Sat, 05/07/2016 - 1:41 am

The Grateful Dead's legendary 1977 Spring Tour stands as a pinnacle in their storied career. Nestled in the Northeast, I was fortunate to attend the second show of this historic journey, held in Springfield on April 23rd. The experience was nothing short of transcendental; witnessing the band in peak performance reaffirmed their unparalleled musical prowess. Imagine my elation when a dear friend extended the invitation of a lifetime: a coveted front-row seat for their upcoming spectacle at the illustrious Boston Garden on May 7th

With a heart attuned to the rhythms of both music and visual art, I've long harbored a passion for capturing moments through the lens of my camera. Yet, the allure of live performances often found me entranced, my camera left dormant in deference to the immediacy of the experience.

However, the serendipity of securing front-row seats bestowed upon me a newfound resolve. Armed with my trusted camera and a lens capable of delving into the intimate nuances of the stage, I embarked on a visual odyssey.

As the euphoria of the opening chords reverberated through the venue, I wielded my camera like a painter's brush, delicately crafting portraits of the band in their element. With each click of the shutter, I immortalized fleeting expressions, weaving a tapestry of visual melodies that danced in harmony with the sonic symphony unfolding before me.

The concert commenced with the timeless anthem "Bertha," a personal favorite and a fitting overture to what would unfold as a tour characterized by its magic and momentum. Following suit, "Cassidy" graced the stage, yet it wasn't long before the specter of equipment malfunctions cast its shadow upon the evening. Despite the customary patience of Grateful Dead aficionados during interludes, this night tested our resolve with prolonged pauses necessitated by technical glitches. Yet, remarkably, the sonic integrity remained unscathed, a testament to the band's resilience.

As fate would have it, the serenade coincided with the birthday of none other than Bill Kreutzmann, infusing the air with an extra layer of significance. Amidst the first set's labyrinth of melodies, the atmosphere soared to new heights with a mesmerizing rendition of "Mississippi Half Step," a moment crystallized forever in the shutter of my camera, capturing Jerry's radiant grin as he embarked on a euphoric 'power chord' sequence. Seamlessly segueing into the rollicking rhythms of "Big River," the evening's narrative unfolded with a seamless elegance, punctuated by the timeless allure of "Deal." These sonic gems, nestled within the tapestry of the first set, shimmered as beacons of musical transcendence.

As the curtains rose on the second act, anticipation mingled with a hint of reservation as the unfamiliar strains of "Terrapin Station" filled the air. Initial skepticism gave way to intrigue as the intricate tapestry of lyrics and melody unfolded, revealing a gem in the making. Soon, any doubts dissolved as it became evident that this was destined to join the pantheon of Grateful Dead classics.

The unveiling of yet another new composition, "Estimated Prophet," further fueled the fire of excitement, its nascent promise shimmering brightly amidst the shadows of uncertainty. Despite the persistent specter of equipment woes casting its shadow, the ethereal strains of "Eyes Of The World" washed over the audience, a cherished embrace for devotees like myself, enraptured by its timeless allure.

The poignant strains of "Wharf Rat" later in the set added another layer of depth to the evening, its haunting melody echoing through the hallowed halls. Reflecting upon the tapestry of sound and experience, it becomes apparent that the true essence of greatness lies not only in flawless execution but in the resilience to transcend adversity.

In the aftermath, as the echoes of the night lingered through tapes and digitized renditions, a profound realization dawned: amidst the chaos and challenges, the Grateful Dead emerged not just unscathed, but elevated, delivering a performance that transcended the temporal confines, etching itself as a timeless masterpiece. To have captured glimpses of this ethereal moment through the lens of my camera, amidst the zenith of a remarkable tour, is a treasure I shall forever hold dear.

Sat, 04/22/2017 - 12:53 pm

I was at this show, and it still remains the favorite of the 70 shows I saw between 1973 -1995. Was only the second night of the tour, general admission, on a rainy cool day. Civic Center was way smaller than most of the other Northeastern 'hockey rink' venues, so it always felt more intimate and with better sound. I attended the show with at least 10 of my friends, we grabbed a bunch of seats just off the floor, not too far back on the side. A nice Sugaree to start (quite appropriate as we 'had to stand out in the pouring RAIN!). In these 'earlier' years I noticed that the band would feed off the energy of the crowd, and it was clear from the start that this crowd was pumping out lots of energy! Cassidy came firing out next, it was clear this was going to be a rocking set. Loser and Ramble on Rose with great vocal intensity from Jerry, being not far from NYC, the 'just like New York City' line gets a big response. Keith's work on the organ is smooth, especially on Row Jimmy. Bobby rocks out again on All Over Now, a new Bobby Womack cover song that most of us have not heard the band do. Then out of NOWHERE comes a quick 1-2-3 drum beat, and SCARLET BEGONIAS! Often, I think one can judge the quality of a show not just by the songs that are played, and how well they are played, but WHEN the songs are played! A rousing Scarlet into the first (for many of us) Fire on the Mountain to end the first set- set this crowd 'on fire' and we were psyched up for the second set.

Set two led off with another new song, Estimated Prophet, we knew right away this song would be a 'keeper!' Then we kicked up the tempo again with Bertha (which in my mind became the 'theme' song for this special spring tour), nice vocal harmonies from Donna & Bobby. This upbeat tempo 'never stopped' throughout this entire second set, which I never would find duplicated at any other show I attended. Listen to this set and you may agree! The Music Never Stopped kicked up the energy level even more, and the crowd kept the tempo going with energetic clapping and dancing.  The band kept it going with Help On The Way >Slipknot> Franklin's Tower.  This Franklin's totally put us up into a frenzied level that only the GD at their best could do! Not to be outdone Bobby picked another rocker, Around & Around, followed by a rollicking GDTRFB > Not Fade Away. A slow Jerry encore? No way, it being Saturday night we rocked out of town with OMSN. Over the years and seeing many great shows, I never did hear the band sustain such energy over the one evening, particularly set 2.