Amanda Anne Platt & The Honeycutters

“This album,” says Amanda Anne Platt, “has been a wild ride — both in the global and personal events that took place during its creation and in the creation itself.” Wild ride though it may have been, that album — Amanda Anne Platt and The Honeycutters’ two disc The Devil and The Deep Blue Sea, on Organic Records — reveals, in its elegant, heartfelt combination of sweeping concept and intimate execution, an artist at the height of her powers, fronting a band exquisitely attuned to the blend.

With the release of “Perfect Word” and “Only Just To Smile,” Amanda Anne Platt & the Honeycutters conclude a year-long song cycle that is in equal parts ambitious and intimate.

Since April, Amanda Anne Platt & The Honeycutters have been releasing music from their upcoming collection, The Devil and The Deep Blue Sea, a concept suite built from songs recorded under the straitened circumstances of quarantine and envisioned as a “deconstructed album,” released, not as a package, but in a series of paired singles, with each pair drawing on both of the titular concept’s two sides.

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