Kurt Vile's fifth long player is a humble opus if there’s such a thing. His lyrics could be hopeful, could be melancholy, it’s tough to tell – the almost-eponymous opening track (substitute “Day” for Daze in the title) sums it simply, it’s hard to explain, (my love) in this daze. Vile’s vocals throughout Wakin On A Pretty Daze are soft and flatline, yet they tend to hint at a humble crispness around the edges. As warning, his melodies keep alongside his voice, slow and meandering with only the slightest deviance.

As reggae music continues to reach new heights in America, John Brown's Body (JBB) has been there from the beginning, constantly pushing and evolving the U.S. reggae scene through explosive live shows and critically-acclaimed recordings.  Their new album, Kings And Queens, out April 16th on Easy Star Records, is no exception.  Kings And Queens is the band’s most ambitious release to date, encompassing the entire history of the band’s sound and legacy.

Blue Cheer muscled their way onto an unsuspecting late-’60s rock scene with an aggressively overdriven sonic assault that was as brutal as it was unprecedented.

While every state has their bevy of Grateful Dead cover bands, Colorado is proud to put Shakedown Street at the top of their list. Playing shows all over the Front Range and Rocky Mountains, they’ve built themselves into the beloved act they are today. Even Rob Eaton of Dark Star Orchestra plays with members on occasion when jamming around Colorado.