Harry Potter attraction at Universal Studios Hollywood. I remember it being cold and rainy. Regardless of the weather, Angeleno’s were decked out in their country finest. Dark denim, blinged out belts, rhinestone-embellished cowboy hats and Americana regalia filled the theatre.