Texas Headhunters aren’t here to play it slick; they’re here to play it real. Today, the trio of Johnny Moeller, Ian Moore and Jesse Dayton, drop “Gimme Some Love,” the third single from their self-titled debut album, out August 22 on Hardcharger / Blue Élan Records.

ENDIT is thrilled to welcome STS9 back to the historic Boulder Theater on Friday, August 29, 2025—marking the band’s first appearance in the room in ten years and a rare chance to catch their genre-blurring, high-energy live show up close before their Dillon Amphitheater weekend. Doors open at 8:00 p.m., and the music lifts off at 9:00 p.m. This is an all ages performance (patrons under 16 must be accompanied by an adult).

“This is as much Guy Clark’s album as it is mine,” says GRAMMY-winning producer, songwriter, and member of traditional bluegrass torchbearers, The Earls of Leicester, Shawn Camp. The album? A concept of sorts, built on the songs born from Camp and Clark’s most revisited muse, Sis Draper, and one which Guy Clark fans have been looking forward to almost as much as Camp himself. 

Robert Earl Keen has been dubbed a lot of things in his sixty-nine years, but he’s most proud of the moniker “Texan”—more specifically, a Texan from Kerrville. And now more than ever, in response to the July 4th flooding in Kerr County, Keen’s Hill Country community needs a helping hand.

Bassist and composer Derek Frank is back with a brisk, funk-fueled hit in the form of his new single "Beefcake," which dropped on July 11 across all streaming platforms. This horn-heavy, rhythm-forward instrumental is Frank's most high-energy, pulsed release to date this year-bursting with contagious grooves, tongue-in-cheek swagger, and the kind of tight musicianship that fans have come to expect from the longtime touring bassist turned solo artist.

On a beautiful summer Saturday—the day after the July 4th holiday—the faithful gathered at Vina Robles Amphitheatre for another mind‑bending performance by Primus. Before the much‑anticipated return of Les Claypool and his cohorts, a surprising opening set awaited.

Today, Robert Plant announces the release of Saving Grace: the first album featuring a new band of distinguished players, which he calls “a song book of the lost and found.” Arriving September 26 on Nonesuch Records, the genesis of Saving Grace began during the lockdown in “The Shire,” when Plant’s customary wandering was all but forbidden.

“Someone Else’s Shoes,” the second single from the forthcoming Neal Casal archival album No One Above You (The Early Years 1991–1998) is out today. The song’s release is accompanied by a lyric video illustrated by Casal's friend, fellow musician and filmmaker Deren Ney (Listen/Watch/Share).

“The hardship of loss can seem irrelevant compared to the beauty of the world,” muses East Nash Grass’s James Kee of the spirit behind the band’s latest single, “Lonesome Song.” “Ringing through the valleys and fields, loneliness stands contrary to the rest of nature, which seems so well matched.” Like that well-matched relationship, the 2024 IBMA New Artist of the Year-winning quintet use a subtle, poignant side of their musicianship to balance the highs and lows of “Lonesome Song’s” lyrics with a happy-go-lucky bluegrass feel,

This fall, two planets of pop culture collide on one sizzling stage as Prince/Bowie—the shapeshifting tribute that stitches together the funk‑drenched cosmos of Prince with the glitter‑splashed galaxy of David Bowie—hits the road for a run of festival and theatre dates. Imagine “1999” crash‑landing on “Ziggy Stardust,” a groove‑driven supernova where raspberry berets mingle with kabuki face paint, and you’ve got the electric heart of a Prince/Bowie show.