After a five-year hiatus, songwriter and artist Naø makes her solo debut with her new single, “Funny Bone,” a re-imagined version of a track that first echoed through the Mid-South metalcore scene a decade ago.

The nominees for Best Large Jazz Ensemble Performance category at the Grammy Awards in 1998 included a nonet album from a talented young guitarist and arranger, catapulted into the limelight by the honor. By the time he recorded his fourth nonet album in 2006, The Power of Nine, Anthony Wilson was well-known as the guitarist for Diana Krall and lauded as one of the most outstanding jazz musicians on the West Coast.

JAD Experience proudly presents ANIMALIS, the twelfth installment of its immersive, multisensory experience taking place over two weekends, July 11–13 and 18–20. Set atop the rolling terrain of Tara Firma Farms in Petaluma with sweeping views of surrounding hills, the open-air performance and dining venture draws thematic inspiration from George Orwell's Animal Farm.

Hannah Delynn, a Nashville-based vocalist, songwriter, and multi-instrumentalist, released “Blood Alone” on June 20. The song is the second single from her forthcoming debut full-length album, Trust Fall, which is set for independent release on September 5. Hannah’s openness to viewing life from many perspectives results in songs that are both emotionally engaging and compelling.

Grateful Web is proud to publish an exclusive interview with journalist and author Brian Anderson, conducted by Meagan Panici of Chicago’s legendary freeform station 88.3 FM The Wizard. In Loud and Clear: The Grateful Dead’s Wall of Sound and the Quest for Audio Perfection, Anderson treats the Wall of Sound not as mere equipment but as a living, breathing protagonist—capricious, communal, and uncompromising. Across this conversation, he delves into the system’s pioneering design, the mad-scientist zeal of Bear and Ned Lagin, and his own lifelong Deadhead roots that shaped this project.