Blues-rock trailblazer Joe Bonamassa is back with a brand-new single, “Still Walking With Me,” out today via J&R Adventures. Following the introspective groove of “Shake This Ground,” this latest release leans into a feel-good, classic vibe—buoyant and soulful, with a warm groove and an undeniable sense of gratitude.

Anchored by a warm groove and a classic feel, “Still Walking With Me” is an uplifting tribute to resilience, redemption, and the people who stick with us even when we don’t deserve it. Bonamassa’s lyrics walk the line between gratitude and humility—“You could’ve left a long time ago… I wouldn’t blame ya”—while celebrating the kind of enduring partnership that weathers all storms. With its catchy refrain and unshakeable optimism, the song delivers a feel-good message wrapped in rich instrumentation and vintage tones.

Produced by longtime collaborator Kevin Shirley (Iron Maiden, The Black Crowes, Journey) and co-written with Tom Hambridge (Buddy Guy,  ZZ Top, Lynyrd Skynyrd), “Still Walking With Me” is the second preview from Bonamassa’s upcoming studio album, due out later this year. The new music expands his ever-evolving sound while remaining grounded in the blues-rock foundation that has made him one of the genre’s most dynamic forces.

The single arrives on the heels of a monumental season for Bonamassa. Just this week, he wrapped the 10th Anniversary Keeping the Blues Alive at Sea X Cruise, the sold-out floating blues festival that set sail from Miami with performances from Big Head Todd and the Monsters, Larkin Poe, Kingfish, Samantha Fish, Joanne Shaw Taylor, and many more. The milestone event continued Bonamassa’s commitment to building community and keeping the blues alive for future generations.
 
Next up, Bonamassa heads overseas for an extensive European Spring Tour, followed by a June run with his powerhouse supergroup Black Country Communion (featuring Glenn Hughes, Jason Bonham, and Derek Sherinian). After another round of summer dates across Europe—including sold-out shows in Ireland—he’ll return stateside for his just-announced 2025 U.S. Summer Tour, a limited amphitheater run featuring stops at Greek Theatre, Red Rocks, and more iconic venues.
 
With over 50 albums, 28 #1 Billboard Blues Albums, and a relentless drive to evolve, Bonamassa shows no signs of slowing down. Whether on stage, in the studio, or at sea, he continues to find new ways to push the blues forward while honoring its legacy.
 
For upcoming tour dates, VIP experiences, and new music, visit jbonamassa.com.

JOE BONAMASSA - TOUR SCHEDULE

EUROPE TOUR 2025
April 21 - Glasgow, UK - SEC Centre
April 23 - Cardiff, UK - Utilita Arena
April 25 - Liverpool, UK - M&S Bank Arena
April 26 - Nottingham, UK - Motorpoint Arena
April 27 - Brighton, UK - Brighton Centre
April 29 - Oberhausen, DE - Rudolf Weber Arena
April 30 - Munich, DE - Olympiahalle
May 2 - Prague, CR - O2 Universam
May 3 - Warsaw, PL - COS Torwar
May 6 - Hannover, DE - Zag Arena
May 8 - Frankfort, DE - Jahrhunderthalle
May 9 - Frankfort, DE - Jahrhunderthalle
May 10 - Antwerp, BE - Lotto Arena

BLACK COUNTRY COMMUNION EUROPE TOUR 2025
June 6 - Fredericksburg, DK - Falkonersalen
June 7 - Solvesborg, SE - Sweden Rock Festival
June 9 - Tilburg, NL - 012 Poppodium Tilburg
June 10 - Hamburg, DE - Stadtpark
June 12 - Berlin, DE - Zitadelle
June 13 - Olomouc, CZ - Korunni Pevnustka
June 15 - Charlotta Valley, PL - Rock Legends Festival
June 17 - Vienna, AT- Vienna Gasometer
June 19 - Koln, DE - Tanzbrunnen

EUROPE SUMMER TOUR 2025
July 1 - Cork, IE - Live at The Marquee*
July 2 - Cork, IE - Live at The Marquee*
July 3 - Cork, IE - Live at The Marquee
July 6 - Klam, AT- Clam Castle
July 8 - Veszprem, HU - Veszpremfest
July 10 - Stuttgart, DE - Jazzopen Stuttgart
July 13 - Weert, NL - Bospop
July 18 - Pordenone, IT - San Valentino Park
July 19 - Rome, IT - Auditorium Parco della Musica - Cavea
* Sold Out

US SUMMER TOUR 2025
July 31 - Los Angeles, CA - Greek Theatre
August 1 - Paso Robles, CA - Vina Robles Amphitheatre
August 3 – Bend, OR - Hayden Homes Amphitheater*
August 5 – Airway Heights, WA - BECU Live at Northern Quest
August 6 – Pocatello, ID - Portneuf Health Trust Amphitheatre
August 8 – Morrison, CO - Red Rocks Amphitheatre
August 9 – Albuquerque, NM - Sandia Resort & Casino Amphitheater

FALL 2025
September 12, 2025 - Louisville, KY - Bourbon & Beyond Festival
September 13 - Vienna, VA - Wolf Trap
September 15-21, 2025 - Seattle, WA - Keeping The Blues Alive at Sea ALASKA

Southern California rockers Robert Jon & The Wreck have officially announced the release of their ninth studio album, Heartbreaks & Last Goodbyes, due out August 22nd via Journeyman Records. Produced by the legendary Dave Cobb (Chris Stapleton, Jason Isbell, Rival Sons), the new album finds the band firing on all cylinders—raw, reflective, and tighter than ever.
 
“It was an incredible honor to collaborate with Dave Cobb on our new record,” shares frontman Robert Jon Burrison. “Not only has he worked with artists we deeply admire, but he’s also been a producer we’ve respected for over a decade. Heartbreaks & Last Goodbyes feels like a true reflection of who Robert Jon & The Wreck is as a band. From the moment we arrived in Savannah, GA, to record, we felt an immediate sense of comfort and ease—something rare in a typical studio environment. Being away from our usual routines, living together, and immersing ourselves in the new songs from start to finish created an album we are incredibly proud of. We can’t wait to share it with the world and bring it to life on stage.”

Alongside the announcement, the band has shared their latest single, “Highway” a soaring, mid-tempo rocker that showcases everything fans have come to love about The Wreck: blistering twin guitar harmonies, emotionally charged vocals, and a driving rhythm section. Produced by Cobb and recorded in Savannah, “Highway” blends the band’s classic heartland sound with fresh, cinematic urgency.

“‘Highway’ is a favorite of ours on Heartbreaks & Last Goodbyes—a song that started as a loose melodic concept on an acoustic guitar in Henry’s apartment, and evolved into a full-blown powerhouse,” adds Robert. “When we brought it into rehearsals in Costa Mesa, it just clicked with the band. Dave Cobb helped us elevate the track by pushing the tempo and building out the dynamics. Lyrically, it’s a heartfelt love song—wide open, full throttle, and impossible to get out of your head.”

“It never strayed far from the original vision Robert and I had,” notes guitarist Henry James. “Cobb brought a new level of spontaneity and emotional edge to the sessions. This track hits hard and still gives you the feels—it’s everything we love about rock ’n’ roll.”
 
According to bassist Warren Murrel, the Savannah sessions represented a major turning point for the band: “For the first time in our band’s history, we had the opportunity to live at the studio while recording. Instead of dealing with LA traffic and squeezing in sessions between other commitments, we got to immerse ourselves fully in the music—writing, recording, and refining songs every day for over a week. It was an experience that allowed us to be completely present in the creative process. Dave Cobb has a way of getting under the hood of a song, pushing it further than we ever thought possible. His guidance challenged us in the best ways and helped bring this album to life in a way we’re truly proud of."

Heartbreaks & Last Goodbyes captures the band at a creative peak, drawing from real-life experiences of love, loss, and redemption. Across ten riveting tracks, Robert Jon & The Wreck explore the full emotional spectrum, delivered with thunderous riffs, razor-sharp grooves, and some of their most compelling lyrics to date. The album was mixed by Greg Gordon, known for his work with Chris Stapleton, Sturgill Simpson, Jason Isbell, and Rival Sons. It will be available on CD, limited edition colored vinyl, and in special merch bundles, including an exclusive shirt and bandana package.
 
“This album is a candid musical reflection of who we are today,” adds Henry. “Tales of love gone awry, love gone right, camaraderie, estrangement, lessons learned, dark shadows, and bright lights—all wrapped into one.”
 
“Highway” follows the release of several acclaimed tracks from the upcoming album, including the fiery, John Oates co-written “Long Gone,” the introspective ballad “Ashes in the Snow,” and the high-octane “Sittin’ Pretty.” Each single has spotlighted a different facet of the band’s evolving sound, building anticipation for what promises to be their most ambitious album yet.
 
The band is currently on the road for a packed 2025 tour that includes headline dates across Europe and North America, plus appearances at New Orleans Jazz & Heritage Festival, Askena Rock Festival, Hookrock, and Chinook Fest. With stops in the UK, Germany, the Netherlands, and major U.S. cities from New York to Fargo, fans worldwide will get to experience the new songs live for the first time. For more information and to purchase tickets, please visit:  www.robertjonandthewreck.com

CD & Digital Track List
1. Sittin’ Pretty
2. Ashes In The Snow
3. Highway
4. Old Man
5. Dark Angel
6. Long Gone
7. Better Of Me
8. I Wanna Give It
9. Heartbreak & Last Goodbye
10. Keep Myself Clean

LP Track List
Side A
1. Sittin’ Pretty
2. Ashes In The Snow
3. Highway
4. Old Man
5. Dark Angel

Side B
1. Long Gone
2. Better Of Me
3. I Wanna Give It
4. Heartbreak & Last Goodbyes
5. Keep Myself Clean

Spring U.S and European Dates
April 15 - Hengelo, NL - Metropool
April 16 - Verviers, BE - Spirit of 66
April 17 - Affalter, DE - Zur Linde
April 18 - Seewen, CH - Gaswerk Eventbar
April 19 - Lyss, CH - Kufa
April 20 - Nürnberg, DE - Hirsch
April 24 - New Orleans, LA - New Orleans Jazz & Heritage Festival
April 26 - Edinburgh, UK - Liquid Room
April 27 - Holmfirth, UK - Picturedrome
April 29 - Hull, UK - The Welly
April 30 - Norwich, UK - Epic Studios
May 1 - Folkestone, UK - The Quarterhouse
May 2 - Venlo, NL - Grenswerk
May 3 - Groningen, NL - Groningen Rhythm & Blues Nights Festival
May 6 - Birmingham, UK - O2 Academy Birmingham
May 7 - Gloucester, UK - Guildhall
May 8 - Chester, UK - The Live Rooms
May 9 - Northampton, UK - Roadmender Northampton
May 10 - Portsmouth, UK - Guildhall Studio
June 13 - Naches, WA - Chinook Fest 2025

Summer  European  Dates
June 20 - Vitoria, ES - Askena Rock Festival
June 21 - Le Thor, FR - Le Sonograf
June 25 - Aschaffenburg, DE - Colos-Saal
June 26 - Herschbach, DE - Haus Hergispach
June 27 - Torgau, DE - Kulturbastion Torgau Open Air
June 28 -  Hannover, DE - Blues Garage
June 30 - Koln, DE - Die Kantine
July 1 - Wurzburg, DE - Posthalle
July 2 - Marburg, DE - KFZ Marburg
July 3 - Weert, NL - De Bosuil
July 4 - Diepenbeek, BE - Hookrock Festival
July 5 - Amsterdam, NL - Melkweg

Summer U.S. Dates
August 1 - Fargo, ND -  Fargo Blues Festival
August 2 - Lake View, IA - Stone Pier Summer Concert Series
August 3 - Hobart, IN - The Hobart Art Theater
August 5 - Cleveland, OH - Beachland Ballroom
August 6 - Homer, NY - Center For The Arts of Homer
August 9 - Salisbury, MA - Blue Ocean Music Hall
August 12 - Waldoboro, ME - Waldo Theatre
August 13 - New York, NY - Sony Hall
August 14 - Ardmore, PA - Ardmore Music Hall
August 16 - Madison IN - Madison Ribberfest

Vermont-based singer-songwriter Reid Parsons (they/she) shares their powerful new single “Get Out Of Bed,” the second release from their forthcoming debut album Back to Back, out April 25th. Featured by The Big Takeover, who called Parsons “one of Vermont’s most compelling musical voices,” the track is a soul-stirring exploration of resilience, inertia, and the quiet heroism of simply beginning the day.
 
“There’s a moment in ‘Get Out Of Bed’ where a gentle haze lifts, and something defiant stirs beneath the melancholy,” wrote The Big Takeover in their premiere. “It’s the sound of reckoning with inertia—not just the physical act of rising in the morning, but the psychological weight of trying to meet the day when the world feels too heavy.”
 
Written during a time of deep self-reflection, the song captures the essence of emotional reckoning with a tender yet commanding vocal performance. “This is a song that I wrote as a tool to dig myself out of the thick blanket of melancholia and self-pity that sometimes holds me down,” says Parsons. “I hope listeners interpret it however they want—that’s the beauty of music—but I wrote it as a kind of kick-in-the-pants anthem to step out of my comfort zone and face the day.”

As The Big Takeover described it, the arrangement of “Get Out of Bed” “builds patiently, matching the lyrical arc: from fog to focus, from stillness to motion.” Parsons’ voice—warm, unpretentious, and edged with bluesy grit—guides the listener through that emotional shift, anchored by a Hammond B3 organ that, as she recalls, “shook the whole room.”
 
“Get Out of Bed” sits as the second track on Back to Back, an album Parsons produced, arranged, and wrote entirely (save for a haunting cover of Bruce Springsteen’s “I’m On Fire”). Engineered by Ben Collette (Trey Anastasio, Susan Tedeschi, Sharon Jones) and tracked live-to-tape at Burlington’s iconic Tank Recording Studio, Back to Back is a meticulously crafted orchestral Americana record designed with the intentionality of a handmade space. As Parsons puts it, “Music has always been where I can build a world to embrace all parts of myself.”

From the everyday intimacy of the title track “Back to Back”—a bossa nova-tinged meditation on the quiet rhythms of partnership—to the genre-spanning arrangements, Back to Back is both deeply personal and architecturally intricate. The record weaves together elements of folk, jazz, blues, classical, soul, and country into a cohesive sonic patchwork that feels at once timeless and entirely unique. “I strive to write from a place of simplicity,” Parsons says. “I want to leave space for interpretation, to build a room for others to process, to emote, to have their own experiences in."

Parsons grew up in Moretown, Vermont, a town of 1,500 nestled in the Green Mountains, where they absorbed the emotional range of everything from Lucinda Williams to Patsy Cline and Steely Dan. Classically trained and self-taught in equal measure, Parsons honed her musical voice singing in a 13-piece soul and Motown band while studying music and anthropology, and performing regularly at local haunts like the now-defunct Purple Moon Pub—a launchpad for fellow Vermonter Grace Potter.
 
Back to Back is a product of passion, persistence, and deep introspection, partially funded through a crowdfunding campaign and completed with income from Parsons’ work in farming and food systems. “These sounds I had in my head are now tucked in this magical little locket that, when I open it up, transport me to a wonderful world,” they say. “Making this record has been the most meaningful thing I’ve done in my life.”
 
Parsons is currently on a run of select spring tour dates across Vermont, including a hometown album release show at Shelburne Vineyard. Full tour info and tickets can be found at reidparsons.com.

Reid Parsons – Spring 2025 Tour Dates
Saturday, April 5 – Monkey House – Winooski, VT
Thursday, April 17 – American Flatbread – Stowe, VT

Back To Back by Reid Parsons
1. Back to Back
2. Get Out of Bed
3. Lightbulb
4. Heavy Load
5. Show Me You Love Me
6. Holiday
7. I’m On Fire
8. Figure It Out
9. Same Old Shit
10. Where Are You Now

The Somewhere Festival & Conference, taking place June 13th-14th in Downtown Wichita, is proud to announce its dynamic lineup of panels, workshops, and featured speakers. This year’s programming is  designed to empower artists, music workers, and industry professionals, while fostering creativity, inclusivity, and social change. The conference, which is a separate admission from the festival, will provide attendees with a series of thought-provoking discussions and hands-on learning experiences aimed at transforming the future of the music world.
 
Throughout the two-day event, attendees will have the opportunity to engage with industry leaders and experts as they explore a wide range of topics including the importance of freedom of expression in music, mental health awareness, local community-building, and alternative career paths within the music world. Panels and workshops will provide valuable insights on navigating the evolving music industry landscape and will delve into the ways in which artists are shaping the future through innovation, activism, and creative expression. The conference is being produced and programmed by Marauder.

The conference will feature a series of thought-proving panels designed to explore key issues in the music industry. With discussions led by thought leaders and industry experts, these panels will cover critical topics like social change, mental health, and building community through music.
 
Aloe Blacc Fireside Chat
In a must-attend session, Aloe Blacc will sit down with Chase Koch to reflect on his 30-year career in music and his continuous pursuit of social change through artistry. The conversation will explore Aloe’s journey and how he uses his platform to advocate for justice.
 
Alternatives to Music Education
Not all successful careers in music require a formal education. This panel will feature professionals who have built their careers through non-traditional paths, exploring how creativity and hands-on experience can serve as powerful educational tools in the music industry.
 
At-the-Show Marketing
Engaging with fans in person can lead to meaningful connections. This session will discuss how to capture the attention of concertgoers, turning them into long-term fans using creative and non-intrusive marketing methods.
 
Freedom of Expression in Making Music
This panel will dive into how artists are using music as a powerful tool for social change and personal expression, from addressing socio-political issues to navigating personal challenges. Industry leaders and artists will share how their music reflects their values and activism.
 
Home Growing a Music Community
A thriving local music community can help propel the careers of artists and music professionals. This panel will examine ways to build a self-sustaining music scene that stands out on a national level.
 
Local Marketing Methods
Your community is often the first place to find loyal fans. This panel will cover strategies for building a local fan base and engaging your community to create a sustainable music career.
 
Marketing and Networking Outside of Social Media
Social media may be a cornerstone for promotion, but this panel will explore alternative strategies for building an audience and networking, ensuring that artists can thrive without being constantly tied to digital platforms.
 
Music and Mental Health
Navigating the emotional and psychological challenges of working in music can be tough. This discussion will focus on techniques for self-care, managing stress, and maintaining mental health in a high-pressure industry.
 
New Pathways in Music
As the industry continues to evolve, this panel will examine how artists and music professionals are redefining success by embracing new career models that prioritize personal growth and community impact over traditional success metrics.
 
Paradigm & Social Changes in Music
Change often starts from within. Panelists will discuss how artists and industry leaders are leveraging their platforms to create more inclusive and supportive spaces within the music world.
 
WORKSHOPS (RSVP-ONLY WITH LIMITED CAPACITY)
 
The conference will also feature a series of hands-on workshops aimed at developing practical skills for music professionals, covering everything from touring logistics to personal branding.
 
Getting PR Ready
Effective public relations are essential for growing an artist’s audience. This workshop will teach participants how to craft their story, pitch effectively, and engage with the media.
 
How to Route a Tour
Touring can be a logistical challenge. This session will guide artists through the steps to plan a successful tour route, find the right venues, and ensure a smooth tour experience.
 
Make Yourself Presentable—Branding as an Artist
Branding is crucial for creating a recognizable and memorable identity as an artist. This workshop will explore the steps to build a personal brand and engage with fans in a meaningful way.
 
Setting Your Gear Up to Tour
Preparing for a tour can be a daunting task, but this workshop will offer practical tips for packing and organizing gear to ensure smooth touring experiences.
 
We’ll Loop It Live!
For musicians who are interested in experimenting with live looping, this demo will show you how to incorporate live looping into your performances and recordings.
 
Working in a Collaborative Studio Space
A collaborative studio environment can spark creativity and productivity. This session will focus on how to create and maintain an effective, inspiring space for music creation.
 
The conference will feature a dynamic roster of speakers and panelists, including:

    Aloe Blacc (Artist)
    Chase Koch (Founder, Movement Musick & Stand Together Music)
    Talia Keys (Artist)
    Jessie Hartke (CEO, Midtopia)
    Marquis Bradley (Brand Ambassador, Somewhere Festival & Conference)
    Ayisha Jaffer (Talk Show Host, NPR’s Louisville Public Media)
    Portia Sabin (President, Music Business Association)
    Jessica Tomasin (Founder, Connect Beyond Festival/Jet Up Productions)
    Rynda Laurel (SVP, Artist Relations, KiTbetter / The Creative Catalyst Co)
    Element Everest-Blanks (HYFIN Music Director / Global Music Delegate, Radio Milwaukee)
    Lindsay Jamieson (Director of Branding, Midtopia)

…and many more industry experts, artists, and advocates. For a full list of speakers, click HERE.
The Somewhere Festival & Conference is a unique two-day celebration of music, community, and social change. Taking place June 13th-14th in Downtown Wichita, the event will feature performances by top-tier artists such as Deadmau5, Suki Waterhouse, BigXthaPlug, Flying Lotus, Kim Gordon, Aloe Blacc with 2ŁØT, and more, alongside immersive art installations, workshops, and panel discussions. With its eclectic and genre-agnostic lineup, the festival will give attendees the opportunity to discover fresh sounds and celebrate groundbreaking artists from across the music world.
 
This year, the festival’s conference component offers a platform for music professionals to engage in meaningful discussions and gain valuable insights into navigating the modern music industry. With a focus on creativity, community-building, and social impact, Somewhere Festival & Conference is quickly becoming a must-attend event for music creators and industry leaders alike.
 
For more information and to purchase Conference passes (separate admission from the festival), please visit somewhere-fest.com.
 
About Movement Musick
Movement Musick is dedicated to empowering artists and music industry professionals while driving positive social change – in Wichita and beyond. Music creators and professionals from all walks of life unite with a shared vision: to discover their talents, develop and apply their skills, and advance their community. We provide a platform for emerging talent, offering resources and opportunities to unlock their full potential, while encouraging ongoing innovation in the music industry. Learn more at www.movementmusick.org.
 
About Midtopia
Midtopia seeks to establish sustainable and equitable opportunities for independent artists and music workers via concepts for contributive partnerships and alternative business models that harness the connected, collaborative power of interdependence. This alternative to current music industry models is based on a philosophy of “do it ourselves” invoking greater cohesion to strengthen and build equity among artists and music workers, regardless of geographical location or current industry status. Like an intricate network of roots beneath a tree, this multidisciplinary collaboration will enhance these concepts giving artists and workers the ability to cultivate more sustainable growth, strengthen independence, fortify community, and propagate truly unique creative identities. Learn more at midtopia.com.

Today, 2ŁØT unleashes a bold new remix of their title track “Entropy,” reimagined by none other than global dance music pioneer Paul Oakenfold. A high-energy reinvention of the band’s emotional centerpiece, the “fffffffx)” expands the reach of their genre-blurring sound into the world of electronic dance music—layering cinematic builds, infectious beats, and euphoric drops around Rudy Love Jr.’s stirring vocals.
 
The original “Entropy” is the closing chapter and emotional climax of 2ŁØT’s debut album of the same name—a powerful collection of songs that explores loss, rebirth, and what it means to push back against life’s inevitable chaos. Drawing its name from the 2nd Law of Thermodynamics, Entropy is both a concept and a call to action: a refusal to let disorder define us.
 
Released late last year, Entropy established 2ŁØT as one of the most compelling new voices in music. Fusing elements of hip hop, soul, funk, jazz, rock, and electronic music into a sound they call Electronic Jam Music (EJM), the band pairs sonic exploration with a deeper purpose—channeling personal struggle into art that inspires action.
 
“This album tells our origin story,” says the band. “Each of us came into 2ŁØT at a personal breaking point—grieving losses, navigating trauma, questioning purpose. Entropy is our answer. It’s about survival, recovery, and using music to create meaning out of the mess.”

Since the release of Entropy, 2ŁØT has taken their message on the road with The Entro Tour, bringing their immersive, high-energy live show to stages across the West. Recent performances have included Lost Lake in Denver, Varley in Salt Lake City, and two standout sets at Idaho’s Treefort Music Fest. With each show, the band continues to build a reputation for fusing powerful visuals—lights, lasers, LED panels—with emotional storytelling and deep improvisation.
 
Next up, 2ŁØT will take the stage at the 2025 Somewhere Festival & Conference in Wichita, KS (June 13–14), performing alongside Aloe Blacc, Deadmau5, Flying Lotus, and Suki Waterhouse. Known for its boundary-pushing blend of music, technology, and social impact, Somewhere Fest is a gathering of artists and changemakers committed to using creativity as a force for good. 2ŁØT’s performance is set to be one of the weekend’s highlights, bringing their socially charged blend of Electronic Jam Music to a community-driven crowd.
 
Beyond the stage, the band remains deeply committed to their core causes: addiction recovery, youth empowerment, and criminal justice reform. Their art is a catalyst for connection and a tool for transformation—both personal and societal.

Entropy Tracklist:
1. Cage
2. Shot in the Dark
3. Grief
4. Human
5. Sacrifice
6. Arrow of Time
7. Call For Me
8. Backwards
9. Never Knew You
10. Entropy

Keeping the Blues Alive Foundation (KTBA), founded by four-time GRAMMY®-nominated blues-rock artist Joe Bonamassa, is excited to announce the launch of the Red Rocks Package Sweepstakes, giving fans a once-in-a-lifetime opportunity to experience Joe Bonamassa live at the legendary Red Rocks Amphitheatre in true VIP fashion.
 
Starting today, music lovers can enter for their chance to win an unforgettable trip to Joe Bonamassa’s Red Rocks show on Friday, August 8th, 2025, while supporting KTBA’s mission to fund music education programs across the U.S.
 
The sweepstakes runs through Friday, May 16th, 2025, with a winner drawn on Thursday, May 22nd at 9:30 AM EST.
 
The Red Rocks Grand Prize Includes:

• Two premium tickets (rows 5–15) to Joe Bonamassa’s August 8th Red Rocks performance
• Two-night stay at the luxurious Four Seasons Hotel in Denver (Aug 7–9)
• Private two-hour dinner reception with full catering and open bar at Red Rocks before the show
• Ground transportation to and from the venue
• Exclusive access to Joe Bonamassa’s soundcheck
• One hand-signed, collectible lithograph  

Total prize value: $2,200 USD
 
Airfare not included

A $25 donation to KTBA earns participants 15 entries into the sweepstakes, with no limit to the number of entries. All proceeds benefit KTBA’s efforts to fund music programs, ensuring future generations have access to quality music education.
 
Since its inception in 2011, Keeping the Blues Alive Foundation has funded over 700 music projects, impacting more than 110,000 students nationwide with more than 2.8 million dollars in donations raised. In addition to weekly school grants, KTBA’s Fueling Musicians Program provides direct support to touring musicians facing financial hardship. To date, the fund has helped over 400 musicians facing hardship.
 
This latest initiative comes amid a landmark season for Bonamassa, who recently wrapped the 10th anniversary Keeping the Blues Alive at Sea X Cruise and is preparing for an expansive slate of 2025 tour dates across Europe and the U.S., including performances with his supergroup Black Country Communion. He also just released a new single, “Still Walking With Me,” a soulful, optimistic tribute to resilience and steadfast love and a preview of his forthcoming studio album produced by longtime collaborator Kevin Shirley.
 
To donate and enter or for official rules and prize details visit: https://joeb.me/RedRocks2025
To purchase separate tickets to the Red Rocks show, visit https://joeb.me/JBLiveatRedRocks
 
ABOUT THE KEEPING THE BLUES ALIVE FOUNDATION
Keeping the Blues Alive® Foundation (KTBA) is a 501(c)(3) non-profit founded by Joe Bonamassa. KTBA fuels a passion for music by funding school programs, scholarships, and emergency aid for musicians. With over $2.8 million raised to date, KTBA remains committed to sustaining the legacy of the blues and supporting the next generation of artists.

Andy Frasco & The U.N. return with “Life is Easy,” a blisteringly clever, tongue-in-cheek folk protest anthem that tackles everything from consumerism to climate change with a grin. The single—out today—features bluegrass phenom Billy Strings, cosmic country shredder Daniel Donato, Mike Gordon (Phish) and longtime Frasco collaborator Steve Poltz (Jewel, Rugburns), all joining forces on a rollicking, subversive singalong that threads the line between satire and sincerity.

“Andy Frasco is a mids-smokin’ Mitzvah for everyone who has ears to hear,” says Donato. “He has the comedic audacity of Andrew Dice Clay, the minimalist profundity of Shel Silverstein, wrapped in a warm-hearted Mr. Rogers style demeanor tinged with psychedelic illumination.”

Built on foot-stomping acoustic rhythms, tight harmonies, and Frasco’s signature blend of humor and humanity, “Life Is Easy” skewers the absurdity of modern life with lines like “They’re selling us the blood / While they’re all bleeding us” and “Depression on demand—and now it’s storable.” But beneath the satire lies a call to simplicity and presence.

“This is a song about turning off the news for a little bit and just enjoying life and stop fearing what we can’t control,” says Frasco. “There’s so much craziness going on in the world—sometimes all we really need to do is go outside and listen to the birds sing.”

“Being involved in this project was a dream come true,” adds Steve Poltz. “Always a good time being in the Frasco orbit. He’s up for anything and that’s why he’s so much fun to be around.”
 
The release of “Life is Easy” follows a trio of standout singles from Growing Pains, each offering a different facet of Frasco’s evolving artistry. First came the irreverent, glass-half-full anthem “Try Not to Die,” co-written with Chris Gelbuda and built on a groove-heavy blend of humor and heart. Then came “Crazy Things,” a surrealist take on love’s absurdity co-penned with Poltz. Most recently, Frasco dropped “Swinging for the Fences”—a Motown-inspired love song for underdogs, featuring G. Love and Eric Krasno.

Together, these tracks lay the groundwork for Growing Pains, Frasco’s 10th studio album—out May 23rd—which captures an artist in transition: wiser, more introspective, but still fueled by the same reckless joy that built his cult following. Self-produced for the first time, the album is equal parts soul-searching and celebratory, blending sharp songwriting with genre-hopping arrangements that reflect the messy, beautiful contradictions of modern life.

“I wanted to show people how I’ve grown as a songwriter,” Frasco says. “That I wasn’t just a crowd-surfing party guy in a bar band. This record is about finding balance in both music and life—focusing on the simple pleasures, embracing the grind, and taking nothing for granted because there are no guarantees tomorrow.”

Known for his no-holds-barred live show—a mix of chaos, comedy, catharsis, and crowd-surfing—Frasco continues to build a one-of-a-kind career across platforms. In addition to his music, he’s the host of the World Saving Podcast (with guests like Tony Hawk and Margaret Cho), the creator of a wildly successful variety show, and a champion for mental health awareness.

With Growing Pains on the horizon, Andy Frasco & The U.N. are hitting the road hard in 2025, bringing their euphoric live experience to festivals, clubs, and theaters across the country. For more information and to purchase tickets, please visit andyfrasco.com.

Andy Frasco & The U.N. - Tour Dates
Apr 19 • Atlanta, GA - SweetWater 420 Fest
Apr 26 • Copper Mountain, CO - Copper Sunsation
May 8-10 • San Jose del Cabo, MX - Viva El Gonzo
May 17 • Richmond, VA - Dominion RiverRock Festival
May 23 • Martinsville, VA - Rooster Walk 15
May 24 • St. Augustine, FL - JJ Grey's Blackwater Sol Revue
May 25 • Grundy County, TN - CAVEJAM at The Caverns
Jun 12 • Washington DC - 9:30 Club
Jun 13 • Dewey Beach, DE - Bottle & Cork
Jun 14 • Swanzey, NH - Northlands Music & Arts Festival
Jun 19 • Almont, CO - Almont Resort
Jun 20 • Cheyenne, WY - The Lincoln Cheyenne
Jun 21 • Steamboat Springs, CO - Howelsen Hill
Jun 22 • Huntsville, UT - Blues, Brews, and BBQ
Jun 25 • Teton Village, WY - Mangy Moose
Jun 26 • Livingston, MT - Pine Creek Lodge
Jun 27 • Missoula, MT - The Wilma
Jun 28 • Boise, ID - Shrine Social Club
Jul 3-4 • Quincy, CA - High Sierra Music Festival
Jul 5 • Sherman, NY - The Great Blue Heron Music Festival
Jul 13 • Nantucket, MA - The Chicken Box
Jul 18 • Thornville, OH - Secret Dreams
Jul 25 • Johnstown, PA - Flood City Music Festival
Jul 26 • Berwick, PA - Hog's Hollow Saloon
Aug 1 • Del Norte, CO - Rhythms on the Rio
Aug 2 • Denver, CO - Levitt Pavilion
Aug 7 • Rochester, NY - Party In The Park
Aug 8 • Bouckville, NY - The Yard Amphitheater
Aug 9 • Matunuck, RI - Ocean Mist
Aug 10 • Wellfleet, MA - Beachcomber
Aug 13 • King Of Prussia, PA - Concerts Under The Stars
Aug 14 • Amagansett, NY - Stephen Talkhouse
Aug 15 • Wantagh, NY - Mulcahy's
Aug 17 • Virginia Beach, VA - New Realm Brewing Co.
Aug 21 • Black Mountain, NC - Pisgah Brewing Company
Aug 22 • Pittsboro, NC - The Big What?
Aug 23 • Wilmington, NC - Greenfield Lake Amphitheater
Aug 24 • Isle Of Palms, SC - The Windjammer
Aug 29 • St. Louis, MO - Atomic Pavilion
Aug 30 • Kokomo, IN - Kokomo Performing Arts Pavilion
Sep 9 • Vail, CO - Gerald R. Ford Amphitheater
Sep 10 • Casper, WY - The Gaslight Social
Sep 11 • Salt Lake City, UT - The Commonwealth Room
Sep 12-13 • Telluride, CO - Telluride Blues & Brews Festival
Oct 11 • Eureka Springs, AR - Hillberry Harvest Moon Festival

Celebrated blues singer and guitarist Larry McCray is set to release his powerful new album Heartbreak City on June 13, 2025, via KTBA Records, the label founded by Joe Bonamassa. To mark the announcement, McCray has dropped the album’s lead single, “Bye Bye Blues,” a soulful, finger-snapping throwback co-written with longtime collaborator Charlie Walmsley that channels the sounds of Johnnie Taylor, Bobby Bland, and Little Milton with a fresh, funky edge.
 
Produced by Grammy-nominated duo Bonamassa and Josh Smith, Heartbreak City is a bold, unfiltered collection that finds McCray at the height of his powers—fusing raw blues with vintage soul, Southern grit, and a hard-won sense of joy. The ten-track album features standout contributions from Reese Wynans, Kirk Fletcher, and background vocalists Jade Macrae and Dannielle De Andrea, as well as guest guitar work from Bonamassa himself. The record was recorded at the iconic Sunset Sound in Hollywood and mixed by Alan Hertz.
 
On the title track, McCray taps into the spirit of the club stages that shaped his early career, with gritty vocals and a smoldering guitar solo that reflect his decades of road-tested experience. “I feel like this album captures all the different sides of who I am,” says McCray. “It’s soul, it’s blues, it’s truth. It’s everything I’ve lived.”

Across the album, McCray leans into themes of reflection, resilience, and redemption, drawing from decades of lived experience on and off the stage. His voice—gravelly, weathered, and full of soul—carries the weight of hard-earned wisdom, while his guitar work remains as fiery and fluid as ever. With dynamic arrangements, gospel-tinged harmonies, and a band that matches him punch for punch, Heartbreak City doesn’t just revisit the blues—it reclaims it, reframing it through the lens of someone who’s survived it, played it, and lived it for more than four decades.

The release follows 2022’s Blues Without You, which marked McCray’s long-awaited return after a seven-year hiatus. The album debuted at No. 2 on the Billboard Blues chart and was named the #1 Blues Album of 2022 by Blues Rock Review, solidifying his status as a torchbearer of modern blues. In 2024, McCray was inducted into the Michigan Rock and Roll Legends Hall of Fame, a testament to his deep roots in the state and his enduring impact on American music. Now, Heartbreak City builds on that momentum. It’s a record that reflects Larry McCray at his most self-assured—grounded in tradition, but more fearless than ever.

A native of Smackover, Arkansas, McCray grew up immersed in gospel, soul, and the blues stylings of B.B., Albert, and Freddie King. After relocating to Saginaw, Michigan, at age 12, he developed a style that merged deep blues with the fire of Hendrix and the Southern grooves of the Allman Brothers. He was signed in the late ’80s as the first artist on Virgin Records’ Point Blank imprint, and released a string of widely praised albums including Ambition (1990), Delta Hurricane (1993), and Born to Play the Blues (1998). Over the course of his career, McCray has shared stages with B.B. King, Buddy Guy, Albert King, Joe Walsh, the Allman Brothers, Jonny Lang, and of course, his modern-day champion and label head Joe Bonamassa.
 
“Larry McCray is a legend,” shares Bonamassa. “We have known that for 30 years. He is the last of the great blues shouters from the Rust Belt. In the spirit of BB King, Luther Allison, and Little Milton, Larry is among the greats. It’s now up to the world to rediscover him. He has been here all along.”

Heartbreak City by Larry McCray
1. Try To Be A Good Man
2. Heartbreak City
3. Bye Bye Blues
4. Bright Side
5. Everything Falls On Me
6. I Know What I’ve Done (feat. Joe Bonamassa)
7. Keep On Loving My Baby (feat. Kirk Fletcher & Josh Smith)
8. Hangman
9. Stop Your Crying
10. Crazy World

Tour Dates
April 18 - Ocala, FL - Levitt AMP Ocala
May 24 - Burton, MI - Burton Rock & Blues Festival
August 24 - Marshfield, MA - North River Blues Fest
September 5 - Las Vegas, NV - Big Blues Bender
September 12-14 - Telluride, CO - Telluride Blues & Blues Festival
 
More tour dates are being added soon. For more information, visit https://larrymccrayofficial.com/

About Larry McCray
Blues singer and guitarist Larry McCray was born in Magnolia, Arkansas, and raised in Saginaw, Michigan, where he developed a searing guitar style and emotive voice that would earn him comparisons to the genre’s greats. A pioneer of modern blues-rock, McCray helped shape the genre throughout the ’90s with albums on Virgin’s Point Blank label and through collaborations with legends like B.B. King, Albert King, and Buddy Guy. After years of grinding it out on the road and surviving personal struggles, McCray has emerged with a renewed sense of purpose—and a voice that’s deeper, richer, and more powerful than ever. With Heartbreak City, he cements his status as a timeless torchbearer of the blues.

With their highly anticipated debut album Back to Back arriving this Friday, April 25th, Vermont-based singer-songwriter Reid Parsons (they/she) shares one final preview: the glowing, intricately crafted single “Lightbulb.” Romantic, sinewy, and quietly radiant, “Lightbulb” is a celebration of enduring love and the subtle magic tucked inside life’s simplest moments.
 
“I wrote this song for a special person’s special day—one they pretend isn’t special at all,” Parsons shares. “It’s about someone who’s bursting with hope but wears a layer of playful cynicism to keep things in check. They’re the kind of person who lights up a room with their laugh, but also reminds you not to take things too seriously.”
 
Built around a crisp, hip-hop-inspired groove, “Lightbulb” floats on a delicate lattice of fingerpicked acoustic guitar, metronomic keys, and bass. Ethereal pedal steel and cello drift above it all, punctuated by sparkling guitar lines and descending classical runs reminiscent of chamber pop. The result is a lovingly crafted soundscape—described by Parsons as “a little, delicate but ornately decorated music box”—that balances clarity and complexity, groundedness and dreaminess.

The song’s central metaphor—“a little lightbulb on the ceiling”—offers a humble counterpoint to the grandiosity so often found in pop love songs. “There are no chandeliers or fancy LEDs in this picture,” Parsons explains. “Just a warm, steady glow—something simple but lasting. That’s how I think about love.”

“Lightbulb” is the third and final single from Back to Back, following the bossa nova-tinged title track and the bluesy anthem of resilience, “Get Out of Bed,” which was recently featured by The Big Takeover, who praised Parsons as “one of Vermont’s most compelling musical voices.” Engineered by Ben Collette (Trey Anastasio, Susan Tedeschi, Sharon Jones) and recorded live to tape at Burlington’s Tank Recording Studio, Back to Back is a stunning debut—an orchestral Americana record steeped in soul, folk, jazz, and classical influences.

Rooted in the slow, natural rhythms of their home state, Parsons’ songwriting is deeply informed by place, architecture, and human connection. “Music has always been where I can build a world to embrace all parts of myself,” they say. From tender reflections on intimacy to wry meditations on mental health, Back to Back invites listeners into that world—a thoughtfully constructed space where hope and realism coexist.
 
Raised in Moretown, VT, Parsons’ musical foundation includes childhood car rides scored by Lucinda Williams and Steely Dan, classical composition studies, and a long-running love affair with jazz and blues. They cut their teeth performing at the now-defunct Purple Moon Pub—once a launchpad for Grace Potter—and fronted a 13-piece soul and Motown band while studying music and anthropology. Back to Back was funded through a successful crowdfunding campaign and day jobs in farming and food systems, reflecting the same quiet integrity found in the music itself.
 
In support of the album, Parsons has announced a series of new live dates across Vermont this spring and summer, including a hometown release show on June 12th at Foam in Burlington. For more information and to purchase tickets, visit reidparsons.com.

Reid Parsons – Upcoming Tour Dates
Saturday, May 3 – Marigold Gallery – Burlington, VT
Friday, June 6 – Nectar’s – Burlington, VT
Thursday, June 12 – Foam (Album Release Show) – Burlington, VT
Saturday, July 5 – Shelburne Vineyard – Shelburne, VT

Back To Back by Reid Parsons
1. Back to Back
2. Get Out of Bed
3. Lightbulb
4. Heavy Load
5. Show Me You Love Me
6. Holiday
7. I’m On Fire
8. Figure It Out
9. Same Old Shit
10. Where Are You Now

The Dead Daisies are turning up the heat with the release of their latest single, “Boom Boom”—a gritty, hard-hitting take on the John Lee Hooker classic. Out today via Fame / Malaco Records, the track is the latest single off the band’s upcoming blues album Lookin’ For Trouble, arriving May 30th. Steeped in the raw energy and rebellious spirit that shaped rock ‘n’ roll, the album finds the band reimagining blues standards with the same firepower that has fueled their decade-long run.
 
“Boom Boom” channels the swagger and soul of Hooker’s original, inspired by his time at Detroit’s Apex Bar, where the bartender Willa would famously scold him, “Boom boom, you late again!” The phrase sparked one of his biggest crossover hits, and now The Dead Daisies bring that same playful edge and infectious rhythm to their high-octane version. “He thought it was a great title and wrote the song,” says frontman John Corabi. “He recorded it with the legendary Motown session band The Funk Brothers, and we couldn’t pass up the opportunity to put our spin on it!!!” The result is a riff-heavy, blues-drenched anthem that pays tribute while making it unmistakably their own.

From the moment they stepped into FAME Studios in Muscle Shoals, Alabama, the band—John Corabi (Mötley Crüe, The Scream), David Lowy (Red Phoenix, Mink), Doug Aldrich (Whitesnake, Dio), Michael Devin (Whitesnake, Lynch Mob), and Sarah Tomek (Steven Tyler Band, Samantha Fish)—felt the weight of history around them. The iconic space, where legends like Aretha Franklin, Wilson Pickett, and Etta James once recorded, inspired a late-night jam session that quickly became something much bigger. Producer Marti Frederiksen pressed record, and what started as impromptu fun turned into a full-fledged album—one that captures the blues in its purest, most electrifying form.
 
Across ten powerhouse tracks, Lookin’ For Trouble breathes new life into legendary songs, with The Dead Daisies putting their own stamp on each one. The band’s high-voltage take on Robert Johnson’s “Crossroads”—the song that gave rise to blues mythology—kicked off the album rollout with a scorching tribute to the Delta blues legend.

“‘Crossroads’ by Delta bluesman Robert Johnson has created a myth so large that it’s been etched into the very foundation of rock ‘n’ roll lore,” says bassist Michael Devin. “Many bands have covered ‘Crossroads’ over the years, now we’ve covered it in our own way.”

The band’s rendition has already been met with praise, with Raised by Cassettes calling it “a high-energy, soul-drenched performance that bridges past and present.”

Elsewhere on the album, the band tears through classics like “Going Down” (Freddie King) and “Black Betty” (Lead Belly), putting their own hard-hitting spin on these blues staples. The setlist also includes smoldering renditions of “Born Under A Bad Sign” (Albert King), “Sweet Home Chicago” (Robert Johnson), and “The Thrill Is Gone” (B.B. King), each one injected with The Dead Daisies’ signature grit and intensity.

At its core, Lookin’ For Trouble is a testament to the enduring power of the blues. The band approached the album with a deep respect for the genre’s origins, recording the songs live to capture the spontaneity and emotion that make blues so timeless.

“This album is our love letter to the blues,” says John Corabi. “When I first heard blues, it was through bands like Led Zeppelin and The Rolling Stones. The deeper I researched my heroes, the deeper I got into the history of this music. The blues is the soul of rock ‘n’ roll—it’s in everything we do.”

Guitarist Doug Aldrich adds, “We cut these songs live, in the same room where so many legends recorded. It was all about feel—capturing the rawness and authenticity that makes blues so powerful.”
 
For over a decade, The Dead Daisies have built a reputation for their no-holds-barred approach to rock, sharing stages with KISS, Guns N’ Roses, Scorpions, Aerosmith, Def Leppard, Whitesnake, ZZ Top, Foreigner, Judas Priest, and the Hollywood Vampires. Their catalog includes 10 albums, proving that true rock ‘n’ roll never fades.
 
With Lookin’ For Trouble on the horizon, The Dead Daisies are hitting the road to bring their blues-infused rock anthems to audiences worldwide. Their Light ‘Em Up Tour, electrified fans across the U.S., UK, and Europe in 2024 and they continue to tour in 2025, featuring both their rock hits and their blues-driven sound. UK and European tour dates are locked for this year, with more announcements coming soon. For more information and to purchase tickets, please visit thedeaddaisies.com.

Lookin’ For Trouble by The Dead Daisies
1. I’m Ready (Muddy Waters)
2. Going Down (Freddie King)
3. Boom Boom (John Lee Hooker)
4. Black Betty (Lead Belly)
5. The Thrill Is Gone (B.B. King)
6. Born Under A Bad Sign (Albert King)
7. Crossroads (Robert Johnson)
8. Sweet Home Chicago (Robert Johnson)
9. Walking the Dog (Rufus Thomas)
10. Little Red Rooster (Howlin’ Wolf)

In a career defined by evolution, Joe Bonamassa is ready to turn the page once again. The blues-rock virtuoso has just announced Breakthrough, his most adventurous and genre-blending studio album to date, out July 18th via his own J&R Adventures. At the heart of the announcement is the release of the album’s powerful title track—“Breakthrough”—a soulful, hard-hitting anthem about letting go, moving forward, and finding your fire again, available today on all streaming platforms.
 
Crafted across multiple continents and infused with a world’s worth of inspiration, Breakthrough marks a bold new chapter for Bonamassa—one that leans on fiery solos, emotionally rich storytelling, groove-driven arrangements, and stylistic exploration. Produced by longtime creative partner Kevin Shirley (Iron Maiden, The Black Crowes, Journey), the album was shaped by sessions in Greece, Egypt, Nashville, and Los Angeles, resulting in a vibrant sonic tapestry that shifts effortlessly from funky blues and Texas swing to acoustic ballads and swaggering hard rock.

“I think this album, Breakthrough, marks a shift in the styling of Joe Bonamassa’s recording output,” says Shirley. “While there are plenty of guitar solos on this record, his emphasis has been on songs primarily. Each time Joe undertakes a new recording project, he seems to access a different part of his vast library of music genre from the jukebox-in-his-head! This album is a round-the-world musical trip—from Little Feat funkiness to Texas swing, from hard rock power to acoustic singer/songwriter-style songs.”

The newly released single “Breakthrough,” co-written with longtime collaborator Tom Hambridge (Buddy Guy, ZZ Top, Lynyrd Skynyrd), captures the emotional core of the record—an uplifting anthem about transformation, persistence, and letting go of the weight that holds us back. With gritty vocals, melodic guitar lines, and lush instrumentation, the track embodies Bonamassa’s signature blend of power and finesse while ushering in a bold new direction.

“Breakthrough” follows the success of Bonamassa’s recent singles “Still Walking With Me” and “Shake This Ground,” both of which hinted at the adventurous spirit behind the full album. “Shake This Ground” delivered a moody, introspective edge, while “Still Walking With Me” leaned into warmth, gratitude, and classic soul. Each track reflects a different facet of Bonamassa’s evolving songwriting approach, rooted in emotional honesty and anchored by his unmistakable guitar work.

The album announcement caps a stretch of extraordinary momentum for Bonamassa. Next up, Bonamassa recently began his extensive European Spring Tour, followed by a June run with his powerhouse supergroup Black Country Communion (featuring Glenn Hughes, Jason Bonham, and Derek Sherinian). After another round of summer dates across Europe—including sold-out shows in Ireland—he’ll return stateside for his just-announced 2025 U.S. Summer Tour, a limited amphitheater run featuring stops at The Greek Theatre, Red Rocks, and more iconic venues.
 
With over 50 albums, 28 #1 Billboard Blues albums, and a lifelong commitment to evolving the genre, Bonamassa shows no signs of slowing down. Whether headlining iconic venues, mentoring rising artists through Journeyman Records, or supporting music education via his Keeping the Blues Alive Foundation, Bonamassa continues to shape the future of blues-rock with every note.

For more information on Breakthrough, tour dates, and VIP packages, visit jbonamassa.com.

CD Track list
1. Breakthrough
2. Trigger Finger
3. I'll Take The Blame
4. Drive By The Exit Sign
5. Broken Record
6. Shake This Ground
7. Still Walking With Me
8. Life After Dark
9. You Don't Own Me
10. Pain's On Me
 
VINYL Track list
 
Side A
1. Breakthrough
2. Trigger Finger
3. I'll Take The Blame
4. Drive By The Exit Sign
5. Broken Record
 
Side B
1. Shake This Ground
2. Still Walking With Me
3. Life After Dark
4. You Don't Own Me
5. Pain's On Me
 
JOE BONAMASSA - TOUR SCHEDULE
 
EUROPE SPRING TOUR 2025
April 25 – Liverpool, UK – M&S Bank Arena
April 26 – Nottingham, UK – Motorpoint Arena
April 27 – Brighton, UK – Brighton Centre
April 29 – Oberhausen, DE – Rudolf Weber Arena
April 30 – Munich, DE – Olympiahalle
May 2 – Prague, CR – O2 Universam
May 3 – Warsaw, PL – COS Torwar
May 6 – Hannover, DE – ZAG Arena
May 8 – Frankfort, DE – Jahrhunderthalle
May 9 – Frankfort, DE – Jahrhunderthalle
May 10 – Antwerp, BE – Lotto Arena
 
BLACK COUNTRY COMMUNION - EUROPE SUMMER TOUR 2025
June 6 – Fredericksburg, DK – Falkonersalen
June 7 – Solvesborg, SE – Sweden Rock Festival
June 9 – Tilburg, NL – 013 Poppodium Tilburg
June 10 – Hamburg, DE – Stadtpark
June 12 – Berlin, DE – Zitadelle
June 13 – Olomouc, CZ – Korunní Pevnůstka
June 15 – Charlotta Valley, PL – Rock Legends Festival
June 17 – Vienna, AT – Vienna Gasometer
June 19 – Köln, DE – Tanzbrunnen
 
EUROPE SUMMER TOUR 2025
July 1 – Cork, IE – Live at The Marquee*
July 2 – Cork, IE – Live at The Marquee*
July 3 – Cork, IE – Live at The Marquee
July 6 – Klam, AT – Clam Castle
July 8 – Veszprém, HU – Veszprémfest
July 10 – Stuttgart, DE – Jazzopen Stuttgart
July 13 – Weert, NL – Bospop
July 16 – Montreux, CH – Montreux Jazz Festival
July 18 – Pordenone, IT – San Valentino Park
July 19 – Rome, IT – Auditorium Parco della Musica - Cavea
* Sold Out
 
U.S. SUMMER TOUR 2025
July 31 – Los Angeles, CA – The Greek Theatre
August 1 – Paso Robles, CA – Vina Robles Amphitheatre
August 3 – Bend, OR – Hayden Homes Amphitheater
August 5 – Airway Heights, WA – BECU Live at Northern Quest
August 6 – Pocatello, ID – Portneuf Health Trust Amphitheatre
August 8 – Morrison, CO – Red Rocks Amphitheatre
August 9 – Albuquerque, NM – Sandia Resort & Casino Amphitheater
 
SEPTEMBER 2025
September 12 – Louisville, KY – Bourbon & Beyond Festival
September 13 – Vienna, VA – Wolf Trap
September 15-21, 2025 – Seattle, WA – Keeping The Blues Alive at Sea ALASKA

DECEMBER 2025
December 6 – Hollywood, FL – Hard Rock Live

Primus is back with their first new studio track since 2022’s Conspiranoid EP: the blistering, surrealist anthem “Little Lord Fentanyl.” A twisted fable steeped in groove and dark humor, the track features a guest appearance from Maynard James Keenan (Tool, A Perfect Circle, Puscifer), whose unmistakable voice slithers through the chaos with sinister glee.

The single also marks the official studio debut of drummer John Hoffman, a Shreveport native who joined the band earlier this year after beating out more than 6,100 applicants in a global audition process dubbed the Interstellar Drum Derby.

“Little Lord Fentanyl” showcases the intricate, playful rhythms of Hoffman, whose unconventional style—described by Stereogum as a “weightless bustle of high-velocity flurries, Meters-y swamp-pocket, and cartoonish cymbal clutches”—has brought renewed fire to Primus since he officially joined the band earlier this year. His unlikely journey from Louisiana jam nights to the Primus drum throne was recently chronicled in this feature interview with Stereogum, as well as the band’s Interstellar Drum Derby YouTube series.

The release of “Little Lord Fentanyl” comes in the midst of Primus’ spring run on the Sessanta Tour—a collaborative outing with A Perfect Circle and Puscifer celebrating Keenan’s 60(ish) birthday—and ahead of their Onward & Upward summer headline tour, which kicks off July 5th in Paso Robles, CA.

The Onward & Upward Tour marks an exciting new era for the band, with Hoffman officially at the kit. Selected after a months-long audition process, his arrival has brought fresh fire and creative reinvention to the Primus universe. The tour will hit 24 cities nationwide, including iconic venues like Red Rocks Amphitheatre, The Greek Theatre, The Rooftop at Pier 17, and a two-night finale at Channel 24 in Sacramento. Along the way, the band will be joined by support from Ty Segall and MonoNeon on select dates.

“This fiery, cheerful, octopus-like drummer from Shreveport, Louisiana has breathed a very potent breath of freshness into this band we all call PRIMUS,” Claypool said in a recent statement. “Come see why this amazing fellow was able to rise above over 6,100 applicants to win the Interstellar Drum Derby and become the latest, and possibly the greatest, drummer to sit on the PRIMUS drum throne.”

SESSANTA TOUR 2025
Friday, May 2nd – Walmart AMP – Rogers, AR
Sunday, May 4th – The Orion Amphitheater – Huntsville, AL
Tuesday, May 6th – Seminole Hard Rock Hotel & Casino – Hollywood, FL
Thursday, May 8th – MIDFLORIDA Credit Union Amphitheatre – Tampa, FL
Saturday, May 10th – PNC Music Pavilion – Charlotte, NC
Sunday, May 11th – Veterans United Home Loans Amphitheatre – Virginia Beach, VA
Wednesday, May 14th – SNHU Arena – Manchester, NH
Thursday, May 15th – The Mann Center – Philadelphia, PA
Saturday, May 17th – PNC Bank Arts Center – Holmdel, NJ
Sunday, May 18th – EagleBank Arena – Fairfax, VA
Tuesday, May 20th – Petersen Events Center – Pittsburgh, PA
Thursday, May 22nd – Budweiser Stage – Toronto, ON
Saturday, May 24th – Ruoff Music Center – Noblesville, IN
Sunday, May 25th – Blossom Music Center – Cuyahoga Falls, OH
Wednesday, May 28th – The Van Andel Arena – Grand Rapids, MI
Thursday, May 29th – Hollywood Casino Amphitheatre – St. Louis, MO
Saturday, May 31st – American Family Insurance Amphitheater – Milwaukee, WI
Sunday, June 1st – Xcel Energy Center – Saint Paul, MN
Tuesday, June 3rd – Baxter Arena – Omaha, NE
Friday, June 6th – RV Inn Style Resorts Amphitheater – Ridgefield, WA
Saturday, June 7th – White River Amphitheatre – Auburn, WA
 
ONWARD & UPWARD TOUR 2025
Saturday, July 5th – Vina Robles Amphitheatre – Paso Robles, CA*
Monday, July 7th – Sandy Amphitheater – Salt Lake City, UT*
Tuesday, July 8th – Snow King Mountain – Jackson, WY*
Wednesday, July 9th – Red Rocks Amphitheatre – Morrison, CO*
Friday, July 11th – The Salt Shed – Chicago, IL*
Saturday, July 12th – Grinders KC – Kansas City, MO*
Sunday, July 13th – The Pinnacle – Nashville, TN*
Tuesday, July 15th – Iroquois Amphitheater – Louisville, KY*
Wednesday, July 16th – Michigan Lottery Amphitheatre – Detroit, MI*
Friday, July 18th – Beak & Skiff Apple Orchards – Lafayette, NY*
Saturday, July 19th – Midway Lawn At Champlain Valley Expo – Essex Junction, VT*
Monday, July 21st – The Rooftop at Pier 17 – New York, NY*
Tuesday, July 22nd – Hartford HealthCare Amphitheater – Bridgeport, CT^
Wednesday, July 23rd – Red Hat Amphitheater – Raleigh, NC^
Friday, July 25th – Synovus Bank Amphitheater At Chastain Park – Atlanta, GA^
Saturday, July 26th – Live Oak Bank Pavilion – Wilmington, NC^
Monday, July 28th – Saenger Theater – New Orleans, LA^
Tuesday, July 29th – Shreveport Municipal Auditorium – Shreveport, LA^
Wednesday, July 30th – The Bomb Factory – Dallas, TX^
Friday, August 1st – Arizona Financial Theatre – Phoenix, AZ^
Saturday, August 2nd – Cal Coast Credit Union Open Air Theatre – San Diego, CA^
Sunday, August 3rd – Quarry Amphitheater – Santa Cruz, CA
Wednesday, August 6th – The Greek Theatre – Los Angeles, CA*
Thursday, August 7th – Channel 24 – Sacramento, CA
Friday, August 8th – Channel 24 – Sacramento, CA
 
• with Ty Segall
^ with MonoNeon

Primus have released the final episode of Interstellar Drum Derby, the band’s behind-the-scenes YouTube series chronicling their global open-call audition for a new drummer. The finale brings the journey full circle, showcasing the last round of in-studio auditions, final interviews, and the now-iconic moment when Les Claypool surprised John Hoffman with a cake and the news that he’d officially joined Primus.

The episode features appearances from Fred Armisen and Bob Odenkirk, commentary from longtime drum tech Tim “Soya” Solyan, and footage of both Hoffman and fellow finalist Gergő Borlai performing, bonding with the band, and reflecting on the stakes of the opportunity. What began as a cosmic call for submissions ends here as a celebration of chemistry, instinct, and a hard-earned seat behind one of the most storied kits in modern rock.
 
In its final stretch, the episode transitions into the studio for an exclusive look at the making of “Little Lord Fentanyl,” the band’s first new song in over three years—and the first to feature Hoffman. Captured during what would become his final audition, the footage shows Hoffman recording with the band before being officially offered the gig, offering fans a rare glimpse into Primus’ creative process at a pivotal moment of transition. The track, which includes a guest vocal from Maynard James Keenan (Tool, A Perfect Circle, Puscifer), has been praised by Stereogum as “transgressive and comforting at the same time,” and described by Metal Hammer as “pure brain-melting oddness.”

Director Agent O called the finale “a challenge to put together” due to the sheer volume of compelling material. “There was so much to fit into a single episode,” he said. “The biggest challenge was figuring out how to showcase both drummers, Gergo and John, without repeating the same songs and keeping things moving forward. I think the back-and-forth editing between the two during the same track is fun to watch. You can hear the subtle differences, but it doesn’t disrupt the flow of the music. It was crucial to highlight their incredible talent, but it was just as important to show that these guys are humans, too.”

Hoffman’s full-circle rise—from gigging in Shreveport to front-page stories in Stereogum and a cover feature in the May issue of Modern Drummer—has resonated across the industry. The final episode of Interstellar Drum Derby offers a moving portrait of a drummer who, as Claypool put it, “rose above over 6,100 applicants to win the Interstellar Drum Derby and become the latest, and possibly the greatest, drummer to sit on the Primus drum throne.”

With Hoffman now in place, Primus are charging ahead—currently on the Sessanta Tour with Keenan’s Puscifer and A Perfect Circle, and gearing up for their Onward & Upward Summer Tour, which kicks off July 5th in Paso Robles, CA and hits 24 cities nationwide with support from Ty Segall and MonoNeon. For more information and to purchase tickets, visit www.primusville.com.

SESSANTA TOUR 2025
Thursday, May 8th – MIDFLORIDA Credit Union Amphitheatre – Tampa, FL
Saturday, May 10th – PNC Music Pavilion – Charlotte, NC
Sunday, May 11th – Veterans United Home Loans Amphitheatre – Virginia Beach, VA
Wednesday, May 14th – SNHU Arena – Manchester, NH
Thursday, May 15th – The Mann Center – Philadelphia, PA
Saturday, May 17th – PNC Bank Arts Center – Holmdel, NJ
Sunday, May 18th – EagleBank Arena – Fairfax, VA
Tuesday, May 20th – Petersen Events Center – Pittsburgh, PA
Thursday, May 22nd – Budweiser Stage – Toronto, ON
Saturday, May 24th – Ruoff Music Center – Noblesville, IN
Sunday, May 25th – Blossom Music Center – Cuyahoga Falls, OH
Wednesday, May 28th – The Van Andel Arena – Grand Rapids, MI
Thursday, May 29th – Hollywood Casino Amphitheatre – St. Louis, MO
Saturday, May 31st – American Family Insurance Amphitheater – Milwaukee, WI
Sunday, June 1st – Xcel Energy Center – Saint Paul, MN
Tuesday, June 3rd – Baxter Arena – Omaha, NE
Friday, June 6th – RV Inn Style Resorts Amphitheater – Ridgefield, WA
Saturday, June 7th – White River Amphitheatre – Auburn, WA
 
ONWARD & UPWARD TOUR 2025
Saturday, July 5th – Vina Robles Amphitheatre – Paso Robles, CA*
Monday, July 7th – Sandy Amphitheater – Salt Lake City, UT*
Tuesday, July 8th – Snow King Mountain – Jackson, WY*
Wednesday, July 9th – Red Rocks Amphitheatre – Morrison, CO*
Friday, July 11th – The Salt Shed – Chicago, IL*
Saturday, July 12th – Grinders KC – Kansas City, MO*
Sunday, July 13th – The Pinnacle – Nashville, TN*
Tuesday, July 15th – Iroquois Amphitheater – Louisville, KY*
Wednesday, July 16th – Michigan Lottery Amphitheatre – Detroit, MI*
Friday, July 18th – Beak & Skiff Apple Orchards – Lafayette, NY*
Saturday, July 19th – Midway Lawn At Champlain Valley Expo – Essex Junction, VT*
Monday, July 21st – The Rooftop at Pier 17 – New York, NY*
Tuesday, July 22nd – Hartford HealthCare Amphitheater – Bridgeport, CT^
Wednesday, July 23rd – Red Hat Amphitheater – Raleigh, NC^
Friday, July 25th – Synovus Bank Amphitheater At Chastain Park – Atlanta, GA^
Saturday, July 26th – Live Oak Bank Pavilion – Wilmington, NC^
Monday, July 28th – Saenger Theater – New Orleans, LA^
Tuesday, July 29th – Shreveport Municipal Auditorium – Shreveport, LA^
Wednesday, July 30th – The Bomb Factory – Dallas, TX^
Friday, August 1st – Arizona Financial Theatre – Phoenix, AZ^
Saturday, August 2nd – Cal Coast Credit Union Open Air Theatre – San Diego, CA^
Sunday, August 3rd – Quarry Amphitheater – Santa Cruz, CA
Wednesday, August 6th – The Greek Theatre – Los Angeles, CA*
Thursday, August 7th – Channel 24 – Sacramento, CA
Friday, August 8th – Channel 24 – Sacramento, CA
 
• with Ty Segall
^ with MonoNeon

British blues-rock guitarist and singer-songwriter Joanne Shaw Taylor offers a dose of feel-good nostalgia with the release of her new single “Summer Love.” Released today via Joe Bonamassa’s Journeyman Records, the track finds Joanne in a more carefree, radio-ready mode—without letting go of the heart and honesty that have defined her career.
 
“I specifically had it in my mind that I wanted to write a summer pop single for this album,” Joanne shares. “It’s just something I’ve always loved—driving around Michigan, now Tennessee in summer and having that one song you love to hear on the radio that years later triggers happy memories. I hope this could be that song for someone out there.”
 
With crisp handclaps, crunchy riffs, and a laid-back groove that begs to be played with the windows down, “Summer Love” tells the story of a fleeting romance that burned bright and ended sweet. “What’s to say, let’s call it what it is / It’ll almost be easy, getting over this,” Joanne sings, striking the perfect balance between wistful and free. “Had love for a season, both had our reasons / It’s only for forever—forever till September.”

“Summer Love” is the latest in a run of singles leading into Black & Gold, Joanne’s highly anticipated new album out June 6th. It follows the moody and emotionally raw “Look What I’ve Become,” the roaring rocker “Hell Of A Good Time,” and the introspective gems “Grayer Shade of Blue” and “I Gotta Stop Letting You Let Me Down.” Each release has shown a different side of Joanne’s artistry, reflecting a record that’s as dynamic as it is deeply personal.

Produced by Kevin Shirley (Black Crowes, Journey, Aerosmith), Black & Gold sees Joanne stretching beyond the boundaries of traditional blues-rock, embracing cinematic textures, soulful pop, and modern guitar grit. From the shimmering cover of Sam Sparro’s “Black & Gold” to the stirring ballad “Who’s Gonna Love Me Now,” the album showcases Joanne’s evolution as a writer, player, and vocalist.

Joanne recently wrapped a string of U.S. Spring Tour dates and is gearing up for a summer packed with major festival and headline performances across North America and Europe and in the midst of announcing a US tour this fall. Known for her fiery musicianship and magnetic stage presence, she continues to captivate live audiences with a setlist that spans fan favorites and new material from Black & Gold. For more information and to purchase tickets, visit joanneshawtaylor.com/tour

Black & Gold by Joanne Shaw Taylor
1. Hold Of My Heart
2. All The Things I Said
3. Black & Gold
4. Who’s Gonna Love Me Now?
5. I Gotta Stop Letting You Let Me Down
6. Summer Love
7. Grayer Shade Of Blue
8. Hell Of A Good Time
9. Look What I’ve Become
10. What Are You Gonna Do Now?

2025 SUMMER TOUR DATES & FESTIVALS
May 30 - Quebec, CA - Festival Des Guitares du Monde
June 13 - Henderson, KY - WC Handy Festival
June 28 - Winter Park, CO - Blues From The Top
July 12 - Salamanca, Spain - Festival Blues Bejar Festival
July 17 - Kirjurinluoto, Pori, FI - Pori Jazz Festival
July 18 - Kent, UK - Maid Of Stone Festival
August 5 - Ridgefield, CT - Ridgefield Playhouse (rescheduled)
August 6 - Riverhead, NY - The Suffolk
August 8 - Salisbury, MA - Blue Ocean Music Hall
August 9 - Holyoke, MA - De La Luz Soundstage
August 10 - North Truro, MA - Payomet Performing Arts Center
August 12 - Arden, DE - Arden Concert Gild
August 15 - Bethlehem, PA - Summer Series Festival
August 16 - Norwich, NY - Chenango Blues Festival

On the heels of his soulful lead single “Bye Bye Blues,” celebrated blues singer and guitarist Larry McCray returns today with “Bright Side,” the second release from his upcoming album Heartbreak City, due out June 13 via KTBA Records, the label founded by Joe Bonamassa. The mid-tempo burner—written by Josh Smith, Michael "Harvey" Price, and Steve Shepherd—was originally penned for the late, great Bobby “Blue” Bland, but sat unreleased for decades until producer Josh Smith brought it to McCray, knowing he was the one to bring it to life.
 
With deep-in-the-pocket grooves, sly lyrical turns, and an irresistible call-and-response chorus, “Bright Side” leans into McCray’s ability to deliver grit with charm and swagger. His weathered vocals ride a classic blues progression that’s equal parts tough and joyful, while his signature guitar tone cuts through like a livewire. “Bright Side” shows McCray doing what he does best—delivering emotional truth with musical fire.
 
Produced by Grammy-nominated duo Bonamassa and Smith, Heartbreak City is a bold, unfiltered collection that finds McCray at the height of his powers. The ten-track album fuses raw blues with vintage soul, Southern grit, and a hard-won sense of joy, featuring standout contributions from Reese Wynans, Kirk Fletcher, and background vocalists Jade Macrae and Dannielle De Andrea, as well as guest guitar work from Bonamassa himself. The album was recorded at Sunset Sound in Hollywood and mixed by Alan Hertz.
 
The project was first introduced with the lead single “Bye Bye Blues,” a finger-snapping throwback co-written with longtime collaborator Charlie Walmsley that paid homage to the soul icons of McCray’s youth—Johnnie Taylor, Bobby “Blue” Bland, and Little Milton among them.
 
Across Heartbreak City, McCray leans into themes of reflection, resilience, and redemption, drawing from decades of lived experience on and off the stage. His voice—gravelly, weathered, and full of soul—carries the weight of hard-earned wisdom, while his guitar work remains as fiery and fluid as ever. With gospel-tinged harmonies, taut grooves, and a band that matches him punch for punch, Heartbreak City reclaims the blues, reframing it through the lens of someone who’s survived it, played it, and lived it for more than four decades.
 
The album follows McCray’s 2022 comeback Blues Without You, which debuted at No. 2 on the Billboard Blues Chart and was named the #1 Blues Album of the Year by Blues Rock Review. The record marked a triumphant return after a seven-year hiatus and helped relaunch McCray onto festival stages and year-end best-of lists. In 2024, he was inducted into the Michigan Rock and Roll Legends Hall of Fame, further cementing his place among the greats.
 
Born in Smackover, Arkansas, and raised in Saginaw, Michigan, McCray developed a guitar style that blends the electric fire of Hendrix with the soul of B.B. King and the Southern swing of the Allman Brothers. He was the first artist signed to Virgin Records’ Point Blank imprint in the late ’80s and went on to release a series of genre-defining albums, including Ambition, Delta Hurricane, and Born to Play the Blues. Over his storied career, McCray has shared the stage with B.B. King, Buddy Guy, Albert King, the Allman Brothers, Joe Walsh, Jonny Lang, and many more.
 
“Larry McCray is a legend,” shares Joe Bonamassa. “We have known that for 30 years. He is the last of the great blues shouters from the Rust Belt. In the spirit of BB King, Luther Allison, and Little Milton, Larry is among the greats. It’s now up to the world to rediscover him. He has been here all along.”

Heartbreak City by Larry McCray
1. Try To Be A Good Man
2. Heartbreak City
3. Bye Bye Blues
4. Bright Side
5. Everything Falls On Me
6. I Know What I’ve Done (feat. Joe Bonamassa)
7. Keep On Loving My Baby (feat. Kirk Fletcher & Josh Smith)
8. Hangman
9. Stop Your Crying
10. Crazy World

Tour Dates
May 24 - Burton, MI - Burton Rock & Blues Festival
August 24 - Marshfield, MA - North River Blues Fest
September 15-21 - Seattle, WA - Keeping the Blues Alive at Sea Alaska

Devon Allman’s Blues Summit Tour
August 7 - Baton Rouge, LA - Raising Cane’s River Center
August 8 - Lake Charles, LA - The Rosa Hart Theatre
August 9 - Pensacola, FL - Saenger Theater
August 10 - Montgomery, AL - Montgomery Performing Arts Center
August 12 - Nashville, TN - Fogg St Lawn Club
August 13 - Union Hall, VA - The Coves
August 14 - Hopewell, VA - The Beacon Theatre
August 15 - Norfolk, CT - Infinity Music Hall
August 16 - Jordan, NY - Kegs Canalside
August 17 - Kingston, NY - Ulster Performing Arts Center
August 20 - Atlantic City, NJ - Mardi Gras AC @ Kennedy Plaza
August 21 - Cranston, RI - The Park Theatre
August 23 - Nashua, NH - Nashua Center for the Arts
September 4 - Phoenix, AZ - MIM
September 5 - Las Vegas, NV - Big Blues Bender
September 6 - San Juan Capistrano, CA - Coach House
September 9 - Santa Fe, NM - The Lensic
September 10 - Beaver Creek, CO - Vilar Performing Arts Center
September 11 - Parker, CO - The Pace Center
September 12-13 - Telluride, CO - Telluride Blues & Brews Festival

** Features Devon Allman, Jimmy Hall, Larry McCray & Sierra Green

For more information, visit https://larrymccrayofficial.com

British blues-rock star Joanne Shaw Taylor has announced a brand-new run of U.S. tour dates for Fall 2025, to follow the release of her upcoming album Black & Gold, out June 6th via Journeyman Records. Black & Gold is available for pre-order.  The new dates begin October 17th in Bonita Springs, FL and continue through November, bringing Joanne’s dynamic live show to cities across the East Coast and concluding in Wichita, KS.
 
Tickets went on sale to the general public TODAY at 10 am local time. For more information and to purchase tickets, visit joanneshawtaylor.com/tour.
 
The announcement comes on the heels of Joanne’s latest single “Summer Love,” a breezy, handclap-laced standout that captures the feel-good spirit of fleeting romance. “I specifically had it in my mind that I wanted to write a summer pop single for this album,” Joanne shares. “It’s just something I’ve always loved—driving around Michigan, now Tennessee in summer and having that one song you love to hear on the radio that years later triggers happy memories. I hope this could be that song for someone out there.”
 
“Summer Love” is the latest in a string of releases teasing Joanne’s forthcoming album Black & Gold, following the emotionally raw “Look What I’ve Become,” the high-octane “Hell Of A Good Time,” and the introspective “Grayer Shade of Blue” and “I Gotta Stop Letting You Let Me Down.” Each single showcases a different facet of Joanne’s evolving sound, bridging raw blues-rock roots with vibrant pop edges and cinematic textures.
 
Produced by Kevin Shirley (Black Crowes, Journey, Aerosmith), Black & Gold marks Joanne’s most expansive work to date—featuring original songs alongside a shimmering cover of Sam Sparro’s “Black & Gold” and the stirring ballad “Who’s Gonna Love Me Now?” The album reflects her continued evolution as a songwriter, guitarist, and vocalist.
 
Joanne recently wrapped a successful U.S. Spring Tour and is now preparing for a packed summer of headline shows and festival appearances across North America and Europe, including sets at Pori Jazz Festival, Festival Des Guitares du Monde, Blues From The Top, and more. Known for her fiery musicianship and commanding stage presence, Joanne continues to captivate live audiences with a mix of fan favorites and new material from Black & Gold.

2025 Summer Tour Dates & Festivals
May 30 – Quebec, CA – Festival Des Guitares du Monde
June 13 – Henderson, KY – WC Handy Festival
June 28 – Winter Park, CO – Blues From The Top
July 12 – Salamanca, Spain – Festival Blues Béjar
July 17 – Pori, FI – Pori Jazz Festival
July 18 – Kent, UK – Maid Of Stone Festival
August 5 – Ridgefield, CT – Ridgefield Playhouse (rescheduled)
August 6 – Riverhead, NY – The Suffolk
August 8 – Salisbury, MA – Blue Ocean Music Hall
August 9 – Holyoke, MA – De La Luz Soundstage
August 10 – North Truro, MA – Payomet Performing Arts Center
August 12 – Arden, DE – Arden Concert Gild
August 14 – Newton, NJ – The Newton Theatre
August 15 – Bethlehem, PA – Summer Series Festival
August 16 – Norwich, NY – Chenango Blues Festival

2025 Fall U.S. Tour
October 17 – Bonita Springs, FL – Arts Bonita Performing Arts Center
October 18 – Clearwater, FL – Bilheimer Capitol Theatre
October 21 – Asheville, NC - Diana Wortham Theatre
October 22 – Raleigh, NC – Fletcher Opera Theater
October 24 – Wilmington, NC – Kenan Auditorium
October 25 – Savannah, GA – District Live
October 27 – Atlanta, GA – Variety Playhouse
October 28 – Hopewell, VA – The Beacon Theatre
October 31 – Old Saybrook, CT – The Kate
November 1 – Nashua, NH – Nashua Center for the Arts
November 4 – Cleveland, OH – TempleLive @ Cleveland Masonic
November 7 – West Bend, WI – The Bend Theater
November 8 – Viroqua, WI – Historic Temple Theatre
November 9 – Minneapolis, MN – The Parkway Theater
November 11 – Madison, WI – Atwood Music Hall
November 13 – Bloomington, IL – The Castle Theatre
November 14 – St. Louis – Delmar Hall
November 16 – Wichita, KS – The Cotillion

Black & Gold by Joanne Shaw Taylor
1. Hold Of My Heart
2. All The Things I Said
3. Black & Gold
4. Who’s Gonna Love Me Now?
5. I Gotta Stop Letting You Let Me Down
6. Summer Love
7. Grayer Shade Of Blue
8. Hell Of A Good Time
9. Look What I’ve Become
10. What Are You Gonna Do Now?

Today, Rudy Love & The Encore has announced the upcoming release of their highly anticipated album 11, available exclusively on vinyl starting June 11th as part of the Buy Before You Stream initiative. This groundbreaking model redefines the artist-fan connection, giving fans the chance to own a tangible piece of music history ahead of its digital release on July 11th. The album’s lead single, "Burnin’" is out now, offering a powerful glimpse into the band’s soulful fusion of R&B, funk, and heartfelt storytelling.
 
Buy Before You Stream, created by Midtopia, empowers independent artists by enabling them to sell vinyl editions of their albums directly to fans before they hit streaming platforms. This direct-to-fan approach strengthens the artist-audience connection and bypasses industry middlemen—ensuring that 100% of the profits go straight to the artists and helping them reclaim ownership of their work.
 
Frontman Rudy Love Jr. carries forward a rich musical legacy as the son of Rudy Love Sr.—a revered soul singer, session musician, and songwriter whose work has been sampled and recorded by icons ranging from Jay-Z to Little Richard to Eric Clapton. Love Jr.’s grandfather, who originally wrote “Good Morning Little School Girl,” later covered by Clapton, is just one example of how the Love family's contributions to American music have been widespread yet often under-credited. 11 is both a personal and artistic reckoning with that legacy—and a declaration of independence.

For Rudy, the launch of 11 as part of the initiative is both a career milestone and a deeply personal moment. “I’ll never forget the first time I saw my family’s music on sale, and we didn’t even have a copy ourselves,” he says. “It was a wake-up call about how the system works.”
 
"That kind of thing stays with you," he adds. "It makes you realize how important it is to have control over your work, to own it, and to make sure you’re compensated fairly."

11 is a bold statement about perseverance, legacy, and reclaiming creative control. The title represents both death and rebirth, a theme that threads through the album and mirrors Rudy’s own journey as an artist. “11 is about acknowledging what’s been lost but also embracing what’s to come,” he reflects. “It’s about rebirth, renewal, and moving forward.” “Burnin’,” the album’s lead single, sets the tone as a fiery anthem of resilience in the face of an industry that has often sidelined independent voices.

Rudy’s embrace of vinyl also reflects a deeper belief in music as something tangible and lasting. He recalls discovering artists as a kid by digging through records and reading liner notes. “It was such a personal, meaningful experience that’s so different from how we find music today,” he says. “When fans buy vinyl, they’re getting something real—it’s part of our history, part of our story.”

ABOUT RUDY LOVE & THE ENCORE
Rudy Love & The Encore is an American soul and R&B band led by Rudy Love Jr., the son of the legendary Rudy Love Sr. The band honors the Love family legacy while creating fresh, soulful music that speaks to themes of resilience, love, and social change. Their debut album 11 marks a defining moment in their musical journey and is part of the Buy Before You Stream initiative, a platform that empowers independent artists to directly engage with their fans and reclaim ownership of their music.

ABOUT MIDTOPIA
Midtopia seeks to establish sustainable and equitable opportunities for independent artists and music workers via concepts for contributive partnerships and alternative business models that harness the connected, collaborative power of interdependence. This alternative to current music industry models is based on a philosophy of “do it ourselves” invoking greater cohesion to strengthen and build equity among artists and music workers, regardless of geographical location or current industry status. Like an intricate network of roots beneath a tree, this multidisciplinary collaboration will enhance these concepts giving artists and workers the ability to cultivate more sustainable growth, strengthen independence, fortify community, and propagate truly unique creative identities. Learn more at midtopia.com.

ABOUT BUY BEFORE YOU STREAM
Buy Before You Stream is a community-driven initiative that allows fans to purchase exclusive vinyl editions of albums directly from the artist before they hit streaming platforms. 100% of the profits go directly to the artists, ensuring they maintain control over their work and generate meaningful income. The initiative fosters direct artist-to-fan relationships, supports local record stores, and promotes sustainability in the music industry.

ABOUT THIRD MAN PRESSING
Third Man Pressing is a meticulously designed boutique vinyl record production facility with a unique customer experience that includes a viewing window for our visitors to witness the beauty and importance of the record making process. Third Man Pressing is an investment in Third Man Records’ hometown, a neighborhood within a city rich with musical history, creating a space that is as inspiring as it is prolific.

The release of 11 is part of a broader movement that includes Talia Keys’ From The Ashes, which was the first album released under the Buy Before You Stream initiative earlier this year. With these releases, the initiative is creating an ecosystem where artists can not only reconnect with their fans but also build sustainable careers free from the instability of the digital streaming model.
 
“Buy Before You Stream is about restoring the power that’s been lost over the years," says Rudy. "It’s about returning to a time when artists could have ownership, create physical connections with their fans, and thrive in a way that wasn’t dictated by algorithms and middlemen.”
 
As Rudy Love & The Encore continues to push forward with 11, the album will be available for direct purchase through the Buy Before You Stream platform, with the digital release scheduled for July 11th. The initiative provides a real alternative for independent artists to foster meaningful relationships with their fans, build a sustainable income model, and maintain creative independence.
 
For more information about Buy Before You Stream, upcoming releases, and to purchase 11 by Rudy Love & The Encore, visit Buy Before You Stream.
 
https://buybeforeyoustream.com/
https://www.facebook.com/profile.php?id=61553825550403
https://www.instagram.com/buybeforeyoustream/
 
https://rudylove.com/
https://www.facebook.com/RudyLoveJr/
https://www.instagram.com/rudyloveandtheencore/
https://www.youtube.com/@rudyloveandtheencore

Guitar slinger and blues-rock powerhouse Joe Bonamassa has released his latest single, “Drive By The Exit Sign,” a gritty, uptempo standout from his upcoming studio album Breakthrough, out July 18th via J&R Adventures. Fueled by a crunchy slide guitar riff, Southern-rock energy, and a full-throttle vocal performance, “Drive By The Exit Sign” finds Bonamassa leaning into the dirtier, road-tested side of his songwriting. It’s a breakup song disguised as a highway burner—fast-paced and hook-heavy, with lyrics that evoke missed chances, wrong turns, and the emotional wreckage we leave behind.
 
Produced by Kevin Shirley (Iron Maiden, The Black Crowes, Journey), the single captures the raw, unfiltered side of Breakthrough, a record that spans genres and continents. Recorded across Greece, Nashville, and Los Angeles, Breakthrough reflects Bonamassa’s most expansive vision yet—a record that taps into swampy funk, acoustic introspection, arena-ready blues rock, and more.
 
Co-written by Bonamassa, James House, and producer Kevin Shirley, “Drive By The Exit Sign” follows the release of the album’s title track,“Breakthrough,” an anthemic, soul-stirring call to transformation that quickly became a fan favorite. That single, co-written with longtime collaborator Tom Hambridge, showcased Bonamassa’s growth as a storyteller and emotional interpreter, marking a new chapter in a career already defined by evolution.

The album also features previously released tracks “Still Walking With Me” and “Shake This Ground,” which introduced listeners to the wide-ranging soundscape Bonamassa has built on Breakthrough—from the introspective and moody to the celebratory and uplifting. Each single adds a new layer to an album that celebrates risk, reinvention, and deep musical roots.
 
The new music arrives as Bonamassa wraps his Spring 2025 European Tour, which brought sold-out crowds across the UK, Germany, and Central Europe. Next, he’ll hit the road with his supergroup Black Country Communion—featuring Glenn Hughes, Jason Bonham, and Derek Sherinian—for a highly anticipated European run in June. A U.S. summer amphitheater tour follows, including stops at The Greek Theatre, Red Rocks, and more, with a full Fall U.S. Tour on the horizon.
 
With more than 50 albums, 28 #1 Billboard Blues albums, and a reputation as one of the hardest-working performers in music, Bonamassa continues to break new ground while staying deeply rooted in the blues-rock tradition. Breakthrough is his most ambitious effort yet—a celebration of craft, character, and sheer musical force.
 
For more information on Breakthrough, tour dates, and exclusive pre-order packages, visit jbonamassa.com.

CD Track list
1. Breakthrough
2. Trigger Finger
3. I'll Take The Blame
4. Drive By The Exit Sign
5. Broken Record
6. Shake This Ground
7. Still Walking With Me
8. Life After Dark
9. You Don't Own Me
10. Pain's On Me

VINYL Track list
 
Side A
1. Breakthrough
2. Trigger Finger
3. I'll Take The Blame
4. Drive By The Exit Sign
5. Broken Record
 
Side B
1. Shake This Ground
2. Still Walking With Me
3. Life After Dark
4. You Don't Own Me
5. Pain's On Me
 
BLACK COUNTRY COMMUNION - EUROPE SUMMER TOUR 2025
June 6 – Fredericksburg, DK – Falkonersalen
June 7 – Solvesborg, SE – Sweden Rock Festival
June 9 – Tilburg, NL – 013 Poppodium Tilburg
June 10 – Hamburg, DE – Stadtpark
June 12 – Berlin, DE – Zitadelle
June 13 – Olomouc, CZ – Korunní Pevnůstka
June 15 – Charlotta Valley, PL – Rock Legends Festival
June 17 – Vienna, AT – Vienna Gasometer
June 19 – Köln, DE – Tanzbrunnen
 
EUROPE SUMMER TOUR 2025
July 1 – Cork, IE – Live at The Marquee*
July 2 – Cork, IE – Live at The Marquee*
July 3 – Cork, IE – Live at The Marquee
July 6 – Klam, AT – Clam Castle
July 8 – Veszprém, HU – Veszprémfest
July 10 – Stuttgart, DE – Jazzopen Stuttgart
July 13 – Weert, NL – Bospop
July 16 – Montreux, CH – Montreux Jazz Festival
July 18 – Pordenone, IT – San Valentino Park
July 19 – Rome, IT – Auditorium Parco della Musica - Cavea

* Sold Out
 
U.S. SUMMER TOUR 2025
July 31 – Los Angeles, CA – The Greek Theatre
August 1 – Paso Robles, CA – Vina Robles Amphitheatre
August 3 – Bend, OR – Hayden Homes Amphitheater
August 5 – Airway Heights, WA – BECU Live at Northern Quest
August 6 – Pocatello, ID – Portneuf Health Trust Amphitheatre
August 8 – Morrison, CO – Red Rocks Amphitheatre
August 9 – Albuquerque, NM – Sandia Resort & Casino Amphitheater
 
SEPTEMBER 2025
September 7 – Chicago, IL – United Center*
September 9 – Chicago, IL – United Center*
September 12 – Louisville, KY – Bourbon & Beyond Festival
September 13 – Vienna, VA – Wolf Trap
September 15-21, 2025 – Seattle, WA – Keeping The Blues Alive at Sea ALASKA

 *Opening for The Who

U.S. FALL TOUR 2025
November 3 – Columbus, OH – Palace Theatre
November 5 – Toronto, ON – The Theatre at Great Canadian Toronto
November 7 – Detroit, MI – Fox Theatre
November 8 – Fort Wayne, IN – Embassy Theatre
November 10 – Rockford, IL – Coronado Theatre
November 11 – Kansas City, MO – The Midland Theatre
November 14 – Durant, OK – Choctaw Grand Theater
November 15 – Houston, TX – The Hobby Center
November 18 – Corpus Christi, TX – American Bank Center Selena Auditorium
November 19 – Abilene, TX – Abilene Auditorium
November 21 – Midland, TX – Wagner Noël Performing Arts Center
November 22 – Austin, TX – ACL Live at The Moody Theater
November 23 – Shreveport, LA – Shreveport Municipal Auditorium
November 25 – Fayetteville, AR – Walton Arts Center
November 26 – St. Louis, MO – Stifel Theatre
November 29 – New Orleans, LA – Saenger Theatre
November 30 – Montgomery, AL – Montgomery Performing Arts Centre
December 2 – Savannah, GA – Johnny Mercer Theatre
December 3 – Sarasota, FL – Van Wezel Performing Arts Hall
December 5 – Estero, FL – Hertz Arena
December 6 – Hollywood, FL – Hard Rock Live

Cardinal Black, the Welsh-formed trio of frontman Tom Hollister, guitarist Chris Buck, and drummer Adam Roberts – have released their sensational new studio album Midnight At The Valencia - out now on Thirty Tigers.

The resplendent Midnight At The Valencia, whose tracks are now fast approaching a million streams, is a testament to the band’s self-carved path, from their humble beginnings in university dive bars to sharing stages with legends like Peter Frampton, at his sold-out Royal Albert Hall show, as well as Joe Bonamassa & Myles Kennedy.

Critically well-received, Midnight At The Valencia has seen fantastic media support over the coming months, with Classic Rock Magazine declaring that the band “really should go global, no problem," the Daily Mirror predicting that “greatness awaits," as well as Planet Rock Radio playlist support.

Singles such as "Need More Time" arrived to rousing receptions, as well as "Keep On Running," - a swampy, menacing blues sound, full of haunting whistles and scuzzy riffs that crackle like lightning. The accompanying video starred BAFTA-winning actor Molly Windsor, a fan of the band who is known to millions as the star of the BBC’s critically acclaimed drama series Three Girls, fleeing her trauma in a sequence of flashbacks - watch here. The band have also now unveiled the video for latest track "Breathe" - watch here.

Produced by Cyrill Camenzind (James Morrison, Alain Clark) at Powerplay Studios in Zurich, the album is a rich tapestry of love, loss, grief, and hope, brought to life by vintage analogue equipment and the band’s undeniable chemistry.

With Midnight At The Valencia, the band set out to create a record that represented their “10,000 hours” of work, having played in just about every backwater dive bar and neon-soaked club they’d come across. “It’s a long, shared history we have,” Hollister says. “We feel like we’ve paid our dues, and this album is the culmination of all that effort.”

The road to success has been anything but conventional. First their story began when they were tipped by Steve Winwood, who invited them to record at his own Wincraft Studios, then Guns N’ Roses manager Alan Niven took interest and a record deal was offered, but instead the band paused and their paths diverged but never truly separated.

Buck’s distinctive guitar playing earned him numerous accolades and praise from some of the most distinguished players in Slash & Jason Isbell and the band remained close, reuniting sporadically to play together until they decided to reform.

The next phase was nearly two years of writing, recording and rehearsing and in 2022, within 24 hours, their debut single, "Tell Me How It Feels," caused an instant sensation, knocking Noel Gallagher’s High Flying Birds from their perch at the top of the iTunes and Amazon Rock Charts. Both their first EP and subsequent debut album also reached #1.

Having cemented themselves as a formidable live force, Cardinal Black have toured extensively across Europe and the UK, including a standout 2024 performance at London’s Shepherd’s Bush Empire. Their growing reputation also took root in the U.S. with sold-out shows at iconic venues like The Troubadour in Los Angeles and Basement East in Nashville—milestones that helped solidify a new partnership with Thirty Tigers for this fiercely independent band.

Now, with their electrifying live presence gaining global attention, the band is preparing for their first-ever U.S. headline tour this August—and momentum is already building fast. Shows in New York, Toronto, Chicago, Minneapolis, Austin, and Atlanta have sold out well in advance, with their initial NYC date at Mercury Lounge moving to the larger Gramercy Theatre after tickets were snapped up in less than 24 hours. Additional dates in Nashville, Los Angeles, San Francisco, and more are moving quickly as Cardinal Black gear up for their long-awaited inaugural North American tour. Tickets on sale HERE.

Midnight At The Valencia is a heartfelt and ambitious account of their journey so far, one that invites listeners to pull up a pew, laugh, cry… and raise a glass to the past. Cheers to their future.

US HEADLINE TOUR DATES
August 6th - NEW YORK, The Gramercy Theatre (UPGRADED)
August 8th - TORONTO, CA - The Drake Hotel Underground (SOLD OUT)
August 9th - ONTARIO, CA, Kitchener Blues Festival
August 12th - CHICAGO, Schuba’s (SOLD OUT)
August 14th - MINNEAPOLIS, 7th Street Entry (SOLD OUT)
August 16th - OMAHA, Playing with Fire
August 18th - NASHVILLE, Basement East
August 19th - ATLANTA, Vinyl at Center Stage (SOLD OUT)
August 21st - AUSTIN, Antone’s (SOLD OUT)
August 23rd - PHOENIX, Rebel Lounge
August 26th - LOS ANGELES, Troubadour
August 29th - SAN FRANCISCO, The Independent
August 30th - CAMINO, Concert Series @ Delfino Farms

The emerging genre-bending outfit 2ŁØT has teamed up with GRAMMY-nominated artist Aloe Blacc to release “Immortal,” a bold new single inspired by the ancient philosophical concept of memento mori—a Latin phrase meaning “remember you must die.” Far from morbid, the song is a rallying cry for courage and clarity, urging listeners to reflect on life’s impermanence and ask a single transformative question: What would I do if I weren’t afraid?
 
Fusing 2ŁØT’s genre-defying sound with Aloe Blacc’s soul-stirring voice, “Immortal” is both a spiritual provocation and a musical revelation. The track draws its power from the timeless reminder that tomorrow is never guaranteed—and dares the listener to live fully, bravely, and with purpose. “‘Immortal’ is about unlocking the part of you that’s waiting to be set free,” says Rudy Love Jr. of 2ŁØT. “It’s a reminder that fear is the biggest barrier between you and your true calling. If you knew your time was short, what would you change?”
 
“From a lyrical standpoint, it’s one of the strongest songs I’ve been a part of writing,” reflects Aloe Blacc. “This line—‘when I tumble over, the broken pieces fit together better in the end’—reminds me of the Japanese art of kintsugi, where broken pieces are mended with gold. The broken parts of us, when they’re healed, become the strongest parts of us.”

Earlier today, Aloe Blacc and 2ŁØT appeared on KTLA in Los Angeles for the first live performance of their new single “Immortal.” The stripped-down set offered a raw, intimate take on the track’s powerful message, paired with a short on-air interview that gave viewers a behind-the-scenes look at the collaboration and the meaning behind the song. Check out the official lyric video for “Immortal” HERE.

“Immortal” builds on the conceptual foundation laid by 2ŁØT’s debut album Entropy, which draws from another powerful law of existence: the 2nd Law of Thermodynamics, which states that all systems tend toward disorder over time. Where Entropy explored how to make peace with chaos, Immortal calls for action—to transcend it.

With singles like “Never Knew You,” “Arrow of Time” (featuring Michael Kang of The String Cheese Incident), and “Call For Me,” 2ŁØT has built a body of work rooted in personal resilience, social impact, and philosophical depth. In April, the band released “Entropy (Paul Oakenfold Remix),” a euphoric reinterpretation of their title track by one of dance music’s most legendary producers. It marked the band’s entry into the global electronic scene, expanding their reach without compromising their core message.
 
On June 13–14th, Aloe Blacc and 2ŁØT will reunite to perform “Immortal” live at Somewhere Festival & Conference in Wichita, KS—one of the most socially conscious festivals in the country. The event will feature genre-spanning acts like Deadmau5, Flying Lotus, and Suki Waterhouse, as well as immersive tech, interactive art installations, and a community-driven conference. For more information and to purchase tickets, visit: somewhere-fest.com.
 
At the heart of Somewhere Festival is a shared ethos with 2ŁØT: that music can be a vehicle for meaning, connection, and social change. Festival organizers partner with nonprofits including The Phoenix, 1 Million Strong, Create Campaign, and others to offer real-world opportunities for impact—turning the festival into a launchpad for community action and dialogue.
 
“It’s about giving artists the space to create, but also the tools to build sustainable careers,” adds Rudy Love Jr. “The knowledge to make an impact, and the community to support them along the way.”
 
About Aloe Blacc
Grammy nominated Aloe Blacc has long been a voice for the people—a globally recognized singer, songwriter, and changemaker whose music uplifts, empowers, and unites. Best known for genre-defying anthems like the international smash “Wake Me Up” with Avicii, anthemic “The Man,” and the timeless “I Need A Dollar,” Blacc continues to inspire through sound and purpose. In 2025, Aloe Blacc returns with his most mission-driven work to date: a new full-length album titled Stand Together. Stand Together is both a celebration and a call to action, with Blacc’s signature soul and sincerity woven into every note. With powerful new music, renewed purpose, and a voice as vital as ever, Aloe Blacc stands at the center of culture and conscience in 2025—reminding the world that one good song really can change everything.
 
About 2ŁØT
2ŁØT is a five-piece band known for their genre-defying sound, Electronic Jam Music (EJM). Formed during challenging times, the group combines elements of hip hop, soul, funk, jazz, rock, and electronic music. Comprised of members Rudy Love Jr. (vocals / keys), Omar Jawar (drums), Sage Judd (keys), Chase Koch (guitar), and Robert Trusko (bass), 2ŁØT is dedicated to advocating for social change, focusing on overcoming addiction, supporting youth, and criminal justice. Their mission is to activate and inspire audiences through both their music and their commitment to making a difference.
 
https://www.2lot.com/
https://www.instagram.com/2lotlive/
https://www.facebook.com/profile.php?id=100086795596857
https://www.youtube.com/@2LOTlive/featured

Americana duo The Imaginaries—husband-and-wife team Maggie McClure and Shane Henry—have announced their highly anticipated sophomore album, Fever, due out August 22nd. The Oklahoma-based duo’s latest offering from the record, a resilient, harmony-soaked country-leaning ballad titled “Little By Little,” is available everywhere now.

 
The fresh single gives fans a taste of what’s to come on Fever, a bold, soul-stirring album filled with gritty blues-rock riffs, shimmering pop-Americana melodies, and a spirit of defiant hope. “Little By Little” encapsulates the couple’s shared journey as life partners and musical collaborators, with rich vocal interlace and lyrics that speak to staying the course despite uncertainty: “Little by little and inch by inch / We’re never giving up, gonna ride the wave / You and me baby gonna get there someday.”

 
“This new album is about being on the other side of struggle,” Maggie shares. “It’s about breakthrough—not that we have it all figured out!” Shane adds, “There are a lot of hopeful stories on this album. We want to put smiles on people’s faces.”

The 12-track collection, recorded in the legendary musical haven of Muscle Shoals, Alabama, features dazzling guest guitar solos from Vince Gill, Joe Bonamassa, and Ariel Posen, and showcases the full spectrum of the duo’s talents. With Maggie’s intimate lyricism and piano-led storytelling paired with Shane’s electrifying guitar work and blues-rooted swagger, The Imaginaries strike a rare balance between vulnerability and power—drawing on influences from Tom Petty, Bonnie Raitt, Fleetwood Mac, and The Civil Wars while building a sound uniquely their own.

Their path to this moment has been anything but conventional. Maggie and Shane met when she opened for him at a show in Oklahoma. They fell in love, married in 2011, and moved to Los Angeles, where they shared a tiny apartment while pursuing their solo careers. It was during that lean season—marked by scrappy gigs, late nights, and big dreams—that the idea for The Imaginaries was born. The name came to Shane in a dream, offering a beacon of creative ambition in the middle of hard times.

 
Their debut self-titled album established the foundation, but Fever is their defining artistic statement. Returning to Muscle Shoals—a place they now consider sacred ground—they recorded with a powerhouse lineup that includes first and second-generation Swampers, whose resumes span icons like Aretha Franklin, Etta James, Paul Simon, Gregg Allman, Jason Isbell, and more. That rich musical lineage threads throughout Fever, grounding its personal stories in a timeless sonic tradition.

Outside the studio, The Imaginaries have quietly built one of the most impressive independent portfolios in Americana today. With 75+ sync placements in film, TV, and ads, they wrote/produced the soundtrack for and starred in the Samuel Goldwyn feature A Cowgirl’s Song, performed a licensed song on screen in the Dennis Quaid biopic Reagan, have two songs featured in Netflix’s Mending the Line, and contributed multiple original tracks to the forthcoming film The One, in which they also perform a song on camera. Maggie is also an accomplished music supervisor, while Shane co-founded boutique guitar pedal company Westerlund Audio—ventures that help sustain their creative freedom and vision.

 
Over the years, they’ve shared stages with Judy Collins, John Waite, Sixpence None The Richer, and more, and were hand-picked to open for the Brian Setzer Orchestra Christmas Tour before the pandemic halted plans. Their music and story have been spotlighted in American Songwriter, Deadline, Guitar Player, and HuffPost, among others.

 
To celebrate the release of Fever, The Imaginaries will hit the road for a full slate of summer and fall tour dates. Highlights include appearances at Texas Music Revolution, deadCenter Film Festival, and Kimbro’s Pickin’ Parlor, as well as headline dates across Oklahoma, Texas, Arizona, Tennessee, California, and Colorado. Their album release shows will take place on August 22nd at Hotel Café in Hollywood and September 5th at Beam Live in OKC, with additional performances planned throughout 2025 and a European tour set for 2026.

The Imaginaries - Wheels to the Pavement 2025 Tour Dates (More TBA)
Saturday, May 31 – Stockyards Rodeo Cinema – Oklahoma City, OK*
Saturday, June 7 – Texas Music Revolution – McKinney, TX
Friday, June 13 – deadCenter Film Festival 2025 – Oklahoma City, OK
Saturday, June 21 – Heard on Hurd – Edmond, OK
Thursday, July 3 - Kimbro’s Pickin’ Parlor - Franklin, TN
Saturday, July 5 - Gray’s on Main - Franklin, TN
Saturday, July 12 – The Mystic Pub – Jenks, OK
Saturday, July 26 - Abendigo’s - Hochatown, OK
Monday, August 18 – High Plains Public Radio (Live Stream) – Amarillo, TX^
Friday, August 22 – Album Release Show @ Hotel Café – Hollywood, CA
Friday, August 29 – Jim and Linda Lee Performing Arts Center – Prescott, AZ
Sunday, August 31 – The Lion’s Den – Pinetop-Lakeside, AZ
Tuesday, September 2 – Stone Cottage Studios – Boulder, CO
Friday, September 5 – Hometown Release Show @ Beam Live – Oklahoma City, OK
Saturday, September 6 - The Colony - Tulsa, OK
Thursday, September 11 - Kimbro’s Pickin’ Parlor - Franklin, TN
Thursday, September 25 – Oklahoma’s Listening Room – Cushing, OK
Friday, October 3 – Firehouse Gastro Park – Grand Prairie, TX
Saturday, October 4 – The Cicada (w/ The Vintage Yell) – Fort Worth, TX
 
*Bob Dylan tribute event
^Special live stream performance

Fresh off the launch of their summer tour, moe. has announced a new string of Fall 2025 tour dates, continuing a milestone year that marks the band’s 35th anniversary. The coast-to-coast run will bring their legendary live show to iconic venues and festivals, including a return to The Capitol Theatre (Port Chester, NY), a set at Hulaween (Live Oak, FL), two nights at The Joy Theater (New Orleans, LA), and more.

The tour kicks off at The Capitol Theatre in Port Chester, NY before making its way through the Midwest, South, and Gulf Coast, culminating with a Halloween co-bill with The Infamous Stringdusters in New Orleans. VIP packages will be available for select dates, with proceeds supporting Rock The Pink—a music industry initiative benefiting the American Cancer Society that moe. is proud to support.

A special artist presale begins Wednesday, June 4th at 10am local (password 35MOE), followed by a local promoter presale on Thursday, June 5th at 10am local. General on-sale opens Friday, June 6th at 10am local time. For more information and to purchase tickets, visit moe.org/tour.

The Fall 2025 run follows the band’s previously announced Summer 2025 Tour, which launches Friday, June 7th at Cathead Jam in Jackson, MS, with performances scheduled at Mountain Jam (NY), Northlands (NH), All Good Now (MD), Great South Bay Festival (NY), and more. The band will also join forces with Umphrey’s McGee and Eggy on select dates throughout the summer.

moe. is currently touring in support of their acclaimed album Circle of Giants (ATO Records), a deeply personal and musically expansive release that captures the band’s resilience and evolution. Praised for its raw emotion and dynamic interplay, the album includes standout tracks like “Ups and Downs,” “Giants,” and “Living Again,” and marks the studio debut of keyboardist Nate Wilson, who officially joined the band in 2023.

“It feels good to celebrate after the amount of shit we’ve been through,” said bassist Rob Derhak. “But we’ve always found our way forward—because we have each other.”

Also available now for pre-order is moe. – The Relix Session, a limited-edition 4-LP vinyl release capturing the band live at Brooklyn Bowl on May 19th, 2023. Pressed on alternating custom blue and fluorescent green/yellow discs, this 1,500-copy edition features highlights like “Recreational Chemistry,” “Lazarus,” “The Faker,” and covers of Pink Floyd’s “Fearless” and Steely Dan’s “Do It Again.” Each package includes an exclusive 11.5" x 11.5" photo collage spanning the band’s 35-year career. This release is exclusive to Relix online and will be a featured item on tour this year. For more information and to pre-order the release, visit here.

Formed in 1990 at the University of Buffalo, moe. has carved out a singular place in American rock, fusing genre-bending musicianship, clever songwriting, and improvisational fearlessness. With a fanbase as loyal as it is expansive—the Famoe.ly—the band continues to headline festivals like Bonnaroo and Fuji Rock, perform alongside icons including The Allman Brothers Band, The Who, and Grateful Dead members, and organize their own events such as moe.down and snoe.down.

The current lineup features Rob Derhak (bass, vocals), Al Schnier (guitar, vocals), Chuck Garvey (guitar, vocals), Jim Loughlin (percussion, vibes), Vinnie Amico (drums), and Nate Wilson (keyboards). Their tireless touring schedule and boundary-pushing creativity have made moe. one of the most enduring and influential acts in the jam scene.

Summer 2025 Tour Dates [Previously Announced]
Friday, June 7 - Cathead Jam - Jackson, MS
Friday, June 13 - Sharkey’s Event Center - Liverpool, NY w/ Umphrey’s McGee
Saturday, June 14 - Northlands Music Festival - Swanzey, NH
Sunday, June 15 - All Good Now Festival - Columbia, MD
Wednesday, June 18 - The Charleston Pour House - Charleston, SC
Thursday, June 19 - The Charleston Pour House - Charleston, SC
Friday, June 20 - Cohab Space - High Point, NC
Saturday, June 21 - North to Shore Festival - Red Bank, NJ
Friday, June 20 - Sunday, June 22 - Mountain Jam Music Festival - Woodstock, NY**
Thursday, July 10 - Music in the Mountains - Big Sky, MT
Friday, July 11 - Pine Creek Lodge - Livingston, MT
Saturday, July 12 - Pine Creek Lodge - Livingston, MT
Saturday, July 26 - Great South Bay Festival - Patchogue, NY
Tuesday, August 5 - The Burl - Lexington, KY +
Thursday, August 7 - Peoria Waterfront - Peoria, IL +
Friday, August 8 - People Fest - Yuba, WI +
Saturday, August 9 - Warner Vineyards - Paw Paw, MI +
Sunday, August 10 - Hoochenanny Whiskey & Music Festival - Rochester, NY ^
Tues, August 12 - Interlochen Center for the Arts / Corson Auditorium - Interlochen, MI +
Thursday, August 14 - Sweetwater Pavilion - Fort Wayne, IN +
Friday, August 15 - Evans Amphitheater - Cain Park - Cleveland Heights, OH +
Saturday, August 16 - Rock the Ruins - Indianapolis, IN +
Wednesday, Sept 10 - Saturday, Sept 13 - Bender Jamboree - Las Vegas, NV #
 
** with Dark Star Orchestra, Warren Haynes Band, Leftover Salmon, Goose, JRAD, String Cheese Incident, Khruangbin, Mt. Joy & more
+ with Eggy
^ with Dark Star Orchestra, Eggy, and Galactic
# with The String Cheese Incident, The Wood Brothers, Leftover Salmon, Railroad Earth and more

Fall 2025 Tour Dates
Saturday, October 11 – The Capitol Theatre – Port Chester, NY *
Thursday, October 16 – The Bluestone – Columbus, OH *
Friday, October 17 – Vic Theatre – Chicago, IL *
Saturday, October 18 – Barrymore Theatre – Madison, WI *
Sunday, October 19 – The Fitzgerald Theater – St. Paul, MN *
Tuesday, October 21 – Val Air Ballroom – Des Moines, IA *
Thursday, October 23 – The Pageant – St. Louis, MO *
Friday, October 24 – Taft Theatre – Cincinnati, OH *
Saturday, October 25 – Brooklyn Bowl – Nashville, TN *
Wednesday, October 29 – Georgia Theatre – Athens, GA *
Thursday, October 30 – Hulaween – Live Oak, FL
Friday, October 31 – The Joy Theater – New Orleans, LA ^
Saturday, November 1 – The Joy Theater – New Orleans, LA ^

* VIP package available
^ with The Infamous Stringdusters

British blues-rock guitarist and singer-songwriter Joanne Shaw Taylor has officially released her highly anticipated new album Black & Gold today via Journeyman Records. To mark the occasion, she’s also sharing the album’s latest single, “Love Lives Here”—a soulful reinterpretation of the classic Faces track and a fitting final chapter in the album’s rollout.

 
“I’m a huge Rod Stewart fan. This is one of my favorite Faces songs,” Joanne shares. “Again, moving forward into what I see as another chapter in my life and music after ten albums, I wanted to put a lot of things behind me but I also wanted to move forward on a positive note. Love lives here, says it all really.”

Produced by Kevin Shirley (Black Crowes, Journey, Aerosmith), Black & Gold finds Joanne pushing her sound into bold new territory, balancing fiery blues-rock with elements of soulful pop, introspective songwriting, and sweeping cinematic textures. The 10-track album features a mix of originals and covers—including a shimmering take on Sam Sparro’s “Black & Gold”—and showcases Joanne’s evolution as a songwriter, guitarist, and vocalist.

 
“I went into writing and recording Black & Gold knowing it was my tenth studio album,” Joanne explains. “For me, it felt like a really exciting chance to creatively close the first chapter in my recording career and intro into the next decade of writing and recording. For that reason, I welcomed the chance to not only write some songs that were maybe different to styles I’ve tried before but also I used it as an opportunity to write songs that I needed to write for myself—to address some relationships and topics that I hadn’t before so I can move forward creatively and personally into an exciting new chapter in my career. I also included two covers that I’d always loved and wanted to record. I hope this is a very exciting album for the fans, and once again, I want to thank them for joining and supporting me on this ridiculously fun journey.”

 
Early reviews of Black & Gold have been overwhelmingly positive, praising both its musical breadth and emotional depth. Classic Rock hailed it as a “9/10” release, declaring “blues chanteuse strikes gold,” while Powerplay Magazine also awarded it 9/10, calling the title track “warm and welcoming, with a smoothness as silky as its name suggests.” Guitarist Magazine celebrated Joanne’s range, writing, “From the opening acoustic Americana of ‘Hold Of My Heart’ to the stomping rock of ‘I Gotta Stop Letting You Let Me Down,’” the album, “reinforces Joanne’s place in the firmament of today’s brightest stars.” American Blues Scene added, “Each track tells a story that stands on its own. Yet taken as a whole, they reflect a deeply personal experience, showcasing the depth of Joanne’s artistry.”
 

The release of Black & Gold caps off a months-long campaign that has seen Joanne drop a series of acclaimed singles, including “Summer Love”, the emotionally raw “Look What I’ve Become,” the fearless “What Are You Gonna Do Now,” the high-octane “Hell Of A Good Time,” the introspective “Grayer Shade of Blue,” and her defiant anthem “I Gotta Stop Letting You Let Me Down.” Together, they paint a vivid portrait of a woman reclaiming her story, set against the diverse sonic palette of her new album, Black & Gold.

 
The new album arrives as Joanne prepares for a busy touring season. Following a successful U.S. spring run, she’ll hit the road throughout the summer with appearances at major festivals and venues across North America and Europe, including Pori Jazz Festival, Blues From The Top, Chenango Blues Festival, and more. This fall, she’ll return to the U.S. for a coast-to-coast headline tour running from October through mid-November—and today, she’s also announced a new run of European dates hitting in late September and October. For more information and to purchase tickets, visit joanneshawtaylor.com/tour.

 
Known for her commanding stage presence and fiery musicianship, Joanne continues to deliver electrifying performances that blend fan favorites with new material from Black & Gold, affirming her place at the forefront of modern blues and guitar-driven rock.

2025 Summer Tour Dates & Festivals
June 13 – Henderson, KY – WC Handy Festival
June 28 – Winter Park, CO – Blues From The Top
July 12 – Salamanca, Spain – Festival Blues Béjar
July 17 – Pori, FI – Pori Jazz Festival
July 18 – Kent, UK – Maid Of Stone Festival
July 26 - Brezoi, RO -  Live Music Summer Camp
August 5 – Ridgefield, CT – The Ridgefield Playhouse
August 6 – Riverhead, NY – Suffolk Theater
August 8 – Salisbury, MA – Blue Ocean Music Hall
August 9 – Holyoke, MA – De La Luz Soundstage
August 10 – North Truro, MA – Payomet Performing Arts Center
August 12 – Arden, DE – Arden Concert Gild
August 14 – Newton, NJ – The Newton Theatre
August 15 – Bethlehem, PA – Summer Series Festival
August 16 – Norwich, NY – Chenango Blues Festival

2025 European Fall Tour **
September 24 - Bath, UK - The Forum
September 25 - York, UK - York Barbican
September 27 - Wolverhampton, UK - Wulfran Hall
September 28 - Eastbourne, UK - Devonshire Park Theatre
September 30 - Arnhem, NL - Luxor Live
October 1 - Tilburg, NL - Poppodium 013
October 3 - Leipzig, DE - Anker
October 4 - Torgau, DE - Kulturbastion
October 5 - Berlin, DE - Columbia Theater
Octover 7 - Mainz, DE - Kultursentrim Mainz
October 9 - London, UK - Cadogan Hall
** Tickets on Sale June 6, 2025

2025 Fall U.S. Tour
October 17 – Bonita Springs, FL – Arts Bonita Performing Arts Center
October 18 – Clearwater, FL – Bilheimer Capitol Theatre
October 21 – Asheville, NC - Diana Wortham Theatre
October 22 – Raleigh, NC – Fletcher Opera Theater
October 24 – Wilmington, NC – Kenan Auditorium
October 25 – Savannah, GA – District Live
October 27 – Atlanta, GA – Variety Playhouse
October 28 – Hopewell, VA – The Beacon Theatre
October 31 – Old Saybrook, CT – The Kate
November 1 – Nashua, NH – Nashua Center for the Arts
November 4 – Cleveland, OH – TempleLive @ Cleveland Masonic
November 7 – West Bend, WI – The Bend Theater
November 8 – Viroqua, WI – Historic Temple Theatre
November 9 – Minneapolis, MN – The Parkway Theater
November 11 – Madison, WI – Atwood Music Hall
November 13 – Bloomington, IL – The Castle Theatre
November 14 – St. Louis – Delmar Hall
November 16 – Wichita, KS – The Cotillion

Black & Gold by Joanne Shaw Taylor
1. Hold Of My Heart
2. All The Things I Said
3. Black & Gold
4. Who’s Gonna Love Me Now?
5. I Gotta Stop Letting You Let Me Down
6. Summer Love
7. Grayer Shade Of Blue
8. Hell Of A Good Time
9. Look What I’ve Become

Today, celebrated bluesman Larry McCray releases his powerful new studio album Heartbreak City, available now on KTBA Records, the label founded by Joe Bonamassa. To mark the occasion, McCray also drops the album’s title track and latest single, “Heartbreak City”—a gut-punch of a song that puts his searing guitar work and gravel-worn vocals front and center.

Produced by Grammy-nominated duo Joe Bonamassa and Josh Smith, Heartbreak City is a bold, unfiltered collection that finds McCray at the height of his powers. The ten-track album fuses raw blues with vintage soul, Southern grit, and hard-earned truth, featuring standout contributions from Reese Wynans, Kirk Fletcher, and background vocalists Jade Macrae and Dannielle De Andrea, as well as guest guitar work from Bonamassa himself. It was recorded at Sunset Sound in Hollywood and mixed by Alan Hertz.

Written by Josh Smith, Michael "Harvey" Price, Steve Shepherd, and Dan Walsh, track “Heartbreak City” tells the story of a man lost in a city of sorrow, where heartbreak is the only currency and escape feels impossible. The song’s vivid lyrics paint a cinematic portrait of isolation and despair—“All God’s lonely souls begging, ‘Please just let me die’”—while McCray’s voice channels every ounce of that pain into a cathartic, slow-burning blues performance. His guitar howls and groans alongside him, evoking the decades he spent pouring himself into club stages night after night.

Across the board, critics agree: McCray has delivered one of the standout blues records of the year. Blues Rock Review praised his ability to stay rooted in tradition while continuing to evolve the genre, writing, “McCray dispatches the train with guitar licks played with a feel that even the late great B.B. King would have been proud of.” Rock and Blues Muse called the album “magnificent,” noting its “roaring, goose-bump raising guitar solos” and declaring that “Larry McCray is back in a big way.” Glide Magazine added, “McCray has never sounded better vocally or on guitar,” and affirmed that Heartbreak City “has all the major ingredients for a powerful blues album and then some.” And Raised by Cassettes summed it up best, calling it “not just one of the best blues albums of the year, but one of the best albums all around.”

The album was introduced through two acclaimed singles: “Bye Bye Blues,” a finger-snapping throwback co-written with Charlie Walmsley and steeped in soul tradition, and “Bright Side,” an unreleased gem originally written for Bobby “Blue” Bland that McCray reimagined with swagger and charm.

Across Heartbreak City, McCray leans into themes of loss, resilience, and redemption, drawing from a life spent living the blues as much as playing them. His voice—gritty, weathered, and full of soul—carries the weight of that experience, while his guitar burns with unrelenting purpose. With gospel-tinged harmonies, tight arrangements, and songs that cut deep, Heartbreak City is McCray’s most personal and compelling work yet.

The new album follows McCray’s acclaimed 2022 comeback, Blues Without You, which debuted at No. 2 on the Billboard Blues Chart and was named #1 Blues Album of the Year by Blues Rock Review. In 2024, McCray was inducted into the Michigan Rock and Roll Legends Hall of Fame, cementing his legacy as one of the Midwest’s true blues icons.

Heartbreak City by Larry McCray
1. Try To Be A Good Man
2. Heartbreak City
3. Bye Bye Blues
4. Bright Side
5. Everything Falls On Me
6. I Know What I’ve Done (feat. Joe Bonamassa)
7. Keep On Loving My Baby (feat. Kirk Fletcher & Josh Smith)
8. Hangman
9. Stop Your Crying
10. Crazy World

Tour Dates:
August 24 - Marshfield, MA - North River Blues Fest
September 15-21 - Seattle, WA - Keeping the Blues Alive at Sea Alaska

Devon Allman’s Blues Summit Tour**
August 7 - Baton Rouge, LA - Raising Cane’s River Center
August 8 - Lake Charles, LA - The Rosa Hart Theatre
August 9 - Pensacola, FL - Saenger Theater
August 10 - Montgomery, AL - Montgomery Performing Arts Center
August 12 - Nashville, TN - Fogg St Lawn Club
August 13 - Union Hall, VA - The Coves
August 14 - Hopewell, VA - The Beacon Theatre
August 15 - Norfolk, CT - Infinity Music Hall
August 16 - Jordan, NY - Kegs Canalside
August 17 - Kingston, NY - Ulster Performing Arts Center
August 20 - Atlantic City, NJ - Mardi Gras AC @ Kennedy Plaza
August 21 - Cranston, RI - The Park Theatre
August 23 - Nashua, NH - Nashua Center for the Arts
September 4 - Phoenix, AZ - MIM
September 5 - Las Vegas, NV - Big Blues Bender
September 6 - San Juan Capistrano, CA - Coach House
September 9 - Santa Fe, NM - The Lensic
September 10 - Beaver Creek, CO - Vilar Performing Arts Center
September 11 - Parker, CO - The Pace Center
September 12-13 - Telluride, CO - Telluride Blues & Brews Festival

** Features Devon Allman, Jimmy Hall, Larry McCray & Sierra Green

For more information, visit https://larrymccrayofficial.com

Blues-rock icon Joe Bonamassa returns today with the release of “Trigger Finger,” the latest single from his eagerly awaited new album Breakthrough, due out July 18th on J&R Adventures. Marking another bold chapter in Bonamassa’s storied career, the track captures his signature fusion of powerful guitar riffs, driving rhythms, and raw vocal swagger. Co-written with longtime collaborator Tom Hambridge, “Trigger Finger” is a hard-hitting, up-tempo anthem about resilience, reinvention, and the fire that fuels forward motion. 

With its fiery guitar work and no-nonsense lyrics, “Trigger Finger” finds Bonamassa leaning into a grittier, more rocking sound that highlights the album’s adventurous spirit. Produced by Kevin Shirley (Iron Maiden, The Black Crowes, Journey), Breakthrough was crafted across Greece, Nashville, and Los Angeles, blending global influences into a dynamic, genre-bending collection.
 
“Trigger Finger” follows the release of the album’s title track “Breakthrough,” a soulful and uplifting anthem of transformation, along with the moody, introspective “Shake This Ground” and the warm, groove-driven “Still Walking With Me.” Each of these singles showcases a different facet of Bonamassa’s evolving artistry and the emotional range of Breakthrough, his most stylistically diverse studio effort to date.

With over 50 albums, 28 #1 Billboard Blues albums, and a lifelong commitment to evolving the genre, Joe Bonamassa continues to set the standard for modern blues-rock. Breakthrough promises to further cement his legacy as one of the most innovative guitarists and songwriters of his generation.

The new single arrives as Bonamassa rides a wave of momentum. Fresh off a European tour with his supergroup Black Country Communion, he now sets his sights on summer dates across Europe, including sold-out shows in Ireland and appearances at iconic festivals like Montreux Jazz Festival and Bospop. His U.S. summer tour kicks off July 31st at The Greek Theatre in Los Angeles, with stops at Vina Robles Amphitheatre, Red Rocks, and more. In September, Bonamassa will headline the Bourbon & Beyond Festival before setting sail on the sold-out Keeping the Blues Alive at Sea Alaska cruise.
 
For more information on Breakthrough, tour dates, and VIP packages, visit jbonamassa.com.

CD Track list
1. Breakthrough
2. Trigger Finger
3. I'll Take The Blame
4. Drive By The Exit Sign
5. Broken Record
6. Shake This Ground
7. Still Walking With Me
8. Life After Dark
9. You Don't Own Me
10. Pain's On Me
 
VINYL Track list
 
Side A
1. Breakthrough
2. Trigger Finger
3. I'll Take The Blame
4. Drive By The Exit Sign
5. Broken Record
 
Side B
1. Shake This Ground
2. Still Walking With Me
3. Life After Dark
4. You Don't Own Me
5. Pain's On Me
 
JOE BONAMASSA - TOUR SCHEDULE
 
EUROPE SUMMER TOUR 2025
July 1 – Cork, IE – Live at The Marquee*
July 2 – Cork, IE – Live at The Marquee*
July 3 – Cork, IE – Live at The Marquee
July 6 – Klam, AT – Clam Castle
July 8 – Veszprém, HU – Veszprémfest
July 10 – Stuttgart, DE – Jazzopen Stuttgart
July 13 – Weert, NL – Bospop
July 16 – Montreux, CH – Montreux Jazz Festival
July 18 – Pordenone, IT – San Valentino Park
July 19 – Rome, IT – Auditorium Parco della Musica - Cavea

* Sold Out
 
U.S. SUMMER TOUR 2025
July 31 – Los Angeles, CA – The Greek Theatre
August 1 – Paso Robles, CA – Vina Robles Amphitheatre
August 3 – Bend, OR – Hayden Homes Amphitheater
August 5 – Airway Heights, WA – BECU Live at Northern Quest
August 6 – Pocatello, ID – Portneuf Health Trust Amphitheatre
August 8 – Morrison, CO – Red Rocks Amphitheatre
August 9 – Albuquerque, NM – Sandia Resort & Casino Amphitheater

SEPTEMBER 2025
September 7 – Chicago, IL – United Center*
September 9 – Chicago, IL – United Center*
September 12 – Louisville, KY – Bourbon & Beyond Festival
September 13 – Vienna, VA – Wolf Trap
September 15-21, 2025 – Seattle, WA – Keeping The Blues Alive at Sea ALASKA

 *Supporting The Who

U.S. FALL TOUR 2025
November 3 – Columbus, OH – Palace Theatre
November 5 – Toronto, ON – The Theatre at Great Canadian Toronto
November 7 – Detroit, MI – Fox Theatre
November 8 – Fort Wayne, IN – Embassy Theatre
November 10 – Rockford, IL – Coronado Theatre
November 11 – Kansas City, MO – The Midland Theatre
November 14 – Durant, OK – Choctaw Grand Theater
November 15 – Houston, TX – The Hobby Center
November 18 – Corpus Christi, TX – American Bank Center Selena Auditorium
November 19 – Abilene, TX – Abilene Auditorium
November 21 – Midland, TX – Wagner Noël Performing Arts Center
November 22 – Austin, TX – ACL Live at The Moody Theater
November 23 – Shreveport, LA – Shreveport Municipal Auditorium
November 25 – Fayetteville, AR – Walton Arts Center
November 26 – St. Louis, MO – Stifel Theatre
November 29 – New Orleans, LA – Saenger Theatre
November 30 – Montgomery, AL – Montgomery Performing Arts Centre
December 2 – Savannah, GA – Johnny Mercer Theatre
December 3 – Sarasota, FL – Van Wezel Performing Arts Hall
December 5 – Estero, FL – Hertz Arena
December 6 – Hollywood, FL – Hard Rock Live

Blues-rock titan Joe Bonamassa in partnership with Topeka has officially announced his first-ever curated land event: Joe Bonamassa’s Sound Wave Beach Weekend, an unforgettable, three-day immersive music experience set against the stunning backdrop of Miramar Beach, Florida. Catch the set you’ll never forget April 10–12th, 2026, featuring two exclusive headline performances from Bonamassa, artist collaborations, and an all-star lineup including Gov’t Mule, Kenny Wayne Shepherd, JJ Grey & Mofro, Grace Potter, Little Feat, Larkin Poe, Samantha Fish, Joanne Shaw Taylor, and Robert Jon & The Wreck.
 
In addition to Joe’s two unique performances, this one-of-a-kind beach weekend will feature special artist jams and collaborations, daily activities, and unforgettable moments with some of today’s most beloved and influential performers in blues, rock, soul, and Americana. When guests book during the presale they will receive a $100 per person merch credit. To sign up for the presale and reserve your spot, visit: https://soundwave.topeka.live
Redefining the music festival experience with a new level of hospitality and service, Topeka allows guests to immerse themselves in live music from the comfort of their own personal seated cove, complete with delivery of all food, drinks and merchandise within 5 minutes of ordering. The 5,500 capacity open air green space venue is a few minutes walk from guests’ lodging and to the beach. Offering a convenient, intimate and unique experience, guests spend the day under the sun at the beach and nights under the stars with their favorite artists.
 
The announcement comes amid a wave of career milestones for Bonamassa. His new studio album, Breakthrough, arrives July 18th via J&R Adventures. Described as his most genre-defying and emotionally resonant record to date, the album features the already-released singles, “Trigger Finger,” “Breakthrough,” “Still Walking With Me,” and “Shake This Ground.” Bonamassa continues to push the boundaries of modern blues with a fearless creative spirit and relentless dedication to the craft.
 
Following international dates with his supergroup Black Country Communion and his solo band, Bonamassa will return to the U.S. this summer for an amphitheater run that includes stops at The Greek Theatre (July 31), Red Rocks (August 8), and the Bourbon & Beyond Festival (September 12), before heading out on the Keeping the Blues Alive at Sea cruise to Alaska in September.
 
With Sound Wave Beach Weekend, Bonamassa deepens his commitment to his fans, the music community, live performance, and the future of blues-rock. For more information on the event, upcoming tour dates, and Breakthrough, visit jbonamassa.com.

JOE BONAMASSA - TOUR SCHEDULE

SOUND WAVE BEACH WEEKEND
April 10-12, 2026 – Sound Wave Beach Weekend – Miramar Beach, Florida
 
EUROPE SUMMER TOUR 2025
July 1 – Cork, IE – Live at The Marquee*
July 2 – Cork, IE – Live at The Marquee*
July 3 – Cork, IE – Live at The Marquee
July 6 – Klam, AT – Clam Castle
July 8 – Veszprém, HU – Veszprémfest
July 10 – Stuttgart, DE – Jazzopen Stuttgart
July 13 – Weert, NL – Bospop
July 16 – Montreux, CH – Montreux Jazz Festival
July 18 – Pordenone, IT – San Valentino Park
July 19 – Rome, IT – Auditorium Parco della Musica - Cavea
* Sold Out
 
U.S. SUMMER TOUR 2025
July 31 – Los Angeles, CA – The Greek Theatre
August 1 – Paso Robles, CA – Vina Robles Amphitheatre
August 3 – Bend, OR – Hayden Homes Amphitheater
August 5 – Airway Heights, WA – BECU Live at Northern Quest
August 6 – Pocatello, ID – Portneuf Health Trust Amphitheatre
August 8 – Morrison, CO – Red Rocks Amphitheatre
August 9 – Albuquerque, NM – Sandia Resort & Casino Amphitheater
 
SEPTEMBER 2025
September 12 – Louisville, KY – Bourbon & Beyond Festival
September 13 – Vienna, VA – Wolf Trap
September 15-21, 2025 – Seattle, WA – Keeping The Blues Alive at Sea ALASKA
 
DECEMBER 2025
December 6 – Hollywood, FL – Hard Rock Live

The 2025 Somewhere Festival & Conference has wrapped its second year, drawing more than 15,000 attendees from 31 states and 6 countries, and delivering on its promise of a transformative, community-driven experience that celebrates Wichita’s rich creative spirit.

Over two days of music, art, conversation, and collaboration, Somewhere brought together 105+ local visual and dance artists, nearly 190 musical artists, 51 conference speakers, 22 social change partners, and 24 community partners - all produced by Wichita’s creative community. From immersive art installations and skate ramp jams to genre-defying performances and thought-provoking panels, the event created space for people from all walks of life to gather, share, and co-create.

“This year proved what’s possible when vision meets collaboration,” said Jessie Hartke, CEO of Midtopia. “Wichita showed the world that we can build something meaningful from the ground up - no gatekeepers, just community, creativity, and heart.”

FESTIVAL HIGHLIGHTS INCLUDED:
 
• Attendees: 15,000+ from 31 states and 6 countries
• Artistic talent: 188 musical artists, 105+ visual & dance artists, 51 conference speakers
• Food & culture: 22 food vendors, 20+ Ramp Jam participants, dozens of interactive art and social change activations
• Community legacy: Harvester Arts-curated shipping container installations remain onsite as a lasting public art landmark
• Safety: Zero major safety incidents - a testament to community care and collaboration

Somewhere Festival served as a platform for homegrown talent, helping retain Wichita’s creative workforce by offering new platforms, freedom of expression, and access to broader audiences. The festival broke down silos—forging respect and collaboration across music, visual art, dance, skate, production, social impact, food, and more. Attendees described the event as a welcoming, safe space that crossed neighborhood lines, demographics, and scenes, and offered real opportunities for connection and social change.
 

Programming reflected this spirit of inclusivity and creativity: from national headliners like Deadmau5, Suki Waterhouse, Flying Lotus, and Aloe Blacc with 2ŁØT, to intimate sets from regional and local favorites. The conference sparked vital conversations with panels on mental health, artist advocacy, DIY touring, and marketing without social media, and workshops on PR, personal branding, tour routing, and live looping. The Change Starts Somewhere Block Party invited hundreds to engage in hands-on community-building around addiction recovery, economic mobility, education, and creative expression.
 

“This experience reminded all of us what’s possible when a group of passionate people align around a shared vision and values,” said Chase Koch, founder of Movement Musick. “Wichita showed the world that music, creativity, community, and collaboration can truly transform a city.

Primus has announced a limited-edition 7-inch vinyl release for their latest single, “Little Lord Fentanyl,” which will feature a newly recorded live version of “Duchess (And The Proverbial Mind Spread) – Live from the Mann Music Center, Philadelphia, PA” as the B-side, available now on all digital platforms. Pre-orders for the 7-inch vinyl - available in Burgundy, Gold, Grey, and White Vinyl variants - are live now, with physical copies set to be available on the road as the band kicks off their Onward & Upward summer tour in early July, and at retail starting August 15th.

 
Originally recorded for the Brown Album in 1998, “Duchess (And The Proverbial Mind Spread)” gets new life in this live version captured during the band’s recent Philadelphia performance. The track features the dynamic drumming of John Hoffman, Primus’ latest addition following the band’s Interstellar Drum Derby search.

 
In the course of the search, Hoffman was the only one who chose to play “Duchess (And the Proverbial Mind Spread).” His preparation paid off and was soon pressure-tested on the road. “He’s the only one that picked it, and he fucking killed it,” recalls Claypool. Hoffman’s command of the song and chemistry with the band can be heard on this new live recording. 

Available now in limited quantities, the 7-inch marks a special physical release for “Little Lord Fentanyl,” Primus’ first new song in over three years and their debut studio recording with Hoffman. Featuring a guest vocal from Maynard James Keenan (Tool, A Perfect Circle, Puscifer), the track has earned acclaim as “transgressive and comforting at the same time” (Stereogum) and “pure brain-melting oddness” (Metal Hammer).

 
With Hoffman now behind the kit, Primus are poised for a busy summer. The band just wrapped the Sessanta tour alongside A Perfect Circle and Puscifer, and will launch their Onward & Upward headline run on July 5th in Paso Robles, CA, hitting 24 cities nationwide with support from Ty Segall and MonoNeon. For more information and to purchase tickets, visit www.primusville.com.

ONWARD & UPWARD TOUR 2025
Saturday, July 5th – Vina Robles Amphitheatre – Paso Robles, CA*
Monday, July 7th – Sandy Amphitheater – Salt Lake City, UT*
Tuesday, July 8th – Snow King Mountain – Jackson, WY*
Wednesday, July 9th – Red Rocks Amphitheatre – Morrison, CO*
Friday, July 11th – The Salt Shed – Chicago, IL*
Saturday, July 12th – Grinders KC – Kansas City, MO*
Sunday, July 13th – The Pinnacle – Nashville, TN*
Tuesday, July 15th – Iroquois Amphitheater – Louisville, KY*
Wednesday, July 16th – Michigan Lottery Amphitheatre – Detroit, MI*
Friday, July 18th – Beak & Skiff Apple Orchards – Lafayette, NY*
Saturday, July 19th – Midway Lawn At Champlain Valley Expo – Essex Junction, VT*
Monday, July 21st – The Rooftop at Pier 17 – New York, NY*
Tuesday, July 22nd – Hartford HealthCare Amphitheater – Bridgeport, CT^
Wednesday, July 23rd – Red Hat Amphitheater – Raleigh, NC^
Friday, July 25th – Synovus Bank Amphitheater At Chastain Park – Atlanta, GA^
Saturday, July 26th – Live Oak Bank Pavilion – Wilmington, NC^
Monday, July 28th – Saenger Theater – New Orleans, LA^
Tuesday, July 29th – Shreveport Municipal Auditorium – Shreveport, LA^
Wednesday, July 30th – The Bomb Factory – Dallas, TX^
Friday, August 1st – Arizona Financial Theatre – Phoenix, AZ^
Saturday, August 2nd – Cal Coast Credit Union Open Air Theatre – San Diego, CA^
Sunday, August 3rd – Quarry Amphitheater – Santa Cruz, CA
Wednesday, August 6th – The Greek Theatre – Los Angeles, CA*
Thursday, August 7th – Channel 24 – Sacramento, CA
Friday, August 8th – Channel 24 – Sacramento, CA

* with Ty Segall
^ with MonoNeon