Fri, 06/04/2021 - 8:58 am

The Sweet Lillies' music is, first and foremost, heartfelt and collaborative.  Those defining traits are given life by the trio of musicians who make up the Lillies, Julie Gussaroff, Becca Bisque, and Dustin Rohleder, who have combined their individual strengths together to deliver powerful narratives of life in song. With their acoustic string-band lineup of guitar, viola, and upright bass given flight by ethereal, vocal harmonies that float like a dream, the Sweet Lillies' music has an old-time soul with a forward-looking eye. The Sweet Lillies have incorporated all of their cumulative life-experiences into their music, their song-writing, and their artistry, crafting an uncommonly-beautiful style they have christened String-Americana - a nod to the band’s all encompassing musical tastes and willingness to experiment with genres. As Gussaroff explains, “Some musicians learn from teachers, some learn from family members, and some are self taught. Some musicians are classically trained, some come up through folk, some draw from multiple springs, from hip hop through pop to bebop. In the Lillies' all of these skill sets are valuable, relevant, and appreciated.”

The Sweet Lillies are built upon their collaborative ideals and are always ready to share a stage or develop a project with any musicians who share the same no-holds barred creative approach.  This has made each one of their inventive, energetic live-shows a wholly unique event as setlists are changed on the fly, songs are given new life and shape, and guests are always welcome to join in the creative explosion.  Those on-stage partnerships create a space for incorporating instruments, arrangements, and styles that aren't necessarily typical of the genre, but that help create a rich, compelling sound that defies easy categorization.  Over the years they have been joined onstage by a number of legendary performers including, Sam Bush, George Porter Jr., Peter Rowan, Sally Van Meter, Andy Hall from the Infamous Stringdusters, Kyle Hollingsworth and Jason Hahn from the String Cheese Incident, Jennifer Hartswick, and Natalie Cressman from the Trey Anastasio Band, among many others.  Andy Thorn from Leftover Salmon who has sat in on many of those live adventures says, “It’s always a joy to play with the Sweet Lillies. Over the years, I’ve seen them evolve from a folk-and-bluegrass group into a genre-bending powerhouse. Today, at a Lillies show, you’ll hear everything from their beautiful, soulful originals, to creative reinventions of your favorite 90s hip-hop tracks. They’re always ready to have fun - on stage and off - without losing an ounce of their professionalism.”

The Sweet Lillies were born from Gussaroff’s desire to form a band in which each member would be an equal participant in terms of songwriting, singing, and creative input.  After years of accompanying other artists, serving as a side player, and writing songs for others, multi-instrumentalist and classical trained vocalist Gussaroff wanted to establish a true musical-collective that would highlight the best qualities of all involved.  In 2014 Gussaroff met Bisque, who was a classically trained violist.  The two found an immediate and deep musical connection and the Sweet Lillies were born.  In 2017 at a campground jam at the Hangtown Ball they heard guitarist Rohleder.  That night the three played for what they remembered as, “Ten magical hours.”  The following year in 2018, Rohleder joined the Sweet Lillies full-time completing Gussaroff’s vision.  

Since forming in 2013 the Sweet Lillies have released two albums, 2016’s self-titled release, and 2018’s A Lighter Hue produced by Leftover Salmon’s Vince Herman.  They are set to release their new album, Common Ground, produced by Railroad Earth’s Tim Carbone, later this year. 

Common Ground stays true to the beliefs that Gussaroff and the Sweet Lillies adhere to.  She explains, “String band music is compelling.  What makes it so universally appealing is the way it lends itself to effective fusion of diverse styles, skill-sets and conceptions.”  On Common Ground the Sweet Lillies take that notion to heart and do just that with an album that exemplifies their collective spirit and pulls from all the varied arrows in the band’s quiver.  On Common Ground the Sweet Lilles stay true to the string-band soul that is at the heart of their music, but prove they are also unafraid to explore all corners of their distinct musical experiences.  The album moves seamlessly from the horn-driven title-track “Common Ground,” to the gentle “Breath to the Birds,” to the hard-driving “Brother’s Hill,” to the band’s own unique, rootsy take on rap “In Love With the World,” (with a beat made by Jeff Franca from Thievery Corporation).  Common Ground masterfully incorporates those diverse genres and voices into their own universe, creating an aural-soundscape that is at the same time both new and familiar.  Producer Carbone sums it up best, “The world needs a band like The Sweet Lillies, whose music is positive without denying the darkness in the world.  Their songs are uplifting but they also invite the listener to be introspective and draw their own conclusions.  Like all great music it does so while taking you on a journey of joy.  I live to make records like this with dedicated, focused artists and I can't wait for the world to hear it.”

Wed, 05/03/2023 - 8:55 am

Dynamic multi-instrumentalist and vocalist, Andy Hall, of The Infamous Stringdusters has announced the release of his upcoming solo album Squareneck Soul available on June 23rd via Americana Vibes. Today, Hall has released “Up in Bigfoot Country,” the stirring, upbeat lead single that showcases his precision and dedication to his craft. Listeners can get a taste of his virtuosity and compositional prowess by viewing a play-along clip HERE.

Hall is joined by Sierra Hull (mandolin), Bryan Sutton (guitar), Wes Corbett (banjo), and Travis Book (bass) on "Up in Bigfoot Country." In his first solo release in almost 15 years, Squareneck Soul will feature 10 instrumental bluegrass songs with a guest feature appearance from acclaimed bluegrass sensation, Billy Strings. Of the release, Hall shares, "Squareneck Soul is truly a project from my heart and my soul. A slide guitar record 15 years in the making. It’s a collection of original instrumental tunes designed as a template for bluegrass improvisation.  I think of it as a musical playground for some world-class pickers!”

In addition to being a founding member of the GRAMMY-award-winning bluegrass act, The Infamous Stringdusters, Hall has maintained an active career through his solo and teaching endeavors. His 2008 release The Sound of Slide Guitar won the IBMA award for Instrumental Album of the Year and he has since released four additional solo albums leading up to the release of ‘Squareneck Soul.’ Outside of performance, Hall has amassed a steadfast roster of online students via the Artistworks teaching platform where he gives private lessons and shares resources such as guitar tabs, backing tracks, and more. Outside of his work with The Infamous Stringdusters, Hall has shared the stage with a wide range of artists including Dolly Parton, Wynona, Emmylou Harris, Earl Scruggs, Ryan Adams, Zack Brown, Charlie Daniels, Jack Black, Rodney Crowell, and many others.

Hall will be on the road with The Infamous Stringdusters for the duration of the summer with a slew of club shows and festival dates that include appearances at Suwannee Spring Reunion, Charm City Bluegrass Festival, DelFest, Telluride Bluegrass Festival, and more. A full list of dates can be found here:

5/6 - Baltimore, MD - Charm City Bluegrass Festival

5/20 - Clive, IA - Greenbelt Music Festival

5/26 + 27 - Cumberland, MD - DelFest

5/28 - Greenfield, MA - Strange Creek Campout

6/1-3 - Oak Hill, WV - Mountain Music Festival

6/17-18 - Telluride, CO - Telluride Bluegrass Festival

6/22 - Eau Claire, WI - Blue Ox Festival

6/23 - Owensboro, KY - ROMP Fest

6/24 - Caneadea, NY - Estival Festival

6/29-7/2 - Quincy, CA - High Sierra Music Festival

7/14 - Durham, NY - Grey Fox Bluegrass Festival

7/15 - Charleston, SC - The Refinery

7/21-23 - Redmond, OR - Fairwell Festival

8/4 - Bellvue, CO - The Mishawaka

8/5 - Dillon, CO - Dillon Amphitheater

8/6 - South Fork, CO - Rhythms on the Rio

8/11 - Alta, WY - Grand Targhee Bluegrass Festival

8/12-13 - Livingston, MT - Pine Creek Lodge

9/1 - Mill Springs, NC - Earl Scruggs Music Festival

9/1-3 - Charlestown, RI - Rhythm & Roots Festival

9/2 - Brunswick, ME - Thomas Point Beach Bluegrass Festival

9/15-17 - East Aurora, NY - Borderland Music Festival

10/8 - Monterey, CA - Rebels & Renegades Music Festival

10/6-8 - Pelham, TN - Cave Fest

12/6-10 - Puerto Morelos, Q.R. - Strings & Sol

‘Squareneck Soul’ is available for pre-save HERE.

For more information and to learn more, visit americanavibes.com/andyhall

Fri, 05/12/2023 - 7:58 am

Denver-based String-Americana group The Sweet Lillies continue to roll out their fourth studio album Equality with the release “Clear Water” available today via Americana Vibes. Keeping the theme of self-exploration and evolution of the spirit, the track reflects on guitarist, Dustin Rohleder’s upbringing on a family farm and the merger between one’s past and present to become their true self. Listen to the track HERE ahead of Equality’s June 2nd release.

Bassist and vocalist Julie Gussaroff reveals the unique way in which the song was written, “ I simply asked Dustin our guitar player to describe his upbringing on his family farm,” she states, “As he talked I wrote. The song describes him being torn between leaving the farm to find his own life and staying on the farm with his family. Dustin comes from generational farmers and deep roots hold him strong. Becoming his true self requires incorporating his past into his present and becoming a true intermingling of both.”

Recorded at Mighty Fine Productions in the band’s hometown of Denver, Colorado, Equality is an intrepid collection of songs that represents the current and evolved sound of the band. Comprised of core members Julie Gussaroff (Upright Bass, Vocals, Guitar & Mandolin), Becca Bisque (Viola, Vocals & Percussion), Dustin Rohleder (Guitar & Vocals), and Jones Maynard (Drums & Percussion), the band enlisted GRAMMY-award winner Chris Pandolfi of The Infamous Stringdusters to produce the album and it features guest appearances by Kyle Hollingsworth of The String Cheese Incident on keys and Jason Hann of The String Cheese Incident on additional drums.

On working with the band on their forthcoming album, Pandolfi says, “Every band that makes meaningful music over a long career will go through concentrated moments of evolution, where most aspects of their sound and vision take a huge leap forward, seemingly in a moment's time. 'Equality,' the excellent new album from the Lillies, is a coming of age for this up-and-coming band. From hip-hop-inspired writing to an expansive new sound featuring guest Jason Hann from String Cheese on drums, this record makes a powerful statement that will surely catch the attention of new ears. Becca, Julie, and Dustin all brought their A game, laying down emotive, compelling live tracks in the studio, exceeding expectations at every turn. It was an honor to produce 'Equality,' and I can't wait to see where it takes The Sweet Lillies.”

Equality features 12 brand new compositions by the quartet that explore themes of social justice, self-exploration, and evolution of the spirit, which make for an aptly titled new release. The band will be embarking on a national tour spanning the Midwest and east coast with key plays at The Peach Music Festival (Scranton, PA), Blissfest 2023 (Petoskey, MI), and more.

Full tour dates are as follows:

5/12 - Albino Skunk Music Festival 2023 - Greer, SC

5/19 - Breckenridge Brewery - Littleton, CO

6/25 - Togethernessfest - Spencer, NY

7/1 - The Peach Music Festival - Scranton, PA

7/7 - 7/9 - Blissfest Music Festival 2023 - Petoskey, MI

7/19 - Band On The Bricks - Boulder, CO

7/30 - Carbondale Mountain Fair - Carbondale, CO

9/1 - 9/3 - Four Corners Folk Festival 2023 - Pagosa Springs, CO

9/8 - Summer Music Evenings - Longmont, CO

10/6 - 10/8 - The Ramble Festival - Darlington, MD

Equality is available for pre-order on vinyl, CD & exclusive merchandise at Americana Vibes HERE.

For more information and to learn more, please visit: https://www.sweetlillies.com.

Fri, 05/19/2023 - 9:32 am

Denver-based, Boston-bred jam-rock outfit The Jauntee have announced the release of their third full-length studio album Anything out on July 14th via Regime Music Group. Today, the group debuts the lead single “Brick by Brick” accompanied by a lyric video that can be viewed HERE.

With almost a decade’s worth of touring experience and appearances at festivals such as The Peach Music Festival, Summer Camp Music Festival, Resonance Music Festival, and more, The Jauntee have traipsed across 36 states fostering an expansive music community. As such, “Brick By Brick” is an exemplary single to lead the charge and portray epitomizing messaging of the group's ethos. “Brick by Brick is about inclusivity and working with others towards a group goal,” the band reveals, “Come on in, bring a friend, and let’s have a good time. All are welcome here!”

Comprised of Scott Ferber (drums & vocals), Caton Sollenberger (guitar & vocals), Tyler Adams (keyboards & vocals), and John Loland (bass), the band clocks in over one hundred shows a year and have earned a name for themselves to engage fans through nightly explorations in risk-taking and expansive setlists chock full of improvisational moments that embrace living in the element of the live performance setting. Like trailblazers of the scene who have imparted a culture of dedication and surprise, The Jauntee follow suit by garnering a fanbase who thoroughly analyze and passionately promote their music through word of mouth and grassroots efforts. Their dedication doesn’t go unnoticed as the band crafts every show as a well-rounded concoction of shared experiences, bust-outs, and refined improvisation giving their fans a reason to continue to come back and spread the word.

The band kicks off the summer with a run through the Pacific Northwest followed by appearances at Elevation Music Festival in Alma, CO, and sealing it in with an album release show at Cervantes’ Other Side in their current hometown of Denver, CO. Full dates can be found below:

5/18 - Nectar Lounge - Seattle, WA

5/19 - River City Saloon - Hood River, OR

5/20 - Blairally Vintage Arcade - Eugene, OR

5/21 - The Get Down - Portland, OR

7/1 - Elevation Music Festival - Alma, CO

8/19 - Cervantes’ Other Side  Denver, CO * album release party

Tickets to the Cervantes’ album release party can be purchased HERE.

For more information and to learn more, visit thejauntee.com

Wed, 05/24/2023 - 8:42 am

Andy Hall of The Infamous Stringdusters has collaborated with GRAMMY-award-winning guitarist Billy Strings in his newest single “Muscle Car,” off of his forthcoming album Squareneck Soul out via Americana Vibes on June 23rd. With an uptempo, high-powered display of Hall’s virtuosity on dobro and Strings’ electrifying picking guitar performance, the new single is accompanied by an animated, video game-themed music video depicting a pixelated Hall in a red Ford Mustang that is powered by a magic dobro. On a quest to make it to a performance, the journey takes him through the mountains of Colorado, the Grand Canyon, and outer space before the apex of the chase finds him soaring above the California Aqueduct in Ventura County successfully completing the expedition to the show. You can watch the video HERE.

Joined by fellow Infamous Stringduster Travis Book on bass, rising bluegrass star Sierra Hull on mandolin, and prodigious banjoist Wes Corbett of Sam Bush Band, Hall presents 10 new compositions in Squareneck Soul that are meant to serve as templates for improvisation and pickin’. He aims to showcase the evolution and awareness of the dobro as the title alludes to a squareneck dobro/resonator guitar which is set up with a high nut to be played with a bar or a slide, only in lap style, making the instrument both audibly and visually memorable.

“I love being an ambassador for this weird, strange instrument,” says Hall, “When people hear the sound of the instrument and see it, they light up. I don’t think people are exposed to it much and I just love seeing reactions to it.”

The release of Squareneck Soul comes after a 2020 solo album 12 Bluegrass Classics for Resophonic Guitar, a collection of classic bluegrass songs and influences that inspired his musical journey and his 2021 ambient album A Universe Within created out of curiosity and catharsis during the pandemic. However, this is his first full band release under his own name since his 2008 release The Sound of Slide Guitar which won Instrumental Recorded Performance of the Year at the International Bluegrass Music Association (IBMA) Awards.

Hall will be on the road with The Infamous Stringdusters for the duration of the summer with a slew of club shows and festival dates that include appearances at Suwannee Spring Reunion, Charm City Bluegrass Festival, DelFest, Telluride Bluegrass Festival, and more.

A full list of dates can be found here:

5/6 - Baltimore, MD - Charm City Bluegrass Festival

5/20 - Clive, IA - Greenbelt Music Festival

5/26 + 27 - Cumberland, MD - DelFest

5/28 - Greenfield, MA - Strange Creek Campout

6/1-3 - Oak Hill, WV - Mountain Music Festival

6/17-18 - Telluride, CO - Telluride Bluegrass Festival

6/22 - Eau Claire, WI - Blue Ox Festival

6/23 - Owensboro, KY - ROMP Fest

6/24 - Caneadea, NY - Estival Festival

6/29-7/2 - Quincy, CA - High Sierra Music Festival

7/14 - Durham, NY - Grey Fox Bluegrass Festival

7/15 - Charleston, SC - The Refinery

7/21-23 - Redmond, OR - Fairwell Festival

8/4 - Bellvue, CO - The Mishawaka

8/5 - Dillon, CO - Dillon Amphitheater

8/6 - South Fork, CO - Rhythms on the Rio

8/10 - Ketchum, ID - River Run Lodge

8/11 - Alta, WY - Grand Targhee Bluegrass Festival

8/12-13 - Livingston, MT - Pine Creek Lodge

9/1 - Mill Springs, NC - Earl Scruggs Music Festival

9/2 - Brunswick, ME - Thomas Point Beach Bluegrass Festival

9/15-16 - Martinsville, VA - The “Infamous” Weekend

9/17 - East Aurora, NY - Borderland Music Festival

10/6 - Pelham, TN - Cave Fest

10/8 - Monterey, CA - Rebels & Renegades Music Festival

12/6-10 - Puerto Morelos, Q.R. - Strings & Sol

Squareneck Soul is available for pre-save HERE.

For more information and to learn more, visit americanavibes.com/andyhall

Sun, 06/04/2023 - 3:53 pm

Colorado-based string Americana group The Sweet Lillies have unveiled their new full-length record Equality available now via Americana Vibes. With overarching themes of self-exploration, social justice, and evolution, the quartet presents 12 brand new songs produced by Chris Pandolfi of The Infamous Stringdusters and recorded at the iconic Mighty Fine Productions in Denver, CO. Equality features guest appearances by Jason Hann (drums) and Kyle Hollingsworth (keyboards) further cementing The Sweet Lillies’ upswing with co-signs and collaborations by sought-after musicians on the nationally touring circuit and developing a road warrior reputation of their own.

The band's depth of songwriting and their own evolution as a unit is showcased throughout the duration of Equality. Guitarist and vocalist Dustin Rohleder reflects on his journey of leaving home in search of finding himself through travel experiences that awaken the mind and soul in “Candles” and deepens that exploration in “18 Wheels” which is a metaphor using the concept of a tractor-trailer to describe the experience of being a lone wolf in search of your life. “It is a diesel-soaked narrative of a man reaching further than he has ever reached before to find his inner self,” he reflects. The potency of Rohleder’s self-discovery is affirmed through the unique songwriting process of “Clean Water” where bassist and vocalist Julie Gussaroff asked him to describe his upbringing on his family farm. As he talked, she wrote, describing his journey of being torn between leaving the farm to find his own life and staying with his family of generational farmers and deep roots.

Violist Becca Bisque unfurls words of wisdom when it comes to standing up for yourself and the world around you. The album’s lead single “Words” is about overcoming self-doubt. “In this song, I question the use of language and its implications—asking when it is best to speak up and when it is best to be an observer—what is the result of those choices? Self-exploration and self-discovery as it relates to our words is the nature of this piece.” “Tables Turning” surveys learning one’s place in the community and society as a whole when it comes to societal norms and social expectations. The lyrics traverse through finding your true self examining how you fit in the world around you. Capping off themes of social justice, the title track “Equality” is Gussaroff’s antidote detailing growing up with parents who were social activists and learning how to treat people from all walks of life with love and respect. Affirming the powerful note, she asserts, “I believe someday we can live in a safe and equal society all we need do is work together. We must make reparations where needed and put all people on equal footing. We must fight the ideas that some people matter and others do not. All people are sacred and all people must be equal for us all to live in safety and peace.”

Outside of the examinational and uplifting lyrics, the band’s musical chemistry is firmly on display as evidenced by the careful balance between preparation, detailed songwriting, and organic moments of improvisation & spontaneity in the studio helmed by Chris Pandolfi’s production prowess. On his experience laying down drums with The Sweet Lillies, Jason Hann states, "I had an amazing time in the studio with The Sweet Lillies and Chris Pandolfini. It’s great the way the songs came together on the spot, leaving room for creativity and taking things to another level in the studio. The instant musical communication all around lent itself to a great playing flow. It was beautiful to be a part of this project!"

Of the final product and working with the group from start to finish, Pandolfi declares, “Every band that makes meaningful music over a long career will go through concentrated moments of evolution, where most aspects of their sound and vision take a huge leap forward, seemingly in a moment's time. Equality, the excellent new album from the Lillies, is a coming of age for this up-and-coming band. From hip-hop-inspired writing to an expansive new sound featuring guest Jason Hann from String Cheese on drums, this record makes a powerful statement that will surely catch the attention of new ears. Becca, Julie and Dustin brought their A game, laying down emotive, compelling live tracks in the studio, exceeding expectations at every turn. It was an honor to produce 'Equality,' and I can't wait to see where it takes The Sweet Lillies.”

Pandolif’s statement is backed up by a consistent touring schedule where the band has been road-testing the new songs and promoting the upcoming new album. After a busy spring of club dates, the band has prepared for a handful of festival and summer series appearances including The Peach Music Festival in Scranton, PA and Blissfest Music Festival in Petoskey, MI. Full dates are found below:

6/3 - Levitt AMP Gallup Music Series - Gallup, NM

6/15 - 6/19 - Adrift Adventures Rafting Center - Vernal, UT

6/21 - Central Stage - St. Louis, MO

6/23 - The Coterie - Kokomo, IN

6/24 - The Winchester - Lakewood, OH

6/25 - Togethernessfest - Spencer, NY

7/1 - The Peach Music Festival - Scranton, PA

7/4 - Live on the Lake - Chicago, IL

7/7 - 7/9 - Blissfest Music Festival 2023 - Petoskey, MI

7/19 - Band On The Bricks - Boulder, CO

7/20 - Little Beach Park - Minturn, CO

7/22 - Saturdays in the Square - Buffalo, WY

7/23 - One Legged Magpie - Red Lodge, MT

7/30 - Carbondale Mountain Fair - Carbondale, CO

8/26 - 8/27 - Great River Folk Festival - La Crosse, WI

9/1 - Music on the Green Concert Series - Mountain Village, CO

9/2 - Four Corners Folk Festival 2023 - Pagosa Springs, CO

9/3 - Breckenridge Brewery - Littleton, CO

9/8 - Summer Music Evenings - Longmont, CO

9/15 - The Infamous Weekend - Axton, VA

10/6 - 10/8 - The Ramble Festival - Darlington, MD

Equality can is available for purchase on vinyl and CD with limited edition merchandise available. You can order via Americana VIbes HERE.

To learn more and stay up-to-date on The Sweet Lillies, visit: https://www.sweetlillies.com/

Fri, 06/09/2023 - 9:38 am

Andy Hall of The Infamous Stringdusters has collaborated with 3x GRAMMY-award-winning mandolinist Ronnie McCoury on his brand new single “Skunk Weed,” out today via Americana Vibes. This is the third and final single release before his brand new record Squareneck Soul is released on June 23rd, his first full band solo effort since his 2008 album The Sound of Slide Guitar which won Instrumental Recorded Performance of the Year at the International Bluegrass Music Association (IBMA) Awards.

“Skunk Weed” is a funky, bluesy song that leaves plenty of room for improvisation and interplay between musicians. In titling every track on the new album, Hall reveals that he found it to be an artistic process to come up with words that sonically represented each song. This tune has a free-flowing, almost humorous nature, so he found “Skunk Weed” to aptly represent the exchange between himself, McCoury, and the musicians on the album. Joining Hall on Squareneck Soul are fellow Stringduster Travis Book on bass, rising bluegrass star Sierra Hull on mandolin, and prodigious banjoist Wes Corbett of Sam Bush Band,

Each of the 10 new compositions on Squareneck Soul are meant to serve as templates for improvisation and pickin’. Composed during a 3-4 week period, Hall was not only committed to connecting with three of his favorite musicians and people he genuinely enjoys being around but continue to be an ambassador of the dobro, highlighting it as a solo instrument and presenting it in different settings. Prior to Squareneck Soul, Hall released his first ambient music effort A Universe Within in 2021 during pandemic downtime and a fully solo record 12 Bluegrass Classics for Resophonic Guitar in 2020, a collection of classic bluegrass songs and influences that inspired his musical journey.

Hall and The Infamous Stringdusters are coming off of key festival plays at Charm City Bluegrass Festival and DelFest as they prepare for a slew of additional appearances at Telluride Bluegrass Festival, High Sierra Music Festival, Earl Scruggs Music Festival, and more. Additionally, the band recently announced their own festival The "Infamous" Weekend featuring 4+ sets of music by the group taking place at Pop's Farm in Martinsville, VA.

A full list of dates can be found here:

6/17-18 - Telluride, CO - Telluride Bluegrass Festival

6/22 - Eau Claire, WI - Blue Ox Festival

6/23 - Owensboro, KY - ROMP Fest

6/24 - Caneadea, NY - Estival Festival

6/29-7/2 - Quincy, CA - High Sierra Music Festival

7/14 - Durham, NY - Grey Fox Bluegrass Festival

7/15 - Charleston, SC - The Refinery

7/21-23 - Redmond, OR - Fairwell Festival

8/4 - Bellvue, CO - The Mishawaka

8/5 - Dillon, CO - Dillon Amphitheater

8/6 - South Fork, CO - Rhythms on the Rio

8/10 - Ketchum, ID - River Run Lodge

8/11 - Alta, WY - Grand Targhee Bluegrass Festival

8/12-13 - Livingston, MT - Pine Creek Lodge

9/1 - Mill Springs, NC - Earl Scruggs Music Festival

9/2 - Brunswick, ME - Thomas Point Beach Bluegrass Festival

9/15-16 - Martinsville, VA - The “Infamous” Weekend

9/17 - East Aurora, NY - Borderland Music Festival

10/6 - Pelham, TN - Cave Fest

10/8 - Monterey, CA - Rebels & Renegades Music Festival

12/6-10 - Puerto Morelos, Q.R. - Strings & Sol

Squareneck Soul is available for pre-save HERE.

For more information and to learn more, visit americanavibes.com/andyhall

Fri, 06/23/2023 - 2:11 pm

Today, Andy Hall of The Infamous Stringdusters has revealed his highly anticipated solo album Squareneck Soul. Available via Americana Vibes, his first full band venture since his 2008 critically acclaimed The Sound of Slide Guitar finds him in good company recruiting fellow titans of today’s bluegrass scene Travis Book (The Infamous Stringdusters) on bass, Sierra Hull on mandolin, and Wes Corbett (Sam Bush Band) on banjo. The record also features guest appearances from guitar sensation Billy Strings on “Muscle Car” and 3x GRAMMY-award-winning mandolinist Ronnie McCoury on “Skunk Weed."

To commemorate the release of the album, Hall has released a riveting solo performance video recorded at Etown Hall in Boulder, Colorado. Featuring just him and his dobro, Hall showcases a stunning display of fervor and expertise of the instrument in the emotive performance of the title track “Squareneck Soul” which can be viewed HERE.

Composed during a 3-4 week period leading up to the session, Hall set a goal to write 10 brand new compositions that can serve as devices for improvisation. He collaborated with Book, Hull, and Corbett not just because of their virtuosity, but because they are musicians he genuinely enjoys being around and who can improvise with roots that are well-versed in the traditions of bluegrass, but delves outside through their own intuition and curiosity. Through the release of the album and a common thread throughout all of his performing endeavors, Hall is rooted in an ethos to be an ambassador for the dobro, an instrument that often piques curiosity and is not found to be the lead instrument in many solo recordings.

Of the creative process and final outcome of Squareneck Soul, he says, "Squareneck Soul is truly a project from my heart and my soul—a slide guitar record 15 years in the making. In June of 2022, I got fired up and wrote every day until I had the tunes I thought would work well for this project. I crafted them as a template for improvisation and hoped to get some of my favorite players to join. I’m grateful that I was able to get some of the best to join me! Writing and playing dobro music is one of my absolute favorite things to do, and I hope folks enjoy listening to this as much as I enjoyed making it."

When naming the songs, Hall expresses that titling instrumental songs can be a challenge, but he enjoys the process. “Naming songs is an artistic process to come up with words that reflect the songs,” he says, “It’s challenging but fun, and you eventually land on the perfect fit.” This practice is aptly practiced in the Billy Strings feature, “Muscle Car,” where Hall heard the dark and driving nature of the composition lend itself to Billy’s own style and named the track after a vintage muscle car Billy drove to the studio. “Ancient Footsteps” is a perfect juxtaposition with its dreamy and melancholy nature. The easy listening “Seriously, It’s Going to Be Fine” is a feel-good song inspired by Book’s poised sentiments during a band email expressing verbatim that everything was going to be just fine. Hall leans into his Colorado home base in finding inspiration for “Crooked Mountain Top,” the most traditional bluegrass-feeling song on the album. He turned to Google Maps to find a lesser-known mountain in Colorado and landed on the perfect name that depicted the closing track on the album.

Hall and The Infamous Stringdusters continue the momentum of a vigorous touring schedule coming off of an appearance at the esteemed Telluride Bluegrass Festival last weekend and headed into key plays at High Sierra Music Festival, Earl Scruggs Music Festival, and more. Additionally, the band recently announced their own festival The "Infamous" Weekend featuring 4+ sets of music by the group taking place at Pop's Farm in Martinsville, VA.

A full list of dates can be found here:

6/23 - Owensboro, KY - ROMP Fest

6/24 - Caneadea, NY - Estival Festival

6/29 - Quincy, CA - High Sierra Music Festival

7/14 - Durham, NY - Grey Fox Bluegrass Festival

7/15 - Charleston, SC - The Refinery

7/21 - Redmond, OR - Fairwell Festival

8/4 - Bellvue, CO - The Mishawaka

8/5 - Dillon, CO - Dillon Amphitheater

8/6 - South Fork, CO - Rhythms on the Rio

8/10 - Ketchum, ID - River Run Lodge

8/11 - Alta, WY - Grand Targhee Bluegrass Festival

8/12-13 - Livingston, MT - Pine Creek Lodge

9/1 - Mill Springs, NC - Earl Scruggs Music Festival

9/2 - Brunswick, ME - Thomas Point Beach Bluegrass Festival

9/6 - Morrison, CO - Red Rocks Amphitheater

9/15-16 - Martinsville, VA - The “Infamous” Weekend

9/17 - East Aurora, NY - Borderland Music Festival

9/22 - Cape Girardeau, MO - Shipyard Music Festival

9/23 - Winona, MN - Boats and Bluegrass

10/6 - Pelham, TN - Cave Fest

10/8 - Monterey, CA - Rebels & Renegades Music Festival

11/5 - Redding, CA - Cascade Theater

12/6-10 - Puerto Morelos, Q.R. - Strings & Sol

Squareneck Soul is available to stream and order HERE.

For more information and to learn more, visit americanavibes.com/andyhall

Sun, 07/16/2023 - 3:44 pm

Andy Falco and Travis Book of The Infamous Stringdusters have teamed up to honor one of their biggest musical influences, Jerry Garcia, through a collaborative album Falco and Book Play Jerry Garcia available on August 4th via Americana Vibes. Today, they have released their rendition of the fan favorite “New Speedway Boogie” stripping the sound of the Grateful Dead classic down to its core using just acoustic guitar, upright bass, and vocal harmonies to lean into the nuances.

Originally conceived as a live project, the project garnered so much admiration from fans that Falco and Book felt a duty to capture these duo arrangements in the studio for all the world to hear. For both Falco and Book, the album signifies not only growing up with the music of Jerry Garcia, but commitment to exploring his music through a lens of traditional music styles such as bluegrass, blues, country, and bluegrass. “Musicians don’t exist in a vacuum, songs and style don’t just materialize spontaneously— everyone is a product of the music that they’ve heard, loved and internalized,” says Book, “Doc Watson called his music “Traditional plus, which means traditional music and everything else I’ve ever heard. Traditional music forms, like Jazz, Blues, Country, or Bluegrass are styles all their own.”

Falco continues, “I grew up listening to Jerry Garcia, in all of his different bands and projects, and that’s the music that has had the biggest impact on me and along with other traditional music like Blues and Bluegrass, informs my style and aesthetic. So while someone who grows up around Bluegrass or Country may point to that as their tradition, the Grateful Dead, specifically Jerry Garcia, is my tradition.”

The duo have announced three shows to present the material off of the new record in Red Hook, NY; Berkeley, CA; and Sellersville, PA. Falco and Book will join their bandmates in The Infamous Stringdusters as they continue a robust summer touring schedule with notable festival plays including Telluride Bluegrass Festival, High Sierra Bluegrass Festival, and more. The band’s inaugural festival The Infamous Weekend is set for September featuring 4+ sets of music by the group taking place at Pop's Farm in Martinsville, VA. A full list of dates can be found below:

7/13 - Red Hook, NY - Hardeman Orchards**

7/14 - Durham, NY - Grey Fox Bluegrass Festival

7/15 - Charleston, SC - The Refinery

7/21 - Redmond, OR - Fairwell Festival

8/4 - Bellvue, CO - The Mishawaka

8/5 - Dillon, CO - Dillon Amphitheater

8/6 - South Fork, CO - Rhythms on the Rio

8/10 - Ketchum, ID - River Run Lodge

8/11 - Alta, WY - Grand Targhee Bluegrass Festival

8/12-13 - Livingston, MT - Pine Creek Lodge

9/1 - Mill Springs, NC - Earl Scruggs Music Festival

9/2 - Brunswick, ME - Thomas Point Beach Bluegrass Festival

9/6 - Morrison, CO - Red Rocks Amphitheater

9/15-16 - Martinsville, VA - The “Infamous” Weekend

9/17 - East Aurora, NY - Borderland Music Festival

9/18 - Ashland, KY - Paramount Arts Center

9/20 - Memphis, TN - Miglewood Hall

9/21 - Glasgow, KY - The Grove

9/22 - Cape Girardeau, MO - Shipyard Music Festival

9/23 - Winona, MN - Boats and Bluegrass

10/6 - Pelham, TN - Cave Fest

10/7 - Berkeley, CA - Freight & Salvage **

10/8 - Monterey, CA - Rebels & Renegades Music Festival

10/20 - Sellersville, PA - Sellersville Theater **

11/5 - Redding, CA - Cascade Theater

12/6-10 - Puerto Morelos, Q.R. - Strings & Sol

**= Falco & Book Play Jerry Garcia

Fri, 07/21/2023 - 4:59 pm

Colorado-based bluegrass & Americana quintet Wood Belly have released “Play Me Out,” a brand new single that celebrates a  new chapter of an expanded lineup with the additions of drummer Dylan French and bassist & vocalist Brennan Mackey. Available today via Americana Vibes, the track is the first studio material to be unveiled with the new lineup with more to come over the course of 2023 and beyond.

“Play Me Out” signifies the range of emotions and spiraling thoughts of a past lover showing up to a party with somebody new. Branching out beyond the lyrics, it’s a sonic representation of harkening back to familiar roots while reaping momentum to push forward in a new direction mirroring Wood Belly’s trajectory. The band explains, “It’s a song that has one foot in the past and one in the present. Heartache set to fast-paced happy-sounding music has been a persistent theme in bluegrass. This modern version of the story takes place at a party when your ex shows up with someone new, yet it’s got party anthem vibes throughout. Musically it bridges a similar gap. There is driving banjo and great trio singing, but it also features drums, a modern chord progression, and a non-traditional singer.  It also sums up the story of the band. Until now Wood Belly had been a string band, and this is the first step in a new direction."

Wood Belly garnered both local and touring circuit attention by winning the 2018 Telluride Bluegrass Festival band competition and a nomination at the 2018 IBMA Momentum Awards. The new additions in the rhythm section accentuate their unrelenting dedication to original songwriting, prowess for harmony, and artful arrangements that delve through new grass, alt-country, rock, and improvisational music. Both French and Mackey are veterans on the scene with French having a reputation for versatility and adaptability performing with the likes of Kaepora, Boogie Mammoth, and more, and Mackey as a staple in the Colorado music scene with his sought-after indie-rock project King Cardinal. They join guitarist Chris Weist, dobroist & lap steel guitarist Chris Zink, and banjoist & guitarist Aaron McCloskey to form a well-rounded, musically telepathic 5-piece ensemble poised for a new chapter and a plethora of new material.

Speaking to their innovative sound, Bluegrass Today has expressed, “Even now, it’s safe to determine that they’re ones to watch...the freshness and vitality they bear elevates their standing and assures their status as instant contenders.”

Wood Belly will support the release of “Play Me Out” with a handful of tour dates that include:

July 28: Copper Creek Square - Winter Park, CO

August 4: The Mishawaka - Bellvue, CO (supporting The Infamous Stringdusters)

August 10: Beanstalk Music Festival - Bond, CO

August 17: Tetonia Club - Tetonia, ID

August 18: Creekside Revival - Livingston, MT

August 26: Fort Uncompahgre Interpretive Center + Public Lands - Delta, CO

September 23: Home Grown Gorge - Skamania, WA

October 5: Huck Finn Jubilee - San Dimas, CA

Wed, 07/26/2023 - 5:47 pm

Following up a successful self-titled debut album, Denver-based 5-piece jamgrass band, Morsel, have announced the release of On a Bee Line, their second album on the Americana Vibes label produced by GRAMMY-award winner Chris Pandolfi of The Infamous Stringdusters. The lead single “Rollin’ Down the Road” is available now presenting a merger between blues, country, and beyond, leaving listeners anticipating a colorful sonic palate by the rising band on the bluegrass circuit. On a Beeline will be released on September 29, 2023.

Formed during their college years at the University of Colorado Boulder, Morsel has had “Rollin’ Down the Road” in the can for a while and is eager to reveal the studio version to both longtime fans and a new audience. Dobroist and vocalist Evan Hoatson details, “I wrote this song about 8 years ago while in college, as I was incredibly into the blues and starting to actually enjoy listening to country music.  This was somewhat of me trying to blend the two genres together.  I was a tad reluctant to bring it to the band so many years later but was incredibly delighted with the new life they brought to it with the overall groove brought by Adam’s drumming and Ricky’s guitar playing. This song has now become a staple in our live shows.”

The band has gained has cultivated a robust following in the Front Range area in Colorado solidifying headline shows hometown venues such as Boulder Theater and The Fox Theater and supporting the likes of Molly Tuttle, Horseshoes and Hand Grenades, and Yonder Mountain String Band. On a Bee Line opens up the next chapter for the band as it illustrates the group's powerful songwriting that is its true soul: a cornucopia of catchy hooks, shimmering melodies, and thoughtful lyrics all delivered in a package that will make the most ardent bluegrass skeptic a believer. On a Bee Line can be pre-saved HERE.

In anticipation of the new album, Morsel will be announcing supporting touring dates to be revealed soon. To stay posted on upcoming dates and learn more about the band, visit: https://www.morselmusic.com/

Fri, 07/28/2023 - 1:00 pm

Formed in 2012 by singer-songwriters Grahame Lesh & Elliott Peck and taking their cue from the fertile Bay Area music scene, Midnight North has announced their fifth album Diamonds on the Zodiac, a continuation of their musical direction forged during the release of the group’s 2021 record There’s Always a Story. Today, they share the lead single “The Colors Here” which is a direct testament to their rich Bay Area heritage featuring Phil Lesh on bass. The track is accompanied by a lyric video by Bonez Studios that can be viewed HERE.

In addition to the family bloodlines between Phil and Grahame Lesh, “The Colors Here” is a genuine second-generation family affair as it features Amy Helm, daughter of The Band’s Levon Helm and singer-songwriter Libby Titus, on vocals, The song is filled out by the group’s bassist/vocalist Connor O’Sullivan and guest violinist Jason Crosby.

Elliot based the piano-driven lead single on memories of tornadoes growing up in the midwest along with the Judy Garland movie of Frank Baum’s 'The Wizard of Oz,' where the screen goes from black-and-white to technicolor when Dorothy finds she’s not in Kansas anymore. Elliot details, “‘The Colors Here’ is a song about surviving hardship and being able to experience the beauty on the other side of tragedy. The lyrics play with themes from the book & movie “The Wizard of Oz,” which became one of my favorite movies as a child. The characters, the story and of course that memorable moment when the movie flips from a black & white landscape to one of rich, magnificent color, made a huge impression on me. So did the theme of having a home where you are always welcome to return, no matter where you’ve been and what you’ve been through. It is a precious thing & one I identify with deeply.

The music and lyrics were written while house-sitting for a friend in Denver during the middle of a huge thunderstorm. And when the rain passed and the thunder stopped, I listened back to what I had written & recorded and felt it was something special worth showing the band.”

Along with lending her vocal talents on multiple tracks on the album, Amy Helm also produced the forthcoming record. Of the family lineage and connecting with Amy, Grahame explains, “Things have come full circle in that it was meeting Amy and Levon Helm at a Ramble in the Barn that gave my parents the inspiration to open Terrapin Crossroads, and having Terrapin was so instrumental in the band’s development. And now Amy produced this album and shepherded these songs to their ultimate form.”

The album’s title Diamonds in the Zodiac comes from the unearthed Robert Hunter lyrics for “Jupiter,” one of two extended tracks on the album. It was recorded at Dave Schools’ (Widespread Panic) Spacecamp in Occidental, California and mixed by D. James Goodwin, who has worked with such luminaries as Bob Weir, The Hold Steady, The National, Goose, and Bonny Light Horseman among many others. Besides the elongated forms in “Jupiter” and Graham’s opening “Questions,” the album is increasingly song-oriented and steeped in bluegrass, country, soul, blues, funk, jazz and gospel – a true Americana melting pot.

The cover art was done by Micah Nelson, aka Particle Kid, and Willie Nelson’s son using acrylic paint mixed with floetrol poured on wood.

In anticipation of the album release, Midnight North will continue to embark on a busy summer tour with dates that include:

7/27 - Victor, ID - Music on Main

7/29 - Salt Lake City, UT - Soundwell

7/30 - Boise, ID - Neurolux Lounge

8/2 - Mariposa, CA - The Grove House

8/3 - Nevada City, CA - Crazy Horse Saloon

8/4 - Felton, CA - Felton Music Hall

8/5 - Livermore, CA - Almost Famous Wine

8/6 - Navarro, CA - Under The Moon Festival

9/27 - Charleston, SC - Charleston Pour House

9/28 - Asheville, NC - Salvage Station

9/29-30 - Nashville, TN - Touch of Brews

11/10 - Menlo Park, CA - The Guild Theatre

Diamonds in the Zodiac will be available on November 10h and can be pre-saved HERE.

For more information and to learn more, visit midnightnorth.com.

Sat, 08/05/2023 - 2:49 pm

Andy Falco and Travis Book of The Infamous Stringdusters have teamed up to honor one of their biggest musical influences, Jerry Garcia through a collaborative live album Falco and Book Play Jerry Garcia available now via Americana Vibes. The release comes during the Days Between, the 9-day period between Garcia's birth (August 1st) and death (August 9th) that has come to be an annual celebration in the Deadhead community commemorating his life and work. As evidenced by the album’s focus track, a 10-minute rendition of The Grateful Dead’s “Morning Dew,” Falco & Book handle Garcia’s iconic songbook with care by stripping the classics down to their core using just acoustic guitar, upright bass, and vocal harmonies to lean into the nuances. A visualizer of “Morning Dew” can be viewed HERE.

Originally conceived as a live project, the project garnered so much admiration from fans that Falco and Book felt a duty to capture these duo arrangements for all the world to hear. The acoustic format allows Garcia’s projects from The Grateful Dead to “Dawg music” written in collaboration with David Grisman and everything in between a spaciousness that leaves room for the listener to fill in the spaces with their own musical memory and conceive the tunes with a new, and open mind.

For both Falco and Book, the album signifies not only growing up with the music of Jerry Garcia, but a commitment to exploring his music through a lens of traditional music styles such as bluegrass, blues, country, and bluegrass. “Musicians don’t exist in a vacuum, songs and style don’t just materialize spontaneously— everyone is a product of the music that they’ve heard, loved and internalized,” says Book, “Doc Watson called his music “Traditional plus, which means traditional music and everything else I’ve ever heard. Traditional music forms, like Jazz, Blues, Country, or Bluegrass are styles all their own.”

The duo performed selections from the new album and more in Red Hook, NY last month and have two additional dates announced to present the material off of the new in Berkeley, CA; and Sellersville, PA. The Infamous Stringdusters continue a robust summer touring schedule with notable festival plays including Telluride Bluegrass Festival, High Sierra Bluegrass Festival, and more. The band’s inaugural festival The Infamous Weekend is set for September featuring 4+ sets of music by the group taking place at Pop's Farm in Martinsville, VA. A full list of dates can be found below:

Falco & Book Play Jerry Garcia Tour Dates:

10/7 - Berkeley, CA - Freight & Salvage

10/20 - Sellersville, PA - Sellersville Theater

The Infamous Stringdusters Tour Dates

8/4 - Bellvue, CO - The Mishawaka

8/5 - Dillon, CO - Dillon Amphitheater

8/6 - Del Norte, CO - Rhythms on the Rio

8/10 - Ketchum, ID - River Run Lodge ^^

8/11 - Alta, WY - Grand Targhee Bluegrass Festival

8/12-13 - Livingston, MT - Pine Creek Lodge

9/1 - Mill Springs, NC - Earl Scruggs Music Festival

9/2 - Brunswick, ME - Thomas Point Beach Bluegrass Festival

9/3 - Charlestown, RI - Rhythm & Roots Festival

9/6 - Morrison, CO - Red Rocks Amphitheater !!

9/15-16 - Martinsville, VA - The “Infamous” Weekend

9/17 - East Aurora, NY - Borderland Music Festival

9/18 - Ashland, KY - Paramount Arts Center ##

9/19 - Nashville, TN - Grand Ole Opry

9/20 - Memphis, TN - Miglewood Hall ##

9/21 - Glasgow, KY - The Grove

9/22 - Cape Girardeau, MO - Shipyard Music Festival

9/23 - Winona, MN - Boats and Bluegrass

10/6 - Pelham, TN - Cave Fest

10/8 - Monterey, CA - Rebels & Renegades Music Festival

11/1 - Grass Valley, CA - Miners Foundry Cultural Center

11/2 - Oakland, CA - Fox Theater **

11/3 - Del Mar, CA - The Sound **

11/4 - Los Angeles, CA - The Bellwether **

11/5 - Redding, CA - Cascade Theater

11/7 - Boise, ID - Knitting Factory ##

11/8 - Bend, OR - Midtown Ballroom ##

11/9 - Eugene, OR - McDonald Theatre ##

11/10 - Portland, OR - Revolution Hall

11/11 - Seattle, WA - Neptune Theatre ##

12/6-10 - Puerto Morelos, Q.R. - Strings & Sol

^^ w/ The Wood Brothers

!! w/ Dierks Bentley

** w/ Greensky Bluegrass

## w/ Chris Jacobs

To purchase the album on vinyl or CD and obtain a brand new line of merchandise around the album, visit: https://americanavibesshop.com/collections/falco-and-book.

Sun, 08/20/2023 - 3:55 pm

Denver-based jam-grass band, Morsel, has released “'Scuse Me Miss,” the second single off of their forthcoming album On a Bee Line due out on Americana Vibes on September 29, 2023. Produced by Chris Pandolifi of The Infamous Stringdusters, the album follows up a successful self-titled debut release presenting an elevated sound infusing blues, rock, country, and more into their already eclectic sound leaving listeners anticipating a colorful sonic palette by the rising band on the bluegrass and Americana circuit.

Bassist and vocalist Jack Kotarba reflects on channeling his inner Crosby, Stills & Nash in his decision to write a social commentary tune speaking to feeling adrift and disillusioned by the current state of world affairs, “I’ve had that intro progression for years and have tried to fit so many song variations around it but none seemed to fit. Just so happened I came up with my favorite version of the song around that progression right as we decided to make this album! Lyrically I kind of just said screw it, I’m pissed about the state of things.”

Formed during their college years at the University of Colorado Boulder, Morsel has cultivated a robust following in the Front Range area in Colorado solidifying headline shows in hometown venues such as Boulder Theater and The Fox Theater and supporting the likes of Molly Tuttle, Horseshoes and Hand Grenades, and Yonder Mountain String Band. On a Bee Line opens up the next chapter for the band as it illustrates the group's powerful songwriting that is its true soul: a cornucopia of catchy hooks, shimmering melodies, and thoughtful lyrics all delivered in a package that will make the most ardent bluegrass skeptic a believer. On a Bee Line can be pre-saved HERE.

In anticipation of the new album, Morsel will be announcing supporting touring dates to be revealed soon. To stay posted on upcoming dates and learn more about Morsel and other Americana Vibes artists, visit: https://americanavibesshop.com/collections/morsel

Sun, 09/10/2023 - 5:08 pm

Midnight North, formed by singer-songwriters Grahame Lesh and Elliott Peck, take their cue from the fertile Bay Area music scene and are set to release their next studio album Diamonds In The Zodiac via Americana Vibes on November 10, 2023. Today, they have released the second single off of the album entitled “Back to California,” which simultaneously reflects on their roots as musical troubadours on the road and an array of musical styles fledged out of Northern California that have influenced the band and paved their musical journey. The new single is accompanied by a music video on a vintage Super 8 camera by Sam Watson that features behind-the-scenes moments from the 2023 summer tour. It depicts the essence of the band's early days as road warriors embarking on their first East Coast tour and recording at Levon Helm Studios in Woodstock, NY. Watch the video HERE.

“Back to California” was originally written for the band’s 2017 album, Under the Lights, right after their first East Coast tour that marked one of the longest stretches on the road as a band. Reflective of the imagery featured in the video, Lesh looks back on that time in the band’s career and muses, “It felt like we could claim some of that classic rock and roll imagery of troubadours on the road eating up the miles. The themes are right there on the surface—they touch on a yearning for home that the narrator feels while still feeling the excitement of being out in the world.”

While the lyrics were penned years ago, they still seem to fit on the new collection of songs in Diamonds in the Zodiac as the band changed the key and updated the feel to make it mirror where they are musically today. Nodding to a multitude of Bay Area-influenced artists who inspired Lesh and the band’s songwriting, particularly through both iterations of the new song, he details, “I was influenced by two connected but very different bands while both writing the tune and rearranging it for Diamonds in the Zodiac in 2022. In the past, I was thinking of local heroes the Mother Hips and their “California Soul” from their country-inflected Later Days era. In 2022, I was very influenced by Hiss Golden Messenger and MC Taylor & his band’s immaculate blend of groove with wonderfully composed songs.” The band’s drummer, Nathan Graham, coined the term “Bay Rock” to describe the essence of “Back to California”—a style soaked with roaring, continuous drum grooves with the extra topping of hand percussion anchoring the track evoking the band’s Bay Area roots musically while also being the perfect track to turn up driving through the Robin Williams tunnel from Sausalito to the Golden Gate Bridge. “Back to California” features backing vocals from the entire choir of the full band and extended family of musicians who were at the studio that day, including Phil Lesh, Amy Helm, and touring keyboard player TJ Kanczuzewski.

Diamonds in the Zodiac is a two-generation musical family affair through and through. In addition to Grahame Lesh’s father, Phil Lesh of The Grateful Dead, playing bass on the album’s lead single “The Colors Here” and joining the band on background vocals in “Back to California,” the album was produced by Amy Helm, daughter of The Band’s Levon Helm. Of the family lineage and connecting with Amy, Grahame explains, “Things have come full circle in that it was meeting Amy and Levon Helm at a Ramble in the Barn that gave my parents the inspiration to open Terrapin Crossroads, and having Terrapin was so instrumental in the band’s development. And now Amy produced this album and shepherded these songs to their ultimate form.”

The album’s title Diamonds in the Zodiac comes from the unearthed Robert Hunter lyrics for “Jupiter,” one of two extended tracks on the album. It was recorded at Dave Schools’ (Widespread Panic) Spacecamp in Occidental, California and mixed by D. James Goodwin, who has worked with such luminaries as Bob Weir, the Hold Steady, The National, Goose, and Bonny Light Horseman among many others. Besides the elongated forms in “Jupiter” and Graham’s opening “Questions,” the album is increasingly song-oriented and steeped in bluegrass, country, soul, blues, funk, jazz and gospel – a true Americana melting pot.

In anticipation of the album release, Midnight North will be performing the following tour dates with additional plays to be announced:

9/27 - Charleston, SC - Charleston Pour House

9/28 - Asheville, NC - Salvage Station

9/29-30 - Nashville, TN - Touch of Brews

11/10 - Menlo Park, CA - The Guild Theatre

Diamonds in the Zodiac will be available on November 10th and can be pre-saved HERE.

For more information and to learn more, visit midnightnorth.com.

Sat, 09/23/2023 - 3:45 pm

Travis Book, bassist and vocalist of, GRAMMY Award-winning bluegrass ensemble The Infamous Stringdusters, is stepping into uncharted musical territory with his upcoming solo album, Love and Other Strange Emotions. Set to be released via Americana Vibes on October 27, 2023, this album marks a significant departure from his acoustic and bluegrass roots with a no-holds-barred, head-first dive into Americana and Rock music; with more in common with Pink Floyd and Jason Isbell than Flatt & Scruggs and Tony Rice. Today, the new single “Reminds Me of You” is available worldwide giving listeners their first taste of his fresh musical venture.

The melody and lyrics for “Reminds Me of You” came together in a marathon writing session while Book was in Maine that started in the woods on the coast, proceeded through the bar over a plate of steamed clams and a Molsen, continued on an evening drive to Connecticut, and finished at midnight in a hotel room. “I was missing someone and revisiting the memories we’d made on our last trip through Portland. The changing season, the angle of the light, it had me in a mood and I captured it,” he says reflecting on the process and muse.

The journey to Travis Book's solo album began unexpectedly when he invited his friends Jeff Sipe (Aquarium Rescue Unit), Mike Ashworth (Jon Stickley Trio, Steep Canyon Rangers), and Tommy Maher (Fireside Collective) for a casual collaboration during one of his weekly gigs. What started as an experiment to explore new musical boundaries quickly transformed into something extraordinary. After their third performance together, the chemistry and energy were undeniable, leading Travis to realize that this ensemble was destined for something special.

Intrigued by the unique sound this band created, Book began crafting songs specifically tailored to their style while branching out immensely from his comfort zone and traditional bluegrass music—there would be no banjos and fiddles, no upright bass… there wouldn’t even be acoustic guitars; this record was a new sound entirely, birthed from the mind and heart of a musician who, for the first time ever, was the sole voice, the sole producer, and the sole visionary, despite all of his prior accolades with The Infamous Stringdusters and collaborative projects. He delved into his extensive catalog of original compositions, re-recording some previously done with The Infamous Stringdusters and reimagining others that had yet to find their place. Even songs from his earliest work found a new home in this electrifying project.

Reflecting on the album, Book shares, "I made this record because it was time. I'd been writing, performing, and recording music for over 20 years and had yet to make a statement that was purely my own. The previous three years I’d cultivated a weekly gig and played with everyone I could, in every style I could. From some of those sessions emerged a theme and an aesthetic for a grand gesture in the form of an album. It had emerged organically when I asked myself, “If you could do whatever you wanted, what would it be? And if you could sing about whatever you wanted, what would you sing about?”

Answering his own question, he declares, “I'd play a jet-black Gibson ES 135 and front a band of the best musicians in town. I'd sing songs I'd written about love and other (strange) emotions. I'd follow my heart and my instinct with very little compromise, and I'd do it for the love, the challenge, and as an offering to myself and the universe."

In describing the album, Book expresses, "Emotions and thoughts are strange. They feel so close, so real, yet they are separate from ourselves and they materialize then fall away like clouds in a summer sky. They exist only in theory but they create and inform every bit of our experience. If, like me, you've attempted to make sense of them, then I know you'll find something in Love and Other Strange Emotions that resonates and seems familiar."

In addition to his musical endeavors, Book has been captivating audiences through his popular podcast, The Travis Book Happy Hour. The podcast focuses on musical collaboration and conversations around the complexities of being human. The Travis Book Happy Hour features the best of interviews and live music recorded in Brevard, NC, and is presented by Americana Vibes and The Bluegrass Situation with notable guests including Lindsay Lou, Nicki Bluhm, Anders Beck, John Stickley, The Lil Smokies, and more.

As Travis Book embarks on this exciting solo project, Love and Other Strange Emotions promises to be a bold, introspective, and soul-stirring exploration of the human experience giving a candid look into hashing out inner monologues and inviting listeners in on a journey to broaden musical and personal horizons.

For more information, please visit thetravisbook.com.

Sun, 10/08/2023 - 3:03 pm

Beyond his sheer virtuosity and versatility, drummer Adam Deitch has proven to be a musician of perpetual motion. In just over a year’s time, he has been the driving force behind psychedelic funk veterans Lettuce’s eighth studio album Unify, released a hip-hop beats album 'TAKE YOUR TIME', and now returns with the second LP release from his soul-jazz project The Adam Deitch Quartet entitled Roll The Tape. Available via Deitch’s imprint Golden Wolf Records on November 10, 2023, the forthcoming album exemplifies his unwavering commitment to producing authentic music from a broad spectrum of styles, all rooted in his tutelage of rhythmic studies & groove, and his upbringing as a drummer from a young age. Deitch is joined by organist Wil Blades, Lettuce cohorts Eric “Benny” Bloom on trumpet and Ryan Zoidis on saxophone. The album's second single "Play On Playa" is available today.

Play On Playa" tips its hat to Soulive, the New York-based organ trio comprised of Eric Krasno (guitar), Neal Evans (organ & keyboards), and Alan Evans (drums) who have been instrumental in the modern funk and soul revival scene since their inception in 1999. With its swanky melody and groove-driven organ work gelled together with Deitch's drumming, the tune sounds like it could have come straight out of Soulive's repertoire with Deitch's attention-to-detail and perpetual student-of-music mindset. "I owe so much to Soulive for introducing me to organ trio music," says Deitch, "They've really helped mold the careers of both Lettuce and myself into who we are today."

Roll The Tape was a 1-2 punch effort coming off the heels of Lettuce recording their next full-length album as Blades flew in to join Deitch, Bloom, and Zoidis for a session at Scanhope Sound. Written on ProTools in his home studio in Denver, Colorado, Deitch composed and arranged all parts for the quartet and provided demos for the band to learn on the spot, much like the quartet’s debut LP Egyptian Secrets. “I’d bring the tunes in, play them on the computer, have the guys learn them as fast as possible, and then ‘roll the tape,” Deitch says of the rigor of the back-to-back sessions and marathon studio effort that contrasted the band’s debut effort recorded in two sessions over the course of five years. While the process may seem overwhelming at first glance, Blades speaks to it being a testament to Deitch’s thorough composition process and wholeness as a musician, “I don’t change much of anything at all. All of the harmonies and voicings are spot on. I grew up as a drummer, so the way Adam plays organ is the way I’m already playing organ.”

The quartet was formed when Deitch and Blades joined forces to play a last-minute late-night show at Boom Boom Room in San Francisco after Lettuce performed at The Fillmore and Tedeschi Truck Band performed at Bill Graham Civic Center in December 2013. The impromptu after-show featured an array of special guests including Zoidis and Bloom along with Eric Krasno (Soulive), Maurice “Mo Betta” Brown (Anderson .Paak), and James Casey (Trey Anastasio Band) and Kofi Burbridge (Tedeschi Trucks Band), both who left this earth all too soon. After additional performances at New Orleans Jazz and Heritage Festival and some one-offs, Deitch knew the project had to continue and took the reigns to get the group in the studio.

‘Roll The Tape’ features ten brand-new songs that transcend the traditional organ trio format and are accentuated by Deitch’s prowess for funk, breakbeat, hip-hop, and electronic music experiences coupled with highlighting the strengths of every musician in the group. “Wil and I are both basketball fans and homies. He is highly skilled with the organ pedals and lefthand bass and is super smart and easy to work with. Zoidis and Bloom always balance each other out with Zoidis bringing a psychedelic vibe with his effects and Benny bringing his wild, crazy Benny attitude as a great musician with great showmanship,” says Deitch.

‘Roll The Tape’ is available for pre-order and pre-save HERE.

For more information and to stay posted on all of Adam Deitch’s endeavors, visit deitchbeatsdontquit.com.

Mon, 10/09/2023 - 8:27 am

Two decades ago, Broke Mountain Bluegrass Band emerged as a seminal force, igniting the careers of talents associated with renowned acts such as Greensky Bluegrass (Anders Beck), The Infamous Stringdusters (Travis Book), Leftover Salmon (Andy Thorn), and the Jon Stickley Trio (Jon Stickley). Now, they revisit the essence of their formative years with the 20th-anniversary release of 'Cabin in the Hills,' their singular album, recorded by former Ralph Stanley fiddler Dewey Brown. Dubbed as a “Reverse Super Group”, this release captures the invincibility of youth and the essence of a band destined for greatness, acknowledging the birth of a musical entity that indelibly shaped the trajectory of contemporary bluegrass music. Today, the group has released their first ever digital single “I See Through Your Smile,” available now via Americana Vibes on all digital platforms.

As banjoist Andy Thorn recalls, the group was spurred out of a ski trip after being promised free passes at Purgatory spending 32 hours in the car driving straight from Chapel Hill, North Carolina to Durango, Colorado. The first thing on the agenda was heading to Canyon Music Woodworks, which had become a well-known epicenter to check out instruments and gather to promote shows and collaborate. By chance, the shop’s employee (Anders Beck) suggested they jam with him and his bass player friend (Travis Book) while in town. They ended up at Robin Davis’ house later that night to jam and the rest of the serendipitous meeting was history evolving into the creation of Broke Mountain during that fateful summer of 2003.

The band’s trajectory thereafter happened quickly. Anders had convinced Andy to move out to Colorado that next summer to enter the RockyGrass Band Contest and would later bring his guitarist cohort Jon Stickley into the fold inviting him to join him on his journey out west and round out the project. The band went on to have a fruitful year of winning the RockyGrass Band contest; playing a string of festivals; and of course recording Cabin in the Hills. Members of the group would eventually get hand-picked and summoned to join bluegrass luminaries such as Thorn joining Larry Keel & Natural Bridge (and later Leftover Salmon) and Anders, Travis, and Robin joining Benny “Burle” Galloway and keyboardist, Greg Andrulis, for the formation of Wayward Sons, all endeavors that spurred the blossoming careers that have catapulted them into being some of the most notable and respected musicians in today’s modern bluegrass scene.

Despite their trajectory, all members of Broke Mountain Bluegrass Band have always looked back fondly on their formative years and simpatico meeting of the minds that was united by happenstance. “It’s hard to believe that it’s been 20 years since the five of us got together to create this album; and more importantly, the band itself,” Anders Beck reflects, “Listening back to 'Cabin in the Hills,' I hear the invincibility of youth. I hear a band that was planning to take over the world of bluegrass; a band that was going to be a big deal. I hear five friends that thought they were badasses. So now, as we view it through the rearview mirror, it makes me smile to think that maybe we were kind of right.”

Travis Book weighs in, “20 years ago when we recorded this record we had no idea what we were doing but we were learning fast and riding the high of being in a band that clicked, that had a vibe, and that we all intuitively knew was going places. That 20 years on we’re all still making music is remarkable, but harder to believe is that this group of “kids” would go on to forge careers in “bluegrass” and anchor some of the most progressive and successful “bluegrass-ish” bands of our generation. When we put together our 20th Anniversary shows it was clear that our record, which only saw one printing of 1000 CDs, needed to see the light of day and join the catalog of Americana Vibes and the collective works of these musicians. This record and this band was the beginning for the five of us and this re-release of Cabin in the Hills signals the beginning of a new era for Broke Mountain Bluegrass Band.”

To celebrate their first-ever digital and vinyl releases, the band will reunite for two shows at Cervantes’ Masterpiece Ballroom in Denver, Colorado on December 1st and 2nd. Tickets can be purchased HERE.

Cabin in the Hills is available on November 3, 2023 and can be pre-saved HERE and pre-ordered HERE.

Sat, 11/04/2023 - 1:06 pm

Two decades ago, Broke Mountain Bluegrass Band emerged as a seminal force, igniting the careers of talents associated with renowned acts such as Greensky Bluegrass (Anders Beck), The Infamous Stringdusters (Travis Book), Leftover Salmon (Andy Thorn), and the Jon Stickley Trio (Jon Stickley). Now, they revisit the essence of their formative years with the 20th-anniversary release of Cabin In The Hills, their singular album, recorded by former Ralph Stanley fiddler Dewey Brown. Dubbed as a “Reverse Super Group”, this release captures the invincibility of youth and the essence of a band destined for greatness, acknowledging the birth of a musical entity that indelibly shaped the trajectory of contemporary bluegrass music. Today, the album is available digitally, for the first time ever, via Americana Vibes. Listen to the album HERE.

As banjoist Andy Thorn recalls, the group was spurred out of a ski trip after being promised free passes at Purgatory spending 32 hours in the car driving straight from Chapel Hill, North Carolina to Durango, Colorado. The first thing on the agenda was heading to Canyon Music Woodworks, which had become a well-known epicenter to check out instruments and gather to promote shows and collaborate. By chance, the shop’s employee (Anders Beck) suggested they jam with him and his bass player friend (Travis Book) while in town. They ended up at Robin Davis’ house later that night to jam and the rest of the serendipitous meeting was history evolving into the creation of Broke Mountain during that fateful summer of 2003.

The band’s trajectory thereafter happened quickly. Anders had convinced Andy to move out to Colorado that next summer to enter the RockyGrass Band Contest and would later bring his guitarist cohort Jon Stickley into the fold inviting him to join him on his journey out west and round out the project. The band went on to have a fruitful year of winning the RockyGrass Band contest; playing a string of festivals; and of course recording Cabin in the Hills. Members of the group would eventually get hand-picked and summoned to join bluegrass luminaries such as Thorn joining Larry Keel & Natural Bridge (and later Leftover Salmon) and Anders, Travis, and Robin joining Benny “Burle” Galloway and keyboardist, Greg Andrulis, for the formation of Wayward Sons, all endeavors that spurred the blossoming careers that have catapulted them into being some of the most notable and respected musicians in today’s modern bluegrass scene.

Despite their trajectory, all members of Broke Mountain Bluegrass Band have always looked back fondly on their formative years and simpatico meeting of the minds that was united by happenstance. “It’s hard to believe that it’s been 20 years since the five of us got together to create this album; and more importantly, the band itself,” Anders Beck reflects, “Listening back to Cabin In The Hills, I hear the invincibility of youth. I hear a band that was planning to take over the world of bluegrass; a band that was going to be a big deal. I hear five friends that thought they were badasses. So now, as we view it through the rearview mirror, it makes me smile to think that maybe we were kind of right.”

Travis Book weighs in, “Twenty years ago when we recorded this record we had no idea what we were doing but we were learning fast and riding the high of being in a band that clicked, that had a vibe, and that we all intuitively knew was going places. That 20 years on we’re all still making music is remarkable, but harder to believe is that this group of “kids” would go on to forge careers in “bluegrass” and anchor some of the most progressive and successful “bluegrass-ish” bands of our generation. When we put together our 20th Anniversary shows it was clear that our record, which only saw one printing of 1000 CDs, needed to see the light of day and join the catalog of Americana Vibes and the collective works of these musicians. This record and this band was the beginning for the five of us and this re-release of Cabin in the Hills signals the beginning of a new era for Broke Mountain Bluegrass Band.”

The group will celebrate their first-ever digital and remastered CD releases, the band will reunite for two shows at Cervantes’ Masterpiece Ballroom in Denver, Colorado on December 1st and 2nd. Tickets can be purchased HERE.

Following the digital release of Cabin In the Hills and Cervantes’ shows, the band will make their Eastern debut at Rooster Walk happening May 23-26 at Pop’s Farm located in the rolling foothills surrounding Martinsville, VA and will return to the studio to record their long-awaited follow-up record with plans to grace stages across the country.

Broke Mountain is back and in time, it will be like they never left.

Fri, 11/10/2023 - 2:05 am

Beyond his sheer virtuosity and versatility, drummer Adam Deitch has proven to be a musician of perpetual motion. In just over a year’s time, he has been the driving force behind psychedelic funk veterans Lettuce’s eighth studio album 'Unify', released a hip-hop beats album 'TAKE YOUR TIME', and now returns with the second LP release from his soul-jazz project The Adam Deitch Quartet. 'Roll The Tape', available on Deitch’s imprint Golden Wolf Records on November 10, 2023, exemplifies his unwavering commitment to producing authentic music from a broad spectrum of styles, all rooted in his tutelage of rhythmic studies & groove, and his upbringing as a drummer from a young age. The album features organist Wil Blades, Lettuce cohorts Eric “Benny” Bloom on trumpet and Ryan Zoidis on saxophone, and a feature from legendary guitarist John Scofield on the leading single “Mushroom Gravy”.

‘Roll The Tape’ was a 1-2 punch effort coming off the heels of Lettuce recording their next full-length album as Blades flew in to join Deitch, Bloom, and Zoidis for a session at Scanhope Sound. Written on ProTools in his home studio in Denver, Colorado, Deitch composed and arranged all parts for the quartet and provided demos for the band to learn on the spot, much like the quartet’s debut LP Egyptian Secrets. “I’d bring the tunes in, play them on the computer, have the guys learn them as fast as possible, and then ‘roll the tape,” Deitch says of the rigor of the back-to-back sessions and marathon studio effort that contrasted the band’s debut effort recorded in two sessions over the course of five years. While the process may seem overwhelming at first glance, Blades speaks to it being a testament to Deitch’s thorough composition process and wholeness as a musician, “I don’t change much of anything at all. All of the harmonies and voicings are spot on. I grew up as a drummer, so the way Adam plays organ is the way I’m already playing organ.”

The quartet was formed when Deitch and Blades joined forces to play a last-minute late-night show at Boom Boom Room in San Francisco after Lettuce performed at The Fillmore and Tedeschi Truck Band performed at Bill Graham Civic Center in December 2013. The impromptu after-show featured an array of special guests including Zoidis and Bloom along with Eric Krasno (Soulive), Maurice “Mo Betta” Brown (Anderson .Paak), and James Casey (Trey Anastasio Band) and Kofi Burbridge (Tedeschi Trucks Band), both who left this earth all too soon. After additional performances at New Orleans Jazz and Heritage Festival and some one-offs, Deitch knew the project had to continue and took the reigns to get the group in the studio.

‘Roll The Tape’ features ten brand-new songs that transcend the traditional organ trio format and are accentuated by Deitch’s prowess for funk, breakbeat, hip-hop, and electronic music experiences coupled with highlighting the strengths of every musician in the group. “Wil and I are both basketball fans and homies. He is highly skilled with the organ pedals and lefthand bass and is super smart and easy to work with. Zoidis and Bloom always balance each other out with Zoidis bringing a psychedelic vibe with his effects and Benny bringing his wild, crazy Benny attitude as a great musician with great showmanship,” says Deitch.

The lead single “Mushroom Gravy” is a tribute to Deitch’s Grandma Betty’s chicken mushroom gravy. He cites that she was pivotal in his development as a drummer as her brother and his Great Uncle Dave was the first drummer in their family and helped his father, Bobby Deitch, become a professional musician. The track features John Scofield on guitar, who has worked with Deitch since the early 00s and has keen insight into his evolution as a musician and bandleader. “It’s tremendous fun to play with the quartet because they fully understand where I’m coming from and hopefully I “get” them the same way. I think Adam and I have very simpatico concepts in music,” says Scofield of their musical chemistry.

Of their collaborative history and Adam’s inherent impact he imparts with his collaborators, Scofield continues, “When I first played with Adam, I knew he was right for me. This kind of chemistry is hard to come by and I’ve only had it a handful of times in my life. Eric Krasno recommended Adam. When we first played together, I liked it so much that I had to change drummers in the band immediately. The result was Uberjam. This period marked a new direction in my career and without Adam, it wouldn’t have worked as well. I’ve heard him improve and get better - more refined- from that original already great drummer that I met way back when. He’s an excellent musician and one of the very best drummers period. Mad skills.”

“Have Faith” is a gospel-inspired mutual favorite of all members of the quartet. “It’s a tribute to a life-changing experience I had playing in a gospel church in 9th grade,” says Deitch. “I ended up becoming the drummer in two church bands in Nyack, NY where I grew up. Playing with an amazing choir watching them sway from left to right and clapping on two and 4 was amazing to observe when I was 16 or 17 and the rest of the band was in their 30s-50s. It put me ahead and really made me improve when I got to Berklee in 1994 and was pretty experienced in gospel, funk, and R&B music.” With a stunning organ intro by Blades, he nods to the influence Tower of Power transmits on the tune, “It’s also a Tower of Power kind of thing and Deitch is a huge Tower of Power guy. I’m a huge Chester Thompson fan, so this song is right up my alley.”

Not to be confused with the Arthur Schwartz jazz standard, “Alone Together” is an original composition written during the pandemic to express the universal sentiments of everyone being simultaneously isolated. It sees Deitch taking a rare direction with one of the first ballads he’s ever released. “I’m not a huge balladeer,” he explains, “It was peaceful and calming to play this big, beautiful piece with brushes contrasting the funky, hyper music I usually write.” Blades chimes in on the tune being a testament to Deitch’s dedication and musical maturity, “He’s constantly writing music at either 3 in the morning or on the tour bus after For a drummer to write that kind of harmony, it’s another example of him having everything completely fleshed out and finished—it has beautiful harmony and nice horn melody.”

For anyone who has ever had a conversation with Deitch, looked at his social media, or read any press about him, he is one to give credit where credit is due. “Play on Playa” is an example of that as it is a direct tribute to Soulive, longtime friends, and collaborators of the group who were pillars in establishing the modern funk & soul revival in the late 90s/early 00s as East Coast trailblazers. “I owe Soulive so much. They introduced me to organ trio music, helped Lettuce’s career, and molded us into the musicians we are today,” he proclaims.

Like ‘Egyptian Secrets’, ‘Roll The Tape’ features two “Language Interludes” where Deitch is playing solo drums. They are homages to ancient African traditions of using drums as a language to communicate anything from warning of intruders to calling over different villages to a ceremony. “These interludes communicate freedom without any sort of song form and create full sentences within the drums,” he says, “Most drum solos I play have some kind of horn hits or backgrounds and this was fun to play without anything else to authentically express how I’m feeling.”

‘Roll The Tape’ epitomizes Deitch’s strength for surrounding himself with the perfect collaborators for any scenario and his ability to make even mature, serious music, resonate with music lovers from all backgrounds and maintain the ability to have fun. “Even with harmonically dense songs, this music is fun and danceable,” says Bloom, “There are lots of crowd-pleasing elements and these tunes are fun to play live—we can go in so many different directions.”

‘Roll The Tape’ is available to listen to on all streaming platforms HERE.

For more information and to stay posted on all of Adam Deitch’s endeavors, visit deitchbeatsdontquit.com.

Sun, 11/19/2023 - 9:33 am

GRAMMY-nominated funk-jazz-soul-hip-hop-psychedelic-jam-experimental titans Lettuce will release their 48-minute continuous session of pure, free-flowing music entitled VIBE on digital streaming platforms worldwide Friday, November 17th. The release was previously only available on a limited run of vinyl.

On VIBE, Lettuce cement their status as boundary-pushing innovators over three decades into their lauded career, blurring the lines and smashing up jazz chords, psychedelic passages, big horns, strains of soul and go-go, hip-hop elements for an uplifting, improvisational sound all their own. Ryan Zoidis explains, “This recording happened during the sessions for Resonate. We had just finished tracking what we had planned on.” He continues, “We got into a vibe and we hit record. 48 minutes went by like a blink of an eye. This is our first purely improvised recording. Nothing planned, nothing edited or overdubbed. This is a true spontaneous musical expression captured in its entirety.”

As Adam “Shmeeans” Smirnoff calls it, “VIBE is a journey into the universe of psychedelic improvisation."

A powerhouse collective made up of world-class master musicians, the members of Lettuce – Adam Deitch (drums, percussion, arrangement), Adam “Shmeeans” Smirnoff (guitar), Erick “Jesus” Coomes (bass), Ryan Zoidis (alto, baritone, tenor sax, Korg X-911), Eric “Benny” Bloom (trumpet, horns) and Nigel Hall (vocals, Hammond B-3, Rhodes, clavinet, keyboards) – are also some of the most highly sought-after musicians in the industry with resumes that read like a who’s who in hip-hop, pop, and beyond, working and performing with everyone from Kanye West, Lady Gaga, Stevie Wonder, Questlove, Justin Timberlake, The Fugees, Eminem, Dr. Dre, Britney Spears, Gary Clark Jr., Skrillex, Solange, and so many more. Lettuce’s ever-evolving, genre-bending musical palette and growing catalog has drawn acclaim from NPR, New York Times, Consequence, Billboard, Brooklyn Vegan, Earmilk, HipHopDX, Relix, and more.

To celebrate the first-ever digital release of VIBE, Lettuce has announced a national tour with support from GRAMMY-nominated, Afro-Cuban Rockstar Cimafunk on select dates. Tickets are on sale to the public at 10 am local time on Friday, November 17th.

TOUR DATES

Feb 1 - Las Vegas, NV - Brooklyn Bowl

Feb 2 - Crystal Bay, NV - Crystal Bay Casino

Feb 3 - Los Angeles, CA - The Novo

Feb 4 - Tucson, AZ - Gem & Jam Festival

Feb 7 - Santa Fe, NM - Meow Wolf

Feb 8 - Fort Collins, CO - Washington’s

Feb 9 - La Vista, NE - The Astro

Feb 10 - Lawrence, KS - Liberty Hall

Feb 13 - Fayetteville, AR - George’s Majestic Lounge

Feb 14 - Oklahoma City, OK - Tower Theatre

Feb 15 - Dallas, TX - Granada Theater

Feb 16 - Austin, TX - Stubb’s Waller Creek Amphitheater

Feb 17 - Houston, TX - The Heights Theater

Feb 20 - Winston Salem, NC - The Ramkat *

Feb 21 - Roanoke, VA - Jefferson Center *

Feb 22 - Columbia, SC - The Senate

Feb 23 - Orlando, FL - The Plaza Live *

Feb 24 - St. Petersburg, FL - Jannus Live

*with support from Cimafunk

Wed, 12/13/2023 - 4:09 pm

Closing yet another year stacked with tour dates, festival plays, and continual music releases, psychedelic funk maestros Lettuce will release their rendition of 1978 Grateful Dead classic “Shakedown Street” ahead of the band’s upcoming performance at Dead Ahead in Riviera Cancún, Mexico. Summoning the atmosphere and vibrancy of lot gatherings prior to Grateful Dead concerts that would come to be known as “Shakedown Street,” named after the song, the group has released a lyric video of vintage footage showcasing the spirit and community that continues to extend throughout the music scene today. The video was created by Sunbronx and can be viewed HERE.

Recorded in 2007 during the Rage! sessions, the track possesses a laid back, in-the-pocket groove locked in by the rhythm section of Adam Deitch (drums) and Erick “Jesus” Coomes (bass), the unmistakable interlocking horn work between Ryan Zoidis (saxophone) and Sam Kininger (saxophone), and an astute balance of reverberant guitar picking and tasteful wah leads from Adam “Shmeans” Smirnoff and Eric Krasno making Lettuce's take on "Shakedown Street" unmistakable them. Coomes is also featured on vocals throughout the track. Speaking to the band’s arrangement, Deitch details, “It's Shakedown Street mixed with Frenchmen Street. There's a New Orleans feel on there that we felt worked well with the melody.  Erick 'Jesus' Coomes did a great job channeling Jerry on the vocals.”

Being versed in the vast catalog of The Grateful Dead, Coomes elaborates on the band’s decision to cover the song, “Whenever Shakedown comes on the whole crowd goes crazy and it's one of the biggest dance songs in their catalog. Since Lettuce specializes in dance and funk music we thought we would do our best to make you bust a move and get into the groove. Enjoy!”

To celebrate the release and gearing up for Dead Ahead, Coomes will be guest DJ-ing on Sirius’ Grateful Dead Channel sharing his favorite Grateful Dead songs. Listeners can tune in during the dates and times below and on-demand on the Sirius app:

Tues 12/12 @ 10am ET

Thur 12/14 @ Midnight ET

Fri 12/15 @ 5pm ET

Sun 12/17 @ 9am ET

Following Dead Ahead, Lettuce will embark on their month-long VIBE tour that comes off the heels of the bands first digital release of their 48-minute improvisational album VIBE that was previously only available on a limited run of vinyl. The full list of tour dates can be found HERE.

For more information and to learn more, please visit lettucefunk.com.

TOUR DATES

Jan 12 - 15 - Riviera Cancún, Mexico - Dead Ahead

Feb 1 - Las Vegas, NV - Brooklyn Bowl

Feb 2 - Crystal Bay, NV - Crystal Bay Casino

Feb 3 - Los Angeles, CA - The Novo

Feb 4 - Tucson, AZ - Gem & Jam Festival

Feb 7 - Santa Fe, NM - Meow Wolf

Feb 8 - Fort Collins, CO - Washington’s

Feb 9 - La Vista, NE - The Astro

Feb 10 - Lawrence, KS - Liberty Hall

Feb 13 - Fayetteville, AR - George’s Majestic Lounge

Feb 14 - Oklahoma City, OK - Tower Theatre

Feb 15 - Dallas, TX - Granada Theater

Feb 16 - Austin, TX - Stubb’s Waller Creek Amphitheater

Feb 17 - Houston, TX - The Heights Theater

Feb 20 - Winston Salem, NC - The Ramkat *

Feb 21 - Roanoke, VA - Jefferson Center *

Feb 22 - Columbia, SC - The Senate

Feb 23 - Orlando, FL - The Plaza Live *

Feb 24 - St. Petersburg, FL - Jannus Live

Feb 25 - Mar 1 - Miami FL - Jam Cruise

May 2 - 5 - Ponce de Leon, FL - Sol Fest

Jun 20 - 23 - Rothbury, MI - Electric Forest

Jul 18 - Stuttgart, Germany - Altes Schloss - Jazz Open

*with support from Cimafunk

Wed, 01/03/2024 - 9:21 am

Epic Records/Legacy Recordings, the catalog division of Sony Music Entertainment, starts the new year off right with the groove-laden, cool blues vibes of G. Love & Special Sauce’s legendary self-titled debut album, remastered and newly expanded for its 30th anniversary.

G. Love & Special Sauce (30th Anniversary Expanded Edition) will be available on all streaming, download and digital music partners Friday, January 12. “Cold Beverage - Live at the Knitting Factory, NYC, NY - 7/20/1994,” which is a previously unreleased live version of the classic album’s breakout track, has been newly remastered and is available today.

Pre-save G. Love & Special Sauce (30th Anniversary Expanded Edition) and Listen to “Cold Beverage - Live at the Knitting Factory, NYC, NY - 7/20/1994” HERE

Formed by Philadelphia native Garrett “G. Love” Dutton (vocals/guitar/harmonica), Jeffrey “The Houseman” Clemens (drums) and James “Jimi Jazz” Prescott (bass), G. Love & Special Sauce stood out from the ‘90s alt-rock pack with a unique blend of roots rock, R&B, Delta blues and hip-hop - equally perfect for laid-back dorm room hangs or foot-stomping bar crawls. G. Love & Special Sauce earned a Gold record from the Recording Industry Association of America (RIAA) off the strength of breakout radio/MTV staple “Cold Beverage,” an ode to iced delights of many origins, and follow-up “Baby’s Got Sauce,” hailed by Seattle’s KEXP-FM as the top song of 1994.

As a tribute to the trio’s enduring success as a concert act, this newly remastered and expanded edition of their debut boasts 11 live recordings recorded over two sweltering sets at the renowned Knitting Factory in New York City in July of 1994. These captured smoking performances, heard for the first time on this release, anticipates the formidable live draw G. Love & Special Sauce remain to this day, as countless attendees of the beloved mid-‘90s alt-rock H.O.R.D.E. tour (and beyond) can attest.

G. Love & Special Sauce will keep the brotherly love going in 2024 with a 41-date tour of North America kicking off in St. Louis, MO on January 11 and continuing through March 16. (On these dates, longtime collaborator Chuck Treece will be sitting in on drums.) For more information about dates and G. Love’s Pre-Show Pop-Off - an exclusive solo acoustic performance and merch package before the main show - go to https://www.philadelphonic.com/tourdates.

Sat, 02/17/2024 - 3:16 pm

GRAMMY-nominated funk-jazz-soul-hip-hop-psychedelic-jam-experimental titans Lettuce have announced a special edition picture disc edition of their 48-minute improvisational work VIBE exclusively available on Record Store Day on April 20, 2024. Participated record stores and more information can be found HERE. The 48-minute continuous session of pure, free-flowing music just celebrated its digital release in November after a previous limited edition vinyl run and the band is currently on a national tour in celebration of breathing new life into the work.

On VIBE, Lettuce cement their status as boundary-pushing innovators over three decades into their lauded career, blurring the lines and smashing up jazz chords, psychedelic passages, big horns, strains of soul and go-go, hip-hop elements for an uplifting, improvisational sound all their own. Ryan Zoidis explains, “This recording happened during the sessions for Resonate. We had just finished tracking what we had planned on.” He continues, “We got into a vibe and we hit record. 48 minutes went by like a blink of an eye. This is our first purely improvised recording. Nothing planned, nothing edited or overdubbed. This is a true spontaneous musical expression captured in its entirety.” As Adam “Shmeeans” Smirnoff calls it, “VIBE is a journey into the universe of psychedelic improvisation."

A powerhouse collective made up of world-class master musicians, the members of Lettuce – Adam Deitch (drums, percussion, arrangement), Adam “Shmeeans” Smirnoff (guitar), Erick “Jesus” Coomes (bass), Ryan Zoidis (alto, baritone, tenor sax, Korg X-911), Eric “Benny” Bloom (trumpet, horns) and Nigel Hall (vocals, Hammond B-3, Rhodes, clavinet, keyboards) – are also some of the most highly sought-after musicians in the industry with resumes that read like a who’s who in hip-hop, pop, and beyond, working and performing with everyone from Kanye West, Lady Gaga, Stevie Wonder, Questlove, Justin Timberlake, The Fugees, Eminem, Dr. Dre, Britney Spears, Gary Clark Jr., Skrillex, Solange, and so many more. Lettuce’s ever-evolving, genre-bending musical palette and growing catalog has drawn acclaim from NPR, New York Times, Consequence, Billboard, Brooklyn Vegan, Earmilk, HipHopDX, Relix, and more.

To celebrate both the digital release and Record Store Day exclusive LP of VIBE, Lettuce is currently embarking on a national tour with rotating support slots from GRAMMY-nominated, Afro-Cuban Rockstar Cimafunk, DJ sets from keyboardist & vocalist Nigel Hall, and DJ sets from drummer Adam Deitch.

REMAINING 'VIBE' TOUR DATES

Feb 16 - Austin, TX - Stubb’s Waller Creek Amphitheater #

Feb 17 - Houston, TX - The Heights Theater #

Feb 20 - Winston Salem, NC - The Ramkat *

Feb 21 - Roanoke, VA - Jefferson Center *

Feb 22 - Columbia, SC - The Senate ^

Feb 23 - Orlando, FL - The Plaza Live *

Feb 24 - St. Petersburg, FL - Jannus Live ^

* with support from Cimafunk

# with support from Nigel Hall (DJ Set)

^ with support from Adam Deitch (DJ Set)

Sat, 03/23/2024 - 1:14 pm

Soul provider and GRAMMY-nominated vocalist & keyboardist Nigel Hall (Lettuce) and 2x GRAMMY-nominated multi-instrumentalist and producer DJ Harrison (Butcher Brown) have united to pay tribute to chart-topping R&B legends Earth, Wind, and Fire in The Burning Bush: A Journey Through the Music of Earth, Wind & Fire. The first taste of the new album is a rendition of the iconic band’s eponymous namesake track “Earth, Wind and Fire” available today via Regime Music Group. The full album will be available on May 10, 2024—pre-save it HERE.

Born out of Hall and Harrison’s shared reverence for the cherished icons, The Burning Bush: A Journey Through the Music of Earth, Wind & Fire reflects the duo’s simpatico approach to music, compared notes of musical heroes, and serves as a testament to the enduring legacy of EWF and the catalyst for their collaboration. Speaking about the project, DJ Harrison reflects, “‘Burning Bush’ is an album that reflects my first encounters with THE Nigel Hall in the studio...It was an energy that makes one feel they’ve found a distant musical relative and this record was the nucleus of our musical brotherhood that’s still active to this day.”

On the emotional depth and dedication to the project, Hall elaborates, “We were crushed by Maurice White's passing, so we thought what better way to release the pain and anguish of losing someone who we consider a king, by honoring him (and the group which was his vision) by paying homage to the music that changed (and continues to change) our lives.”

Hall recounts the organic process of including “Earth, Wind, and Fire” on the album after Harrison had sent a voice memo fleshing out the tune. “We have that kind of relationship where we are usually the first people to hear what the other is working on. Typically, people who are able to do that with each other, have a tremendous amount of trust in the other person. I was sold from the intro, as Spirit is in my top 3 EWF records. We decided we’d finish it and the rest is history.”

The duo’s slightly more uptempo rendition of “Earth Wind and Fire” echoes the 1976 original’s soaring, ethereal syllabic vocals and lush, unmistakable string parts that have been effortlessly translated to synth pads. With lyrics that speak to a grandiose picture of existence calling out elemental properties of the band's namesake, it is the perfect lead track to bridge generations of listeners—to perk up the ears of astute EWF fans and usher in a new generation who is eager to delve into the expansive and timeless catalog of music Earth, Wind, and Fire have crafted.

Hall poignantly attests to the desire to ignite cross-generational appeal and EWF’s cultural significance, “Our hope is that the listener will use our renditions to research the originals and how amazing the world of EWF actually is. We are true believers in the fact that, if everyone started their day with at least one EWF song, the world would indeed be a better place.”

Hall and Harrison have a shared upbringing hailing from the DMV area with the region significantly impacting their musical upbringing. Hall was born in Washington D.C. to a musical family and began playing keyboards at age five growing up immersed in his father’s record collection and the city’s vibrant go-go, funk, and soul scene. Harrison grew up in Richmond, VA, serving as the incubator for his “garage punk jazz funk” group Butcher Brown. Harrison’s recent solo album Shades of Yesterday, released in February 2024 via Stones Throw Records, pays homage to Harrison’s musical heroes looking back to his upbringing in Richmond, VA with nods to the influence of his contemporaries. While Hall has resided in New Orleans, LA since 2013 and cites the positive impact of living in the world-class music city, this project’s roots are laid down in Jellowstone Studios in Richmond—the stomping grounds of the initial jams that forged the musical kinship between Hall and Harrison where they cultivated a fortified EWF songbook.

The Burning Bush: A Journey Through the Music of Earth, Wind & Fire will feature guest appearances by Hall’s Lettuce bandmates Adam Deitch (drums) and Eric “Benny” Bloom (trumpet) & Harrison’s Butcher Brown counterparts Corey Fonville (drums), Andrew Randazzo (bass), Marcus Tenney (horns), Morgan Burrs (guitar). Former Butcher Brown guitarist Keith Askey, Billboard chart-topping guitarist/producer Brandon Lane, and revered Richmond-based vocalist Sam Reed also appear on the album.

Vinyl & exclusive merchandise is available for pre-order HERE.

For more information and to learn more, please visit: http://www.nigelhallofficial.com/

Sat, 04/20/2024 - 3:16 pm

GRAMMY-Award-winning bluegrass, folk, and Americana outfit The Infamous Stringdusters have unveiled their first single of 2024 with a cover of Earl King’s timeless classic “Those Lonely, Lonely Nights” featuring New Orleans-based songwriter and guitarist Anders Osborne on vocals. The track is released to celebrate The Infamous Stringdusters with Anders Osborne performing at House of Blues in New Orleans on Saturday, April 27th during the first weekend of Jazz Fest.

No strangers to putting their imprint on cover songs and tribute projects, The Infamous Stringdusters’ captivating rendition of “Those Lonely, Lonely Nights” infuses bluegrass with soulful grit delivering a fresh interpretation that pays homage to King’s original while showcasing the distinct talents each member in the quintet alongside Osborne. When The Infamous Stringdusters were planning the session with Osborne, they asked him to pick out a good ol’ New Orleans-style song and “Those Lonely, Lonely Nights” was his selection. During the session, they wanted to capture a classic NOLA vibe, but within the context of their string instrumentation.  Osborne’s vocals take listeners on a journey through multiple decades of influence honoring King's original version from the mid-50s, the showmanship expressed in Johnny "Guitar" Watson's interpretation in the 70s, and making the song their own in present times.

Dobroist Andy Hall shares, “I love the way this track came out! One of the great things about collaborating across styles is you’re never quite sure what you’re going to get. It’s like a new recipe—you gotta go for and then give it a taste—and this one tasted real good, in my opinion. We fused our bluegrass vibe with Anders’ soulful voice and got this really sweet country-soul mashup of the classic song.”

New Orleans not only serves as the home for the famed Earl King, but also as a stomping ground that cultivated a blossoming love for the city’s charm and musical culture for many members of the band. “Before I got into bluegrass I played blues and R&B and got way into New Orleans- style music. The first music festival I traveled to was Jazz Fest in NOLA back when tickets were something like $12/day for non-locals,” recalls guitarist & vocalist Andy Falco, “Anders Osborne always blew me away, and to have had the opportunity to work with him in the studio was an incredible honor and thrill.  We sang together on the Grateful Dead’s Black Muddy River which was previously released, and then we did this one that Anders brought in.  I’m so glad we got to play some real New Orleans music, and Anders’ vocal performance is nothing short of astonishing.”

The House of Blues performance during Jazz Fest comes in the middle of a bustling tour itinerary for The Infamous Stringdusters. The tour kicked off last night at Greenfield Lake Amphitheater in Wilmington, North Carolina, and continues through the southeast before the Jazz Fest Performance followed by a mix of club shows and festival plays including Hoxeyville Music Festival, Telluride Bluegrass Festival and more.

2024 TOUR DATES

4/19 - Washington, DC - Lincoln Theatre

4/20 - Richmond, VA - The Broadberry

4/21 - Raleigh, NC - The R&D Yard at Bowstring

4/25 - Atlanta, GA - The Eastern *

4/26 - Nashville, TN - The Ryman Auditorium *

4/27 - New Orleans, LA - House of Blues

5/25 - Vail, CO - Springfree Bluegrass Festival

5/31 - 6/2 - Wellston, MI - Hoxeyville Music Festival

6/1 - Fort Wayne, IN - Performance Pavilion at Sweetwater ^

6/2 - Lexington, KY - Railbird Music Festival

6/13 - 6/15 - Weiser, ID - Weiser River Music Festival

6/20 - 6/23 - Telluride, CO - Telluride Bluegrass Festival

7/5 - Bellvue, CO - The Mishawaka

7/6 - Bellvue, CO - The Mishawaka

7/18 - Stroudsburg, PA - Sherman Theater

7/19 - Canandaigua, NY - Lincoln Hill Farms

7/20 - Jay, VT - Jezzum Crow Festival

7/21 - Ridgefield, CT - Ridgefield Playhouse

8/2 - Seattle, WA - The Moore Theatre %

8/3 - Rexford, MT - Abayance Bar Marina %

8/5 - Jacksonville, OR - Britt Pavilion %

8/6 - Portland, OR - Revolution Hall %

8/7 - Portland, OR - Revolution Hall %

8/9 - Three Forks, MT - Bridger Brewing %

8/10 - Alta, WY - Grand Targhee Bluegrass Festival %

9/12 - 9/14 - Las Vegas, NV - Bender Jamboree

9/20 - Axton, VA - The Infamous Weekend

9/21 - Axton, VA - The Infamous Weekend

9/19 - Manteo, NC - Outer Banks Bluegrass Festival

12/12 - 12/16 - Puerto Morelos, Q.R. - Strings & Sol

* with Leftover Salmon & Kitchen Dwellers

^ with Leftover Salmon

% wtih Molly Tuttle

Tickets to all upcoming performances including House of Blues with Anders Osborne on April 27th can be purchased HERE.

Wed, 05/29/2024 - 3:26 pm

GRAMMY Award-Winning bluegrass, folk and Americana outfit, The Infamous Stringdusters, have released Songs from the River, their first true compilation album featuring select catalog tracks that fit the theme of rivers. This 24-song compilation is available now via their label Americana Vibes in partnership with Regime Music Group. The release comes in tandem with the band’s upcoming ‘Nights on the River’ tour they will embark on throughout the summer into the fall occurring in primarily river towns across the country. Listen to the compilation HERE.

Kicking off with the carefree “1901: A Canyon Odyssey” off of the band’s 2017 record Laws of Gravity and heading into the coupling of “Summercamp” and “Where the River Runs Cold” off 2014’s Let it Go, Songs from the River serves as a summative anthology that captures the essence of flowing melodies and rhythmic currents. The record showcases a multitude of material throughout different albums, eras, lead singers, and tempos making it both an ideal starting point for those to dip their toes into the band’s catalog or diehard fans looking to float down a stream of curated tributary material. The compilation also includes selections from all members' solo work including Chris Pandolfi’s “Ballad of Earl Parrot” ft. Oteil Burbridge, Travis Book’s “Afraid of Love” off of his recent Americana-rock oriented release Love and Other Strange Emotions, Andy Falco’s “Rattlesnake Creek,” “North and South of the River” by Jeremy Garrett, and “Resurrection Bay” by Andy Hall, and more. The album includes a live version of “Rain,” a track that has never been previously recorded or released.

On the band's decision to cultivate the compilation and spend the summer touring around river towns, dobroist & vocalist Andy Hall states, "Combining our love of songwriting and our love of nature has always been part of who we are as a band. We’ve spent many nights on the river together, singing, playing and celebrating friendship and wild places. We present to you our appreciation of that eternal flow with this compilation, Songs from the River."

Nights on the River Tour Dates:

5/25 - Vail, CO - Springfree Bluegrass Festival

5/31 - 6/2 - Wellston, MI - Hoxeyville Music Festival

6/1 - Fort Wayne, IN - Performance Pailion at Sweetwater

6/2 - Lexington, KY - Railbird Music Festival

6/13 - 6/15 - Weiser, ID - Weiser River Music Festival

6/20 - 6/23 - Telluride, CO - Telluride Bluegrass Festival

7/5 - Bellvue, CO - The Mishawaka

7/6 - Bellvue, CO - The Mishawaka

7/18 - Stroudsburg, PA - Sherman Theater

7/19 - Canandaigua, NY - Lincoln Hill Farms

7/20 - Jay, VT - Jezzum Crow Festival

7/21 - Ridgefield, CT - Ridgefield Playhouse

8/2 - Seattle, WA - The Moore Theatre

8/3 - Rexford, MT - Abayance Bar Marina

8/4 - Kaslo, BC - Kaslo Jazz Ect Festival

8/5 - Jacksonville, OR - Britt Pavilion

8/6 - Portland, OR - Revolution Hall

8/7 - Portland, OR - Revolution Hall

8/9 - Three Forks, MT - Bridger Brewing

8/10 - Alta, WY - Grand Targhee Bluegrass Festival

9/12 - Reno, NV - Robert Z. Hawkins Amphitheater

9/12 - 9/14 - Las Vegas, NV - Bender Jamboree

9/20 - Axton, VA - The Infamous Weekend

9/21 - Axton, VA - The Infamous Weekend

9/22 - Annapolis, MD - Annapolis Baygrass Festival

10/2 - 10/6 - Eureka Springs, AR - Hillberry The Harvest Moon Festival

10/17 - Mills River, NC - Sierra Nevada Brewing Co.

10/18 - Charleston, SC - The Refinery Charleston

10/19 - Manteo, NC - Outer Banks Bluegrass Festival

12/12 - 12/16 - Puerto Morelos, Q.R. - Strings & Sol

For more information and to purchase tickets, please visit thestringdsuters.com.

Tue, 06/04/2024 - 2:31 pm

Maine-based trio The Ghost of Paul Revere have released a brand new single “Twist,” a bonus track that will appear on the 10th anniversary edition of their iconic album Believe. A limited edition repressing of the album will be available on a commemorative ‘Bandana’ white vinyl via Regime Music Group in August. Listen to the new single HERE and pre-order the special edition vinyl HERE.

With haunting lyrics and soulful melodies, “Twist” beckons listeners to let loose and unwind, offering a cathartic escape from the mundane. Beginning with an a cappella introduction and wistful, reflective trio of banjo, vocals, the tempo picks up as the lyrics encourage listeners to dance their cares away.

Described as “Mumford and Sons meets bluegrass,” the trio comprised of Max Davis [vocals, banjo], Sean McCarthy [vocals, bass], and Griffin Sherry [vocals, guitar] examines life's ebbs and flows through a distinct and dynamic distillation of folk, bluegrass, rock, and alternative.  Since forming in 2011, the band has created a following that has propelled from the local to national level, tallying 16 million total independent streams to date. After releasing the EP North in 2012, their signature style progressed over the course of two full-length albums—Believe [2014] and Monarch [2017]-and a pair of EPs — Field Notes, Vol. 1[2015] and Field Notes, Vol. 2 [2019]. The band has performed alongside The Avett Brothers, Jason Isbell, The Revivalists, Bela Fleck, and The Infamous Stringdusters, sold out countless headlining gigs, and appeared at major festivals nationwide: Newport Folk, Austin City Limits, WinterWonderGrass, BottleRock Napa, Shaky Knees, Okeechobee, and Voodoo Fest. The group took home "Best in Maine" at the New England Music Awards twice, in 2015 and 2019. In 2019, their song, "Ballad Of The 20th Maine", became the official State Ballad of Maine.

For more information, please visit ghostofpaulrevere.com.

Wed, 06/26/2024 - 8:48 am

Outermost Roots & Blues Festival will return to Nauset Beach on October 12-13. Curated and produced by legendary and innovative blues artist G. Love (Garrett Dutton), Regime Music Group, and Hog Island Beer Company, the festival has expanded to two full days of music, art, and local craft beer. The lineup includes headliners Slightly Stoopid, G. Love & Special Sauce hot off the heels of their 30th Anniversary Tour, a very special “Surprise Set with Friends,” GRAMMY-Award-Winning artist Judith Hill, recent American Idol winner Iam Tongi, New York based festival favorites TAUK, Hawaii-based multi-instrumentalist Ron Artis II with more artists to be announced.

Originally from Philadelphia, Dutton now calls Orleans, Massachusetts home and has been dedicated to planting roots in the Cape Cod community. After a triumphant return post-COVID in 2023, Outermost Roots & Blues Festival has expanded from a one day event to two days at 5,000 capacity in 2024.

On the success of the festival and cultivating the event in his community Dutton says, “Bringing Outermost Roots & Blues Festival to Orleans, MA is a life long dream fulfilled and we owe it all to you! Our goal has always been to bring world-class music, culture and economic development to our Cape Cod community. This year, with my partners Regime Music Group and Hog Island Brewing, we will bring our biggest and best musical lineup up yet. One of the greatest parts of my career has been to collaborate with both established and emerging artists and I’ve got a lot of friends who want to come play for y’all! We will see you this October 12th and 13th by Nauset Beach for year number four. Thank you!”

A portion of proceeds from the festival will support The Friends of Nauset Beach, a 501(c) organization established in 2018 with the goal of preserving the environmental integrity of the shore and ensuring public access and awareness for future generations.

Tickets for Outermost Roots & Blues Festival will go on sale on Friday, June 28th at 10am ET and can be purchased at www.outermostfestival.com.

Tue, 07/16/2024 - 3:25 pm

Eclectic progressive rock-fusion band, TAUK, continues to expand their sonic palette and catalog of collaborative material with the release of “Sky to Light,” featuring groundbreaking reggae icon Matisyahu. Available on July 16th, “Sky the Light” is the first of a series of collaborative singles the quartet will be releasing in the coming months. Listen to the new release HERE and watch the tracking video with behind-the-scenes footage HERE.

Coming off the heels of a full-length album TAUK Moore in collaboration with Doom Flamingo vocalist Kanika Moore, TAUK adds an entrancing new layer of reggae to their signature soundscapes in “Sky to Light.” The song was crafted out of an idea keyboardist, Airic Carter, brought to the band after a morning text from his dad sharing “Rock Fort Rock” by the Skatallites who hail from Jamaica where his dad grew up. “I heard the first 10 seconds, sprung outta bed and cut up samples from the track immediately,” Carter exclaims, “ A vibe is contagious regardless of what generation or time. For me, this collaboration finds that balance.”

The collaboration between TAUK and Matisyahu emerged organically through interactions on the festival circuit culminating in a session that flowed effortlessly. "You never know how these collaborations will unfold," says guitarist Matthew Jalbert. "But with Matisyahu, everything clicked instantly in the studio, bringing an exciting new dimension to 'Sky to Light,' which blends our take on reggae with heavier elements. We were all blown away at how quickly Matis was able to connect with the song and bring in ideas that were powerful and so well put together. This song to me is about searching and praying for peace.”

Matisyahu echoed the sentiment of enthusiasm for the project noting, “Working with TAUK was a seamless and enjoyable experience. Their unique sound and creative energy made the studio sessions incredibly productive and fun. I’ve been a fan of their work for years, and collaborating on this track has been an inspiring opportunity to blend our musical styles."

TAUK, known for their musical craftsmanship and multi-genre expansiveness, has been a significant force in the festival circuit for over a decade. In addition to Carter and Jalbert, the group features Charlie Dolan on bass and Isaac Teel on drums. The group has toured with major acts such as Umphrey’s McGee and Lettuce and have numerous notable festival appearances that include Bonnarroo, Electric Forest, and more. This summer, the band will perform at 4848 Festival in Snowshoe, WV Carbondale Mountain Fair in Carbondale, CO before playing a trio of dates with fellow circuit heavyweights The Motet and Dopaopod in Michigan and Illinois. This fall they will appear at Outermost Roots & Blues Festival in Orleans, MA curated by innovative blues artist G. Love, Regime Music Group, and Hog Island Beer Company; and Hulaween in Live Oak, FL.

For more information and a full list of tour dates, visit taukband.com.

Sat, 07/27/2024 - 2:08 pm

Psychedelic funk veterans Lettuce have announced a re-release of their longtime-cherished album Live in Tokyo available via Lettuce Records on September 13th in celebration of the album’s 20th anniversary. The formative album will be released on vinyl for the first time ever and has been remastered for an enhanced audio experience. Pre-save/pre-order Live in Tokyo (Remastered) HERE.

Forged out of their studies at Berklee College of Music, Lettuce was fresh into the touring circuit eagerly presenting their growing catalog of original music with the lineup of Erick “Jesus” Coomes on bass, Adam Smirnoff on guitar, Ryan Zoidis on tenor saxophone, Adam Deitch on drums, Neal Evans on organ & electric piano, Rashawn Ross on trumpet, and Sam Kininger on alto saxophone. The pivotal performance set the stage for zealous performances with airtight transitions, energetic improvisation, and a locked-in pocket Lettuce fans around the world have come to know and love.

On their first foray into Tokyo and crossing off a destination on their bucket list, Adam Deitch reflects into the excitement surrounding the performances at The Blue Note in Tokyo, “What a trip it was—we got to Japan somehow as best buds from college. We were kids in our early 20s having the time of our lives and excited to play with Neal Evans and Rashawn Ross of Soulive. I also had to cover for Chris Dave in Meshell Ndegeocello's band for multiple sets a night! It was such a great experience.”

During the multi-night run in Tokyo, the band’s longtime friend and collaborator Jason Pinsky (VICE, Bong Appetit) was in town and able to record the performances and later produce the record. For the upcoming remastered edition, Lettuce worked with mastering engineer Alex DeTurk at Bunker Studios. Ryan Zoidis elaborates on their long standing working relationship and what to expect for enhanced audio quality, “Alex DeTurk at Bunker Studios has been mastering our records for a while. He uses an old school analog signal path and has incredible ears and intuition. With Live in Tokyo, he really opened up the mixes and unlocked the nuances and the dynamics of the show. It feels like a brand new record!”

Live in Tokyo (Remastered) will include two bonus tracks on digital platforms– alternate versions of “The Dump” and “Reunion” that were not on the original release.

Pre-order vinyl, CD, and exclusive merchandise here: https://lettuce.ffm.to/liveintokyo

Sat, 08/24/2024 - 3:49 pm

Salt Lake City-based beloved purveyors of bluegrass, skiing, and silly outfits, Pixie and the Partygrass Boys have announced a new-self titled album, their second album to be released by Americana Vibes due out on November 8, 2024. Hot off the heels of the success of their genre-defying cover album, The Chicken Coop, Vol. 1, the band delivers the same energy on the upcoming record with a carefully curated song selection that showcases every member’s talent through breathtaking solos, clever lyricism, and memorable arrangements. To celebrate, the group has released the first single off of the album entitled “Wild and Free.” Listen to “Wild and Free” HERE and pre-order & pre-save the album HERE.

“Wild and Free” captures the restless spirit of a young musician yearning for the road during the COVID quarantine, blending influences of modern bluegrass stalwarts such as Billy Strings and The Infamous Stringdusters with a distinct ‘partygrass’ touch. The lyrics reflect the highs and lows of life on tour, celebrating the freedom of performing and the connection with fans, all while dreaming of a peaceful future.

“With the world shutting down came the canceling of all of our shows and the stalling of some hard won momentum,” says the band, “We had a wonderful spring and summer lined up, and it all evaporated in an instant. I found myself sitting alone with my guitar, pining for the excitement of the road and gratification of playing music for our fans, and this song pretty much wrote itself. The bands I was listening to at the time shine through the arrangement. You can hear Billy Strings in the lick and verse, The Infamous Stringdusters in the chorus, but the orchestral nature of the bridge belongs entirely to Partygrass.”

The band is headed into a fall touring schedule that include key plays at the Arvada Center for Arts and Humanities in Arvada, CO; CaveFest at The Caverns in Pelham, TN; Blue Ridge Jam in Asheville, NC; Moab Folk Festival in Moab UT; and Baja Wondergrass in El Sargento, Mexico.

For more information and a complete list of tour dates, visit pixieandthepartygrassboys.com.

Sun, 09/08/2024 - 12:07 pm

Psychedelic funk pioneers Lettuce have teamed up with nugs.net to launch Lettuce Live, a brand-new subscription-based platform that will house exclusive on-demand audio and video concert footage, showcasing the band where they shine the most—the live performance setting in front of their fans. Over the course of their three-decade career, the band has built a reputation for constant evolution, electrifying improvisation, and fostering tight-knit musical brotherhoods and fan communities. Now, fans can indulge in the ultimate experience with real-time concert uploads, regularly updated unreleased shows, and access to the band's entire discography at lettucelive.com.

The initial batch of live audio footage will feature performances from 2024, including a February show from their VIBE tour in Santa Fe, New Mexico, as well as most of their performances supporting reggae legend Ziggy Marley on his Circle of Peace tour this summer. Select on-demand full-length concert footage includes a 2019 performance at First Avenue in Minneapolis, Minnesota; a 2022 show at Tipitina’s in New Orleans, Louisiana; footage from this year’s Daze Between Festival with special guest John Scofield; this summer’s standout show at the Gerald R. Ford Amphitheatre in Vail, Colorado, and more.

Reflecting on the band's career, chemistry, and community-building, guitarist Adam "Shmeeans" Smirnoff says, "I think what makes it special is our years of cultivating our own brand of improvisation—our own brand of communication that thrives because of our shared vision of musicality, years of friendship, and the idea that we all enjoy space and leaving room for each other. I believe it was Miles [Davis] who said the space between the notes is more important than the notes themselves. That's a concept we've all embraced deeply. What I hope fans get out of this is the emotional content behind the notes we play, seeing from show to show and song to song how things evolve, and sharing in the joy we feel when we play together."

In addition to regularly uploaded content and on-demand live audio and video, Lettuce's entire discography will be available on the platform, from their 2002 debut Outta Here to rare 45s like "Don't Be Afraid to Try / Yakitori," and their upcoming remastered edition of the fan-favorite Live in Tokyo, available on September 13th. Lettuce Live is a one-stop shop for diehard fans and newcomers alike.

"Our performances are real-time evidence of how we evolve as a band," says drummer Adam Deitch. "With a different setlist every night and a huge amount of improv, mash-ups, tempo changes, and on-the-spot covers of songs we know, the live show is the DNA of who we are."

To subscribe to Lettuce Live and enjoy a 7-day free streaming trial, visit lettucelive.com.

Thu, 09/12/2024 - 10:12 am

Tomorrow, Psychedelic funk veterans Lettuce will celebrate the re-release of their longtime-cherished album Live in Tokyo available via Lettuce Records in celebration of the album’s 20th anniversary. The formative album will be released on vinyl for the first time ever and has been remastered for an enhanced audio experience. Listen & order on record on limited edition red vinyl and CD HERE.

Forged out of their studies at Berklee College of Music, Lettuce was fresh into the touring circuit eagerly presenting their growing catalog of original music with the lineup of Erick “Jesus” Coomes on bass, Adam Smirnoff on guitar, Ryan Zoidis on tenor saxophone, Adam Deitch on drums, Neal Evans on organ & electric piano, Rashawn Ross on trumpet, and Sam Kininger on alto saxophone. The pivotal performance set the stage for zealous performances with airtight transitions, energetic improvisation, and a locked-in pocket Lettuce fans around the world have come to know and love.

On their first foray into Tokyo, Erick "Jesus" Coomes reflects on the band's pivotal experience, profound regard for Japanese culture, and the motivation imparted to put on one of the band's run of shows to date despite being so early on in their career, "The attention to detail, the unique character, the commitment to excellence without compromise are just some of the things we love about Japanese culture. Respect levels are always redefined upon visiting this magical island full of palpable energy and it is always quite a chore to depart. That’s why when we first stepped foot on Nihon we were compelled to make one of our best records ever at a very young age. Please sit back, relax, pour yourself some sencha, matcha, or Gyokuro, put our latest vinyl on your best hi-fi system, and be transported to a place and time beyond imagination. Nihon Daisuki. "

During the multi-night run in Tokyo, the band’s longtime friend and collaborator Jason Pinsky (VICE, Bong Appetit) was in town and able to record the performances and later produce the record. For the upcoming remastered edition, Lettuce worked with mastering engineer Alex DeTurk at Bunker Studios. Ryan Zoidis elaborates on their long standing working relationship and what to expect for enhanced audio quality, “Alex DeTurk at Bunker Studios has been mastering our records for a while. He uses an old school analog signal path and has incredible ears and intuition. With Live in Tokyo, he really opened up the mixes and unlocked the nuances and the dynamics of the show. It feels like a brand new record!”

Live in Tokyo (Remastered) will include two bonus tracks on digital platforms– alternate versions of “Flu the Coop” and “Reunion” that were not on the original release.

Lettuce tour dates happening now

In addition to tomorrow's album release, last week Lettuce launched their brand new subscription-based platform, Lettuce Live, that houses exclusive on-demand audio and video concert footage from both real-time touring performances and their extensive back catalog of performances over their three decade career. Built in partnership with nugs.net, fans can enjoy a free 7-day trial before beginning their subscription at lettucelive.com.

Lettuce is embarking on the final leg of their 'Get Up' Tour with dates in the following cities:

September 12: Mill River, NC

September 13: Indianapolis, IN

September 14: St. Louis, MO (Music at the Intersection)

September 15: Kalamazoo, MI

September 25: Red Bank, NJ

September 26-27: Philadelphia, PA

September 28-29: Brooklyn, NY

October 18-19: Chicago, IL (supporting STS9)

October 24: Live Oak, FL (Hulaween Music Festival)

November 7-10: Seattle, WA

For a complete list of tour dates, merchandise, and more, visit lettucefunk.com.

Sat, 09/21/2024 - 2:53 pm

Salt Lake City-based beloved purveyors of bluegrass, skiing, and silly outfits, Pixie and The Partygrass Boys continue rolling out their forthcoming self-titled album with the release of the second single “Into Nothing,” an anthemic depiction of the full cycle of breaking up from release to outrage to eradicating memories altogether. The full-length record will come out via Americana Vibes on November 8, 2024. Listen to “Into Nothing” HERE.

“Into Nothing” maintains a steady four-on-the-floor beat with musical and rhythmic ebbs and flows that mirror the spiraling emotions experienced during a breakup. Described as “the angriest break-up song I’ve ever written, inspired by the healthiest break-up I’ve ever had” by vocalist, Katia "Pixie" Racine, the track is driven by the frustration of holding back during a healthy split—sometimes you just want to say everything you held back and watch it all burn away. The song explores the pain of letting go, expressing anger and the desire to erase the significance of a past relationship.

“Sometimes you just have to get it out, everything you really wanted to say to them on the phone, but nooo, you’ve been to too much therapy and had to be all conscious of emotional regulation and try to practice healthy communication skills blah blah blah,” she says maintaining the bands ethos of real-talk and humanistic connection with the subject matter expressed throughout their catalog.

Hot off the heels of the success of their genre-defying cover album, The Chicken Coop, Vol. 1, the band delivers the same energy on the upcoming self-titled record with a carefully curated song selection that showcases every member’s talent through breathtaking solos, clever lyricism, and memorable arrangements.

Pixie and The Partygrass Boys wrap up the year with plays at Charleston Pour House in Charleston, NC; CaveFest at The Caverns in Pelham, TN; Blue Ridge Jam in Asheville, NC; Moab Folk Festival in Moab UT; and will play the inaugural Baja Wondergrass in El Sargento, Mexico in April 2025.

For more information and a complete list of tour dates, visit pixieandthepartygrassboys.com.

Thu, 09/26/2024 - 9:44 am

The Infamous Stringdusters return with another installment of their highly-anticipated cover album series Undercover, Vol. 3. Following suit with their previous 5-song curated selections, with one song selected per band member, this collection reimagines classics from legends like The Grateful Dead, Phish, Avicii, and more blending bluegrass mastery with fresh, innovative twists. Today, the band has released the first single out of the upcoming record, a string bluegrass rendition of “Possum” by Phish. Listen HERE.

Andy Falco’s guitar strumming immediately ushers in the unmistakable vamp of the Phish cult favorite infused with the Dusters’ virtuosity musicianship and high-energy improvisation making it a must-hear, guaranteed sing-a-long for fans of both bands.

Selected by banjoist & vocalist, Chris Pandolfi, he remarks, “We chose Phish’s ‘Possum’ because we love the song and we love the band. They’ve been a huge influence on me and are one of the bands that got me excited about music in the first place. They’ve been an influence on our whole jam & roots scene and pioneered a sound. While it has an obvious bluegrass sound, part of the reason it stuck for us was because we wanted to figure out our own arrangement and do our own thing with it—the jam section is the Stringdusters’ take on Phish and when it came time for our next ‘Undercover,’ this was an obvious choice.”

The Dusters close out festival season with a handful of key appearances 3 Sisters Bluegrass Festival, Hardly Strictly Bluegrass Festival, Outer Banks Roots & Blues Festival & more. 2025 will kick off with their annual 'SkiDust' tour traversing through mountain towns with newly added VIP packages that can be purchased HERE.

A complete list of tour dates can be found here:

10/3 - Eureka Springs, AR - Hillberry The Harvest Moon Festival

10/4 - Chattanooga, TN - 3 Sisters Bluegrass Festival

10/4-6 - San Francisco, CA - Hardly Strictly Bluegrass

10/17 - Mills River, NC - Sierra Nevada Brewing Co.

10/18 - Charleston, SC - The Refinery Charleston

10/19 - Manteo, NC - Outer Banks Roots & Blues

12/12 - 12/16 - Puerto Morelos, Q.R. - Strings & Sol

12/30 - Richmond, VA - The National

12/31 - Richmond, VA - The National

1/8 - Crested Butte, CO - Center for the Arts

1/9 – Beaver Creek, CO – Vilar Performing Arts Center

1/10 - Beaver Creek, CO – Vilar Performing Arts Center

1/11 – Denver, CO – The Mission Ballroom

2/7 – Aspen, CO – Belly Up Aspen

2/8 – Telluride, CO – Sheridan Opera House

2/9 - Telluride, CO – Sheridan Opera House

2/10 - Telluride, CO – Sheridan Opera House

2/11 – Grand Junction, CO – Mesa Theater

2/13 – Park City, UT – Egyptian Theatre

2/14 - Park City, UT – Egyptian Theatre

2/15 - Park City, UT – Egyptian Theatre

2/16 - Park City, UT – Egyptian Theatre

For more information and to purchase tickets to all upcoming dates, please visit: https://www.thestringdusters.com/tour-dates

Wed, 10/02/2024 - 7:59 am

After a successful 5-night east coast run, members of Lettuce joined Louis Cato & The Late Show Band on The Late Show with Stephen Colbert on Monday, September 30th. Ryan Zoidis (tenor saxophone), Eric “Benny” Bloom (trumpet) and Nigel Hall (vocals & keyboards) augmented The Late Show Band’s musical collective performing selections from their vast catalog including fan-favorite “Madison Square,” and “Silence is Golden” off their 2020 record ‘Resonate,’ in addition to the program’s nightly repertoire.

As host Stephen Colbert introduced bandleader Louis Cato, he remarked, “Louis, your tonight sound is particularly fat. Can you tell us who you have joining you tonight, please?” in which he responded, “Man, we have the horn section and the lead singer/keyboardist of the legendary funk crew, Lettuce!” Watch the introduction HERE.

Lettuce’s 5-night stint included two shows at the Brooklyn Bowl in celebration of the venue’s 15-year-anniversary and were joined by longtime collaborator, vocalist Alecia Chakor on Sunday, September 29th. In addition to two shows at Brooklyn Bowl Philadelphia, the band paid a special visit to Franklin Learning Center where they surprised the school band and played the music of the late Frankie Beverly and Maze with student musicians. Watch footage HERE.

September saw the release of Live in Tokyo (Remastered), a remastered and digitally enhanced edition of their 2004 record recorded at Blue Note Tokyo in celebration of its 20th anniversary. The record was released on vinyl for the first time ever and includes alternate versions of “Flu the Coop” and “Reunion” that were not on the original release. Additionally, the band launched Lettuce Live, a new subscription-based platform that features real-time uploads from tours, unreleased live performances spanning their 3+ decade career and houses their entire discography. It showcases the band where they shine most—in the live setting in front of the fans.

The band will cap off 2024 performances with a pair of shows supporting STS9 at Radius in Chicago on October 18th & 19th, appearances at Suwannee Hulaween in Live Oak, FL, and will close the year with a 4-night run at Dimitrious’s Jazz Alley in Seattle, WA November 7-10.

For a complete list of tour dates and to learn more, please visit lettucefunk.com

Wed, 10/02/2024 - 9:57 am

Progressive rock-fusion band TAUK has added head-turning guitarist Brandon “Taz” Niederauer to their star-studded Halloween extravaganza ‘Oogie Boogie’ at The Capitol Theater in Port Chester, New York on October 25, 2024. The lineup includes special guests G. Love, Mihali, Kanika Moore (Doom Flamingo), and Mike Wilbur (Moon Hooch). To celebrate Taz’s addition, TAUK has released a anthemic new single collaboration entitled “Chopped Cheese” that’s chock full of ferocious guitar shredding courtesy of Taz and TAUK guitarist, Matt Jalbert. Listen to “Chopped Cheese” HERE.

Named after the New York City delicacy, “Chopped Cheese” showcases the band’s heavy instrumental roots with soaring guitar lines, hypnotic arpeggios, ethereal synth pads, and a locked in pocket of anchored bass and accented drums. The track merges groove with head-banging and allows Taz and Jalbert to shine on virtuosic guitar lines and converse with listeners through finely tuned, ascending guitar solos.

‘Oogie Boogie’ continues the tradition that began at Cervantes’ Masterpiece Ballroom in Denver, CO in 2022 as it lands back in TAUK’s origin state for its third year. The special spooky season performance will present a mix of the group’s assertive, memorable fusion laced with enthralling covers showcasing the talents of the core quartet and special guests alike. The show goes hand-in-hand with the streak of collaborative singles the TAUK has recently released including “Sky to Light” ft. reggae icon Matisyahu, “Still Got Love for You” ft. G. Love, “Lil Mama” ft. Kanika Moore and The Shady Horns of Lettuce, and now, “Chopped Cheese” with Taz.

On the programming, origins, and what to expect, guitarist Matthew Jalbert shares, “We've been lucky enough to have played the Capitol Theatre a couple times already but being able to come in and throw our own show is something we've been dreaming up for a while. Oogie Boogie started in Denver. We get some of our absolute favorite musicians together and throw a huge party. The lineup for this is unreal and we have so much in store for this show. We'll be busting out the live debut of our song with G Love ‘Still Got Love For You.’ We'll get to throw in some TAUK MOORE with Kanika. Taz will be jumping on stage for some songs including our newest release "Chopped Cheese" that we just released with him. Mike Wilbur will be throwing down an incredible set as well as Mihali. And we have a killer horn section to round it all out! This will be one of the wildest nights of TAUK ever—woooo!”

TAUK has been painting with sound for over a decade now, pushing boundaries and reinventing themselves every chance they get. Founded by Dolan, Jalbert, and Carter, who began playing together as middle schoolers on Long Island, the band landed on its present incarnation in 2012, when college pal Teel joined full time. Since then, the quartet has gone on to tour with the likes of Umphrey’s McGee, Widespread Panic, and Lettuce, landed festival slots everywhere from Bonnaroo to Electric Forest, racked up millions of streams across platforms, and garnered extensive critical praise with a series of widely lauded studio and live albums. The Washington Post hailed the band’s music as “a hard-charging, often melodic fusion that—thanks to a penchant for improv—offers limitless possibilities,” while Keyboard Magazine declared that their sound “doesn’t adhere to a single genre but, instead, creates its own,” and Relix dubbed them “an incredibly impressive ensemble of talent.”

To purchase tickets for TAUK's ‘Oogie Boogie’ and more information, please visit https://www.taukband.com/tour. 

Wed, 10/16/2024 - 4:01 pm

Last month, The Infamous Stringdusters announced a new installment of their beloved cover album series, Undercover, Vol. 3. Following suit with their previous 5-song curated selections, with one song selected per band member, this collection reimagines classics from legends like The Grateful Dead, Phish, Avicii, and more blending bluegrass mastery with fresh, innovative twists. Today, the Dusters take us back to one of 2013's songs of the summer with the release of a bluegrass rendition of  "Wake Me Up" by Avicii. Listen HERE.

Bluegrass and electronic music may be the most unlikely merger in music, but in true Stringdusters form, the group crafts a seamless arrangement making the late Swedish producer's  tune their own that's guaranteed to impart a wave of nostalgia in both home listening and performance settings.

“The song I chose for ‘Undercover’ was ‘Wake Me Up,’ which is an Avicii tune,” reveals bassist & vocalist Travis Book, “I really love that it was a popular song, so when we play it, people have connection to it. People can remember when it was the hit of the summer and I love that it was part of a project that Avicii did where he was collaborating with a lot of musicians. I also think the song has a cool, sort of positive message that relates to the angst of being young and struggling with identity trying to figure out what’s next in your life. I love the way we play it—it’s always a blast!”

The Dusters closed out festival season with  key appearances at 3 Sisters Bluegrass Festival and Hardly Strictly Bluegrass Festival and are gearing up for an east coast run over the weekend with shows at The Refinery in Charleston, SC; and Outer Banks Bluegrass Festival in Manteo, NC. 2025 will kick off with their annual 'SkiDust' tour traversing through mountain towns with newly added VIP packages that can be purchased HERE.

A complete list of tour dates can be found here:

10/18 - Charleston, SC - The Refinery Charleston

10/19 - Manteo, NC - Outer Banks Bluegrass Festival

12/12 - 12/16 - Puerto Morelos, Q.R. - Strings & Sol

12/30 - Richmond, VA - The National

12/31 - Richmond, VA - The National

1/8 - Crested Butte, CO - Center for the Arts

1/9 – Beaver Creek, CO – Vilar Performing Arts Center

1/10 - Beaver Creek, CO – Vilar Performing Arts Center

1/11 – Denver, CO – The Mission Ballroom

2/7 – Aspen, CO – Belly Up Aspen

2/8 – Telluride, CO – Sheridan Opera House

2/9 - Telluride, CO – Sheridan Opera House

2/10 - Telluride, CO – Sheridan Opera House

2/11 – Grand Junction, CO – Mesa Theater

2/13 – Park City, UT – Egyptian Theatre

2/14 - Park City, UT – Egyptian Theatre

2/15 - Park City, UT – Egyptian Theatre

2/16 - Park City, UT – Egyptian Theatre

For more information and to purchase tickets to all upcoming dates, please visit: https://www.thestringdusters.com/tour-dates

Fri, 11/01/2024 - 5:43 pm

Longstanding funk juggernauts, Lettuce, will once again team up with the Colorado Symphony for a collaborative performance at Mission Ballroom in Denver, Colorado on March 2, 2025. The show mark’s the group’s third collaboration with the orchestra after a stirring 2018 debut at Boettcher Concert Hall in the Denver Performing Arts Complex and a co-headlining performance with East Bay funk, soul, and R&B legends Tower of Power who were both joined by the symphony at Red Rocks Amphitheatre in 2022. Tickets are on sale on Friday, November 1st at 10 am MT HERE.

Guitarist Adam “Shmeeans” Smirnoff reflects on the group’s joint ventures over the past six years, “In 2018 we embarked on an incredible journey of musical collaboration with the Colorado Symphony Orchestra. It was our first time ever playing with a symphony and we were extremely exhilarated and felt incredibly grateful to be able to have such an experience. You can feel , through the music, just how special this moment was for us, the orchestra, and all who attended Boettcher Hall that evening in Denver.”

The six-member, genre-busting band formed by four alumni of Berklee College of Music over three decades ago have made a name for themselves by combining their rich funk roots with strains of hip-hop, psychedelia, rock, go-go, jam, and beyond and have been embraced by music lovers and music legends alike. Lettuce has collaborated with the likes of bass icon Bootsy Collins, esteemed hip-hop artist Talib Kweli, jazz guitar titan John Scofield, go-go legends Jungle Boogie & Big Tony, and more. To date, their shows with the symphony are amongst the most memorable. “For a bunch of friends who started a band writing their own versions of funk mixed with Hip Hop beats, we never imagined we'd get to a point where we get to perform our tunes with an entire symphony,” drummer Adam Deitch attests, “To say performing with the Colorado symphony was a dream is an understatement. It was a milestone in our creative journey and we are so proud to present another collaborative symphonic funk journey.”

Lettuce finishes 2024 strong coming off of the 20th Anniversary remastered re-released of their highly regarded album Live in Tokyo, releasing it for the first time ever on vinyl, and launching Lettuce Live, a new subscription-based platform that features real-time uploads from tours, unreleased live performances banning their 3+ decade career and houses their entire discography. The band’s 2024 touring schedule will conclude after 4 nights at Dimitriou’s Jazz Alley in Seattle, Washington November 7-10.

The group is poised to make their third performance with the Colorado Symphony their best one yet continuing to share more surprises in store leading up to the March performance. For a complete list of tour dates and updates, please visit lettucefunk.com.

Wed, 11/13/2024 - 3:59 pm

Salt Lake City-based, beloved purveyors of bluegrass, skiing, and quirky outfits, Pixie and The Partygrass Boys have released their self-titled album via Americana Vibes. While the band has steadily released material since 2018, the new nine-track album exemplifies a capstone effort, showcasing the raucous energy of their early success merged with carefully curated, mature solos and well-honed compositions. Listen to the new album HERE.

The band’s decision to self-title the album reflects a journey of collective pride in the process—from song selection to studio production to composition to playback. “Although we’re proud of our other albums, we feel like we nailed this one,” explains mandolinist and vocalist Ben Weiss. “In the recording process, you normally feel like you’ve listened back too much and you don’t want to ever hear these songs again, but that’s not the case with this record.”

Visually, the album cover represents the band’s strong bonds beyond music. It’s a collage of Polaroid photographs compiled by vocalist Katia “Pixie” Racine, highlighting moments from goofy wedding photo booths to costume parties to some of the band’s earliest memories together. “It gives people a glimpse into the reality of the band,” says Weiss. “And we look back at one of those and think, wow, we were just babies.”

The nine tracks on Pixie and The Partygrass Boys speak to the complicated nuances of love, reflective periods during isolation, the power of nature, and beyond. “Club Thing” celebrates love for someone from the past—seeing them find their place in the world, even if it doesn’t involve you. “This song is a proclamation of joy and gratitude; for love, for the forces of nature, for the ebbs and flows of life, the pain, the loss, the wonder, the revelry, the laughter of children. Gratitude for all of it, and the opportunity to have experienced some part of it with another,” Racine expounds. The band’s powder hound prowess shines in “There’s No Friends on a Powder Day.” “Skiers everywhere know this phrase, but not everyone gets it,” violinist and vocalist Amanda Grapes Dellinger contends. “For me, a powder day is classified as over a foot of the fluffy stuff, and there’s no better feeling in the world than gliding through fresh, untracked pillows. Unfortunately, the increase in ski crowds these days means you have to be early and efficient to get the goods before they’re gone. This song was written in frustration on a missed powder day due to a late ‘friend.’” Watch the lyric video for "There's No Friends on a Powder Day" HERE.

“Cabin Fever” was written by Dellinger in a tiny, historic mining cabin on the slopes of the majestic Wasatch Mountains. The track reflects the silver linings found during COVID when society was forced to slow down, simplify, and cherish loved ones. “Into Nothing” serves as a contrast to “Club Thing,” with a steady four-on-the-floor beat and musical ebbs and flows that mirror the emotions of a breakup. Described by Racine as “the angriest breakup song I’ve ever written, inspired by the healthiest breakup I’ve ever had,” the track conveys the frustration of holding back during a healthy split—sometimes you just want to say everything you’ve held back and watch it all burn. The song explores the pain of letting go, expressing anger, and the desire to erase the significance of a past relationship.

The penultimate track, “Marching On,” was written by Racine in late spring 2020 in the midst of a pandemic, after an earthquake shook Salt Lake City, and at the start of the Black Lives Matter protests when life felt fragile and uncertain. “I wrote this song as a reminder that things can get better, but they will only get better if we keep marching on, together. If we can find a way to sit down and all sing along, together. We must protect each other, stand up to injustice, and realize that there’s only one team—Team Human. No one is free until everyone is free. I wish that this song didn’t feel as relevant today as it did when I wrote it, and I hope that one day it no longer will,” says Racine. The ensemble is joined by friends singing in a choir, recalling socially distanced concerts where audiences would scream and sing along with them, highlighting the song’s message of community. Producer Mike Sasich added six open-tuned guitars and ebos to create a unique drone effect that weaves in and out of the song.

Another highlight of the self-titled record is the fan favorite “Partygrass Theme Song,” which concludes the album, showcasing the band’s playful nature and camaraderie. “Who has a theme song, anyway? Well, we do,” says Weiss. “Our theme song is the end credits to many a Partygrass show, telling the story of our band’s inception. It may be silly, but it serves as both our curtain call and a marketing ploy as we sing our band’s name repeatedly, ensuring no one in attendance will ever forget.”

Pixie and The Partygrass Boys will close out 2024 with an appearance at Treefort Music Hall in Boise, Idaho on December 28th and their annual New Year’s Eve show at The Commonwealth Room in Salt Lake City, Utah, on December 31st.

For more information and a complete list of tour dates, please visit pixieandthepartygrassboys.com.

Thu, 11/14/2024 - 3:20 am

GRAMMY-nominated psychedelic funk band Lettuce will kick off 2025 with The Get Up Tour, an expansive 17-date run at prominent venues throughout the U.S. Joining Lettuce on seven of these performances is legendary hip-hop artist GZA (of Wu-Tang Clan), presenting his iconic 1995 album Liquid Swords in full with The Phunky Nomads Band. On these nights, GZA will play the first set of the evening, followed by Lettuce, marking a full night of music and inevitable collaboration. Artist pre-sale tickets are available now using the code ‘THEFORCE,’ with public on-sale tickets available Friday, November 15th, at 10 a.m. local time.

Ramping up anticipation for the co-headlining shows, drummer Adam Deitch exclaims, “Wu-Tang Clan to this day has such a cultural impact on this world. GZA, aka the Genius, whom we’ve gotten to know and work with over the years, is an integral part of the style, knowledge, and sound of this legendary group. GZA’s album Liquid Swords is a classic, and we are honored to be sharing the stage with him and his band. Lettuce looks forward to seeing you all in attendance for this monumental tour, featuring dates that will blend classic Hip-Hop, Funk, Soul, and mysterious psych jams into one big, sweaty event!”

GZA’s Liquid Swords was released in 1995 and has become a widely revered album celebrated for its sharp lyricism and vivid imagery. The record heavily samples dialogue from the 1980 cult martial arts classic Shogun Assassin and uses dark, atmospheric beats throughout. It charted at #9 on the Billboard 200, #2 on the Top R&B/Hip-Hop Albums, and was certified platinum nearly 20 years after its release.

The tour kicks off on the West Coast, starting in Del Mar, California, on January 22nd, continuing in Los Angeles with a return to The Novo on January 23rd after a packed fall headlining performance, and concludes this leg at The Fox Theater in Oakland on January 24th. Lettuce will play two shows at Louisville, KY’s Mercury Ballroom on January 31st and February 1st and stop through Columbus, Ohio, at Newport Music Hall before linking back up with GZA for shows in Harrisburg, PA; Pittsburgh, PA; Silver Spring, MD, and ending the co-headlining shows in GZA’s home turf at Brooklyn Steel on February 7th.

Lettuce will finish The Get Up Tour routing in Boston, MA; Raleigh, NC; Athens, GA; and Savannah, GA; before heading to Miami for the official Jam Cruise Pre-Party at The Miami Bandshell on February 13th. After returning to Jam Cruise February 13-15 as a fan-favorite act, Lettuce will begin preparations for their third collaboration with The Colorado Symphony at Mission Ballroom in Denver, Colorado, on March 2nd.

A full list of dates for The Get Up Tour can be found here:

  • Jan 22, 2025 – The Sound at Del Mar – Del Mar, CA*
  • Jan 23, 2025 – The Novo – Los Angeles, CA*
  • Jan 24, 2025 – Fox Theater – Oakland, CA*
  • Jan 31, 2025 – Mercury Ballroom – Louisville, KY ^
  • Feb 1, 2025 – Mercury Ballroom – Louisville, KY ^
  • Feb 2, 2025 – Newport Music Hall – Columbus, OH ^
  • Feb 4, 2025 – XL Live – Harrisburg, PA*
  • Feb 5, 2025 – Stage AE – Pittsburgh, PA*
  • Feb 6, 2025 – The Fillmore Silver Spring – Silver Spring, MD*
  • Feb 7, 2025 – Brooklyn Steel – Brooklyn, NY*
  • Feb 8, 2025 – House of Blues Boston – Boston, MA %
  • Feb 10, 2025 – Lincoln Theatre – Raleigh, NC ^
  • Feb 11, 2025 – Georgia Theatre – Athens, GA ^
  • Feb 12, 2025 – Victory North – Savannah, GA ^
  • Feb 13, 2025 – Miami Beach Bandshell (Jam Cruise Pre-Party) – Miami, FL
  • Feb 14-19, 2025 – Jam Cruise – Miami, FL
  • Mar 2, 2025 – The Mission Ballroom – Denver #

 

* Co-Headline Show with GZA
^ An Evening with Lettuce
% Lettuce with Support TBD

# with The Colorado Symphony

For more information and to purchase tickets, please visit: lettucefunk.com/tour

Thu, 11/14/2024 - 3:29 am

Casey Russell, best known as the keyboardist for tour circuit mainstays The Magic Beans, has released his debut solo record, Patience, now available via Color Red. Russell takes the lead on keyboards and vocals, supported by a star-studded cast, including Shira Elias (Cool Cool Cool) and Kim Dawson on background vocals, Eric “Benny” Bloom (Lettuce) on trumpet, Nick Gerlach on tenor sax, Jeff Franca (Thievery Corporation) on drums, and Taylor Frederick on guitar. Listen to Patience HERE.

Russell began writing the album shortly after the pandemic lockdown, channeling the energy usually devoted to extensive gigging into collaborating on demos with fellow musicians confined to their studios. By late 2020, with a solid batch of demos in hand, he reached out to Eddie Roberts (The New Mastersounds, The Lucky Strokes) to book a session at Color Red Studios, recording eight songs in just two days. This new collection fits seamlessly alongside recent soul revival icons like The California Honeydrops, St. Paul & The Broken Bones, and Leon Bridges, who have stormed the scene and airwaves with a modern take on soul and R&B. Using Color Red’s trusty Tascam-388, Russell achieved a vintage analog sound that honors classic sensibilities, breezy vocal harmonies, and a locked-in rhythm section. The record was mixed and mastered by Josh Fairman of Laskin Productions, who dedicated countless hours to refining Russell’s signature soul sound.

Patience is a love letter to old-school soul and R&B music, says Russell. "From the songwriting to the recording methods, I wanted to take a step back in time to my favorite sounds of the '60s and '70s, with a bit of modern flair mixed in. It has a funky, retro-soul feel, complete with an eight-piece band recording through analog equipment."

The studio recording features contributions from Dan Africano (Thievery Corporation), Jeff Franca (Thievery Corporation), Taylor Fredrick, Lyle Divinsky, Nick Gerlach, Eric “Benny” Bloom (Lettuce), Parris Flemming (Harry Styles, The Parrisian), Alex Cazet (Mama Magnolia), Shira Elias (Cool Cool Cool), and Kim Dawson throughout.

The album opens with the title track, "Patience," the first song Russell wrote for the album, setting the foundation for the record. With a groove reminiscent of the Young-Holt Unlimited classic "Soulful Strut," a track the band and production team referenced in the studio, "Patience" blossomed with an unforgettable chorus and stellar background vocals from Elias and Dawson. The extra downtime during the lockdown allowed Russell to craft each element with care, making "Patience" reflect more than just a title.

In "Hit the Ground Running," Russell draws inspiration from soul greats like Sly Stone, Stevie Wonder, Bill Withers, and Sam & Dave, aiming for a multi-harmony chorus with immediate impact. “I knew I wanted a call-and-response vibe, so I sent the demo to my vocal guru, Lyle Divinsky,” he explains. “He sent back 16 vocal tracks of pure gold, and we wrapped up the lyrics that week. Parris Fleming added a fantastic horn arrangement, bringing the song to life. Put it on repeat!”

“Let’s Get It” is an assertive anthem showcasing the album’s upbeat side, influenced by legends like Prince, Morris Day & The Time, and Allen Toussaint. Each musician shines with punchy horn lines, powerful harmonies, and a dynamic instrumental breakdown featuring Russell’s synthesizers blending seamlessly with Gerlach and Bloom on horns. “Let’s Get It is an ode to putting it all on the line,” says Russell. “After writing a few heartache tunes, I wanted something that showed another side. This song features my favorite instrumental section on the record, with Jeff Franca and Dan Africano locking in perfectly in the studio.”

Patience also includes two standout covers that Russell has made his own. "Backstreet Lover," a favorite New Orleans R&B tune by Ernie K. Doe, was suggested by a friend who felt Russell’s smooth yet soulful voice suited it perfectly. After playing it live, he knew it belonged on the album. The album closes with a funky rendition of "Ain't No Bread in the Breadbox," a staple from the early '90s Jerry Garcia Band repertoire. Inspired by both the original by Roy Rogers & Norton Buffalo and Garcia's version, Russell infused his own style, enhanced by a horn arrangement from Eric "Benny" Bloom and vibrant backing vocals from Shira Elias, giving the song a fresh, enduring energy.

Fresh off his album release show at Cervantes’ Other Side, Patience promises to make a mark on the modern soul scene and find a place in any soul lover's record collection. Catch Casey Russell on a Colorado Mountain run with The Magic Beans, and stay tuned for more solo shows in 2025.

Sun, 11/24/2024 - 1:37 pm

Topping off a year of high profile festival plays, coast-to-coast tours, and the launch of a new on-demand platform, future funk all-stars Lettuce have released a new digital single entitled “Monorail 3000.” Captured during the sessions for the band’s high-octane 2012 release Fly, “Monorail 3000” pays homage to “The Godfather of Soul,” James Brown, with a pocket rhythm section, hypnotic grooves, and sultry horn lines. Listen to the new single HERE.

“Lettheads” may recognize the first section of “Monorail 3000” as a live intro the group has been playing for their longtime crowd favorite song “Blast Off” for many years. The framework was laid out by drummer Adam Deitch with help from saxophonist Ryan Zoidis to flesh it out, “We were on a bus or van and Deitch as recording & writing on his computer,” recalls Zoidis, “He asked for another honor melody and bassline for the second section and handed me a keyboard.” The track and the aforementioned Fly sessions were one of, if not the first-ever records ever recorded at the newly opened Bunker Studios in Brooklyn, New York recorded & mixed by John Davis and mastered by Scott Hull & John Davis. The result is a poised and collected head bobber that tips its hat to James Brown & The J.B.’s “(It’s Not the Express) It’s The J.B.’s Monaurail.” “‘Monorail 3000’ is an ode to ‘J.B Monaurail’, one of our favorite James Brown tunes. The mood of the song is cool and steady. All aboard, everyone!” adds Deitch.

In addition to the digital single, the new track will be included on a brand new 7” record, part of a brand new 7” collectable series the band will consistently roll out in the coming months. The record is available now to purchase on both a green colorway (HERE) and classic black vinyl (HERE).

In addition to the new single and 7” series launch, Lettuce recently announced ‘The Get Up Tour,’ a 17-date jaunt that includes 7 co-headlining shows with hip-hop icon GZA (of Wu-Tang Clan) and his live band The Phunky Nomads with key plays in Los Angeles, Oakland, Brooklyn, and more. On March 7, 2024, Lettuce will collaborate with The Colorado Symphony for the third time for a show at The Mission Ballroom in Denver, Colorado.

For a complete list of tour dates, merch, and more, please visit, lettucefunk.com

Sat, 12/07/2024 - 10:30 am

This month, New Orleans-based guitarist and vocalist Steve Kelly announced his 8-track debut solo album, Here’s The Thing, set for release on February 21, 2025, via Regime Music Group. Coined as “Americana Soul,” Kelly’s songwriting navigates the complexities of life’s cycles, candid struggles with mental health, the perils and pitfalls of substance abuse and addiction, and the peaks and valleys of personal relationships, ultimately delivering a message of hope and perseverance. Today, Kelly has shared a brand-new video featuring a live version of the debut single, “How Are We Here Again,” with New Orleans jazz-funk sextet Naughty Professor, Alex Wasily (Dumpstaphunk), Sam Kuslan (Slugger), Renée Gros, and Tiago Guy. Watch the video on YouTube HERE.

“How Are We Here Again” kicks off the album with a nod to ’80s pop brilliance, pulling influences from Talking Heads, Prince, and Peter Gabriel. It narrates cyclical life challenges through a Groundhog Day-like lens of recurring events, ultimately serving as a reminder that we’re all in the same boat at different points of our respective journeys. Lyrically, the song explores the constant push-and-pull of love and life—the struggle of expectations, the ups and downs, success, and day-to-day existence. “I was making a comment on the universality of struggle and how the real irony is that the common thread we can all relate to is just how personal and isolating it can feel when we seem stuck in these cyclical patterns,” reflects Kelly. “Whether it’s in love, work, family, politics, or society at large, we all know what it’s like to throw our hands up at the sky and say, ‘How are we here again?!’”

Here’s The Thing was produced by Kelly’s longtime collaborator and friend, Robert Mercurio of Galactic. The album features a stellar lineup of musicians, including Kevin Scott (Gov’t Mule), Isaac Eady (Tedeschi Trucks Band), Stanton Moore & Robert Mercurio (Galactic), Gabrielle Cavassa (Joshua Redman), Andriu Yanovski (The Rumble, Boogie T.Rio), Anjelika “Jelly” Joseph (Galactic, Tank & The Bangas), Josh Kagler (Galactic, Irma Thomas), Noah Young (Naughty Professor), Nick Ellman (Naughty Professor, Maroon 5), Sam Kuslan (Slugger), Andrew Block (Gramatik), Scott Graves (J. & The Causeways), Kelly Pratt (David Byrne & St. Vincent, Father John Misty, Arcade Fire), and more.

Here’s The Thing is now available for pre-order on vinyl, CD, and as a combined bundle HERE.

To learn more about Steve Kelly and stay updated, please visit stevekelly.io.


ABOUT STEVE KELLY
New Orleans-based singer-songwriter and instrumentalist Steve Kelly is a true lover of his adopted home, calling it “the greatest city the world has ever known or will ever know.”

A fixture on the local scene, where he’s a regular at venues like Tipitina’s, the Maple Leaf, and Le Bon Temps Roule, Kelly’s debut solo album, Here’s The Thing, leans more Memphis soul—with its Al Green-inspired gospel vocals, gurgling B3 organ, and R&B horns—than New Orleans funk. Yet his adopted hometown’s spirit is infused throughout this music.

Co-produced by Kelly with Robert Mercurio of the long-running New Orleans band Galactic (and current owner of the famed Tipitina’s venue), Here’s The Thing takes its title from one of Kelly’s pet phrases, as well as a lyric in the bridge of “St. Jude,” the third track on the record. Inspired by a love affair, the album introduces a musician who put in the work and waited until the time was right to launch his solo career after spending more than a decade building his reputation with local group Gravy.

Songs like the breezy, rhythmic island-inspired “St. Jude” and the jaunty breakup track “Loretta”—a swaggering blues lament reminiscent of The Band with a lyrical nod to the Rolling Stones’ “Tumbling Dice”—stand out as some of the album’s highlights. The thumping drums and bass punctuated by funky horns in “How Are We Here Again” juxtapose nicely with the wailing guitar and gospel strains of “Maybe.” Meanwhile, the shimmering, dreamy reimagining of Neil Young’s “Harvest Moon” (meeting Astral Weeks)—complete with lush orchestration (arranged by Rick Nelson) featuring a nine-piece string section and ghostly clarinet by Nick Ellman—ventures into an entirely different musical realm.

Among the additional tracks added to the original five are “Always Been You” and “Hang on for Dear Life,” both offering intimate perspectives on true romance from the inside out, making for a personal statement set to a universal Americana sound.

Sun, 12/08/2024 - 10:01 am

GRAMMY Award-winning progressive bluegrass band The Infamous Stringdusters close out another active year with several key announcements: an upcoming East Coast run of tour dates slated for March 2025, a brand-new gold-colored variant of their Dust the Halls holiday album, and continued chart success as their newly released cover EP, Undercover, Vol. 3, remains at #8 on the Billboard Bluegrass Album Charts.

Per tradition, the group will kick off 2024 by embarking on their annual “Ski Dust” tour, visiting mountain towns in Colorado and Utah. Leading up to their appearance at the Suwannee Spring Reunion, they will perform six newly announced East Coast shows in Saratoga Springs, NY; Harrisburg, PA; Westhampton Beach, NY; Hartford, CT; Roswell, GA; and Mount Vernon, KY, immediately following the festival. A full list of tour dates and VIP ticket packages can be found HERE.

Originally released in 2020, The Infamous Stringdusters’ holiday album, Dust the Halls, has become a modern staple, featuring classic holiday tunes arranged on acoustic instruments with signature 'Dusters flair. This year, the band unveils a brand-new gold vinyl variant—making it a perfect, enduring gift—featuring 10 timeless favorites like “The First Noel,” “Jingle Bells,” and “Oh Holy Night.” Order the new variant at the Americana Vibes shop HERE.

2024 also brought studio success with last month’s release of their third covers EP, Undercover, Vol. 3. Following the tradition of their previous five-song curated sets—each track selected by a different band member—this collection reimagines classics from The Grateful Dead, Phish, Avicii, and more, blending bluegrass mastery with inventive, modern twists. The EP debuted at #8 on Billboard’s Bluegrass Album Charts, earned praise from Blue Ridge Outdoors and Denver Westword, and remains in KGNU’s Top 30. Listen to Undercover, Vol. 3 HERE.

For more information, merchandise, and additional tour details, please visit https://www.thestringdusters.com/.

2025 Tour Dates

12/12 - 12/16 - Puerto Morelos, Q.R. - Strings & Sol
12/30 - Richmond, VA - The National
12/31 - Richmond, VA - The National
1/8 - Crested Butte, CO - Center for the Arts
1/9 – Beaver Creek, CO – Vilar Performing Arts Center
1/10 - Beaver Creek, CO – Vilar Performing Arts Center
1/11 – Denver, CO – The Mission Ballroom
2/7 – Aspen, CO – Belly Up Aspen
2/8 – Telluride, CO – Sheridan Opera House
2/9 - Telluride, CO – Sheridan Opera House
2/10 - Telluride, CO – Sheridan Opera House
2/11 – Grand Junction, CO – Mesa Theater
2/13 – Park City, UT – Egyptian Theatre
2/14 - Park City, UT – Egyptian Theatre
2/15 - Park City, UT – Egyptian Theatre
2/16 - Park City, UT – Egyptian Theatre
3/13 - Saratoga Springs, NY - Universal Preservation Hall
3/14 - Harrisburg, PA - XL Live
3/15 - Westhampton Beach, NY - Westhampton Beach Performing Arts Center
3/16 - Hartford, CT - Infinity Music Hall
3/20 - Live Oak, FL - Suwannee Spring Reunion
3/21 - Roswell, GA - From The Earth Brewing Company
3/22 - Mount Vernon, KY - Renfro Valley - New Barn Theater
5/16-18 - Aztec, NM - Tico Time Bluegrass Festival
5/22 - Mills River, NC - Sierra Nevada Brewing Company
5/24-25 - Pelham, TN - CaveJam
8/8-10 - Alta, WY - Grand Targhee Bluegrass Festival 

Thu, 12/12/2024 - 2:48 pm

Topping off a year of high profile festival plays, coast-to-coast tours, and the launch of a new on-demand platform, future funk all-stars Lettuce have released a new digital single entitled “Star Children" hot off the heels of last month's relaese of the James Brown-inspired "Monorail 3000." Originally released on the Japanese CD version of 2008’s Rage but never available on vinyl or digital platforms until now, “Star Children” finds the sextet paying homage to the late P-Funk keyboardist and Wizard of Wu himself, Bernie Worrell. Listen to the new single HERE.

“Star Children” has the instantly recognizable Lettuce signature sound with boisterous synth leads courtesy of former keyboardist Neal Evans, a head-bobbing foundation of rhythm section stalwarts Adam Deitch on drums and Erick “Jesus” Coomes on bass; unison melodic turnarounds, and sharp horn stabs. Primarily composed by guitarist Adam “Shmeeans” Smirnoff he offers the following insight on the track’s lineage and the greats who inspired it, “It is one of the few recordings that featured Neal Evans on an Analog Modular Synthesizer that was part of Joel Hamilton’s Studio G. The bands love for Bootsy [Collins], George Clinton , P-Funk, Garry Shider and Bernie are not only evident through the music, but through the namesake of this Lettuce Classic Vault Release …. Star Children.”

In addition to the digital single, the new track will be included on a brand new 7” record, part of a brand new 7” collectable series the band will consistently roll out in the coming months. The record is available now to purchase on both a green colorway (HERE) and classic black vinyl (HERE). Continuing to call forth the past sessions that are coming out of the vaults and the forthcoming rollout of 7" records, Adam Deitch adds, "Star Children references Star Child, the legendary singer of Parliament Funkadelic. We are all children of the stars."

Lettuce recently announced ‘The Get Up Tour,’ a 17-date jaunt that includes 7 co-headlining shows with hip-hop icon GZA (of Wu-Tang Clan) and his live band The Phunky Nomads with key plays in Los Angeles, Oakland, Brooklyn, and more. On March 7, 2024, Lettuce will collaborate with The Colorado Symphony for the third time for a show at The Mission Ballroom in Denver, Colorado.

For a complete list of tour dates, merch, and more, please visit, lettucefunk.com.

2025 Lettuce Tour Dates

an 22, 2025 – The Sound at Del Mar – Del Mar, CA*
Jan 23, 2025 – The Novo – Los Angeles, CA*
Jan 24, 2025 – Fox Theater – Oakland, CA*
Jan 31, 2025 – Mercury Ballroom – Louisville, KY
Feb 1, 2025 – Mercury Ballroom – Louisville, KY
Feb 2, 2025 – Newport Music Hall – Columbus, OH
Feb 4, 2025 – XL Live – Harrisburg, PA*
Feb 5, 2025 – Stage AE – Pittsburgh, PA*
Feb 6, 2025 – The Fillmore Silver Spring – Silver Spring, MD*
Feb 7, 2025 – Brooklyn Steel – Brooklyn, NY*
Feb 8, 2025 – House of Blues Boston – Boston, MA
Feb 10, 2025 – Lincoln Theatre – Raleigh, NC
Feb 11, 2025 – Georgia Theatre – Athens, GA
Feb 12, 2025 – Victory North – Savannah, GA
Feb 13, 2025 – Miami Beach Bandshell (Jam Cruise Pre-Party) – Miami, FL
Feb 14-19, 2025 – Jam Cruise – Miami, FL
Mar 2, 2025 – The Mission Ballroom – Denver, CO #
Mar 7-8, 2025 – Suwannee Amp Jam #1 – Live Oak, FL
Mar 13, 2025 – Reggae Rise Up – St. Petersburg, FL
Apr 19, 2025 – Shell Daze Music Festival – Memphis, TN
Apr 20, 2025 – Sweetwater 420 Fest – Atlanta, GA
Apr 30, 2025  – Schermerhorn Symphony Center – Nashville, TN #
Jun 13, 2025 – Northlands Music & Arts Festival – Swanzey, NH

* Co-Headline Show w/ GZA
# w/ Live Symphony Orchestra

Fri, 12/13/2024 - 10:36 am

Guitarist, multi-instrumentalist, and vocalist Ray Cardwell is the newest addition to the Americana Vibes roster, label of the GRAMMY-award winning progressive bluegrass band The Infamous Stringdusters. Caldwell’s debut album on the label and fourth full-length release of his career, Singing Tree, is produced by Jeremy Garrett of The Infamous Stringdusters and is slated for release on January 31, 2025. The second single “Little Birdie” is available now continuing the exciting new chapter to Caldwell’s career. Listen HERE.

"Little Birdie" was originally composed and performed by the American bluegrass duo The Stanley Brothers and relesaed in 1972. Cardwell's rendition comes out of the gate with a fiery barn burner tempo ushered in by Garrett's fiddle. Cardwell's assertive, yet crystal clear vocal tone takes center stage augmented by resonating harmonies courtesy of his friend and collaborator, New Grass Revival bassist & vocalist John Cowan. 

Cardwell has received praise for his strikingly high vocal range and admired for his resemblance to Cowan. Cardwell finds a perfect home with Americana Vibes with his deep bluegrass roots run back to performing with his family band in the mid-1970s, progressing to noteworthy projects with New Tradition and creative detours in Hollywood and Nashville. In addition to his solo work, he also regularly records and tours with Rock and Roll Hall of Fame (Traffic) member Dave Mason. 

Singing Tree’s  title pays homage to a cherished childhood memory of a massive tree near Ray’s home in Missouri—known to him as "the singing tree"—under which he and his family would gather, shielded from the rain, to share songs much like those on his new record. Guests on the album will include banjo pickers Scott Vestal, Ryan Cavanaugh, and Andy Thorn; Cody Kilby on guitar, and John Cowan singing harmony vocals.

For more updates on Cardwell’s new era of musical storytelling and collaboration with Americana Vibes, please visit: http://www.raycardwell.com/

ABOUT RAY CARDWELL

Ray grew up in a family bluegrass band, his father Marvin Cardwell, was a  multi-instrumentalist and Songwriter. Ray credits his father as the single most influence on his musical journey.  “I’m a 6th generation musician. Our family has been a part of the Missouri Ozarks music world since the mid 1800’s”.  His father fronted one of the first live music shows in Branson, MO at Jesse James Confusion Hill in the 1960s as "Marvin Cardwell and the Country Boys." Ray started singing at church and on his father's show at age three. In elementary school he started playing guitar and saxophone. Ray played banjo and sang in The Cardwell Family bluegrass band, they performed from ‘75-‘82 regionally on a variety of stages, including Silver Dollar City, Fort of the Osage, Dogpatch USA, and various concerts hosted by Ozarks musicologist, Max Hunter.

In the ‘80s Ray was developing interests outside the Family band and ventured into rock & reggae, working out of Springfield, MO and in the Midwest as a musician and front man, keyboardist and sax player. He relocated for a time to Hollywood, CA with Springfield based band Resonance and played saxophone for celebrated songwriter Jack Lee (The Nerves, and writer for Blondie, Pat Benatar, and Paul Young). In 1992 he met some bluegrass enthusiasts from Columbia, MO and started his return to bluegrass with the regional band, Slick Nickel. In 1994 he moved to Nashville as a member of the critically acclaimed, national touring bluegrass gospel band, New Tradition. He recorded two albums with the band--one for the Brentwood label (Old Time Gospel Jamboree) and one independently released (Following the Son). In mid '96 Ray left Nashville to raise a family back in Missouri and returned to college to finish a degree in Music Education. While attending Lincoln University he performed with National Honor Choirs at both Alice Tully Hall at Lincoln Center and Carnegie Hall in New York City.

As a band and choral director he led students to several national competitions with high markings. While teaching he also played with an indie band called Squigglefish – a popular rock/blues/reggae power trio at the Lake of the Ozarks, Missouri. Rays return to bluegrass came in 2015 when Producer/guitarist Bluegrass Hall of Fame member  Pat Flynn heard a demo of his originals. After meeting with Pat, Ray decided that it was time to return to his roots.

His Debut CD Tennessee Moon (2017) on Pinecastle Records was received with high praise with 10 songs charting on Bluegrass, Americana, Gospel and Folk Charts. Ray's sophomore CD Stand On My Own was released on May 24th 2019. “Time To Drive” debuted at #1 on Bluegrass Today’s Grassicana Chart. It remained on the charts top 15 for 6 months. “Alright” debuted at #1 on the Grassicana Charts and “Hurricane Rain at #2 Before it made its way to #1. The title track Stand On My Own debuted at #4 on the same chart.

His 3rd CD Just a Little Rain was released Sept 25, 2020 on Bonfire Music Group Records. “Born To Do” debuted at #1 in Sept/2020, “Take Me To the River” debuted at #13 August/2021, and "Standing On the Rock" made the top 10 on Bluegrass Today’s charts 9/17/2021.

In 2021, Ray was invited to be the Bass Player and vocalist with Rock and Roll Hall of Fame (Traffic) member Dave Mason. Ray currently tours and records with Dave Mason as well as pursing his own Recording Career. Ray currently lives in Jefferson City, MO where he enjoys spending time with his children and granddaughters.

Sat, 01/11/2025 - 9:09 am

Multi-instrumentalist, songwriter, and vocalist Ray Cardwell is the newest addition to the Americana Vibes roster, label of the GRAMMY-award winning progressive bluegrass band The Infamous Stringdusters. Cardwell’s debut album on the label and fourth full-length release of his career, Singing Tree, is produced by Jeremy Garrett of The Infamous Stringdusters and is slated for release on January 31, 2025. The third single “Modern World” is available now continuing the exciting new chapter to Cardwell’s career. Listen HERE.

"Modern World" was co-written by Cardwell, Garrett, and one of bluegrass' most sought-after songwriters, Rick Lang. It was composed at the end of the pandemic and is a reflection on love as a constant during uncertain times. "Modern World" imparts a timeless message that love lifts us higher no matter what gets thrown our way. With its heartfelt lyrics and uplifting roots vibe, this song reminds us that even in a chaotic world, love makes life feel easy and eternal.

Yeah, survivin’ in a modern world

Woah, we’re lovin in a modern world

Yeah, Life is easy with my girl

In a modern world

"Jeremy, Rick Lang, and I wrote this song together," reflects Cardwell, "It was written at the end of the pandemic and the first line sings about how our world seemed upside down. But, I feel like the song transcends that era and its message applies to life and love at any time."

Cardwell has received praise for his strikingly high vocal range and admired for his resemblance to John Cowan of New Grass Revival, who is a longtime friend  & collaborator and contributes harmony vocals on several tracks off the album including the previously released second single "Little Birdie." Cardwell finds a perfect home with Americana Vibes with his deep bluegrass roots run back to performing with his family band in the mid-1970s, progressing to noteworthy projects with New Tradition and creative detours in Hollywood and Nashville. In addition to his solo work, he also regularly records and tours with Rock and Roll Hall of Fame (Traffic) member Dave Mason. 

Singing Tree’s  title pays homage to a cherished childhood memory of a massive tree near Ray’s home in Missouri—known to him as "the singing tree"—under which he and his family would gather, shielded from the rain, to share songs much like those on his new record. Guests on the album will include banjo pickers Scott Vestal, Ryan Cavanaugh, and Andy Thorn; Cody Kilby on guitar, and John Cowan singing harmony vocals.

For more updates on Cardwell’s new era of musical storytelling and collaboration with Americana Vibes, please visit: http://www.raycardwell.com/

Sun, 01/12/2025 - 8:16 am

In November 2018, future funk pioneers Lettuce checked off a major item on their bucket list by collaborating with the Colorado Symphony to perform 90+ minutes of music from their expansive catalog with a full symphony orchestra. The performance at the esteemed Boettcher Concert Hall at the Denver Center for the Performing Arts has been encapsulated in a live album and concert film.  Lettuce with the Colorado Symphony will be available on DVD, CD, a 3-disc LP collection, digital streaming platforms, and Dolby Atmos for a revolutionary sound experience on February 28, 2025. Pre-save and pre-order on all formats HERE.

Lettuce worked with the Colorado Symphony’s Chief Artistic Director, Tony Pierce, to arrange the band’s repertoire quickly and precisely. Price got together with drummer Adam Deitch, where Deitch expressed his vision of the arrangements and he efficiently executed the group’s dream symphonic funk sound. The vision is evident in the opening song “Mt. Crushmore” where Lettuce horns Ryan Zoidis (saxophones) and Eric “Benny” Bloom (trumpet) usher in a monumental fanfare that is soon joined by full brass and string sections displaying the grandeur for the night ahead. Under the direction of conductor Chris Dragon, the band was able to communicate effortlessly and organically between Lettuce’s six-member ensemble and orchestra of over 80 musicians, with prominent cues often signaled by Deitch and guitarist Adam “Shmeeans” Smirnoff.

On curating which songs would fit best for orchestral arrangements, Deitch shares, “We are all diehard 90s hip hop heads so we chose songs of ours that were closer to what we envisioned would work as our vision of orchestral, instrumental hip-hop.”

A prime example of showcasing the symphony’s ability to stir emotions is “Madison Square” with an intro motif and melodic permutation based off of the 3-note rhythm of the song’s primary melody. It exudes signature elements of symphony orchestration with lush string countermelodies, majestic brass heralds, and thundering percussion.

Lettuce with the Colorado Symphony will present two songs that are never-before-recorded and released: “New Intro” that is chock full of buoyant arpeggios and measured tremolos and the brass-heavy “Requiem” with layers of pizzicato strings and sliding trombone work that epitomize the orchestral setting and set the stage for exemplary debut releases into the Lettuce catalog.

Since the November 2018 performance, Lettuce has gone on to perform with The Colorado Symphony at Red Rocks Amphitheater and will be joined by the orchestra once again at Mission Ballroom in Denver, Colorado on March 2, 2025. The group has presented orchestra collaborations that include performances with the San Diego Symphony, The Louisiana Philharmonic Orchestra, and an upcoming performance with the Nashville Symphony on April 30, 2025, most of which have been under the direction of Dragon.

"Collaborating with Lettuce has always been an electrifying experience, and we're thrilled to celebrate the release of this album showcasing the magic we've created together,” shares Tony Pierce on his arranging work with the group, “From unforgettable performances at Red Rocks to dynamic shows at Boettcher Concert Hall, Lettuce has been a tremendous part of our Colorado community and an incredible partner for the Colorado Symphony. This album is a testament to the power of blending musical worlds and the extraordinary energy that comes from such collaborations."

“We are so excited for our fabulous fans to hear this grandiose piece of art that we are so proud of,” seconds Deitch on achieving the vision of working with a full orchestra and continuously diversifying the band’s eclectic partnerships over their career that spans over three decades.

Prior to the release of Lettuce with the Colorado Symphony, Lettuce will embark on a co-headlining tour with GZA (of Wu-Tang Clan) starting in late January with dates in Los Angeles, Oakland, Brooklyn, and more. For a complete list of tour dates and more information on Lettuce, please visit lettucefunk.com.

Track Listing

1. Mt. Crushmore

2. The Lobbyist

3. Requiem →

4. Gang Ten

5. Ghost of Jupiter

6. Move On Up

>7. The Force

8. New Intro →

9. Larimar

10. Tryllis

11. Moksha

12. Everybody Wants to Rule the World

13. Elephant Walk → Madison Square

14. Trapezoid

Tour Dates

Jan 22 - Del Mar, CA - The Sound *

Jan 23 - Los Angeles, CA - The Novo *

Jan 24 - Oakland, CA - Fox Theater *

Jan 31 - Louisville, KY - Mercury Ballroom

Feb 1 - Louisville, KY - Mercury Ballroom

Feb 2 - Columbus, OH - Newport Music Hall

Feb 4 - Harrisburg, PA - XL Live *

Feb 5 - Pittsburgh, PA - Stage AE *

Feb 6 - Silver Spring, MD - The Fillmore Silver Spring *

Feb 7 - Brooklyn, NY - Brooklyn Steel *

Feb 8 - Boston, MA - House of Blues

Feb 10 - Raleigh, NC - Lincoln Theatre

Feb 11 - Athens, GA - Georgia Theatre

Feb 12 - Savannah, GA - Victory North

Feb 13–19 - Miami, FL - Miami Beach Bandshell

Mar 2 - Denver, CO - Mission Ballroom +

Mar 7–8 - Live Oak, FL - Suwannee Amp Jam #1

Mar 13 - St. Petersburg, FL - Reggae Rise Up

Apr 19 - Memphis, TN - Shell Daze Music Festival

Apr 20 - Atlanta, GA - Sweetwater 420 Fest

Apr 30 - Nashville, TN - Schermerhorn Symphony Center ^

Jun 13 - Swanzey, NH - Northlands Music & Arts Festival

* Co-Headline w/ GZA

+ w/ Colorado Symphony

^ w/ Nashville Symphony

Thu, 01/23/2025 - 3:08 pm

The Infamous Stringdusters have finished the first leg of their wildly successful annual Ski Dust Tour traversing through mountain towns in Colorado and Utah. To celebrate the mid-point and following suit with this summer’s sold out  Nights on the River tour and accompanying Songs from the River compilation, the band has released a brand new compilation entitled Songs from the Mountain, available today via Americana Vibes. Listen to the new compilation HERE.

The robust 35-song collection contains mountain-themed songs by the Dusters and each member’s respective solo catalogs as well as songs by “reverse supergroup” Broke Mountain Bluegrass Band ft. the Dusters’ Travis Book alongside now-members of Greensky Bluegrass, Leftover Salmon & John Stickley Trio. It will also feature a brand new Andy Hall-composed song entitled "Mountain Town" performed by the band live on February 2, 2024 at The Elm in Bozeman, Montana.

Dobroist & vocalist Andy Hall shares sentiments about the organic connection between bluegrass and the mountains, "Bluegrass has its heart in the mountains. We’ve put together a 'Songs from the Mountain' compilation to showcase our connection with the high country! Featured is an unreleased live track ‘Mountain Town’ that certainly fits the vibe!"

The compilation projects are a special treat for all fans of the band whether they are revisiting songs through a new, thematic lens or as a vehicle to discover a band that's still in their prime almost twenty years into their career. While bassist & vocalist Travis Book reflects on the success of the Ski Dust Tour coupled with the timelines of mountain songs resonating with mountain residents, he shares, “Songs from the River showed us that tying songs together by theme was a great way to reimagine or rediscover songs in a different context; it essentially makes a new album that has a common thread. We’re already looking for our next ‘Songs From’ concept.”

As the band prepares for their next leg of Ski Dust tour with Colorado stops in Aspen, Telluride, and Grand Junction and four dates at Egyptian Theater in Park City, Utah, banjoist & vocalist Chris Pandolfi recognizes the positive impact it’s had on the band, fans, and mountain towns alike, “Ski tour was one of the first big Stringduster endeavors that resonated on every critical level—the fans, the band, the music and the mountain towns. We had multiple guys in the band that loved to ski, but you are too poor when you are starting a band to even dream of buying a lift ticket! Ski tour opened the door to rediscovering that passion/inspiration, trading passes for tickets and making incredible connections along the way. Suddenly we were having these transcendent experiences in ski towns with new friends and then riding that energy into the show that night. In some ways, it showed us what's possible in terms of synergy you can create out on the road, and we've followed that concept into other places with great success.”

These experiences have also fostered inspiration behind some of the band’s most treasured songs, including a Pandolfi composition “Underwater Canyon” that appears on the ‘Songs from the Mountain’ compilation. He wrote it after floating in the Middle Fork of the Salmon River with the band and some of their fans, an experience he encapsulated in the song. “These river trips are a great example of taking that ski tour template and expanding on it. Personally I am a huge fly fisherman and conservationist, and I'm more inspired by rivers than anything else. The Middle Fork is like church to me. And the Underwater Canyon is one of the most enchanted places on the river. The rivers and mountains bring me ideas and inspiration, and I will do everything I can in return to try and protect them,” he shares.

Adding to an already packed spring schedule, the band just announced that they will be playing a handful of East Coast dates with psychedelic jam-funk favorites Pigeons Playing Ping Pong. New York City-based indie-soul band Melt warming up the stage for both acts on these dates. 

A list of those shows is here:

5/29 - Hampton Beach, NH - Hampton Beach Casino Ballroom **

5/30 - Asbury Park, NJ - Stone Pony Summerstage **

5/31 - Lafayette, NY - Wonderland **

6/1 - Westport, CT - Levitt Pavillion **

6/2 - South Deerfield, MA - Treehouse Brewing **

For a complete list of tour dates, merch, and VIP packages at select shows, please visit: thestringdusters.com

Mon, 01/27/2025 - 2:55 pm

The Lil Smokies’ high-energy acoustic music has evolved into its own distinctive sound. With a nearly five-year gap from their last album, 2020’s Tornillo, the band returns with two new members, bassist Jean Luc Davis and banjo player, Sam Armstrong-Zickefoose, to add to the core trio of  the core trio of dobro player Andy Dunnigan, Seattle-based lead guitarist the Reverend Matthew Rieger, and fiddler Jake Simpson, now dividing his time between Montana and Oklahoma. To showcase the new sound and augmented quintet lineup, the band will release a brand new album Break of the Tide, available via Americana Vibes on April 4, 2025.

Heralding the new album is the lead single “Montana Flower,” which will be released Friday, February 7, 2025. Pre-save the single HERE.

“Montana Flower,” according to Simpson, is a love song to a local girl from Whitefish, comparing her beauty to the geographical marvels of the area, including Big Mountain. “That’s the imagery that was going through my head when I wrote the song,” he acknowledged, “There’s a lot of mystery in Whitefish.  It’s an interesting mix of people there from all over the world alongside the locals who have been there forever. Lots of cosmic energy keeping an eye out for my love when I’m not there.” With reflective picking over bowed bass, the lyrics are chock full of symbolic nods to nature marveling that all the beauty in the place in the world can’t hold a candle to that of the subject of the amorous hymn.

Larkspur, purple columbine

Bitterroot, striking as they are

All pale like winter’s grey

When held up next to you

Under Big Sky

Big Mountain stand

Keep watchful eye

On my Montana Flower

Returning to Texas (where they recorded Tornillo), The Lil Smokies cut Break of the Tide at a Dallas-Fort Worth studio with local producer Robert Ellis, the album title representing, according to Andy, “a turning point, a pivot… the old world vs. the new world. It’s like a bug set in amber, an artifact from that period of time. We didn’t drown under the tide.”

“One of the biggest differences between this album and Tornillo is we hadn’t played these songs live before we recorded them,” added Jake. “These tracks really took shape in the studio. For the most part, we used whole takes, rather than overdubs and edits.  It’s a vibey record.”

The album finds the band expanding beyond the bluegrass genre with a spacious, airy, contemplative set of “more introspective, nuanced” songs which slow down to reflect the wide-open spaces and natural beauty of the state where they first took shape.

Break of the Tide marks a turning point for The Lil Smokies, who are ready to hit the road running this year, reinventing themselves for the long haul. To celebrate the new album, the band has announced a 24-date national tour kicking off with a Colorado run and continuing the run at key venues across the midwest and East Coast. 

A complete list of tour dates is here:

Apr-3, Frisco, CO, 10 Mile Music Hall

Apr-4, Denver, CO, Ogden Theatre

Apr-5, Ft Collins, CO, Washington's

Apr-8, Kansas City, MO, Bottleneck

Apr-9, Minneapolis, MN, Turf Club

Apr-10, Stoughton, WI, Stoughton Opera House

Apr-11, Indianapolis, IN, HIFI

Apr-12, Evanston, IL, SPACE

Apr-15, New York, NY, Mercury Lounge

Apr-16, Northampton, MA, Iron Horse

Apr-17, Cambridge, MA, The Sinclair

Apr-18, Burlington, VT, Higher Ground

Apr-19, Portsmouth, NH, 3D Art Space

Apr-23, Pittsburgh, PA, Thunderbird

Apr-24, Wayne, PA, 118 North

Apr-25, Charlottesville, VA, The Southern

Apr-26, Washington, DC, Pearl Street Warehouse

Apr-27, Wilkesboro, NC, Merlefest

From their humble beginnings playing the “holy trinity” of Missoula, Whitefish and Bozeman in Montana, The Lil Smokies have toured all over the U.S. and abroad in Iceland, Mexico and Canada, performing at such prestigious venues as Red Rocks and festivals like Telluride, High Sierra, LOCKN’, Freshgrass and FloydFest. The group earned top prize at the Northwest String Summit outside of Portland in 2013 and the Telluride Bluegrass Festival in Colorado in 2015, which proved the catalyst for more touring success through the end of the decade.

For more information and to purchase tickets to all shows, please visit: thelilsmokies.net.

Fri, 01/31/2025 - 3:31 pm

Multi-instrumentalist, songwriter, and vocalist Ray Cardwell is the newest addition to the Americana Vibes roster, label of the GRAMMY-award winning progressive bluegrass band The Infamous Stringdusters. Cardwell’s debut album on the label and fourth full-length release of his career, Singing Tree, is produced by Jeremy Garrett of The Infamous Stringdusters and available today on all streaming platforms and CD. Listen to the Singing Tree HERE

Singing Tree’s title pays homage to a cherished childhood memory of a massive tree near Ray’s home in Missouri—known to him as "the singing tree"—under which he and his family would gather, shielded from the rain, to share songs much like those on his new record. Guests on the album will include banjo pickers Scott Vestal, Ryan Cavanaugh, and Andy Thorn; Cody Kilby on guitar, and John Cowan singing harmony vocals.

The lead single “Missouri Breeze” takes you back to simple days on the river. With heartfelt lyrics and a nostalgic melody, this track captures the longing for home and the pull of that cool Missouri breeze. Singing Tree not only presents a thrilling new label signing, but turns over a new leaf after trials, tribulations, and prioritizing family. “I’ve produced several solo projects as well as some really fun bluegrass records, but I’ve always wanted to work with a vocalist of Ray’s caliber," shares Jeremy Garrett. "We met during the COVID lockdown and wrote 'Missouri Breeze' during a Zoom session. Ray's story is inspiring. He stepped back from his career to be with family after losing his wife to cancer—his trust in me to produce this single and upcoming album means the world.”

Cardwell has received praise for his strikingly high vocal range and admired for his resemblance to John Cowan of New Grass Revival, who is a longtime friend  & collaborator and contributes harmony vocals on several tracks off the album including a cover of The Stanley Brothers' "Little Birdie," originally released in 1972. Cardwell's rendition comes out of the gate with a fiery barn burner tempo ushered in by Garrett's fiddle. Cardwell's assertive, yet crystal clear vocal tone takes center stage augmented by resonating harmonies from Cowan.

Other covers include the Creedence Clearwater Revival classic written by John Fogerty "Proud Mary," which is another display of fun, engaging vocal acrobatics between Cardwell and Cowan; and one of Cardwell's personal favorites, "Shooting Star," written by Paul Rodgers and first released by Bad Company on their 1975 album Straight Shooter.

"Modern World" was co-written by Cardwell, Garrett, and one of bluegrass' most sought-after songwriters, Rick Lang. It was composed at the end of the pandemic and is a reflection on love as a constant during uncertain times. "Modern World" imparts a timeless message that love lifts us higher no matter what gets thrown our way. With its heartfelt lyrics and uplifting roots vibe, this song reminds us that even in a chaotic world, love makes life feel easy and eternal.

Yeah, survivin’ in a modern world

Woah, we’re lovin in a modern world

Yeah, Life is easy with my girl

In a modern world

"Jeremy, Rick Lang, and I wrote this song together," reflects Cardwell, "It was written at the end of the pandemic and the first line sings about how our world seemed upside down. But, I feel like the song transcends that era and its message applies to life and love at any time."

Adding to the arsenal of rich storytelling and family lineage is "I Come From The Mountain." Cardwell wrote the song about his great great grandfather who loaded up his wagon in the mid-1800s and rode from Tazewell, TN to the heart of the Ozark Mountains. "It was right before the Civil War started and both families were for the Union," explains Cardwell, "The lyrics are about what he went through and what he believed was right."

Cardwell finds a perfect home with Americana Vibes with his deep bluegrass roots run back to performing with his family band in the mid-1970s, progressing to noteworthy projects with New Tradition and creative detours in Hollywood and Nashville. 

In addition to his solo work, he also regularly records and tours with Rock and Roll Hall of Fame (Traffic) member Dave Mason. 

For more updates on Cardwell’s new era of musical storytelling and collaboration with Americana Vibes, please visit: http://www.raycardwell.com/

ABOUT RAY CARDWELL

Ray grew up in a family bluegrass band, his father Marvin Cardwell, was a  multi-instrumentalist and Songwriter. Ray credits his father as the single most influence on his musical journey.  “I’m a 6th generation musician. Our family has been a part of the Missouri Ozarks music world since the mid 1800’s”.  His father fronted one of the first live music shows in Branson, MO at Jesse James Confusion Hill in the 1960s as "Marvin Cardwell and the Country Boys." Ray started singing at church and on his father's show at age three. In elementary school he started playing guitar and saxophone. Ray played banjo and sang in The Cardwell Family bluegrass band, they performed from ‘75-‘82 regionally on a variety of stages, including Silver Dollar City, Fort of the Osage, Dogpatch USA, and various concerts hosted by Ozarks musicologist, Max Hunter.

In the ‘80s Ray was developing interests outside the Family band and ventured into rock & reggae, working out of Springfield, MO and in the Midwest as a musician and front man, keyboardist and sax player. He relocated for a time to Hollywood, CA with Springfield based band Resonance and played saxophone for celebrated songwriter Jack Lee (The Nerves, and writer for Blondie, Pat Benatar, and Paul Young). In 1992 he met some bluegrass enthusiasts from Columbia, MO and started his return to bluegrass with the regional band, Slick Nickel. In 1994 he moved to Nashville as a member of the critically acclaimed, national touring bluegrass gospel band, New Tradition. He recorded two albums with the band--one for the Brentwood label (Old Time Gospel Jamboree) and one independently released (Following the Son). In mid '96 Ray left Nashville to raise a family back in Missouri and returned to college to finish a degree in Music Education. While attending Lincoln University he performed with National Honor Choirs at both Alice Tully Hall at Lincoln Center and Carnegie Hall in New York City.

As a band and choral director he led students to several national competitions with high markings. While teaching he also played with an indie band called Squigglefish – a popular rock/blues/reggae power trio at the Lake of the Ozarks, Missouri. Rays return to bluegrass came in 2015 when Producer/guitarist Bluegrass Hall of Fame member  Pat Flynn heard a demo of his originals. After meeting with Pat, Ray decided that it was time to return to his roots.

His Debut CD Tennessee Moon (2017) on Pinecastle Records was received with high praise with 10 songs charting on Bluegrass, Americana, Gospel and Folk Charts. Ray's sophomore CD Stand On My Own was released on May 24th 2019.  “Time To Drive” debuted at #1 on Bluegrass Today’s Grassicana Chart. It remained on the charts top 15 for 6 months. “Alright” debuted at #1 on the Grassicana Charts and “Hurricane Rain at #2 Before it made its way to #1. The title track Stand On My Own debuted at #4 on the same chart.

His 3rd CD Just a Little Rain was released Sept 25, 2020 on Bonfire Music Group Records. “Born To Do” debuted at #1 in Sept/2020, “Take Me To the River” debuted at #13 August/2021, and "Standing On the Rock" made the top 10 on Bluegrass Today’s charts 9/17/2021.

In 2021, Ray was invited to be the Bass Player and vocalist with Rock and Roll Hall of Fame (Traffic) member Dave Mason. Ray currently tours and records with Dave Mason as well as pursing his own Recording Career. Ray currently lives in Jefferson City, MO where he enjoys spending time with his children and granddaughters.

Mon, 02/10/2025 - 2:36 pm

The Lil Smokies’ high-energy acoustic music has evolved into its own distinctive sound. With a nearly five-year gap from their last album, 2020’s Tornillo, the band returns with two new members, bassist Jean Luc Davis and banjo player, Sam Armstrong-Zickefoose, to add to the core trio of dobro player and Montana native Andy Dunnigan, Seattle-based lead guitarist the Reverend Matthew Rieger, and fiddler Jake Simpson, now dividing his time between Montana and Oklahoma. To showcase the new sound and augmented quintet lineup, the band will release a brand new album Break of the Tide, available via Americana Vibes on April 4, 2025. The lead single "Montana Flower' is available today to give listeners the first taste of the band's rejuvenated sound and alluring songwriting. Listen HERE.

“Montana Flower,” according to Simpson, is a love song to a local girl from Whitefish, comparing her beauty to the geographical marvels of the area, including Big Mountain. “That’s the imagery that was going through my head when I wrote the song,” he acknowledged, “There’s a lot of mystery in Whitefish.  It’s an interesting mix of people there from all over the world alongside the locals who have been there forever. Lots of cosmic energy keeping an eye out for my love when I’m not there.” With reflective picking over bowed bass, the lyrics are chock full of symbolic nods to nature marveling that all the beauty in the world can’t hold a candle to that of the subject of the amorous hymn.

Larkspur, purple columbine

Bitterroot, striking as they are

All pale like winter’s grey

When held up next to you

Under Big Sky

Big Mountain stand

Keep watchful eye

On my Montana Flower

Returning to Texas (where they recorded Tornillo), The Lil Smokies cut Break of the Tide at a Dallas-Fort Worth studio with local producer Robert Ellis, the album title representing, according to Andy, “a turning point, a pivot… the old world vs. the new world. It’s like a bug set in amber, an artifact from that period of time. We didn’t drown under the tide.”

“One of the biggest differences between this album and Tornillo is we hadn’t played these songs live before we recorded them,” added Jake. “These tracks really took shape in the studio. For the most part, we used whole takes, rather than overdubs and edits.  It’s a vibey record.”

The album finds the band expanding beyond the bluegrass genre with a spacious, airy, contemplative set of “more introspective, nuanced” songs which slow down to reflect the wide-open spaces and natural beauty of the state where they first took shape.

Break of the Tide marks a turning point for The Lil Smokies, who are ready to hit the road running this year, reinventing themselves for the long haul. The band recently announced an extensive national tour to celebrate the new album kicking off with a Colorado run and continuing at key venues across the Midwest and East Coast.

A complete list of tour dates is here:

Apr-3, Frisco, CO, 10 Mile Music Hall

Apr-4, Denver, CO, Ogden Theatre

Apr-5, Ft Collins, CO, Washington's

Apr-8, Kansas City, MO, Bottleneck

Apr-9, Minneapolis, MN, Turf Club

Apr-10, Stoughton, WI, Stoughton Opera House

Apr-11, Indianapolis, IN, HIFI

Apr-12, Evanston, IL, SPACE

Apr-15, New York, NY, Mercury Lounge

Apr-16, Northampton, MA, Iron Horse

Apr-17, Cambridge, MA, The Sinclair

Apr-18, Burlington, VT, Higher Ground

Apr-19, Portsmouth, NH, 3D Art Space

Apr-23, Pittsburgh, PA, Thunderbird

Apr-24, Wayne, PA, 118 North

Apr-25, Charlottesville, VA, The Southern

Apr-26, Washington, DC, Pearl Street Warehouse

Apr-27, Wilkesboro, NC, Merlefest

From their humble beginnings playing the “holy trinity” of Missoula, Whitefish and Bozeman in Montana, The Lil Smokies have toured all over the U.S. and abroad in Iceland, Mexico and Canada, performing at such prestigious venues as Red Rocks and festivals like Telluride, High Sierra, LOCKN’, Freshgrass and FloydFest. The group earned top prize at the Northwest String Summit outside of Portland in 2013 and the Telluride Bluegrass Festival in Colorado in 2015, which proved the catalyst for more touring success through the end of the decade.

For more information and to purchase tickets to all shows, please visit: thelilsmokies.net.

Tue, 02/11/2025 - 4:29 pm

The Infamous Stringdusters and Leftover Salmon, two of the most sought after acts in modern bluegrass, have announced an extensive co-headlining tour, 'Rowdy Summer Nights Tour' taking place throughout July & August of 2025. Rising festival favorite, Bozeman-based Kitchen Dwellers will open each night of the tour with the Dusters and Salmon alternating who closes each night. Artist pre-sale will take place on Wednesday, February 12 at 12pm local time (code: LEFTOVERDUST) with local pre-sale on Thursday, February 14 at 10am local, and general on-sale on Friday, February 14 at 10am local. Purchase tickets HERE.

The tour has partnered with PLUS1 and Conscious Alliance. $1 from every ticket supports Conscious Alliance’s mission to end hunger nationwide and feed families in need.

The Infamous Stringdusters are hot off the heels of their sold-out annual SkiDust tour that traversed through mountain towns in Colorado and Utah over the past month. Before they hit the road with the trifecta of bluegrass mainstays, they will be joining forces with psychedelic funk favorites Pigeons Playing Ping Pong for co-headlining run on the east with support from indie soul-act Melt. Leftover Salmon is celebrating their 35th anniversary with an extensive national tour throughout the year featuring such iconic stops as WinterWonderGrass in Colorado, Bluegrass Music Hall of Fame in Owensboro, KY, Porter Pavilion on Kaua'i (annual 3-night High Country Kaua'i) and a very special Memorial Day Pick-nick celebration with Kitchen Dwellers at Red Rocks Amphitheatre in Morrison, CO.  Kitchen Dwellers warm up for tour with a string of February dates supporting Greensky Bluegrass and a handful of festival plays in May & June.

Speaking to the reverence of Leftover Salmon’s legacy and being the longest standing act on the tour, The Infamous Stringdusters’ bassist & vocalist Travis Book sings their praises, “Salmon was a very important band in my early years as a music fan. As I was discovering bluegrass and jam bands I stumbled across Leftover Salmon. Here was a band that was like me—Colorado mountain hippies from the high country who were just looking for a good time! I felt they were kindred spirits before we ever became friends and I will always look up to them.” Book is equally excited to share the stage with Kitchen Dwellers, who are rapidly making a name for themselves in the beloved and close-knit bluegrass circuit, “The Dwellers are their own creatures, but they’re also part of the long lineage of High Country mountain party people. If Leftover Salmon are our uncles, then The Dwellers are our cousins and this family is an absolute mess!”

Although each band has a stacked schedule with multiple festival plays, time spent on the festival circuit doesn’t always equate to collaboration, kinship, and extended hangs as The Infamous Stringdusters’ guitarist & vocalist Andy Falco expresses, “One of the best parts of being in a band is when you get to cross paths with your buddies in the other bands, usually at a festival and most of the time just for a few hours.  I’m very excited to head out on a whole tour with two bands who are very dear friends of the Stringdusters—Leftover Salmon and  Kitchen Dwellers!  I’m looking forward to the camaraderie and to the unique musical collaborations these situations tend to produce.” His bandmate dobroist & vocalist Andy Hall shares his sentiments, “When your friends also happen to be in your favorite bands, AND you get to go on tour together! This package promises to be one of the most fun, and musically rewarding experiences in recent memory. Get ready for some powerful acoustic music, and all three bands firing on all bluegrass cylinders!”

Amidst uncertain times and a bombardment of events and news cycles, music lovers can find catharsis and familiarity in the triple bill of bluegrass favorites. Leftover Salmon’s Vince Herman recognizes strength in the power of music, “Summer 2025 is gonna be an unusual time in the life of our country and we think a big run of shows spreading love and joy around is just what’s needed to help us all weather the storms ahead. Let’s have us some Rowdy Summer Nights!”

Rowdy Summer Nights promises to be an exciting “mini festival” for the bands and fans alike at some of the most prominent venues in the country, “We are beyond stoked to hit the road with two of the greatest live bands out there. Considering how much we've looked up to these bands and the venues we'll be playing, this traveling festival is sure to be a hell of a good time,” say Max Davies of Kitchen Dwellers.

A full list 'Rowdy Summer Nights Tour' dates is below:

7/9 - Exton, PA - Eagleview 

7/10 - Vienna, VA - Wolf Trap 

7/11 - Cary, NC - Koka Booth Amphitheater 

7/12 - Portsmouth, VA - Atlantic Union Bank Pavilion 

7/13 - Charlotte, NC - The Amp Ballantyne 

7/15 - Interlochen, MI - Interlochen Center for the Arts 

7/16 - Huber Heights, OH - Rose Music Center at the Heights 

7/17 - Peoria, IL - Peoria Riverfront 

7/18 - TBA - Grand Rapids, MI

7/19 - Yuba, WI - Driftless Music Gardens 

8/7 - Grand Junction, CO - Amphitheater at Las Colonias 

8/8 - Alta, WY - Grand Targhee Bluegrass Festival 

8/9 - Bonner, MT - Kettlehouse Amphitheater 

8/10 - Redmond, WA - Marymoore Live 

8/12 - Eugene, OR - McDonald Theatre 

8/13 - Jacksonville, OR - Britt Pavilion 

8/14 - Forest Grove, OR - McMenamins Grand Lodge 

8/15 - Reno, NV - The Glow Plaza Festival Grounds 

8/16 - San Francisco, CA - The Warfield 

For more information and a full list of each band's respective tour dates, please visit:

www.thestringdusters.com

www.leftoversalmon.com

www.kitchendwellers.com

Thu, 02/27/2025 - 7:06 am

Future funk pioneers Lettuce checked off a major item on their bucket list by collaborating with the Colorado Symphony to perform 90+ minutes of music from their expansive catalog with a full symphony orchestra. The performance at the esteemed Boettcher Concert Hall at the Denver Center for the Performing Arts has been encapsulated in a live album and concert film. Lettuce with the Colorado Symphony will be available on DVD, CD, a 3-disc LP collection, digital streaming platforms, and Dolby Atmos for a revolutionary sound experience on February 28, 2025. Listen & purchase on all formats HERE.

Lettuce worked with the Colorado Symphony’s Chief Artistic Director, Tony Pierce, to arrange the band’s repertoire quickly and precisely. Price got together with drummer Adam Deitch, where Deitch expressed his vision of the arrangements and he efficiently executed the group’s dream symphonic funk sound. The vision is evident in the opening song “Mt. Crushmore” where Lettuce horns Ryan Zoidis (saxophones) and Eric “Benny” Bloom (trumpet) usher in a monumental fanfare that is soon joined by full brass and string sections displaying the grandeur for the night ahead. Under the direction of conductor Chris Dragon, the band was able to communicate effortlessly and organically between Lettuce’s six-member ensemble and orchestra of over 80 musicians, with prominent cues often signaled by Deitch and guitarist Adam “Shmeeans” Smirnoff.

On curating which songs would fit best for orchestral arrangements, Deitch shares, “We are all diehard 90s hip hop heads so we chose songs of ours that were closer to what we envisioned would work as our vision of orchestral, instrumental hip-hop.”

A prime example of showcasing the symphony’s ability to stir emotions is “Madison Square” with an intro motif and melodic permutation based off of the 3-note rhythm of the song’s primary melody. It exudes signature elements of symphony orchestration with lush string countermelodies, majestic brass heralds, and thundering percussion.

Lettuce with the Colorado Symphony will present two songs that are never-before-recorded and released: “New Intro” that is chock full of buoyant arpeggios and measured tremolos and the brass-heavy “Requiem” with layers of pizzicato strings and sliding trombone work that epitomize the orchestral setting and set the stage for exemplary debut releases into the Lettuce catalog.

Since the debut performance captured on the new album & film, Lettuce has gone on to perform with The Colorado Symphony at Red Rocks Amphitheater and will be joined by the orchestra once again at Mission Ballroom in Denver, Colorado on March 2, 2025. The group has presented orchestra collaborations that include performances with the San Diego Symphony, The Louisiana Philharmonic Orchestra, Chicago Philharmonic, Utah Symphony, and San Francisco Symphony. A special premiere event of the concert film will take place at Sie Film Center in Denver, Colorado on March 1st at 3pm that was made available via RSVP to early ticket holders. 

"Collaborating with Lettuce has always been an electrifying experience, and we're thrilled to celebrate the release of this album showcasing the magic we've created together,” shares Tony Pierce on his arranging work with the group, “From unforgettable performances at Red Rocks to dynamic shows at Boettcher Concert Hall, Lettuce has been a tremendous part of our Colorado community and an incredible partner for the Colorado Symphony. This album is a testament to the power of blending musical worlds and the extraordinary energy that comes from such collaborations."

“We are so excited for our fabulous fans to hear this grandiose piece of art that we are so proud of,” seconds Deitch on achieving the vision of working with a full orchestra and continuously diversifying the band’s eclectic partnerships over their career that spans over three decades.

Prior to the release of Lettuce with the Colorado Symphony, Lettuce embarked on a co-headlining tour with GZA (of Wu-Tang Clan). Additional symphony performances will take place with the Nashville Symphony on April 30th and the Grand Rapids Symphony on May 17th.

For a complete list of tour dates and more information on Lettuce, please visit lettucefunk.com.

Track Listing

1. Mt. Crushmore

2. The Lobbyist

3. Requiem →

4. Gang Ten

5. Ghost of Jupiter

6. Move On Up

7. The Force

8. New Intro →

9. Larimar

10. Tryllis

11. Moksha

12. Everybody Wants to Rule the World

13. Elephant Walk → Madison Square

14. Trapezoid

Tour Dates

Mar 2 • Denver, CO - Mission Ballroom *

Mar 7-8 • Live Oak, FL - Suwannee Amp Jam #1

Mar 13 • St. Petersburg, FL - Reggae Rise Up

Mar 15 • Columbia, SC - St. Pat's in Five Points

Apr 18 • Atlanta, GA - Sweetwater 420 Fest

Apr 19 • Memphis, TN - Shell Daze Music Festival

Apr 30 • Nashville, TN - Schermerhorn Symphony Center º

May 1 • New Orleans, LA - Orpheum Theater

May 15 • Bloomington, IL - The Castle Theatre

May 16 • Chicago, IL - Ramova Theatre %

May 17 • Grand Rapids, MI - Devos Performance Hall +

May 18 • Fort Wayne, IN - The Clyde Theatre

May 21 • Buffalo, NY - Electric City

May 22 • Cleveland, OH - Globe Iron

May 23 • Lexington, KY - The Burl

May 24 • Martinsville, VA - Rooster Walk Music & Arts Festival

Jun 12 • Portland, ME - Thompson's Point $

Jun 13 • Swanzey, NH - Northlands Music & Arts Festival

Jun 28 • Saratoga Springs, NY - Saratoga Jazz Festival

* w/ Colorado Symphony

º w/ Nashville Symphony

% co-headline with GZA

+ w/ Grand Rapids Symphony

$ w/ The String Cheese Incident

Sat, 03/01/2025 - 4:51 pm

The Lil Smokies’ high-energy acoustic music has evolved into its own distinctive sound. Since their last album, Tornillo (2020), the band returns with two new members, bassist Jean Luc Davis and banjo player, Sam Armstrong-Zickefoose, adding to the core trio of dobro player Andy Dunnigan, lead guitarist the Reverend Matthew Rieger, and fiddler Jake Simpson. To showcase the new sound and augmented quintet lineup, the band will release a brand new album Break of the Tide, available via Americana Vibes on April 4, 2025. Today, the band releases the second single off of the album entitled "Sycamore Dreams" further showcasing their rejuvenated sound, positive mindset, and alluring songwriting. Listen HERE.

Akin to the title, the reflective song starts off with a lush, dreamy chord progression before Rieger's vocals enter to contemplate the mysterious ebbs and flows of life that could leave one to wonder what they could have done differently. Simpson shines on the fiddle playing a controlled, yet hopeful solo before the final verse and chorus echoing the sentiments that sometimes somber memories can blossom into optimism. "I hope that Sycamore Dreams will remind you to be gentle with yourself, grateful for what was, and hopeful for what may come," says Rieger, "Sometimes love isn’t enough, but its beauty remains."

Returning to Texas (where they recorded Tornillo), The Lil Smokies cut Break of the Tide at a Dallas-Fort Worth studio with local producer Robert Ellis, the album title representing, according to Andy, “a turning point, a pivot… the old world vs. the new world. It’s like a bug set in amber, an artifact from that period of time. We didn’t drown under the tide.”

“One of the biggest differences between this album and Tornillo is we hadn’t played these songs live before we recorded them,” added Jake. “These tracks really took shape in the studio. For the most part, we used whole takes, rather than overdubs and edits.  It’s a vibey record.”

The album finds the band expanding beyond the bluegrass genre with a spacious, airy, contemplative set of “more introspective, nuanced” songs which slow down to reflect the wide-open spaces and natural beauty of the state where they first took shape.

Break of the Tide marks a turning point for The Lil Smokies, who are ready to hit the road running this year, reinventing themselves for the long haul. The band recently announced an extensive national tour to celebrate the new album kicking off with a Colorado run and continuing at key venues across the Midwest and East Coast.

A complete list of tour dates is here:

Apr-3, Frisco, CO, 10 Mile Music Hall

Apr-4, Denver, CO, Ogden Theatre

Apr-5, Ft Collins, CO, Washington's

Apr-8, Kansas City, MO, Bottleneck

Apr-9, Minneapolis, MN, Turf Club

Apr-10, Stoughton, WI, Stoughton Opera House

Apr-11, Indianapolis, IN, HIFI

Apr-12, Evanston, IL, SPACE

Apr-15, New York, NY, Mercury Lounge

Apr-16, Northampton, MA, Iron Horse

Apr-17, Cambridge, MA, The Sinclair

Apr-18, Burlington, VT, Higher Ground

Apr-19, Portsmouth, NH, 3D Art Space

Apr-23, Pittsburgh, PA, Thunderbird

Apr-24, Wayne, PA, 118 North

Apr-25, Charlottesville, VA, The Southern

Apr-26, Washington, DC, Pearl Street Warehouse

Apr-27, Wilkesboro, NC, Merlefest

From their humble beginnings playing the “holy trinity” of Missoula, Whitefish and Bozeman in Montana, The Lil Smokies have toured all over the U.S. and abroad in Iceland, Mexico and Canada, performing at such prestigious venues as Red Rocks and festivals like Telluride, High Sierra, LOCKN’, Freshgrass and FloydFest. The group earned top prize at the Northwest String Summit outside of Portland in 2013 and the Telluride Bluegrass Festival in Colorado in 2015, which proved the catalyst for more touring success through the end of the decade.

For more information and to purchase tickets to all shows, please visit: thelilsmokies.net.

Sat, 03/15/2025 - 3:40 pm

The Lil Smokies’ high-energy acoustic music has evolved into its own distinctive sound. Since their last album, Tornillo (2020), the band returns with two new members, bassist Jean Luc Davis and banjo player, Sam Armstrong-Zickefoose, adding to the core trio of dobro player Andy Dunnigan, lead guitarist the Reverend Matthew Rieger, and fiddler Jake Simpson. To showcase the new sound and augmented quintet lineup, the band will release a brand new album Break of the Tide, available via Americana Vibes on April 4, 2025. The band's rejuvenated sound and current era is reflected in their latest single "Ocean," out today. Listen HERE.

Mulling over the vast ebbs and flows of life's natural progressions, "Ocean" was penned by Andy Dunnigan in a letter to himself. "'Ocean' is about grieving the old world; a younger hungrier era. The “you” in ocean is me. A song written from me to myself," he reflects. 

Comeback I was ready to Comeback

Retrace the steps and tethered webs; unbury my mind.

Ocean Another cold ocean

The tide of hope and weathered tropes

Retreated tonight.

I want to get back to you

These Days my willingness lays awake

My youthful yearn and unconcern  has dulled like a blade.

But oh dear, I felt the pull all year.

To uproot everything I've known and leave it behind.

I want to get back to you

Wear the face that I wore long ago

See the weight of the morning wash over me

And feel the evening let me go

In line with the album's overarching sentiments, "Ocean" is contemplative, leaning into the band's more vulnerable and solemn side. "At the heart of this record is perseverance and a willingness to forge a different path inside a new world—it’s about buoyancy in the most tumultuous of times. I’m beyond proud of this record and I’m so glad it actually made it to shore," muses Dunnigan.

Returning to Texas (where they recorded Tornillo), The Lil Smokies cut Break of the Tide at a Dallas-Fort Worth studio with local producer Robert Ellis, the album title representing, according to Andy, “a turning point, a pivot… the old world vs. the new world. It’s like a bug set in amber, an artifact from that period of time. We didn’t drown under the tide.”

“One of the biggest differences between this album and Tornillo is we hadn’t played these songs live before we recorded them,” added Jake. “These tracks really took shape in the studio. For the most part, we used whole takes, rather than overdubs and edits.  It’s a vibey record.”

The album finds the band expanding beyond the bluegrass genre with a spacious, airy, contemplative set of “more introspective, nuanced” songs which slow down to reflect the wide-open spaces and natural beauty of the state where they first took shape.

Break of the Tide marks a turning point for The Lil Smokies, who are ready to hit the road running this year, reinventing themselves for the long haul. The band recently announced an extensive national tour to celebrate the new album kicking off with a Colorado run and continuing at key venues across the midwest and East Coast.

A complete list of tour dates is here:

Apr-3, Frisco, CO, 10 Mile Music Hall

Apr-4, Denver, CO, Ogden Theatre

Apr-5, Ft Collins, CO, Washington's

Apr-8, Kansas City, MO, Bottleneck

Apr-9, Minneapolis, MN, Turf Club

Apr-10, Stoughton, WI, Stoughton Opera House

Apr-11, Indianapolis, IN, HIFI

Apr-12, Evanston, IL, SPACE

Apr-15, New York, NY, Mercury Lounge

Apr-16, Northampton, MA, Iron Horse

Apr-17, Cambridge, MA, The Sinclair

Apr-18, Burlington, VT, Higher Ground

Apr-19, Portsmouth, NH, 3D Art Space

Apr-23, Pittsburgh, PA, Thunderbird

Apr-24, Wayne, PA, 118 North

Apr-25, Charlottesville, VA, The Southern

Apr-26, Washington, DC, Pearl Street Warehouse

Apr-27, Wilkesboro, NC, Merlefest

From their humble beginnings playing the “holy trinity” of Missoula, Whitefish and Bozeman in Montana, The Lil Smokies have toured all over the U.S. and abroad in Iceland, Mexico and Canada, performing at such prestigious venues as Red Rocks and festivals like Telluride, High Sierra, LOCKN’, Freshgrass and FloydFest. The group earned top prize at the Northwest String Summit outside of Portland in 2013 and the Telluride Bluegrass Festival in Colorado in 2015, which proved the catalyst for more touring success through the end of the decade.

For more information and to purchase tickets to all shows, please visit: thelilsmokies.net.

Sat, 03/29/2025 - 1:28 pm

Jeremy Garrett, fiddle player & vocalist of The Infamous Stringdusters has announced the release of Storm Mountain, the seventh solo album of his career and first album release off of the band’s imprint Americana Vibes. With the release set for June 27th, Garrett gives listeners their first taste of the new album today with the release of the lead single “Fly Away to Your Love.” Listen to the new track HERE.

Storm Mountain follows Garrett’s well-received 2022 release River Wild and is an ode to his current life living “off the grid” in a cabin on 12 acres with his wife and eight-year-old daughter in a remote section of Theodore Roosevelt National Forest outside of Drake, Colorado. The collection of songs was inspired by the mountains he lives in and the idea that holds—whether it be living in joyous nature or the more pointed feeling one can have being surrounded by such intensity. Living in the mountains can be free and easy, yet an unforgiving place for those that aren’t prepared for the elements (and even if you are, it’s never completely easy). It was a metaphor he couldn’t resist when making the record.

“Fly Away to Your Love” sets the scene for Garrett’s new 10-song collection with its pulsating tempo and energetic picking. The song was co-written by one of Garrett’s longest writing partners, songwriter & journalist Jon Weisberger, adding to their expansive repertoire of over 100 songs. Expressed through four short verses in old time language, the track speaks to the idea of preserving a relationship when troubles may come and overcoming with grace.

“This is one of those driving bluegrass songs that speaks about love in an intangible way, using old time language to describe a stormy scene and drama,” says Garrett delving into the lyrical content, “Love birds being lost and hopeless in the storm of life and tragic circumstances.”

While bluegrass is often associated with light-hearted festival sets and late night picking sessions, Garrett aims to dig deeper with more serious, introspective subject matters and musical stylings that veer back into his more traditional lineage in gospel, country, and roots, “This is not a light-hearted record,” he explains, “Bluegrass is a lonesome music. I wanted this album to be more sophisticated than songs about trains and biscuits, to bring out the deeper content.”

Storm Mountain deals with such serious topics as a fall from grace (“Son of Perdition”), the bitterness of fate (“The Cold Hard Truth”), lost love (“Fly Away”), the meaning of life (“Anchor in the Deep”) and hopes for his daughter (“You’re Gonna Fly”). In addition, there are playful stabs at modern phenomena from social conventions (“Don’t Ask’) to UFOs (“Rosewell”). “I love weird stuff like that,” he laughed. “I study quantum physics, too.”

Other highlights include surprising, idiosyncratic covers of songs by Mr. Mister’s Richard Page (“The Border”) and U.K. classic rock band Free (“Fire and Water”).

“I wanted to draw on something a little different than what I do with the ‘Dusters. These are songs that don’t quite fit in with the crowds we usually play for. When I go back to the band, I’m way better and more fulfilled for having done these solo records.”

Garrettt’s collaborators on the record include banjo player Ryan Cavanagh (“a picker’s picker”), guitarist Chris Luquette, singer Lindsay Lou (“The Border,” “You’re Gonna Fly,” “Son of Perdition”), songwriting partner Josh Shilling, fiddle players Luke Bulla and Casey Driessen (“Rosewell”), bassist Travis Anderson, tenor vocalist Ray Cardwell (“Slow Train”) and Stringdusters colleague Andy Hall on Resophonic guitar/dobro (“You’re Gonna Fly”). He recorded the album in a one-room studio outside of Fort Collins, CO, at the foothills of the mountains, before he added his parts at his own Storm Mountain home studio.

With groups like Yonder Mountain String Band, Leftover Salmon, String Cheese Incident and current phenom Billy Strings updating bluegrass for a new generation of listeners as “jamgrass,” the genre has exploded. Jeremy Garrett, known to the Infamous Stringdusters’ loyal fan base as either G-Grass or Freedom Cobra for his dynamic stage presence, has been at the forefront of the revival.

“Bluegrass is a durable music,” he said.” It’s been around for a long time. It’s down home and hardy and you can play it anywhere. You don’t even need electricity. The Dusters are a traditional bluegrass band that brought in the elements of extended soloing into the mix.”

At 48 years old, Garrett is relatively young for a bluegrass veteran and looks forward to performing his music live for audiences.  “When I write songs now, it’s from the standpoint of someone who’s been through some life experiences over the past 20 years. My goal is for this record to be uplifting at the same time as it’s more reflective in terms of healing.

“You need to have the music serve the song first and foremost, but I still throw down the fiddle because that’s what people expect.”

With the Dusters about to celebrate their 20th anniversary next year with a new album, Garrett looks forward to finding time for the occasional solo performance along with his “day job.” His ultimate inspiration are guys like Larry Sparks (“Slow Train” on the new album is a tribute to him), Del McCoury and the late Ralph Stanley, who have performed into their 70s, 80s and 90s.

“I want to play this music forever,” said Jeremy.  With Storm Mountain, he continues on that path.

TRACK LIST

1.) The Border

2.) Cold Hard Truth 

3.) Roswell 

4.) Slow Train

5.) You're Gonna Fly

6.) Don't Ask

7.) Fly Away To Your Love

8.) Fire and Water

9.) Son of Perdition

10.) Wishful Thinking

Fri, 04/04/2025 - 9:42 am

The Lil Smokies’ high-energy acoustic music has evolved into its own distinctive sound. Since their last album, Tornillo (2020), the band returns with two new members, bassist Jean Luc Davis and banjo player, Sam Armstrong-Zickefoose, adding to the core trio of dobro player Andy Dunnigan, lead guitarist the Reverend Matthew Rieger, and fiddler Jake Simpson. To showcase the new sound and augmented quintet lineup, the band has released a brand new album Break of the Tide, available now via Americana Vibes.  Break Of The Tide will also mark the final  album release of the band's career with 11 new songs to close out their cherished discography. Listen to Break Of The Tide HERE.

Returning to Texas (where they recorded Tornillo), The Lil Smokies cut Break of the Tide at a Dallas-Fort Worth studio with local producer Robert Ellis, the album title representing, according to Andy, “a turning point, a pivot… the old world vs. the new world. It’s like a bug set in amber, an artifact from that period of time. We didn’t drown under the tide.”

“One of the biggest differences between this album and Tornillo is we hadn’t played these songs live before we recorded them,” added Jake. “These tracks really took shape in the studio. For the most part, we used whole takes, rather than overdubs and edits.  It’s a vibey record.”

The album finds the band expanding beyond the bluegrass genre with a spacious, airy, contemplative set of “more introspective, nuanced” songs which slow down to reflect the wide-open spaces and natural beauty of the state where they first took shape. The first single, “Montana Flower,” according to Simpson, is a love song to a local girl from Whitefish, comparing her beauty to the geographical marvels of the area, including Big Mountain.

“That’s the imagery that was going through my head when I wrote the song,” acknowledged Jake. “There’s a lot of mystery in Whitefish.  It’s an interesting mix of people there from all over the world alongside the locals who have been there forever. Lots of cosmic energy keeping an eye out for my love when I’m not there.”

Another Simpson-penned track, “Keep Me Down” offers the touring musician’s lament of choosing between what you left at home and the call of the road. “It’s a real love-hate relationship,” laughed Jake. “I’ve been doing a lot of therapy on this issue, and I think I’m improving in that area.”

Rev’s “Sycamore Dreams” is “a break-up song about sometimes love alone isn’t enough” to keep a relationship together (“It shines on paper/Torn from the start/Frayed at the seams”). “There are divine forces that are sometimes out of our control,” said Rev. “And sometimes you have to trust and surrender to them.”

“Fire in the Rain” is a Dunnigan-penned folk song that offers a vocal homage to one of his favorite singer/songwriters in James Taylor, evoking his similarly titled “Fire and Rain.”

“My father played his records for me when I was just three years old,” said Andy.

“This is a more pensive, delicate record than we’ve done in the past,” explained Rev. “It’s about being able to turn to art to deal with hardship, the encouragement to know we’re not alone in this. It’s about looking to the future, figuring out a way to move ahead.”

Added Andy, “We’re just more confident in ourselves as songwriters now. We don’t have anything to prove at this point. We’re comfortable where we are as a band.”

“We’re older, but maybe not wiser,” joked Rev. “This is who we are right now.”

This week, the band embarks on their farewell shows throughout Colorado. Kicking off at 10 Mile Music Hall yesterday, The Lil Smokies will perform their final shows at The Ogden Theatre in Denver, Colorado tonight and Washington's in Fort Collins, Colorado tomorrow.

For more information and to purchase tickets to final Colorado shows, please visit: thelilsmokies.net.

Thu, 04/24/2025 - 11:08 am

As Lettuce continues their robust touring schedule loaded with symphony collaborations, co-headlining shows with GZA of Wu-Tang Clan, and trekking coast-to-coast, they will host a digital film premiere of their recent concert movie Lettuce with the Colorado Symphony. Currently only available via DVD, the film features over 90 minutes of music visually showcasing the future funk group’s recently released album Lettuce with the Colorado Symphony as the lauded sextet is joined by over 80 musicians from the Colorado Symphony. The premiere will take place on May 28 at 6pm PT/9pm ET via VEEPS. Buy tickets HERE.

VEEPS is a streaming service that offers direct access to live and on-demand concerts, events, performances by award-winning artists and shows at the most iconic venues in the world, making it a fitting platform to partner with for the digital premiere of Lettuce’s remarkable inaugural collaboration with the Colorado Symphony. The band will be selling signed copies of the limited edition triple vinyl LP of the record throughout the duration of the premiere.

Additionally, Lettuce just announced expanded tour dates with a handful of new dates announced in the midwest in August with support from rising Colombian psychedelic funk trio BALTHVS on most of those performances. A full list of dates in below.

Lettuce continues their symphony collaboration series with a performance with the Nashville Symphony on April 30th. They immediately head to New Orleans for their annual late night performance during Jazz Fest at The Orpheum on May 1st. Lettuce will play two additional co-headlining shows with GZA in Cincinnati, Ohio and Chicago, Illinois before heading to Grand Rapids to perform with the Grand Rapids Symphony on May 17th and beginning their summer tour scheduled filled with festival plays, international dates in Europe & India, the newly announced August shows, and more.

To learn more about Lettuce and purchase tickets to all performances, please visit lettucefunk.com.

2025 Tour Dates

Apr 30 - Nashville, TN - Schermerhorn Symphony Center ^

May 14 - Cincinatti, OH - Taft Theatre *

May 15 - Bloomington, IL - The Castle Theatre

May 16 - Chicago, IL - Ramova Theatre *

May 17 - Grand Rapids, MI - Devos Performance Hall +

May 18 - Fort Wayne, IN - The Clyde Theatre

May 21 - Buffalo, NY - Electric City

May 22 - Cleveland, OH - Globe Iron

May 23 - Lexington, KY - The Burl

May 24 - Martinsville, VA - Rooster Walk Music & Arts Festival

May 29 - Hanover, Germany - Hannover Open Air Festival

Jun 30 - Jakarta, Indonesia - Java Jazz Festival

Jun 6 - Norfolk, VA - HarborFest

Jun 12 - Portland, ME - Thompson's Point $

Jun 13 - Swanzey, NH - Northlands Music & Arts Festival

Jun 14 - Brooklyn, NY - SummerStage $

Jun 27 - Rochester, NY - Rochester Jazz Festival

Jun 28 - Saratoga Springs, NY - Saratoga Jazz Festival

Jul 3 - Avon, CO - AvonLIVE!

Jul 4 - Denver, CO - Cervantes' Masterpiece Ballroom *

Jul 10 - Mills River, NC - Sierra Nevada Brewing Co.

Jul 11 - Charlotte, NC - Neighborhood Theatre

Jul 12 - Wilmington, NC - BAD Day Music & Arts Festival

Aug 15 - Indianapolis, IN - Hi-Fi Annex #

Aug 16 - Detroit, MI - St. Andrew's Hall #

Aug 17 - Milwaukee, WI - Turner Ballroom

Aug 20 - Minneapolis, MN - First Avenue #

Aug 21 - Lincoln, NE - Bourbon Theatre #

Aug 22 - Lawrence, KS - Liberty Hall #

Aug 23 - Clive, IA - Horizon Events Center #

Aug 24 - St. Louis, MO - Atomic Pavillion 

Aug 27 - Toronto, ON - Annabel's Music Hall

Aug 29 - Charlestown, RI  - Roots & Rhythm

Oct 24 - Melbourne, AUS - Melbourne International Jazz Festival

Oct 25 - Sydney, AUS - The Metro Theatre

* Co-Headline w/ GZA

^ w/ Nashville Symphony

+ w/ Grand Rapids Symphony

# new date with support from BALTHVS

$ new date with Styles P 

Track Listing

1. Mt. Crushmore

2. The Lobbyist

3. Requiem →

4. Gang Ten

5. Ghost of Jupiter

6. Move On Up

7. The Force

8. New Intro →

9. Larimar

10. Tryllis

11. Moksha

12. Everybody Wants to Rule the World

13. Elephant Walk → Madison Square

14. Trapezoid

Fri, 04/25/2025 - 2:32 pm

In celebration of Earth Day, internationally revered folk-soul ensemble Rising Appalachia commemorates the tenth anniversary of their landmark album Wider Circles with a poignant and timely digitally remastered re-release, debuting an unreleased track “All Fence and No Doors,” new artwork ties into the full-circle aftermath of Hurricane Helene, and a bundle of local Appalachian-influenced merchandise available on April 25, 2025. Listen to the digitally remastered edition of Wider Circles HERE.

Originally released in 2015, Wider Circles marked a major artistic and geographical expansion for the band. “It was the beginning of what we now call the Slow Music Movement,” reflects vocalist, multi-instrumentalist and co-founder Leah Song. “We toured the album by train and sailboat, carried these songs into prisons, across borders, and into the heart of communities grappling with ecological and cultural resilience.”

Wider Circles has songs tied into the group’s travels across Italy and through Ireland down into Latin America into the BriBri tribes of Costa Rica, and deep roots to their home in the American South between Appalachia, Atlanta, and New Orleans. It features love letters to North Carolina, a tribute to Ralph Stanley, spoken word by Theresa Davis, traditional Appalachian songs like "Bright Morning Stars," and some of our originals that have become the most beloved of our entire collection cherished by the band and fans alike such as “Medicine,” “Wider Circles,” “Invitation”, and “Novels of Acquaintance.”

Reflecting on the band’s journey and their trajectory since the album’s inception, singer, multi-instrumentalist, and co-founder Chloe Smith reflects, “Time is a slippery beautiful thing you can never quite get a hold of by the tail. Ten years ago we made the album Wider Circles, and as we work on writing our new album, this anniversary feels like something to share and celebrate with our fans. Looking back, we were neck deep in touring and finding our way in the wilds of taking a crack at music for a living as young women—equal parts student, activist, folk singer. This particular body of work felt like a large culmination of the many influences we picked up along our route.  Wider Circles was a moment in our artistic path that was deeply inspired by the timeless work of Joanna Macy and her translation of Rilkes poem “Widening Circles.’ The song and the album's theme is meant to address the necessity of open dialogues and perspectives in times of severance and severity.”

Now, in the wake of Hurricane Helene that devastated parts of their Southern Appalachian community in September 2024, Wider Circles resonates louder than ever with the proverbial circles widening to the destruction and silver linings that occur through  natural disasters.

Central to the re-release is “All Fence and No Doors,” an unreleased studio track written years prior during the band’s time in New Orleans that was facing their own hardships after Hurricane Katrina. “The lyrics have always echoed our concern for environmental justice,” says Leah. “But after the storm, the meaning changed. Lines like ‘all this water coming after me’ and ‘I don’t have enough water to drink’ became chillingly literal. This song felt like the right sound to add to this body of work, and almost feels timeless. Recorded at Echo Mountain in Asheville, North Carolina many years back, this new version feels as if it was always a part of this album.”

The track was mixed by longtime engineer Julian Dreyer whose own studio was impacted by the flooding, and features the newest full time band member Duncan Wickel on cello alongside David Brown on guitar, and Biko Casini on percussion.

The re-release also features hauntingly stunning artwork by Asheville-based woodblock printmaker Ashley McGrath, whose studio was destroyed in the floods. Leah discovered one of Ashley’s prints washed up in the River Arts District during a community cleanup. “The print was covered in mud, but something about it struck me. We tracked down the artist and I knew I wanted to work with her,” Leah recounts. “It felt like serendipity—art and nature, destruction and renewal, all in one.” 

In honor of Earth Day and the re-release of Wider Circles, Rising Appalachia is releasing a limited edition collection of merch that includes the album on vinyl, a hand-screened poster, tote bag and bandana featuring McGrath’s new artwork her and the band designed exclusively for the re-release, and Southern Appalachian wildflower seed packets curated by Sow True Seed in Asheville, NC. Vinyl & merch can be purchased HERE.

“It feels like this album, which helped define our voice as a band, has come full circle. What started as a celebration of roots, movement, and resilience is now a reflection of how those values sustain us through crisis,” adds Chloe.

To purchase the Wider Circles 10th anniversary merch bundle and learn more about Rising Appalachia, please visit: risingappalachia.com.

Wed, 05/28/2025 - 2:09 pm

As Lettuce continues their robust touring schedule coming off he heels of symphony collaborations, co-headlining shows with GZA of Wu-Tang Clan, and trekking coast-to-coast, they will host a digital film premiere of their recent concert movie Lettuce with the Colorado Symphony. Currently only available via DVD, the film features over 90 minutes of music visually showcasing the future funk group’s recently released album Lettuce with the Colorado Symphony as the lauded sextet is joined by over 80 musicians from the Colorado Symphony. 

 

The premiere will take place on tonight, May 28 at 6pm PST / 9pm EST via VEEPS. The show will be on-demand to view for 48 hours after the premiere. Buy tickets HERE.

 

VEEPS is a streaming service that offers direct access to live and on-demand concerts, events, performances by award-winning artists and shows at the most iconic venues in the world, making it a fitting platform to partner with for the digital premiere of Lettuce’s remarkable inaugural collaboration with the Colorado Symphony. The band will be selling signed copies of the limited edition triple vinyl LP of the record throughout the duration of the premiere.

 

Additionally, Lettuce recently announced expanded tour dates with a handful of new dates in the midwest in August with support from rising Colombian psychedelic funk trio BALTHVS on most of those performances. The band is slated to head to Hannover, Germany for Hannover Open Air Festival on May 29th and Java Jazz Festival in Jakarta, Indonesia on on June 1st before resuming domestic touring and heading back to Europe and Australia in the fall. A full list of dates in below.

 

To learn more about Lettuce and purchase tickets to all performances, please visit lettucefunk.com.

Track Listing / Set List on VEEPS Premiere

1. Mt. Crushmore

2. The Lobbyist

3. Requiem →

4. Gang Ten

5. Ghost of Jupiter

6. Move On Up

7. The Force

8. New Intro →

9. Larimar

10. Tryllis

11. Moksha

12. Everybody Wants to Rule the World

13. Elephant Walk → Madison Square

14. Trapezoid

2025 Tour Dates

May 29 - Hanover, Germany - Hannover Open Air Festival

Jun 30 - Jakarta, Indonesia - Java Jazz Festival

Jun 6 - Norfolk, VA - HarborFest

Jun 12 - Portland, ME - Thompson's Point $

Jun 13 - Swanzey, NH - Northlands Music & Arts Festival

Jun 14 - Brooklyn, NY - SummerStage $

Jun 27 - Rochester, NY - Rochester Jazz Festival

Jun 28 - Saratoga Springs, NY - Saratoga Jazz Festival

Jul 3 - Avon, CO - AvonLIVE!

Jul 4 - Denver, CO - Cervantes' Masterpiece Ballroom *

Jul 10 - Mills River, NC - Sierra Nevada Brewing Co.

Jul 11 - Charlotte, NC - Neighborhood Theatre

Jul 12 - Wilmington, NC - BAD Day Music & Arts Festival

Aug 15 - Indianapolis, IN - Hi-Fi Annex #

Aug 16 - Detroit, MI - St. Andrew's Hall #

Aug 17 - Milwaukee, WI - Turner Ballroom

Aug 20 - Minneapolis, MN - First Avenue #

Aug 21 - Lincoln, NE - Bourbon Theatre #

Aug 22 - Lawrence, KS - Liberty Hall #

Aug 23 - Clive, IA - Horizon Events Center #

Aug 24 - St. Louis, MO - Atomic Pavillion

Aug 27 - Toronto, ON - Annabel's Music Hall

Aug 29 - Charlestown, RI  - Roots & Rhythm

Sep 17 - Paris, France - Alhambra

Sep 18 - Cologne, Germany - CBE

Sep 19- Utrecht, Netherlands - TivoliVredenburg

Sep 21 - Antwerp, Belgium - Troubleyn

Sep 22 - Amsterdam, Netherlands - Paradiso

Sep 23 - Berlin, Germany - Lido

Sep 24 - Vienna, Austria - Simm City

Sep 26 - Zürich, Switzerland - Bogen F

Sep 27 - Milan, Italy - Santeria

Sep 30 - Barcelona, Spain - Razzmatazz 2

Oct 1 - Angoulins, France = Crossroad

Oct 2 - Rouen, France - Le 106

Oct 3 & 4 - London, UK - Ronnie Scott’s

Oct 24 - Melbourne, AUS - Melbourne International Jazz Festival

Oct 25 - Sydney, AUS - The Metro Theatre

* Co-Headline w/ GZA

^ w/ Nashville Symphony

+ w/ Grand Rapids Symphony

# new date with support from BALTHVS

$ new date with Styles P

Sun, 06/01/2025 - 12:55 pm

Jeremy Garrett, fiddle player & vocalist of The Infamous Stringdusters continues the rollout of Storm Mountain, the seventh solo release of his career and first album release off of the band’s imprint Americana Vibes. With the release set for June 27th, Garrett gives listeners his third offering off of the new album today with the release new single “Slow Train.” Fans can get an early listen with the track streaming exclusively on YouTube HERE, incentivizing his audience to subscribe for exclusive content and videos surrounding the release.

 

"Slow Train" will be available on all digital streaming platforms on May 30. Pre-save & listen HERE.

 

Storm Mountain follows Garrett’s well-received 2022 release River Wild and is an ode to his current life living “off the grid” in a cabin on 12 acres with his wife and eight-year-old daughter in a remote section of Theodore Roosevelt National Forest outside of Drake, Colorado. The collection of songs was inspired by the mountains he lives in and the idea that holds—whether it be living in joyous nature or the more pointed feeling one can have being surrounded by such intensity. Living in the mountains can be free and easy, yet an unforgiving place for those that aren’t prepared for the elements (and even if you are, it’s never completely easy). It was a metaphor he couldn’t resist when making the record.

 

“Slow Train” is a fiery tribute to one of Garrett’s personal bluegrass heroes, Larry Sparks. “This is pretty much a total tribute to one of my favorite bluegrass stars,” says Garrett. “Chris Luquette along with everyone plays the heck out of this track and sets it on fire! The bluegrass way!” 

 

The song opens with classic heartbreak with lyrics declaring, “I'm heartbroken and I'm feelin' low-down / I'm sick and tired of the life I live around this old town." It quickly shifts into a foot-stomping anthem about leaving the past behind and forging a new path. Featuring Garrett’s searing fiddle work alongside Ray Cardwell’s powerful tenor vocals and Josh Shilling’s robust baritone timbre, “Slow Train” is the antithesis of slow and is a buoyant ride through the a vulnerable terrain of lost love and new beginnings.

 

While bluegrass is often associated with light-hearted festival sets and late night picking sessions, Garrett aims to dig deeper with more serious, introspective subject matters and musical stylings that veer back into his more traditional lineage in gospel, country, and roots, “This is not a light-hearted record,” he explains, “Bluegrass is a lonesome music. I wanted this album to be more sophisticated than songs about trains and biscuits, to bring out the deeper content.”

 

 

Storm Mountain deals with such serious topics as a fall from grace (“Son of Perdition”), the bitterness of fate (“The Cold Hard Truth”), lost love (“Fly Away”), the meaning of life (“Anchor in the Deep”) and hopes for his daughter (“You’re Gonna Fly”). In addition, there are playful stabs at modern phenomena from social conventions (“Don’t Ask’) to UFOs (“Rosewell”).

 

“I love weird stuff like that,” he laughed. “I study quantum physics, too.”

 

Other highlights include surprising, idiosyncratic covers of songs by Mr. Mister’s Richard Page (“The Border”) and U.K. classic rock band Free (“Fire and Water”).

 

“I wanted to draw on something a little different than what I do with the ‘Dusters. These are songs that don’t quite fit in with the crowds we usually play for. When I go back to the band, I’m way better and more fulfilled for having done these solo records.”

 

Garrettt’s collaborators on the record include banjo player Ryan Cavanagh (“a picker’s picker”), guitarist Chris Luquette, singer Lindsay Lou (“The Border,” “You’re Gonna Fly,” “Son of Perdition”), songwriting partner Josh Shilling, fiddle players Luke Bulla and Casey Driessen (“Rosewell”), bassist Travis Anderson, tenor vocalist Ray Cardwell (“Slow Train”) and Stringdusters colleague Andy Hall on Resophonic guitar/dobro (“You’re Gonna Fly”). He recorded the album in a one-room studio outside of Fort Collins, CO, at the foothills of the mountains, before he added his parts at his own Storm Mountain home studio.

 

With groups like Yonder Mountain String Band, Leftover Salmon, String Cheese Incident and current phenom Billy Strings updating bluegrass for a new generation of listeners as “jamgrass,” the genre has exploded. Jeremy Garrett, known to the Infamous Stringdusters’ loyal fan base as either G-Grass or Freedom Cobra for his dynamic stage presence, has been at the forefront of the revival.

 

“Bluegrass is a durable music,” he said.” It’s been around for a long time. It’s down home and hardy and you can play it anywhere. You don’t even need electricity. The Dusters are a traditional bluegrass band that brought in the elements of extended soloing into the mix.”

At 48 years old, Garrett is relatively young for a bluegrass veteran and looks forward to performing his music live for audiences.  “When I write songs now, it’s from the standpoint of someone who’s been through some life experiences over the past 20 years. My goal is for this record to be uplifting at the same time as it’s more reflective in terms of healing.

 

“You need to have the music serve the song first and foremost, but I still throw down the fiddle because that’s what people expect.”

 

With the Dusters about to celebrate their 20th anniversary next year with a new album, Garrett looks forward to finding time for the occasional solo performance along with his “day job.”

 

His ultimate inspiration are guys like Larry Sparks (as portrayed in "Slow Train"), Del McCoury and the late Ralph Stanley, who have performed into their 70s, 80s and 90s.

 

“I want to play this music forever,” said Jeremy.  With Storm Mountain, he continues on that path.

Sun, 06/29/2025 - 12:56 pm

Jeremy Garrett, fiddle player & vocalist of The Infamous Stringdusters has released Storm Mountain, the seventh solo album of his career and first album release off of the band’s label Americana Vibes. The album is available on all digital streaming platforms, CD, and vinyl. Listen & purchase HERE.

 

Born in California, Garrett grew up in Idaho, before moving to Nashville in 1998, co-founding The Infamous Stringdusters when a musician friend, dobro player Andy Hall, approached his bandmate in a group named the Ronnie Bowman Committee (along with ex-mandolin player Jesse Cobb) to join forces with his Berklee College of Music classmates, banjo player Chris Pandolfi and former guitarist Chris Eldridge, in the group’s first iteration in 2005. The band’s current lineup includes double-bassist Travis Book, who came aboard in 2005, and guitarist Andy Falco, who replaced Eldridge in 2007. Since that time, the Stringdusters have garnered a Grammy Award in 2018 for Best Bluegrass Album (Laws of Gravity) and two nominations, the most recent in 2022 in the same category (A Tribute to Bill Monroe).

 

Since that time, Garrett has released seven solo albums, with his latest, Storm Mountain, his first since 2022’s well-received River Wild. Now living “off the grid” in a cabin on 12 acres with his wife and eight-year-old daughter in a remote section of Theodore Roosevelt National Forest outside of Drake, Colorado, Garrett recorded the album in a one-room studio outside of Fort Collins, CO, at the foothills of the mountains, before he added his parts at his own Storm Mountain home studio.

 

“This is not a light-hearted record,” he explained. “Bluegrass is a lonesome music. I wanted this album to be more sophisticated than songs about trains and biscuits, to bring out the deeper content.”

 

With groups like Yonder Mountain String Band, Leftover Salmon, String Cheese Incident and current phenom Billy Strings updating bluegrass for a new generation of listeners as “jamgrass,” the genre has exploded. Jeremy Garrett, known to The Infamous Stringdusters’ loyal fan base as either G-Grass or Freedom Cobra for his dynamic stage presence, has been at the forefront of the revival.

 

“Bluegrass is a durable music,” he said.” It’s been around for a long time. It’s down home and hardy and you can play it anywhere. You don’t even need electricity. The Dusters are a traditional bluegrass band that brought in the elements of extended soloing into the mix.”

 

Storm Mountain deals with such serious topics as a fall from grace (“Son of Perdition”), the bitterness of fate (“The Cold Hard Truth”), lost love (“Fly Away”), the meaning of life (“Anchor in the Deep”) and hopes for his daughter (“You’re Gonna Fly”). In addition, there are playful stabs at modern phenomena from social conventions (“Don’t Ask’) to UFOs (“Rosewell”).

 

“I love weird stuff like that,” he laughed. “I study quantum physics, too.”

 

Other highlights include surprising, idiosyncratic covers of songs by Mr. Mister’s Richard Page (“The Border”) and U.K. classic rock band Free (“Fire and Water”).

 

“I’m interested in World Music and how the fiddle has been played around the globe,” said Garrett, whose previous albums have explored a wide range of fiddle effects, including loops and pedals, showing the instrument can be as eclectic as the guitar. “It’s been integrated in all forms of music as one of the most versatile instruments on the planet. There’s something about fiddle players that’s unique.”

 

Garrettt’s collaborators on the record included banjo player Ryan Cavanagh (“a picker’s picker”), guitarist Chris Luquette, singer Lindsay Lou (“The Border,” “You’re Gonna Fly,” “Son of Perdition”), songwriting partner Josh Shilling, fiddle players Luke Bulla and Casey Driessen (“Rosewell”), bassist Travis Anderson, tenor vocalist Ray Cardwell (“Slow Train”) and Stringdusters colleague Andy Hall on Resophonic guitar/dobro (“You’re Gonna Fly”).

“I wanted to draw on something a little different than what I do with the ‘Dusters, by touching on my more traditional lineage in gospel, country and blues. These are songs that don’t quite fit in with the crowds we usually play for. When I go back to the band, I’m way better and more fulfilled for having done these solo records.”

 

At 48 years old, Garrett is relatively young for a bluegrass veteran and looks forward to performing his music live for audiences. “When I write songs now, it’s from the standpoint of someone who’s been through some life experiences over the past 20 years. My goal is for this record to be uplifting at the same time as it’s more reflective in terms of healing.

 

“You need to have the music serve the song first and foremost, but I still throw down the fiddle because that’s what people expect.”

 

With the Dusters about to celebrate their 20th anniversary next year with a new album, Garrett looks forward to finding time for the occasional solo performance along with his “day job.”

 

His ultimate inspiration are guys like Larry Sparks (“Slow Train” on the new album is a tribute to him), Del McCoury and the late Ralph Stanley, who have performed into their 70s, 80s and 90s.

 

“I want to play this music forever,” said Jeremy. With Storm Mountain, he continues on that path.

Tue, 07/01/2025 - 11:05 am

GRAMMY-nominated future funk band Lettuce has teamed up with Colorado-based natural winery Aquila Cellars to launch Lettuce Crush Vol. 1, a new line of wines debuting with two distinct blends, Red Crush and Orange Crush. Created with the same care and creative spirit that defines the band’s approach to music at one of the country’s most innovative wineries, Lettuce Crush is available for purchase now throughout the U.S. and will begin rolling out at select Colorado retailers and restaurants this summer.

 

Handcrafted at high elevation in Paonia, Colorado, Lettuce Crush Red Crush and Orange Crush, are each grown organically, produced without additives, and shaped by the raw creative ethos shared between both collaborators.

 

“Lettuce has always stood for well-made things in their purest form,” the band shares. “Well-made records, well-made instruments, well-made food—and now, well-made wine. We don’t need filler, additives or any gobbledygook. So, we decided to make a wine that is just that, nothing added or taken away, just as Mother Earth intended it.”

 

A high-altitude spin on the Italian table wine tradition, Red Crush is a 50/50 blend of Teroldego and Barbera, fermented 50% whole-cluster and barrel-aged for 10 months in neutral oak. The result is a bold yet balanced red, bursting with black and red fruit from the Barbera, and layered with the savory, herbal complexity of Teroldego—traditionally grown in the high Dolomites. It’s a natural pairing for a long dinner table, but versatile enough to sip solo with the right record on.

 

“It’s high country meets low country in a glass,” says Brandt Thibodeaux, winemaker and co-founder of Aquila Cellars. “Deeply rooted, high-acid, soulful—it’s the kind of wine that plays like a groove.”

 

Built on a base of Riesling and Pinot Gris, Orange Crush is a textural field blend full of citrus zest, tropical fruit, and a surprising hit of raspberry through the mid-palate. Fermented on the skins, it’s bright and wild with just enough grip to hold its shape. It's a porch pounder with enough structure to cellar and pop at the next album drop or you might decide to crush it yourself before the second set.

 

“There’s something energetically primal about a field blend,” says Thibodeaux. “When you are harvesting the grapes and you see the different colors and characters enjoying each other's company in the bin, you can't help but think....this is how it was meant to be.”

 

As the name suggests, Lettuce Crush is as much about intention as it is flavor. The collaboration was born out of mutual respect between two teams steeped in improvisation, analog warmth, and a shared love of making something from nothing. The result is a pair of wines that feel spontaneous but grounded, playful yet disciplined.

 

“We’re stoked to finally have our own custom blend of wine to bring to the people,” says saxophonist Ryan Zoidis. “Grown and vinified in Colorado, this natty juice will be a great addition to every party dinner or show!”

 

“Aquila Cellars has been a trailblazer in the Colorado wine scene for the last 5 years. Growing organic grapes in some of the highest vineyards of North America is very difficult and expensive. These wines came out GREAT and we’re beyond grateful to Aquila Cellars for making the first-ever Lettuce Crush happen,” adds trumpeter Eric Bloom.

 

For fans in Colorado, Lettuce will be hosting an official launch party on Tuesday, July 2nd at My Boy Tony in Denver. The event is open to the public, kicking off at 7pm and featuring an all-vinyl deep cut set by NELLI. Attendees will be able to purchase the wine on-site as well as buy fee-free tickets to the band’s upcoming July 4th performance with GZA at Cervantes’ Masterpiece Ballroom.

 

Lettuce Crush marks the first pour in what promises to be a flavorful new chapter for the band. This isn’t the only new culinary crossover endeavor in the works, so stay tuned for additional announcements the band is cooking up soon.

 

Lettuce Crush is now available to ship nationwide. To learn more and order, please visit: lettucefunk.com/wine