“Lifeguard,” the first track from Nahko And Medicine For The People’s forthcoming body of work slated for 2020, was just released – intentionally coinciding with the arrival of the new moon. The new moon is recognized in astrology as a time of resetting intentions and direction. For Nahko and his fans, it will be a celebration of new music. “Lifeguard” was produced and co-written by cut&dry and is currently being performed on the road as part of Nahko And Medicine For The People’s 50-date “Take Your Power Back” fall headline tour, which resumes on Thursday, November 7 and runs through Sunday, November 24.

“I wrote this song nearly ten years ago after I almost drowned in the ocean,” Nahko explains. “Perhaps I should say, it felt like I was about to drown. I was stuck on top of a reef, thrown out of my kayak, had zero energy left, life flashing before my eyes in a huge swell, and then my ninja girlfriend came paddling after me and tossed me a line. In life and in a capitalistic society where we are taught to consume beyond our realistic needs, it takes a strong-willed person to see through the nonsense and keep your head above water. The altruistic motto ‘give what you can, take what you need’ rings true in the sentiment here. What if more of us held ourselves responsible for unlearning colonialism and took capitalisms bullying more personal? That's what ‘Lifeguard’ is for me, a reflection of oneself within the chaos. As I evolve, so does my sound and with this first single we debut a mature production and a timely message for the world.”

Nahko And Medicine For The People is a group with a collective vision that sees and values music as a powerful redemptive, connecting and healing force. Featuring a multi-cultural line-up and a blend of a variety of styles, Nahko’s albums and live performances are a 21st-century medicine-show for the mind and soul, rooted in social, personal, and spiritual healing that appeal to the current growing consciousness of mainstream music lovers.

Born Joel Miguel Nahkohe-ese Parayno of Puerto Rican, Filipino, and Apache origins, Nahko was adopted at birth into a conservative Christian family. Instead of choosing to accept the orthodox lifestyle inherited from his adoptive parents, Nahko elected to challenge them. At the age of 17, he left his adopted family home in Portland, Oregon behind, headed first to Alaska and then to Hawaii, embarking on a voyage of self-discovery and marking the beginning of a deconstruction process, a reclaiming of identity, and the rebirth of Nahko and his unique heritage.

Armed with stories, a guitar, a background in classically trained piano, and a fierce set of ideals, Nahko has found refuge and enlightenment in the music he creates, his bond with his bandmates, his ancestors that guide him, and the earth that nurtures him.  The “Take Your Power Back” Tour is the latest chapter in Nahko’s journey to continually rediscover himself through music, and to bridge the cultural gaps that divide his own psyche. Music has allowed him to process life’s challenges, rounding down his sharp edges and opening himself up to compassion while at the same time simultaneously creating a direct platform for action. But taking your power back isn’t a one-size-fits-all ethos, he explains. Nahko hopes his music and example will encourage others to “take their power back” in their own unique ways.

Medicine For The People has created more than a community; it’s a movement of shared ideals that includes Nahko, the band, the music, and a devoted and rapidly growing fanbase, The Medicine Tribe. A passionate supporter of organizations like Honor The Earth, Amazon Watch, and Indigenous Regeneration, Nahko’s unique heritage has led him to a connection with nature that has played a pivotal role throughout his journey, introducing him to his bandmates, grounding him in times of adversity, and inspiring him during his live performances. “I think our music promotes the bridging of all tribes,” Nahko says. “The lyrics and the stories and our energy as a group break down people’s walls. I think that’s the most important thing you can do with music.”

Nahko And Medicine For The People’s most recent album Hoka (2016, SideOneDummy) debuted at #6 on the Billboard Alternative Albums chart. Nahko’s 2017 solo album, My Name is Bear (SideOneDummy), debuted at #1 on the iTunes Singer-Songwriter chart and #5 on the same chart in the UK. In 2019, Nahko And Medicine For The People’s 100+ date headline tour included a sold out show at Red Rocks Amphitheater, and the band performed at various major festivals both domestically and internationally, including Bonnaroo, Outside Lands, LOCKN’ Festival, Glastonbury, Byron Bay Bluesfest, and Colours of Ostrava.

Nahko And Medicine For The People – “Take Your Power Back” Tour:

NOV 9 - DENVER, CO - MISSION BALLROOM **
NOV 11 - FLAGSTAFF, AZ - ORPHEUM THEATER **
NOV 12 - PHOENIX, AZ - THE VAN BUREN **
NOV 14 - SAN DIEGO, CA - THE OBSERVATORY NORTH PARK ++
NOV 15 - LOS ANGELES, CA - THE FONDA THEATRE ++
NOV 16 - LOS ANGELES, CA - THE FONDA THEATRE ++
NOV 17 - SAN FRANCISCO, CA - THE WARFIELD ++
NOV 18 - ARCATA, CA - VAN DUZER THEATRE ++
NOV 20 - TACOMA, WA - THE SPANISH BALLROOM ++
NOV 21 - SEATTLE, WA - SHOWBOX SODO ++
NOV 22 - VANCOUVER, BC - COMMODORE BALLROOM ++
NOV 23 - PORTLAND, OR - McMENAMINS CRYSTAL BALLROOM ++
NOV 24 - PORTLAND, OR - McMENAMINS CRYSTAL BALLROOM ++
 
** with special guest Nattali Rize

++ with special guest Ayla Nereo

Ghost Hounds is a rock ‘n’ roll band at a time when the world needs more of them. The band’s new album recalls the universal appeal of rock’s ‘70s heyday, but with a fresh, crackling energy crafted by Tull, and voiced with fluid power by vocalist Tre’ Nation. The band’s gritty sound reflects the blue-collar heritage of its hometown of Pittsburgh; a versatile outfit whose music fits in an Iron City barroom or a stadium — such as the one in Maryland where Ghost Hounds opened for the Rolling Stones in July. There’s plenty of energy and rock ‘n’ roll abandon, along with tight playing and intricate songcraft.
 
“I think it’s a direct reflection of my own eclectic music tastes,” Tull says. “The Rolling Stones are my favorite band of all time, so a lot of this is inspired by the Stones. They fell in love with American blues. They have great country songs. Those things all appealed to me. Having all those different voices is important, and that’s what I want our band to have too.”
 
‘Roses Are Black’ certainly celebrates that diversity across its 12 tracks. “Bad News” spreads the good word of Ghost Hounds’ return by throttling up into some 12-bar fury, echoed later on in “Push That Rock Up the Hill” and “We Roll Hard.” “Skin in the Game” reflects that Stones love Tull speaks of, while “Black Rose” and “Fire Under Water” are classic rock tunes and “Almost Loved You” would sound at home in Nashville’s Bluebird Cafe. The group’s softer and soulful side is just as potent on tracks such as “When Your Shadow Touches Mine,” “Til It’s Gone” and “Second Time Around,” and Ghost Hounds’ treatment of “Devil Woman” shoots the Cliff Richards’ original through with high-test adrenaline, including biting guitar solos.

 
‘Roses Are Black’ represents an exciting new chapter in Ghost Hounds’ nearly 15-year story. Tull initially formed the band during the mid-2000s in Los Angeles, releasing a self-titled, Nile Rodgers-produced album in 2009. The group disbanded as Tull’s focus shifted elsewhere — starting a family and guiding his Legendary Entertainment to success with films such as the Christopher Nolan/Christian Bale Batman trilogy, the “Jurassic World” series, “Straight Outta Compton,” “The Hangover” and many more, along with comics, digital media and other ventures. But after selling Legendary in 2016, Tull still had the desire to, in the words of one of his songs, “push that old rock (and roll) back up the hill.”

“I missed music,” Tull explains. “I missed writing. I missed performing. I missed the camaraderie of a band. I decided this was something I really wanted to do.”
 
Ghost Hounds’ new lineup – Tull, guitarist Johnny Baab, bassist Bennett Miller, drummer Blaise Lanzetta and powerhouse vocalist Tre Nation – are looking forward to making their case back on the road. “All of these songs to me just come alive in the band’s performance,” Tull says. “We tracked every song live, and we wanted this to be, in some ways, an old-fashioned record, where you can listen to the record and then go hear the band and say, ‘Yeah, that’s the song I heard.’ There’s nothing we can’t pull off live.”
 
‘ROSES ARE BLACK’ TRACKLIST
1. Bad News
2. Black Rose
3. When Your Shadow Touches Mine
4. Devil Woman
5. Til It’s Gone
6. We Roll Hard
7. Push That Rock Up The Hill
8. Skin In The Game
9. Fire Under Water
10. Second Time Around
11. Almost Loved You
12. Second Time Around (Acoustic)
 
GHOST HOUNDS IS:
Vocals – TRE NATION
Guitar – JOHNNY BAAB
Guitar – THOMAS TULL
Bass – BENNETT MILLER
Drums – BLAISE LANZETTA
Keyboard – JOE MUNROE

When Larry Campbell, the GRAMMY winning producer and longtime collaborator of Levon Helm, says he wants to collaborate – you listen. Just ask Roger Street Friedman, the award-winning, NY-based singer-songwriter, whose “autobiographical, cinematic, blunt, and honest” songwriting has been compared to James Taylor, Randy Newman, and Jackson Browne (The Aquarian). With the release of ‘Rise,’ the songwriter’s third studio album produced by Campbell, Friedman has crafted nothing less than a true expression - a statement of purpose that resonates as a career milestone - thanks in part to a partnership with Campbell that far exceeded Friedman’s expectations.
 
“One thing I know now, after working with Larry on this album, is how important the producer is,” Friedman explains, “how important the process is, the vibe -- having the right players, how every element has a place and how one thing could be the straw that breaks the camel’s back if you’re not careful. And most of all, how important it is to serve the song.”

Recorded at his home studio in Sea Cliff, NY, ‘Rise’ features the type of honest, vulnerable songwriting that has won Friedman praise everywhere from USA Today to No Depression - reflective vignettes recalling the singer-songwriter tradition of Marc Cohn and Robbie Robertson, set to a blend of folk-rock, progressive Americana, and soulful R&B. Co-written with a number of Nashville based songwriters, the album’s 12 tracks feature stories so vivid that we feel genuinely inside their characters -- whether it’s the Vietnam veteran “takin’ fire from Uncle Sam” upon his return, or the housewife questioning her life in “Over and Over.” There’s an honesty, immediacy, and urgency to Friedman’s singing throughout the album, while the song arrangements are fat-free blends of Americana genre-splicing, from the twang of “Last Train to Babylon” to the rocking punch of “Outcasts of Love,” the Celtic anthemics of the title track and the Jimmy Buffett ebullience of “Tough Crowd.”
 
“I think I took a lot more risks with the songs on this album,” Friedman says. “Not everything has a happy ending. My voice is also way more out front than it’s been on the other records, which feels pretty vulnerable to me. I’m just trying to go deeper, really trying to get to the heart of the matter.”
 
It helps, of course, that music is indeed the heart of Friedman’s matter. Friedman was bitten by the music bug early, learning to write songs and even developing his studio engineering skills. It was an avocation, however, until a combination of events -- the deaths of his father and mother, marriage and, later, the births of his two children -- steered Friedman back to music, leading to the acclaimed 2014 debut ‘The Waiting Sky’ and 2017’s ‘Shoot The Moon,’ which reached #2 on the Roots Music Report Americana Country Album Chart and spent 25 weeks in the top 20. Friedman met Campbell when the latter played on ‘The Waiting Sky’ and the two kept in touch. After sifting through more than 30 songs that Friedman sent him to consider, Campbell readily agreed to produce ‘Rise.’
 

Recorded with a crew led by Campbell, ‘Rise’ features Friedman’s rhythm section of Jim Toscano and Matt Schneider, keyboard phenom Jason Crosby (Phil Lesh, John Mclaughlin), Campbell’s wife Teresa Williams, and Lucy Kaplansky on backing vocals. “I think the creative mission was really to take the songs as far as they could go, with some compelling arrangements that highlight the songwriting as much as possible.” The album was mixed by Justin Guip at Milan Hill Studios in Milan, NY. 
 
A frequent performer on the music festival circuit, Friedman is looking forward to bringing the material from ‘Rise’ on the road this winter, beginning with a performance at Nashville’s City Winery on March 5th.
 
Roger Street Friedman Tour Dates
Thursday, March 5th – City Winery – Nashville, TN
Saturday, March 7th – Blue Plate Special – Knoxville Visitors Center – Knoxville, TN
Saturday, March 7th – Down Home – Johnson City, TN
Sunday, March 8th – Flat Iron – Greensboro, NC
Wednesday, March 11th – New Deal Café – Greenbelt, MD
Friday, March 13th – The Living Room at 35 East – Ardmore, PA
Wednesday, April 22nd – My Father’s Place at The Roslyn Hotel – Roslyn, NY
Saturday, May 23rd – Philadelphia Folk Song Society – Philadelphia, PA
Friday, July 24th – Hawks and Reed Performing Arts Center – Greenfield, MA
Saturday, July 25th – Sandisfield Art Center – Sandisfield, MA
Friday, September 25th – Grinder House Coffee Shop, LLC – Crossville, TN
Sunday, September 27th – Isis Music Hall – Asheville, NC

Tomorrow, February 21st, Sonny Landreth will be releasing his new studio album ‘Blacktop Run’ via Provogue/Mascot Label Group. ‘Blacktop Run’ follows the Louisiana slide-guitar icon's previous Grammy nominated album ‘Recorded Live In Lafayette’ (2017) and his back-to-back Blues Music Awards for Best Guitarist and Best Blues Album for ‘Bound by the Blues’ (2015).

His groundbreaking work has long mixed familiarity with experimentation, and his latest ten-song collection stretches from hard-edged electric instrumentals to wistful acoustic ballads. The project’s range is the fruit of a renewed collaboration. Producer RS Field – who helmed Landreth’s trio of breakout albums – joined the six-stringer and co-producer Tony Daigle to finish the record.

“His brilliance and creative energy recharged us,” Landreth said of reuniting with Field. Most of the tracks were recorded live at famed Dockside Studios on the Vermilion River south of Lafayette, LA. “We came up with new and better ideas, and that’s what you want,” he added. “It couldn’t have gone better.”

A quartet of instrumentals highlights the expressive power of bassist David Ranson, drummer Brian Brignac and multi-talented keyboardist/songwriter Steve Conn. The sultry, slow zydeco pulse of “Lover Dance With Me” features Landreth trading in his signature glass slide for his guitar’s tremolo arm and a rotating Leslie speaker cabinet. “Mule” follows, with its tailgate rhythm bouncing through a his-and-her tale of unrequited love.

“Groovy Goddess” takes the listener into harder-edged jazz-rock territory, showcasing his slide guitar prowess.“Honestly, I think the purest form of music is improvised,” the bandleader says. “When it flows, it’s exhilarating. It just seems to come out of nowhere and connect your heart and soul to your fingertips.”

The first of two Conn compositions follows with a new arrangement built around a guitar tuning Landreth developed but had not yet used in the studio. “Somebody Gotta Make A Move” also features its composer on Wurlitzer electric piano and Hammond B-3 organ. “Beyond Borders” picks up the pace and features Conn in a role originally envisioned for Carlos Santana. Landreth composed the instrumental for From The Reach, his 2008 release featuring guest artists Eric Clapton, Eric Johnson, Vince Gill and others. “It’s complex,” Landreth says, “and now seems tailor-made for Steve.”

“The Wilds of Wonder” is a cinematic tribute to the brave folks working on the front lines of our planet’s environmental crises. And the shape-shifting instrumental “Many Worlds” builds on the previous number’s rich textures to bring the record to its final cut, “Something Grand,” the first Landreth recording in years without a guitar solo.

After two Grammy nominations, multiple appearances at Clapton’s Crossroads Guitar Festival and wide-ranging acclaim from fellow players and fans worldwide, Landreth is looking forward to playing the new material live. “It’s all about telling the story,” Landreth says, “and as long as I can find my way up that path, I’m all in.” As the songwriter’s narrator sings in the title number of Blacktop Run, “A new day is dawning and I have never felt so alive.” 

As an all-time icon and GRAMMY-winning giant, we have grown used to seeing George Benson on the stages that befit his sky-high status. During a six-decade career marked by awards, acclaim and Billboard-topping output, the Pittsburgh, Hill District-born veteran has earned his place in both the history books and the biggest venues around the world. So it’s a rare treat – and a whole different thrill – to find this megastar going nose-to-nose with the breathless 250-capacity crowd at London’s prestigious Ronnie Scott’s Jazz Club.  
 
Benson has released "Give Me The Night," the first taste of his upcoming ‘Weekend In London’ live album, which will be released later in 2020 via Provogue, a division of Mascot Label Group.
 
Only a handful of lucky fans were present as the lights went down that magical night in 2019.  The evening opened with the 1980 worldwide smash hit "Give Me The Night," and fans were treated to a glorious 7 minute rendition of the song.  “I like that kind of intimacy,” says Benson of his visit to Ronnie Scott’s Jazz Club. “I can feel the love when it’s up close and personal.”
 

During a time when we are all practicing social distancing, Benson transports the listener to the magic and intimacy of the night, but from the safety of your own home.
 
More details will be announced soon.

The world is going through an extremely difficult time, with a number of countries imposing lockdowns, curfews, and social distancing rules that help protect us, but that also result in isolation. In times like this, we are more aware than ever of the value of life, love, and friendship. Beth Hart fans have always been a community - a family even – and on the singer’s new video for “No Place Like Home” they have come together to show acts of love and happiness. You can watch the video here:

Although we are going through an unprecedented time, with millions of us being asked to stay at home, we can make this time with the people we love shine through more than ever and help make a difference.

Beth Hart can make the biggest arena or auditorium feel intimate, and "No Place Like Home" evokes that feeling, right now more poignantly than ever. Taken from the 2016 album ‘Fire on the Floor,’ the heartwarming video features footage of fans with their families, grandparents, children, loved ones and friends, all coming together to show how a little act of love can have a sprawling ripple effect.

The video features fans from around the world. Locations include the Faroe Islands, Kurdistan, Mexico, Lithuania, Mongolia, Morocco, Canada, Iraq, Argentina, Cyprus, Italy, Romania, Bulgaria, Croatia, Greece, Iran, Portugal, Turkey, UK, US, Ireland, France, the Netherlands, Belgium, Germany, Poland, Sweden, Norway, Spain, Belgium and Australia.

“When I saw the video I cried, as I recognized so many of you,” said Hart. “You guys looked so sweet, loving, and happy and it just blew my mind. I think I cried for two hours after. Thanks you forever guys, I love you so much. There really is no place like home.”

“Beth and her fans never cease to amaze me,” said long-time manager David Wolff. “This video is so loving, hopeful and inspiring. Thank you to everybody that made this possible.”

“No Place Like Home” shows that love is love, love is strong, and that home is where you are happiest. There really is no place like home. We will all get through this and we will all come through stronger.

Please follow the advice of your local government and health authorities.

Gideon King & City Blog continue their remarkable sonic evolution with ‘Love Knot,’ a dazzling, three-song EP due out on May 29th.  Hinting at everything from Seal and Lianne La Havas to Stevie Wonder and Steely Dan, the collection is both sophisticated and accessible, weaving its way through unexpected changes with lush arrangements and addictive hooks that blur the lines between jazz, rock, folk, and soul.  King’s gifts as a writer and instrumentalist are on full display here, but more than anything, ‘Love Knot’ is a testament to the chemistry he’s able to generate with his bandmates in GKCB, an all-star group whose virtuosity adds up to far more than the sum of its parts.

Recorded over the course of three intensive days at King’s Hudson Valley studio, ‘Love Knot’ explores romantic relationships from a variety of perspectives, examining all the harmony and dissonance that inevitably result when two human beings come together as one.  King writes about love with great wit and nuance on the EP, painting evocative, sometimes abstract portraits of men and women struggling to reconcile with the inexplicable energy of love. The intoxicating title track, for instance, reflects on the uncertainty lurking beneath the surface of a new relationship (“Is it over? Or is it just beginning?” vocalists Caleb Hawley and Alita Moses sing back and forth), while the slinky “Go Along To Get Along” spins a captivating tale about a male contract killer and his lover, and the breezy “Cliff” looks back on a breakup with equal parts regret, bitterness, and humor.

“These aren’t love songs, per se,” says King.  “They’re songs about the crosswinds and jagged edges of relationships.”

Gideon King first launched City Blog in 2015 as a studio project with a rotating cast of players that included the likes of guitar pioneer John Scofield (Charlies Mingus, Miles Davis), sax legend Donny McCaslin (David Bowie, Bobby McFerrin), renowned vocalist Marc Broussard, and SNL bassist James Genus (Herbie Hancock, Chick Corea), among others.  The group’s full-length studio debut, ‘City Blog,’ earned glowing reviews, with the Huffington Post dubbing it “some of the most complex and satisfying music you may ever hear.”  GKCB’s 2018 follow-up, ‘Upscale Madhouse,” was met with even more critical raves, and the response encouraged King to take the project out of the studio and onto the stage with a core live ensemble that began performing to packed houses at iconic New York clubs like The Blue Note, Joe’s Pub, and City Winery.  ‘Love Knot’ marks King’s first collection recorded with the members of that core live band—pianist/music director Bryan Reeder, bassist Jeff Hanley, drummers Jake Goldbas, Diego Ramirez, and Zach Mullings, and vocalists Caleb Hawley, Alita Moses, and Sonny Step—and showcases the exhilarating mix of spontaneity and precision that have garnered them such a devoted following.

Funk legend Maceo Parker is set to release his first studio album in eight years, ‘Soul Food - Cooking with Maceo,’ on June 26th. His 16th solo album and first release on Mascot Label Group's new imprint, The Funk Garage, the album finds Parker signature punchy saxophone sound partnering with New Orleans Funk royalty to cook up a fresh selection of Soul and Funk classics, as well as Parker originals. The album was recorded at New Orlean's House of 1000hz with Andrew “Goat” Gilchrist and producer Eli Wolf (Norah Jones, Madlib, Al Green).

‘Soul Food - Cooking with Maceo’ blends raw, old school funk with the flavors of New Orleans, featuring collaborations with Ivan Neville, Nikki Glaspie, Tony Hall, and a host of local musicians. The funky flavor of the city weaves its way through the album, as Maceo and the band take on iconic songs from Mississippi masters like Dr. John ("Right Place, Wrong Time") The Meters ("Just Kissed My Baby") and Allen Toussaint ("Yes, We Can Can), as well as Aretha Franklin’s "Rock Steady," Prince’s "The Other Side of the Pillow" and David "Fathead" Newman's "Hard Times." We also get funky workouts from Parker's own back catalogue on ‘M A C E O’ and ‘Cross The Track," the staple song of Giles Peterson's iconic WAG Club in Soho, London in the 1980s.

It is almost impossible to separate which came first - Maceo or the Funk. He has played with each and every leader in the funk genre, starting with James Brown in the 1960s before jumping aboard the Mothership Connection with Parliament-Funkadelic, and later spending a decade collaborating with Prince.

Maceo’s career as a band leader began in 1970, and since embarking on a second solo career in 1990 he has released a catalogue of stunningly evocative releases from Maceo and All The King’s Men ‘Doing Their Own Thing’ (1972) all the way to 2012s ‘Soul Classics.’ This is not to mention working with titans of the music world such as Keith Richards, Bryan Ferry, Living Color, Dave Matthews Band, Red Hot Chili Peppers, Jane’s Addiction and De La Soul. He has also been sampled by hip hop icons including the Notorious B.I.G., 2Pac and Busta Rhymes.
 
In the 1994 documentary ‘My First Name is Maceo,' George Clinton said, ”You just transcend things and just be energy and beautiful, that’s where Maceo can play and sing, to me, that’s where I really enjoy Maceo the most.”

“One of the things that I have enjoyed about being an artist is that sooner or later it’s time to record new material. Somehow, this time around, we decided to cover some tunes. So, that’s what this album is all about. In the studio, you have the luxury of recording songs by groups that you have enjoyed throughout the years. 

Once you become a recording artist, there’s a satisfaction that you are now part of the collective group of artists that you admire. 

Maceo & All the King’s Men was the first band I formed after leaving James Brown’s group. There is a sense of pride when, as a musician, you reach a level where your own material is in stores and being played on the air. It’s almost like graduating from local musician to world-renown artist. So it was fun to revisit two songs from that period.

I’ve always been inspired by everyone, simply everyone who has worked with Ray Charles, including the Raelettes and Hank Crawford, so it’s especially nice to have included a David “Fathead” Newman tune on the album. I’ve worked with the Meters, with Dr John and Aretha Franklin over the course my rather long career, so it’s a pleasure to include some of their songs.

More than anything I miss Prince. He was a genius, so it was special to re-record a song he and I had once toyed with idea of releasing and give it that special New Orleans feel while also referencing the person I most admired growing up, the Genius Mr Ray Charles.” - Maceo Parker

'Soul Food Cooking With Maceo' Track List
1. Cross The Track
2. Just Kissed My Baby
3. Yes We Can Can
4. M A C E O
5. Hard Times
6. Rock Steady
7. Compared To What
8. Right Place Wrong Time
9. Other Side of the Pillow
10. Grazing In The Grass

Funk legend Maceo Parker has just released "Hard Times," the next single from his first studio album in eight years, ‘Soul Food - Cooking with Maceo,’ out June 26th. "I have always loved and all the saxophonists who played  with Ray Charles," said Maceo, "and it was such a pleasure to record this track written by David "Fathead" Newman - to whom I presented a Pioneer Award from the Rhythm and Blues Foundation in 1997."

His 16th solo album and first release on Mascot Label Group's new imprint, The Funk Garage, 'Soul Food - Cooking with Maceo' finds Parker partnering with New Orleans Funk royalty to cook up a fresh selection of Soul and Funk classics, as well as Parker originals. The album was recorded at New Orleans' House of 1000hz with Andrew “Goat” Gilchrist and producer Eli Wolf (Norah Jones, Madlib, Al Green).

‘Soul Food - Cooking with Maceo’ blends raw, old school funk with the flavors of New Orleans, featuring collaborations with Ivan Neville, Nikki Glaspie, Tony Hall, and a host of local musicians. The funky flavor of the city weaves its way through the album, as Maceo and the band take on iconic songs from Mississippi masters like Dr. John ("Right Place, Wrong Time") The Meters ("Just Kissed My Baby") and Allen Toussaint ("Yes, We Can Can), as well as Aretha Franklin’s "Rock Steady," Prince’s "The Other Side of the Pillow" and David "Fathead" Newman's "Hard Times." We also get funky workouts from Parker's own back catalogue on ‘M A C E O’ and ‘Cross The Track," the staple song of Giles Peterson's iconic WAG Club in Soho, London in the 1980s.

It is almost impossible to separate which came first - Maceo or the Funk. He has played with each and every leader in the funk genre, starting with James Brown in the 1960s before jumping aboard the Mothership Connection with Parliament-Funkadelic, and later spending a decade collaborating with Prince.

Maceo’s career as a band leader began in 1970, and since embarking on a second solo career in 1990 he has released a catalogue of stunningly evocative releases from Maceo and All The King’s Men ‘Doing Their Own Thing’ (1972) all the way to 2012s ‘Soul Classics.’ This is not to mention working with titans of the music world such as Keith Richards, Bryan Ferry, Living Color, Dave Matthews Band, Red Hot Chili Peppers, Jane’s Addiction and De La Soul. He has also been sampled by hip hop icons including the Notorious B.I.G., 2Pac and Busta Rhymes.
 

In the 1994 documentary ‘My First Name is Maceo,' George Clinton said, ”You just transcend things and just be energy and beautiful, that’s where Maceo can play and sing, to me, that’s where I really enjoy Maceo the most.”

“One of the things that I have enjoyed about being an artist is that sooner or later it’s time to record new material. Somehow, this time around, we decided to cover some tunes. So, that’s what this album is all about. In the studio, you have the luxury of recording songs by groups that you have enjoyed throughout the years. 

Once you become a recording artist, there’s a satisfaction that you are now part of the collective group of artists that you admire. 

Maceo & All the King’s Men was the first band I formed after leaving James Brown’s group. There is a sense of pride when, as a musician, you reach a level where your own material is in stores and being played on the air. It’s almost like graduating from local musician to world-renown artist. So it was fun to revisit two songs from that period.

I’ve always been inspired by everyone, simply everyone who has worked with Ray Charles, including the Raelettes and Hank Crawford, so it’s especially nice to have included a David “Fathead” Newman tune on the album. I’ve worked with the Meters, with Dr John and Aretha Franklin over the course my rather long career, so it’s a pleasure to include some of their songs.

More than anything I miss Prince. He was a genius, so it was special to re-record a song he and I had once toyed with idea of releasing and give it that special New Orleans feel while also referencing the person I most admired growing up, the Genius Mr Ray Charles.” - Maceo Parker

'Soul Food Cooking With Maceo' Track List
1. Cross The Track
2. Just Kissed My Baby
3. Yes We Can Can
4. M A C E O
5. Hard Times
6. Rock Steady
7. Compared To What
8. Right Place Wrong Time
9. Other Side of the Pillow
10. Grazing In The Grass

Funk legend Maceo Parker has just released a new take on "Other Side Of The Pillow" by Prince, whom he collaborated with for a decade after his work with James Brown, Parliament-Funkadelic, and George Clinton. Originally recorded at Paisley Park for Prince's 21st LP, 'The Truth,' the song is featured on ‘Soul Food - Cooking with Maceo,’ Parker's first studio album in eight years, out next Friday, June 26th. 

"I am really pleased to be including a Prince song on this album," Parker said. "I recorded this song back in 2002 with Prince but we never got to finish it. We recorded it again freshly in New Orleans for the new album and it pays tribute to two geniuses, Prince and Ray Charles. Also two very important people to me. I hope you enjoy it.” 

"More than anything I miss Prince," Parker continued. "He was a genius, so it was special to re-record a song he and I had once toyed with idea of releasing and give it that special New Orleans feel while also referencing the person I most admired growing up, the Genius Mr Ray Charles.”

His 16th solo album and first release on Mascot Label Group's new imprint, The Funk Garage, 'Soul Food - Cooking with Maceo' finds Parker partnering with New Orleans Funk royalty to cook up a fresh selection of Soul and Funk classics, as well as Parker originals. The album was recorded at New Orleans' House of 1000hz with Andrew “Goat” Gilchrist and producer Eli Wolf (Norah Jones, Madlib, Al Green).

‘Soul Food - Cooking with Maceo’ blends raw, old school funk with the flavors of New Orleans, featuring collaborations with Ivan Neville, Nikki Glaspie, Tony Hall, and a host of local musicians. The funky flavor of the city weaves its way through the album, as Maceo and the band take on iconic songs from Mississippi masters like Dr. John ("Right Place, Wrong Time") The Meters ("Just Kissed My Baby") and Allen Toussaint ("Yes, We Can Can), as well as Aretha Franklin’s "Rock Steady" and David "Fathead" Newman's "Hard Times." We also get funky workouts from Parker's own back catalogue on ‘M A C E O’ and ‘Cross The Track," the staple song of Giles Peterson's iconic WAG Club in Soho, London in the 1980s.

Whether it be on the banks of the Mississippi River or deep in the heart of the English countryside, rock ‘n’ roll lives, breathes, and burns on the outskirts. Hailing from Rome, GA at the foothills of the Appalachian Mountains, The Georgia Thunderbolts rise up with a scorching signature style steeped in soulful southern swagger, blistering blues, and raw rock. Out August 21st via Mascot Records, the quintet’s self-titled debut EP conjures a tried-and-true spirit through a fresh fire. In a premiere of the EP’s opening track “Looking For An Old Friend,” American Songwriter called the song “timeless.”

“We’re going for that timeless and classic sound with a modern twist and newer attitude,” exclaims TJ Lyle, the lead vocalist for the group that also features Riley Couzzourt [guitar], Logan Tolbert [guitar], Zach Everett [bass, harmony vocals, keys], and Bristol Perry [drums]. “We all grew up on rock music,” Riley adds. “If I could think of three words to describe us, they would be ‘Hardworking, Determined, and Humble’.” Bristol grins, “If I could think of three words, they would be ‘Rock And Roll’.”
 
With a wide swath of inspirations, ranging from southern gospel and Hank Williams to Merle Haggard, Neil Young, Little Feat, Ozzy Osbourne, and Lynyrd Skynyrd, the band cut their teeth performing with everyone from The Kentucky Headhunters to Blackberry Smoke. Shortly after, they hit the iconic Barrick Recording Studio in Glasgow, KY to record with producer Richard Young. The resulting EP comprises undeniable anthems steeped in anthemic riffs, wild harmonica, and pulse-pounding drums.
 
From the bluesy blend of “So You Wanna Change The World,” to “the first song we ever wrote,” the dynamic “Looking For An Old Friend,” The Georgia Thunderbolts rustle up a new era of rock ‘n’ roll on their dynamic five-song EP. The seven minute-plus “Set Me Free” rolls from a hummable riff towards evocative soloing and an epic final crescendo, while “Lend A Hand” stomps along on a wild lick before a sweeping and soaring refrain.
 
In many ways, “Spirit Of A Workin’ Man” doubles as a calling card for the band. “That’s our anthem,” smiles TJ. “It’s got a deep lesson to it. You can’t knock down the little man. Everybody has a say-so. You strive to do better, persevere, and pull through hard times, if you have a strong faith and spirit.” “I relate the song to our band as a whole,” Riley elaborates. “We all grew up humble. We’re still humble. We’ll always be humble to the end. We were raised right to be five working men. It’s who we are.”
 
“In Georgia, you hear Lynyrd Skynyrd, The Allman Brothers, and all of the greats everywhere,” Riley and Logan conclude. “Rock and roll is something that comes naturally for us. We love it and are in it for the long haul. We feel like we can bring it back.”

Pre-order The Georgia Thunderbolts debut EP: https://smarturl.it/TheGAThunderbolts

 
‘The Georgia Thunderbolts’ EP – Out August 21st
1. Looking For An Old Friend
2. So You Wanna Change The World
3. Lend a Hand
4. Spirit Of A Workin’ Man
5. Set Me Free

Since The Blues Podcast started in February 2020, it has launched episodes on the last Tuesday of every month. Past guests have included everyone from the queen of modern blues Beth Hart and guitarslinger Walter Trout to world famous pedal steel player Robert Randolph.

This month's guest is none other than the legendary guitarist, singer and songwriter Warren Haynes. He discusses everything from his musical heroes and his first guitar, to his experience joining the Allman Brothers Band and his many guest appearances. With so much to say, the episode is split into two parts, with the final part launching in September.

The Blues Podcast is presented by the inimitable Big Boy Bloater – the current drive time presenter for Feedback Radio and former host of the popular Blues Magazine Show for Team Rock Radio. The naturally charming Big Boy Bloater knows what makes musicians tick and how to get inside their head, which is what makes The Blues Podcast so special – to find out about the person behind the music. It’s a chat amongst friends where they sit down and chew the fat of life and what has shaped them into who they are.

The Blues Podcast is available on a number of platforms such as Apple Podcast/iTunes, Spotify, Google Podcast, YouTube, and PodBean between audio and video format on the last Tuesday of every month.
 
The Blues Podcast online:
 
YouTube: youtube.com/channel/UCf8ePDsTiKRjvcmKUjDGYZg
Facebook: facebook.com/TheBluesPodcastOfficial
Instagram: instagram.com/thebluespodcastofficial

To mark the release of the band's self-titled, debut EP today, The Georgia Thunderbolts have released a new video for "So You Wanna Change The World," channeling the "timeless" spirit that's been praised by everyone from Rolling Stone Country to American Songwriter. “'So You Wanna Change the World’ sends a positive message from The Georgia Thunderbolts to all people young and old everywhere," the band explains. "It’s never too late to make our world a better place for everyone. Stay positive, humble and love one another. That’s our motto. Let’s all change our world one day at a time together.”

Whether it be on the banks of the Mississippi River or deep in the heart of the English countryside, rock ‘n’ roll lives, breathes, and burns on the outskirts. Hailing from Rome, GA at the foothills of the Appalachian Mountains, The Georgia Thunderbolts’ debut EP features their scorching signature style steeped in soulful southern swagger, blistering blues, and raw rock. With a wide swath of inspirations, ranging from southern gospel and Hank Williams to Merle Haggard, Neil Young, Little Feat, Ozzy Osbourne, and Lynyrd Skynyrd, the band cut their teeth performing with everyone from The Kentucky Headhunters to Blackberry Smoke. Shortly after, they hit the iconic Barrick Recording Studio in Glasgow, KY to record with producer Richard Young.

The resulting EP comprises undeniable anthems steeped in anthemic riffs, wild harmonica, and pulse-pounding drums. From the bluesy blend of “So You Wanna Change The World,” to “the first song we ever wrote,” the dynamic “Looking For An Old Friend,” The Georgia Thunderbolts rustle up a new era of rock ‘n’ roll on their dynamic five song EP. The seven minute-plus “Set Me Free” rolls from a hummable riff towards evocative soloing and an epic final crescendo, while “Lend A Hand” stomps along on a wild lick before a sweeping and soaring refrain.

“We’re going for that timeless and classic sound with a modern twist and newer attitude,” exclaims TJ Lyle, the lead vocalist for the group that also features Riley Couzzourt [guitar], Logan Tolbert [guitar], Zach Everett [bass, harmony vocals, keys], and Bristol Perry [drums]. “We all grew up on rock music,” Riley adds. “If I could think of three words to describe us, they would be ‘Hardworking, Determined, and Humble’.” Bristol grins, “If I could think of three words, they would be ‘Rock And Roll’.”
 
In many ways, “Spirit Of A Workin’ Man” doubles as a calling card for the band. “That’s our anthem,” smiles TJ. “It’s got a deep lesson to it. You can’t knock down the little man. Everybody has a say-so. You strive to do better, persevere, and pull through hard times, if you have a strong faith and spirit.” “I relate the song to our band as a whole,” Riley elaborates. “We all grew up humble. We’re still humble. We’ll always be humble to the end. We were raised right to be five working men. It’s who we are.”
 

“In Georgia, you hear Lynyrd Skynyrd, The Allman Brothers, and all of the greats everywhere,” Riley and Logan conclude. “Rock and roll is something that comes naturally for us. We love it and are in it for the long haul. We feel like we can bring it back.”

Today, on the eve of the 15th anniversary of Hurricane Katrina, New Orleans’ funk ensemble, Dumpstaphunk releases “Where Do We Go From Here,” the first single and title-track off their forthcoming album. The song is available on all digital platforms worldwide; listen by visiting the link HERE. 
 
"Where Do We Go From Here" really comes more from my perspective on life in general, than being specifically about Katrina or the unprecedented events of the last 6 months. I mean those of us from here (New Orleans) were asking ourselves this same question 15 years ago, not knowing what the future of our city would hold. Looking at where we are now, we stand at a different crossroads given the uncertainty of a worldwide pandemic, the struggles we're facing with social injustice and systemic racism, and the turmoil in a controversial election year. It is a question we are asking ourselves again. The song remains an optimistic point of view towards facing the challenges of the future and the unknown."
 
“Myself, Nick [Daniels] and Tony [Hall] were kids during the 60’s-70’s, so we saw a lot growing up,” says the group’s founding member Ivan Neville. “We see the same stuff still going on - the systemic racism, the racial profiling, all the social injustice. We’re at a crossroads right now in this country, and something’s got to change.  At the same time, lyrically speaking, Dumpstaphunk is putting out a conscious message of optimism in confronting the challenges of the unknown.”
 
Over the past 17 years, Dumpstaphunk has earned its reputation as the most well-regarded, next-generation New Orleans live powerhouses, the type of band whose live shows attract sit-ins from legends like Carlos Santana, Bob Weir, Trombone Shorty and many more. Dumpstaphunk’s founding members Ivan Neville (vocals/keyboards) Ian Neville (guitar) Tony Hall (bass/guitar/vocals) and Nick Daniels (bass/vocals) along with newest members Alex Wasily (trombone) and Deven Trusclair (drums), have built upon the Neville family’s iconic NOLA legacy as they’ve transformed into the city’s pre-eminent 21st-century funk-fusion export. Modernizing and reinvigorating the Neville family groove has been one of the driving forces of Dumpstaphunk since the band spontaneously formed during New Orleans Jazz & Heritage Festival in 2003.
 
“Obviously, the New Orleans history is just embedded in us, but we manage to incorporate all the other stuff we’ve listened to over the years,” says Ivan. “We’re representing a legacy, but we’re reimagining a lot of it too.”

“Where Do We Go From Here” will be featured on the band’s upcoming 4th studio album, slated for release this Fall 2020 via Mascot Label Group / The Funk Garage.
 
“We hope people can hear the new songs and are inclined to dance while being inspired to think at the same time,” Ivan continues, referring to the band’s delicate balance between topic material and dance-floor rockers. Or, as Ian describes the tone of the album, “subtle but pertinent.”
 
Stay tuned for additional updates.

On November 13th, GRAMMY-winning jazz icon George Benson will release ‘Weekend In London,’ an electrifying new live album capturing his 2019 performance at London’s intimate 250-seat Ronnie Scott’s Jazz Club. Only a handful of lucky fans were present as the lights went down that magical night in 2019. But now, Kevin Shirley’s dynamic production is your invitation to slide onto Ronnie Scott’s red velvet banquette and catch the sparks as Benson’s honeyed vocal and fluid licks drive the finest live outfit in modern jazz.
 
“We captured a lot of the atmosphere on ‘Weekend In London,’” says Shirley. “It was very crowded, like it always is at Ronnie Scott’s, no matter who’s there. We were almost touching as we were playing, people all up on the bandstand. But I’m always happy to be in those surroundings. A lot of big Benson fans were there – and some of the screaming ladies. It was a fantastic night.”

he 2019 show that became ‘Weekend In London’ was another fabled night to go down in the club’s folklore. This hard-bitten jazzman might prefer spontaneity to setlists, but this latest live album nods to many of his countless career peaks, whether he’s opening with the deathless groove of 1980’s US #4 smash “Give Me The Night,” revisiting fan favorites like “Love X Love” and “In Your Eyes,” or breathing fresh mojo into classic covers like Dave Bartholomew’s “I Hear You Knocking” and Donny Hathaway’s “The Ghetto.” “We don’t plan the show out in advance,” explains Benson. “But we know there’s things we gotta play, and if you leave too many out, you’re in for a troubled night. We know what people have come to hear. So I’ve got half the battle won.” 
 
For jazz fans, of course, part of the appeal lies in the improvisation – and ‘Weekend In London’ furthers Benson’s reputation as the best in the business. “Basically, the whole show is improvised except the melody itself and the ensemble playing,” he explains. “We play the arrangements, to remind the audience what song they’re listening to, but then we can go crazy and do all the improvisation.”
 
As an all-time icon and Grammy-winning giant of jazz, we have grown used to seeing George Benson on the stages that befit his sky-high status. During a six-decade career marked by awards, acclaim and Billboard-topping output, the Pittsburgh, Hill District-born veteran has earned his place in both the history books and the biggest venues around the world. So it’s a rare treat – and a whole different thrill – to find this megastar going nose-to-nose with the breathless 250-capacity crowd at London’s most prestigious bolthole. “I like that kind of intimacy,” says Benson. “I can feel the love when it’s up close and personal.”
 
If Benson sounds utterly at home on Ronnie Scott’s cramped stage, that’s because it’s how he started out, all those years ago, before fame came calling. From the age of seven, the kid with the golden voice known as Little Georgie Benson was a regular fixture at the street corners, drug stores, jazz joints and R&B houses of his native Pittsburgh. Yet the young man swiftly rose up the rankings, taking requests from punters to cutting his first sides with RCA, still aged just ten. As Benson’s ageless career has crossed over the decades, he’s walked a perfect tightrope, still commanding a fierce respect amongst the most discerning jazz audiences, while firing off hit singles that are loved the world over. His most recent release, ‘Walking To New Orleans’ - his first on Mascot Label Group - masterfully reinterprets the hits of Chuck Berry and Fats Domino.
 

It’s been a long and winding road from the juke-joints of Pittsburgh to the beating heart of the London jazz scene, and George Benson has been great company every step of the way. Now, on ‘Weekend In London,’ the same club that hosted that young hotshot back in the early-’70s welcomes back the older, wiser legend to burn down the house. Perhaps the compère says it best: “You don’t get stars this big in rooms this small very often, ladies and gentlemen. Please be prepared to be dazzled – Mr. George Benson…!” 

Weekend In London - George Benson
1. Give Me The Night
2. Turn Your Love Around
3. Love X Love
4. In Your Eyes
5. I Hear You Knocking
6. Nothing's Gonna Change My Love For You
7. Feel Like Makin' Love
8. Don't Let Me Be Lonely Tonight
9. The Ghetto
10. Moody's Mood
11. Love Ballad
12. Never Give Up On A Good Thing
13. Affirmation
14. Cruise Control

On November 27th, Kenny Wayne Shepherd Band will release 'Straight To You: Live,’ the group’s first-ever live concert video via Provogue. The pre-order goes live next Friday, October 2nd, but today the band is treating fans to a sneak peek of the opening track “Woman Like You,” available on all DSPs today. 'Straight To You: Live’ will be released in a variety of formats including DVD+CD, Blu-Ray+CD, 2LP red transparent vinyl, and digital.

“Woman Like You I think is the perfect opening song for the show, just like I thought it was the perfect opening song for the record. I think you just come out swinging, it sets the mood for the entire show. It’s like, we’re there to rock and we mean business. The whole intention of this set list is that we come out with a lot of energy, get the crowd pumped up. We want get them energized right off the bat.” – Kenny Wayne Shepherd

“People have been asking us to do a live concert video forever, for decades," Shepherd explains. "We've been working so much focussing on studio recordings. But I've been hearing the call from the fans for many years now.” As live music has come to a standstill, the band wanted to give fans a taste once again of that experience, and this blistering set shows it to them in full force.
 
The ‘Live! In Chicago’ album, the band’s only other live output, was released a decade ago and earned itself a Grammy nomination, but this time around you get to watch the band in its full glory, in addition to listening. Over the past 10 years, the multi-platinum selling artist has gone from strength to strength, winning countless awards, releasing four studio albums and touring the world over several times - from Brazil to Europe, India to Canada, US to Australia and beyond. 
  
The band’s last studio album 'The Traveler' was released in May of last year, giving the band their eighth #1 on the Billboard Blues Albums chart. The performance captured on 'Straight To You: Live’ took place at the famous Leverkusen Jazzstage for the iconic German TV show, Rockpalast on November 25th, 2019, before the COVID-19 pandemic forced the cancellation of The 'Traveler World Tour.’
 
The seven-piece band took the stage and immediately launched into their most-recent hit-single “Woman Like You,” with the honey-soaked powerhouse voice of Noah Hunt blasting "I ain't looking for a one time girl" backed by the fiery fretwork of Shepherd. It's the first of four songs from ‘The Traveler’ featured in the set. "The whole intention of this set-list is that we come out with a lot of energy, get the crowd pumped up. We want to get them energized right off the bat." It slips into the soul-drenched blues of “Long Time Running,” with Chris Layton's drums firing through the building horn section as Hunt and Shepherd lock-in on duel vocals, whilst blue and yellow lights spray the stage, catapulting you right to the front row of the audience. 
  
"We were really fired up,” he continues. “We had expanded the band and brought in the horn section, it was their first time over to Europe with us. So we were glad to have the full ensemble there. It's always exciting when we're incorporating a new album into the live performance. Remembering the show, there were several stand out moments. The song off the new record “I Want You,” is a really extended version, and every soloist gets an opportunity to really shine, and everybody brought it 150%."
 
The band never let up, and it's in a live environment that Shepherd truly lets it rip. The five-time Grammy nominated guitarist has developed a formidable back catalogue that only someone with road-worn life experience can deliver, and this set is besieged with all of the classics. Shepherd prowls the stage on “Diamonds and Gold,” explodes into honkey-tonk revelry on the Elmore James cover “Talk To Me Baby,” and stuns with an 11-minute epic version of “The Heat of The Sun.” "On that the band is really focussed, everybody is listening to one another, everybody's working collectively on the dynamics of the song, bringing it down, building it back up, trying to transcend what's actually happening on stage and take the music to the next level."
 
The band continues to shift up gears with a 9-minute version of “Shame Shame Shame,” a selection from Shepherd’s 1995 debut. "The reason why the song goes on the way that it does is because everybody is feeling it and there's a lot of special moments that I'm proud of. Giving the keyboard and horn guys their moments to shine, and standing back and letting those guys do what they do best, made me feel just as proud as any solo that I played that night," he enthuses.

While Kenny has had six #1 rock tracks and a slew of top ten songs, no show would be complete without the mega-hit “Blue on Black.” Featured on the band’s second album, the song spent an incredible 42 weeks on the US Billboard Rock Charts, winning Rock Track of the Year, and now has over 25 million streams. “That’s the song that we cannot not walk out onto the stage and play,” says Shepherd. “I’ve been playing that song for more than 20 years, and I still enjoy playing it. As a songwriter it’s the song that you hope you can write. It’s a timeless song that doesn’t really seem to age.  A year ago a new version of it came out with the Five Finger Death Punch guys, Brian May, myself and Brantley Gilbert. In the states it went to #1 on the rock charts again. As a songwriter, to have a #1 hit twice with the same song is really rare, and certainly something to be proud of.” The new version of the song has received more than 80 million streams so far.
 
Talking about not being able to perform live during the COVID-19 pandemic, Shepherd says; "I miss it. Live concert performances are the essence of what we do best. So, not having that in our life is yeah, this has been an eye-opening experience I think for all musicians. It's been a personal loss for every performer out there who does what we do. A lot of our lives have been spent pouring our heart and soul into that."
 
The release of 'Straight To You: Live' comes at a time when there is no live music and the world looks very different than it did 12 months ago, but as you watch the seven-piece Kenny Wayne Shepherd Band bow out on a phenomenal finale of Jimi Hendrix's “Voodoo Child (Slight Return)” and wave goodbye to the cheering Leverkusen crowd, it reignites the love of live music and the hope that is still to come. 
 
'Straight To You: Live’ – Out November 27th
1. Woman Like You (Live)
2. Mr. Soul (Live)
3. Long Time Running (Live)
4. I Want You (Live)
5. Diamonds & Gold (Live)
6. Talk To Me Baby (Live)
7. Heat Of The Sun (Live)
8. Down For Love (Live)
9. Shame, Shame, Shame (Live)
10. Turn To Stone (Live)
11. Blue On Black (Live)
12. I'm A King Bee (Live)
13. Voodoo Child (Slight Return) (Live)

On December 4th, GRAMMY winning guitarist Lee Ritenour will release ‘Dreamcatcher,’ his first studio album in five years. Weaving tapestries of instrumental guitar and conjuring eclectic moods, the 12 tracks of 'Dreamcatcher' rank amongst the most melodic and tinglingly beautiful in Ritenour’s catalogue. But there’s a power and purpose here, too, hinting at the darker circumstances that sparked this new record. “Our house and my studio in Malibu, California burnt down in 2018,” Ritenour recalls. “About 100 of my guitars went up in the fire, plus 40 amps, lots of music, the history of my whole career, pretty much. A week after the fire, I went to the hospital, which I’d never had to do before, for surgery to replace an aortic valve. So those incidents and the support from my family and friends absolutely went into this music. Making this record was a life-saver for me.”
 
For Lee Ritenour, there aren’t many ‘firsts’ left to achieve. During his dazzling five-decade career, the fabled LA guitarist has taken his music to the outer limits, alighting on every genre and occupying every position in the rock ‘n’ roll firmament. He’s been an enfant terrible of ’70s fusion, a crossover star of the ’80s pop chart, an honorary exponent of Brazilian jazz, and the fingers behind ’90s supergroup, Fourplay. Ritenour’s accolades include: 45 albums,16 Grammy nominations, Alumnus of the year at USC, Los Angeles’ Jazz Society Honoree (2019), plus thousands of sessions with legends such as Frank Sinatra, Pink Floyd, B.B. King, Tony Bennett, among others.
 
And yet, when he checks the rear-view mirror, the 68-year-old acknowledges he’s never made a record like 'Dreamcatcher.' “People have been telling me for years: ‘Rit, you gotta make a solo guitar record.’ In the past, I’ve always been the band guy, the ensemble guy, the collaborative-guitar-player guy. So this was the one project I hadn’t done. And this year, I knew it was time.”

'Dreamcatcher' might have been born from personal challenges, but the record took shape against the global tragedy of COVID-19. Ritenour had already written several key tracks before shutdown. But as he settled into the makeshift studio at his new home in Marina Del Rey, equipped with little more than seven guitars, a computer interface and good intentions, the guitarist let the context flood into the music he was tracking. “It was an important album for me,” he notes. “Especially now, with everything going on in the world.”
 
Even without lyrics, every track tells a story. Take the molten blues licks of “Abbot Kinney”, named for the fabled boulevard in Venice, California. “One day when everything was shut down,” says Ritenour, “I drove my bike there and was just devastated to find it completely empty. But then I heard this rock guitar start up. I don’t know if it was a kid, but somebody nearby had just turned it up to 10 and said, ‘Fuck it, I’m gonna have some fun.’ It brought a huge smile to my face and inspired me to write that song on my Les Paul.”
 
Likewise, anyone living through the age of COVID-19 will feel a deep affinity with “2020”: a three-part symphony in which Ritenour takes the pulse of the times. “The three parts were a reflection of what was going on this year,” he nods, “when all of a sudden everybody’s life shut down. I was thinking about the young musicians that were out of work – and people in every walk of life.”
 
Elsewhere 'Dreamcatcher' delves beyond the pandemic. While Ritenour strived to switch up musical styles – from the title track’s dovetailing classical guitars to the Taylor baritone that drives “Starlight’s” tumbling folk, and the mad scientist multi-tracking of “Couldn’t Help Myself” – he also ran the gamut of mood. “Because even I get tired,” he reasons, “of solo guitar albums when it pretty much all sounds the same.”
 
As such, “For DG” salutes the harmonic sensibilities of the great producer, pianist, and long-time comrade, Dave Grusin. But it couldn’t be further from “Charleston”, whose mellow slink is laced with bittersweet thoughts on the ebb and flow of US race relations. “A few years ago, I played in Charleston, South Carolina,” recalls Ritenour, “and it was charming and the people were warm, and it was a very mixed, soulful audience. Charleston has a history of the beginnings of slavery, but this was modern day Charleston, y’know? But then, a few years later, I’m writing this tune while watching the continuation of the struggle. As musicians who travel all over the world, we go, ‘What? This shit is still going on in the US?’ So it was appropriate to dedicate that song to Black Lives Matter.”
 

'Dreamcatcher' not only confronts the here-and-now: it also slips back into Ritenour’s rich history. Long-standing fans will recognize “Morning Glory Jam” as a rework of the guitarist’s classic 1977 tune. “On 2015’s A Twist Of Rit, I had revisited a lot of older material, so I wanted to keep this record fresh. But one day, I remembered when I did sessions for Barry White and how there had been four or five guitar players all playing these incredible rhythm parts. That’s the kind of groove I had in my head for this new version of Morning Glory.”
 
Collaboration might be a constant, but in a career full of left-turns, 'Dreamcatcher' is another thrilling detour for Lee Ritenour. Both by necessity and design, this latest album represents music in its purest form: one man, channelling his headspace and the history unfolding around him, using the instrument that has sustained him all these years. There is a first time for everything and there has never been a better time for 'Dreamcatcher.' “I’ve never done anything like this before and it’s an important missing piece in my guitar history. It was inspiring and it was meant to happen this year, in these times – after a lifetime of playing the guitar,” he considers, “this project reaffirmed just how much I love the guitar.”

'Dreamcatcher’ – Out December 4th
1. Dreamcatcher
2. Charleston
3. The Lighthouse
4. Morning Glory Jam
5. Starlight
6. Abbot Kinney
7. Couldn't Help Myself
8. For DG
9. Via Verde
10. Low & Slow
11. Storyteller
12. 2020

On the heels of OffBeat Magazine’s premiere of their latest single “Silent Sirens,” the NYC collective Gideon King & City Blog have released a performance video for the song, which OffBeat called “boldly vibrant, yet oddly calming…like walking down the stairs in the rain.” A piano-led ballad carried by a three-person chorus, the video features the team of Bryan Reeder (keys), Caleb Hawley (vocals), Alita Moses (vocals), and Mike Stephenson (vocals). “I wrote this song because it seemed to me that people are often prowlers in each other’s minds,” King explains. “I broke into your mind, kicked down every door,” the vocalists sing. “Salty are the tears pouring from my soul.”

"King’s musical upbringing is a mosaic of styles and influences that stretch over a lifetime: parents who swore by Classical music, a jazz-piano prodigy brother, sisters who turned him onto Jimi Hendrix and Pink Floyd,” OffBeat explains. “In a Steely Dan-inspired effort, King began the Gideon King & City Blog (GKCB) studio project to make the diverse colors and features of his musical history, his myriad influences and styles, shine to their best. Despite the project’s jazz-based roots, King aims to write guitar songs without a focus on genre, preferring to experiment with complex harmonic rhythms and abstract lyrical patterns instead.”
 

“Silent Sirens” is the follow up to GKCB’s ‘Love Knot’ EP, a three-song collection that blurred the lines between jazz, rock, folk, and soul.  King first launched City Blog in 2015 as a studio project with a rotating cast of players that included the likes of guitar pioneer John Scofield (Charlies Mingus, Miles Davis), sax legend Donny McCaslin (David Bowie, Bobby McFerrin), renowned vocalist Marc Broussard, and SNL bassist James Genus (Herbie Hancock, Chick Corea), among others. The group’s full-length studio debut, ‘City Blog,’ earned glowing reviews, leading Huffington Post to call King a “musical genius…[playing] some of the most complex and satisfying music you may ever hear.” Now, with two other critically-acclaimed releases under their belt — the experimental ‘Upscale Madhouse’, and the cathartic ‘Love Knot’ EP — Gideon King and City Blog are only just beginning.
 
Gideon King & City Blog is composed of:
 
Alita Moses (Vocals)
Mike Stephenson (Vocals)
Caleb Hawley (Vocals)
Gideon King (Lead Guitar)
Jeff Hanley (Bass)
Jake Goldbas (Drums, Percussion)
Bryan Reeder (Keys, Synth)

GRAMMY-winning jazz icon George Benson has just released "Turn Your Love Around," the third and final single from his electrifying new live album 'Weekend In London.’ Out November 13th, 'Weekend In London' is Benson's first new live recording in 30 years, capturing his 2019 performance at London’s intimate 250-seat Ronnie Scott’s Jazz Club. Only a handful of lucky fans were present as the lights went down that magical night in 2019. But now, Kevin Shirley’s dynamic production is your invitation to slide onto Ronnie Scott’s red velvet banquette and catch the sparks as Benson’s honeyed vocal and fluid licks drive the finest live outfit in modern jazz.

“We captured a lot of the atmosphere on ‘Weekend In London,’” says Shirley. “It was very crowded, like it always is at Ronnie Scott’s, no matter who’s there. We were almost touching as we were playing, people all up on the bandstand. But I’m always happy to be in those surroundings. A lot of big Benson fans were there – and some of the screaming ladies. It was a fantastic night.”

The 2019 show that became ‘Weekend In London’ was another fabled night to go down in the club’s folklore. This hard-bitten jazzman might prefer spontaneity to setlists, but this latest live album nods to many of his countless career peaks, whether he’s opening with the deathless groove of 1980’s US #4 smash “Give Me The Night,” revisiting fan favorites like “Love X Love” and “In Your Eyes,” or breathing fresh mojo into classic covers like Dave Bartholomew’s “I Hear You Knocking” and Donny Hathaway’s “The Ghetto.” “We don’t plan the show out in advance,” explains Benson. “But we know there’s things we gotta play, and if you leave too many out, you’re in for a troubled night. We know what people have come to hear. So I’ve got half the battle won.” 
 
For jazz fans, of course, part of the appeal lies in the improvisation – and ‘Weekend In London’ furthers Benson’s reputation as the best in the business. “Basically, the whole show is improvised except the melody itself and the ensemble playing,” he explains. “We play the arrangements, to remind the audience what song they’re listening to, but then we can go crazy and do all the improvisation.”
 
As an all-time icon and Grammy-winning giant of jazz, we have grown used to seeing George Benson on the stages that befit his sky-high status. During a six-decade career marked by awards, acclaim and Billboard-topping output, the Pittsburgh, Hill District-born veteran has earned his place in both the history books and the biggest venues around the world. So it’s a rare treat – and a whole different thrill – to find this megastar going nose-to-nose with the breathless 250-capacity crowd at London’s most prestigious bolthole. “I like that kind of intimacy,” says Benson. “I can feel the love when it’s up close and personal.”
 
If Benson sounds utterly at home on Ronnie Scott’s cramped stage, that’s because it’s how he started out, all those years ago, before fame came calling. From the age of seven, the kid with the golden voice known as Little Georgie Benson was a regular fixture at the street corners, drug stores, jazz joints and R&B houses of his native Pittsburgh. Yet the young man swiftly rose up the rankings, taking requests from punters to cutting his first sides with RCA, still aged just ten. As Benson’s ageless career has crossed over the decades, he’s walked a perfect tightrope, still commanding a fierce respect amongst the most discerning jazz audiences, while firing off hit singles that are loved the world over. His most recent release, ‘Walking To New Orleans’ - his first on Mascot Label Group - masterfully reinterprets the hits of Chuck Berry and Fats Domino.

It’s been a long and winding road from the juke-joints of Pittsburgh to the beating heart of the London jazz scene, and George Benson has been great company every step of the way. Now, on ‘Weekend In London,’ the same club that hosted that young hotshot back in the early-’70s welcomes back the older, wiser legend to burn down the house. Perhaps the compère says it best: “You don’t get stars this big in rooms this small very often, ladies and gentlemen. Please be prepared to be dazzled – Mr. George Benson…!” 

Weekend In London - George Benson
1. Give Me The Night
2. Turn Your Love Around
3. Love X Love
4. In Your Eyes
5. I Hear You Knocking
6. Nothing's Gonna Change My Love For You
7. Feel Like Makin' Love
8. Don't Let Me Be Lonely Tonight
9. The Ghetto
10. Moody's Mood
11. Love Ballad
12. Never Give Up On A Good Thing
13. Affirmation
14. Cruise Control

Today, GRAMMY winning guitarist Lee Ritenour releases "Charleston," the second single from 'Dreamcatcher,' his first studio album in five years. "I wrote this solo guitar tune a couple of years ago after performing in the Southern US City of Charleston, to a very mixed, soulful audience," explains Ritenour. "The song represents what I love most about traveling and performing; feeling and capturing the essence of a city and its culture. My song “Charleston” contains elements of jazz, country, rhythm & blues, all represented in South Carolina in the most modern way - the 2020 version. Hope you enjoy it."

Weaving tapestries of instrumental guitar and conjuring eclectic moods, the 12 tracks of 'Dreamcatcher' rank amongst the most melodic and tinglingly beautiful in Ritenour’s catalogue. But there’s a power and purpose here, too, hinting at the darker circumstances that sparked this new record. “Our house and my studio in Malibu, California burnt down in 2018,” Ritenour recalls. “About 100 of my guitars went up in the fire, plus 40 amps, lots of music, the history of my whole career, pretty much. A week after the fire, I went to the hospital, which I’d never had to do before, for surgery to replace an aortic valve. So those incidents and the support from my family and friends absolutely went into this music. Making this record was a life-saver for me.”
 
For Lee Ritenour, there aren’t many ‘firsts’ left to achieve. During his dazzling five-decade career, the fabled LA guitarist has taken his music to the outer limits, alighting on every genre and occupying every position in the rock ‘n’ roll firmament. He’s been an enfant terrible of ’70s fusion, a crossover star of the ’80s pop chart, an honorary exponent of Brazilian jazz, and the fingers behind ’90s supergroup, Fourplay. Ritenour’s accolades include: 45 albums,16 Grammy nominations, Alumnus of the year at USC, Los Angeles’ Jazz Society Honoree (2019), plus thousands of sessions with legends such as Frank Sinatra, Pink Floyd, B.B. King, Tony Bennett, among others.
 
And yet, when he checks the rear-view mirror, the 68-year-old acknowledges he’s never made a record like 'Dreamcatcher.' “People have been telling me for years: ‘Rit, you gotta make a solo guitar record.’ In the past, I’ve always been the band guy, the ensemble guy, the collaborative-guitar-player guy. So this was the one project I hadn’t done. And this year, I knew it was time.”

'Dreamcatcher' might have been born from personal challenges, but the record took shape against the global tragedy of COVID-19. Ritenour had already written several key tracks before shutdown. But as he settled into the makeshift studio at his new home in Marina Del Rey, equipped with little more than seven guitars, a computer interface and good intentions, the guitarist let the context flood into the music he was tracking. “It was an important album for me,” he notes. “Especially now, with everything going on in the world.”
 
Even without lyrics, every track tells a story. Take the molten blues licks of “Abbot Kinney”, named for the fabled boulevard in Venice, California. “One day when everything was shut down,” says Ritenour, “I drove my bike there and was just devastated to find it completely empty. But then I heard this rock guitar start up. I don’t know if it was a kid, but somebody nearby had just turned it up to 10 and said, ‘Fuck it, I’m gonna have some fun.’ It brought a huge smile to my face and inspired me to write that song on my Les Paul.”
 
Likewise, anyone living through the age of COVID-19 will feel a deep affinity with “2020”: a three-part symphony in which Ritenour takes the pulse of the times. “The three parts were a reflection of what was going on this year,” he nods, “when all of a sudden everybody’s life shut down. I was thinking about the young musicians that were out of work – and people in every walk of life.”
 
Elsewhere 'Dreamcatcher' delves beyond the pandemic. While Ritenour strived to switch up musical styles – from the title track’s dovetailing classical guitars to the Taylor baritone that drives “Starlight’s” tumbling folk, and the mad scientist multi-tracking of “Couldn’t Help Myself” – he also ran the gamut of mood. “Because even I get tired,” he reasons, “of solo guitar albums when it pretty much all sounds the same.”
 
As such, “For DG” salutes the harmonic sensibilities of the great producer, pianist, and long-time comrade, Dave Grusin. But it couldn’t be further from “Charleston”, whose mellow slink is laced with bittersweet thoughts on the ebb and flow of US race relations. “A few years ago, I played in Charleston, South Carolina,” recalls Ritenour, “and it was charming and the people were warm, and it was a very mixed, soulful audience. Charleston has a history of the beginnings of slavery, but this was modern day Charleston, y’know? But then, a few years later, I’m writing this tune while watching the continuation of the struggle. As musicians who travel all over the world, we go, ‘What? This shit is still going on in the US?’ So it was appropriate to dedicate that song to Black Lives Matter.”

 
'Dreamcatcher' not only confronts the here-and-now: it also slips back into Ritenour’s rich history. Long-standing fans will recognize “Morning Glory Jam” as a rework of the guitarist’s classic 1977 tune. “On 2015’s A Twist Of Rit, I had revisited a lot of older material, so I wanted to keep this record fresh. But one day, I remembered when I did sessions for Barry White and how there had been four or five guitar players all playing these incredible rhythm parts. That’s the kind of groove I had in my head for this new version of Morning Glory.”
 
Collaboration might be a constant, but in a career full of left-turns, 'Dreamcatcher' is another thrilling detour for Lee Ritenour. Both by necessity and design, this latest album represents music in its purest form: one man, channelling his headspace and the history unfolding around him, using the instrument that has sustained him all these years. There is a first time for everything and there has never been a better time for 'Dreamcatcher.' “I’ve never done anything like this before and it’s an important missing piece in my guitar history. It was inspiring and it was meant to happen this year, in these times – after a lifetime of playing the guitar,” he considers, “this project reaffirmed just how much I love the guitar.”

'Dreamcatcher’ – Out December 4th
1. Dreamcatcher
2. Charleston
3. The Lighthouse
4. Morning Glory Jam
5. Starlight
6. Abbot Kinney
7. Couldn't Help Myself
8. For DG
9. Via Verde
10. Low & Slow
11. Storyteller
12. 2020

Today, on the precipice of the 2020 presidential election, New Orleans funk ensemble Dumpstaphunk releases “Justice 2020 featuring Chali 2na and Trombone Shorty,” the second single off their forthcoming album Where Do We Go From Here. “Justice 2020” is a brand-new version of the group’s previous single “Justice,” which was released after the 2016 presidential election and became an unofficial anthem of the social justice movement. The powerful music video incorporates news footage from the past four years, as well as archival footage from throughout the 20th century, illustrating the long battle for social justice in the US, and to remind viewers to get out and vote. “Justice 2020” is now available on all digital platforms worldwide; watch the video and listen to the song by visiting the link HERE. 
 
When Dumpstaphunk first released “Justice,” the group viewed the song as an important, if delicate, funk-blues anthem that spoke to their country’s turbulent times. Nearly four years later, this brand-new version will anchor the most powerful and pointed statement of the group’s career.  “Justice 2020” follows the release of the album’s title track and first single “Where Do We Go From Here,” which dropped in August to mark the 15th anniversary of Hurricane Katrina.
 
“We wrote Justice at a time when a lot of things were going on,” says the group’s founding member Ivan Neville. “Myself, Nick [Daniels] and Tony [Hall] were kids during the Sixties and Seventies, so we saw a lot of shit growing up, and we see the same stuff still going on: the systemic racism, the racial profiling, all the social injustice. We’re at a crossroads right now in this country, and some shit’s got to change.”

Over the past 17 years, Dumpstaphunk has earned its reputation as the most well-regarded, next-generation New Orleans live powerhouses, the type of band whose live shows attract sit-ins from legends like Carlos Santana, Bob Weir, Trombone Shorty, members of Phish and Dave Matthews Band amongst many others.  Dumpstaphunk’s founding members Ivan Neville (vocals/keyboards) Ian Neville (guitar) Tony Hall (bass/guitar/vocals) and Nick Daniels (bass/vocals) along with newest members Alex Wasily (trombone) and Deven Trusclair (drums), have built upon the Neville family’s iconic NOLA legacy, as they’ve transformed into the city’s pre-eminent 21st-century funk-fusion export, after being birthed originally from a spontaneous set during New Orleans Jazz & Heritage Festival in 2003.

“Obviously, the New Orleans history is just embedded in us, but we manage to incorporate all the other stuff we’ve listened to over the years,” says Ivan. “We’re representing a legacy, but we’re reimagining a lot of it too.”
 
"Justice 2020” will be featured on the band’s upcoming 4th studio album, slated for release in Spring 2021 via Mascot Label Group / The Funk Garage.
 
“We hope people can hear the new songs and are inclined to dance while being inspired to think at the same time,” Ivan continues, referring to the band’s delicate balance between topic material and dance-floor rockers. Or, as Ian describes the tone of the album, “subtle but pertinent.”
 
Stay tuned for additional updates.

Kenny Wayne Shepherd Band has just released “Diamonds & Gold,” the second single and standout track from their first-ever live concert video, 'Straight To You: Live,’ out November 27th via Provogue. “Diamonds & Gold is one of my favorite songs from our 2017 release ‘Lay It On Down,’” explains Shepherd. “To me, it has all the right elements. A thick groove, hooky guitar riffs and chorus, the horns - everything comes together to create a song that makes you feel good with a bit of humor in the lyrics.”
 
“People have been asking us to do a live concert video forever, for decades,” Shepherd continues. "We've been working so much focusing on studio recordings. But I've been hearing the call from the fans for many years now.” As live music has come to a standstill, the band wanted to give fans a taste once again of that experience, and this blistering set shows it to them in full force.

The ‘Live! In Chicago’ album, the band’s only other live output, was released a decade ago and earned itself a Grammy nomination, but this time around you get to watch the band in its full glory, in addition to listening. Over the past 10 years, the multi-platinum selling artist has gone from strength to strength, winning countless awards, releasing four studio albums and touring the world over several times - from Brazil to Europe, India to Canada, US to Australia and beyond.
 
The band’s last studio album 'The Traveler' was released in May of last year, giving the band their eighth #1 on the Billboard Blues Albums chart. The performance captured on 'Straight To You: Live’ took place at the famous Leverkusen Jazzstage for the iconic German TV show, Rockpalast on November 25th, 2019, before the COVID-19 pandemic forced the cancellation of The 'Traveler World Tour.’
 
The seven-piece band took the stage and immediately launched into their most-recent hit-single “Woman Like You,” with the honey-soaked powerhouse voice of Noah Hunt blasting "I ain't looking for a one time girl" backed by the fiery fretwork of Shepherd. It's the first of four songs from ‘The Traveler’ featured in the set. "The whole intention of this set-list is that we come out with a lot of energy, get the crowd pumped up. We want to get them energized right off the bat." It slips into the soul-drenched blues of “Long Time Running,” with Chris Layton's drums firing through the building horn section as Hunt and Shepherd lock-in on duel vocals, whilst blue and yellow lights spray the stage, catapulting you right to the front row of the audience.
 
"We were really fired up,” he continues. “We had expanded the band and brought in the horn section, it was their first time over to Europe with us. So we were glad to have the full ensemble there. It's always exciting when we're incorporating a new album into the live performance. Remembering the show, there were several stand out moments. The song off the new record “I Want You,” is a really extended version, and every soloist gets an opportunity to really shine, and everybody brought it 150%."
 
The band never let up, and it's in a live environment that Shepherd truly lets it rip. The five-time Grammy nominated guitarist has developed a formidable back catalogue that only someone with road-worn life experience can deliver, and this set is besieged with all of the classics. Shepherd prowls the stage on “Diamonds and Gold,” explodes into honkey-tonk revelry on the Elmore James cover “Talk To Me Baby,” and stuns with an 11-minute epic version of “The Heat of The Sun.” "On that the band is really focussed, everybody is listening to one another, everybody's working collectively on the dynamics of the song, bringing it down, building it back up, trying to transcend what's actually happening on stage and take the music to the next level."
 
The band continues to shift up gears with a 9-minute version of “Shame Shame Shame,” a selection from Shepherd’s 1995 debut. "The reason why the song goes on the way that it does is because everybody is feeling it and there's a lot of special moments that I'm proud of. Giving the keyboard and horn guys their moments to shine, and standing back and letting those guys do what they do best, made me feel just as proud as any solo that I played that night," he enthuses.
 
While Kenny has had six #1 rock tracks and a slew of top ten songs, no show would be complete without the mega-hit “Blue on Black.” Featured on the band’s second album, the song spent an incredible 42 weeks on the US Billboard Rock Charts, winning Rock Track of the Year, and now has over 25 million streams. “That’s the song that we cannot not walk out onto the stage and play,” says Shepherd. “I’ve been playing that song for more than 20 years, and I still enjoy playing it. As a songwriter it’s the song that you hope you can write. It’s a timeless song that doesn’t really seem to age.  A year ago a new version of it came out with the Five Finger Death Punch guys, Brian May, myself and Brantley Gilbert. In the states it went to #1 on the rock charts again. As a songwriter, to have a #1 hit twice with the same song is really rare, and certainly something to be proud of.” The new version of the song has received more than 80 million streams so far.

 
Talking about not being able to perform live during the COVID-19 pandemic, Shepherd says; "I miss it. Live concert performances are the essence of what we do best. So, not having that in our life is yeah, this has been an eye-opening experience I think for all musicians. It's been a personal loss for every performer out there who does what we do. A lot of our lives have been spent pouring our heart and soul into that."
 
The release of 'Straight To You: Live' comes at a time when there is no live music and the world looks very different than it did 12 months ago, but as you watch the seven-piece Kenny Wayne Shepherd Band bow out on a phenomenal finale of Jimi Hendrix's “Voodoo Child (Slight Return)” and wave goodbye to the cheering Leverkusen crowd, it reignites the love of live music and the hope that is still to come.
 
'Straight To You: Live’ – Out November 27th
1. Woman Like You (Live)
2. Mr. Soul (Live)
3. Long Time Running (Live)
4. I Want You (Live)
5. Diamonds & Gold (Live)
6. Talk To Me Baby (Live)
7. Heat Of The Sun (Live)
8. Down For Love (Live)
9. Shame, Shame, Shame (Live)
10. Turn To Stone (Live)
11. Blue On Black (Live)
12. I'm A King Bee (Live)
13. Voodoo Child (Slight Return) (Live)

Orava - the French-born, London-based multi-instrumentalist, singer-songwriter and producer – has just released a stunning debut album, ‘Behind The Wave.’ A graduate of the Musician Institute of London, Orava draws inspiration from French touch, classic electronic, DnB, and traditional rock, blending analog with digital, homemade recordings with elaborate production, and vintage instruments with synthetic textures.

Orava recently released a music video “Going Backwards,” the fourth and final single from the new album. Opening with an ambient grand-piano and melancholic vocal melody, “Going Backwards” deals with the impact of time on people’s personal growth and “the wish to go back in time to make better choices,” Orava explains. The reverse sequence music video was shot on a beach in southwest France and features a mysterious figure emerging from the ocean and slowly walking backwards to the top of a dune. The powerful connection between the video and the song offers viewers a shortcut in understanding the deeper meaning behind Orava’s lyrics.

Born Axel Gerard and crafting his music between England and his native France since 2018, Orava is named after a stream in north-western Slovakia that roughly translates as “roaring river.” Inspired by artists like Daft Punk, Phoenix, and Depeche Mode, Orava’s compositions tackle the common hopes, doubts and fears of his generation, drawing mostly from his own experiences. Written, composed and produced entirely by the artist, “Going Backwards” follows the release of his previous singles “Behind The Wave,” “The Rest is Noise,” and “Now I Know.”

Kenny Wayne Shepherd Band has just released “Blue On Black,” the third and final single from their first-ever live concert video, 'Straight To You: Live,’ out next Friday (11/27) via Provogue. While Kenny has had six #1 rock tracks and a slew of top ten songs, no show would be complete without the mega-hit “Blue on Black.” Featured on the band’s second album, the song spent an incredible 42 weeks on the US Billboard Rock Charts, winning Rock Track of the Year, and now has over 25 million streams.

"'Blue on Black' is an absolute staple of our show," Shepherd explains. "I’ve been playing that song for more than 20 years, and I still enjoy playing it. As a songwriter it’s the song that I always hoped to write. It’s a timeless song that doesn’t really seem to age. A little over a year ago a new version of it came out with the Five Finger Death Punch guys, Brian May, myself and Brantley Gilbert and it went straight to #1 on the rock charts again. As a songwriter to have a #1 hit twice with the same song is really rare, and certainly something I am very proud of." The new version of the song has received more than 80 million streams so far.

The ‘Live! In Chicago’ album, the band’s only other live output, was released a decade ago and earned itself a Grammy nomination, but this time around you get to watch the band in its full glory, in addition to listening. Over the past 10 years, the multi-platinum selling artist has gone from strength to strength, winning countless awards, releasing four studio albums and touring the world over several times - from Brazil to Europe, India to Canada, US to Australia and beyond.
 
The band’s last studio album 'The Traveler' was released in May of last year, giving the band their eighth #1 on the Billboard Blues Albums chart. The performance captured on 'Straight To You: Live’ took place at the famous Leverkusen Jazzstage for the iconic German TV show, Rockpalast on November 25th, 2019, before the COVID-19 pandemic forced the cancellation of The 'Traveler World Tour.’
 
The seven-piece band took the stage and immediately launched into their most-recent hit-single “Woman Like You,” with the honey-soaked powerhouse voice of Noah Hunt blasting "I ain't looking for a one time girl" backed by the fiery fretwork of Shepherd. It's the first of four songs from ‘The Traveler’ featured in the set. "The whole intention of this set-list is that we come out with a lot of energy, get the crowd pumped up. We want to get them energized right off the bat." It slips into the soul-drenched blues of “Long Time Running,” with Chris Layton's drums firing through the building horn section as Hunt and Shepherd lock-in on duel vocals, whilst blue and yellow lights spray the stage, catapulting you right to the front row of the audience.
 
"We were really fired up,” he continues. “We had expanded the band and brought in the horn section, it was their first time over to Europe with us. So we were glad to have the full ensemble there. It's always exciting when we're incorporating a new album into the live performance. Remembering the show, there were several stand out moments. The song off the new record “I Want You,” is a really extended version, and every soloist gets an opportunity to really shine, and everybody brought it 150%."
 
The band never let up, and it's in a live environment that Shepherd truly lets it rip. The five-time Grammy nominated guitarist has developed a formidable back catalogue that only someone with road-worn life experience can deliver, and this set is besieged with all of the classics. Shepherd prowls the stage on “Diamonds and Gold,” explodes into honkey-tonk revelry on the Elmore James cover “Talk To Me Baby,” and stuns with an 11-minute epic version of “The Heat of The Sun.” "On that the band is really focussed, everybody is listening to one another, everybody's working collectively on the dynamics of the song, bringing it down, building it back up, trying to transcend what's actually happening on stage and take the music to the next level."
 
The band continues to shift up gears with a 9-minute version of “Shame Shame Shame,” a selection from Shepherd’s 1995 debut. "The reason why the song goes on the way that it does is because everybody is feeling it and there's a lot of special moments that I'm proud of. Giving the keyboard and horn guys their moments to shine, and standing back and letting those guys do what they do best, made me feel just as proud as any solo that I played that night," he enthuses.
 
Talking about not being able to perform live during the COVID-19 pandemic, Shepherd says; "I miss it. Live concert performances are the essence of what we do best. So, not having that in our life is yeah, this has been an eye-opening experience I think for all musicians. It's been a personal loss for every performer out there who does what we do. A lot of our lives have been spent pouring our heart and soul into that."

 
The release of 'Straight To You: Live' comes at a time when there is no live music and the world looks very different than it did 12 months ago, but as you watch the seven-piece Kenny Wayne Shepherd Band bow out on a phenomenal finale of Jimi Hendrix's “Voodoo Child (Slight Return)” and wave goodbye to the cheering Leverkusen crowd, it reignites the love of live music and the hope that is still to come.
 
'Straight To You: Live’ – Out November 27th
1. Woman Like You (Live)
2. Mr. Soul (Live)
3. Long Time Running (Live)
4. I Want You (Live)
5. Diamonds & Gold (Live)
6. Talk To Me Baby (Live)
7. Heat Of The Sun (Live)
8. Down For Love (Live)
9. Shame, Shame, Shame (Live)
10. Turn To Stone (Live)
11. Blue On Black (Live)
12. I'm A King Bee (Live)
13. Voodoo Child (Slight Return) (Live)

With the voter registration deadline for the Georgia runoff election approaching this Monday, December 7th, a diverse group of musicians have joined forces to energize the voting public that turned Georgia “Blue” for the first time since 1992, releasing a powerful reinterpretation of “Georgia On My Mind,” made famous by Ray Charles.
 
Enlisted by volunteers with the DNC, who worked closely with Stacey Abrams during the 2020 General Election, the group includes Spin Doctors’ drummer Aaron Comess, keyboardist Ben Stivers, rock/soul singer Danielia Cotton, and up-and-coming rapper Mickey Factz, performing new lyrics that touch on systemic racism, voter suppression, and the importance of the black vote. The accompanying music video incorporates archival news footage from the past few 60 years to illustrate the importance of the black vote in US political history.
 
“I refuse to be inactive in this moment or any other moment like this,” said Danielia. “To be able to use my voice to educate and make others aware of what’s at stake seems natural and the right thing to do.”

 
“All my career, I have been involved in politically using my voice,” added Mickey. “My platform is meant to encourage people and this record is no different. Plus I just moved to Atlanta, which gives me more credence to speak out.”
 
The outcome of Georgia’s runoff election will determine control of the United States Senate, impacting President-Elect Joe Biden’s ability to carry out his policy agenda. With key legislative initiatives like health care, stimulus, and Supreme Court nominees on the line, the results will impact everyone in the United States, and even around the world.
 
To register to vote in Georgia’s January 5th runoff election, visit: https://www.mvp.sos.ga.gov/MVP/mvp.do

New Orleans funk powerhouse Dumpstaphunk announces their new album Where Do We Go From Here, set to release on April 23, 2021 (via Mascot Label Group / The Funk Garage). The release marks the band’s first full-length album in seven years, and undeniably the most powerful and politically pointed of their career. Previously released singles include “Justice 2020,” recently called one of the “Best Songs of 2020” by the New York Times, and the contemplative title-track “Where Do We Go From Here.” The record is a sharply relevant statement, even more-so than the group anticipated during writing and recording sessions just prior to the unprecedented events of the last year. 
 
The album is now available to pre-order HERE.  
 
In celebration of the announcement, Dumpstaphunk will perform songs from the upcoming album on NPR’s World Café today, along with an exclusive interview with band leader Ivan Neville. Fans can tune in worldwide on their local NPR station or on-line.
 
Dumpstaphunk released the album’s title track “Where Do We Go From Here” in August 2020, to commemorate the 15th anniversary of Hurricane Katrina, earning praise from the New York Times for its “slinky funk backbeat” and “gospel determination.” On the eve of the presidential election the band strategically released the single “Justice 2020” (featuring Chali 2na and Trombone Shorty), which became an unofficial anthem of the social justice movement. The powerful music video led the New York Times to name “Justice 2020” one of the “Top 20 Songs of 2020,” in part due to the music video’s strong message alluding to social injustice, systemic racism, police brutality and the need for change, while also demanding lyrically that as human beings “We Are All Beautiful.” Dumpstaphunk will release a remix of "Justice 2020" by Cut Chemist this Friday, January 15th.
 
The band’s arsenal of classic and modern influences can be heard throughout the new album, a distinctive mix of genuine New Orleans funk, old school R&B and guitar fueled modern rock; from the slap-bass rave “Make It After All” to the band’s contemporary renderings of NOLA R&B rarities  (the 1975 Blackmail gem “Let’s Get At It”) and early Seventies classics (Sly and the Family Stone’s “In Time”). One song with an unexpected genesis is the band’s urgent cover of Buddy Miles’ 1973 Hendrix inspired “United Nations Stomp,” which features searing guitar solos from special guest, rising blues guitar phenom Marcus King.
 
“We hope people can hear the new songs and are inclined to dance, and inspired to think at the same time,” says Ivan, speaking to the new album’s delicate balance between topic material and dance-floor rockers.
 
Over the past 17 years, Dumpstaphunk has earned its reputation as a highly respected next-generation New Orleans musical institution, the type of band whose live performances have attracted sit-ins from legends like Carlos Santana, Bob Weir, George Clinton and members of Phish. Alongside original core members Tony Hall and Nick Daniels, and the new additions of Alex Wasily, Ryan Nyther and drummer Devin Trusclair, Ivan and Ian Neville (the sons of Aaron Neville and Art “Poppa Funk” Neville respectively) have built upon their family’s iconic NOLA legacy as they’ve transformed Dumpstaphunk into the city’s pre-eminent 21st-century funk-fusion export, resulting in recent career highlights like their July 2019 opening gig for the Rolling Stones on their home turf at the New Orleans Mercedes Benz Superdome. 
 
Modernizing and reinvigorating the Neville/Meters family groove has been one of the driving forces of Dumpstaphunk since the band spontaneously formed during New Orleans Jazz & Heritage Festival in 2003. Where Do We Go From Here is perhaps the best evidence yet of Dumpstaphunk’s ability to strengthen and transform their singular Crescent City roots in combination with the deeper outside musical and philosophical influences on which the band is founded.
 
“Obviously, the New Orleans history is just embedded in us, but we manage to incorporate all the other stuff we’ve listened to over the years,” says Ivan. “We’re representing a legacy, but we’re reimagining a lot of it, too.”
 
For more information, or to pre-order Where Do We Go From Here, visit https://dumpstaphunk.com

Today, with the release of his new single and music video “All Around The World,” 21-year-old singer, songwriter, and guitarist Quinn Sullivan celebrates a new chapter of his already impressive career, which has seen him tour the world and collaborate with rock’s biggest legends. Now, having developed genuinely jaw-dropping skills as a guitar player, Sullivan’s more recent work has been with pen and paper, as he lets the abundant skills of his youth blossom and steer him into new directions of artistry and creativity. It’s the next step for the ambitious musician with a constant view towards the future, marking Sullivan’s evolution into the singer-songwriter genre while still effectively highlighting his guitar mastery. “Matured and owning his words…Sullivan returns more as a singer-songwriter than just a prodigy guitarist,” said American Songwriter, in an exclusive premiere. “Sullivan has refocused his craft to songwriting.”

Recorded in Los Angeles with producer/collaborator Oliver Leiber, “All Around The World” will be included on Sullivan’s next full-length album, slated for release later this year. The new music adds potent new arrows to a quiver already brimming with sure-shots, and it showcases the kind of forward motion that separates the artists from the mere players. "I want people to understand who I am as an artist," explains Quinn. “I think my audience will appreciate the fact that the guitar is still a huge part of who I am, and I can truthfully say all the songs are coming from a very honest place.”

A rare artist who's always sounded older than his years, Sullivan has been touring the world since he was 11-years-old, playing storied venues such as Madison Square Garden, the Hollywood Bowl and RFK Stadium in Washington D.C., as well as India's Mahindra Blues Festival, Eric Clapton's Crossroads Guitar Festival, and three Montreux Jazz Festivals. Quinn has shared the stage with his hero and mentor Buddy Guy, as well as Carlos Santana on several occasions. Quinn’s performance experience includes appearances on leading national television programs Late Night with Jimmy Fallon and CBS This Morning, to name a few.

But as he moves into this new chapter, Sullivan’s constant credo has been growth and learning. “Obviously, as you get older you learn and experience more," Sullivan says. "Throughout the years I've gotten to learn and be around so many amazing, accomplished musicians and people in the music industry, and that's shaped me into who I am now. I've been at this my whole life. It feels like yesterday I was 12 and on tour with Buddy. Back then I never would have thought I'd be here now, releasing my fourth album. It's really pretty amazing.”

Stay tuned for additional updates.

On April 23rd, guitar legend Steve Cropper will release ‘Fire It Up,’ which he’s calling his first proper solo album since 1969, after decades of stardom in soul, blues, and rock and roll. “This album is different from everything out there now,” Cropper says, in reference to two vocals albums he released in the 80s - “I haven’t heard myself this way since the 60s.” Cropper announced the album with the release of “Far Away,” a bouncing soul number that draws heavily from classic R&B, featuring Cropper’s signature guitar that’s always in service to the groove. “I’m a rhythm player,” Cropper explains, “I set the groove. I’m always listening to the singer and the rest of band.”
 
A founding member of the Blues Brothers and one of Stax Records’ main producers, songwriters, and guitarists – as the guitarist in its house band, Booker T. and the M.G.’s –  Cropper reintroduced classic soul to unsuspecting audiences, with Rolling Stone ranking him in the top 40 all-time greatest guitarists. “Midnight Hour” by Wilson Pickett, “(Sittin’ On) The Dock of the Bay” by Otis Redding, “Soul Man” and “Hold On I’m Coming” by Sam and Dave — you simply can’t discuss soul music without Steve Cropper. He plays on John Lennon’s Rock N Roll album, Frank Black’s Honeycomb and Fast Man Raider Man albums, and on several albums by Ringo Starr. He’s also produced for John Prine, Jeff Beck, and John Cougar Mellencamp.
 
But seven decades into his legendary career, Steve sees this record as different: “This is the first Steve Cropper album since 1969,” he says. “It’s made from old grooves, because during a lockdown, you work on stuff that’s been in your head for years.” Rooted in sessions with the Rascals’ Felix Cavaliere and produced with long-time collaborator Jon Tiven, Cropper is both guitarist and a producer on the album, a role he is most comfortable in after years on the scene. “To be a good producer, you’ve got to be able to hear a song finished in your head before there’s much of anything done,” he explains. “..a good production is not accidental. I’m really proud of things that I produce.”
 
Careful and selective about what he’ll put his name on, you won’t be surprised to find that ‘Fire It Up’ is an instant classic. From the classic R&B of the title-track, featuring vocalist Roger C. Reale, to the funk of “Bush Hog” and the quiet restraint of “One Good Turn,” the album may have Cropper’s name on it, but it’s still very much a collaborative effort, where solos and prowess are always in service to the larger rhythm. “This isn’t a battle of the bands,” he adds. “..it’s better to enhance the other guy, make him shine.”

 
In fact, listening to everyone else may be one of the secrets to Cropper’s style. The “Go Getter Is Gone” highlights the album’s collaborative effort. “Roger came up with most of the lyrics here,” he says. “I came up with the rhythms and the grooves and the changes, but I think teamwork is better.” And suddenly a light shines on why Cropper has pursued so few solo records: “When a basketball team wins,” he says, “it’s not the player who made the last three-pointer who wins, it’s the whole team that got him there.”

On the heels of American Songwriter’s premiere of the “warm, inviting" title-track, the Montana-based quartet Satsang has announced their extraordinary new album ‘All. Right. Now.,’ out June 4th via SideOneDummy. Written and recorded during an extended hiatus from the road, ‘All. Right. Now.’ finds frontman Drew McManus reconnecting with his roots and exploring a whole new palette of sounds, drawing on classic country and modern Americana. The performances are broad and spacious, reflecting the wide-open fields and soaring mountains that surrounded the band while they were recording. The result is a lush, organic collection fueled by acoustic guitars, fiddle, and pedal steel; a warm, inviting record that hints at everything from Uncle Tupelo and The Jayhawks to Gregory Alan Isakov and The Head and the Heart.
 
Satsang's soulful, reggae-infused folk-rock brought their previous work to #1 on the Billboard's Reggae Chart and saw them sell out concerts around the country, sharing stages with the likes of Michael Franti & Spearhead and Nahko and Medicine for the People as they worked their way up from bars and clubs to massive festivals. It was a stunning rise for McManus, who spent years distancing himself from a troubled upbringing marked by cycles of addiction, violence, and abuse. He came to music as part of his own recovery from addiction, when a month-long backpacking trip in the Himalayas inspired him to share his journey through song and poetry. He ultimately found peace amid family in the Beartooth Mountains of Montana, an oasis that allows him a warm hearth to recharge from the rigors of the road. “Montana isn’t just where I live,” says McManus. “It’s my heart and soul.”

Inspired by the land and by his role as a father, ‘All. Right. Now.’ is a joyful, rustic collection all about letting go and living in the moment. McManus produced the album himself, and while the songs are certainly honest and deeply personal, they’re written in a spiritual language that taps into something far more universal; something inherent in the human condition that binds us as brothers and sisters on a shared journey to find our place in this world. Grounding himself in a dedicated mixed-martial-arts practice, McManus sees no inherent contradiction between fighting and music, which both require patience, endurance, and a willingness to immerse yourself completely into practice. As a father and a husband, McManus is more committed than ever to taking care of his mind, body, and soul and to making the most of his limited time.

“When you’re dealt a tough hand, you can either get bitter or you can get better,” says McManus. “You can blame your upbringing for everything and complain about what happened to you, or you can choose to believe that everything happened for you, to step into your power and become the person you want to be.” In Montana, that’s precisely what McManus has done, turning his dreams into reality in a place that, some days, feels more like Heaven than Earth. “My wife, my kids, Montana, they’re all one thing to me now,” says McManus. “They’re home.”
 
Stay tuned for additional updates.
 
All. Right. Now. – out June 4th
1. From And I Go
2. All. Right. Now.
3. Answer Was Yes
4. This Place (ft. Trevor Hall)
5. I’m The One
6. Further This Goes
7. Malachi
8. Back Around (ft. G. Love)
9. I’ll Try
10. Love
11. To Last

With the COVID-19 pandemic cancelling an entire year’s worth of tour dates, The Ladles decided to turn their only remaining gig of 2020 — a three-week summer residency in the quaint town of Springville, New York — into their extraordinary and spontaneous new album, ‘Springville Sessions.’ Recorded over the course of four days in an historic former Baptist church, the collection mixes “folk sensibilities” with pop, jazz, choral, and chamber music, creating a “gorgeous” blend fueled by spare, acoustic instrumentation and “brilliant harmonies.” "When all three voices come together,” writes American Songwriter, “the sound lights up the space like a firefly in the night.”

Composed of fiddler/singer Lucia Purpura-Pontoniere, guitarist/singer Katie Martucci, and banjoist/singer Caroline Kuhn, The Ladles have always managed to walk the line between technical virtuosity and emotional intuition. But ‘Springville Sessions’ finds the trio reaching new heights with a less-is-more approach, embracing their environment at the Springville Center for the Arts and recording the entire album with the stripped-down intimacy of a live performance. The result is an entrancing chronicle of a singular moment in time, a raw, organic record that hints at everything from I’m With Her and The Wailin’ Jennys to Mountain Man and The Staves as it finds connection and hope in the face of isolation and overwhelming uncertainty. “With only the three of us and an engineer in the room, we were free to just be ourselves,” says Purpura-Pontoniere. “Everything was as intimate as it could possibly be.”

Intimacy is at the heart of ‘Springville Sessions,’ which opens with the dreamy “Sunset Pink.” Like so much of the album, it’s a spare and hypnotic tune, one which grapples with the difficulty of communication when barriers—be they physical, like distance, or emotional, like anxiety and depression—cut us off from the ones we love.

Founded roughly five years ago, The Ladles first came together by chance, when they realized they were the only three women in the New England Conservatory of Music’s Contemporary Improvisation program. While coincidence may have introduced the trio, it was chemistry that bound them, and from their earliest performances together, it was clear that the band had something special on their hands. “Certainly there was a shared feminine perspective at work there,” says Martucci, “but Lucia and Caroline are two musicians I’d want to play with in any capacity.” The group began recording and performing around New England before they’d even graduated, releasing an early self-titled EP in 2016 and following it up with their acclaimed full-length debut, ‘The Line, in 2019. The band supported both releases with extensive touring, playing festivals as far afield as Louisiana and Maine and selling out shows in Boston, New York City, and the Hudson Valley along the way.

With things heating up, they their sights on an ambitious 2020, only to watch it all disappear as the pandemic put a halt to live music everywhere. By the time summer rolled around, they were sitting on a treasure trove of fresh material, and the opportunity to share it with each other in Springville was too sweet to pass up, pandemic or not. The joy that came with performing together again was overwhelming at times, and it led to a newfound appreciation for the simple pleasures of collaboration. “It was the first experience we’d had playing with other human beings in months,” recalls Martucci. “Not only was it this emotional release from the stress and anxiety of the outside world, but it was also an artistic release, a chance to reconnect with this core part of our identities that we’d had to neglect for so long.”

Springville Sessions’ – The Ladles
1. Sunset Pink
2. Crushin’
3. Nobody Knew
4. Thank You
5. Sugarcoat
6. Baltimore
7. Pages
8. TOBS
9. The Friends You Had

Satsang has just unveiled a new music video for “This Place,” the second single from their upcoming album ‘All. Right. Now.’ (6/4). Featuring singer/songwriter Trevor Hall, “This Place” forms the emotional core of the band’s new album, in which frontman Drew McManus is found reconnecting with his Montana roots and exploring a whole new palette of sounds, inspired by the wide-open fields and soaring mountains of their home state. While the album is rooted in the land, “This Place” looks beyond the physical to a more spiritual definition of home. “This song is about that ethereal place that we can tap into through music,” explains McManus. “It's not here or there - it's past that. I believe it's tapping into the place we come from before birth and return to after our time here. The only brother I would have had sing on something this deep is Trevor. He is a true sage. I hope you enjoy this offering from us and Trevor.”

“This Place” follows the release of the album’s “warm, inviting” title track, which offered the first glimpse of Satsang’s lush, organic new collection, fueled by acoustic guitars, fiddle, and pedal steel (American Songwriter). Written and recorded during an extended hiatus from the road, ‘All. Right. Now.’ is broad and spacious, drawing on classic country and modern Americana. It’s a warm, inviting record that hints at everything from Uncle Tupelo and The Jayhawks to Gregory Alan Isakov and The Head and the Heart.

Satsang's soulful, reggae-infused folk-rock brought their previous work to #1 on the Billboard's Reggae Chart and saw them sell out concerts around the country, sharing stages with the likes of Michael Franti & Spearhead and Nahko and Medicine for the People as they worked their way up from bars and clubs to massive festivals. It was a stunning rise for McManus, who spent years distancing himself from a troubled upbringing marked by cycles of addiction, violence, and abuse. He came to music as part of his own recovery from addiction, when a month-long backpacking trip in the Himalayas inspired him to share his journey through song and poetry. He ultimately found peace amid family in the Beartooth Mountains of Montana, an oasis that allows him a warm hearth to recharge from the rigors of the road. “Montana isn’t just where I live,” says McManus. “It’s my heart and soul."

Inspired by the land and by his role as a father, ‘All. Right. Now.’ is a joyful, rustic collection all about letting go and living in the moment. McManus produced the album himself, and while the songs are certainly honest and deeply personal, they’re written in a spiritual language that taps into something far more universal; something inherent in the human condition that binds us as brothers and sisters on a shared journey to find our place in this world. Grounding himself in a dedicated mixed-martial-arts practice, McManus sees no inherent contradiction between fighting and music, which both require patience, endurance, and a willingness to immerse yourself completely into practice. As a father and a husband, McManus is more committed than ever to taking care of his mind, body, and soul and to making the most of his limited time.

“When you’re dealt a tough hand, you can either get bitter or you can get better,” says McManus. “You can blame your upbringing for everything and complain about what happened to you, or you can choose to believe that everything happened for you, to step into your power and become the person you want to be.” In Montana, that’s precisely what McManus has done, turning his dreams into reality in a place that, some days, feels more like Heaven than Earth. “My wife, my kids, Montana, they’re all one thing to me now,” says McManus. “They’re home.”

Stay tuned for additional updates.

All. Right. Now. – out June 4th
1. From And I Go
2. All. Right. Now.
3. Answer Was Yes
4. This Place (ft. Trevor Hall)
5. I’m The One
6. Further This Goes
7. Malachi
8. Back Around (ft. G. Love)
9. I’ll Try
10. Love
11. To Last

New Orleans funk powerhouse Dumpstaphunk has just unleashed a rendition of Buddy Miles’s 1973 acid-fueled blues anthem “United Nations Stomp," the third single from ‘Where Do We Go From Here,’ their first full-length album in seven years. Ignited by the exploding lead guitar of special guest Marcus King, the epic jam invokes the vintage spirit of Jimi Hendrix and Cream coupled with a touch of urgent musical angst that could be easily playlist alongside modern contemporaries Rage Against The Machine or Red Hot Chili Peppers.  The track, mixed by Beastie Boys producer, Mario Caldato Jr., also features guitar legend Waddy Wachtel (Keith Richards, Rolling Stones, Stevie Nicks) in a crescendoing super-jam that further cements Dumpstaphunk’s status as the heaviest funk-rock band in the land, as they gear up to release what is undeniably the most powerful and politically pointed album of their career. Watch the official lyric video HERE.

“First, I’m a big fan of Buddy Miles. I like the groove and the line you can dance to the rhythm of a funky beat! With a strong message, it talks about peace, love and harmony - something we all need today. This song was originally released 47 years ago by Buddy Miles in 1973 on his album Boogie Bear.” – Tony Hall

The album is available to pre-order HERE.

‘Where Do We Go From Here’ is a sharply relevant statement, even more-so than the group anticipated during writing and recording sessions just prior to the unprecedented events of the last year. The band released the album’s title track “Where Do We Go From Here” in August 2020, to commemorate the 15th anniversary of Hurricane Katrina, earning praise from the New York Times for its “slinky funk backbeat” and “gospel determination.” On the eve of the presidential election the band strategically released the single “Justice 2020” (featuring Chali 2na and Trombone Shorty), which became an unofficial anthem of the social justice movement. The powerful music video led the New York Times to name “Justice 2020” one of the “Top 20 Songs of 2020,” in part to the music video’s strong message alluding to social injustice, systemic racism, police brutality and the need for change, while also demanding lyrically that as human beings “We Are All Beautiful.”

The band’s arsenal of classic and modern influences can be heard throughout the new album, a distinctive mix of genuine New Orleans funk, old school R&B and guitar fueled modern rock; from the slap-bass rave “Make It After All” to the band’s contemporary renderings of New Orleans R&B rarities  (the 1975 Blackmail gem “Let’s Get At It”) and early Seventies classics (Sly and the Family Stone’s “In Time”). “We hope people can hear the new songs and are inclined to dance, and inspired to think at the same time,” says Ivan, speaking to the new album’s delicate balance between topic material and dance-floor rockers.

Over the past 17 years, Dumpstaphunk has earned its reputation as a highly respected next-generation New Orleans musical institution, the type of band whose live performances have attracted sit-ins from legends like Carlos Santana, Bob Weir, George Clinton and members of Phish.  Alongside original core members Tony Hall and Nick Daniels,  and the new additions of Alex Wasily, Ryan Nyther and drummer Devin Trusclair,  Ivan and Ian Neville (the sons of Aaron Neville and Art “Poppa Funk” Neville respectively) have built upon their family’s iconic Nola legacy as they’ve transformed Dumpstaphunk into the city’s pre-eminent 21st-century funk-fusion export, resulting in recent career highlights like their July 2019 opening gig for the Rolling Stones on their home turf at the New Orleans Mercedes Benz Superdome.

Modernizing and reinvigorating the Neville/Meters family groove has been one of the driving forces of Dumpstaphunk since the band spontaneously formed during New Orleans Jazz & Heritage Festival in 2003. Where Do We Go From Here is perhaps the best evidence yet of Dumpstaphunk’s ability to strengthen and transform their singular Crescent City roots in combination with the deeper outside musical and philosophical influences on which the band is founded.

“Obviously, the New Orleans history is just embedded in us, but we manage to incorporate all the other stuff we’ve listened to over the years,” says Ivan. “We’re representing a legacy, but we’re reimagining a lot of it, too.”

For more information, or to pre-order Where Do We Go From Here, visit https://dumpstaphunk.com

Guitar and Stax legend Steve Cropper has just released "Fire It Up," the title track from his new album, out April 23rd. Calling it his first proper solo album since 1969, Cropper explains, “This album is different from everything out there now - I haven’t heard myself this way since the 60s.” "Fire It Up" features vocals by Roger C. Reale, who commented, "Back when I initially heard the track, it had a jump up feel - get started, get moving, look forward to a better day, grab the moment. The title came immediately, so I just dropped the narrative around that. It’s a bit of a call to action - let's get busy, on any level."

A founding member of the Blues Brothers and one of Stax Records’ main producers, songwriters, and guitarists – as the guitarist in its house band, Booker T. and the M.G.’s –  Cropper reintroduced classic soul to unsuspecting audiences, with Rolling Stone ranking him in the top 40 all-time greatest guitarists. “Midnight Hour” by Wilson Pickett, “(Sittin’ On) The Dock of the Bay” by Otis Redding, “Soul Man” and “Hold On I’m Coming” by Sam and Dave — you simply can’t discuss soul music without Steve Cropper. He plays on John Lennon’s Rock N Roll album, Frank Black’s Honeycomb and Fast Man Raider Man albums, and on several albums by Ringo Starr. He’s also produced for John Prine, Jeff Beck, and John Cougar Mellencamp.

But seven decades into his legendary career, Steve sees this record as different: “This is the first Steve Cropper album since 1969,” he says. “It’s made from old grooves, because during a lockdown, you work on stuff that’s been in your head for years.” Rooted in sessions with the Rascals’ Felix Cavaliere and produced with long-time collaborator Jon Tiven, Cropper is both guitarist and a producer on the album, a role he is most comfortable in after years on the scene. “To be a good producer, you’ve got to be able to hear a song finished in your head before there’s much of anything done,” he explains. “..a good production is not accidental. I’m really proud of things that I produce.”

Careful and selective about what he’ll put his name on, you won’t be surprised to find that ‘Fire It Up’ is an instant classic. From the classic R&B of the title-track to the funk of “Bush Hog” and the quiet restraint of “One Good Turn,” the album may have Cropper’s name on it, but it’s still very much a collaborative effort, where solos and prowess are always in service to the larger rhythm. “This isn’t a battle of the bands,” he adds. “..it’s better to enhance the other guy, make him shine.”
 

In fact, listening to everyone else may be one of the secrets to Cropper’s style. The “Go Getter Is Gone” highlights the album’s collaborative effort. “Roger came up with most of the lyrics here,” he says. “I came up with the rhythms and the grooves and the changes, but I think teamwork is better.” And suddenly a light shines on why Cropper has pursued so few solo records: “When a basketball team wins,” he says, “it’s not the player who made the last three-pointer who wins, it’s the whole team that got him there.”

Today, with the release of their blistering new single “Hard Times,” the Indiana based blues-rock duo The Cold Stares offer the first taste of their new set of material, slated for release in late 2021 via new label partner, Mascot Records/Mascot Label Group. Composed of guitarist Chris Tapp and drummer Brian Mullins, the band has toured the country alongside artists like Rival Sons, Spoon, Big Head Todd and the Monsters, and Thievery Corp, performed at festivals like The Ride Festival, Copperhead Festival, and Handy Blues Festival, and amassed more than 20 million Spotify streams to-date. Their music has been featured in synchs for CyberPunk 2077, ESPN, X-Games, Monster Energy, TNT Network, and the Dodge Motor Company. “Hard Times” is the band’s first release since their 2019 full-length album, ‘Ways.’
 
"I had written ‘Hard Times’ in December of 2019 right before the world kind of collapsed,” said Tapp. “The song is about the feeling when you just can't get on your feet no matter how you try. I had originally recorded the vocals in February, but after listening back to the track in October of 2020 I felt it was right to re-sing it. After a year of covid, elections in the US, seeing friends losing loved ones, small businesses being closed, I had a new empathy for what ‘Hard Times’ can really mean. I re-recorded  the vocals with that in mind, and I think the song was directed from even more of a real place of despair. To me it's always about capturing as honest of a sentiment and vocal as possible.” 
 
Tapp and Mullins have known one another for years, growing up in Western Kentucky, just a stone’s throw from the border of Indiana. They originally started playing together in their early twenties before going their separate ways only to reunite in another outfit a decade down the line. “There's a lot of great musicians around here, but it's hard to find someone who really wants to do it,” Mullins explained. “People who want to make records and they're that much of a glutton for punishment that they're gonna stick it out.”
 
"We were playing together in 2009 in another band that was doing really well,” Tapp said. “It didn't work out, so we both kinda exited that band and contemplated retirement.” It didn’t take long before they were thankfully disabused of that notion. “A buddy of ours asked us to open the show for him. We ended up doing that, but we were so adamant that we weren't going to be a band that we didn't hire a bass player or anything else.”
 
The one-off performance was a huge success, convincing both Tapp and Mullins that maybe they’d try and give it a go together as a duo. The unique reception they received that night helped inspire their name.
 
Recorded in a single day at Sam Phillips fabled recording studio in Memphis, The Cold Stares upcoming album is their best record yet, an intense amalgam of Blind Willie Johnson meets Son House; Stevie Ray Vaughan meets Black Sabbath; Soundgarden meets Black Crowes; Free meets Led Zeppelin. “I feel like I'm saying what I want to say a little bit more concisely and elegantly, and I think that Brian and I together, from playing this long together and making records, we are pretty clear on the statement we're trying to make now,” Tapp said. “We've never been one of those bands where we said, 'On the next record, we're really gonna do something completely different.' We were happy with the sentiment that we started with. We want to be the band that we are.”
 
“I’ve been a big fan of The Cold Stares for several years now,” said Mascot Label Group US President, Ron Burman. “I flew down to see them play a local show in Evansville, Indiana a few years back and was blown away. When Chris sent me the new songs during lockdown, I got chills, and knew the time was right for us to work together. They have such a great focused DIY work ethic and are great collaborators. We’re all extremely excited to be working together!”
 

"We were very excited about the prospect of signing with Mascot Records,” said Tapp. “I've had a relationship with Ron Burman who had been following our career for a while, and obviously been a fan of many artists on the Mascot roster. I think we were looking for a label that would allow us to be who we are, and love that enough to get behind it without changing it. I think Mascot was the perfect choice for that."
 
"I think Mascot has become a great home for rock and blues acts that step outside of the normal box that the word ‘genre’ tends to draw you in,” added Mullins. “We have one foot deep in the blues, but we also have a passion for heavy rock and roll.”
 
Stay tuned for updates in the coming months.

New Orleans funk powerhouse Dumpstaphunk has just released "Do You," the fourth single off their new album ‘Where Do We Go From Here,' out April 23rd. Featuring a guest appearance by The Steeltown Horns - Reggie Watkins on trombone, Richard Matt on saxophone, and John “JD” Chaisson on trumpet - "Do You" is the an uplifting final taste of the most powerful and politically pointed album of the band's career, further cementing their status as the heaviest funk-rock band in the land. Pre-order the new album HERE.

‘Where Do We Go From Here’ is a sharply relevant statement, even more-so than the group anticipated during writing and recording sessions just prior to the unprecedented events of the last year. The band released the album’s title track “Where Do We Go From Here” in August 2020, to commemorate the 15th anniversary of Hurricane Katrina, earning praise from the New York Times for its “slinky funk backbeat” and “gospel determination.” On the eve of the presidential election the band released the single “Justice 2020” (featuring Chali 2na and Trombone Shorty), which became an unofficial anthem of the social justice movement. In March the band released an urgent rendition of Buddy Miles’s 1973 acid-fueled blues anthem “United Nations Stomp," featuring special guest Marcus King, invoking the vintage spirit of Jimi Hendrix with a touch of urgent musical angst that could be easily playlist alongside modern contemporaries Rage Against The Machine.

The band’s arsenal of classic and modern influences can be heard throughout the new album, a distinctive mix of genuine New Orleans funk, old school R&B and guitar fueled modern rock; from the slap-bass rave “Make It After All” to the band’s contemporary renderings of New Orleans R&B rarities  (the 1975 Blackmail gem “Let’s Get At It”) and early Seventies classics (Sly and the Family Stone’s “In Time”). “We hope people can hear the new songs and are inclined to dance, and inspired to think at the same time,” says Ivan, speaking to the new album’s delicate balance between topic material and dance-floor rockers.

Over the past 17 years, Dumpstaphunk has earned its reputation as a highly respected next-generation New Orleans musical institution, the type of band whose live performances have attracted sit-ins from legends like Carlos Santana, Bob Weir, George Clinton and members of Phish.  Alongside original core members Tony Hall and Nick Daniels,  and the new additions of Alex Wasily, Ryan Nyther and drummer Devin Trusclair,  Ivan and Ian Neville (the sons of Aaron Neville and Art “Poppa Funk” Neville respectively) have built upon their family’s iconic Nola legacy as they’ve transformed Dumpstaphunk into the city’s pre-eminent 21st-century funk-fusion export, resulting in recent career highlights like their July 2019 opening gig for the Rolling Stones on their home turf at the New Orleans Mercedes Benz Superdome.

Modernizing and reinvigorating the Neville/Meters family groove has been one of the driving forces of Dumpstaphunk since the band spontaneously formed during New Orleans Jazz & Heritage Festival in 2003. Where Do We Go From Here is perhaps the best evidence yet of Dumpstaphunk’s ability to strengthen and transform their singular Crescent City roots in combination with the deeper outside musical and philosophical influences on which the band is founded.

“Obviously, the New Orleans history is just embedded in us, but we manage to incorporate all the other stuff we’ve listened to over the years,” says Ivan. “We’re representing a legacy, but we’re reimagining a lot of it, too.”

For more information, or to pre-order Where Do We Go From Here, visit https://dumpstaphunk.com

On the heels of announcing a 30-date, coast-to-coast tour spanning spring, summer, and fall, the Montana-based quartet Satsang is unveiling “I’m The One,” the vibrant new single from ‘All. Right. Now.,’ out June 4th via SideOneDummy. Featuring a steady, dynamic rhythm and shimmering acoustic guitars, evoking the sonic energy of Paul Simon’s ‘Graceland,’ “I’m The One” is a breath of fresh air, conjuring images of the summer sun, reuniting with friends, and long drives with the windows down. The single follows the release of “This Place,” featuring singer/songwriter Trevor Hall, and the album’s “warm, inviting” title track (American Songwriter).

“’I’m The One’ is a song I wrote about my wife and I falling in love eleven years ago, under the sun of the Beartooth Mountains,” explains Satsang’s Drew McManus. “It was an unlikely love story that many didn’t think would work. But here we are. Still in love and still in the Beartooths.”

Written and recorded during an extended hiatus from the road, ‘All. Right. Now.’ finds McManus reconnecting with his roots and exploring a whole new palette of sounds, drawing on classic country and modern Americana. The performances are broad and spacious, reflecting the wide-open fields and soaring mountains that surrounded the band while they were recording. The result is a lush, organic collection fueled by acoustic guitars, fiddle, and pedal steel; a warm, inviting record that hints at everything from Uncle Tupelo and The Jayhawks to Gregory Alan Isakov and The Head and the Heart.

Satsang's soulful, reggae-infused folk-rock brought their previous work to #1 on the Billboard's Reggae Chart and saw them sell out concerts around the country, sharing stages with the likes of Michael Franti & Spearhead and Nahko and Medicine for the People as they worked their way up from bars and clubs to massive festivals. It was a stunning rise for McManus, who spent years distancing himself from a troubled upbringing marked by cycles of addiction, violence, and abuse. He came to music as part of his own recovery from addiction, when a month-long backpacking trip in the Himalayas inspired him to share his journey through song and poetry. He ultimately found peace amid family in the Beartooth Mountains of Montana, an oasis that allows him a warm hearth to recharge from the rigors of the road. “Montana isn’t just where I live,” says McManus. “It’s my heart and soul.”

Inspired by the land and by his role as a father, ‘All. Right. Now.’ is a joyful, rustic collection all about letting go and living in the moment. McManus produced the album himself, and while the songs are certainly honest and deeply personal, they’re written in a spiritual language that taps into something far more universal; something inherent in the human condition that binds us as brothers and sisters on a shared journey to find our place in this world. Grounding himself in a dedicated mixed-martial-arts practice, McManus sees no inherent contradiction between fighting and music, which both require patience, endurance, and a willingness to immerse yourself completely into practice. As a father and a husband, McManus is more committed than ever to taking care of his mind, body, and soul and to making the most of his limited time.

“When you’re dealt a tough hand, you can either get bitter or you can get better,” says McManus. “You can blame your upbringing for everything and complain about what happened to you, or you can choose to believe that everything happened for you, to step into your power and become the person you want to be.” In Montana, that’s precisely what McManus has done, turning his dreams into reality in a place that, some days, feels more like Heaven than Earth. “My wife, my kids, Montana, they’re all one thing to me now,” says McManus. “They’re home.”

Stay tuned for additional updates.

Satsang - Tour Dates

APR 24 - Zen Fest West - Palomar Mountain, CA
MAY 15 - YAM Fest - Yoga, Arts and Music Festival - Saint Clair, MO
JUN 3 - Pyro Music and Arts Festival - Thornville, OH
JUN 4 - Pyro Music and Arts Festival - Thornville, OH
JUN 9 - The Mishawaka - Bellvue, CO
JUN 10 - The Mishawaka - Bellvue, CO
JUN 11 - Red Lodge Ales - Red Lodge, MT
JUN 12 - Red Lodge Ales - Red Lodge, MT
JUL 24 - Daydream Farm - Wall Township, NJ
OCT 14 - Turf Club - St Paul, MN
OCT 15 - Knuckleheads Saloon - Kansas City, MO
OCT 16 - The Wildwood Smokehouse and Saloon - Iowa City, IA
OCT 17 - Hi-Fi - Indianapolis, IN
OCT 20 - Asheville Music Hall - Asheville, NC
OCT 21 - The Basement - Nashville, TN
OCT 22 - Rumba Cafe - Columbus, OH
OCT 23 - Martyrs' - Chicago, IL
OCT 24 - Bell's Eccentric Cafe - Kalamazoo, MI
OCT 27 - Old Rock House - St. Louis, MO
OCT 28 - Wooly's - Des Moines, IA
OCT 29 - Reverb Lounge - Omaha, NE
NOV 11 - Marquee Theatre - Tempe, AZ
NOV 12 - Soda Bar - San Diego, CA
NOV 14 - The Rock - San Luis Obispo, CA
NOV 16 - Mystic Theater - Petaluma, CA
NOV 17 - Felton Music Hall - Felton, CA
NOV 18 - Cornerstone - Berkeley, CA
NOV 20 - Star Theater Portland - Portland, OR
NOV 21 - High Dive - Seattle, WA
MAY 27 - California Roots Music & Arts Festival - Monterey, CA
 
All. Right. Now. – out June 4th

1. From And I Go
2. All. Right. Now.
3. Answer Was Yes
4. This Place (ft. Trevor Hall)
5. I’m The One
6. Further This Goes
7. Malachi
8. Back Around (ft. G. Love)
9. I’ll Try
10. Love
11. To Last

The Polyphonic Spree have released a trippy new video for “She’s A Rainbow” by The Rolling Stones, featured on their new covers album ‘Afflatus,’ adding choral vocals, broad instrumentation, and a psychedelic sound to the original tune. Featuring psychedelic, acid-soaked animation and in-studio footage that echoes the cover’s trippy sound, the video was captured during the one-night live recording session of ‘Afflatus,’ just before the 2020 lockdown. “We knew it was probably going to be the last time we saw each other for a long time,” reminisces frontman Tim DeLaughter, “and the next day, everything started to close.”
 
“She’s A Rainbow” has been a staple of The Polyphonic Spree’s live set for years, but DeLaughter’s history with The Rolling Stones goes all the way back to high school, as he told Ultimate Classic Rock today. “I was a freshman in high school. Me and another kid, Kevin Swanson, had a band, and all we played were Stones songs,” he explains. “We got the opportunity to play in front of the lunch crowd, outside in the commons area.  We started the show with ‘Jumping Jack Flash.’ It was all going great. Then we were blazing through ‘Brown Sugar’ when some kid unplugged the power to the PA, and everything went silent, which in turn, turned my failing friend into a cussing dad who just hit his thumb with a hammer. I quickly realized it was all over, no more show, total let down. That was the last time I ever played The Rolling Stones live, until we played ‘She’s A Rainbow.’”

Featuring a range of material from a diverse group of artists that all hold a special significance to the band, ‘Afflatus’ includes interpretations of classic hits by INXS, Daniel Johnston, Rush, Barry Manilow, ABBA, and more. In addition to staples like The Rolling Stones, the set also features tracks that fans have never heard before, like “Could It Be Magic” by Barry Manilow, which holds a special significance to DeLaughter. “A lot of the music I’m attracted to, melodically speaking, can be traced back to my younger years,” he explains. “I was running my dad’s business on the weekends as a kid, and there was this cassette of Barry Manilow songs that I played over and over. I loved the grandiose, high-reaching production for essentially a pop song.”

Having just celebrated their 20th anniversary, The Polyphonic Spree is currently at work on a new full-length album of original material, slated for release this fall. It will be their first release of original material since 2013’s ‘Yes, It’s True.’

‘Afflatus’ by The Polyphonic Spree – Out 4/16

1. Don’t Change (INXS)
2. You Put My Love Out The Door (Daniel Johnston)
3. She’s A Rainbow (The Rolling Stones)
4. Run To Me (Bee Gees)
5. The Porpoise Song (The Monkees)
6. Could It Be Magic (Barry Manilow)
7. The Visitors (ABBA)
8. Let Em In (Wings)
9. Never My Love (The Association)
10. The Spirit of Radio (Rush)

New Orleans funk powerhouse Dumpstaphunk has released ‘Where Do We Go From Here,’ their first full-length in seven years, and undeniably the most powerful and politically pointed album of their career. To celebrate today’s release, the band is unveiling a music video for the album’s title track, which speaks to the overall themes of the project. “We’re all unsure sometimes about things around us and about our personal experience,” Ivan Neville told Gambit this week. “No matter who you are, no matter where you come from or what you believe in, we have some things in common and music is a common thread. Whether we’re feeling insecure or afraid of losing something or afraid of not getting what we want — let’s just look at it and do the next right thing and maybe things will turn out OK.”

The 11-track album features special guests Marcus King, Trombone Shorty and Chali 2na is now available on bronze vinyl, CD and available everywhere on all digital platforms HERE.

In celebration of the release, the band will perform songs from ‘Where Do We Go From Here’ at a live, drive-in performance at New Orleans’ Shrine on Airline on Saturday, April 24th. Also featuring Smoke N Bones and Soul Brass Band, the show is organized by Farmstand Entertainment, a new entertainment initiative that incorporates restaurant-prepared meals and farm produce into its events. For more information, visit https://www.farmstandlive.com

The band is also scheduled to perform at Tipitina’s in New Orleans on Sunday May 2nd, on what would have been the final night of the New Orleans Jazz & Heritage Festival. The band has closed out JazzFest with a Tipitina’s performance every year, since 2003. Fans can stream the live performance courtesy of Nugs.net. 
 
‘Where Do We Go From Here’ is a sharply relevant statement, even more-so than the group anticipated during writing and recording sessions just prior to the unprecedented events of the last year. The band released the album’s title track “Where Do We Go From Here” in August 2020, to commemorate the 15th anniversary of Hurricane Katrina, earning praise from the New York Times for its “slinky funk backbeat” and “gospel determination.” On the eve of the presidential election the band released the single “Justice 2020” (featuring Chali 2na and Trombone Shorty), which became an unofficial anthem of the social justice movement. In March the band released an urgent rendition of Buddy Miles’s 1973 acid-fueled blues anthem “United Nations Stomp," featuring special guest Marcus King, invoking the vintage spirit of Jimi Hendrix with a touch of urgent musical angst that could be easily playlist alongside modern contemporaries Rage Against The Machine.
 
The band’s arsenal of classic and modern influences can be heard throughout the new album, a distinctive mix of genuine New Orleans funk, old school R&B and guitar fueled modern rock;  From the slap-bass rave “Make It After All” to the band’s contemporary renderings of NOLA R&B rarities  (the 1975 Blackmail gem “Let’s Get At It”) and early Seventies classics (Sly and the Family Stone’s “In Time”). “We hope people can hear the new songs and are inclined to dance, and inspired to think at the same time,” says Ivan, speaking to the new album’s delicate balance between topic material and dance-floor rockers.

Over the past 17 years, Dumpstaphunk has earned its reputation as a highly respected next-generation New Orleans musical institution, the type of band whose live performances have attracted sit-ins from legends like Carlos Santana, Bob Weir, George Clinton and members of Phish.  Alongside original core members Tony Hall and Nick Daniels,  and the new additions of Alex Wasily, Ryan Nyther and drummer Devin Trusclair,  Ivan and Ian Neville (the sons of Aaron Neville and Art “Poppa Funk” Neville respectively) have built upon their family’s iconic NOLA legacy as they’ve transformed Dumpstaphunk into the city’s pre-eminent 21st-century funk-fusion export, resulting in recent career highlights like their July 2019 opening gig for the Rolling Stones on their home turf at the New Orleans Mercedes Benz Superdome.

Modernizing and reinvigorating the Neville/Meters family groove has been one of the driving forces of Dumpstaphunk since the band spontaneously formed during New Orleans Jazz & Heritage Festival in 2003. Where Do We Go From Here is perhaps the best evidence yet of Dumpstaphunk’s ability to strengthen and transform their singular Crescent City roots in combination with the deeper outside musical and philosophical influences on which the band is founded.

“Obviously, the New Orleans history is just embedded in us, but we manage to incorporate all the other stuff we’ve listened to over the years,” says Ivan. “We’re representing a legacy, but we’re reimagining a lot of it, too.”
 
'Where Do We Go From Here'
1. United Nations Stomp ft. Marcus King 
2. Make It After All
3. Backwash
4. Let's Get At It
5. Where Do We Go From Here
6. Itchy Boo
7. In Time
8. Do You
9. Dumpstamental
10. Sounds
11. Justice 2020 ft. Chali 2na & Trombone Shorty 

Indiana duo The Cold Stares will release their new album Heavy Shoes on August 13th via Mascot Records (Black Stone Cherry, Crobot, Monster Truck). Ahead of this, they have revealed the video for "In The Night Time," which you can watch here: https://www.youtube.com/watch?v=zTJuw_mJqME

Their story alone would be enough for a drama series – cancer, suicide, betrayal, divorce, loss, self-identity crisis, survival, and ancestral skeletons. Write about what you know, they say.

There's a richness running through the songs with dark, multi-layered narratives that course through every twist and turn. Dirty fuzzed-up rock and roll meet blues, garage, desert rock and a Southern Gothic sensibility. Sombre storytelling is etched into their songs with unflinching honesty. For Chris Tapp and Brian Mullins, authenticity is their hallmark.
 
The Nuggets-era psychedelic garage-rock "In The Night Time" is the band striving for something more unique and is inspired by the southern gothic city of St Augustine, Florida. "The whole city is a graveyard. So many Spaniards are buried there," singer-guitarist Tapp says. "When you're walking the streets, it's like you're walking on the graves. I was visualizing walking late at night, with things in the shadows coming alive, and It's joyous."  The day of the dead inspired narrative and visuals ties into the incredible cover-art by Corey Booth (Rick & Morty) which highlights that darkness doesn’t need to be menacing, it can be beautiful too.
 
"I'm writing from the point of Edgar Allan Poe and William Faulkner. It needs to have weight to it,” he explains. "There's not really anything that bothers me to talk about. When you don't allow yourself to be human and say what's happened to you, then you make other people that are going through tough shit think that they're alone."
 
"There were a million opportunities for us to bail. We've both been through divorces, and I've been through cancer. We've been through tough times and never been given anything on a silver plate. We're just a blue-collar American rock and roll band," he continues.
 
"I don't think you can get to know people any better than playing music together," says drummer Mullins. "You see people at their best and their worst. We've cried in front of each other, we've celebrated in front of each other."
 
Recorded largely at Sam Phillips Recording Studio, Memphis - with the remaining at their studio in Indiana - this Memphis vibe has seeped into the record. How could it not – the music, the history, the people, the Mississippi river. Mixed by Mark Needham (The Killers) and mastered by Andy Vandette (Beastie Boys/Smashing Pumpkins), Heavy Shoes is their heaviest record yet.
 
"I tend to try to write like you're reading a book. It's descriptive, but also visual," he says. He solemnly wails about bad luck on "Hard Times," the first single from the album. They then run a gamut of themes; addiction ("Save You From You"), emotional torture ("Prosecution Blues"), destructive relationships ("Heavy Shoes") and manipulation ("Election Blues"). The doom-laden, desert-rock "40 Dead Men" centers around an unnamed soldier who destroys his surroundings just to get home. "It's a metaphor for being sucked into a fight, be it politics or religion, and focussing on going back to the thing you really love."
 
Tapp hasn't been dealt the easiest cards in life. Aged ten he discovered he was adopted, "for a long time, I kinda felt I was alone." His Grandfather, who he "emphatically loved", was a significant influence. "He dealt with depression his whole life. Music brought him joy. Because he valued it, it felt natural to me to value it." He ended up taking his own life, and it was Chris who found him, "it was difficult then, and it's been difficult since," he says. "Ninety-nine per cent of the time, he was laughing. But he had this dark side, and maybe there's a little bit of that dark side in me." 

 
"That's a heavy component of my life, and that creeps into the songs. It's sometimes easier for me to think about it in a song with characters than it is for me to just think about it."
 
As a child, his grandfather told him about his great-grandfather, who ran moonshine during prohibition. When no one in the family would discuss that period, he decided to go to do his own research, and discovered that during this, the local Sheriff and Deputy visited his great-grandfather’s house and assaulted his great-aunt.  To protect his family, the next time, he hid under the porch until the Sheriff and Deputy returned. He then shot them both dead on the porch. He spent six days in jail and was released. This trauma shook the family and Tapp lived in that home during his twenties. "My great-aunt lived to be 103 and, just before she passed away, in the last couple of years, she started to talk to me about it."
 
Tapp was diagnosed with Stage 3 Cancer in 2009 and given six months to live. 18 months of radiation and chemotherapy followed. "Now I feel like I'm saying what I want to say a little bit more concisely and elegantly," he concludes.
 
Now on their fifth album, the road-worn warriors have crisscrossed the US, playing the Mercury Lounge to the Viper Rooms, and played with Rival Sons, Spoon, Grand Funk Railroad and Thievery Corp. Their music has been streamed over 20m+ times and has featured on TV and games; ESPN, X-Games, Monster Energy, TNT's Animal Kingdom, Dodge Motors and the smash-hit game CyberPunk 2077.
 
You want authenticity, take one long cold hard stare at these two. The Cold Stares are a rock 'n' roll band, but they take a sledgehammer to the foundation to reveal the cracks that are suppressed within it. With that, allowing themselves to be raw and open to show that, we are not alone.

'Heavy Shoes' by The Cold Stares
1. Heavy Shoes
2. 40 Dead Men
3. Take This Body From Me
4. Hard Times
5. In The Night Time
6. Strange Light
7. Prosecution Blues
8. It’s A Game
9. Save You From You
10. You Wanted Love
11. Election Blues
12. Dust In My Hands
13. Hard Times

On the heels of their 30th Anniversary as a band, 311 is excited to announce their return to the road with their 36-date, coast-to-coast “Live From The Ride” Tour, spanning August 21 – October 17, with special guests Iration and Iya Terra (Full tour schedule below).
 
Named “Live From The Ride” (as a play on “Live From The Hive,” the online live-stream concert series that the band launched from their Hive Studio in 2020 when touring paused), the 2021 Tour marks the return of one of rock’s most entertaining and dynamic live bands, mixing rock, rap, reggae, and funk into their own unique, hybrid sound.
 
Tickets & VIP Packages start to go on Pre-Sale Tuesday, May 18 at 10am PT / 12pm CT / 1pm ET, with Public On-Sale Friday, May 21 at 10am local. 311 VIP Packages include Soundcheck Access, First Entry, Merch Bundles & more. All ticket & VIP info at 311.com.
 
Select “Live From The Ride” performances will be available to stream on 311 Streamsystem, the live-streaming platform that the band debuted in October 2020. Details will be announced in the coming weeks.
 
“We’re thrilled to get back on the road and feel that live-show energy that both the band and our fans have been craving,” said 311’s Nick Hexum. “The live streams have been great, but nothing compares to having our fans there in person rocking out with us. We know it’s going to feel electric when we take the stage each night and see everyone celebrating the live experience!”
 
The “Live From The Ride” tour announcement follows last week’s release of 311’s free mobile app; the new official home for the 311 Fan Club. The app features three subscription tiers that provide first access to tickets & VIP packages, plus additional content, message boards, merch exclusives, virtual meet & greets, and more. For more information visit app.311.com.
 
When touring paused in 2020, 311 connected with fans online, performing their first 6 albums across 6 monthly live streams from their Hive Studio in Los Angeles on the newly launched 311streamsystem.com. The response to Streamsystem was so positive, 311 has decided to expand the experience to include select shows from the “Live From The Ride” Tour.
 
Formed in 1990 in Omaha, Nebraska, 311 is one of the longest running original lineups in rock, alongside legends like U2 and Radiohead. 311’s celebrated live shows and dedicated touring schedule have earned them a massive grassroots following, having played more than 2,000 performances across 27 countries. They’ve released thirteen studio albums, ten of which reached the Top 10 on Billboard’s Top 200 Sales Chart, and sold over 9 million copies in the U.S. Their list of Top 10 radio hits includes “Down,” “All Mixed Up,” “Amber,” “Love Song,” “Come Original,” “Beautiful Disaster,” “Don’t Tread on Me,” “Hey You” and “Sunset in July.” 
 
311’s line-up includes Nick Hexum (vocals/guitar), Tim Mahoney (guitar), SA Martinez (singer, dj), Chad Sexton (drums), and P-Nut (bass).

“LIVE FROM THE RIDE” TOUR DATES

Sat, Aug 21        Camden, NJ - BB&T Pavilion
Sun, Aug 22       Farmingville, NY - Long Island Community Hospital Amphitheater at Bald Hill
Tue, Aug 24        Bridgeport, CT - Hartford HealthCare Amphitheater
Thur, Aug 26      Portland, ME - Thompson's Point 
Sat, Aug 28        Boston, MA – Leader Bank Pavilion
Sun, Aug 29       Holmdel, NJ - PNC Bank Arts Center 
Wed, Sept 1       Baltimore, MD - Pier 6 / MECU Pavilion
Thur, Sept 2       Virginia Beach, VA - Veterans United Home Loans Amphitheater 
Sat, Sept 4         Wilmington, NC - Riverfront Park Amphitheater 
Sun, Sept 5        Charlotte, NC  - Hops & Hogs Festival*
Tue, Sept 7        Indianapolis, IN - TCU Amphitheater at White River State Park 
Wed, Sept 8       Lincoln, NE - Pinewood Bowl Amphitheater 
Fri, Sept 10        Chicago, IL - Huntington Bank Pavilion at Northerly Island 
Sat, Sept 11       Milwaukee, WI – SummerFest^
Sun, Sept 12      Waite Park, MN - The Ledge Amphitheater 
Wed, Sept 15     Maryland Heights, MO - Saint Louis Music Park 
Thur, Sept 16     Sterling Heights, MI - Michigan Lottery Amphitheatre at Freedom Hill 
Sat, Sept 18       Cleveland, OH - Jacobs Pavilion at Nautica
Sun, Sept 19      Cincinnati, OH - The ICON Festival Stage at Smale Park
Tues, Sept 21    Alpharetta, GA - Ameris Bank Amphitheatre 
Wed, Sept 22     Jacksonville, FL - Daily's Place 
Fri, Sept 24        West Palm Beach, FL - iTHINK Financial Amphitheatre 
Sat, Sept 25       Tampa, FL - MIDFLORIDA Credit Union Amphitheatre 
Tue, Sept 28       Austin, TX - Moody Amphitheater at Waterloo Park
Wed, Sept 29     Irving, TX - The Pavilion at Toyota Music Factory 
Thur, Sept 30     Kansas City, MO - Grinders KC 
Sat, Oct 2           Morrison, CO - Red Rocks Amphitheatre 
Sun, Oct 3          Albuquerque, NM - Isleta Amphitheater 
Tue, Oct 5          Salt Lake City, UT - USANA Amphitheatre 
Thur, Oct 7         Bend, OR - Les Schwab Amphitheater 
Fri, Oct 8            Seattle, WA - WaMu Theater 
Sun, Oct 10        Sacramento, CA – Heart Health Park 
Wed, Oct 13       Phoenix, AZ - Ak-Chin Pavilion 
Fri, Oct 15          Irvine, CA - FivePoint Amphitheatre 
Sat, Oct 16         San Diego, CA - North Island Credit Union Amphitheatre 
Sun, Oct 17        Berkeley, CA - Greek Theatre
 
* Iration and Iya Terra not appearing
^ Iya Terra not appearing

‘All. Right. Now,’ the new album from Montana-based quartet Satsang, is an ode to their homestate, so it may come as no surprise that the album’s breathtaking opening track was written on a rock in the middle of the Stillwater river, in Montana’s southwest region. “I had hiked up with my wife and baby to hopefully catch some fish while they played,” frontman Drew McManus told Under The Radar this week. “The wind was a bit much, so I sat on this rock and just watched my wife play with our youngest at the bottom of these giant mountains. Eleven years prior I had been at that same outlet when I decided to stay in Montana for good. The song was a love song to all the things that made me feel home. The river, the mountains, my wife and children, and even the time I spend away from it all on the road, knowing that whenever I leave I will always come back to those things."

Written and recorded during an extended hiatus from the road, ‘All. Right. Now.’ finds McManus reconnecting with his roots and exploring a whole new palette of sounds, drawing on classic country and modern Americana. The performances are broad and spacious, reflecting the wide-open fields and soaring mountains that surrounded the band while they were recording. The result is a lush, organic collection fueled by acoustic guitars, fiddle, and pedal steel; a warm, inviting record that hints at everything from Uncle Tupelo and The Jayhawks to Gregory Alan Isakov and The Head and the Heart. “From And I Go” follows the release of “I’m The One,” the album’s vibrant summer anthem, and “This Place,” featuring singer/songwriter Trevor Hall.

Satsang's soulful, reggae-infused folk-rock brought their previous work to #1 on the Billboard's Reggae Chart and saw them sell out concerts around the country, sharing stages with the likes of Michael Franti & Spearhead and Nahko and Medicine for the People as they worked their way up from bars and clubs to massive festivals. It was a stunning rise for McManus, who spent years distancing himself from a troubled upbringing marked by cycles of addiction, violence, and abuse. He came to music as part of his own recovery from addiction, when a month-long backpacking trip in the Himalayas inspired him to share his journey through song and poetry. He ultimately found peace amid family in the Beartooth Mountains of Montana, an oasis that allows him a warm hearth to recharge from the rigors of the road. “Montana isn’t just where I live,” says McManus. “It’s my heart and soul.”

Inspired by the land and by his role as a father, ‘All. Right. Now.’ is a joyful, rustic collection all about letting go and living in the moment. McManus produced the album himself, and while the songs are certainly honest and deeply personal, they’re written in a spiritual language that taps into something far more universal; something inherent in the human condition that binds us as brothers and sisters on a shared journey to find our place in this world. Grounding himself in a dedicated mixed-martial-arts practice, McManus sees no inherent contradiction between fighting and music, which both require patience, endurance, and a willingness to immerse yourself completely into practice. As a father and a husband, McManus is more committed than ever to taking care of his mind, body, and soul and to making the most of his limited time.

“When you’re dealt a tough hand, you can either get bitter or you can get better,” says McManus. “You can blame your upbringing for everything and complain about what happened to you, or you can choose to believe that everything happened for you, to step into your power and become the person you want to be.” In Montana, that’s precisely what McManus has done, turning his dreams into reality in a place that, some days, feels more like Heaven than Earth. “My wife, my kids, Montana, they’re all one thing to me now,” says McManus. “They’re home.”

Satsang is hitting the road in June for a string of performances in support of ‘All. Right. Now.,’ including three performances at Red Rock Amphitheatre on June 5-6 opening for Michael Franti & Spearhead. For details and to purchase tickets, visit https://www.satsangmovement.com

Satsang - Tour Dates

JUN 4 - Gerald Ford Amphitheater – Vail, CO
JUN 5 - Red Rocks Amphitheatre, Morrison, CO
JUN 6 - Red Rocks Amphitheatre, Morrison, CO (2pm show)
JUN 6 - Red Rocks Amphitheatre, Morrison, CO (8pm show)
JUN 9 - The Mishawaka - Bellvue, CO
JUN 10 - The Mishawaka - Bellvue, CO
JUN 11 - Red Lodge Ales - Red Lodge, MT
JUN 12 - Red Lodge Ales - Red Lodge, MT
JUL 24 - Daydream Farm - Wall Township, NJ
OCT 14 - Turf Club - St Paul, MN
OCT 15 - Knuckleheads Saloon - Kansas City, MO
OCT 16 - The Wildwood Smokehouse and Saloon - Iowa City, IA
OCT 17 - Hi-Fi - Indianapolis, IN
OCT 20 - Asheville Music Hall - Asheville, NC
OCT 21 - The Basement - Nashville, TN
OCT 22 - Rumba Cafe - Columbus, OH
OCT 23 - Martyrs' - Chicago, IL
OCT 24 - Bell's Eccentric Cafe - Kalamazoo, MI
OCT 27 - Old Rock House - St. Louis, MO
OCT 28 - Wooly's - Des Moines, IA
OCT 29 - Reverb Lounge - Omaha, NE
NOV 11 - Marquee Theatre - Tempe, AZ
NOV 12 - Soda Bar - San Diego, CA
NOV 14 - The Rock - San Luis Obispo, CA
NOV 16 - Mystic Theater - Petaluma, CA
NOV 17 - Felton Music Hall - Felton, CA
NOV 18 - Cornerstone - Berkeley, CA
NOV 20 - Star Theater Portland - Portland, OR
NOV 21 - High Dive - Seattle, WA
 
All. Right. Now. – out June 4th
1. From And I Go
2. All. Right. Now.
3. Answer Was Yes
4. This Place (ft. Trevor Hall)
5. I’m The One
6. Further This Goes
7. Malachi
8. Back Around (ft. G. Love)
9. I’ll Try
10. Love
11. To Last

The Georgia Thunderbolts are riding high. Having just been featured by Rolling Stone, who compared their “lean, muscular songs” to artists like Blackberry Smoke, The Steel Woods and Lynyrd Skynyrd, the band has “a full tank of gas and is heading down the road” in the new video for “Take It Slow,” out today. Directed by Jim Arborgast, the hard-charging video is the first taste of The Georgia Thunderbolts’ new set of material, slated for release later this year. “Take It Slow is about living life by the wayside,” explains guitarist Riley Couzzourt. “Life wasn’t meant to be fast lived, but to be enjoyed and memorable.” “This song is for anyone who wants to just let loose,” adds vocalist TJ Lyle. “The struggles of life sometimes seem overbearing, but the answer is to just sit back, relax and Take It Slow.”

“In Georgia, you hear Lynyrd Skynyrd, The Allman Brothers, and all of the greats everywhere,” says fellow guitarist, Logan Tolbert. “Rock and roll is something that comes naturally for us. We feel like we can bring it back.” The press agree, with Classic Rock Magazine dubbing the band “your new favorite southern rock band,” and American Songwriter calling their recently released debut EP, “timeless.” “But these Thunderbolts aren’t a low-voltage knockoff of the greats who came before,” Rolling Stone adds. “Rather, they keep things fresh by committing to lean, muscular songs…Southern rock continues to thrive in the 21st century.”

Whether it be on the banks of the Mississippi River or deep in the heart of the English countryside, rock ‘n’ roll lives, breathes, and burns on the outskirts. Hailing from Rome, GA at the foothills of the Appalachian Mountains, The Georgia Thunderbolts’ scorching signature style is steeped in raw rock, soulful southern swagger, and blistering blues. With a wide swath of inspirations, ranging from southern gospel and Hank Williams to Merle Haggard, Neil Young, Little Feat, Ozzy Osbourne, and Lynyrd Skynyrd, the band cut their teeth performing with everyone from The Kentucky Headhunters to Blackberry Smoke, resulting in a signature sound steeped in anthemic riffs, wild harmonica, and pulse-pounding drums.

“We’re going for that timeless and classic sound with a modern twist and newer attitude,” exclaims Lyle. “We all grew up on rock music,” Riley adds. “If I could think of three words to describe us, they would be ‘Hardworking, Determined, and Humble.’” Bristol grins, “If I could think of three words, they would be ‘Rock and Roll.’”
 
The Georgia Thunderbolts are:
Riley Couzzourt [guitar]
Zach Everett [bass, harmony vocals, keys]
TJ Lyle [vocals]
Bristol Perry [drums]
Logan Tolbert [guitar]

On “Malachi,” the final single from his deeply personal new album ‘All. Right. Now’ out this Friday, Satsang’s Drew McManus shares an emotional message written to his son. “The day my son Malachi was born, they said his bilirubin count was bad and they suggested we keep him under this crazy blue light throughout the night,” McManus explains. “My wife and I couldn’t do it. While my wife slept, I held him on my chest overcome with joy and thinking about what he could be and what I could be to him. His mom woke up in the middle of the night and I handed him over, and as they slept I just watched the two of them. I pulled out my notebook and wrote down what would become this song.”

Written and recorded during an extended hiatus from the road, ‘All. Right. Now.’ finds McManus reconnecting with his roots and exploring a whole new palette of sounds, drawing on classic country and modern Americana. The performances are broad and spacious, reflecting the wide-open fields and soaring mountains that surrounded the band while they were recording. The result is a lush, organic collection fueled by acoustic guitars, fiddle, and pedal steel; a warm, inviting record that hints at everything from Uncle Tupelo and The Jayhawks to Gregory Alan Isakov and The Head and the Heart.

Satsang's soulful, reggae-infused folk-rock brought their previous work to #1 on the Billboard's Reggae Chart and saw them sell out concerts around the country, sharing stages with the likes of Michael Franti & Spearhead and Nahko and Medicine for the People as they worked their way up from bars and clubs to massive festivals. It was a stunning rise for McManus, who spent years distancing himself from a troubled upbringing marked by cycles of addiction, violence, and abuse. He came to music as part of his own recovery from addiction, when a month-long backpacking trip in the Himalayas inspired him to share his journey through song and poetry. He ultimately found peace amid family in the Beartooth Mountains of Montana, an oasis that allows him a warm hearth to recharge from the rigors of the road. “Montana isn’t just where I live,” says McManus. “It’s my heart and soul.”

Inspired by the land and by his role as a father, ‘All. Right. Now.’ is a joyful, rustic collection all about letting go and living in the moment. McManus produced the album himself, and while the songs are certainly honest and deeply personal, they’re written in a spiritual language that taps into something far more universal; something inherent in the human condition that binds us as brothers and sisters on a shared journey to find our place in this world. Grounding himself in a dedicated mixed-martial-arts practice, McManus sees no inherent contradiction between fighting and music, which both require patience, endurance, and a willingness to immerse yourself completely into practice. As a father and a husband, McManus is more committed than ever to taking care of his mind, body, and soul and to making the most of his limited time.

“When you’re dealt a tough hand, you can either get bitter or you can get better,” says McManus. “You can blame your upbringing for everything and complain about what happened to you, or you can choose to believe that everything happened for you, to step into your power and become the person you want to be.” In Montana, that’s precisely what McManus has done, turning his dreams into reality in a place that, some days, feels more like Heaven than Earth. “My wife, my kids, Montana, they’re all one thing to me now,” says McManus. “They’re home.”
 
Satsang is hitting the road this month for a string of performances in support of ‘All. Right. Now.,’ including three performances at Red Rock Amphitheatre on June 5-6 opening for Michael Franti & Spearhead. For details and to purchase tickets, visit https://www.satsangmovement.com

Satsang - Tour Dates

JUN 4 - Gerald Ford Amphitheater – Vail, CO
JUN 5 - Red Rocks Amphitheatre, Morrison, CO
JUN 6 - Red Rocks Amphitheatre, Morrison, CO (2pm show)
JUN 6 - Red Rocks Amphitheatre, Morrison, CO (8pm show)
JUN 9 - The Mishawaka - Bellvue, CO
JUN 10 - The Mishawaka - Bellvue, CO
JUN 11 - Red Lodge Ales - Red Lodge, MT
JUN 12 - Red Lodge Ales - Red Lodge, MT
JUL 24 - Daydream Farm - Wall Township, NJ
OCT 14 - Turf Club - St Paul, MN
OCT 15 - Knuckleheads Saloon - Kansas City, MO
OCT 16 - The Wildwood Smokehouse and Saloon - Iowa City, IA
OCT 17 - Hi-Fi - Indianapolis, IN
OCT 20 - Asheville Music Hall - Asheville, NC
OCT 21 - The Basement - Nashville, TN
OCT 22 - Rumba Cafe - Columbus, OH
OCT 23 - Martyrs' - Chicago, IL
OCT 24 - Bell's Eccentric Cafe - Kalamazoo, MI
OCT 27 - Old Rock House - St. Louis, MO
OCT 28 - Wooly's - Des Moines, IA
OCT 29 - Reverb Lounge - Omaha, NE
NOV 11 - Marquee Theatre - Tempe, AZ
NOV 12 - Soda Bar - San Diego, CA
NOV 13 – The Moroccan – Los Angeles, CA
NOV 14 - The Rock - San Luis Obispo, CA
NOV 16 - Mystic Theater - Petaluma, CA
NOV 17 - Felton Music Hall - Felton, CA
NOV 18 - Cornerstone - Berkeley, CA
NOV 20 - Star Theater Portland - Portland, OR
NOV 21 - High Dive - Seattle, WA
 
All. Right. Now. – out June 4th

1. From And I Go
2. All. Right. Now.
3. Answer Was Yes
4. This Place (ft. Trevor Hall)
5. I’m The One
6. Further This Goes
7. Malachi
8. Back Around (ft. G. Love)
9. I’ll Try
10. Love
11. To Last

With The Robert Randolph Foundation’s inaugural Juneteenth Unityfest only 9 days away, organizers are pleased to announce a number of new additions to the already star-studded line-up, including performances by GRAMMY™ Award-winning artists India Arie and Ledisi. Newly confirmed guest appearances include Ms. Opal Lee, Craig Robinson, Adesola Osakalumi, Deesha Dyer, Gail Devers, Jason Wright, Krystal Mackie, Zina Garrison, LeVar Burton, and Lynn Nottage. In addition, Unityfest will also now include airings of two performances from Jimi Hendrix’s historic 1970 Atlanta Pop Festival appearance, which saw Hendrix play to the biggest crowd of his career amid the civil rights unrest, and the unrelenting toll of the Vietnam War. Experience Hendrix L.L.C. has licensed these performances so that the late legend could be part of this special celebration. 
 
The virtual experience will be live streamed via the festival’s website on Saturday, June 19, 2021, at 5:00pm EST/2:00 pm PST and will celebrate the breadth and depth of Black culture and Juneteenth as a uniquely American experience. The national event will feature musical performances, inspiring remarks, films, comedy, storytelling, and appearances by civic leaders and some of pop culture’s most influential names. Most importantly, it will provide an essential platform to unite a coalition of charitable grassroots organizations bringing together diverse voices in commemoration and celebration. 

Hosted by actress and author Amanda Seales and comedian JB Smoove, Juneteenth Unityfest will include musical performances by: Robert Randolph, Earth, Wind & Fire, Nile Rodgers & CHIC, Darius Rucker, Dave Matthews & Carter Beauford, Black Pumas, Aloe Blacc, Keb’ Mo’, Bebe Winans, Khruangbin, Phony Ppl, Michael Franti, Judith Hill, Jimmie Allen, Korean Soul, The Soul Rebels, and Greg Phillinganes, with additional musical guests to be announced in the coming days. Wilson Cruz, Roger Guenveur Smith, LeVar Burton, Ms. Opal Lee, Adesola Osakalumi, Baratunde Thurston, and Jesse Williams will lend their voices to the program along with previously announced guest appearances by Phylicia Rashad, Billy Porter, Jon Hamm, Van Jones, Wayne Brady, Aisha Tyler, Craig Robinson, Zach Galifianakis, Deesha Dyer, Gail Devers, Jason Wright, Krystal Mackie, and Zina Garrison.

"With only a little over a week left before the festival, we could not be more excited to make this event come to life. We are beyond grateful to all of the artists, guests, and sponsors who have helped us create a space to celebrate and reflect on what it means to be Black in America. Juneteenth is an important day in not just Black, but American history; it serves as a reminder to remember the past, acknowledge our progression and take collective action towards creating a better future," notes Robert Randolph, founder of the Robert Randolph Foundation. 

Juneteenth Unityfest is made possible by phenomenal sponsors and partners like Heal America, and EBONY as the official media partner and LiveXLive as the official streaming partner. Through LiveXLive, the stream will also be accessible via LiveXLive’s distribution platform on STIRR, SLING, AppleTV, and its social media channels including YouTube, Facebook, Twitter, Twitch and TikTok. The festival is excited to welcome new sponsors Getty Images and the NFL’s Inspire Change initiative.

The inaugural event has also aligned itself with incredible community partners to ensure historical accuracy and authenticity, including The Rock & Roll Hall of Fame, We Are Family Foundation, The National Juneteenth Observance Foundation, Unity Unlimited, Inc., Umoja Events Juneteenth NYC Festival, African American Museum in Philadelphia, Benedict College, Muhammad Ali Center and more. Many other community organizations have aligned with the event to further tell their stories of unity and progress. The full list of partner organizations can be viewed on their website at www.juneteenthunityfest.com/partners.

Juneteenth Unityfest is produced by Empire Entertainment in collaboration with Red Light Management with creative direction and head writing by Paul Oakley Stovall.

For more information on Juneteenth Unityfest, presented by the Robert Randolph Foundation, visit www.juneteenthunityfest.com or follow them on social media, including Instagram, Twitter and Facebook.

Eric Bibb has known many different Americas; the good, the bad and the ugly. Born in New York City in 1951, the thunderbolt of the Sixties folk revival remains so alive in the 69-year-old’s memory that he can still recall the idealism on the night air of Greenwich Village and picture Bob Dylan standing in his living room. Yet just as vivid are the dark societal flash points of the last year, when protesters highlighted the open wound of US race relations while a bitter Presidential election scrawled jagged battle lines.

Now, with the pain of recent events still in the air, Bibb has announced his new album 'Dear America,' out September 10th via Provogue Records / Mascot Label Group, featuring guest appearances by Ron Carter, Eric Gales, Shaneeka Simon, and more. Listen to the new song "Born Of A Woman" featuring Shaneeka Simon below.

Fiercely literate and historically informed, Bibb is a global citizen whose US motherland – with all its pain and shame, hope and wonder – has bled into his art at every juncture since 1972’s debut album, 'Ain’t It Grand,' announced him as a new force in blues, folk, and any other genre he cared to alight on. The Grammy-nominated singer-songwriter has perhaps never addressed the United States – or shone a light on himself – with such focused eloquence as he does on 'Dear America.' “I’m saying all the things I would want to say to somebody dear to me,” Bibb considers. “But it’s a self-portrait as well.”

If you could call out to your country, what would you say? When Bibb embarked on the title song that would galvanize the 'Dear America' album, the songwriter found himself unpacking a seven-decade relationship with a partner of dramatic extremes. “It’s a love letter,” he explains of the record’s root concept, “because America, for all of its associations with pain and its bloody history, has always been a place of incredible hope and optimism. To be American, and particularly to come from New York City, is to be blessed.
 
In November 2019, the bandleader hit Brooklyn’s Studio G to track 'Dear America' with producer/co-writer Glen Scott and a crack studio band. “It was a kind of cosmically orchestrated series of events,” he reflects. “I was so pleased to record with Ron Carter, who I have an early connection with through my dad. Tommy Sims was all over the sessions, a wonderful bassist who I’ve worked with before in Nashville. I’ve played with many great drummers, but Steve Jordan has that authority: it’s just about the hit, man. As for Eric Gales on "Whole World’s Got The Blues" – he was just sublime, probably the most powerful electric blues player right now.”
 
Destiny is a glib concept, but from his earliest years, all the signposts were pointing Bibb towards a life less ordinary. His father, the late Leon Bibb, was the big bang that set it all off: a charismatic singer, actor and leader of men, who marched at Selma with Martin Luther King in ’65, moved in the orbit of social earth-shakers like Bob Dylan and Paul Robeson (Eric’s godfather), and brought home the ethos that art was more powerful when imbued with real life. “My dad was the door to the world that I live in,” nods Bibb, who took ownership of his first acoustic guitar aged seven and never put it down. “That whole connection between music and forward-thinking social movements has always been at the bedrock. I never ‘decided’ I was going to be a writer of socially pointed songs. It was intrinsic. It has to be there. I write what I see.”
 
There are lighter songs across the tracklist, stresses Bibb, pointing to the benevolent chug of the locomotive-themed "Talkin’ ’Bout A Train," or the graceful opener "Whole Lotta Lovin,’" with its heartfelt salute to the American roots music that put him on his path.
 
On the wistful "Emmett’s Ghost," Bibb revisits the appalling murder of Emmett Till, whose incendiary lynching in 1955 galvanized the civil rights movement. “That song was written before the George Floyd case,” he explains, “but it feels like it has particular resonance right now.” Meanwhile, on the glowering Whole World’s Got The Blues, Bibb puts an ear to the ground to tap the street-level malaise in his homeland and beyond.
 
“This album is a love letter,” Bibb says again, “because all of America’s woes, and the woes of the world, can only come into some kind of healing and balance with that energy we call love. That’s my conviction. You see young people now and it’s amazing, with the whole Black Lives Matter movement. All of those things let me know that there is a kind of reverberation from that Sixties energy. You can’t keep a good thing down. Now we’re at that ‘watch and pray’ moment, and it’s an incredibly inspiring time to be writing songs…”

'Dear America' by Eric Bibb

1. Whole Lotta Lovin' (feat. Ron Carter)
2. Born Of A Woman (feat. Shaneeka Simon)
3. Whole World's Got The Blues (feat. Eric Gales)
4. Dear America
5. Different Picture (feat. Chuck Campbell)
6. Tell Yourself
7. Emmett's Ghost (feat. Ron Carter)
8. White & Black
9. Along The Way
10. Talkin' 'Bout A Train Part 1 (feat. Billy Branch)
11. Talkin' 'Bout A Train Part 2
12. Love's Kingdom (feat. Tommy Sims & Glen Scott)
13. One-ness Of Love (feat. Lisa Mills)

Indiana duo The Cold Stares have just released "Heavy Shoes," the title track from their upcoming studio album, out August 13th via Mascot Records. Shot in an abandoned 19th-century church that seemed to breathe with the energy of those who had once filled its halls, "Heavy Shoes" is a metaphor for the baggage we all carry, whether it's a relationship, an addiction, or just something you can’t let go of. "That feeling of every step being heavier than the last and not being able to carry the baggage any further," explains guitarist Chris Tapp. "Heavy Shoes was the first song I had written for the album, and kind of a template we wanted to use for the rest of the record. Heavy, bluesy, straight ahead and honest.

"We shot the video in an old church from the 1800s," Tapp recounts. "The church was abandoned, and in the 1980s it was set for destruction when a woman bought it. The lady had the church moved about a mile down the road to her property and slowly started to preserve it. It's cool that today it's structurally sound, but they haven't changed anything from on the interior from the day the church closed its doors. Like a lot of places I love, you can feel the memories and peoples experiences in the walls."

The Cold Stares' story is enough for a drama series – cancer, suicide, betrayal, divorce. There's a richness running through the songs, with dark, multi-layered narratives that course through every twist and turn. Dirty fuzzed-up rock and roll meet blues, garage, desert rock and a Southern Gothic sensibility. Sombre storytelling is etched into their songs with unflinching honesty. For Chris Tapp and Brian Mullins, authenticity is their hallmark.

"There's not really anything that bothers me to talk about," Tapp explains. "When you don't allow yourself to be human and say what's happened to you, then you make other people that are going through tough shit think that they're alone. We've both been through divorces, and I've been through cancer. We've been through tough times and never been given anything on a silver plate. We're just a blue-collar American rock and roll band."
 
Recorded largely at Sam Phillips Recording Studio in Memphis, the album runs a gamut of themes; addiction on "Save You From You," emotional torture on "Prosecution Blues," destructive relationships on "Heavy Shoes," and manipulation on "Election Blues." Tapp hasn't been dealt the easiest cards in life. Aged ten he discovered he was adopted, and "for a long time, I kinda felt I was alone." His Grandfather, whom he "emphatically loved," ended up taking his own life, and it was Chris who found him. "It was difficult then, and it's been difficult since," he says. "That's a heavy component of my life, and that creeps into the songs. It's sometimes easier for me to think about it in a song with characters than it is for me to just think about it."
 
As a child, his grandfather told him about his great-grandfather, who ran moonshine during prohibition. When no one in the family would discuss that period, he decided to go to do his own research, and discovered that during this, the local Sheriff and Deputy visited his great-grandfather’s house and assaulted his great-aunt.  To protect his family, the next time, he hid under the porch until the Sheriff and Deputy returned. He then shot them both dead on the porch. He spent six days in jail and was released. This trauma shook the family and Tapp lived in that home during his twenties. "My great-aunt lived to be 103 and, just before she passed away, in the last couple of years, she started to talk to me about it."
 
Tapp was diagnosed with Stage 3 Cancer in 2009 and given six months to live. 18 months of radiation and chemotherapy followed. "Now I feel like I'm saying what I want to say a little bit more concisely and elegantly," he concludes.
 
Now on their fifth album, the road-worn warriors have crisscrossed the US, playing the Mercury Lounge to the Viper Rooms, and played with Rival Sons, Spoon, Grand Funk Railroad and Thievery Corp. You want authenticity, take one long cold hard stare at these two. The Cold Stares are a rock 'n' roll band, but they take a sledgehammer to the foundation to reveal the cracks that are suppressed within it. With that, allowing themselves to be raw and open to show that, we are not alone.

'Heavy Shoes' by The Cold Stares

1. Heavy Shoes
2. 40 Dead Men
3. Take This Body From Me
4. Hard Times
5. In The Night Time
6. Strange Light
7. Prosecution Blues
8. It’s A Game
9. Save You From You
10. You Wanted Love
11. Election Blues
12. Dust In My Hands
13. Hard Times

Eric Krasno consecrates, commends, and celebrates the permanence of family on his fourth full-length solo album, ‘Always,’ out September 17th via Mascot Label Group. Across ten tracks with inimitable instrumentation, eloquent songcraft, and raw honesty, the Soulive and Lettuce co-founder, singer, multi-instrumentalist, and two-time GRAMMY® Award-winning songwriter-producer defines himself as not only an artist, but also as a husband, father, and man.

“Before 2020, I was having a good time, but I wasn’t grounded at all,” he explains. “I was going from gig to gig. I was always running around without a purpose. During the last year, I found my people in terms of my wife and son. I’ve created a family who will always be there for me. That’s what the album is about.”

Something of a musical journeyman, Krasno’s extensive catalog comprises three solo albums, four Lettuce albums, twelve Soulive albums, and production and/or songwriting for Norah Jones, Robert Randolph, Pretty Lights, Talib Kweli, 50 Cent, Aaron Neville, and Allen Stone. As a dynamic performer, he’s shared stages with Rolling Stones, Dave Matthews Band, John Mayer, and The Roots. Out of seven nominations, he picked up two GRAMMY® Awards for his role as a songwriter and guitarist on Tedeschi Trucks Band’s ‘Revelator’ and guitarist on Derek Trucks Band’ ‘Already Free.’

But as the Global Pandemic changed the world’s plans, he found himself thinking a lot and writing just as much. At the suggestion of old Lettuce bandmate Adam Deitch, he connected with musician and producer Otis McDonald and collaborated on a version of Bob Dylan’s “The Man In Me,” a song that had taken on a deeper significance for Eric in recent years. “My wife and I got married, bought a house, and had a baby,” he recalls. “I had heard the song many times before, but it had never quite hit me the way it was hitting me. I recorded it with just acoustic guitar and vocals, and I loved what Otis did to it. He sent it back to me, and I thought, ‘This is exactly how I want to make my next record’.”

Recording first virtually and then at the Bay Area’s legendary Hyde Street Studios, famous for 2Pac, Grateful Dead, and Digital Underground, Krasno and McDonald tapped into a shared spirit as co-producers, ultimately forming Eric Krasno & The Assembly with Otis on bass, Wil Blades on keys and organ, Curtis Kelly on drums, and James VIII on guitar and vocals. On the first single “So Cold,” an icy beat bolts down the groove as Eric’s soulful intonation cools the tense riff. In the wake of a hummable hook, a bluesy guitar solo takes hold as each bend wails.

“It’s about a relationship,” he explains. “This girl takes out her anger on other people, and the guy is trying to get to the bottom of what’s wrong and why she’s so cold. You’re trying to leave dark things behind and move into a more positive place. It has a hopeful tone because I’ve gotten past it.”

In the end, Eric welcomes everyone to be a part of his family on ‘Always.’

“If you take away a message of love and the Always concept, that’s great,” he leaves off. “Most of all, I want to put you in a happy place. In the past, I personally just felt like I was a guitarist, songwriter, and a producer. Now, I feel like a fully formed artist.”

‘Always’ by Eric Krasno
1. Silence
2. So Cold
3. Lost Myself
4. Man in Me
5. Alone Together
6. Where I Belong
7. Leave Me Alone
8. Good Thing
9. Hold Tight
10. Always With You

On Saturday, June 19, the inaugural Juneteenth Unityfest presented by the Robert Randolph Foundation brought together a star-studded lineup of artists, influencers, activists and sponsors for a virtual festival. During the five-plus hour program, the live stream was seen by over 1.1 million viewers on several platforms including LiveXLive, Ebony.com and YouTube. Taking place just two days after Juneteenth was signed into law as a federal holiday, this year’s celebration was especially joyous and served as a tribute to the breadth and depth of Black culture and Juneteenth as a uniquely American experience. The entire festival is available now via the official website and YouTube until Monday, July 19. To view the program please visit: Robert Randolph Foundation YouTube Channel, LiveXLive or www.juneteenthunityfest.com.
 
“I saw Juneteenth as a day to come together as Black Americans first, and as Americans – to talk about our history, our struggles, and what we have accomplished. We are beyond grateful to all the artists, celebrities, grassroots organizations, and sponsors who helped us create a space to celebrate and reflect on what it means to be Black in America. Most importantly, Juneteenth Unityfest provided an essential platform to unite a coalition of charitable grassroots organizations bringing together diverse voices in commemoration. The Robert Randolph Foundation is committed to continuing to unite and amplify the efforts of these amazing grassroots organizations so that they can continue making progress in our communities. We are excited for Juneteenth Unityfest 2022, where we will be live across the country celebrating. In the meantime, I encourage you to watch this year’s Juneteenth Unityfest here,” said Robert Randolph, founder of the Robert Randolph Foundation and Festival founder and chairman. 
 
The celebration kicked off with a stirring recording of Jimi Hendrix’s “Star Spangled Banner” from his historic 1970 Atlanta Pop Festival appearance. Symbolic of the cultural shift in the mindset of the nation at the time, the performance was a perfect introduction to reflect the power and influence of Black voices and how they have impacted the course of American history.
 
Following the recording, the live performances kicked off with Nile Rodgers & CHIC who brought the energy with the timeless hit single, “Good Times.” Festival founder and chairman, Robert Randolph then welcomed viewers before turning the program over to host: actress and author Amanda Seales.
 
One of the highlights of the night were the remarks made by Ms. Opal Lee who attended a Juneteenth Unityfest watch party with community partner and sponsor, Heal America. Lauded as the ‘Grandmother of Juneteenth,’ the 94-year-old activist’s commentary embodied the enthusiasm, determination, and relentless perseverance she exhibited to preserve the significance of Juneteenth. Having stood in the White House just days prior, witnessing her life's work come to fruition, the weight of her words were incredibly emotional and provided a moment of reflection on how far the nation has come, and a reminder of the work there is left to be done.
 
“I am heartened by the millions of Americans who observed Juneteenth, many for the first time," said Dr. DeForest Soaries, co-chair of Heal America, a movement to fight racial injustice with love and redemption, which sponsored Juneteenth Unityfest. "We hope the enthusiasm surrounding this year’s Juneteenth Unityfest marks the beginning of the healing that is to come. This is a sign to all of us that through a day of remembrance, commemoration, and celebration, we can continue to make meaningful progress in this country toward liberty and equality for all.”
 

There was no shortage of talent as the night blazed on with outstanding performances by: India Arie, Ledisi, Darius Rucker, Judith Hill, The Soul Rebels, Earth, Wind & Fire, Bebe Winans, Aloe Blacc, Keb’ Mo’, Black Pumas, Khruangbin, Jimmie Allen, Phony PPL, Shelea, Korean Soul, Michael Franti, and Dave Matthews & Carter Beauford.   
 
Later in the show, Amanda turned hosting duties over to comedian, JB Smoove, who provided his unique brand of humor into the production. Celebrity spotlights highlighted the significance of Juneteenth in between performances, with appearances by: Van Jones, Jesse Williams, LeVar Burton, Billy Porter, Wilson Cruz, Houston Mayor Sylvester Turner, Zach Galifinakis, Wayne Brady, Aisha Tyler, Jon Hamm, and Roger Guenveur Smith. Lynn Nottage, Holly Robinson Peete, and Djimon Hounsou also made appearances, sharing personal anecdotes about what the holiday means to them.
 
Highlights from the event included:

Phylicia Rashad from the landmark Stevenson Ranch

Lucky Daye performed, presented by Crown Royal Regal Apple 

We Are Family Foundation (WAFF) spoken word performances

Achievement and Challenges of being Black in Sports with Washington Football Team President Jason Wright, Olympic great Gail Devers, and Tennis Icon Zina Garrison

Cultural moments with Craig Robinson on “Code Switching” and its relevance and necessity

The landmark event closed with final remarks by Robert Randolph, followed by another recording of Jimi Hendrix, performing “Purple Haze” at the 1970 Atlanta Pop Festival, which brought the event full circle. Finally, Nile Rodgers & CHIC played the festival out with a performance of “We Are Family,” summing up the sentiment of unity felt by performers and viewers alike.
 
Juneteenth Unityfest was made possible by phenomenal sponsors and partners like Heal America, a movement to fight racial injustice, EBONY as the official media partner and LiveXLive as the official streaming partner. Additional sponsors included: Amazon, Crown Royal Regal Apple, the NFL’s Inspire Change initiative, and P&G’s Widen The Screen initiative. Getty Images and OWN also provided special content. You can view all images from Juneteenth Unityfest courtesy of Getty Images here.
 
A significant portion of the content and context for the festival came from the 35+ community partners who shared their stories about their contributions to the culture. Participating organizations included: AARP, African American Museum in Philadelphia, Benedict College, Heal America, Urban Specialists, Frederick Douglass Family Initiatives (FDFI), Hip Hop Caucus, HOLA, Invisible Warriors, Jobs For The Future (JFF), The Links Incorporated, Mile High United Way, Muhammad Ali Center, The National Juneteenth Observance Foundation, The Rock & Roll Hall of Fame, Umoja Events Juneteenth NYC Festival, Unity Unlimited, Inc., Usher’s New Look, and We Are Family Foundation.
 
Juneteenth Unityfest was produced by Empire Entertainment in collaboration with Red Light Management with creative direction and head writing by Paul Oakley Stovall.
 
For more information on Juneteenth Unityfest, presented by the Robert Randolph Foundation, visit www.juneteenthunityfest.com or follow on social media, including Instagram, Twitter and Facebook.

Blues veteran Eric Bibb has never addressed the United States – or shone a light on himself – with such focused eloquence as he does on 'Dear America’, his powerful new album out September 10th, featuring guest appearances by Ron Carter, Eric Gales, Shaneeka Simon, and more. On the wistful "Emmett’s Ghost” with Ron Carter, Bibb revisits the appalling murder of Emmett Till, whose incendiary lynching in 1955 galvanized the civil rights movement. “At the age of 10, I was leafing through a book my parents had, detailing the history of the civil rights movement, and when I came across the photo of Emmett Till’s battered face, I started to cry,” Bibb recalls. “Emmett’s Ghost was written before the George Floyd case, but it feels like it has particular resonance right now,” he adds. “Emmett’s Ghost” was released today, to coincide with Emmett Till’s birthday on July 25th.

Eric Bibb has known many different Americas; the good, the bad and the ugly. Born in New York City in 1951, the thunderbolt of the Sixties folk revival remains so alive in the 69-year-old’s memory that he can still recall the idealism on the night air of Greenwich Village and picture Bob Dylan standing in his living room. Yet just as vivid are the dark societal flash points of the last year, when protesters highlighted the open wound of US race relations while a bitter Presidential election scrawled jagged battle lines.

If you could call out to your country, what would you say? When Bibb embarked on the title song that would galvanize the 'Dear America' album, the songwriter found himself unpacking a seven-decade relationship with a partner of dramatic extremes. “It’s a love letter,” he explains of the record’s root concept, “because America, for all of its associations with pain and its bloody history, has always been a place of incredible hope and optimism. To be American, and particularly to come from New York City, is to be blessed.

In November 2019, the bandleader hit Brooklyn’s Studio G to track 'Dear America' with producer/co-writer Glen Scott and a crack studio band. “It was a kind of cosmically orchestrated series of events,” he reflects. “I was so pleased to record with Ron Carter, who I have an early connection with through my dad. Tommy Sims was all over the sessions, a wonderful bassist who I’ve worked with before in Nashville. I’ve played with many great drummers, but Steve Jordan has that authority: it’s just about the hit, man. As for Eric Gales on "Whole World’s Got The Blues" – he was just sublime, probably the most powerful electric blues player right now.”

“This album is a love letter,” Bibb says again, “because all of America’s woes, and the woes of the world, can only come into some kind of healing and balance with that energy we call love. That’s my conviction. You see young people now and it’s amazing, with the whole Black Lives Matter movement. All of those things let me know that there is a kind of reverberation from that Sixties energy. You can’t keep a good thing down. Now we’re at that ‘watch and pray’ moment, and it’s an incredibly inspiring time to be writing songs…”

'Dear America' by Eric Bibb

1. Whole Lotta Lovin' (feat. Ron Carter)
2. Born Of A Woman (feat. Shaneeka Simon)
3. Whole World's Got The Blues (feat. Eric Gales)
4. Dear America
5. Different Picture (feat. Chuck Campbell)
6. Tell Yourself
7. Emmett's Ghost (feat. Ron Carter)
8. White & Black
9. Along The Way
10. Talkin' 'Bout A Train Part 1 (feat. Billy Branch)
11. Talkin' 'Bout A Train Part 2
12. Love's Kingdom (feat. Tommy Sims & Glen Scott)
13. One-ness Of Love (feat. Lisa Mills)

On his aptly-titled Provogue Records’ debut, ‘What Happens Next,’ out October 22nd, roots singer-songwriter and guitarist Davy Knowles boldly steps forward with timeless and cohesive songwriting; sleek modern production; and a lyrical, play-for-the-song guitar approach informed from soul, folk, rock, and blues. The 12-song album is just as influenced by The Black Keys, Fantastic Negrito, Gary Clark Jr., as it is Muddy Waters, Junior Kimbrough, and R.L. Burnside. It is a cohesive body of work rather than a collection of disparate songs.

“When it came time to record this album, it was all about supporting the songs as opposed to ‘how quickly I can get to the guitar solo’,” the Isle of Man-born, Chicago-based artist says laughing. “I’m not a purist, and the way for roots music to stay relevant is to adapt and progress.”

Produced by Eric Corne (John Mayall, Joe Walsh, Joe Bonamassa), ‘What Happens Next’ is something of a departure from Knowles’s fired-up and reverent take on blues and Americana, featuring poetic songwriting and soulfully emotive vocals that steal the show. The 12-song body of work offers forth a peaks-and-valleys album experience winding through brawny riffs, jazzy blues balladry, and vintage soul before concluding with one of Knowles’s most personal songs released to date. Throughout it all, his guitar playing is brilliantly understated, his rhythm work is deft and dynamic. The album bursts open with, “Light Of The Moon,” a swaggering riff-rocker replete with vibey 1960s organ flourishes, hooky minor-tinged refrains, and impassioned soul-drenched vocals. Here, Davy’s lead breaks drip sustain, vibrato, and sublime bluesy melodicism.

Knowles first burst onto the scene at the age of 20 with his band Back Door Slam, garnering rave reviews, making national US television appearances (Jimmy Kimmel Live, Good Morning America), earning extensive triple-A radio airplay, and achieving two Top 5 Billboard Blues charting albums. Since then he has been solo, and he independently released two more studio albums, 2014’s The Outsider and 2016’s Three Miles From Avalon, which also hit the Top 5 on the Billboard Blues chart. He’s earned plum endorsements from D’Addario strings, PRS guitars, Bludotone amps, and Celestion speakers, became the first musician in history to play live directly to the International Space Station from Mission Control in Houston, and held his own sharing the stage with such heavyweight artists as The Who, Jeff Beck, Gov’t Mule, Lynyrd Skynyrd, Kid Rock, Joe Bonamassa, Sonny Landreth, Peter Frampton, Joe Satriani, and Sammy Hagar, among many others.

Despite the songs on ‘What Happens Next’ featuring concise lead guitar playing, fans of Knowles’s fleet-fingered lead style fear not for the blues-rock fire still burns inside him. Knowles says: “This album taught me about restraint in terms of guitar playing. I had to reign it in to let the songs breathe, but I am looking forward to reimagining them and stretching out when we play live.”

Stay tuned for additional updates.
 
‘What Happens Next’ by Davy Knowles
1. Light of the Moon
2. Heartbreak Or Nothing
3. Roll Me
4. Get Lucky
5. Devil and the Deep Blue Sea
6. One & the Same
7. Solid Ground
8. River
9. Side Show
10. Hell to Pay
11. Wake Me Up When The Nightmare Is Over
13. If I Ever Meet My Maker

As he gears up for his first live concerts since the release of his acclaimed new album ‘Wide Awake’ – including a performance at NYC’s Mercury Lounge and a September appearance with Larkin Poe – the singer, songwriter and guitarist Quinn Sullivan has just released a live take on his new single “In A World Without You,” filmed at Building Records this summer.’ “In A World Without You” was originally premiered by Flaunt Magazine, who reported that Sullivan had “fully arrived as a mature, and rather striking young artist, in the same category as singer-songwriters like John Mayer, but with a power on guitar that few others can match.”
 
“I’m beyond excited and ready to get back out on the road this fall and, of course, all of 2022,” Sullivan said. “I wanted people to get a glimpse of what they’ll be seeing live, so I decided to put out a live performance of ‘In a World Without You.’ Nothing beats all being together in one room sharing one moment with one another. Let’s do this.”
 
Just 22-years-old, Sullivan has already toured the world, collaborated with rock’s biggest legends, and developed genuinely jaw-dropping skills as a guitar player. But now, Sullivan’s more recent work has been with pen and paper, as he lets the abundant skills of his youth blossom and steer him into new directions of artistry and creativity. “’In a World without You’ is one of my favorite songs off of the new album,” Sullivan told Flaunt. “We shot it at Building Records, a recording studio in Marlboro, New York. I had an absolute blast making it. I had the opportunity to bring in some friends of mine to do this with me, which I think really added to the concept. Playing drums is Lee Falco, playing keyboards is Will Bryant, and playing bass is Brandon Morrison.”
 
Recorded in Los Angeles with producer/collaborator Oliver Leiber, ‘Wide Awake’ adds potent new arrows to a quiver already brimming with sure-shots, and it showcases the kind of forward motion that separates the artists from the mere players. "I want people to understand who I am as an artist," explains Quinn. “I think my audience will appreciate the fact that the guitar is still a huge part of who I am, and I can truthfully say all the songs are coming from a very honest place.”

A rare artist who's always sounded older than his years, Sullivan has been touring the world since he was 11-years-old, playing storied venues such as Madison Square Garden, the Hollywood Bowl and RFK Stadium in Washington D.C., as well as India's Mahindra Blues Festival, Eric Clapton's Crossroads Guitar Festival, and three Montreux Jazz Festivals. Quinn has shared the stage with his hero and mentor Buddy Guy, as well as Carlos Santana on several occasions. Quinn’s performance experience includes appearances on leading national television programs Late Night with Jimmy Fallon and CBS This Morning, to name a few.

As he moves into this new chapter, Sullivan’s constant credo has been growth and learning. "I want to stay true to where I come from, and go from there," says Sullivan. “The artists that inspire me to do that are always hungry for the new. They never repeat themselves. They just grow and become more unique -- and that's what I aim to do as an artist.”

Quinn Sullivan – US Tour
Saturday, August 21 - Avon, CT - Hike to the Mic
Friday, August 27 - New York City, NY - Mercury Lounge
Sunday, August 29 - Uncasville, CT - Wolf Den @ Mohegan Sun
Friday, September 10 - Milwaukee, WI - Summerfest
Sunday, September 12 - Minneapolis, MN - 7th St. Entry
Saturday, September 18 - Telluride, CO - Telluride Blues & Brews
Saturday, September 18 - Telluride, CO - Sheridan Opera House w/ Larkin Poe
Sunday, October 17 - Lancaster, PA - Lancaster Roots & Blues
Thursday, October 28 - Plymouth, MA - Spire Center for the Performing Arts
Saturday, October 30 - New Bedford, MA - Zeiterion Theatre
Friday, November 12h - Pawling, NY - Daryl's House
 
‘Wide Awake’ by Quinn Sullivan
1. All Around The World
2. She’s So Irresistible
3. How Many Tears
4. In A World Without You
5. She’s Gone
6. Baby Please
7. Real Thing
8. You’re The One
9. Wide Awake
10. Strawberry Rain
11. Jessica
12. Keep Up

The Georgia Thunderbolts have just unveiled “Can I Get A Witness,” a smoldering new track off their upcoming full-length, ‘Can We Get A Witness,’ out October 15th via Mascot Records/Mascot Label Group. The song represents "overcoming the obstacles in life," vocalist TJ Lyle explains. "Everybody has their ups and downs, but it's how you persevere and prosper through adversity that shows your true colors. ‘Can I Get A Witness’ is a statement that goes out to anyone who has the desire and faith in themselves and others to be successful."

Ushering in a new generation of classic southern rock steeped in soul and the blues, The Georgia Thunderbolts have already been called “timeless” by American Songwriter, “your new favorite southern rock band” by Classic Rock, and proof that “southern rock continues to thrive in the 21st century” by Rolling Stone. “We’re going for that timeless and classic sound with a modern twist and newer attitude,” exclaims TJ. “We all grew up on rock music,” guitarist Riley Couzzourt adds. “If I could think of three words to describe us, they would be ‘Hardworking, Determined, and Humble.’” Drummer Bristol Perry grins, “If I could think of three words, they would be ‘Rock And Roll.’"

Whether it be on the banks of the Mississippi River or deep in the heart of the English countryside, rock ‘n’ roll lives, breathes, and burns on the outskirts. Hailing from Rome, GA at the foothills of the Appalachian Mountains, The Georgia Thunderbolts’ debut album features their scorching signature style steeped in soulful southern swagger, blistering blues, and raw rock. With a wide swath of inspirations, ranging from southern gospel and Hank Williams to Merle Haggard, Neil Young, Little Feat, Ozzy Osbourne, and Lynyrd Skynyrd, the band cut their teeth performing with everyone from The Allman Betts Band, and Blackberry Smoke to Kentucky Headhunters & Black Stone Cherry. Shortly after, they hit the iconic Barrick Recording Studio in Glasgow, KY to record with producer Richard Young.

The resulting album comprises thirteen undeniable anthems steeped in anthemic riffs, wild harmonica, and pulse-pounding drums. From the bluesy blend of “So You Wanna Change The World,” to “the first song we ever wrote,” the dynamic “Looking For An Old Friend,” The Georgia Thunderbolts rustle up a new era of rock ‘n’ roll, informed by their history in Rome, a town with a deep agricultural history. So when they sing, "Spirit of A Workin' Man," you better believe they mean it. "It's got a deep lesson to it. You can't knock down the little man," TJ says.

There's a message to what we're doing," Bristol says. "It's okay to be yourself. If you're going through hard times, the music will always be there. We'd love to remind everyone of that.” “Rock and roll is something that comes naturally for us,” Riley, Zach and Logan conclude. “We love it and are in it for the long haul. We feel like we can bring it back.”
 
‘Can We Get A Witness’ by The Georgia Thunderbolts
1. Take It Slow
2. Lend A Hand
3. So You Wanna Change The World
4. Looking For An Old Friend
5. Spirit Of A Workin’ Man
6. Midnight Rider
7. Be Good To Yourself
8. Half Glass Woman
9. Dancin’ With The Devil
10. Can I Get A Witness
11. Walk Tall Man
12. It’s Alright
13. Set Me Free
14. Better Run From The Beast (Vinyl Bonus Track)
 
The Georgia Thunderbolts are:
Riley Couzzourt [guitar]
Zach Everett [bass, harmony vocals, keys]
TJ Lyle [vocals, harmonica, keys]
Bristol Perry [drums]
Logan Tolbert [guitar]

Roots singer-songwriter and guitarist Davy Knowles has just released a lyric video for “Roll Me,” the second single off his Provogue debut, ‘What Happens Next,’ out October 22nd. “Roll Me is a song that my producer Eric Corne had written and brought to me,” Knowles recalls. “I as soon as I heard it, I related to it and knew I wanted to record it. It’s a song about loss, something we have both had our fair share of experience with. Musically, I loved the soul feel he had, a genre I have been such a massive fan of for so long, but haven’t dipped my toes into on record. It was great to push myself out of my comfort zone and I couldn’t be more pleased with how it turned out.”
 
On the aptly-titled new album, Knowles boldly steps forward with timeless and cohesive songwriting; sleek modern production; and a lyrical, play-for-the-song guitar approach informed from soul, folk, rock, and blues. The 12-song album is just as influenced by The Black Keys, Fantastic Negrito, Gary Clark Jr., as it is Muddy Waters, Junior Kimbrough, and R.L. Burnside. It is a cohesive body of work rather than a collection of disparate songs. “When it came time to record this album, it was all about supporting the songs as opposed to ‘how quickly I can get to the guitar solo’,” the Isle of Man-born, Chicago-based artist says laughing. “I’m not a purist, and the way for roots music to stay relevant is to adapt and progress.”

Produced by Eric Corne (John Mayall, Joe Walsh, Joe Bonamassa), ‘What Happens Next’ something of a departure from Knowles’s fired-up and reverent take on blues and Americana, featuring poetic songwriting and soulfully emotive vocals that steal the show. The 12-song body of work offers forth a peaks-and-valleys album experience winding through brawny riffs, jazzy blues balladry, and vintage soul before concluding with one of Knowles’s most personal songs released to date. Throughout it all, his guitar playing is brilliantly understated, his rhythm work is deft and dynamic. The album bursts open with, “Light Of The Moon,” a swaggering riff-rocker replete with vibey 1960s organ flourishes, hooky minor-tinged refrains, and impassioned soul-drenched vocals. Here, Davy’s lead breaks drip sustain, vibrato, and sublime bluesy melodicism.
 
Knowles first burst onto the scene at the age of 20 with his band Back Door Slam, garnering rave reviews, making national US television appearances (Jimmy Kimmel Live, Good Morning America), earning extensive triple-A radio airplay, and achieving two Top 5 Billboard Blues charting albums. Since then he has been solo, and he independently released two more studio albums, 2014’s The Outsider and 2016’s Three Miles From Avalon, which also hit the Top 5 on the Billboard Blues chart. He’s earned plum endorsements from D’Addario strings, PRS guitars, Bludotone amps, and Celestion speakers, became the first musician in history to play live directly to the International Space Station from Mission Control in Houston, and held his own sharing the stage with such heavyweight artists as The Who, Jeff Beck, Gov’t Mule, Lynyrd Skynyrd, Kid Rock, Joe Bonamassa, Sonny Landreth, Peter Frampton, Joe Satriani, and Sammy Hagar, among many others.

Despite the songs on ‘What Happens Next’ featuring concise lead guitar playing, fans of Knowles’s fleet-fingered lead style fear not for the blues-rock fire still burns inside him. Knowles says: “This album taught me about restraint in terms of guitar playing. I had to reign it in to let the songs breathe, but I am looking forward to reimagining them and stretching out when we play live.”
 
Stay tuned for additional updates.
 
‘What Happens Next’ by Davy Knowles
1.Light of the Moon
2.Heartbreak Or Nothing
3.Roll Me
4. Get Lucky
5. Devil and the Deep Blue Sea
6. One & the Same
7. Solid Ground
8. River
9. Side Show
10.Hell to Pay
11.Wake Me Up When The Nightmare Is Over
13.If I Ever Meet My Maker

As he gears up to release his highly relevant new album 'Dear America' tomorrow, blues veteran Eric Bibb has unveiled a powerful new video for the album’s title track. Opening with a quote from Martin Luther King, Jr. about the importance of standing up to injustice and featuring footage of the January 6th attack on the Capital Building, the video is a striking look at the political and social climate in the US after a particularly challenging period in the country’s history.
 
Bibb has never addressed the United States – or shone a light on himself – with such focused eloquence as he does on 'Dear America.’ Featuring guest appearances by artists like Ron Carter, Eric Gales, and Shaneeka Simon, and more, the album features songs like the wistful "Emmett’s Ghost” with Ron Carter, released in July to coincide with Emmett Till’s birthday. The song revisits the appalling murder of Emmett Till, whose incendiary lynching in 1955 galvanized the civil rights movement. “At the age of 10, I was leafing through a book my parents had, detailing the history of the civil rights movement, and when I came across the photo of Emmett Till’s battered face, I started to cry,” Bibb recalls. “Emmett’s Ghost was written before the George Floyd case, but it feels like it has particular resonance right now,” he adds.
 
Eric Bibb has known many different Americas; the good, the bad and the ugly. Born in New York City in 1951, the thunderbolt of the Sixties folk revival remains so alive in the 69-year-old’s memory that he can still recall the idealism on the night air of Greenwich Village and picture Bob Dylan standing in his living room. Yet just as vivid are the dark societal flash points of the last year, when protesters highlighted the open wound of US race relations while a bitter Presidential election scrawled jagged battle lines.

If you could call out to your country, what would you say? When Bibb embarked on the title song that would galvanize the 'Dear America' album, the songwriter found himself unpacking a seven-decade relationship with a partner of dramatic extremes. “It’s a love letter,” he explains of the record’s root concept, “because America, for all of its associations with pain and its bloody history, has always been a place of incredible hope and optimism. To be American, and particularly to come from New York City, is to be blessed.
 
In November 2019, the bandleader hit Brooklyn’s Studio G to track 'Dear America' with producer/co-writer Glen Scott and a crack studio band. “It was a kind of cosmically orchestrated series of events,” he reflects. “I was so pleased to record with Ron Carter, who I have an early connection with through my dad. Tommy Sims was all over the sessions, a wonderful bassist who I’ve worked with before in Nashville. I’ve played with many great drummers, but Steve Jordan has that authority: it’s just about the hit, man. As for Eric Gales on "Whole World’s Got The Blues" – he was just sublime, probably the most powerful electric blues player right now.”
 
“This album is a love letter,” Bibb says again, “because all of America’s woes, and the woes of the world, can only come into some kind of healing and balance with that energy we call love. That’s my conviction. You see young people now and it’s amazing, with the whole Black Lives Matter movement. All of those things let me know that there is a kind of reverberation from that Sixties energy. You can’t keep a good thing down. Now we’re at that ‘watch and pray’ moment, and it’s an incredibly inspiring time to be writing songs…”
 
'Dear America' by Eric Bibb
1. Whole Lotta Lovin' (feat. Ron Carter)
2. Born Of A Woman (feat. Shaneeka Simon)
3. Whole World's Got The Blues (feat. Eric Gales)
4. Dear America
5. Different Picture (feat. Chuck Campbell)
6. Tell Yourself
7. Emmett's Ghost (feat. Ron Carter)
8. White & Black
9. Along The Way
10. Talkin' 'Bout A Train Part 1 (feat. Billy Branch)
11. Talkin' 'Bout A Train Part 2
12. Love's Kingdom (feat. Tommy Sims & Glen Scott)
13. One-ness Of Love (feat. Lisa Mills)

Staking their claim as the new heavyweights of rock & roll’s modern-day renaissance, the Tennessee quartet Naked Gypsy Queens have announced ‘Georgiana,’ their debut EP, out February 11th via Mascot Records/Mascot Label Group. Rooted in amplified blues, hard-charging grooves, and dual lead guitars, the band builds upon the larger-than-life sound of their heroes from the 1960s and '70s, keeping the flame burning for old-school hard rock while using their own 21st century fuel. Listen to the raw, riff-based lead single “Down to the Devil,” released today. ‘Georgiana’ will be available in LP and digital formats. The digital version will include a live bonus performance of the title track, “Georgiana.”
 
Formed while all four members were still in high school, Naked Gypsy Queens built their audience the blue-collar way: by plugging in, turning up, and playing out. They cut their teeth on the classics — the Rolling Stones, MC5, the Allman Brothers, and Pink Floyd — and funneled those influences into their own songs, creating an original sound that was loud, aggressive, and filled with supersized hooks. After developing a loyal following in their hometown of Franklin, TN, they set their sights on Nashville, quickly becoming one of the city's premiere rock acts before any of the bandmates had turned 20 years old.
 
"Our goal was to become the baddest live band around," says frontman Chris Attigliato, who shares guitar duties with Cade Pickering. "We were loud. We were a band you had to see onstage. It started to become a cult thing, with lines forming around the block at some venues. We weren't trying to achieve the highest number of digital streams; we were just doing what we wanted to do, and making the music we wanted to make. As it turned out, we were pushing some buttons, too."
 
With ‘Georgiana,’ the band confidently steps into the international spotlight. These songs mix southern-fried swagger, electrified stomp, and sharp songwriting into five unique anthems, showcasing the chemistry between Attigliato, Pickering, bassist Bo Howard, and drummer Landon Herring. "Georgiana," released earlier this year, is a barn-burning anthem punctuated by slide guitar and thundering drums, and "Wolves" is a guitar-driven blast of minor-key bombast. Rounded out by the dynamic power ballad “If Your Name is New York (Then Mine’s Amsterdam)” and the thumping "Strawberry Blonde #24," ‘Georgiana’ shows the full range of Naked Gypsy Queens' reach. It's a snapshot of a band on the rise.
 
The band recorded ‘Georgiana’ in Detroit, working with studio veterans Marlon Young, Al Sutton, and Herschel Boone. Looking to capture the high-octane energy of their acclaimed concerts, they knocked out each track in a series of live takes. Meanwhile, legends like Alice Cooper and MC5's Wayne Kramer stopped by the studio throughout the tracking process, strengthening the bond between Naked Gypsy Queens and the rock icons who came before them.

"We've got an older sound, mixed with something new," says Howard, who remembers stumbling across Attigliato and Herring in the basement of the boys' Tennessee high school, bashing their way through Led Zeppelin's "Whole Lotta Love" with beyond-their-years skill. "From the first time I met these guys, I knew I had to play with them. I knew we could make music that drew in other people our age, while still appealing to those who grew up with this kind of music."
 
With a sound that reaches across generations, Naked Gypsy Queens bridge the divide between the genre's past and future, creating timeless rock & roll for the modern world. Led not only by Chris' soulful howl, but also the sonic punch of a taught rhythm section and the interlocked riffs of two lead guitarists, Naked Gypsy Queens are royalty in the making.
 
Stay tuned for additional updates.
 
‘Georgiana’ EP by Naked Gypsy Queens
1. Georgiana
2. Down to the Devil
3. Strawberry Blonde #24
4. Wolves
5. If Your Name is New York (Then Mine’s Amsterdam)
6. Georgiana (Live) (Digital Bonus Track)

On “Silence,” the new single from songwriter-producer Eric Krasno’s forthcoming solo album ‘Always’ (2/4, Mascot Label Group), Krasno explores the emotional havoc that a lack of communication can wreak on the human psyche. “Silence is a song I wrote a number of years ago about the torture of not knowing,” he explains. “I sing about how the silent treatment can make your mind spiral into the darkest place where you assume the worst situation is inevitable. This was the first track I worked on with Otis McDonald for the album. The original track I sent him had just acoustic guitar, piano, and vocals. As we built the track, I think it set the tone and feel for the album as a whole.”

On his fourth full-length solo album, ‘Always,’ Krasno consecrates, commends, and celebrates the permanence of family. Across ten tracks with inimitable instrumentation, eloquent songcraft, and raw honesty, the Soulive and Lettuce co-founder, singer, multi-instrumentalist, and two-time GRAMMY® Award-winning artist defines himself as not only an artist, but also as a husband, father, and man. “Before 2020, I was having a good time, but I wasn’t grounded at all,” he explains. “I was going from gig to gig. I was always running around without a purpose. During the last year, I found my people in terms of my wife and son. I’ve created a family who will always be there for me. That’s what the album is about.”

Something of a musical journeyman, Krasno’s extensive catalog comprises three solo albums, four Lettuce albums, twelve Soulive albums, and production and/or songwriting for Norah Jones, Robert Randolph, Pretty Lights, Talib Kweli, 50 Cent, Aaron Neville, and Allen Stone. As a dynamic performer, he’s shared stages with Rolling Stones, Dave Matthews Band, John Mayer, and The Roots. Out of seven nominations, he picked up two GRAMMY® Awards for his role as a songwriter and guitarist on Tedeschi Trucks Band’s ‘Revelator’ and guitarist on Derek Trucks Band’s ‘Already Free.’

But as the Global Pandemic changed the world’s plans, he found himself thinking a lot and writing just as much. At the suggestion of old Lettuce bandmate Adam Deitch, he connected with musician and producer Otis McDonald and collaborated on a version of Bob Dylan’s “The Man In Me,” a song that had taken on a deeper significance for Eric in recent years. “My wife and I got married, bought a house, and had a baby,” he recalls. “I had heard the song many times before, but it had never quite hit me the way it was hitting me. I recorded it with just acoustic guitar and vocals, and I loved what Otis did to it. He sent it back to me, and I thought, ‘This is exactly how I want to make my next record’.”

Recording first virtually and then at the Bay Area’s legendary Hyde Street Studios, famous for 2Pac, Grateful Dead, and Digital Underground, Krasno and McDonald tapped into a shared spirit as co-producers, ultimately forming Eric Krasno & The Assembly with Otis on bass, Wil Blades on keys and organ, Curtis Kelly on drums, and James VIII on guitar and vocals. The release of “Silence” follows “So Cold,” an icy beat bolts down the groove as Eric’s soulful intonation cools the tense riff. In the wake of a hummable hook, a bluesy guitar solo takes hold as each bend wails.

“It’s about a relationship,” he explains. “This girl takes out her anger on other people, and the guy is trying to get to the bottom of what’s wrong and why she’s so cold. You’re trying to leave dark things behind and move into a more positive place. It has a hopeful tone because I’ve gotten past it.”

In the end, Eric welcomes everyone to be a part of his family on ‘Always.’

“If you take away a message of love and the Always concept, that’s great,” he leaves off. “Most of all, I want to put you in a happy place. In the past, I personally just felt like I was a guitarist, songwriter, and a producer. Now, I feel like a fully formed artist.”

‘Always’ by Eric Krasno
1. Silence
2. So Cold
3. Lost Myself
4. Man in Me
5. Alone Together
6. Where I Belong
7. Leave Me Alone
8. Good Thing
9. Hold Tight
10. Always With You

The Georgia Thunderbolts have just released “It’s Alright,” the fourth single from their forthcoming debut album, ‘Can We Get A Witness,’ out October 15th via Mascot Records/Mascot Label Group. “"It's Alright’ is about everyday life,” vocalist TJ Lyle explains. "You have ups and downs, whether it's with relationships or friendships. The point is that there will always be better days ahead, and the sun has got to shine at some point."
 
Ushering in a new generation of classic southern rock steeped in soul and the blues, The Georgia Thunderbolts have already been called “timeless” by American Songwriter, “your new favorite southern rock band” by Classic Rock, and proof that “southern rock continues to thrive in the 21st century” by Rolling Stone. “We’re going for that timeless and classic sound with a modern twist and newer attitude,” exclaims TJ. “We all grew up on rock music,” guitarist Riley Couzzourt adds. “If I could think of three words to describe us, they would be ‘Hardworking, Determined, and Humble.’” Drummer Bristol Perry grins, “If I could think of three words, they would be ‘Rock And Roll.’”
 
Whether it be on the banks of the Mississippi River or deep in the heart of the English countryside, rock ‘n’ roll lives, breathes, and burns on the outskirts. Hailing from Rome, GA at the foothills of the Appalachian Mountains, The Georgia Thunderbolts’ debut album features their scorching signature style steeped in soulful southern swagger, blistering blues, and raw rock. With a wide swath of inspirations, ranging from southern gospel and Hank Williams to Merle Haggard, Neil Young, Little Feat, Ozzy Osbourne, and Lynyrd Skynyrd, the band cut their teeth performing with everyone from The Allman Betts Band, and Blackberry Smoke to Kentucky Headhunters & Black Stone Cherry. Shortly after, they hit the iconic Barrick Recording Studio in Glasgow, KY to record with producer Richard Young.
 
The resulting album comprises thirteen undeniable anthems steeped in anthemic riffs, wild harmonica, and pulse-pounding drums. From the bluesy blend of “So You Wanna Change The World,” to “the first song we ever wrote,” the dynamic “Looking For An Old Friend,” The Georgia Thunderbolts rustle up a new era of rock ‘n’ roll, informed by their history in Rome, a town with a deep agricultural history. So when they sing, "Spirit of A Workin' Man," you better believe they mean it. "It's got a deep lesson to it. You can't knock down the little man," TJ says.

There's a message to what we're doing," Bristol says. "It's okay to be yourself. If you're going through hard times, the music will always be there. We'd love to remind everyone of that.” “Rock and roll is something that comes naturally for us,” Riley, Zach and Logan conclude. “We love it and are in it for the long haul. We feel like we can bring it back.”
 
‘Can We Get A Witness’ by The Georgia Thunderbolts
1. Take It Slow
2. Lend A Hand
3. So You Wanna Change The World
4. Looking For An Old Friend
5. Spirit Of A Workin’ Man
6. Midnight Rider
7. Be Good To Yourself
8. Half Glass Woman
9. Dancin’ With The Devil
10. Can I Get A Witness
11. Walk Tall Man
12. It’s Alright
13. Set Me Free
14. Better Run From The Beast (Vinyl Bonus Track)
 
The Georgia Thunderbolts are:
Riley Couzzourt [guitar]
Zach Everett [bass, harmony vocals, keys]
TJ Lyle [vocals, harmonica, keys]
Bristol Perry [drums]
Logan Tolbert [guitar]

‘Jake & Friends’ – the upcoming album from the acclaimed Hawai’i-born ‘ukulele player Jake Shimabukuro – features a who’s who of music royalty, so it’s only fitting that Shimabukuro release not one, but two new singles from the album today, with artists as diverse as Jack Johnson, Paula Fuga, and Kenny Loggins.
 
The opening track off ‘Jake & Friends,’ “A Place In The Sun” was suggested to Shimabukuro by his chart-topping friend and fellow Hawai’i-born Jack Johnson. With Shimabukuro’s whimsical ukulele playing supporting them, Johnson and guest vocalist Paula Fuga absolutely sparkle. “Why Not,” written and sung by multi-platinum hitmaker and movie soundtrack king Kenny Loggins, is a deliciously upbeat slice of soul-pop with hooks for days and an effervescent ukulele solo that will set pulses racing. “Working with Kenny was a blast,” says Shimabukuro. “We started off doing things simply, but once we got going, Kenny wanted to try out different ideas, and I just let him go. Watching him do his thing was a real education in record making.”
 
In terms of size and scope and considering the sheer number of legendary stars who graciously loaned their inimitable talents to the project, ‘Jake & Friends’ can only be compared to other benchmark duets albums by the likes of Frank Sinatra and Tony Bennett, a shining testament to just how far the singularly gifted Jake has come. Jake’s own head spins when looking over his high-wattage guest list featured on the album - Willie Nelson, Bette Midler, Jimmy Buffett, Moon Taxi, Kenny Loggins, Michael McDonald, Vince Gill and Amy Grant, Jon Anderson, Ziggy Marley, Warren Haynes, Jack Johnson, Jesse Colin Young, Ray Benson & Asleep at the Wheel, Sonny Landreth, Lukas Nelson, Billy Strings. “I have to pinch myself when I see those names on my own album,” he says. “It’s like, ‘Did that really happen?’ Making the album was a real challenge, but I’m deeply honored that all of the artists agreed to record with me.”

Over the past two decades, Jake has proved that there isn’t a style of music that he can’t play. While versatility for any musician is impressive, what’s remarkable about Jake’s transcendent skills is how he explores his seemingly limitless vocabulary – whether it’s jazz, rock, blues, bluegrass, folk or even classical – on perhaps the unlikeliest of instruments: the ‘ukulele. Responding to the urgent calls of his fervent imagination, Jake has taken the ‘ukulele to points previously thought impossible, and in the process he’s reinvented the applications for this tiny, heretofore under-appreciated four-string instrument, causing many to call him “the Jimi Hendrix of the ‘ukulele.”

Jake’s incredible journey has taken him from local phenom to YouTube sensation, from playing tiny clubs to headlining the world’s most prestigious concert venues like the Hollywood Bowl, Lincoln Center and the Sydney Opera House. He’s performed on the biggest TV shows and has released a string of award-winning, chart-topping albums. Just recently, he was nominated by President Joe Biden to serve as a Member for the National Council on the Arts. It’s fair to say that Jake has picked up more than a few admirers – millions of them, actually – but it wasn’t until he began his latest album that he discovered how many of his fans were, in fact, his very own musical heroes.
 
Four years in the making, ‘Jake & Friends’ started out with a modest idea of featuring perhaps two or three guest stars, but the concept quickly grew. Willie Nelson was the first artist to take part, and significantly he chose his signature song, “Stardust,” which he first recorded over 40 years ago. The uniquely sublime pairing yields magical results – Jake’s delicate ‘ukulele lines form an intimate foundation for Nelson’s achingly beautiful vocal. “I was so nervous the night before we cut it,” Jake admits, “but Willie put me at ease right away. I think once we got that cut finished, I was ready for anything that came next.”

Teaming up with the popular Nashville alt-rock band Moon Taxi, Jake revisits the group’s 2017 hit, “Two High,” and he even coaxes singer-guitarist Trevor Terndrup, a fellow 'ukulele enthusiast, to join him on the instrument. Inspired by the universal peace sign for hope, “Two High” is a sunny and breezy balm for our troubled times. “Recording with Moon Taxi was such a blast,” says Jake. “Trevor has an amazing spirit that just brightens up any room, and he can shred on the ‘ukulele. And [guitarist] Spencer Thomson holds down the rhythm and makes everything groove. It was a joy to collaborate with them.”
 
Bette Midler sounds heavenly on the stark yet shimmering version of her Golden Globe-winning classic, “The Rose.” Jake and Jimmy Buffett reprise their delightful rendition of “Come Monday,” a song Jake has had the pleasure to perform on tour with Buffett. Fans longing for all-instrumental bliss will revel in the aptly named “Smokin’ Strings,” which Jake wrote and performed with bluegrass guitar sensation Billy Strings. Jake throws down with the Allman Brothers/Gov’t Mule’s Warren Haynes in epic ways on their fiery reading of the blues-rock classic “On the Road to Freedom.”

And while the Beatles have always loomed large in Jake’s repertoire (he scored one of his first hits with his resplendent version of “While My Guitar Gently Weeps”), on Jake & Friends he covers not one, not two, but three Fab Four gems, teaming up with Ziggy Marley, Jon Anderson, and Vince Gill and Amy Grant for the three tracks. The treasures continue throughout the album.
 
“Looking back on it all now, it feels like a dream,” Jake says with mixture of pride and relief. “I grew up fantasizing that one day I might be able to meet my musical heroes, and here I am on my own record playing with them. That’s remarkable beyond words. I’m so fortunate to have had this experience, and I can’t wait for people to hear it. I think they’re going to be able to tell that I’m having the time of my life.”
 
Shimabukuro is currently in the midst of a coast-to-coast US tour. See below for a full list of dates, and to purchase tickets please visit https://jakeshimabukuro.com
 
‘Jake & Friends’ by Jake Shimabukuro
1. A Place In The Sun – feat. Jack Johnson and Paula Fuga
2. Sonny Days Ahead - feat. Sonny Landreth
3. All You Need Is Love - Jake feat. Ziggy Marley
4. Why Not - feat. Kenny Loggins
5. Smokin’ Strings- feat. Billy Strings
6. Find Yourself- feat. Lukas Nelson
7. On The Road To Freedom- feat. Warren Haynes
8. Come Monday- feat. Jimmy Buffett
9. Something- feat. Vince Gill and Amy Grant
10. Two High - feat. Moon Taxi
11. A Day In The Life - feat. Jon Anderson
12. Go Now - feat. Michael McDonald
13. Wrapping Paper- feat. Ray Benson & Asleep At The Wheel
14. Stardust - feat. Willie Nelson
15. The Rose - feat. Bette Midler
16. Get Together- feat. Jesse Colin Young
 
Jake Shimabukuro Fall/Winter 2021 Tour
October 15 - The Egg - Albany, NY
October 16 - The Emelin Theatre - Mamaroneck, NY
October 17 - The Morgan School - Clinton, CT
November 4 - Heritage Theatre - Campbell, CA
November 5 - Vacaville Performing Arts Theatre - Vacaville, CA
November 6 - San Ramon Performing Arts - San Ramon, CA
November 11 - 3rd & Lindsley - Nashville, TN
November 12 - Salvage Station (Indoor Stage) - Asheville, NC
November 13 - Jefferson Theater - Charlottesville, VA
November 14 - Sony Hall - New York, NY
November 16 - Gateway City Arts - Holyoke, MA
November 17 - Mayo Performing Arts Center - Morristown, NJ
November 18 - The Colonial Theatre - Phoenixville, PA
November 20 – Ferguson Concert Hall - Newport News, VA
November 21 - Rams Head on Stage - Annapolis, MD
November 22 – The Birchmere - Alexandria, VA
November 23 - The Carolina Theatre -Durham, NC
November 26 - Scottsdale Center for the Performing Arts - Scottsdale, AZ
November 27 – Fox Tucson Theatre – Tucson, AZ
November 29 - Del E. Webb Center for the Performing Arts       - Wickenburg, AZ
December 1 - Fremont Theater - San Luis Obispo, CA
December 2 – Center For The Arts – Grass Valley, CA
December 3 – State Theatre – Red Bluff, CA
December 4 – Soreng Theater Hult Center For The Performing Arts – Eugene, OR
December 5 - Tower Theatre - Bend, OR
December 6 – Craterian Theater at the Collier Center, Medford, OR
December 7 - Aladdin Theater - Portland, OR
December 8 – Edmonds Center For The Arts – Edmonds, WA
December 9 - Olympia Film Society at the Historic Capitol Theater - Olympia, WA
December 10 - Pantages Theater – Tacoma, WA
December 12 - Strings Music Pavilion – Steamboat Springs, CO
December 13 – Riverwalk Center – Breckenridge, CO
December 14 - Boulder Theater - Boulder, CO
December 16 – Porter Pavilion at AHCP – Kilauea, HI
December 17 – Kahilu Theatre – Kamuela, HI
December 18 – Maui Arts & Cultural Center, Castle Theater, Kahului, HI
December 19 – Blue Note Hawaii – Honolulu, HI
December 20 – Blue Note Hawaii – Honolulu, HI
December 21 – Blue Note Hawaii – Honolulu, HI

Following a whirlwind year that saw them tour the US and earn accolades from outlets as diverse as Rolling Stone, American Songwriter, Loudwire, and Wide Open Country, The Georgia Thunderbolts have finally released their debut full-length album, ‘Can We Get A Witness,’ out today via Mascot Records/Mascot Label Group. “We put a lot of heart and soul into this album,” the band said. “It’s all about releasing a raw rock n’ roll record that everyone around the world can relate to. We're hoping it brings a smile to everyone’s face as big as our home state of Georgia, and makes you wanna get up and have a footstomping good time, with The Georgia Thunderbolts!”
 
Listen to the album’s final single, a fiery interpretation of The Allman Brothers Band’s “Midnight Rider,” which has been staple of the band’s live set alongside Black Stone Cherry this fall.

Ushering in a new generation of classic southern rock steeped in soul and the blues, The Georgia Thunderbolts have been called “timeless” by American Songwriter, “your new favorite southern rock band” by Classic Rock, and proof that “southern rock continues to thrive in the 21st century” by Rolling Stone. “We’re going for that timeless and classic sound with a modern twist and newer attitude,” exclaims TJ. “We all grew up on rock music,” guitarist Riley Couzzourt adds. “If I could think of three words to describe us, they would be ‘Hardworking, Determined, and Humble.’” Drummer Bristol Perry grins, “If I could think of three words, they would be ‘Rock And Roll.’”
 
Whether it be on the banks of the Mississippi River or deep in the heart of the English countryside, rock ‘n’ roll lives, breathes, and burns on the outskirts. Hailing from Rome, GA at the foothills of the Appalachian Mountains, The Georgia Thunderbolts’ debut album features their scorching signature style steeped in soulful southern swagger, blistering blues, and raw rock. With a wide swath of inspirations, ranging from southern gospel and Hank Williams to Merle Haggard, Neil Young, Little Feat, Ozzy Osbourne, and Lynyrd Skynyrd, the band cut their teeth performing with everyone from The Allman Betts Band, and Blackberry Smoke to Kentucky Headhunters & Black Stone Cherry. Shortly after, they hit the iconic Barrick Recording Studio in Glasgow, KY to record with producer Richard Young.

The resulting album comprises thirteen undeniable anthems steeped in anthemic riffs, wild harmonica, and pulse-pounding drums. From the bluesy blend of “So You Wanna Change The World,” to “the first song we ever wrote,” the dynamic “Looking For An Old Friend,” The Georgia Thunderbolts rustle up a new era of rock ‘n’ roll, informed by their history in Rome, a town with a deep agricultural history. So when they sing, "Spirit of A Workin' Man," you better believe they mean it. "It's got a deep lesson to it. You can't knock down the little man," TJ says.
 
There's a message to what we're doing," Bristol says. "It's okay to be yourself. If you're going through hard times, the music will always be there. We'd love to remind everyone of that.” “Rock and roll is something that comes naturally for us,” Riley, Zach and Logan conclude. “We love it and are in it for the long haul. We feel like we can bring it back.”
 
‘Can We Get A Witness’ by The Georgia Thunderbolts
1. Take It Slow
2. Lend A Hand
3. So You Wanna Change The World
4. Looking For An Old Friend
5. Spirit Of A Workin’ Man
6. Midnight Rider
7. Be Good To Yourself
8. Half Glass Woman
9. Dancin’ With The Devil
10. Can I Get A Witness
11. Walk Tall Man
12. It’s Alright
13. Set Me Free
14. Better Run From The Beast (Vinyl Bonus Track)

As his recent single “All Around The World” surpasses more than 4 million streams, the singer, songwriter, and guitarist Quinn Sullivan has just released a new live take on the song, filmed at Building Records this summer. “Matured and owning his words,” wrote American Songwriter in an exclusive premiere of the single, “Sullivan returns more as a singer-songwriter than just a prodigy guitarist with “All Around the World.” Sullivan is continuing to tour the US in support of his new album ‘Wide Awake’ this fall/winter, including a run of dates with acclaimed singer-songwriter Beth Hart in February and March 2022. For a full list of tour dates and to purchase tickets, click HERE.

Just 22-years-old, Sullivan has already toured the world, collaborated with rock’s biggest legends, and developed genuinely jaw-dropping skills as a guitar player. But now, Sullivan’s more recent work has been with pen and paper, as he lets the abundant skills of his youth blossom and steer him into new directions of artistry and creativity. Written prior to 2020, Sullivan says “All Around the World” took on a whole new meaning within the past year’s pandemic and protests. “It still has the same meaning as the day we wrote it, but it’s taking on more of a broader meaning,” shares Sullivan. “It’s almost like an anthem of what 2020 was, and what 2021 will probably be.”

Recorded in Los Angeles with producer/collaborator Oliver Leiber, ‘Wide Awake’ adds potent new arrows to a quiver already brimming with sure-shots, and it showcases the kind of forward motion that separates the artists from the mere players. "I want people to understand who I am as an artist," explains Quinn. “I think my audience will appreciate the fact that the guitar is still a huge part of who I am, and I can truthfully say all the songs are coming from a very honest place.”

A rare artist who's always sounded older than his years, Sullivan has been touring the world since he was 11-years-old, playing storied venues such as Madison Square Garden, the Hollywood Bowl and RFK Stadium in Washington D.C., as well as India's Mahindra Blues Festival, Eric Clapton's Crossroads Guitar Festival, and three Montreux Jazz Festivals. Quinn has shared the stage with his hero and mentor Buddy Guy, as well as Carlos Santana on several occasions. Quinn’s performance experience includes appearances on leading national television programs Late Night with Jimmy Fallon and CBS This Morning, to name a few.

As he moves into this new chapter, Sullivan’s constant credo has been growth and learning. "I want to stay true to where I come from, and go from there," says Sullivan. “The artists that inspire me to do that are always hungry for the new. They never repeat themselves. They just grow and become more unique -- and that's what I aim to do as an artist.”

Quinn Sullivan – US Tour
Sunday, October 17 - Lancaster, PA - Lancaster Roots & Blues
Thursday, October 21 - Malboro, NY – Live at the Falcon
Thursday, October 28 - Plymouth, MA - Spire Center for the Performing Arts
Friday, October 29 – Shirley, MA – Bull Run Restaurant
Saturday, October 30 - New Bedford, MA - Zeiterion Theatre
Friday, November 12 - Pawling, NY - Daryl's House
Tuesday, February 1 – Santa Rosa, CA - Luther Burbank Center For The Arts*
Thursday, February 3 – San Diego, CA – Balboa Theatre*
Saturday, February 5 – Beverly Hills, CA – Saban Theatre*
Monday, February 7 – Denver, CO – The Mission Ballroom*
Thursday, February 10 – Kansas City, MO – Uptown Theater*
Saturday, February 12 – St. Louis, MO – The Pageant*
Monday, February 14 – Atlanta, GA – Center Stage Theater*
Wednesday, February 16 – Nashville, TN – Ryman Auditorium*
Friday, February 18 – Indianapolis, IN – Egyptian Room at Old National Centre*
Saturday, February 19 – Cincinnati, OH – Taft Theatre*
Tuesday, February 22 – Greensburg, PA – The Palace Theatre*
Thursday, February 24 – Washington, D.C. – Warner Theatre*
Saturday, February 26 – Glenside, PA – Keswick Theatre*
Sunday, February 27 – Red Bank, NJ – Count Basie Center For The Arts*
Wednesday, March 2 – New York, NY – The Town Hall*
Friday, March 4 – Verona, NY – Turning Stone Resort Casino*
Saturday, March 5 – Mashantucket, CT – Foxwoods Resort Casino*
Wednesday, March 9 – Boston, MA – The Wilbur*
Thursday, March 10 – Boston, MA – The Wilbur*
 
* Opening for Beth Hart
 
‘Wide Awake’ by Quinn Sullivan
1. All Around The World
2. She’s So Irresistible
3. How Many Tears
4. In A World Without You
5. She’s Gone
6. Baby Please
7. Real Thing
8. You’re The One
9. Wide Awake
10. Strawberry Rain
11. Jessica
12. Keep Up

Today, with the release of his new album’s title track featuring Joe Bonamassa, blues legend and guitarist Eric Gales takes his rightful place at the head of the blues-rock table as he announces ‘Crown,’ his career-defining new album, out January 28th via Provogue Records/Mascot Label Group. Produced by Joe Bonamassa and Josh Smith, ‘Crown’ finds Eric opening up like never before, sharing his struggles with substance abuse, his hopes about a new era of sobriety and unbridled creativity, and his personal reflections on racism. Five years sober, creatively rejuvenated, and sagely insightful, the songs on ‘Crown’ are delivered with clarity and feature Eric's personal experiences and hope for positive change. This is Eric at his most boldly vulnerable, uncompromisingly political, and unflinchingly confident.
 
The first single off the album, the slinky “I Want My Crown,’ opens with a fanfare of elegant lead guitar virtuosity before slipping into a funky groove. Here, with playful bravado, Eric sings about finally getting his due while also admitting his self-sabotaging past. Clean and focused with guitar in hand, he eyes the crown and goes for it, battling powerhouse blues warrior Joe Bonamassa in a Rocky-like epic fight. Triumphant horns spur on the excitement as the pair unleash barrages of jaw-dropping blues-shred with each player’s passages feeling like the final fury of a July 4th fireworks explosion.

Eric Gales is a blues firebrand. Over 30 years and 18 albums, his passion for the music and his  boundless desire to keep it vital has never waned, even when his own light dimmed due to his substance struggles. Since 1991, the Memphis-born guitarist has blazed a path reinvigorating the blues with a virtuosity and rock swagger that have him being heralded as the second coming of Jimi Hendrix. He was a child prodigy with bottomless talent and fierce determination, and at just 16 years-old released his debut, ‘The Eric Gales Band,’ on Elektra Records. He’s earned high praise by guitarists’ guitarist and household name axe men such as Joe Bonamassa, Carlos Santana, Dave Navarro, and Mark Tremonti. In addition, he has held his own with some of the greatest guitarists in the world, including Carlos Santana at Woodstock 1994, Zakk Wylde, Eric Johnson, and a posse of others as a featured guest touring with the Experience Hendrix Tour.

The story behind ‘Crown’ dates back to the early 1990s when as teenagers Eric and Joe were both hailed as blues wunderkinds and torchbearers. The pair went on to very different lives and careers, but Eric’s full potential was hampered by his substance abuse issues, and in 2009 Eric hit bottom and served jail time at Shelby County Correction Center for possession of drugs and a weapon. Eric and Joe reconnected in 2019, when Joe invited Eric to play with him onstage at a blues cruise encore performance.  It was the first time the guys had played live together onstage in 25 years, and it has since been named one of the most explosive guitar duels ever, amassing over 3 million plays on YouTube.
 
“There was always a brotherhood with us. When we reconnected, Joe said to me, ‘You’re a badass guitarist; it’s your turn to get your seat at the table to wear your crown’,” Eric recalls.  Shortly after their iconic face-melting jam, Eric approached Joe to produce him. “We cried when we talked about it, he said ‘you have no idea how long I waited for you, now I am going to do my part to lift you where you’re supposed to be.’”
 
‘Crown’ finds Eric stepping up to receive his due. The record is eclectic but cohesive. With assured and authentic artistry, Eric conjures the expanse of the blues, rock, and beyond. The record’s 16 tracks play out as 13 songs plus 3 instrumental vignettes—and these little jams are gems.  The songs on Crown were co-written by Eric, Josh, and Joe, and feature contributions from LaDonna Gales, and ace songwriters such as Tom Hambridge, James House, and Keb Mo. The album was recorded at Sound Emporium Nashville, and overdubs were tracked at Ocean Way Nashville, and Earthtone Studios in Greensboro, NC.
 
‘Crown’ was forged in tragedy but rises triumphantly. The day before Eric traveled to L.A. to work with Joe and Josh, he heard the news about the George Floyd murder. “As I began to chat about this to Joe and Josh during preproduction, raw and unnerved emotion came out of me, and Joe furiously scribbled down notes about it all,” Gales recalls. “These songs came from those outpourings. They’re about my life, and what’s happening in the world right now. When it came time to sing, I had to take breaks between vocals to cry and let it out. I was sharing my experiences as a Black man, and my private struggles. This is me letting the world know what I’ve been through.”
 
The 'Crown' album journey is exhilarating, and, much like Eric’s life, winds through moments of victory and vulnerability. Along the way, Eric shares his story and his feelings through the majesty of the blues. He says: “When I play, the core is always the blues, and on this album, we go through a theme park of the blues, exploring all kinds of blues. We visit the carousel, the bumper cars, the water rides, the concession stands, and we all come out with smiles.”
 
Eric is touring the country this fall/winter, including a run of dates with the Allman Family Revival alongside Allman Betts Band, Robert Randolph, Donavon Frankenreiter, and more. He has also just released a signature Magneto guitar this month - the Eric Gales Rawdawg II Custom - featuring a 2-piece American alder body, a Canadian hard rock maple neck and an Indian rosewood fingerboard. For addition details and to purchase tickets for his upcoming tour, please visit https://www.ericgales.com/
 
Eric Gales – Fall/Winter 2021 Tour
19 Oct - The Porch Southern Fare & Juke Joint - Medford, MA
20 Oct - The Music Room Cape Cod - West Yarmouth, MA
21 Oct - The Met - Pawtucket, RI
22 Oct - Strand Center Theatre - Plattsburgh, NY
23 Oct - Gateway City Arts - Holyoke, MA
24 Oct - Infinity Music Hall and Bistro - Norfolk, CT
25 Oct - City Winery New York - New York, NY
06 Nov - Scandals Live - Virginia Beach, VA
12 Nov - Rio Das Ostras Jazz & Blues Festival 2021 - Rio Das Ostras, Brazil
19 Nov - The Tin Pan - Richmond, VA
20 Nov - 118 NORTH - Wayne, PA
21 Nov - Pearl Street Warehouse - Washington, DC
27 Nov - The Factory - Chesterfield, MO
29 Nov - Majestic Theatre - Dallas, TX
30 Nov - ACL Live at The Moody Theater - Austin, TX*
01 Dec - Saenger Theatre - New Orleans, LA*
02 Dec - Coca-Cola Roxy - Atlanta, GA*
03 Dec- Van Wezel Performing Arts Hall - Sarasota, FL*
07 Dec - Orpheum Theatre - Boston, MA*
08 Dec - Beacon Theatre - New York, NY
 
* With Allman Family Revival
 
‘Crown’ by Eric Gales
1. Death Of Me
2. The Storm
3. Had To Dip
4. I Want My Crown (feat. Joe Bonamassa)
5. Stand Up
6. Survivor
7. You Don’t Know The Blues
8. Rattlin’ Change
9. Too Close To The Fire
10. Put That Back
11. Take Me Just As I Am (feat. LaDonna Gales)
12. Cupcakin’
13. Let Me Start With This
14. I Found Her
15. My Own Best Friend
16. I Gotta Go

On his fourth full-length solo album, ‘Always,’ songwriter-producer Eric Krasno celebrates the permanence of family, in a time when the world seems especially unstable. The album’s third single, “Alone Together,” released today, is about the beauty that can be created between two people in solitude. “You and I, alone together now,” Krasno sings. “I didn’t know we could create something divine an innocent in a time so cold.”
 
"Alone Together was written a few weeks into lockdown in 2020 as my wife was 2 months pregnant,” Krasno says. “The song is about silver linings, starting a family, and finding light in dark times. The production (Otis McDonald) leans into a psych-rock sound, which makes it a stand-out track."
 
With his forthcoming release, Eric Krasno -- the Soulive and Lettuce co-founder, singer, multi-instrumentalist, and two-time GRAMMY® Award-winning guitarist -- defines himself as not only an artist, but also as a husband, father, and man, across ten tracks with inimitable instrumentation, eloquent songcraft, and raw honesty. “Before 2020, I was having a good time, but I wasn’t grounded at all,” he explains. “I was going from gig to gig. I was always running around without a purpose. During the last year, I found my people in terms of my wife and son. I’ve created a family who will always be there for me. That’s what the album is about.”
 
Something of a musical journeyman, Krasno’s extensive catalog comprises three solo albums, four Lettuce albums, twelve Soulive albums, and production and/or songwriting for Norah Jones, Robert Randolph, Pretty Lights, Talib Kweli, 50 Cent, Aaron Neville, and Allen Stone. As a dynamic performer, he’s shared stages with Rolling Stones, Dave Matthews Band, John Mayer, and The Roots. Out of seven nominations, he picked up two GRAMMY® Awards for his role as a songwriter and guitarist on Tedeschi Trucks Band’s ‘Revelator’ and guitarist on Derek Trucks Band’s ‘Already Free.’
 

But as the Global Pandemic changed the world’s plans, he found himself thinking a lot and writing just as much. At the suggestion of old Lettuce bandmate Adam Deitch, he connected with musician and producer Otis McDonald and collaborated on a version of Bob Dylan’s “The Man In Me,” a song that had taken on a deeper significance for Krasno in recent years. “My wife and I got married, bought a house, and had a baby,” he recalls. “I had heard the song many times before, but it had never quite hit me the way it was hitting me. I recorded it with just acoustic guitar and vocals, and I loved what Otis did to it. He sent it back to me, and I thought, ‘This is exactly how I want to make my next record’.”

Recording first virtually and then at the Bay Area’s legendary Hyde Street Studios, famous for 2Pac, Grateful Dead, and Digital Underground, Krasno and McDonald tapped into a shared spirit as co-producers, ultimately forming Eric Krasno & The Assembly with Otis on bass, Wil Blades on keys and organ, Curtis Kelly on drums, and James VIII on guitar and vocals. The release of “Alone Together” follows “Silence,” which explores the emotional havoc that a lack of communication can wreak on the human psyche. “The silent treatment can make your mind spiral into the darkest place where you assume the worst situation is inevitable,” Krasno comments.

 
In the end, Krasno welcomes everyone to be a part of his family on ‘Always.’ “If you take away a message of love and the Always concept, that’s great,” he leaves off. “Most of all, I want to put you in a happy place. In the past, I personally just felt like I was a guitarist, songwriter, and a producer. Now, I feel like a fully formed artist.”
 
‘Always’ by Eric Krasno
1. Silence
2. So Cold
3. Lost Myself
4. Man in Me
5. Alone Together
6. Where I Belong
7. Leave Me Alone
8. Good Thing
9. Hold Tight
10. Always With You

The Grammy-nominated powerhouse vocalist Beth Hart takes on one of her most profound undertakings to-date by channelling the legendary voice of Robert Plant on A Tribute To Led Zeppelin, out February 25th via Provogue/Mascot Label Group. The nine track album highlights the incredible musical spectrum that Led Zeppelin operated in. Listen to the first single, "Good Times Bad Times."
 
At the helm during the recording of A Tribute To Led Zeppelin was super-producer Rob Cavallo (Green Day, Linkin Park, My Chemical Romance) and engineer Doug McKean (Goo Goo Dolls, Adam Lambert). The A-list musicians include Cavallo on guitar along with Tim Pierce (Bruce Springsteen, Tina Turner); on bass was Chris Chaney (Rob Zombie, Slash);on keyboards was Jamie Muhoberac (Bob Dylan, Rolling Stones); on drums was Dorian Crozier (Celine Dion, Miley Cyrus, Joe Cocker), and Matt Laug played drums on Stairway To Heaven (Alanis Morissette, Alice Cooper). Orchestral arrangements were by David Campbell (Muse, Beyoncé). All that was left was the final piece of the puzzle... the voice.
 
Things clicked into place when Cavallo was producing Hart's previous album, War In My Mind (2019), and she did an impromptu version of "Whole Lotta Love" in the studio. He later asked about doing a whole record. Beth said, "I'm not doing this whole album. To do Zeppelin, you've got to be pissed off to hit that right. I can't go there; I've worked years to put my rage away."
 
She continues, "then the pandemic and all the things around it hit. So now I'm pissed off. I called my manager and said, have Rob and Doug send me all the music because I am ready to do this."
 
If you were to rewind, you could say the story for a Led Zeppelin album started further back; in May 2004 Hart prowled the stage at the Paradiso in Amsterdam for an incendiary performance of "Whole Lotta Love". The song became a semi-regular fixture in her setlist over the years, including a memorable performance with Slash.
 
As a child, the sound of "Black Dog" traveled from Beth's neighbor's house into her orbit. Her brother introduced her to the heavy rock of Zeppelin and Black Sabbath. Her major-label debut came on Atlantic with the 1996 release of Immortal. The same label introduced Led Zeppelin to the world in 1969.
 
Earlier on in Beth's career, former VP of Led Zeppelin's Swan Song label, Alan Callan, recommended Beth contact Jeff Beck to work together. Hart and Beck have gone on to form a beautiful friendship. Beck and Jimmy Page are also friends, and for a while, bandmates in The Yardbirds. After Beck's departure from the band, they would eventually become Led Zeppelin.  
 
After her phenomenal performance at the 2012 Kennedy Center Honors for Buddy Guy, she received a standing ovation from Robert Plant, Jimmy Page, and John Paul Jones.
 
It's fitting that "Whole Lotta Love" is the opening song of the album. From there, it's a non-stop journey through "Kashmir", an enchanting version of "Stairway to Heaven" to a James Brown-esque funky strut of "The Crunge." Inspired medleys "Dancing Days/When The Levee Breaks" and "No Quarter/Babe I'm Gonna Leave You Now" stand on both sides of "Black Dog." The penultimate song, "Good Times Bad Times" leads into the orchestral ballad "The Rain Song," which closes the album.

Talking about the music and legacy of Zeppelin, she says, "it's so beautifully done, it's timeless. It will go on forever. Sometimes people come along, and they're from another planet, and they make these pieces of art which will forever be."

Hart is recognized as one of her generation's most talented voices. She has sold out tours worldwide, including performances at historic venues such as Nashville's Ryman Auditorium, London's Royal Albert Hall, and the Ziggo Dome in Amsterdam. She's topped the Billboard Blues charts six times, gone double platinum and had a string of Top 10 charting albums across Europe.
 
On a final thought, Beth pauses and reflects to say, "this Zeppelin album allowed me to get all my rage out, and for that, I'm really grateful."

A Tribute To Led Zeppelin by Beth Hart
1. Whole Lotta Love
2. Kashmir
3. Stairway To Heaven
4. The Crunge
5. Dancing Days / When The Levee Breaks (Medley)
6. Black Dog
7. No Quarter / Babe I'm Gonna Leave You (Medley)
8. Good Times Bad Times
9. The Rain Song

Hollis Brown’s upcoming album, ‘In The Aftermath,’ is the deliciously depraved outcome of an all-night rock n’ roll riot. The Queens, New York-based quintet escaped to the Poconos to record with a few handles of whiskey, and, in one 24-hour session, ran down the Stone’s seminal first album of all originals, 1966’s ‘Aftermath.’ Tracked live in the studio with minimal overdubs, ‘In The Aftermath’ is potent proof the five-piece group is one of the last great American rock n’ roll bands. The album will be released on February 4th via Mascot Label Group/Cool Green Recordings.

“It was a whirlwind recording session—we were on no sleep, and getting liquored up. You can definitely hear the looseness on that final track, ‘Going Home,’” singer-guitarist Mike Montali recalls, laughing. He continues: “We weren’t focused on cleanliness—we were after a feeling.”

Coming on the heels of their most successful studio album to-date – 2019’s Ozone Park, which earned rave reviews from Rolling Stone, Billboard, Paste Magazine, Pop Matters, Relix, and Goldmine – ‘In The Aftermath’ was an artistic inevitable for Hollis Brown. Previously, Hollis Brown issued, ‘Gets Loaded,’ saluting Velvet Underground’s ‘Loaded.’  The five-piece band enjoyed doing the VU album so much they began to joke about doing a “Hollis Brown presents…” series, covering formative records in their artistic continuum.

‘Aftermath’ became the Stones album to dive into for a myriad of reasons. For one, it’s become something of a lost classic as it’s the first album to contain all Stones originals, including the defining track, “Paint It Black.” Also, many of the songs are concise ultra-catchy rock n’ roll rave-ups that mine similar blues and country roots to Hollis Brown’s own signature aesthetic.

Yet, on ‘In The Aftermath,’ Hollis Brown doesn’t try to out-Stones the Stones. Instead, they find clever ways to salute the Stones legacy. For the first album single, “Under My Thumb,” they distill the track down to a punky snarl inspired by the lean and mean ‘Some Girls’ album. Hollis Brown turn in a faithful reading of “Dontcha Bother Me” replete with Muddy Waters-approved slide guitar, seething vocals, and lonesome harmonica. The guys bravely tackle “Paint It Black,” and harness the ominous power of the track through swapping its classic, world-music perspective for a muscular guitar-rock approach. Here, the drums are essentialized down to an infectious garage-rock beat that perfectly aligns with the burly guitar riffage.

Hollis Brown has amassed an engaged fanbase through touring tirelessly, making its way through the U.S. and Europe, both on their own and supporting the likes of Citizen Cope, Counting Crows, Jackie Greene, Jesse Malin, and the Zombies, among others. The guys pinched the band name from the Bob Dylan song, "Ballad of Hollis Brown,” and its moniker neatly epitomizes the group’s commitment to melding a signature Americana blend with fine song-craft. Hollis Brown will perform select sets of ‘In The Aftermath’ on its upcoming February and March tour -  and inspiration from the album’s freewheeling recording sessions will definitely impact the band’s next album of all originals which is mostly written.

“Making this record sent us back to the drawing board,” Mike reveals. “It was about going back to the essence of American roots music—blues and country—which is a tradition our band was founded upon.”

Stay tuned for continued updates.
 
‘In The Aftermath’ by Hollis Brown
1. Paint It Black
2. Stupid Girl
3. Lady Jane
4. Under My Thumb
5. Doncha Bother Me
6. Think
7. Flight 505
8. High And Dry
9. It’s Not Easy
10. I Am Waiting
11. Goin’ Home

After decades of stardom in soul, blues, and rock n roll, as well as several GRAMMY wins with  the Blues Brothers, Booker T. and the M.G, and as a songwriter and producer, Steve Cropper has earned his first GRAMMY nomination as an individual musician for ‘Fire It Up,’ his latest full-length release. Nominated in the “Best Contemporary Blues Album” category alongside a group of artists who are less than half his age, the album received rave reviews and hit #1 on the Billboard Blues Albums chart upon its release in April, with Cropper referring to it as his first “proper” solo album since 1969 - “I haven’t heard myself this way in years," he explained. Read Cropper’s Wall Street Journal “House Call” feature, and listen to his interview on “Sound Opinions.”

“To all my GRAMMY friends, I know it's been a while, but this nomination for ‘Fire it Up’ is very special and feels real good,” Cropper said. “I do remember back when, sitting next to a new young upstart named Snoop Dog (what a super talent). He just keeps going and going. Keep it up Snoop and don't ever stop. I guess I'm allowed to say what I think being a lifetime member and getting the Lifetime Achievement Award in 2007. Thanks Booker, Duck and Al.”
 
A founding member of the Blues Brothers and one of Stax Records’ main producers, songwriters, and guitarists – as the guitarist in its house band, Booker T. and the M.G.’s –  Cropper reintroduced classic soul to unsuspecting audiences, with Rolling Stone ranking him in the top 40 all-time greatest guitarists. “Midnight Hour” by Wilson Pickett, “(Sittin’ On) The Dock of the Bay” by Otis Redding, “Soul Man” and “Hold On I’m Coming” by Sam and Dave — you simply can’t discuss soul music without Steve Cropper. He plays on John Lennon’s Rock N Roll album, Frank Black’s Honeycomb and Fast Man Raider Man albums, and on several albums by Ringo Starr. He’s also produced for John Prine, Jeff Beck, and John Cougar Mellencamp.
 
But seven decades into his legendary career and having just celebrated his 80th birthday, Steve sees this record as different: “It’s made from old grooves, because during a lockdown, you work on stuff that’s been in your head for years.” Rooted in sessions with the Rascals’ Felix Cavaliere and produced with long-time collaborator Jon Tiven, Cropper is both guitarist and a producer on the album, a role he is most comfortable in after years on the scene. “To be a good producer, you’ve got to be able to hear a song finished in your head before there’s much of anything done,” he explains. “..a good production is not accidental. I’m really proud of things that I produce.” The album features vocals and lyrics by Roger C. Reale. “I wished I’d known Roger back in the day,” Steve adds. “Eddie Floyd and Otis Redding and Rufus Thomas, they were singers who had real energy. Roger is in that group. He sings like it’s the last song he’ll ever get to sing.”
 
Careful and selective about what he’ll put his name on, you won’t be surprised to find that ‘Fire It Up’ is an instant classic. From the classic R&B of the title-track to the funk of “Bush Hog” and the quiet restraint of “One Good Turn,” the album may have Cropper’s name on it, but it’s still very much a collaborative effort, where solos and prowess are always in service to the larger rhythm. “This isn’t a battle of the bands,” he adds. “..it’s better to enhance the other guy, make him shine.”
 
In fact, listening to everyone else may be one of the secrets to Cropper’s style. The “Go Getter Is Gone” highlights the album’s collaborative effort. “Roger came up with most of the lyrics here,” he says. “I came up with the rhythms and the grooves and the changes, but I think teamwork is better.” And suddenly a light shines on why Cropper has pursued so few solo records: “When a basketball team wins,” he says, “it’s not the player who made the last three-pointer who wins, it’s the whole team that got him there.”
 
'Fire It Up' - Steve Cropper
1. Bush Hog Part 1
2. Fire It Up
3. One Good Turn
4. I'm Not Havin' It
5. Out of Love
6. Far Away
7. Say You Don't Know Me
8. She's So Fine
9. Two Wrongs
10. Heartbreak Street
11. The Go-Getter Is Gone
12. Bush Hog Part 2
13. Bush Hog

If there’s anyone who knows the blues, it’s legendary guitarist Eric Gales. Over 30 years and 18 albums, Gales has been a blues firebrand, with a passion for the music and a boundless desire to keep it vital that has never waned. Now, after a career that’s gone from the highest of highs to the lowest of lows, Gales is taking his rightful place at the head of the blues-rock table with the release of ‘Crown,’ his career-defining new album, out January 28th via Provogue Records/Mascot Label Group. The album's latest single, "You Don't Know The Blues," was released today. “The things I'm talking about in this song,” Eric said, “if you don't know about them, then you don't know the blues!”
 
Produced by Joe Bonamassa and Josh Smith, ‘Crown’ finds Eric opening up like never before, sharing his struggles with substance abuse, his hopes about a new era of sobriety and unbridled creativity, and his personal reflections on racism. Five years sober, creatively rejuvenated, and sagely insightful, the songs on ‘Crown’ are delivered with clarity and feature Eric's personal experiences and hope for positive change. This is Eric at his most boldly vulnerable, uncompromisingly political, and unflinchingly confident.
 
The premiere of “You Don’t Know The Blues” follows the release of the album’s first single, the slinky “I Want My Crown.” Here, with playful bravado, Eric sings about finally getting his due while also admitting his self-sabotaging past. Clean and focused with guitar in hand, he eyes the crown and goes for it, battling powerhouse blues warrior Joe Bonamassa in a Rocky-like epic fight. Triumphant horns spur on the excitement as the pair unleash barrages of jaw-dropping blues-shred with each player’s passages feeling like the final fury of a July 4th fireworks explosion.
 
Since 1991, the Memphis-born guitarist has blazed a path reinvigorating the blues with a virtuosity and rock swagger that have him being heralded as the second coming of Jimi Hendrix. He was a child prodigy with bottomless talent and fierce determination, and at just 16 years-old released his debut, ‘The Eric Gales Band,’ on Elektra Records. He’s earned high praise by guitarists’ guitarist and household name axe men such as Joe Bonamassa, Carlos Santana, Dave Navarro, and Mark Tremonti. In addition, he has held his own with some of the greatest guitarists in the world, including Carlos Santana at Woodstock 1994, Zakk Wylde, Eric Johnson, and a posse of others as a featured guest touring with the Experience Hendrix Tour.
 
The story behind ‘Crown’ dates back to the early 1990s when as teenagers Eric and Joe were both hailed as blues wunderkinds and torchbearers. The pair went on to very different lives and careers, but Eric’s full potential was hampered by his substance abuse issues, and in 2009 Eric hit bottom and served jail time at Shelby County Correction Center for possession of drugs and a weapon. Eric and Joe reconnected in 2019, when Joe invited Eric to play with him onstage at a blues cruise encore performance.  It was the first time the guys had played live together onstage in 25 years, and it has since been named one of the most explosive guitar duels ever, amassing over 3 million plays on YouTube.
 
“There was always a brotherhood with us. When we reconnected, Joe said to me, ‘You’re a badass guitarist; it’s your turn to get your seat at the table to wear your crown’,” Eric recalls.  Shortly after their iconic face-melting jam, Eric approached Joe to produce him. “We cried when we talked about it, he said ‘you have no idea how long I waited for you, now I am going to do my part to lift you where you’re supposed to be.’”

 
‘Crown’ finds Eric stepping up to receive his due. The record is eclectic but cohesive. With assured and authentic artistry, Eric conjures the expanse of the blues, rock, and beyond. The record’s 16 tracks play out as 13 songs plus 3 instrumental vignettes—and these little jams are gems.  The songs on Crown were co-written by Eric, Josh, and Joe, and feature contributions from LaDonna Gales, and ace songwriters such as Tom Hambridge, James House, and Keb Mo. The album was recorded at Sound Emporium Nashville, and overdubs were tracked at Ocean Way Nashville, and Earthtone Studios in Greensboro, NC.
 
‘Crown’ was forged in tragedy but rises triumphantly. The day before Eric traveled to L.A. to work with Joe and Josh, he heard the news about the George Floyd murder. “As I began to chat about this to Joe and Josh during preproduction, raw and unnerved emotion came out of me, and Joe furiously scribbled down notes about it all,” Gales recalls. “These songs came from those outpourings. They’re about my life, and what’s happening in the world right now. When it came time to sing, I had to take breaks between vocals to cry and let it out. I was sharing my experiences as a Black man, and my private struggles. This is me letting the world know what I’ve been through.”
 
The ‘Crown’ album journey is exhilarating, and, much like Eric’s life, winds through moments of victory and vulnerability. Along the way, Eric shares his story and his feelings through the majesty of the blues. He says: “When I play, the core is always the blues, and on this album, we go through a theme park of the blues, exploring all kinds of blues. We visit the carousel, the bumper cars, the water rides, the concession stands, and we all come out with smiles.”
 
Eric is touring the country this fall/winter, including a run of dates with the Allman Family Revival alongside Allman Betts Band, Robert Randolph, Donavon Frankenreiter, and more. He has also just released a signature Magneto guitar this month - the Eric Gales Rawdawg II Custom - featuring a 2-piece American alder body, a Canadian hard rock maple neck and an Indian rosewood fingerboard. For addition details and to purchase tickets for his upcoming tour, please visit https://www.ericgales.com/
 
Eric Gales – Winter 21/222 US Tour
December 9th – The Met Philadelphia – Philadelphia, PA*
December 10th – The Fillmore – Silver Spring, MD*
December 11th – Michigan Theater, Ann Arbor, MI*
December 12th – The Chicago Theatre – Chicago, IL*
December 14th – Tulsa Theater – Tulsa, OK*
December 16th – Comerica Theatre – Phoenix, AZ*
December 17th – The Theater at Virgin Hotels Las Vegas – Las Vegas, NV*
December 18th – The Fillmore – San Francisco, CA*
December 19th – The Wiltern – Los Angeles, CA*
February 14th – Rock Legends Cruise 2022 – Fort Lauderdale, FL
February 19th – Lyric Theatre, Stuart, FL
February 21st – Keeping the Blues Alive at Sea 2020 – Downtown Miami, FL
 
* With Allman Family Revival
 
‘Crown’ by Eric Gales
1. Death Of Me
2. The Storm
3. Had To Dip
4. I Want My Crown (feat. Joe Bonamassa)
5. Stand Up
6. Survivor
7. You Don’t Know The Blues
8. Rattlin’ Change
9. Too Close To The Fire
10. Put That Back
11. Take Me Just As I Am (feat. LaDonna Gales)
12. Cupcakin’
13. Let Me Start With This
14. I Found Her
15. My Own Best Friend
16. I Gotta Go

Over the past two years, most people have been craving for more time together. But on his new single “Leave Me Alone,” songwriter-producer Eric Krasno wittingly reflects on the kind of person he could still do without – paparazzi and “people who love to gossip.”
 
“’Leave Me Alone’ is a track I wrote a while back after seeing a clip on TV about paparazzi, and how some of them terrorize celebrities to get their shots,” Krasno explains. “As I began to write it, I started relating it to friends of mine that love to gossip and started to feel some empathy for them (as you can hear in the bridge), because everyone is human. Ultimately it’s a light-hearted song that pokes fun at the desire to gossip and incite drama amongst friends and family. And it’s funky.”
 
Themes of togetherness and solitude are featured throughout Krasno’s upcoming solo album ‘Always,’ out February 4th via Mascot Label Group. “Leave Me Alone” follows the release of the album’s third single, “Alone Together,” about the beauty that can be created between two people in solitude. “You and I, alone together now,” Krasno sings. “I didn’t know we could create something divine an innocent in a time so cold.”
 
On the new album, across ten tracks with inimitable instrumentation, eloquent songcraft, and raw honesty, the Soulive and Lettuce co-founder, singer, multi-instrumentalist, and two-time GRAMMY® Award-winning guitarist defines himself as not only an artist, but also as a husband, father, and man. “Before 2020, I was having a good time, but I wasn’t grounded at all,” he adds. “I was going from gig to gig. I was always running around without a purpose. During the last year, I found my people in terms of my wife and son. I’ve created a family who will always be there for me. That’s what the album is about.”
 
Something of a musical journeyman, Krasno’s extensive catalog comprises three solo albums, four Lettuce albums, twelve Soulive albums, and production and/or songwriting for Norah Jones, Robert Randolph, Pretty Lights, Talib Kweli, 50 Cent, Aaron Neville, and Allen Stone. As a dynamic performer, he’s shared stages with Rolling Stones, Dave Matthews Band, John Mayer, and The Roots. Out of seven nominations, he picked up two GRAMMY® Awards for his role as a songwriter and guitarist on Tedeschi Trucks Band’s ‘Revelator’ and guitarist on Derek Trucks Band’s ‘Already Free.’

But as the Global Pandemic changed the world’s plans, he found himself thinking a lot and writing just as much. At the suggestion of old Lettuce bandmate Adam Deitch, he connected with musician and producer Otis McDonald and collaborated on a version of Bob Dylan’s “The Man In Me,” a song that had taken on a deeper significance for Krasno in recent years. “My wife and I got married, bought a house, and had a baby,” he recalls. “I had heard the song many times before, but it had never quite hit me the way it was hitting me. I recorded it with just acoustic guitar and vocals, and I loved what Otis did to it. He sent it back to me, and I thought, ‘This is exactly how I want to make my next record’.”
 
Recording first virtually and then at the Bay Area’s legendary Hyde Street Studios, famous for 2Pac, Grateful Dead, and Digital Underground, Krasno and McDonald tapped into a shared spirit as co-producers, ultimately forming Eric Krasno & The Assembly with Otis on bass, Wil Blades on keys and organ, Curtis Kelly on drums, and James VIII on guitar and vocals.
 
In the end, Krasno welcomes everyone to be a part of his family on ‘Always.’ “If you take away a message of love and the Always concept, that’s great,” he leaves off. “Most of all, I want to put you in a happy place. In the past, I personally just felt like I was a guitarist, songwriter, and a producer. Now, I feel like a fully formed artist.”
 
‘Always’ by Eric Krasno
1. Silence
2. So Cold
3. Lost Myself
4. Man in Me
5. Alone Together
6. Where I Belong
7. Leave Me Alone
8. Good Thing
9. Hold Tight
10. Always With You

Following the release of "Water In The Barrel," which was inspired by Zen philosophy and the 20th century professor Alan Watts, the Portland-based folk artist Eddie Berman is releasing “The Wheel,” another reflective single that deals with the destructive power of habit energy and the need to reconnect with our own humanity. The song is featured on 'Broken English,' Berman's 11-song suite of campfire-worthy, cosmic folk-rock, out January 31st via Nettwerk Records.

“Even though my new album was written at the end of 2019, before rumblings of Covid hit any headlines, it’s mainly about isolation and disconnection in an increasingly atomized world,” Berman explains. “But this song explores a different kind of separation - a separateness from feeling like a real human being in the real, natural world. The digital hallucinatory experience of everyday-life is so filled with distractions that make you anxious, and anxieties that push you to distraction. It’s hard to remember that I’m an actual living person sometimes.”

“But there are also so many fleeting moments of real presence which I feel too - the damp smell of the Pacific Northwest woods, the eternal sound of waves breaking on the shore, looking in the eyes of my wife, laughing with my kids,” Berman continues. “And so this song is about recognizing that elusive aliveness in yourself and others, and knowing that even though it can become buried underneath miles of algorithmic dread and nightmares of oceans filled with garbage - that aliveness, presence, and belonging is always there and always will be.

Berman made his debut with the EP ‘Blood & Rust,' featuring his duet of "Dancing in the Dark" with British folk icon Laura Marling. His subsequent release generated tens of millions of streams, placements on major Spotify playlists like Your Favorite Coffeehouse, Acoustic Covers, and The Pulse of Americana. It led to nationwide tours with Laura Marling, Tyler Childers, Passenger, and Lee Ann Womack.
 
Berman had planned to record the album like his previous LPs at the LA studio of longtime collaborator Pierre De Reeder (Mavis Staples, M. Ward), but that went out the window with the global lockdown. So, he learned how to make the album remotely with his bandmates, the multi-instrumentalist Gabe Feenberg and drummer Max MacVeety. Berman has two young daughters, and he describes the extra time with them as an utter blessing in an otherwise difficult year, as he and his wife found ways of using the situation to reclaim some semblances of lost autonomy.
 
It was in this pure family setting that Berman recorded, seeking out pockets of time when he could jump into the makeshift studio that he’d set up in the nursery to track his instrumental parts and vocals. The result is a powerful, moving, and haunting time capsule of these trying times, written primarily on banjo but performed on guitar. Despite the initial difficulty of adapting to a new approach, Berman grew to value the remote style, which afforded everyone involved a bit more time to focus on their individual contributions. "We only had a few takes of quiet for each track," Berman recalls. "That pressure and restriction strangely give these songs a live feel that's similar to our previous recordings."
 
'Broken English' is at times quite dark, like the track "Cherokee Rose," a gentle steel-guitar epic partly inspired by the intense Cormac McCarthy novel Blood Meridian. But despite the heavy subject matter, the album is an optimistic one just as well. After all, when you're a parent, you don't have any other choice: "Just having a kid nowadays, you need to have some sense of hope," he says. "These songs are about living with these issues and looking for a way through them."
 
“The Wheel” and "Water In The Barrel" follow the release of the album's title track, which Glide Magazine called "delicate but commanding," bringing to mind "the folksier studio recordings of the Grateful Dead." "When I wrote the song 'Broken English,' I was thinking about how especially isolated, rootless, and untethered people had become, and that was back in 2019, a good six months before anyone had heard the term COVID," Berman explained. "The past year and a half have put those feelings in hyperdrive."

Berman explains that Anne Dillard's "patient and deliberate thoughts on nature" were a source of inspiration for the new album, helping him focus on the day-to-day—not getting bogged down with the mess of the world that we can't control. "It's a little bit like, are you some flightless bird that's evolved out of the ability to use your wings, and now you're just kind of looking up at the sky, thinking, well, I can't do that anymore?" he puts it. "Or is it something like a circle that's broken, and it's your responsibility to mend it?"
 
Berman will tour in support of ‘Broken English’ this winter, including a performance at the Portland Folk Festival in January. For details and more information, visit https://eddiebermanmusic.com/
 
‘Broken English’ by Eddie Berman
1. Taurus
2. Skin of the Earth
3. Stay Dark
4. Time Waits For No Man
5. Broken English
6. Dust & Clay
7. The Wheel
8. Cherokee Rose
9. Water in the Barrel
10. Leviathan
11. Song of Joy

Primus has announced an extensive, 46-date, coast-to-coast extension of its wildly popular ‘A Tribute To Kings’ Tour, paying homage to prog-rock legends, Rush. ‘A Tribute To Kings’ will find the Bay area trio performing Rush’s 1977 album ‘A Farewell To Kings’ in its entirety, following a set of their own music. As bassist Les Claypool told Rolling Stone, the tour is about paying tribute to a band that has given him so much inspiration over the years.
 
“Hemispheres was my first concert,” Claypool said, referring to Rush’s 1978 album and tour. “Originally we’d always kind of joked around about doing Hemispheres…but we settled on Kings, because A) it was the first Rush record I ever heard and B) it contains ‘Cygnus X-1,’ which has always been my favorite Rush tune. It seems to be a good one for us to tackle; 2112 seemed a little obvious.”
 
The announcement follows the massive success of the first leg of ‘A Tribute To Kings,’ which was long-delayed due to the coronavirus pandemic. It’s just the latest in a long series of Rush-related milestones for Primus, who first opened for their musical heroes in 1992.
 
“Geddy, Alex and Neil had been superheroes to Larry, Herb and I in our teens,” Claypool recalled, “so when we all became pals while touring together in the early '90s, we were pretty delighted; partially because of the musical geek-out factor but mostly because the three guys whom we had admired so much from afar, turned out to be truly great, down-to-earth humans, and like us, a tad eccentric.”
 
Kicking off in Oklahoma City before winding its way throughout the US, the second leg of ‘A Tribute To Kings’ will also include the tour’s first stops in Canada, beginning with two dates in Toronto on May 13-14. Rush was formed in Toronto in 1968. The second leg will also feature special guests Battles, Black Mountain, and The Black Angels.
 
A special pre-sale, including VIP upgrade options, will go on sale at 12pm local time today (12/14). Tickets go on sale to the general public at this Friday, December 17th at 10am local time. For ticketing and show info, please visit www.primusville.com/tour
 
Primus will once again partner with On Location & CID Entertainment for the ‘A Tribute to Kings’ tour to offer ticket packages that include one premium ticket, invitation to a Q&A experience with Primus, exclusive VIP merch, and more. For full details, visit https://www.cidentertainment.com/events/primus-tour/

Primus ‘A Tribute To Kings’ Tour Dates
Friday, April 15 – Oklahoma City, OK – The Criterion *
Saturday, April 16 – San Antonio, TX – Majestic Theatre *
Tuesday, April 19 – Springfield, MO – Gillioz Theatre *
Wednesday, April 20 – Kansas City, MO – Grinders KC *^
Friday, April 22 – Cedar Rapids, IA – McGrath Amphitheatre *^
Saturday, April 23 – Madison, WI – The Sylvee *
Monday, April 25 – Knoxville, TN – Tennessee Theatre*
Wednesday, April 27 – New Orleans, LA – Saenger Theatre *^
Saturday, April 30 – Huntsville, AL – Mars Music Hall, Von Braun Center *
Tuesday, May 3 – Miami Beach, FL – The Fillmore *
Wed, May 4 – St. Petersburg, FL – Mahaffey Theater, Duke Energy Center for the Arts *
Friday, May 6 – North Charleston, SC – North Charleston Performing Arts Center *
Saturday, May 7 – Saint Augustine, FL – The Saint Augustine Amphitheatre *
Monday, May 9 – Nashville, TN – Ryman Auditorium *
Tuesday, May 10 – Fort Wayne, IN – The Clyde Theatre *
Friday, May 13 – Toronto, ON – Massey Hall +
Saturday, May 14 – Toronto, ON – Massey Hall +
Monday, May 16 – Montreal, QC – L'Olympia +
Tuesday, May 17 – Quebec, QC – Videotron Centre +
Wednesday, May 18 – Albany, NY – Palace Theatre *
Friday, May 20 – Port Chester, NY – The Capitol Theatre *
Saturday, May 21 – Montclair, NJ – Wellmont Theater *
Sunday, May 22 – Huntington, NY – The Paramount *
Tuesday, May 24 – Washington, D.C. – Warner Theatre *
Wednesday, May 25 – Bethlehem, PA – The Wind Creek Event Center *
Friday, May 27 – Atlantic City, NJ – Borgata Hotel Casino & Spa *
Saturday, May 28 – LaFayette, NY – Beak & Skiff Apple Orchards *
Monday, May 30 – Louisville, KY – Old Forester’s Paristown Hall *
Tuesday, May 31 – Grand Rapids, MI – GLC Live at 20 Monroe *
Thursday, June 2 – Milwaukee, WI – BMO Harris Pavilion  *^
Friday, June 3 – Saint Paul, MN – Palace Theatre *
Saturday, June 4 – Winnipeg, MB – Burton Cummings Theatre for the Performing Arts +
Monday, June 6 – Regina, SK – Conexus Arts Centre – Capital Auto Theatre +
Tuesday, June 7 – Saskatoon, SK – TCU Place – Sid Buckwold Theatre +
Thursday, June 9 – Calgary, AB – Grey Eagle Event Centre, Grey Eagle Resort & Casino +
Friday, June 10 – Edmonton, AB – Edmonton Expo Centre +
Sunday, June 12 – Vancouver, BC – The Orpheum +
Tuesday, June 14 – Troutdale, OR – Edgefield ~
Wednesday, June 15 – Redding, CA – Redding Civic Auditorium ~
Friday, June 17 – Sacramento, CA – Sacramento Memorial Auditorium ~
Saturday, June 18 – Reno, NV – Grand Theatre, Grand Sierra Resort and Casino ~
Sunday, June 19 – San Jose, CA – San Jose Civic ~
Tuesday, June 21 – Santa Barbara, CA – Arlington Theatre ~
Thursday, June 23 – Riverside, CA – Riverside Municipal Auditorium ~
Fri, June 24 – Long Beach, CA – Terrace Theater, Long Beach Convention & Entertainment Center ~
Saturday, June 25 – Las Vegas, NV – The Theater at Virgin Hotels Las Vegas  ~^
 
* with Battles
+ with Black Mountain
~ with The Black Angels
^ Tickets are currently on sale for these performances

In 1997 rock and blues music fans were impatiently waiting for the sophomore release by, what the press still referred to as, a teenage phenom. On October 7th the world finally heard Trouble Is… by the Kenny Wayne Shepherd Band and it demonstrated to the press and public alike that Kenny was an artist with a boundless future ahead of him.

In 2022 rock and blues music fans will be able to see The Kenny Wayne Shepherd Band perform Trouble Is… in its entirety in select markets around the country. The Trouble Is… 25th Anniversary Tour dates will kick off at The Strand Theatre in Shreveport, Louisiana – the very same theater they celebrated their inaugural record release of Trouble Is… 25 years before and work their way around the country. The February 12th show will be streamed and later in the year will be released on DVD/Blu-Ray along with a very special Anniversary Package celebrating its 25th birthday.

After the wildly successful debut of his first platinum selling album, Ledbetter Heights, Shepherd set out to write and record his second album. “No one was expecting me to match the success of Ledbetter Heights, but when we got into the studio and the album started coming together, we knew we had something really special.”

Despite a select few (very few) critics, who tried to dismiss Shepherd as a “flash in the pan” due to his age, radio stations across the U.S. added song after song to their playlists - in heavy rotation - and the fans devoured the music. Trouble Is… went on to sell over 1,000,000 copies in the U.S. and was certified Platinum by the RIAA. It featured 4 top ten hits, "Slow Ride", "Somehow, Somewhere, Someway", “Everything Is Broken” and of course, the #1 Mainstream Rock hit “Blue on Black”, spending an astonishing 104 weeks on the Billboard Charts. Shepherd won two Billboard Music Awards, including for Rock Song of the Year, and received his first of many Grammy nominations. Twenty-five years later, Kenny Wayne Shepherd is still releasing groundbreaking music, accumulating awards, touring the world and performing for ever-expanding audiences while those few critics have likely found new career paths.

Trouble Is… was produced by Rock and Roll Hall of Fame inductee Jerry Harrison and was the beginning of a long-term collaboration between Harrison and Shepherd. The album also features musical powerhouses including Chris Layton, Tommy Shannon and Reese Wynans as well as James Cotton.

KENNY WAYNE SHEPHERD is over two decades into a recording career that began when he was just 16. He has sold millions of albums worldwide and, in addition to his five Grammy nominations, he has won two Billboard Music Awards, a pair of Orville H. Gibson awards, the Blues Foundation’s Keeping The Blues Alive award and two Blues Music awards. He’s had nine #1 blues albums and a string of #1 mainstream rock singles.

Tour Dates
2/12 - Shreveport, LA - The Strand Theatre
3/2 - Dallas, TX - House of Blues
3/3 - Catoosa, OK - Hard Rock Live
3/27 - Seattle, WA - Moore Theatre
4/6 - Des Moines, IA - Hoyt Sherman Place
4/7 - Kansas City, MO - Uptown Theater
4/8 - Springfield, MO - Gillioz Theatre
4/9 - New Buffalo, MI - Four Winds Casino
4/13 - Warren, OH - Robins Theatre
4/14 - Glenside, PA - Keswick Theatre
4/15 - Greensburg, PA - Palace Theater
4/16 - Carmel, IN - Palladium
*4/26 - Midland, MI - Center for the Arts
4/27 - Champaign, IL - Virginia Theater
4/28 - Milwaukee, WI - Pabst Theatre
4/29 - Green Bay, WI - Epic Event Center
5/1 - Fargo, ND - Fargo Theater
5/3 - Sioux Falls, SD - The District
5/5 - Fort Collins, CO - Lincoln Center
5/6 - Denver, CO - Paramount Theatre
5/7 - Pikes Peak - Pikes Peak Center
5/19 - Norwalk, CT - Wallstreet Theatre
5/20 - New Brunswick, NJ - State Theatre

* Tickets will be on sale January 28

The idea of “losing yourself” may seem negative, but to Grammy-award winning guitarist Eric Krasno, the phrase has a deeper meaning. “It’s about losing your ego when you find someone who works for you,” he explains. Featuring head-nodding handclaps, horns from Jazz Mafia, and a funkified bass line drive, Krasno’s new single “Lost Myself” is featured on his new solo album ‘Always,’ and according to the guitarist, “it’s the funkiest track on the album.” Out February 4th via Mascot Label Group, ‘Always’ is filled with songs like “Lost Myself,” which consecrate, commend, and celebrates the permanence of family.

On ‘Always’ – across ten tracks with inimitable instrumentation, eloquent songcraft, and raw honesty – the Soulive and Lettuce co-founder, singer, multi-instrumentalist, and two-time GRAMMY® Award-winning songwriter-producer defines himself as not only an artist, but also as a husband, father, and man. “Lost Myself” follows the release of recent singles like “Silence,” about the emotional havoc that a lack of communication can wreak on the human psyche, and “Alone Together,” about the beauty that can be created between two people in solitude.

“Before 2020, I was having a good time, but I wasn’t grounded at all,” he explains. “I was going from gig to gig. I was always running around without a purpose. During the last year, I found my people in terms of my wife and son. I’ve created a family who will always be there for me. That’s what the album is about.”

Something of a musical journeyman, Krasno’s extensive catalog comprises three solo albums, four Lettuce albums, twelve Soulive albums, and production and/or songwriting for Norah Jones, Robert Randolph, Pretty Lights, Talib Kweli, 50 Cent, Aaron Neville, and Allen Stone. As a dynamic performer, he’s shared stages with Rolling Stones, Dave Matthews Band, John Mayer, and The Roots. Out of seven nominations, he picked up two GRAMMY® Awards for his role as a songwriter and guitarist on Tedeschi Trucks Band’s ‘Revelator’ and guitarist on Derek Trucks Band’s ‘Already Free.’

But as the Global Pandemic changed the world’s plans, he found himself thinking a lot and writing just as much. At the suggestion of old Lettuce bandmate Adam Deitch, he connected with musician and producer Otis McDonald and collaborated on a version of Bob Dylan’s “The Man In Me,” a song that had taken on a deeper significance for Krasno in recent years. “My wife and I got married, bought a house, and had a baby,” he recalls. “I had heard the song many times before, but it had never quite hit me the way it was hitting me. I recorded it with just acoustic guitar and vocals, and I loved what Otis did to it. He sent it back to me, and I thought, ‘This is exactly how I want to make my next record’.”

Recording first virtually and then at the Bay Area’s legendary Hyde Street Studios, famous for 2Pac, Grateful Dead, and Digital Underground, Krasno and McDonald tapped into a shared spirit as co-producers, ultimately forming Eric Krasno & The Assembly with Otis on bass, Wil Blades on keys and organ, Curtis Kelly on drums, and James VIII on guitar and vocals.

In the end, Krasno welcomes everyone to be a part of his family on ‘Always.’ “If you take away a message of love and the Always concept, that’s great,” he leaves off. “Most of all, I want to put you in a happy place. In the past, I personally just felt like I was a guitarist, songwriter, and a producer. Now, I feel like a fully formed artist.”

Krasno will be touring in support of ‘Always’ this winter. For additional details and to purchase tickets, please visit https://www.erickrasno.com/
 
Eric Krasno – Tour Dates
Feb 18 – Washington’s – Fort Collins, CO
Feb 19 – Cervantes’ Other Side – Denver, CO
Feb 20 – The Commonwealth Room – Salt Lake City, UT
Feb 22 – Nectar Lounge – Seattle, WA
Feb 23 – Aladdin Theater – Portland, OR
Feb 25 – Sweetwater Music Hall – Mill Valley, CA
Feb 26 – The Crytstal Bay Club Casino Crown Room – Crystal Bay, NV
Feb 27 – Guild Theatre – Menlo Park, CA
Mar 1 – Harlow’s – Sacramento, CA
Mar 3 – SLO Brew – San Luis Obispo, CA
Mar 4 – Teragram Ballroom – Los Angeles, CA
Mar 5 – Pappy & Harriet’s – Pioneertown, CA
Mar 11 – The Capitol Theatre – Port Chester, NY
Mar 12 – The Capitol Theatre – Port Chester, NY
Mar 18 – North Beach Bandshell – Miami Beach, FL
Mar 19 – North Beach Bandshell – Miami Beach, FL
 
‘Always’ by Eric Krasno
1. Silence
2. So Cold
3. Lost Myself
4. Man in Me
5. Alone Together
6. Where I Belong
7. Leave Me Alone
8. Good Thing
9. Hold Tight
10. Always With You

The iconic Robin Trower will be releasing his new studio album, 'No More Worlds To Conquer,' on April 29th via Provogue. Listen to the title track here.

Few would dispute that the title of Robin Trower’s latest album – 'No More Worlds To Conquer' – is a fair summary of the thumbprint he has left on the musical universe. But as he reminds us, it should not be misinterpreted as his mission being accomplished. “I definitely feel like I’m still reaching,” he considers, “with the guitar, and the songs, and everything else.”
 
For more than six decades, Robin Trower’s career has known no bounds. At the age of 76, the British guitarist can reflect on a journey in which he has planted flags across the musical sphere and played every role imaginable. He’s been the driving force behind Sixties icons Procol Harum. The transatlantic solo star who filled US stadiums with 1974’s Bridge Of Sighs. The collaborator and occasional supergroup member. The elder-statesman songwriter whose late period still crackles with invention.
 
Featuring vocals and bass from the late Jim Dewar – along with jaw-dropping guitar work from Trower that has influenced everyone from Steve Lukather to Opeth – the US-gold-selling 'Bridge Of Sighs' is perhaps his flagship album.
 
“With every album, it’s the best I can do at that particular time. I think that’s what it’s about. I set myself goals and each song has to live up to them,” he reflects.
 
“What usually happens is that I’m playing the guitar for fun and an idea will suddenly appear,” he continues. “Then you’re looking for a lyric that grows out of the music and enhances the mood. it’s lovely when you’ve gone right the way through from the beginning of the first little guitar idea that grows into a song and eventually you get a track down and finished – and it’s something like how you heard it in your head.”
 
Turning once again to his trusty toolkit of Fender Stratocaster and Marshall amp, Trower’s guitar work is ageless, whether that’s the tough chop of "Ball Of Fire," "Losing You and Cloud Across The Sun," or the slower-burn wah squalls of the title track and "Deadly Kiss." “Each track has to work as a sound,” he says, “as well as music and everything else. I’m very particular over guitar tones. I drive people mad, but in the end, it’s worth all the aggravation.”
 
On "Waiting For The Rain To Fall," Trower’s playing is crystalline as a dew drop, while the aching finale, "I Will Always Be Your Shelter," offers a solo whose masterful touch is compelling as anything in his catalogue. “That’s a real high point for the playing,” he nods. “And 'Waiting For The Rain To Fall,' I think is influenced by Tamla Motown. It’s a bit left-of-centre for me to do a song like that. But I think it’s potent stuff. I’m hoping this album will surprise people.”
 
Once again, Trower also handles bass duties, but as a lifelong servant of the song over his own ego, he didn’t hesitate to enlist other musicians. “Chris Taggart is on drums,” he explains. “He’s a wonderful drummer, and he’s done the last three or four albums. And I started to realize, after I’d tried to sing these songs myself, that I wasn’t vocally up to it. Richard Watts has done a great job on vocals. He’s got a fantastic instrument – such a soulful singer – and he’s willing to get it exactly how I’m hearing it in my head. The other great thing about having Richard is that there’s quite a few songs on this album that I wouldn’t be able to play and sing live at the same time.”
 
Yet Trower also addresses the contemporary problems in front of him. “There’s three or four songs there that cover what I’m thinking about. 'The Razor’s Edge' and 'Cloud Across The Sun,' those are definitely about my dissatisfaction with the politicians of the day, pointing the finger at the ones that don’t keep their promises. But then, with 'Deadly Kiss,' the lyric is someone talking to a friend who has become a junkie. There’s broken-hearted songs. There’s love songs. “

“It was difficult, but I’m glad I did it,” he considers. “This album is an evolution. I’m hoping that’s what is always happening with my music. There’s a huge step between Bridge Of Sighs and now. It’s like anything. The more you work on it, in theory, the better you should be at it. And I definitely feel like this album is one of the best things I’ve ever done.”

'No More Worlds to Conquer'
1. Ball of Fire
2. No More Worlds to Conquer
3. Deadly Kiss
4. Birdsong
5. Losing You
6. Waiting for the Rain to Fall
7. Wither on the Vine
8. Cloud Across the Sun
9. Fire to Ashes
10. The Razor's Edge
11. I Will Always be Your Shelter

Today, the iconic guitarist Robin Trower releases “The Razor’s Edge,” the second single from his new studio album, ‘No More Worlds To Conquer,’ out April 29th via Provogue. Featuring what Trower calls “some of my favorite guitar work I’ve played on a recording in a long time,” “The Razor’s Edge” finds the guitarist shining a light on the failure of world leaders today. “’The Razor’s Edge’ and ‘Cloud Across The Sun,’” Trower comments, “those are definitely about my dissatisfaction with the politicians of the day - pointing the finger at the ones that don’t keep their promises.”  
 
Few would dispute that the title of Robin Trower’s latest album – 'No More Worlds To Conquer' – is a fair summary of the thumbprint he has left on the musical universe. But as he reminds us, it should not be misinterpreted as his mission being accomplished. “I definitely feel like I’m still reaching,” he considers, “with the guitar, and the songs, and everything else.”
 
For more than six decades, Robin Trower’s career has known no bounds. At the age of 76, the British guitarist can reflect on a journey in which he has planted flags across the musical sphere and played every role imaginable. He’s been the driving force behind Sixties icons Procol Harum. The transatlantic solo star who filled US stadiums with 1974’s Bridge Of Sighs. The collaborator and occasional supergroup member. The elder-statesman songwriter whose late period still crackles with invention.

Featuring vocals and bass from the late Jim Dewar – along with jaw-dropping guitar work from Trower that has influenced everyone from Steve Lukather to Opeth – the US-gold-selling 'Bridge Of Sighs' is perhaps his flagship album.
 
“With every album, it’s the best I can do at that particular time. I think that’s what it’s about. I set myself goals and each song has to live up to them,” he reflects.
 
“What usually happens is that I’m playing the guitar for fun and an idea will suddenly appear,” he continues. “Then you’re looking for a lyric that grows out of the music and enhances the mood. it’s lovely when you’ve gone right the way through from the beginning of the first little guitar idea that grows into a song and eventually you get a track down and finished – and it’s something like how you heard it in your head.”
 
Turning once again to his trusty toolkit of Fender Stratocaster and Marshall amp, Trower’s guitar work is ageless, whether that’s the tough chop of "Ball Of Fire," "Losing You and Cloud Across The Sun," or the slower-burn wah squalls of the title track and "Deadly Kiss." “Each track has to work as a sound,” he says, “as well as music and everything else. I’m very particular over guitar tones. I drive people mad, but in the end, it’s worth all the aggravation.”
 
On "Waiting For The Rain To Fall," Trower’s playing is crystalline as a dew drop, while the aching finale, "I Will Always Be Your Shelter," offers a solo whose masterful touch is compelling as anything in his catalogue. “That’s a real high point for the playing,” he nods. “And 'Waiting For The Rain To Fall,' I think is influenced by Tamla Motown. It’s a bit left-of-centre for me to do a song like that. But I think it’s potent stuff. I’m hoping this album will surprise people.”
 

Once again, Trower also handles bass duties, but as a lifelong servant of the song over his own ego, he didn’t hesitate to enlist other musicians. “Livingstone Brown played bass on three tracks, and Chris Taggart is on drums,” he explains. “He’s a wonderful drummer, and he’s done the last three or four albums. And I started to realize, after I’d tried to sing these songs myself, that I wasn’t vocally up to it. Richard Watts has done a great job on vocals. He’s got a fantastic instrument – such a soulful singer – and he’s willing to get it exactly how I’m hearing it in my head. The other great thing about having Richard is that there’s quite a few songs on this album that I wouldn’t be able to play and sing live at the same time.”
 
“It was difficult, but I’m glad I did it,” he considers. “This album is an evolution. I’m hoping that’s what is always happening with my music. There’s a huge step between Bridge Of Sighs and now. It’s like anything. The more you work on it, in theory, the better you should be at it. And I definitely feel like this album is one of the best things I’ve ever done.”

'No More Worlds to Conquer'
1. Ball of Fire
2. No More Worlds to Conquer
3. Deadly Kiss
4. Birdsong
5. Losing You
6. Waiting for the Rain to Fall
7. Wither on the Vine
8. Cloud Across the Sun
9. Fire to Ashes
10. The Razor's Edge
11. I Will Always be Your Shelter

The Grammy-nominated vocalist Beth Hart has been gearing up for the release of her “Black Dog” music video for months, but unfortunately for undisclosed reasons, she isn’t able to include the audio. Never one to withhold from her fans, Hart decided to release the video anyway – just without the audio – in what may be the first ever “silent” music video release. “I really want you to see the video,” Hart explained in a message to her fans. “So if you want, you can just play the song while you watch…”
 
Fans have already responded to the call, posting their own versions of the video with the audio included.

Directed by Greg Watermann, the “Black Dog” music video comes on the heels of Hart’s latest album ‘A Tribute To Led Zeppelin,’ which pays tribute to one of the most formative musical influences of her career. As a child, the sounds of Led Zeppelin traveled from Hart’s neighbor's house into her orbit. Her brother introduced her to the heavy rock of Zeppelin and Black Sabbath, and her major-label debut came on Atlantic with the 1996 release of ‘Immortal’ - the same label that introduced Led Zeppelin to the world in 1969.

At the helm during the recording of ‘A Tribute To Led Zeppelin’ was super-producer Rob Cavallo (Green Day, Linkin Park, My Chemical Romance) and engineer Doug McKean (Goo Goo Dolls, Adam Lambert). The A-list musicians include Cavallo on guitar along with Tim Pierce (Bruce Springsteen, Tina Turner); on bass was Chris Chaney (Rob Zombie, Slash);on keyboards was Jamie Muhoberac (Bob Dylan, Rolling Stones); on drums was Dorian Crozier (Celine Dion, Miley Cyrus, Joe Cocker), and Matt Laug played drums on Stairway To Heaven (Alanis Morissette, Alice Cooper). Orchestral arrangements were by David Campbell (Muse, Beyoncé). All that was left was the final piece of the puzzle...the voice.

Things clicked into place when Cavallo was producing Hart's previous album, ‘War In My Mind’ (2019), and she did an impromptu version of "Whole Lotta Love" in the studio. He later asked about doing a whole record. Beth said, "I'm not doing this whole album. To do Zeppelin, you've got to be pissed off to hit that right. I can't go there; I've worked years to put my rage away."

She continues, "then the pandemic and all the things around it hit. So now I'm pissed off. I called my manager and said, have Rob and Doug send me all the music because I am ready to do this."

If you were to rewind, you could say the story for a Led Zeppelin album started further back; in May 2004 Hart prowled the stage at the Paradiso in Amsterdam for an incendiary performance of "Whole Lotta Love". The song became a semi-regular fixture in her setlist over the years, including a memorable performance with Slash.

Earlier on in Beth's career, former VP of Led Zeppelin's Swan Song label, Alan Callan, recommended Beth contact Jeff Beck to work together. Hart and Beck have gone on to form a beautiful friendship. Beck and Jimmy Page are also friends, and for a while, bandmates in The Yardbirds. After Beck's departure from the band, they would eventually become Led Zeppelin.  
 
After her phenomenal performance at the 2012 Kennedy Center Honors for Buddy Guy, she received a standing ovation from Robert Plant, Jimmy Page, and John Paul Jones.
 
Talking about the music and legacy of Zeppelin, she says, "it's so beautifully done, it's timeless. It will go on forever. Sometimes people come along, and they're from another planet, and they make these pieces of art which will forever be."

Hart is recognized as one of her generation's most talented voices. She has sold out tours worldwide, including performances at historic venues such as Nashville's Ryman Auditorium, London's Royal Albert Hall, and the Ziggo Dome in Amsterdam. She's topped the Billboard Blues charts six times, gone double platinum and had a string of Top 10 charting albums across Europe.
 
On a final thought, Beth pauses and reflects to say, "this Zeppelin album allowed me to get all my rage out, and for that, I'm really grateful."

‘A Tribute To Led Zeppelin’ by Beth Hart
1. Whole Lotta Love
2. Kashmir
3. Stairway To Heaven
4. The Crunge
5. Dancing Days / When The Levee Breaks (Medley)
6. Black Dog
7. No Quarter / Babe I'm Gonna Leave You (Medley)
8. Good Times Bad Times
9. The Rain Song

As they gear up for their 64-date world tour, ‘A Tribute To Kings,’ paying homage to prog-rock legends, Rush, Primus has announced a new 3-song EP, ‘Conspiranoid,’ out April 22nd via ATO Records. The band announced the EP with the release of its epic, 11-minute opening track, “Conspiranoia. “I'd been itching to record an opus--basically a long, winding, bastard of a song, reminiscent of some of the compositions I cut my teeth (or ears) on, in my music-hungry adolescence,” bassist Les Claypool told Consequence. “"Conspiranoia" was sprouted from a seed I had planted in my notebook a year or so ago--a few lines commenting on the mental state of the contemporary world.”

The release of ‘Conspiranoid’ will coincide with the second leg of Primus’ wildly popular ‘A Tribute To Kings’ Tour, which finds Bay area trio performing Rush’s 1977 album ‘A Farewell To Kings’ in its entirety, following a set of their own music. Kicking off in Oklahoma City before winding its way throughout the US, and then ultimately to Europe this fall, the second leg will also include the tour’s first stops in Canada, beginning with two dates in Toronto on May 13-14. Rush was formed in Toronto in 1968. The US performances will also feature special guests Battles, Black Mountain, and The Black Angels.

Two additional ‘A Tribute To Kings’ tour dates have just been announced at Gerald R. Ford Amphitheatre in Vail, CO on August 12th and 13th. A special pre-sale, including VIP upgrade options, is current open. A local pre-sale will open on Thursday, April 7th at 10am local time. Tickets go on sale to the general public on Friday, April 8th at 10am local time. For ticketing and show info, please visit www.primusville.com/tour

As Claypool told Rolling Stone, the ‘A Tribute To Kings’ Tour is about paying tribute to a band that has given him so much inspiration over the years.

“Hemispheres was my first concert,” Claypool said, referring to Rush’s 1978 album and tour. “Originally we’d always kind of joked around about doing Hemispheres…but we settled on Kings, because A) it was the first Rush record I ever heard and B) it contains ‘Cygnus X-1,’ which has always been my favorite Rush tune. It seems to be a good one for us to tackle; 2112 seemed a little obvious.”

The announcement follows the massive success of the first leg of ‘A Tribute To Kings,’ which was long-delayed due to the coronavirus pandemic. It’s just the latest in a long series of Rush-related milestones for Primus, who first opened for their musical heroes in 1992.
 

“Geddy, Alex and Neil had been superheroes to Larry, Herb and I in our teens,” Claypool recalled, “so when we all became pals while touring together in the early '90s, we were pretty delighted; partially because of the musical geek-out factor but mostly because the three guys whom we had admired so much from afar, turned out to be truly great, down-to-earth humans, and like us, a tad eccentric.”
 
Primus will once again partner with On Location & CID Entertainment for the ‘A Tribute to Kings’ tour to offer ticket packages that include one premium ticket, invitation to a Q&A experience with Primus, exclusive VIP merch, and more. For full details, visit https://www.cidentertainment.com/events/primus-tour/
 
Comedy Central also recently announced that Primus will be featured in the “South Park: 25th Anniversary Concert” this summer. The concert, with Trey Parker and Matt Stone, Primus and Ween, takes place on Wednesday, August 10th at Red Rocks Park and Amphitheatre. For more information and to purchase tickets please visit www.SouthParkatRedRocks.com
 
‘Conspiranoid’ EP – Out April 22nd
1. Conspiranoia
2. Follow The Fool
3. Erin On The Side Of Caution
 
PRIMUS ‘A TRIBUTE TO KINGS’ TOUR DATES
 
NORTH AMERICAN TOUR
Friday, April 15 – Oklahoma City, OK – The Criterion *
Saturday, April 16 – San Antonio, TX – Majestic Theatre *
Tuesday, April 19 – Springfield, MO – Gillioz Theatre *
Wednesday, April 20 – Kansas City, MO – Grinders KC *^
Friday, April 22 – Cedar Rapids, IA – McGrath Amphitheatre *^
Saturday, April 23 – Madison, WI – The Sylvee *
Monday, April 25 – Knoxville, TN – Tennessee Theatre*
Wednesday, April 27 – New Orleans, LA – Saenger Theatre *^
Saturday, April 30 – Huntsville, AL – Mars Music Hall, Von Braun Center *
Tuesday, May 3 – Miami Beach, FL – The Fillmore *
Wed, May 4 – St. Petersburg, FL – Mahaffey Theater, Duke Energy Center for the Arts *
Friday, May 6 – North Charleston, SC – North Charleston Performing Arts Center *
Saturday, May 7 – Saint Augustine, FL – The Saint Augustine Amphitheatre *
Monday, May 9 – Nashville, TN – Ryman Auditorium *
Tuesday, May 10 – Fort Wayne, IN – The Clyde Theatre *
Friday, May 13 – Toronto, ON – Massey Hall +
Saturday, May 14 – Toronto, ON – Massey Hall +
Monday, May 16 – Montreal, QC – L'Olympia +
Tuesday, May 17 – Quebec, QC – Videotron Centre +
Wednesday, May 18 – Albany, NY – Palace Theatre *
Friday, May 20 – Port Chester, NY – The Capitol Theatre *
Saturday, May 21 – Montclair, NJ – Wellmont Theater *
Sunday, May 22 – Huntington, NY – The Paramount *
Tuesday, May 24 – Washington, D.C. – Warner Theatre *
Wednesday, May 25 – Bethlehem, PA – The Wind Creek Event Center *
Friday, May 27 – Atlantic City, NJ – Borgata Hotel Casino & Spa *
Saturday, May 28 – LaFayette, NY – Beak & Skiff Apple Orchards *
Monday, May 30 – Louisville, KY – Old Forester’s Paristown Hall *
Tuesday, May 31 – Grand Rapids, MI – GLC Live at 20 Monroe *
Thursday, June 2 – Milwaukee, WI – BMO Harris Pavilion  *^
Friday, June 3 – Saint Paul, MN – Palace Theatre *
Saturday, June 4 – Winnipeg, MB – Burton Cummings Theatre for the Performing Arts +
Monday, June 6 – Regina, SK – Conexus Arts Centre – Capital Auto Theatre +
Tuesday, June 7 – Saskatoon, SK – TCU Place – Sid Buckwold Theatre +
Thursday, June 9 – Calgary, AB – Grey Eagle Event Centre, Grey Eagle Resort & Casino +
Friday, June 10 – Edmonton, AB – Edmonton Expo Centre +
Sunday, June 12 – Vancouver, BC – The Orpheum +
Tuesday, June 14 – Troutdale, OR – Edgefield ~
Wednesday, June 15 – Redding, CA – Redding Civic Auditorium ~
Friday, June 17 – Sacramento, CA – Sacramento Memorial Auditorium ~
Saturday, June 18 – Reno, NV – Grand Theatre, Grand Sierra Resort and Casino ~
Sunday, June 19 – San Jose, CA – San Jose Civic ~
Tuesday, June 21 – Santa Barbara, CA – Arlington Theatre ~
Thursday, June 23 – Riverside, CA – Riverside Municipal Auditorium ~
Fri, June 24 – Long Beach, CA – Long Beach Convention & Entertainment Center ~
Saturday, June 25 – Las Vegas, NV – The Theater at Virgin Hotels Las Vegas  ~^
Friday, August 12 – Vail, CO – Gerald R. Ford Amphitheatre
Saturday, August 13 – Vail, CO – Gerald R. Ford Amphitheatre
 
EUROPE TOUR
Friday, September 9 – Stockholm, Sweden – Fryshuset Arenan
Saturday, September 10 – Oslo, Norway – Oslo Spektrum
Monday, September 12 – Copenhagen, Denmark – Vega
Wednesday, September 14 – Berlin, Germany – Huxley’s Neue Welt
Friday, September 16 – Warsaw, Poland – Klub Stodola
Saturday, September 17 – Prague, Czechia – Forum Karlin
Sunday, September 18 – Munich, Germany – TonHalle München
Tuesday, September 20 – Zürich, Switzerland – Kaufleuten
Wednesday, September 21 – Padova, Italy – Gran Teatro Geox
Friday, September 23 – Bogerhout, Belgium – De Roma
Saturday, September 24 – Paris, France – L’Olympia
Sunday, September 25 – Amsterdam, Netherlands – AFAS Live
Tuesday, September 27 – Glasgow, United Kingdom – 02 Academy Glasgow
Thursday, September 29 – London, United Kingdom – Eventim Apollo
Friday, September 30 – Manchester, United Kingdom – Manchester Academy
Saturday, October 1 – Dublin, Ireland – Olympia Theatre
 
* with Battles
+ with Black Mountain
~ with The Black Angels
^ Tickets are currently on sale for these performances 

Supersonic Blues Machine will release their brand-new studio album Voodoo Nation on June 24th via Provogue/Mascot Label Group. Once again, the again features a reunion of some of the most exciting icons and names in blues: Charlie Starr (Blackberry Smoke), Eric Gales, Joe Louis Walker, Ana Popovic, Kirk Fletcher, King Solomon Hicks, Josh Smith & Sonny Landreth. You can watch the official video for “8 Ball Lucy” ft. Sonny Landreth HERE.
 
"The general discontent in the world at the moment is so widespread, we get told to embrace it because that's life," says bassist Fabrizio Grossi. "No, that's not life," he asserts. "It's how we're forced to live nowadays. Voodoo Nation refers to the times we're living in, at least here in the States, but I guess the whole world can relate. We're getting to the point where we're living out life almost as Zombies. We're little machines."
 
But there is always hope, which is what Supersonic Blues Machine has always been about.
 
At the core of the band is producer/bass player Fabrizio Grossi (Steve Vai, Alice Cooper, George Clinton, Slash) and drummer Kenny Aronoff (John Mellencamp, Meat Loaf, Brandon Flowers, John Fogerty, Red Hot Chili Peppers) with British rocker Kris Barras replacing Lance Lopez as singer-guitarist. Barras has a recent UK Top 30 album chart hit in March himself, and he is leading the pack of the British hard rock revival with several A-list singles, BBC Radio appearances and sell-out shows.
 
Voodoo Nation is the band’s third studio album. "Kris comes from this British school of hard rock and blues," Grossi says. "This is a different sound to Kenny and me with the Allman Brothers, Sly Stone & The Family & Mountain. On Californisoul (2017), we were going more West Coast Funkadelic 60s and overall jam vibe. Blues but with more of a hippy flower power. With Kris, we wanted his footprint there, so that's why you hear Led Zeppelin, Pink Floyd, and Gary Moore. Kind of a Union Jack imprint over a Star-Spangled Banner."
 
The lyrical front on Voodoo Nation is less forgiving than everything in the past. "I'm not saying fuck flower power because that's always the message," Grossi says. "But there are very introspective things and a lot of the theatrics that we are dealing with on this record which I would say are fairly common in the blues but are dealt with a twist. There is a lot of Devil's stuff in this record."

Louisiana slide-god Sonny Landreth features on the haunting "8 Ball Lucy." The song is a story about it being "easy to fall into temptation when you're broken down and somebody comes along saying all the right things. That's the true Devil, and she's so good at playing her cards," he says. The 8-minute "Devil at the Doorstep" features Eric Gales – whose recent album Crown was a #1 Blues Billboard hit. "With Eric, it can start as a 3-minute 12 bars Blues and morph into an epic Led Zeppelin Dazed and Confused thing. I also think it's a perfect soundtrack for a horror movie…If the story wasn't real!" he adds.
 
They underline problems faced by musicians on "Coming Thru" and "Get It Done" - the latter features Josh Smith and "Do It Again" is another firecracker that rounds off the theme with Ana Popovic. Young Harlem blues-sensation King Solomon Hicks features on the call to arms "You and Me." The band's trademark soulful blues sound can be heard beautifully on "I Will Let It Go," featuring Kirk Fletcher, and the sumptuous "Is It All" with the legendary Joe Louis Walker.  The album closes with the inspirational Rootsy Rock "All Our Love" featuring Blackberry Smoke's Charlie Starr.
 
The song came together in the summer of 2020 whilst there were the biggest fires in living memory in California. "I was dropping off donated clothes in Woodland Hills. We were heading down through the infamous 405 and were literally driving through fire - on both sides of the road."
 
"I realized that we're in one of the world's richest cities, and there's discontent, plus climate change and everything else going on. How is this happening? It's total devastation. I was like, no, no, we need a major reset here. For all the wrongs in the world to be fixed, it requires all our love. That's the song, a message of hope," Grossi ends.

Stay tuned for continued updates.

'Voodoo Nation' by Supersonic Blues Machine
1. Money    
2. Too Late
3. Coming thru
4. You And Me (feat. King Solomon Hicks)
5. Get It Done (feat. Josh Smith)
6. 8 Ball Lucy (feat. Sonny Landreth)
7. Devil At The Doorstep (feat. Eric Gales)
8. Is It All (feat. Joe Louis Walker)
9. Do It Again (feat. Ana Popovic)
10. I Will Let Go (feat. Kirk Fletcher)
11. Voodoo Nation
12. All Our Love (feat. Charlie Starr)

On the night of the Russian invasion of Ukraine, Les Claypool of Primus and Eugene Hütz of Gogol Bordello began collaborating on a joint release to rally support for the Ukrainian people. Released today via Rolling Stone and irreverently titled “Zelensky: The Man With the Iron Balls,” the track also features Stewart Copeland, Sean Lennon, Billy Strings, and Sergey Ryabtsev. Proceeds from the sale of the single will be donated to Nova Ukraine, a nonprofit organization dedicated to providing humanitarian aid to the people of Ukraine.
 
“As soon as Russian aggression broke out, Les and I connected to address the catastrophe ASAP,” recalls Hütz, a Ukrainian native. “We jumped on creating affirmative music that calls for unity and pays respect to the real doers in Ukrainian defense - such as President Zelensky, who demonstrated previously unheard-of stamina and heroism.”
 
“The night of the invasion, I was dining with close friends of mine from Poland who were hosting their family visiting the US from their town, which is 50 kilometers from the Ukraine border,” Claypool adds. “Needless to say, they were stressed and concerned about what was happening in their homeland. After a few vodka shots of solidarity, I started texting with my buddy Eugene from Gogol Bordello to get his perspective and insight. In that vodka-laced dialogue, we started mutually praising Zelensky for his surprisingly epic display of courage. ‘Zelensky has balls of steel!’ we agreed. It was then that we decided that some freaky, ‘East meets West’ art needed to be thrown that way.”
 
“After a couple weeks of file trading with Sean Lennon, Stewart Copeland, Eugene Hütz, and Sergey Ryabtsev, a visit to my studio by my buddy Billy Strings, as well as some enthusiastic rhythmic claps from local supporters of Ukraine, we now have a recording to help rally support for a bullied country and a David vs. Goliath-type man who stood up for their liberty, freedom and homeland.”
 
Hütz points out: “The reoccurring chant in the song, ‘Revolution of Dignity,’ honors the 2014 Maidan Revolution, which resulted in the removal of Ukraine’s pro-Russian President Viktor Yanukovych and lead to Russia’s military intervention against the people of Ukraine, the annexation of Crimea and the start of the Donbas War - part of the broader Russo-Ukrainian War. It is our way to show that heavyweights like Les, Stewart, Billy and Sean stand with people of Ukraine and the country’s sovereignty from the very start of Russian-led terror.”
 
“This is not intended to be a song of condemnation,” Claypool says. “This is a song of unity and anti-bully mentality, giving praise to a man who stepped up for his people beyond anything I've seen in my tenure on this planet. This unlikely fellow has grabbed the reins of leadership and held fast in such a way that the world is now galvanized in support. His legendary quote ‘We need ammunition, not a ride’ – Patrick Henry couldn't have said it better himself. Zelensky is truly ‘The Man With the Iron Balls.’”

To further raise donations for Nova Ukraine, the team behind “Zelensky: The Man With The Iron Balls” has partnered with Fandiem, a digital fundraising platform that inspires the music community to give back. Starting this Friday, 4/22, fans who donate at www.fandiem.com/ironballs will be automatically entered to win an all-expense-paid trip to attend the South Park 25th Anniversary Concert at the iconic Red Rock Amphitheatre in Morrison, CO on August 10, featuring Primus and Ween. One winner and guest will receive travel and hotel, two VIP tickets to the show, upgraded seats, and a special prize from the artists.
 
The creative team is also inviting listeners to show their support for the people of Ukraine by submitting clips of themselves, their friends, colleagues, children, pets, or anyone else they deem appropriate clapping along to the song. Video clips can be sent to [email protected] and additional details can be found in the video notes here.
 
“Zelensky: The Man With the Iron Balls”
Les Claypool - bass and vocals
Stewart Copeland - percussion
Eugene Hütz - vocals
Sean Lennon - guitar and vocals
Sergey Ryabtsev - violin
Billy Strings - guitar

Having just launched their 64-date ‘A Tribute To Kings’ world tour, paying homage to prog-rock legends, Rush, Primus has released their first new music in more than 5 years, the 3-song EP ‘Conspiranoid,’ out today via ATO Records. The EP features the epic, 11-minute opening track, “Conspiranoia,” which Claypool described as “a long, winding, bastard of a song.” He adds:  “"Conspiranoia" was sprouted from a seed I had planted in my notebook a year or so ago--a few lines commenting on the mental state of the contemporary world.” A vinyl edition of the EP will be released on August 12th.

The ‘Conspiranoid’ EP follows the release of “Zelensky: The Man With the Iron Balls,” a collaboration with Eugene Hütz of Gogol Bordello, written to rally support for the Ukrainian people. Released this week via Rolling Stone, the track also features Stewart Copeland, Sean Lennon, Billy Strings, and Sergey Ryabtsev, with proceeds supporting Nova Ukraine, a nonprofit organization dedicated to providing humanitarian aid to the people of Ukraine. The artists are inviting listeners to show their support by submitting clips of themselves, their friends, colleagues, children, pets, or anyone else they deem appropriate clapping along to the song. Video clips can be sent to [email protected] and additional details can be found in the video notes here.

Primus’ wildly popular ‘A Tribute To Kings’ Tour finds the Bay area trio performing Rush’s 1977 album ‘A Farewell To Kings’ in its entirety, following a set of their own music. Winding its way throughout the North American and ultimately to Europe this fall, the second leg also included the tour’s first stops in Canada, beginning with two dates in Toronto on May 13-14. Rush was formed in Toronto in 1968. The US performances are also featuring special guests Battles, Black Mountain, and The Black Angels.
 
As Claypool told Rolling Stone, ‘A Tribute To Kings’ is about paying tribute to a band that has given him so much inspiration over the years. “Hemispheres was my first concert,” Claypool said, referring to Rush’s 1978 album and tour. “Originally we’d always kind of joked around about doing Hemispheres…but we settled on Kings, because A) it was the first Rush record I ever heard and B) it contains ‘Cygnus X-1,’ which has always been my favorite Rush tune. It seems to be a good one for us to tackle; 2112 seemed a little obvious.”
 
‘A Tribute To Kings” is the latest in a long series of Rush-related milestones for Primus, who first opened for their musical heroes in 1992. “Geddy, Alex and Neil had been superheroes to Larry, Herb and I in our teens,” Claypool recalled, “so when we all became pals while touring together in the early '90s, we were pretty delighted; partially because of the musical geek-out factor but mostly because the three guys whom we had admired so much from afar, turned out to be truly great, down-to-earth humans, and like us, a tad eccentric.”
 
Primus is once again partner with On Location & CID Entertainment for the ‘A Tribute to Kings’ tour to offer ticket packages that include one premium ticket, invitation to a Q&A experience with Primus, exclusive VIP merch, and more. For full details, visit https://www.cidentertainment.com/events/primus-tour/
 
‘Conspiranoid’ EP – Out Today
1. Conspiranoia
2. Follow The Fool
3. Erin On The Side Of Caution
 
PRIMUS ‘A TRIBUTE TO KINGS’ TOUR DATES
 
NORTH AMERICAN TOUR
Friday, April 22 – Cedar Rapids, IA – McGrath Amphitheatre *^
Saturday, April 23 – Madison, WI – The Sylvee *
Monday, April 25 – Knoxville, TN – Tennessee Theatre*
Wednesday, April 27 – New Orleans, LA – Saenger Theatre *^
Saturday, April 30 – Huntsville, AL – Mars Music Hall, Von Braun Center *
Tuesday, May 3 – Miami Beach, FL – The Fillmore *
Wednesday, May 4 – St. Petersburg, FL – Mahaffey Theater, Duke Energy Center for the Arts *
Friday, May 6 – North Charleston, SC – North Charleston Performing Arts Center *
Saturday, May 7 – Saint Augustine, FL – The Saint Augustine Amphitheatre *
Monday, May 9 – Nashville, TN – Ryman Auditorium *
Tuesday, May 10 – Fort Wayne, IN – The Clyde Theatre *
Friday, May 13 – Toronto, ON – Massey Hall +
Saturday, May 14 – Toronto, ON – Massey Hall +
Monday, May 16 – Montreal, QC – L'Olympia +
Tuesday, May 17 – Quebec, QC – Videotron Centre +
Wednesday, May 18 – Albany, NY – Palace Theatre *
Friday, May 20 – Port Chester, NY – The Capitol Theatre *
Saturday, May 21 – Montclair, NJ – Wellmont Theater *
Sunday, May 22 – Huntington, NY – The Paramount *
Tuesday, May 24 – Washington, D.C. – Warner Theatre *
Wednesday, May 25 – Bethlehem, PA – The Wind Creek Event Center *
Friday, May 27 – Atlantic City, NJ – Borgata Hotel Casino & Spa *
Saturday, May 28 – LaFayette, NY – Beak & Skiff Apple Orchards *
Monday, May 30 – Louisville, KY – Old Forester’s Paristown Hall *
Tuesday, May 31 – Grand Rapids, MI – GLC Live at 20 Monroe *
Thursday, June 2 – Milwaukee, WI – BMO Harris Pavilion  *^
Friday, June 3 – Saint Paul, MN – Palace Theatre *
Saturday, June 4 – Winnipeg, MB – Burton Cummings Theatre for the Performing Arts +
Monday, June 6 – Regina, SK – Conexus Arts Centre – Capital Auto Theatre +
Tuesday, June 7 – Saskatoon, SK – TCU Place – Sid Buckwold Theatre +
Thursday, June 9 – Calgary, AB – Grey Eagle Event Centre, Grey Eagle Resort & Casino +
Friday, June 10 – Edmonton, AB – Edmonton Expo Centre +
Sunday, June 12 – Vancouver, BC – The Orpheum +
Tuesday, June 14 – Troutdale, OR – Edgefield ~
Wednesday, June 15 – Redding, CA – Redding Civic Auditorium ~
Friday, June 17 – Sacramento, CA – Sacramento Memorial Auditorium ~
Saturday, June 18 – Reno, NV – Grand Theatre, Grand Sierra Resort and Casino ~
Sunday, June 19 – San Jose, CA – San Jose Civic ~
Tuesday, June 21 – Santa Barbara, CA – Arlington Theatre ~
Thursday, June 23 – Riverside, CA – Riverside Municipal Auditorium ~
Friday, June 24 – Long Beach, CA – Terrace Theater, Long Beach Convention & Entertainment Center ~
Saturday, June 25 – Las Vegas, NV – The Theater at Virgin Hotels Las Vegas  ~^
Friday, August 12 – Vail, CO – Gerald R. Ford Amphitheatre
Saturday, August 13 – Vail, CO – Gerald R. Ford Amphitheatre
 
EUROPE TOUR
Friday, September 9 – Stockholm, Sweden – Fryshuset Arenan
Saturday, September 10 – Oslo, Norway – Oslo Spektrum
Monday, September 12 – Copenhagen, Denmark – Vega
Wednesday, September 14 – Berlin, Germany – Huxley’s Neue Welt
Friday, September 16 – Warsaw, Poland – Klub Stodola
Saturday, September 17 – Prague, Czechia – Forum Karlin
Sunday, September 18 – Munich, Germany – TonHalle München
Tuesday, September 20 – Zürich, Switzerland – Kaufleuten
Wednesday, September 21 – Padova, Italy – Gran Teatro Geox
Friday, September 23 – Bogerhout, Belgium – De Roma
Saturday, September 24 – Paris, France – L’Olympia
Sunday, September 25 – Amsterdam, Netherlands – AFAS Live
Tuesday, September 27 – Glasgow, United Kingdom – 02 Academy Glasgow
Thursday, September 29 – London, United Kingdom – Eventim Apollo
Friday, September 30 – Manchester, United Kingdom – Manchester Academy
Saturday, October 1 – Dublin, Ireland – Olympia Theatre
 
* with Battles
+ with Black Mountain
~ with The Black Angels
^ Tickets are currently on sale for these performances 

moe. has announced a short run of performances for the remainder of 2022, featuring special guests Nate Wilson on keys (Percy Hill) and Suke Cerulo on guitar (Schleigho). The announcement follows the release of a message to fans yesterday, in which the band addressed the condition of guitarist Chuck Garvey, who suffered a stroke in November.
 
“We want to thank our famoe.ly once again for the love and support you’ve shown Chuck over these past five months,” the message read. “He’s continuing to get better day by day, and your thoughts and energy have kept our spirits up. It’s become clear over the past number of years that you can never know what tomorrow will bring, which makes the chance to come together as a community that much more meaningful. We hope you’ll join us in a celebration of life, music, and the family we’ve built over the past 30+ years.”
 
Following appearances at Summer Camp, HarborFest, and City Bisco in May and June, moe. will play a short run of shows in July, beginning with a free performance in Albany, NY on July 6th, and a handful of dates in September, including two nights in St. Helena, CA on September 23rd -24th. A special artist pre-sale for select dates will begin at 12pm ET tomorrow (4/27), and tickets will go on-sale to the general public this Friday, April 29th at 12pm ET. For ticketing and show info, please visit https://moe.org/tour.
 
Hailed by American Songwriter for their “mind-bending musicality,” moe. is undoubtedly among our most vital and inspired bands, treasured for their mesmerizing musical synergy, expansive showmanship, and resonant songcraft. Since coming together in Buffalo, NY, the band has embarked on a truly original journey that has now spanned more than three decades, encompassing a remarkably wide-ranging discography rich with crafty, clever songwriting and genre-blurring creativity. Their latest album ‘This Is Not, We Are’ was released on June 26th, 2020, which marked the band’s 30th anniversary. Their 12th studio album and first since 2014, ‘This Is Not, We Are’ was followed by the 5-song EP, ‘Not Normal,’ released on November 20th, 2020.
 
Prodigious studio output aside, moe. is of course a truly legendary live band, adored by a fervent grassroots following for their epic and wildly adventurous performances, each one imaginatively improvisational, rhythmically audacious, and utterly unique. Indeed, the band has spent much of its 30-year career on the road, including innumerable headline tours, international festival sets from Bonnaroo to Japan’s famed Fuji Rock, music-themed cruises, and sold-out shows alongside such like-minded acts as the Allman Brothers Band, members of the Grateful Dead, Dave Matthews Band, The Who, Robert Plant, Gov’t Mule, and Blues Traveler, to name but a few. As if that weren’t enough, moe. has both promoted and performed at multiple headline festivals of their own, including snoe.down and moe.down.
 
moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums)
 
moe. 2022 SUMMER TOUR
Thurs, May 26 - Sun, May 29 – Chillicothe, IL - Summer Camp Music Fest
Fri, June 10 – Norfolk, VA – HarborFest
Sat, June 18 – Philadelphia, PA – City Bisco 2022
Wed, July 6 – Albany, NY – Empire State Plaza Concert Series
Thurs, July 7 – Buffalo, NY – Buffalo Outer Harbor
Fri, July 8 – Marshfield, MA – Levitate Music Festival
Sat, July 9 – Patchogue, NY – Great South Bay Music Festival
Sun, July 10 – Seaside Heights, NJ – Live at the Heights, The Beach Stage
Fri, September 2 – Jay, VT – Jay Peak Resort+
Sat, Sept 3 - Sun, Sept 4 – Lake George, NY – Adirondack Independence Music Festival^
Fri, Sept 23 - Sat, Sept 24 – St. Helena, CA – Blue Note at the Charles Krug Winery
 
+ Tickets and lodging packages on-sale the week of 5/2
^ Official announcement and on-sale date coming soon

Supersonic Blues Machine has revealed the official lyric video for “All Our Love,” featuring Blackberry Smoke’s Charlie Starr. It's the latest single from the band's new studio album 'Voodoo Nation,' out June 24th via Provogue/Mascot Label Group. Once again, the again features a reunion of some of the most exciting icons and names in blues: Eric Gales, Joe Louis Walker, Ana Popovic, Kirk Fletcher, Charlie Starr, King Solomon Hicks, Josh Smith & Sonny Landreth. The new single follows the release of “8 Ball Lucy” ft. Sonny Landreth last month, which you can watch here.

Talking about the rootsy rocker “All Our Love,” bassist Fabrizio Grossi says, “This Is the last song that came together for the album, almost unplanned. Big fires, protests, covid and all the of the world downfalls surfacing like never before. It got us to reflect on what it’d take to change all this for the better. I know it’s sounds cliche’, but Love is the answer! Love for ourselves, the others, the planet and everything on it ...with a big dose of Respect as well.”
 
At the core of the band is Grossi (Steve Vai, Alice Cooper, George Clinton, Slash) and drummer Kenny Aronoff (John Mellencamp, Meat Loaf, Brandon Flowers, John Fogerty, Red Hot Chili Peppers), with British rocker Kris Barras replacing Lance Lopez as singer-guitarist. Barras has a recent UK Top 30 album chart hit in March himself, and he is leading the pack of the British hard rock revival with several A-list singles, BBC Radio appearances and sell-out shows.

"The general discontent in the world at the moment is so widespread, we get told to embrace it because that's life," says bassist Fabrizio Grossi. "No, that's not life," he asserts. "It's how we're forced to live nowadays. Voodoo Nation refers to the times we're living in, at least here in the States, but I guess the whole world can relate. We're getting to the point where we're living out life almost as Zombies. We're little machines."
 
But there is always hope, which is what Supersonic Blues Machine has always been about.
 
Voodoo Nation is the band’s third studio album. "Kris comes from this British school of hard rock and blues," Grossi says. "This is a different sound to Kenny and me with the Allman Brothers, Sly Stone & The Family & Mountain. On Californisoul (2017), we were going more West Coast Funkadelic 60s and overall jam vibe. Blues but with more of a hippy flower power. With Kris, we wanted his footprint there, so that's why you hear Led Zeppelin, Pink Floyd, and Gary Moore. Kind of a Union Jack imprint over a Star-Spangled Banner."
 
The lyrical front on Voodoo Nation is less forgiving than everything in the past. "I'm not saying fuck flower power because that's always the message," Grossi says. "But there are very introspective things and a lot of the theatrics that we are dealing with on this record which I would say are fairly common in the blues but are dealt with a twist. There is a lot of Devil's stuff in this record."

Stay tuned for continued updates.

'Voodoo Nation' by Supersonic Blues Machine
1. Money    
2. Too Late
3. Coming thru
4. You And Me (feat. King Solomon Hicks)
5. Get It Done (feat. Josh Smith)
6. 8 Ball Lucy (feat. Sonny Landreth)
7. Devil At The Doorstep (feat. Eric Gales)
8. Is It All (feat. Joe Louis Walker)
9. Do It Again (feat. Ana Popovic)
10. I Will Let Go (feat. Kirk Fletcher)
11. Voodoo Nation
12. All Our Love (feat. Charlie Starr)

moe. has just released the first episode of “moe.’s Podcrash,” a new podcast series addressing all things moe. Featuring a wide range of conversations and topics, from the history of the band to stories from the road, the premiere episode features an in-depth conversation with guitarist Chuck Garvey, his first public appearance since suffering a stroke in November. As announced last month, Michael “Suke” Cerulo from Schleigho will be subbing in for Chuck this summer, alongside keyboardist Nate Wilson from Percy Hill and Assembly of Dust. Visit moe.org or wherever you listen to podcasts to hear the first episode “I wanted to talk,” Garvey commented, when asked what was keeping him motivated during his recovery. “The first thing was, when I woke, I just wanted to see everyone that I’ve ever known. I just wanted to see them and talk to them.”

moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.

moe.’s longevity is no doubt due to the family spirit shared between its members and its engaged fanbase, the Famoe.ly, a bond that has been fortified through decades on the road. moe. has performed innumerable headline tours, international festival sets, music-themed cruises, and sold-out shows alongside countless household name artists. They’ve also promoted and headlined multiple festivals of their own, including snoe.down and moe.down. The band’s vibrant blend of inventive musicality and genre-blurring is on full display on two recent releases, their 12th studio album, 'This Is Not, We Are,' and the 'Not Normal' EP.

Following appearances at Summer Camp, HarborFest, and City Bisco in May and June, moe. will play a short run of shows in July, beginning with a free performance in Albany, NY on July 6th, and a handful of dates in September, including two nights in St. Helena, CA on September 23rd -24th. For ticketing and show info, please visit https://moe.org/tour
 
moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums)
 
moe. 2022 SUMMER TOUR
Thurs, May 26 - Sun, May 29 – Chillicothe, IL - Summer Camp Music Fest
Fri, June 10 – Norfolk, VA – HarborFest
Sat, June 18 – Philadelphia, PA – City Bisco 2022
Wed, July 6 – Albany, NY – Empire State Plaza Concert Series
Thurs, July 7 – Buffalo, NY – Buffalo Outer Harbor
Fri, July 8 – Marshfield, MA – Levitate Music Festival
Sat, July 9 – Patchogue, NY – Great South Bay Music Festival
Sun, July 10 – Seaside Heights, NJ – Live at the Heights, The Beach Stage
Fri, September 2 – Jay, VT – Jay Peak Resort+
Sat, September 3 - Sun, September 4 – Lake George, NY – Adirondack Music Festival^
Fri, September 23 - Sat, September 24 – St. Helena, CA – Blue Note at the Charles Krug Winery
 
+ Tickets and lodging packages on-sale the week of 5/2
^ Official announcement and on-sale date TBD

Today, the iconic blues-rock guitarist Walter Trout has revealed the official video for “Ride,” the title track of his 30th solo album, out August 19th via Provogue/Mascot Label Group. Arriving on the West Coast two weeks before album sessions began, Trout settled down to write the material on 'Ride' in his now-deserted house in Huntington Beach, California. But even in this beachside paradise, among the swaying palms and ocean breeze, the past came calling. As long-standing Trout fans know, the Golden State has been the bluesman’s home for 47 years.

Trout joined John Mayall’s Bluesbreakers lineup in ’85, before embarking on an acclaimed solo career from ’89 onwards. But before that came his chaotic, self-destructive years as a jobbing lead guitarist, whether for revered-but-tricky blues pioneers like John Lee Hooker and Big Mama Thornton, or an unhinged tenure in an ’80s Canned Heat line-up controlled by the Hell’s Angels.

Trout’s well-documented excess in this era was darker than a young rock star cutting loose. It could all be traced back to his troubled childhood in New Jersey, he explains, where an unstable stepfather – himself the victim of shocking cruelty as a prisoner of war – was a terrifying presence. As 'Ride' took form, such memories couldn’t help but flavor the music. “This album is obviously what I was going through mentally and emotionally,” he considers. “All I did was express it. I spent a lot of time crying, because I would dig down into my emotional core. I want my songs to have some sort of truth to them.”

Some memories that Trout examines on 'Ride' are long-distant but eternally poignant. Try the deceptively upbeat title track, another song that began as a poem, recounting the locomotive that rattled past his childhood home each night and enticed him to freight-hop to freedom. “That song is about what it felt like to lay there in bed and dream about escaping on that train.”

The stormy "Hey Mama" takes inspiration from the same period, with Trout debating whether his trauma could have been averted. “I’m not pissed off with my mom and I love her memory,” he says, “but my wife says, ‘Your mom probably could have done more to protect you from your stepdad’. Yeah, maybe she could have. But it’s easy to say that looking back.”

Walter Trout is the beating heart of the modern blues rock scene. Respected by the old guard. Revered by the young guns. Adored by the fans who shake his hand after the show each night, and after five decades in the game, Trout remains a talismanic figure.

But, however fast or far a man travels, he can never truly outrun his past. On the new album he found himself eyeing the horizon and the green shoots of his triumphant late career. There was a new record deal with Mascot/Provogue. A move from California to Denmark with his beloved family. Even now, aged 70, Trout was still writing fresh chapters of his life story.

By now, Trout knows that nobody ever really leaves their old selves behind. But with 'Ride' providing an emotional release-valve – both for its creator and his loyal listeners – perhaps this veteran artist can reconcile with his past, accept his future and live in the present as it unfolds. “I think you can interpret this album title a few different ways,” he concludes. “I mean, this album is definitely a musical ride and I certainly tried to cover a lot of ground. But, really, life is kind of a ride too, isn’t it? And I want to live mine to the fullest.”                                   

'Ride' by Walter Trout
1. Ghosts
2. Ride
3. Follow You Back Home
4. So Many Sad Goodbyes
5. High Is Low
6. Waiting For The Dawn
7. Better Days Ahead
8. Fertile Soil
9. I Worry Too Much
10.Leave It All Behind
11.Hey Mama
12. Destiny

The Robert Randolph Foundation is pleased to announce the second annual JUNETEENTH UNITYFEST, a national, multicultural experience, uniting diverse voices and communities in commemoration and celebration of Juneteenth and Black culture. Broadcast live around the world from Brooklyn, NY, UNITYFEST 2022 will include multiple entertainment, arts education and community activism events, including the JUNETEENTH UNITYFEST Concert taking place at BRIC Celebrate Brooklyn! at the Lena Horne Bandshell at Prospect Park. Falling on Father’s Day Sunday, the event will feature performances by some of the world’s leading gospel artists, including Tye Tribbett, Deborah Cox, Israel Houghton, Mali Music, and more, and celebrate themes of inspiration, faith, and fatherhood in Black culture and beyond.
 
“Juneteenth is a day to remember America’s past, recognize the resilience and strength of Black people, and celebrate the progress we have made,” commented Robert Randolph, founder of the Robert Randolph Foundation. “This year, given that Juneteenth falls on Sunday and on Father’s Day, we also wanted to celebrate the role that gospel music and the church have had in uplifting the Black community over the years, and celebrate the stories of Black fathers who are working to uplift their own communities and families at home.”
 
UNITYFEST will celebrate the breadth and depth of Black culture and Juneteenth as a uniquely American experience, while providing a platform to unite a coalition of charitable grassroots organizations. The festivities will begin with the JUNETEENTH UNITYFEST Block Party at Under the ‘K’ Bridge Park, an old-school neighborhood block party featuring DJ Spinna, Josh Milan, Soul Summit Music, and Descendants of Sound. Anchored by the official JUNETEENTH UNITYFEST Concert at BRIC Celebrate Brooklyn! at the Lena Horne Bandshell at Prospect Park, headlined by the award-winning gospel singer and keyboardist Tye Tribbett, UNITYFEST will also feature a late night after party at Brooklyn Bowl. Full details will be announced in the coming weeks.
 
“Heal America is honored to partner on the second annual JUNETEENTH UNITYFEST with the Robert Randolph Foundation,” said Branden Polk, Director of Strategic Partnerships of Heal America, a movement to fight racial injustice with love and redemption. “Last year, we witnessed this festival bring a diverse group of individuals together celebrating Black culture and educating viewers on Black history. Now is the time that we must unite and collectively bridge longstanding racial divides. As a minister and supporter of the Heal America movement, I’m inspired to work toward healing and honoring Juneteenth while listening to the gospel and music greats like; Tye Tribbett, Deborah Cox, and so many other amazing individuals and artists dedicated to celebrating and commemorating Juneteenth.”
 
“We're so excited and privileged to be working with Robert and UNITYFEST for this inaugural Juneteenth event," said Diane Eber, BRIC Celebrate Brooklyn! Executive Producer. "This celebration of Black artistry and resilience is central to what we do at the Bandshell all summer long. Thank you, Robert, for bringing this incredible vision to life!”
 
Supporting this year’s JUNETEENTH UNITYFEST as a sponsor and community partner is the Mortimer & Mimi Levitt Foundation, a social impact funder supporting nonprofits nationwide at the intersection of music and public space. “Strengthening the social fabric of communities through free, live music is central to our mission,” says Sharon Yazowski, Executive Director of the Levitt Foundation. “We are honored to partner with the Robert Randolph Foundation for this year’s JUNETEENTH UNITYFEST, celebrating the vibrancy and significant contributions of Black artists and culture into American society, while furthering equal justice for people of all backgrounds.”
 
JUNETEENTH UNITYFEST is the brainchild of Grammy-nominated African-American artist Robert Randolph, whose goal is to produce a multicultural experience that unites people of all backgrounds while amplifying the many narratives of the Black experience in America. Randolph, The Robert Randolph Foundation, and the JUNETEENTH UNITYFEST team also recognize the importance of bringing awareness to Juneteenth as a holiday and helping people understand its significance in American history. When the last of the country’s enslaved people were made aware of the Emancipation Proclamation on June 19, 1865, it signaled a changing tide. Today, we have the opportunity to change the tide again through this nationwide event that will serve as a reflective and celebratory catalyst to continue to drive inclusive cultures that strengthen the social fabric of America.

“While Juneteenth, the holiday, marks the symbolic end of slavery in America, our goal is for JUNETEENTH UNITYFEST to represent the accomplishments of Black people in the United States,” Randolph adds. “Through this celebration, our mission is for Juneteenth to serve as an occasion to remember the past, acknowledge our progression and take collective action towards creating a ‘more perfect union’ for all Americans.”
 
JUNETEENTH UNITYFEST is made possible by phenomenal sponsors and partners, including Heal America, Levitt Foundation, and LiveOne as the official streaming partner. Through LiveOne, the stream will also be accessible via LiveOne’s distribution platform on STIRR, SLING, AppleTV, and its social media channels including YouTube, Facebook, Twitter, Twitch and TikTok. The inaugural event has also aligned itself with incredible community partners to ensure historical accuracy and authenticity, including Heal America. The full list of sponsors and partner organizations can be viewed on their website at https://juneteenthunityfest.com/community-partners

For more information on JUNETEENTH UNITYFEST, presented by the Robert Randolph Foundation, visit www.juneteenthunityfest.com, download the JUNETEENTH UNITYFEST app, or follow them on social media, including Instagram, Twitter and Facebook.
 
JUNETEENTH UNITYFEST 2022 Schedule – Sunday, June 19th
 
JUNETEENTH UNITYFEST Block Party
Location: Under the K Bridge, Greenpoint, Brooklyn
Time: 2pm-7pm EST
Partnership: In partnership with Heal America, KeiStar Productions, NAACBurners, and House of Yes
 
JUNETEENTH UNITYFEST Concert at BRIC Celebrate Brooklyn!
Location: Lena Horne Bandshell at Prospect Park – Brooklyn
Time: 7:30pm-10pm EST
Partnership: In partnership with BRIC Celebrate Brooklyn and Heal America
 
Juneteenth After Party Experience
Location: Brooklyn Bowl (61 Wythe Ave, Brooklyn)
Time: 10:30-12am EST

Just a few months after she released the first-ever “silent” music video release for “Black Dog,” released without audio for undisclosed legal reasons, the Grammy-nominated vocalist Beth Hart is following it up with another official music video – this time for “Babe I’m Gonna Leave You.” And like with the release of “Black Dog,” fans have already started uploading their own versions of the video with the audio included.

“I am so proud of you, how smart you guys were to link up the music with the ‘Black Dog’ video,” Hart said in a message to fans. “So this next one is also with no audio and it’s ‘Babe I’m Gonna Leave You.’” Speaking about the inspiration for recording this version, Hart added: “This one is really based with my relationship with my Dad - love and hate and abandonment and the thing that love does to you.”

Directed by Greg Watermann, the “Babe I’m Gonna Leave You” music video comes on the heels of Hart’s latest album ‘A Tribute To Led Zeppelin,’ which pays tribute to one of the most formative musical influences of her career. As a child, the sounds of Led Zeppelin traveled from Hart’s neighbor's house into her orbit. Her brother introduced her to the heavy rock of Zeppelin and Black Sabbath, and her major-label debut came on Atlantic with the 1996 release of ‘Immortal’ - the same label that introduced Led Zeppelin to the world in 1969.

At the helm during the recording of ‘A Tribute To Led Zeppelin’ was super-producer Rob Cavallo (Green Day, Linkin Park, My Chemical Romance) and engineer Doug McKean (Goo Goo Dolls, Adam Lambert). The A-list musicians include Cavallo on guitar along with Tim Pierce (Bruce Springsteen, Tina Turner); on bass was Chris Chaney (Rob Zombie, Slash);on keyboards was Jamie Muhoberac (Bob Dylan, Rolling Stones); on drums was Dorian Crozier (Celine Dion, Miley Cyrus, Joe Cocker), and Matt Laug played drums on Stairway To Heaven (Alanis Morissette, Alice Cooper). Orchestral arrangements were by David Campbell (Muse, Beyoncé). All that was left was the final piece of the puzzle...the voice.
 
Things clicked into place when Cavallo was producing Hart's previous album, ‘War In My Mind’ (2019), and she did an impromptu version of "Whole Lotta Love" in the studio. He later asked about doing a whole record. Beth said, "I'm not doing this whole album. To do Zeppelin, you've got to be pissed off to hit that right. I can't go there; I've worked years to put my rage away."
 
She continues, "then the pandemic and all the things around it hit. So now I'm pissed off. I called my manager and said, have Rob and Doug send me all the music because I am ready to do this."
 
If you were to rewind, you could say the story for a Led Zeppelin album started further back; in May 2004 Hart prowled the stage at the Paradiso in Amsterdam for an incendiary performance of "Whole Lotta Love". The song became a semi-regular fixture in her setlist over the years, including a memorable performance with Slash.
 
Earlier on in Beth's career, former VP of Led Zeppelin's Swan Song label, Alan Callan, recommended Beth contact Jeff Beck to work together. Hart and Beck have gone on to form a beautiful friendship. Beck and Jimmy Page are also friends, and for a while, bandmates in The Yardbirds. After Beck's departure from the band, they would eventually become Led Zeppelin.  
 
After her phenomenal performance at the 2012 Kennedy Center Honors for Buddy Guy, she received a standing ovation from Robert Plant, Jimmy Page, and John Paul Jones.
 
Talking about the music and legacy of Zeppelin, she says, "it's so beautifully done, it's timeless. It will go on forever. Sometimes people come along, and they're from another planet, and they make these pieces of art which will forever be."
 
Hart is recognized as one of her generation's most talented voices. She has sold out tours worldwide, including performances at historic venues such as Nashville's Ryman Auditorium, London's Royal Albert Hall, and the Ziggo Dome in Amsterdam. She's topped the Billboard Blues charts six times, gone double platinum and had a string of Top 10 charting albums across Europe.
 
On a final thought, Beth pauses and reflects to say, "this Zeppelin album allowed me to get all my rage out, and for that, I'm really grateful."

‘A Tribute To Led Zeppelin’ by Beth Hart
1. Whole Lotta Love
2. Kashmir
3. Stairway To Heaven
4. The Crunge
5. Dancing Days / When The Levee Breaks (Medley)
6. Black Dog
7. No Quarter / Babe I'm Gonna Leave You (Medley)
8. Good Times Bad Times
9. The Rain Song

The legendary, GRAMMY-winning vocalist Skip Martin of Kool & The Gang is the latest artist to be featured on Live At The Print Shop, the new buzzed-about online performance and interview series out of Marietta, Georgia. Featuring performances of some of his biggest hits, including “Get Down On It” and “Celebration,” the episode also includes an in-depth interview that digs deep into Martin’s upbringing, influences, and personal story.
 
Since its debut in July of 2019, Live At The Print Shop has been bubbling under as a go-to live performance platform for rising artists as well as seasoned performers. Featuring 40 minutes of performances and 30 minutes of one-on-one interviews, the multi-camera, monthly series has already hosted such eclectic and esteemed names as Collective Soul, The Mavericks, The White Buffalo, Shawn Mullins, Marc Broussard, Drivin N Cryin, Sammy Rae & the Friends, Blues Traveler and Colin Hay (Men at Work), and more. What sets it apart is the high quality of production, the in-depth, personal interviews, and its focus on doing good for the wider community - each artist chooses a charity which is highlighted in the episode and further supported by a donation from The Print Shop.

Started by the Marietta-based entrepreneur Adam Blank, Live At The Print Shop features performance footage from Blank’s state-of-the-art soundstage basement, and interview footage from inside his retro-but-refined print shop in Marietta. Blank’s music-driven entrepreneurial ventures include the music merchandise company Blank Threads, and the production/promotion business, Blank Records. Recent and upcoming releases from the Print Shop include a live album by the Atlanta based singer/songwriter Angie Aparo and a new episode of Live At The Print Shop featuring the Scottish phenom vocalist/guitarist Dave Archibald.
 
Live At The Print Shop is becoming a word-of-mouth gem for both musicians and music fans alike. “It’s one of the most rewarding things I’ve ever done,” Blank says. “I do it for the satisfaction that comes with giving musicians a platform and new opportunities to share their music with a wider audience.

On his latest single “Waiting For The Dawn,” released today via Provogue/Mascot Label Group, the iconic blues-rock guitarist Walter Trout urges fans – and himself – to stay strong, in light of all of the challenges we’ve faced over the past few years. “There were times in this pandemic where I have sunk into some pretty deep depressions, sitting around, wondering whether life has a point,” Trout recalls. It’s the latest single from Trout’s new studio album ‘Ride,’ out August 19th. Written in his beloved and often-missed home in Huntington Beach, California, the album is filled with pointed reflections from Trout, informed by his decades of stardom in the blues world.
 
As long-standing Trout fans know, the Golden State has been the bluesman’s home for 47 years. Trout joined John Mayall’s Bluesbreakers lineup in ’85, before embarking on an acclaimed solo career from ’89 onwards. But before that came his chaotic, self-destructive years as a jobbing lead guitarist, whether for revered-but-tricky blues pioneers like John Lee Hooker and Big Mama Thornton, or an unhinged tenure in an ’80s Canned Heat line-up controlled by the Hell’s Angels.
 
Trout’s well-documented excess in this era was darker than a young rock star cutting loose. It could all be traced back to his troubled childhood in New Jersey, he explains, where an unstable stepfather – himself the victim of shocking cruelty as a prisoner of war – was a terrifying presence. As 'Ride' took form, such memories couldn’t help but flavor the music. “This album is obviously what I was going through mentally and emotionally,” he considers. “All I did was express it. I spent a lot of time crying, because I would dig down into my emotional core. I want my songs to have some sort of truth to them.”
 
Some memories that Trout examines on 'Ride' are long-distant but eternally poignant. Try the deceptively upbeat title track, another song that began as a poem, recounting the locomotive that rattled past his childhood home each night and enticed him to freight-hop to freedom. “That song is about what it felt like to lay there in bed and dream about escaping on that train.  I also wanted to express that music has always been another sort of virtual escape for me.”
 
The stormy "Hey Mama" takes inspiration from the same period, with Trout debating whether his trauma could have been averted. “I’m not pissed off with my mom and I love her memory,” he says, “but my wife says, ‘Your mom probably could have done more to protect you from your stepdad’. Yeah, maybe she could have. But it’s easy to say that looking back.”
 
Walter Trout is the beating heart of the modern blues rock scene. Respected by the old guard. Revered by the young guns. Adored by the fans who shake his hand after the show each night, and after five decades in the game, Trout remains a talismanic figure.
 
But, however fast or far a man travels, he can never truly outrun his past. On the new album he found himself eyeing the horizon and the green shoots of his triumphant late career. There was a new record deal with Mascot/Provogue. A temporary move from California to Denmark to be with his beloved family. Even now, aged 70, Trout was still writing fresh chapters of his life story.

By now, Trout knows that nobody ever really leaves their old selves behind. But with 'Ride' providing an emotional release-valve – both for its creator and his loyal listeners – perhaps this veteran artist can reconcile with his past, accept his future and live in the present as it unfolds. “I think you can interpret this album title a few different ways,” he concludes. “I mean, this album is definitely a musical ride and I certainly tried to cover a lot of ground. But, really, life is kind of a ride too, isn’t it? And I want to live mine to the fullest.”

'Ride' by Walter Trout
1. Ghosts
2. Ride
3. Follow You Back Home
4. So Many Sad Goodbyes
5. High Is Low
6. Waiting For The Dawn
7. Better Days Ahead
8. Fertile Soil
9. I Worry Too Much
10.Leave It All Behind
11.Hey Mama
12. Destiny

In celebration of the Talking Heads' iconic 1980 record ‘Remain in Light,’ which peaked at 19 on the Billboard Top 200 upon release, original member Jerry Harrison and noted touring member Adrian Belew will perform songs from this monumental period of the band's history at LA’s The Wiltern on September 29th. This first-of-its-kind event will begin with Harrison and Belew in conversation with Tawny Newsome, in a discussion about the Talking Heads’ incredible rise to fame and the impact they had on music and pop culture. Harrison and Belew will then perform alongside a powerhouse band, including former members of Turkuaz, Julie Slick on bass, and Yahuba Garcia-Torres on percussion.

On the origins of the event, Harrison recalls: “Belew came here [to San Francisco], and we got into talking about how the touring band for Remain in Light was so special. I think the album is wonderful, but we took it up a notch when we did live performances. It was sort of a different feel than the ‘Stop Making Sense’ band, which is sort of captured in that Rome 1980. I’m really excited to be doing that again. You could really feel the energy and excitement, and there are so many talented musicians on stage.”

“Jerry and I had talked for several years about the rare joy of the very popular 1980 Live In Rome video on YouTube,” adds Belew, who was a key part of the ‘Remain in Light’ album and tour. “We both felt it was something audiences would love to experience now. The show we've put together is everything we hoped for and more. An awesome group of players and singers faithfully and lovingly reliving the music of an historic time: The Talking Heads' ‘Remain In Light.’ You cannot leave this concert anything less than exhilarated and dancing happily out the door!”
 
Best known for her roles in Bajillion Dollar Propertie$, Space Force, and Brockmire, Tammy Newsome has a long history with the Talking Heads, having served as a vocalist for the Talking Heads tribute band, This Must Be The Band. Newsome later appeared in an episode of Documentary Now!, which parodied the Talking Heads’ iconic film, Stop Making Sense.

Harrison and Belew first reunited to perform material from ‘Remain In Light’ at the 2021 Peach Music Festival with Turkuaz. Coming on the heels of the 40th anniversary of the release of ‘Remain In Light,’ it marked Harrison’s first live performance since 1996.
 
A limited "Once In A Lifetime" VIP package will be available while supplies last, featuring:

    Early entry for merch
    Copy of Remain In Light LP on limited edition colored vinyl signed by Harrison & Belew.
    Private Soundcheck
    Q&A with Jerry Harrison & Adrien Belew
    M&G w/ Jerry Harrison & Adrian Belew
    Limited Edition Silkscreen Poster
    VIP Commemorative Laminate
    Tote bag

Tickets go on-sale to the public this Friday, July 15th at 1pmEST/10amPST HERE.

On their powerful new single and accompanying video for “Not Without A Fight,” the Toronto based jam band Danceland offer a stirring protest song in support of BLM, abused women, homeless kids, indigenous people, and LGBTQ+. Rooted in the timeless psychedelic Americana tradition, “Not Without A Fight” is the second single from the band’s new album ‘Pink Lem,’ out July 29th, a stunning debut replete with fine, storyteller songcraft, sunny harmonies, lonesome pedal steel, stratospheric lead guitar passages, and a touch of Eastern mysticism.
 
“This tune is a reaction to the constant injustice suffered by innocent people just trying to live their lives,” explains founding guitarist and singer-songwriter Joe Ferland. “It was inspired by a culmination of events including the killings of Breonna Taylor and George Floyd and the horrific stories surrounding indigenous children in residential schools here in Canada.”

“Not Without A Fight” follows the release of “Don’t Act Surprised,” a storyteller-song enriched by lonesome pedal steel guitar, bucolic banjo, and breezy harmony vocals, which led Grateful Web to call Danceland “your new favorite jam band.”
 

“’Don’t Act Surprised’ is the story of my mother’s first marriage that brought my sister and brother into the world,” Ferland explains. “After listening to the stories from my mother and sister over the years, I came to the conclusion that my mother left her first husband partly due to postpartum depression and that is why I think there was never really a “this is what happened” scenario. I finally put into words and music a story that has haunted me for many years.”
 
It’s been a long, strange trip to becoming Danceland. Ferland came up as a musician in the 1990s New York City music scene, playing in a variety of rock and pop-punk contexts, and earning a few record deals along the way. Eventually, the music biz hustle burned him out, and he took a decade sabbatical. Music came back into his life during the passing of his mother when he and his wife—his co-writer and co-vocalist Jale—found their way to Danceland.
 
“I grew up a Deadhead, and a lifelong musician, but Danceland was sort of an accident,” Joe acknowledges. “When my mother was very ill, Jale and I visited her and my family in upstate New York. I remember driving around while it sunk in that her time was over. On the radio was an hour-block of Grateful Dead songs, and from hearing that music—and the way it made me feel so good—the idea of this band slowly and organically evolved.”
 
The name Danceland comes from Danceland Road, a strip of road in breathtaking Huron County, Ontario. Today, Danceland is the core trio of Joe, Jale, and drummer Brad Park, and it operates with an open door policy in terms of keyboard players and bassists. Danceland recorded its 7-song album at a friend's studio in Bayfield, Ontario, and ‘Pink Lem’ was mixed by Grammy award-winning engineer Gregg Rubin (The Avett Brothers, Harry Connick, Ben Folds).

The origins of Danceland date back to 2000 on the lower east side of Manhattan. At the time, Joe and Jale traveled in the same circle of musicians, and he kept hearing her name, but he had yet to meet Jale. One day while Joe was jamming with Jale's roommate, the two stopped by the apartment to smoke a joint and Jale joined them. Joe and Jale instantly connected both musically and romantically, and soon decided to leave NYC to move back to Jale's hometown of Windsor, Ontario. From there, the couple eventually moved to Toronto where they formed Cherry Garcia Band which became part of the vibrant Toronto jam band scene, playing many live shows and festivals. When the pandemic hit, Joe and Jale moved to Huron County, the west coast of Ontario, and Joe started writing songs again, and these songs make up Danceland’s debut album.
 
The Danceland journey has been reinvigorating for Joe, an artist who decades into his career has made his most personal music. “I took 10 years off, and coming back it just feels great to operate without outside pressures or expectations. We are just letting the band grow organically, and it’s a great feeling. I can’t wait to hit the road and share this new music with our friends and fans who knew us from Cherry Garcia Band and beyond,” Joe says. Starting this summer, you can catch Danceland on tour; its first performances will be around Canada and the Northeast United States.
 
Stay tuned for continued updates.
 
‘Pink Lem’ by Danceland
1. Bluewater Sky
2. Don’t Act Surprised
3. Danceland Road
4. Protection Mantra
5. Down On Me
6. Not Without A Fight
7: 4:20

Over the past few months, groups of individuals have been cropping up unannounced in remote locations throughout West Texas, igniting massive bonfires surrounded by quadrophonic speakers, and gazing at the stars. While local residents have wondered at the mysterious groups, the individuals were in fact enjoying a communal listening experience of The Polyphonic Spree’s long awaited new album ‘Salvage Enterprise,’ which Tim DeLaughter has described as a magnum opus that needs to be experienced as a whole.
 
“Just like the times when I was a kid, when you’d go to the record store buy the album, call a friend go to the bedroom turn the lights off and listen to the album from start to finish,” DeLaughter explains. “We would take a journey, be in the music and be open to where it went.”
 
Although ‘Salvage Enterprise’ won’t be released until 2023, The Polyphonic Spree have quietly released a sneak peek today, the album’s soaring final track “Got Down To The Soul.” Closing out a sprawling concept album that deals in themes of resurrection and perseverance, “Got Down To The Soul” channels a sense of clarity, resolve, and peace. “You’re coming up from the ashes like a phoenix after everything you’ve been through,” DeLaughter explains. “This is where everything becomes clear, and there’s a certain peacefulness that comes from that. Everything finally makes sense.”

Energized by what he describes as a new chapter in his creativity and songwriting, DeLaughter is currently on the road on his way to California, with plans to share the music spontaneously in remote outdoor settings, whenever the opportunity arises – no phones, no power lines – just fire, music, and stars. Fans can track DeLaughter’s movement on The Polyphonic Spree’s social media channels, where pop-up locations will be announced day-of.
 
‘Salvage Enterprise’ will be released in 2023. In the meantime, stream the album’s first single “Got Down To The Soul” on all platforms today.

Warner Music [Sony Music outside Europe] today announced the upcoming release of Pink Floyd’s ‘Animals’ on Deluxe Gatefold, CD, LP, Blu-ray and SACD. The individual versions will be available on September 16, 2022 with the Deluxe version available from October 7, 2022. This is the first time the album will have been available on 5.1 Surround Sound.
 
'Animals' is the tenth studio album by Pink Floyd, originally released in January 1977. It was recorded at the band's Britannia Row Studios in London throughout 1976 and early 1977, and was produced by the band themselves. The successful album peaked at number 2 in the UK and number 3 in the US, and is considered as one of the band's best works. The album was recorded by band members David Gilmour, Nick Mason, Roger Waters and Richard Wright.
 
'Animals 2018 Remix' will be released on CD, LP (with gatefold artwork), Blu-ray, SACD and Deluxe Gatefold formats. The Deluxe Gatefold version includes LP, CD, audio Blu-ray, audio DVD and a 32-page book. The Blu-ray and DVD audio include the 2018 remix in Stereo, 5.1 Surround (both by James Guthrie) and the original 1977 Stereo mix. The 32-page booklet features rarely seen behind the scenes photographs of the album sleeve shoot along with live images and memorabilia. The album artwork has been reimagined for this release.
 

'Animals' is a concept album, focusing on the social-political conditions of mid-1970s Britain, and was a change from the style of the band’s earlier work. The album was developed from a collection of unrelated songs into a concept which describes the apparent social and moral decay of society, likening the human condition to that of animals. Taking inspiration from George Orwell’s Animal Farm, the album depicts the different classes of people as animals with pigs being at the top of the social chain, dropping down to the sheep as the mindless herd following what they are told, with dogs as the business bosses getting fat on the money and power they hold over the other. Although it’s been a long time since 1977, the narrative of the album still resonates today as our social and economic situation mirrors that of the time.
 
The album's iconic cover shows an inflatable pig (now known as Algie) floating between two chimneys of the Battersea Power Station, conceived by Roger Waters, and designed by long-time collaborator Storm Thorgerson of Hipgnosis Studios. For this new release, the artwork has been re-designed for the modern era by Storm’s Hipgnosis partner Aubrey ‘Po’ Powell. Taking new shots of the building as it appeared during the recent conversion work, Po experimented with new angles and produce some striking new takes on the classic original. Po elaborates: “With the original 1977 album cover being such an iconic piece of stand-alone art, I had the chance to update it, which was a rather daunting task, but Hipgnosis took the opportunity to re photograph the image to reflect a changing world, and by using modern digital colouring techniques I kept Pink Floyd’s rather bleak message of moral decay using the Orwellian themes of animals, the pig ‘Algie’, faithful to the message of the album.”
 
Pink Floyd’s 'Animals 2018 Remix’ is available to pre-order here.

Montana’s Satsang, led by singer/songwriter Drew McManus, has just released “Coming Together,” the latest single off their new album ‘Flowers From The Fray,’ out September 9th. Released in partnership with Unlikely Heroes, a Texas based non-profit that provides safe homes and restoration services for victims of human trafficking worldwide, “Coming Together” is a reflective track about growth, maturity, and balancing professional success with personal turmoil. It’s the latest in a series of releases from Satsang, all of which have been released in partnership with a different organization that’s having a positive impact in the world.

“I was having a hard time kind of grasping how I had come so far in my life in career and still had so many problems and emotional baggage,” McManus reflects. “How everything, on paper, was coming together – but I felt like I was falling apart. Kind of pleading ‘I’ve been doing all the things, when can it be easy?’ And ultimately finding humor in the idea that the obstacles continue to change costume.”

Following the commercial success of Satsang’s debut, which hit #1 on the Billboard Reggae chart and saw them sharing the stage with artists like Michael Franti & Spearhead and Nahko and Medicine for the People, Satsang’s recent output has been a process of stripping down and removing the excess layers and filters. The band’s last album ‘All. Right. Now.’ was broad and spacious, reflecting the soaring mountains and “big soundscape” of McManus’s home state of Montana. Now, ‘Flowers From The Fray’ takes that trajectory several steps further. Recorded in a secluded cabin around an open fire, it’s McManus attempt to make music free of genre, expectation, and boxes. “I just want to write and perform songs that touch the heart and help others,” he explains.

Recorded and self-produced with the help of bandmate and longtime collaborator Parker Brown, ‘Flowers From the Gray’ finds the duo tucked away in Southwest Montana digging back into the foundation on which Satsang was founded on. “These songs were all so personal to me” McManus adds. “Whether it was really sifting through the stage of life I had found myself in which was a kind of dark night of the soul, or leaning into the love of my wife. This record is truly me bearing my heart. I needed to seclude myself to find out where these songs wanted to go, and having Parker’s musical guidance had a big hand in that.”

The release of “Coming Together” follows two previous singles from ‘Flowers From The Fray,’ both of which were released in partnership with an influential organization. The album’s first single and opening track “Alone With You” was released with Conscious Alliance, which provides meals to families suffering from food insecurity. The second single “All On Me” was released in partnership with Backline, which provides mental health and wellness resources to music industry professionals and their families.

McManus came to music as part of his own recovery from addiction, when a month-long backpacking trip in the Himalayas inspired him to share his journey through song and poetry. He ultimately found peace amid family in the Beartooth Mountains of Montana, an oasis that allows him a warm hearth to recharge from the rigors of the road. While his songs are certainly honest and deeply personal, they’re written in a spiritual language that taps into something far more universal; something inherent in the human condition that binds us as brothers and sisters on a shared journey to find our place in this world.

This record, coupled with the band's last release All. Right. Now. is a maturing. A growing into the songwriter and musicians that the band was destined to be. McManus will take ‘Flowers From The Fray’ on the road this fall in a series of concerts throughout the US. For more information and to purchase tickets visit https://www.satsangmovement.com

Stay tuned for continued updates.
 
Flowers From The Fray
1. Intro
2. Alone With You
3. All On Me
4. What I Am
5. Think Of You
6. No Regrets
7. Earlywood
8. Coming Together
9. Never Be Alone
10. Workin’ On
11. Flowers From The Fray (ft. Aubrey Marcus)
 
Satsang – Fall 2022 Tour
Friday, September 2nd – Sheridan, WY – The Devilstone Run
Thursday, September 15th – Salt Lake City, UT – Soundwell
Friday, September 16th – Aztec, NM – Serenity Festival
Saturday, September 17th – Grand Junction, CO – Mesa Theater
Thursday, September 22nd – Denver, CO – Cervantes Masterpiece Ballroom
Friday, September 23rd – Omaha, NE – Waiting Room Lounge
Saturday, September 24th – Des Moines, IA – Woolys
Sunday, September 25th – Chicago, IL – Lincoln Hall
Wednesday, September 28th – Newport, KY – The Southgate House Revival
Thursday, September 29th – St. Louis, MO – The Old Rock House
Friday, September 30th – Oklahoma City, OK – Beer City Music Hall
Saturday, October 1st – Fort Worth, TX – Tulips FTW
Sunday, October 2nd – Austin, TX – Antone’s
Wednesday, October 5th – Phoenix, AZ – Crescent Ballroom
Thursday, October 6th – Solana Beach, CA – Belly Up
Friday, October 7th – Los Angeles, CA – Lodge Room
Saturday, October 8th – Felton, CA – Felton Music Hall
Sunday, October 9th – Las Vegas, NV – Reggae Rise Up Las Vegas 2022
Wednesday, October 12th – San Francisco, CA – The Chapel
Thursday, October 13th – Eugene, OR – Wow Hall
Friday, October 14th – Portland, OR – Revolution Hall
Saturday, October 15th – Seattle, WA – The Crocodile

The Indiana blues-rock outfit The Cold Stares have unveiled “Nothing But The Blues” and “The Ghost,” two new singles that reflect a new era of songwriting for the band. Both featuring characters fueled by desperate longings - for hope, for purpose, for comfort – “Nothing But The Blues” is an epic anthem that wrestles with hard times in a down-and-out town, while “The Ghost” channels the redemptive fervor of a Sunday morning tent revival.
 
“Nothing But The Blues is kind of a continuation of the theme of our song ‘Hard Times,’” comments guitarist/vocalist Christ Tapp. “I was thinking about what it takes to play ‘authentic blues,’ which traditionally meant suffering through the horrors of the old south. In my mind, there are so many things that can definitely set you down in the blues in the current world we live in. Lot of things in this song are sadly autobiographical, but as always it seems to take some challenges and struggles to bring about honest art.”
 
Reflecting on the band’s haunting second single, Tapp adds: “’The Ghost’ is a song about the loss of true love. Visually it’s a man secluded in a cabin in the southwest, mourning the loss of his wife and unable to move past it. He’s left there with her spirit and the memories they had. I thought the most poignant line in the song was, ‘Sit around and stare at these walls, killing time until Jesus makes that call.’”

For the past ten years, The Cold Stares have toured the world relentlessly as a duo, blowing away audiences across the US and Europe with a fierce, blistering live show that belied their bare bones, guitar-and-drums setup. Now, the band is embracing a whole new kind of chemistry as they launch their next chapter, adding a third member and channeling the classic power trio sound they grew up on. “Suddenly, all the parameters that had dictated what we could and couldn’t do just disappeared, and we were free to create whatever sound we wanted,” Tapp recalls.

Launched in 2012, The Cold Stares got their start when longtime friends Tapp and Mullins agreed to team up for a fill-in gig that caught them both by surprise. With a sound far bigger than any duo should rightfully have been able to create, the pair of Kentucky natives began turning heads almost immediately, releasing a series of acclaimed albums that landed them on the road with the likes of Larkin Poe, Rival Sons, Reignwolf, Spoon, Grand Funk Railroad, and Thievery Corp, among others. American Songwriter praised the group’s “hard-won commitment, honesty, and intensity,” while No Depression hailed their sound as a “roots rocking firestorm,” and tunes from their albums turned up everywhere from ESPN and TNT to the hit video game Cyberpunk 2077.

After wrapping up touring for 2021’s ‘Heavy Shoes’ (their fifth studio album and debut release for Mascot Records), Tapp and Mullins returned to their adopted hometown of Evansville, Indiana, with a decision to make. The band’s sound had been growing increasingly elaborate in the studio, but unless they wanted to start playing along to pre-recorded backing tracks onstage, they were reaching a point where they wouldn’t be able to faithfully replicate their tunes anymore as a duo.
 
“We’d been a two-piece for a decade, so it wasn’t something we took lightly,” says Tapp. “But we’d also known Bryce for a long time and knew he’d fit right in.”
 
Stay tuned for continued updates.

The famed New York blues-rock quintet Blues Traveler is featured in the latest episode of Live at the Print Shop, the new buzzed-about online performance and interview series out of Marietta, Georgia. Featuring an in-depth conversation that digs deep into the band’s background and story, as well as performances of hits, deep cuts, and fan favorites like their GRAMMY-Award winning hit “Run-Around,” it’s a standout episode in the fast-growing catalog of Live at the Print Shop, which has also recently featured guests like Josh Kelley, Skip Martin, Marc Broussard, and Collective Soul.
 
Blues Traveler burst onto the scene in 1987 and hit the ground running with a trio of gold-selling albums-Blues Traveler (1990), Travelers and Thieves (1991) and Save His Soul (1993). Their next album Four (1994) went six-times platinum and spawned the definitive "Run-Around," which garnered a GRAMMY Award in the category of "Best Rock Performance By a Duo or Group." The band logged another platinum album with Straight On Till Morning in 1998 and spent the next twenty years selling out shows on multiple continents before releasing Hurry Up & Hang Around in 2018.

Since its debut in July of 2019, Live at The Print Shop has been bubbling under as a go-to live performance platform for rising artists as well as seasoned performers. Featuring 40 minutes of performances and 30 minutes of one-on-one interviews, the multi-camera, monthly series has already hosted such eclectic and esteemed names as The Mavericks, The White Buffalo, Shawn Mullins, Drivin N Cryin, Sammy Rae & the Friends, and more. What sets it apart is the high quality of production, the in-depth, personal interviews, and its focus on doing good for the wider community - each artist chooses a charity which is highlighted in the episode and further supported by a donation from The Print Shop.

Started by the Marietta-based entrepreneur Adam Blank, Live At the Print Shop features performance footage from Blank’s state-of-the-art soundstage basement, and interview footage from inside his retro-but-refined print shop in Marietta. Blank’s music-driven entrepreneurial ventures include the music merchandise company Blank Threads, and the production/promotion business, Blank Records. Recent and upcoming releases from the Print Shop include a live album by the Atlanta based singer/songwriter Angie Aparo and a new episode of Live at the Print Shop featuring the Scottish phenom vocalist/guitarist Dave Archibald.

Live at the Print Shop is becoming a word-of-mouth gem for both musicians and music fans alike. “It’s one of the most rewarding things I’ve ever done,” Blank says. “I do it for the satisfaction that comes with giving musicians a platform and new opportunities to share their music with a wider audience.”

Stay tuned for continued updates. 

Montana’s Satsang, led by singer/songwriter Drew McManus, has just released their new full-length album ‘Flowers From The Fray,’ available now on all streaming platforms. The culmination of a series of singles this summer, all of which have been released in partnership with a different organization that’s having a positive impact in the world, ‘Flowers From The Fray” represents a maturing; a growing into the songwriter and musicians that McManus and Satsang were always destined to be.

“This new album was a bit of a revelation for me,” McManus reflects. “Realizing more and more that there aren’t rules anymore. Two friends can still go into a cabin and make a record. If the heart is the compass and the ethos, then the project will land exactly how it should. I’m grateful to be able to present this music as it is. Raw, thoughtful, organic, and honest.”

Following the commercial success of Satsang’s debut, which hit #1 on the Billboard Reggae chart and saw them sharing the stage with artists like Michael Franti & Spearhead and Nahko and Medicine for the People, Satsang’s recent output has been a process of stripping down and removing the excess layers and filters. The band’s last album ‘All. Right. Now.’ was broad and spacious, reflecting the soaring mountains and “big soundscape” of McManus’s home state of Montana. Now, ‘Flowers From The Fray’ takes that trajectory several steps further. Recorded in a secluded cabin around an open fire, it’s McManus attempt to make music free of genre, expectation, and boxes. “I just want to write and perform songs that touch the heart and help others,” he explains.
 
Recorded and self-produced with the help of bandmate and longtime collaborator Parker Brown, ‘Flowers From the Gray’ finds the duo tucked away in Southwest Montana digging back into the foundation on which Satsang was founded on. “These songs were all so personal to me” McManus adds. “Whether it was really sifting through the stage of life I had found myself in which was a kind of dark night of the soul, or leaning into the love of my wife. This record is truly me bearing my heart. I needed to seclude myself to find out where these songs wanted to go, and having Parker’s musical guidance had a big hand in that.”

Last month Satsang released the final single from the album, “Coming Together,” a reflective track about growth, maturity, and balancing professional success with personal turmoil. The song was released in partnership with Unlikely Heroes, a Texas based non-profit that provides safe homes and restoration services for victims of human trafficking worldwide. “I was having a hard time kind of grasping how I had come so far in my life in career and still had so many problems and emotional baggage,” McManus recalled. “How everything, on paper, was coming together – but I felt like I was falling apart. Kind of pleading ‘I’ve been doing all the things, when can it be easy?’ And ultimately finding humor in the idea that the obstacles continue to change costume.”

“Coming Together” followed two previous singles from ‘Flowers From The Fray,’ both of which were released in partnership with an influential organization. The album’s first single and opening track “Alone With You” was released with Conscious Alliance, which provides meals to families suffering from food insecurity. The second single “All On Me” was released in partnership with Backline, which provides mental health and wellness resources to music industry professionals and their families.

McManus came to music as part of his own recovery from addiction, when a month-long backpacking trip in the Himalayas inspired him to share his journey through song and poetry. He ultimately found peace amid family in the Beartooth Mountains of Montana, an oasis that allows him a warm hearth to recharge from the rigors of the road. While his songs are certainly honest and deeply personal, they’re written in a spiritual language that taps into something far more universal; something inherent in the human condition that binds us as brothers and sisters on a shared journey to find our place in this world.

McManus will take ‘Flowers From The Fray’ on the road this fall in a series of concerts throughout the US. For more information and to purchase tickets visit https://www.satsangmovement.com

Flowers From The Fray

1. Intro
2. Alone With You
3. All On Me
4. What I Am
5. Think Of You
6. No Regrets
7. Earlywood
8. Coming Together
9. Never Be Alone
10. Workin’ On
11. Flowers From The Fray (ft. Aubrey Marcus)
 
Satsang – Fall 2022 Tour

Thursday, September 15th – Salt Lake City, UT – Soundwell
Friday, September 16th – Aztec, NM – Serenity Festival
Saturday, September 17th – Grand Junction, CO – Mesa Theater
Thursday, September 22nd – Denver, CO – Cervantes Masterpiece Ballroom
Friday, September 23rd – Omaha, NE – Waiting Room Lounge
Saturday, September 24th – Des Moines, IA – Woolys
Sunday, September 25th – Chicago, IL – Lincoln Hall
Wednesday, September 28th – Newport, KY – The Southgate House Revival
Thursday, September 29th – St. Louis, MO – The Old Rock House
Friday, September 30th – Oklahoma City, OK – Beer City Music Hall
Saturday, October 1st – Fort Worth, TX – Tulips FTW
Sunday, October 2nd – Austin, TX – Antone’s
Wednesday, October 5th – Phoenix, AZ – Crescent Ballroom
Thursday, October 6th – Solana Beach, CA – Belly Up
Friday, October 7th – Los Angeles, CA – Lodge Room
Saturday, October 8th – Felton, CA – Felton Music Hall
Sunday, October 9th – Las Vegas, NV – Reggae Rise Up Las Vegas 2022
Wednesday, October 12th – San Francisco, CA – The Chapel
Thursday, October 13th – Eugene, OR – Wow Hall
Friday, October 14th – Portland, OR – Revolution Hall
Saturday, October 15th – Seattle, WA – The Crocodile

Today, the five-time-Grammy-nominated guitarist Kenny Wayne Shepherd announces ‘Trouble Is…25,’ a top-to-bottom reinterpretation of his seminal album ‘Trouble Is…,’ which struck the match that reignited modern blues upon its release 25 years ago. Slated for release on December 2nd via Provogue Records/Mascot Label Group, the album (which includes a bonus track of an unreleased version of "Ballad of a Thin Man") will be accompanied by a live DVD filmed at The Strand Theatre in Shepherd’s hometown of Shreveport, Louisiana, shot at the launch of his year-long celebration of the 25th anniversary of ‘Trouble Is…,’ which found the band performing the album, in its entirety, across the US. To celebrate the announcement, Shepherd has released a lyric video for “True Lies,” which he describes as “the classic infidelity song."

Great songs are not set in stone. Since he burst from the blues clubs of Louisiana onto the global music scene with 1995’s breakthrough first album ‘Ledbetter Heights, followed by his career defining second album ‘Trouble Is…’ in 1997, Shepherd has twisted those classic cuts into bold new shapes each night on the stage. Led by the pulse of the crowd, every last note alive in his hands, the ‘Trouble Is…’ tracks have always been on the move, never settling into museum pieces. But to give a quarter-century-old album a second birth is another matter. And in more recent times, the multi-platinum-selling artist looked up the road and saw the 25th anniversary of ‘Trouble Is…’ on the horizon, he hatched an audacious plan.

To join the dots from the hungry 18-year-old gunslinger who caught lightning in a bottle in 1997 to the still-questing master musician, with a lifetime’s soul under his fingers. To assemble the old crew from the original ‘Trouble Is…’ sessions at the Record Plant in Sausalito, California and attack the track listing afresh. And to remind seasoned fans and new listeners alike how this album struck the match that reignited modern blues.
 
“One of the coolest things about re-recording ‘Trouble Is…’ has been finding out – or verifying – how timeless this album really is,” says Shepherd, who is also leading a triumphant anniversary tour across the United States in 2022 and 2023, performing the album in full. “I’m so proud of what we accomplished, and also the fact I was just 18 years old when I did it. I mean, I had an experience with this album that most musicians can only dream about. ‘Trouble Is…’ sold millions of copies. There’s validation in all of that for me.”

Having pricked up ears with 1995’s sparky debut ‘Ledbetter Heights,’ ‘Trouble Is…’ hurled Shepherd headlong into contention. These were songs and performances that shouldn’t have been feasible from a teenager barely out of the classroom, yet the bandleader was already standing shoulder-to-shoulder with a veteran studio band that included the iconic Double Trouble lineup (drummer Chris Layton, bassist Tommy Shannon and keys man Reese Wynans).
 
And while he had yet to find his own singing voice (then, as now, Noah Hunt handles powerhouse lead vocals on ‘Trouble Is…) Shepherd’s precocious guitar work was in a different class to the fading grunge scene, one moment white-hot on originals like Slow Ride or the title instrumental, the next rivalling Jimi Hendrix himself on a wiry cover of “I Don’t Live Today.”
 
In the ensuing 25 years – a period in which Shepherd has released a further seven acclaimed solo albums, not to mention two with his all-star side-project The Rides, alongside Stephen Stills and Barry Goldberg – some aspects of the reborn ‘Trouble Is…’ album are unavoidably changed. The Record Plant closed its doors in 2008 (the new sessions went down at The Village in Los Angeles and Nashville’s Ocean Way), while Shannon has retired from the music scene (he’s capably replaced by Shepherd’s regular low-ender, Kevin McCormick).
 
“Aside from Tommy, we got the whole crew back together, with Jerry Harrison co-producing once again,” reflects the bandleader. “And in the studio, it felt like no time had passed. If you play well together, you play well together. It worked back then and it worked just as well this time. It was all of us live in a room. That’s just how I do it, man. I’m old-school. Human beings need to be in the same room to be able to play music together.”
 
Other elements of the re-recording were uncannily identical, with Shepherd digging out the exact same ’61 Fender Stratocaster model and backline that he’d used back in the late-’90s. “For amps, I had one of the very first Fender Blackface Twin reissues that was ever made. And then I had a Vibro-King – and that hasn’t really been used again since I recorded that record the first time. So we had those two amps and then a Blackface ’64 Vibroverb. I still had all the original pedals I used back in ’97 – a Uni-Vibe, a TS808 Ibanez Tube Screamer, a Klon overdrive, the Roger Mayer Octavia. I’ve never gotten rid of anything. I’ve never sold anything. So if there’s anything floating around out there that once belonged to me, it’s because somebody must have gotten sticky fingers, y’know?”
 
Ultimately, says Shepherd, the minutiae of his rig was less important than the spirit in the air. “I didn’t want ‘Trouble Is…25’  to be a surgical process. I don’t like to overthink things. I just wanted to go in and capture the vibe. There were a couple of ways we could have approached this new recording. We could have done a one-hundred-per-cent faithful reproduction. Or we could have done a complete reinterpretation.
 
Times change. Artists evolve. Music scenes rise and fall. Back in 1997, the original ‘Trouble Is…’ was embraced by a rock ‘n’ roll generation crying out for something of substance as vapid manufactured pop began its inexorable rise. “ A full quarter-century later – with manufactured pop holding sway and humanity clawing its way back from a spirit-sapping global pandemic – the anticipation surrounding the reborn ‘Trouble Is…’ album and live shows stands as testament to a collection of songs that have never sounded so thrilling, empowering, unflinchingly honest and unapologetically human.
 
“During the ‘Trouble Is…’ anniversary tour,” says Shepherd, “everybody was commenting on how this album could be released today and still be just as relevant as it was 25 years ago. Making this album in 1997 was just a really monumental achievement. The new recording was a serious trip down memory lane for me. And I’m still so proud of these songs…”
 
Shepherd will continue to tour in support of ‘Trouble Is…25’ this fall. For more information and to purchase tickets please visit https://www.kennywayneshepherd.net/

‘Trouble Is…25’ - Track List
1. Slow Ride
2. True Lies
3. Blue on Black
4. Everything Is Broken
5. I Don't Live Today
6. (Long) Gone
7. Somehow, Somewhere, Someway
8. I Found Love (When I Found You)
9. King's Highway
10. Nothing to Do with Love
11. Chase the Rainbow
12. Trouble Is...
13. Ballad Of a Thin Man

On the heels of a string of tour dates across the US, the four-piece, Nashville-based progressive bluegrass band Sicard Hollow has announced their new, full-length album ‘Brightest Of Days,’ out November 11th. Merging pop-punk melodies, psychedelic instrumental breaks, and existential songwriting — performed by a bluegrass quartet dressed in tattoos and tie-dyes — the band’s sophomore full-length brings new energy to a timeless style, with a combination of fearless improvisation and instrumental prowess. To celebrate the announcement, Sicard Hollow has released the album’s first single “Face The Wreckage” alongside exclusive footage from the recording of ‘Brightest Of Days.’ Check it out here.

"’Face The Wreckage’ is about finding direction in your life to avoid the destruction left in your own wake,” comments singer and guitarist Alex King. “We each have the opportunity to live every day with purpose and intention, and when we do, I think direction naturally follows.”

Formed with a mutual passion for pushing the boundaries of genre, and heavily influenced by the Grateful Dead and New Grass Revival, the members of Sicard Hollow grew up sick of existing institutions telling them what their music should sound like. Before they met in 2018, none of the members even considered playing bluegrass - Matt Rennick (violin) was working on electronic music, Will Herrin (mandolin/vocals) was playing guitar in rock bands, and King spent years as an artist without an art-form, searching for a home by pouring every bit of his sweat and heart into anything he was doing. But after a few jam sessions, the bluegrass just kind of happened, “and when I found that fire inside my heart,” King says, "I found my home.”

Since adding Parrish Gabriel (bass) in the Fall of 2019, Sicard Hollow has been on a journey of self-discovery within the genre, while challenging themselves to make it their own, touring extensively and growing their sound with every performance. It just so happened that finding their home in bluegrass coincided with the shutdown of live music due to the pandemic, so in 2020 the band turned inward to reflect on their identity and how they could add their generation’s voice to a timeless genre of music. The resulting album, ‘Brightest of Days,' is a perfect example of how the group can pay homage to their bluegrass roots, while blowing the door open on the expectations of the traditional folks. A positive skepticism toward the mainstream permeates the entire record, with songs like “Forecast of Life” and “Where I’m At” impressing a new-American-Zen that dances through the chaos with a smile on your face. If unapologetically being yourself is the key to finding the “Brightest of Days” ahead, then you’ll hear it here first from Sicard Hollow.

"This record is a huge step forward for us musically, lyrically, and thematically,” adds Herrin. “We wanted these songs to demonstrate our growth as musicians and foreshadow the metamorphosis into our next chapter as a band.”

Having crossed the country opening for artists like Sam Bush, Infamous Stringdusters, and Pigeons Playing Ping Pong, and performing at esteemed festivals like Summer Camp Music & Arts Festival and The Peach Music & Arts Festival, Sicard Hollow will be touring this fall in support of ‘Brightest Of Days.’ For more information and to purchase tickets, please visit: https://www.sicardhollow.com/tour

Stay tuned for continued updates.

‘Brightest Of Days’ by Sicard Hollow
1. Brightest Of Days
2. Where I’m At
3. This I Know
4. Escape The Unknown
5. Metamorphic Prophecy
6. Face The Wreckage
7. Bound To Die
8. Forecast Of Life

Today, the Americana singer-songwriter Roger Street Friedman announces his latest album ‘Love Hope Trust,’ out November 4th. Produced by the Grammy-winning producer, guitarist and songwriter Larry Campbell (Bob Dylan, Levon Helm, Judy Collins, Willie Nelson) – and furthering a multi-album artistic continuum between Roger and Larry – the 12-song album is a sonic scrapbook that documents a divided world while exploring intimately personal journeys that evince universal truths, sensitively snapshotting moments of modern living. The album also features Jason Crosby (Jackson Browne, Phil Lesh) on keyboards, Teresa Williams and Lucy Kaplansky on background vocals, and a cameo by the legendary Gil Goldstein on accordion.
 
To celebrate today’s announcement, American Blues Scene has premiered the official music video for the album’s title track, “reflecting the roots-rock song’s message of unity and uplift penned by Roger and Larry, whose rockabilly-style lead guitar figures can be heard,” the site reports.

“This album encompasses a myriad of concerns, fears, joys and sorrows inherent in everyday life in this crazy world from the perspective of age—dare I say maturity—and gratitude,” the Sea Cliff, New York-based artist tells American Blues Scene. He continues: “I strive to get to emotional truths in my songwriting where people say, ‘oh yeah, I’ve experienced that,’ or just to make people feel something, sadness, joy or longing. That is what makes an album of mine feel successful.”

A critically-acclaimed artist whose work has been featured everywhere from American Songwriter and Consequence to No Depression and The Boot, Roger’s insightful lyrics and empathic perspective reveal the magic in the mundane aspects of everyday living. His songs venture down those dirt roads of folk, country, vintage rock n’ roll, and blues. ‘Love Hope Trust,’ in particular, is inspired by 1970s folk-rock artists such as Cat Stevens and Jackson Browne.
 
“Making this record with Roger Street Friedman was one of the most fulfilling experiences I've had as a producer,” comments Campbell. “Great songs, well-crafted lyrics and melodies, vibrant performances, and the creative inspiration that sprang from that made it a joy to show up at the studio every day.”

The material on ‘Love Hope Trust’ was culled from a collection of songs Roger wrote during the pandemic and onward. The title track opens the record with a lone roots-rock shuffle riff played on an acoustic guitar. Then, as if a camera pans to a widescreen shot, the full band enters with a nuanced rhythm section groove, and Larry Campbell’s elegant, rockabilly-esque lead guitar figures, and Jason Crosby’s organ fills weaving in and out. Down the center, Roger’s vocals cut through, rhythmic yet melodic, stating the facts of this frightening time while also dishing out some hope. He sings: Let’s go back to the beginning/Time to pay some rent/all this time we’ve been moving/Hard to believe where we went/Troubled hearts and spinning wheels/Trouble blowin out and in/The butterflies in my stomach/Wonder when this too shall end.
 
‘Love Hope Trust’ is the fourth installment in a second chance-era of musicality. Roger left music behind for 25 years before resurfacing with his acclaimed 2014 debut, The Waiting Sky. He returned to music after experiencing a series of seismic life changes, including the deaths of his father and mother, marriage and, later, the births of his two children.
 
Today, with a well-received album catalog, an engaged fanbase, and a lot of road work under his belt, Roger has created a robust and respected artist profile. “I feel like I’m on the right path, and I’m still growing. I think it took me longer to get smart enough to write these songs,” he says with a good-natured laugh. “Now, I get to make up for lost time, and I am really lucky because I don’t have a lack of inspiration—something always comes to me when I sit down with my guitar.”
 
Stay tuned for continued updates.

Les Claypool’s Bastard Jazz will ring in the New Year with a two-show run at JaM Cellars Ballroom in Napa, CA on December 30th and 31st. Joining Claypool, Skerik, and Mike Dillon is special guest Vinnie Colaiuta, a GRAMMY winning drummer who has toured and recorded with many artists, including Frank Zappa, having played drums on the iconic ‘Joe’s Garage album.’ Tickets are on sale at 1pmET/10amPT today. For more information and to purchase tickets, visit https://lesclaypool.com/
 
“I am a very fortunate fellow on many levels, and now and again I have to sit back and take stock and relish the fact that I’ve been able to befriend and collaborate with so many amazing artists in and around the music world,” Claypool comments. “That list of champions is about to get a notable addition with the upcoming Bastard Jazz shows with the mighty Vinnie Colaiuta on drums. I’ve met Vinnie a few times but have never had the opportunity to stand before him with a four-string hunk of furniture in my hands. Those of you in the know will understand the epic possibilities of this impending interaction. Those of you who don’t, I suggest you get on the YouTube machine and go down the Vinnie wormhole. Your brain may melt.”
 
Two VIP upgrades will be offered for the festivities on 12/31. The “Bastard” option includes 1 GA ticket along with a VIP only Q&A with Les Claypool, a Claypool Cellars Champagne Toast, an exclusive Bastard Jazz NYE poster signed by Les, VIP laminate, early entry, and crowd-free merchandise shopping before doors. The “Fat Bastard” package includes 1 balcony ticket, access to a private bar, and all of the aforementioned VIP amenities.
 
The NYE run follows a busy year for Claypool, who in addition to performing with Bastard Jazz this summer, traveled the country with Primus for the band’s wildly popular ‘A Tribute To Kings’ Tour, paying tribute to Rush. This year also saw the release of Primus’ first new music in more than five years, the sprawling 3-song ‘Conspiranoid’ EP, which included the epic 11-minute opening track, “Conspiranoia,” and secondn single, “Follow The Fool.” A special vinyl release of the ‘Conspiranoid’ EP is out now via ATO Records.

Claypool is the one of the most unlikely success stories in the entertainment history. His trademark voice, thumping bass lines and unique worldview have become the calling cards for a number of wildly successful and influential albums in the last two decades. But through his myriad of musical and creative projects, Claypool has also become a favorite of jam banders, funk connoisseurs and pretty much everything in-between.
 
“Let’s put it this way … I think, with Primus and without, I’ve played every music festival in the last ten years, except Lilith Fair,” he comments. “You could say I’m the guy who doesn’t fit in anywhere, but a little bit everywhere.”
 
For more information on Les Claypool’s Bastard Jazz, please visit https://lesclaypool.com
 
PRIMUS ‘A TRIBUTE TO KINGS’ TOUR DATES
Wednesday, November 2 – Santiago, Chile – Teatro Coliseo
Thursday, November 3 – Santiago, Chile – Teatro Coliseo
Friday, November 4 – Mexico City, Mexico – Hipnosis 2022
 
LES CLAYPOOL’S BASTARD JAZZ TOUR DATES
Friday, December 30 – JaM Cellars – Napa, CA
Saturday, December 31 – JaM Cellars – Napa, CA

Indiana blues-rock outfit The Cold Stares have announced ‘Voices,’ their new full-length album, out March 10th via Mascot Records. Recorded almost entirely over the course of just two days with producer/engineer/mixer Mark Needham (Taj Mahal, The Killers, Imagine Dragons, Walk the Moon, Fleetwood Mac), the album stands as the band’s most mature, eclectic collection yet, balancing gritty muscle and tender emotion in equal measure. To celebrate the announcement, the band has unveiled an official music video for the album’s lead single “The Joy,” which draws from Pink Floyd as it revels in the happiness that comes with finding your true soulmate.
 
“This song takes a step outside of our normal catalog and tackles the topic of finding happiness after heartache,” guitarist/vocalist Chris Tapp explains. “I think it will connect with those people that have overcome trials, and those who have survived toxic relationships and finally found happiness.”
 
For the past ten years, The Cold Stares have toured the world relentlessly as a duo, blowing away audiences across the US and Europe with a fierce, blistering live show that belied their bare bones, guitar-and-drums setup. Now, the band is embracing a whole new kind of chemistry as they launch their next chapter, adding a third member and channeling the classic power trio sound they grew up on with their explosive new album. “The chains were off when we made this record,” says Tapp. “Suddenly, all the parameters that had dictated what we could and couldn’t do just disappeared and we were free to create whatever sound we wanted.”

That sense of total artistic liberation lies at the heart of Voices, which pushes The Cold Stares’ signature mix of blues, southern, and hard rock to bold new heights. It would have been easy for Tapp and drummer Brian Mullins to simply crank the volume here, but instead they make the most of bassist Bryce Klueh’s arrival by getting more nuanced and adventurous in their approach, chasing a raw, unvarnished sound that manages to feel both vintage and modern all at once. Add it all up and you’ve got a gutsy, cinematic record that’s as honest as it is exhilarating, a high-octane dose of unadulterated rock and roll that tips its cap to everything from Cream to Led Zeppelin as it reckons with love and loss, sin and redemption, hope and regret.
 
“A lot of these tunes deal with really personal things that have been on my mind for a while,” says Tapp. “I just had to live enough life and get enough experience under my belt to know how to talk about them, to know how to feel comfortable opening up those veins and sharing whatever came out.”

Characters fueled by similarly desperate longings—for hope, for purpose, for comfort—turn up throughout the record. The haunting “The Ghost” channels the redemptive fervor of a Sunday morning tent revival, while the epic anthem “Nothing But The Blues” wrestles with hard times in a down-and-out town.
 
“Nothing But The Blues is kind of a continuation of the theme of our song ‘Hard Times,’” adds tapp. “I was thinking about what it takes to play ‘authentic blues,’ which traditionally meant suffering through the horrors of the old south. In my mind, there are so many things that can definitely set you down in the blues in the current world we live in.”
 
Launched in 2012, The Cold Stares got their start when longtime friends Tapp and Mullins agreed to team up for a fill-in gig that caught them both by surprise. With a sound far bigger than any duo should rightfully have been able to create, the pair of Kentucky natives began turning heads almost immediately, releasing a series of acclaimed albums that landed them on the road with the likes of Larkin Poe, Rival Sons, Reignwolf, Spoon, Grand Funk Railroad, and Thievery Corp, among others. American Songwriter praised the group’s “hard-won commitment, honesty, and intensity,” while No Depression hailed their sound as a “roots rocking firestorm,” and tunes from their albums turned up everywhere from ESPN and TNT to the hit video game Cyberpunk 2077.
 
After wrapping up touring for 2021’s ‘Heavy Shoes’ (their fifth studio album and debut release for Mascot Records), Tapp and Mullins returned to their adopted hometown of Evansville, Indiana, with a decision to make. The band’s sound had been growing increasingly elaborate in the studio, but unless they wanted to start playing along to pre-recorded backing tracks onstage, they were reaching a point where they wouldn’t be able to faithfully replicate their tunes anymore as a duo.

“We’d been a two-piece for a decade, so it wasn’t something we took lightly,” says Tapp. “But we’d also known Bryce for a long time and knew he’d fit right in.”

Stay tuned for continued updates.
 
‘Voices’ by The Cold Stares
1. Nothing But The Blues
2. Come For Me
3. The Joy
4. Lights Out
5. Got No Right
6. Sorry I Was Late
7. Voices
8. Waiting On The Rain
9. Sinnerman
10. Throw That Stone
11. It’s Heavy
12. Thinking About Leaving Again
13. The Ghost

This National Breast Cancer Awareness Month, moe. is once again supporting The American Cancer Society (ACS) in its “Real Men Wear Pink” campaign, designed to engage more male community leaders and influencers in the Society’s mission to eliminate breast cancer.
 
In addition to selling limited edition pink merchandise through the moe. online store (coming soon), the band is offering fans the opportunity to donate for unique experiences at various donation levels, ranging from a round of golf with percussionist Jim Loughlin to a custom song written by guitarist Al Schnier. They are even offering high level donors the opportunity to “join the band for the day,” including hanging with the members during soundcheck, collaborating on the setlist, and sitting in during the show. All proceeds will be donated to ACS, the nation’s largest nonprofit source of cancer research funding. A donation of any amount enters fans for a chance to win VIP tickets to Summer Camp in 2023. For more information and a full list of donation options, visit moremusic.at/moeRMWP  
 
Each year during National Breast Cancer Awareness Month, ACS invites community leaders to wear pink, plan events, and use social media to help raise awareness and funds for the Society’s breast cancer initiatives. This year also marks the 30th anniversary of ACS’ Making Strides Against Breast Cancer initiative, which will find 150 communities nationwide supporting The Society through 3-to-5 mile noncompetitive walks.
 
Having fought his own battle with cancer in 2017, moe.’s bass player Rob Derhak knows the importance of this cause firsthand. “I was fortunate to have a huge team of people rooting for me and giving me support,” Derhak recalls. “The American Cancer Society offered help with so many avenues that I didn’t know existed which made me realize how important the organization is. They offer support for people who may not have that team in their corner.”
 
“Cancer impacts all of us - friends, family, co-workers, neighbors - all of us,” adds Schnier. “Being married to someone who works directly for ACS has only made me more acutely aware of just how important the fundraising is - not only directly helping those battling cancer, but also in funding the research to make it treatable and not fatal.”
 
In 2020, female breast cancer surpassed lung cancer as the most commonly diagnosed cancer worldwide. Despite this, the death rate from breast cancer dropped by 41 percent from 1989 to 2018 as a result of earlier detection through increased awareness and mammography screening, as well as advances in treatments. Today, we celebrate the more than 3.8 million breast cancer survivors in the U.S. including those who completed treatment and those still undergoing treatment.
 
“We are grateful to moe. and their community for making an impact in the lives of cancer patients and their families,” said Barb Romeu, Director, American Cancer Society. “We are proud to partner with them to ensure everyone has a fair and just opportunity to prevent, detect, treat, and survive cancer.”   
 
ACS provides innovative research, patient services, health equity, and education around screenings and risk reduction. Since its inception, this annual program has raised more than $40 million towards the fight against breast cancer
 
moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.
 
The band is gearing up for a three-night run at the Fox Theatre in Boulder, CO from November 4-6, as they navigate the recovery of guitarist Chuck Garvey, who suffered a stroke last year. Michael “Suke” Cerulo from Schleigho will be subbing in for Chuck, alongside keyboardist Nate Wilson from Percy Hill and Assembly of Dust. The shows will also be available to watch via livestream. For more information and to purchase tickets visit https://moe.org/tour
 
moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums)

The Americana singer-songwriter Roger Street Friedman has just released “Annabelle,” the second single from his forthcoming album ‘Love Hope Trust,’ out 11/4. A tragic story of a young girl who was steered in the wrong direction, the song features the GRAMMY-winning producer, guitarist and songwriter Larry Campbell (Bob Dylan, Levon Helm, Judy Collins, Willie Nelson), who also produced the record.
 
"’Annabelle’ is based on a story I heard on NPR about a teenager from Mexico who meets a boy that pretends to love her and then tricks her into coming to America with him,” Friedman explains. “When they arrive she is forced into prostitution. She eventually escapes that life, but is not able to go home because of the shame she feels and fear of facing her father… even though all her father wants is to have her home. The song tries to deal with the sadness, the deep psychological trauma and mis-placed shame of this poor, innocent girl who was put in this situation by bad people through no fault of her own."

Furthering a multi-album artistic continuum between Roger and Larry, the 12-song ‘Love Hope Trust’ is a sonic scrapbook that documents a divided world while exploring intimately personal journeys that evince universal truths, sensitively snapshotting moments of modern living. The album also features Jason Crosby (Jackson Browne, Phil Lesh) on keyboards, Teresa Williams and Lucy Kaplansky on background vocals, and a cameo by the legendary Gil Goldstein on accordion.
 
“This album encompasses a myriad of concerns, fears, joys and sorrows inherent in everyday life in this crazy world from the perspective of age—dare I say maturity—and gratitude,” the Sea Cliff, New York-based artist told American Blues Scene. “I strive to get to emotional truths in my songwriting where people say, ‘oh yeah, I’ve experienced that,’ or just to make people feel something, sadness, joy or longing. That is what makes an album of mine feel successful.”
 
A critically-acclaimed artist whose work has been featured everywhere from American Songwriter and Consequence to No Depression and The Boot, Roger’s insightful lyrics and empathic perspective reveal the magic in the mundane aspects of everyday living. His songs venture down those dirt roads of folk, country, vintage rock n’ roll, and blues. ‘Love Hope Trust,’ in particular, is inspired by 1970s folk-rock artists such as Cat Stevens and Jackson Browne.
 
“Making this record with Roger Street Friedman was one of the most fulfilling experiences I've had as a producer,” comments Campbell. “Great songs, well-crafted lyrics and melodies, vibrant performances, and the creative inspiration that sprang from that made it a joy to show up at the studio everyday.”

The material on ‘Love Hope Trust’ was culled from a collection of songs Roger wrote during the pandemic and onward. The title track opens the record with a lone roots-rock shuffle riff played on an acoustic guitar. Then, as if a camera pans to a widescreen shot, the full band enters with a nuanced rhythm section groove, and Larry Campbell’s elegant, rockabilly-esque lead guitar figures, and Jason Crosby’s organ fills weaving in and out. Down the center, Roger’s vocals cut through, rhythmic yet melodic, stating the facts of this frightening time while also dishing out some hope. He sings: Let’s go back to the beginning/Time to pay some rent/all this time we’ve been moving/Hard to believe where we went/Troubled hearts and spinning wheels/Trouble blowin out and in/The butterflies in my stomach/Wonder when this too shall end.
 
‘Love Hope Trust’ is the fourth installment in a second chance-era of musicality. Roger left music behind for 25 years before resurfacing with his acclaimed 2014 debut, The Waiting Sky. He returned to music after experiencing a series of seismic life changes, including the deaths of his father and mother, marriage and, later, the births of his two children.
 
Today, with a well-received album catalog, an engaged fanbase, and a lot of road work under his belt, Roger has created a robust and respected artist profile. “I feel like I’m on the right path, and I’m still growing. I think it took me longer to get smart enough to write these songs,” he says with a good-natured laugh. “Now, I get to make up for lost time, and I am really lucky because I don’t have a lack of inspiration—something always comes to me when I sit down with my guitar.”
 
Stay tuned for continued updates.

On December 2nd, the five-time-Grammy-nominated guitarist Kenny Wayne Shepherd will release ‘The Trouble Is…25,’ a top-to-bottom reinterpretation of his seminal album ‘Trouble Is…,’ which struck the match that reignited modern blues upon its release 25 years ago. And while the tracklist is almost the same, there is one outlier that fans will notice – a stirring reinterpretation of “Ballad Of A Thin Man,” which was cut from the original release in 1997. Shepherd recalls:

“I wanted to do Bob Dylan’s ‘Everything Is Broken’ because I had just been on tour with him and he was so good to me and such an inspiration. Our producer, Jerry Harrison, had suggested another Dylan song, ‘Ballad Of A Thin Man.’ But I was concerned that might be too much of a step outside the box for the fanbase, and ‘Everything Is Broken’ was closer to an actual blues song. Jerry was fighting hard for ‘Ballad Of A Thin Man’ so we butted heads, had a miniature battle over those songs. Ultimately, I prevailed and although we recorded ‘Ballad Of A Thin Man,’ it was ‘Everything Is Broken’ that went on the record. But what’s really cool is that for this new recording of ‘Trouble Is…,’ we went in and very faithfully re-recreated that version of ‘Ballad Of A Thin Man’ from 1997, and included it on this boxset.”

Slated for release on December 2nd via Provogue Records/Mascot Label Group, ‘Trouble Is…25’ will be accompanied by a live DVD filmed at The Strand Theatre in Shepherd’s hometown of Shreveport, Louisiana, shot at the launch of his year-long celebration of the 25th anniversary of ‘Trouble Is…,’ which found the band performing the album start to finish across the US.

Great songs are not set in stone. Since he burst from the blues clubs of Louisiana onto the global music scene with 1995’s breakthrough first album ‘Ledbetter Heights, followed by his career defining second album ‘Trouble Is…’ in 1997, Shepherd has twisted those classic cuts into bold new shapes each night on the stage. Led by the pulse of the crowd, every last note alive in his hands, the ‘Trouble Is…’ tracks have always been on the move, never settling into museum pieces. But to give a quarter-century-old album a second birth is another matter. And in more recent times, the multi-platinum-selling artist looked up the road and saw the 25th anniversary of ‘Trouble Is…’ on the horizon, he hatched an audacious plan.

To join the dots from the hungry 18-year-old gunslinger who caught lightning in a bottle in 1997 to the still-questing master musician, with a lifetime’s soul under his fingers. To assemble the old crew from the original ‘Trouble Is…’ sessions at the Record Plant in Sausalito, California and attack the track listing afresh. And to remind seasoned fans and new listeners alike how this album struck the match that reignited modern blues.

“One of the coolest things about re-recording ‘Trouble Is…’ has been finding out – or verifying – how timeless this album really is,” says Shepherd, who is also leading a triumphant anniversary tour across the United States in 2022 and 2023, performing the album in full. “I’m so proud of what we accomplished, and also the fact I was just 18 years old when I did it. I mean, I had an experience with this album that most musicians can only dream about. ‘Trouble Is…’ sold millions of copies. There’s validation in all of that for me.”

Having pricked up ears with 1995’s sparky debut ‘Ledbetter Heights,’ ‘Trouble Is…’ hurled Shepherd headlong into contention. These were songs and performances that shouldn’t have been feasible from a teenager barely out of the classroom, yet the bandleader was already standing shoulder-to-shoulder with a veteran studio band that included the iconic Double Trouble lineup (drummer Chris Layton, bassist Tommy Shannon and keys man Reese Wynans).
 
And while he had yet to find his own singing voice (then, as now, Noah Hunt handles powerhouse lead vocals on ‘Trouble Is…) Shepherd’s precocious guitar work was in a different class to the fading grunge scene, one moment white-hot on originals like Slow Ride or the title instrumental, the next rivalling Jimi Hendrix himself on a wiry cover of “I Don’t Live Today.”
 
In the ensuing 25 years – a period in which Shepherd has released a further seven acclaimed solo albums, not to mention two with his all-star side-project The Rides, alongside Stephen Stills and Barry Goldberg – some aspects of the reborn ‘Trouble Is…’ album are unavoidably changed. The Record Plant closed its doors in 2008 (the new sessions went down at The Village in Los Angeles and Nashville’s Ocean Way), while Shannon has retired from the music scene (he’s capably replaced by Shepherd’s regular low-ender, Kevin McCormick).

“Aside from Tommy, we got the whole crew back together, with Jerry Harrison co-producing once again,” reflects the bandleader. “And in the studio, it felt like no time had passed. If you play well together, you play well together. It worked back then and it worked just as well this time. It was all of us live in a room. That’s just how I do it, man. I’m old-school. Human beings need to be in the same room to be able to play music together.”
 
Other elements of the re-recording were uncannily identical, with Shepherd digging out the exact same ’61 Fender Stratocaster model and backline that he’d used back in the late-’90s. “For amps, I had one of the very first Fender Blackface Twin reissues that was ever made. And then I had a Vibro-King – and that hasn’t really been used again since I recorded that record the first time. So we had those two amps and then a Blackface ’64 Vibroverb. I still had all the original pedals I used back in ’97 – a Uni-Vibe, a TS808 Ibanez Tube Screamer, a Klon overdrive, the Roger Mayer Octavia. I’ve never gotten rid of anything. I’ve never sold anything. So if there’s anything floating around out there that once belonged to me, it’s because somebody must have gotten sticky fingers, y’know?”
 
Ultimately, says Shepherd, the minutiae of his rig was less important than the spirit in the air. “I didn’t want ‘Trouble Is…25’  to be a surgical process. I don’t like to overthink things. I just wanted to go in and capture the vibe. There were a couple of ways we could have approached this new recording. We could have done a one-hundred-per-cent faithful reproduction. Or we could have done a complete reinterpretation.
 
Times change. Artists evolve. Music scenes rise and fall. Back in 1997, the original ‘Trouble Is…’ was embraced by a rock ‘n’ roll generation crying out for something of substance as vapid manufactured pop began its inexorable rise. “ A full quarter-century later – with manufactured pop holding sway and humanity clawing its way back from a spirit-sapping global pandemic – the anticipation surrounding the reborn ‘Trouble Is…’ album and live shows stands as testament to a collection of songs that have never sounded so thrilling, empowering, unflinchingly honest and unapologetically human.

“During the ‘Trouble Is…’ anniversary tour,” says Shepherd, “everybody was commenting on how this album could be released today and still be just as relevant as it was 25 years ago. Making this album in 1997 was just a really monumental achievement. The new recording was a serious trip down memory lane for me. And I’m still so proud of these songs…”

Shepherd will continue to tour in support of ‘The Trouble Is…25’ this winter. For more information and to purchase tickets please visit https://www.kennywayneshepherd.net

‘Trouble Is…25’ - Track List
1. Slow Ride
2. True Lies
3. Blue on Black
4. Everything Is Broken
5. I Don't Live Today
6. (Long) Gone
7. Somehow, Somewhere, Someway
8. I Found Love (When I Found You)
9. King's Highway
10. Nothing to Do with Love
11. Chase the Rainbow
12. Trouble Is...
13. Ballad Of a Thin Man

Today, the celebrated jazz and pop saxophonist Candy Dulfer has released her new full-length album ‘We Never Stop,’ out now on all digital platforms. To celebrate the release, Dulfer has unveiled a music video for “Convergency,” featuring Chic guitarist, producer, songwriter, and three-time GRAMMY Award-winner Nile Rodgers, which includes exclusive footage of Dulfer and Rodgers recording the track in-studio. Following previous singles “YeahYeahYeah” and “Jammin’ Tonight,” which also featured Rodgers, “Convergency” is a dizzyingly romantic R&B instrumental ballad with jeweled melodic sax work.

Give the people an invigorating beat, some swanky sax uplift, and watch the pain melt away. That’s the funky stuff Prince’s former top-choice sax player Candy Dulfer and her band specialize in. A solo artist, a songwriter, and in-demand instrumentalist, Dulfer has worked with some of the biggest names in modern music, including Van Morrison, Maceo Parker, Sheila E., Mavis Staples, Lionel Richie, Beyoncé, Pink Floyd, Chaka Khan, and Aretha Franklin, among many others.

Now, after three decades of superstar collaborations and world tours, and chart-topping and high-selling solo career releases, Candy is living proof of the title of her latest album, ‘We Never Stop.’ Nothing gets in the way of her making funky stuff. ‘We Never Stop’ features vocals from Candy’s rainbow family of a band with lyrics informed by band dialogues and the culture and health crises of the past two years. These include the toll of the pandemic on the music communities and the race horrors that have galvanized a global Black Lives Matter movement.

“This is a personal album—it’s personal for everyone because we are struggling with many of the same things,” Candy shares. ”The main spirit of this music is to elevate. It feels like it’s never been more important to not let the hurt and pain in the world defeat us. That’s why I called this album, We Never Stop.”

Dulfer first rose to fame with her high-profile collaboration with Dave Stewart on the worldwide number 1 smash “Lily Was Here.” Her tenure with Prince may be best remembered by his tongue-in-cheek recommendation in the “Partyman” video: “When I want sax, I call Candy.”  Their collaboration continued over the years with many studio sessions, TV show appearances, award show performances, including the Grammy Awards, and concert tours around the globe, including Candy joining Prince’s NPG band as a permanent member for his record-shattering Musicology tour and album.

In addition to her superstar collaborations, Candy is a serious lifelong musician with a robust history as a solo artist releasing albums and touring the world for over 35 years. Since her Grammy-nominated debut, 1990’s Saxuality, Candy has issued 12 albums. The combined world-wide sales of her solo albums top 2.5 million copies, and she has had several number 1 hits in the USA. In between her solo albums and her high-profile collaborations, Candy still manages to join Dutch female supergroup the Ladies of Soul for their annual sold-out concerts at the massive Amsterdam Ziggo Dome; she is a headline performer on Smooth Jazz Cruises in the USA and Europe; she is an ambassador for the Dutch ALS Foundation; and Candy was a judge on the Dutch version of X Factor.

At the age of 4, Candy’s destiny unfolded before her eyes, watching jazz heavyweight saxophonist Sonny Rollins. Her father, Hans Dulfer, brought her to the show. Hans is a well-known Dutch jazz saxophonist who, when Candy was growing up, surrounded himself with legends such as Archie Shepp, Dexter Gordon, and guitarist John McLaughlin. Candy began playing sax at the age of 6, and started her own band Funky Stuff at the age of 13.

Candy soaked up music and life lessons from her father, and the iconic musicians he worked with, but Candy also boldly discovered her own voice as a songwriter and an instrumentalist, finding a home in contemporary jazz and pop-funk. She has worked hard to become an artist on her own terms, inspired by the likes of David Sanborn, Steps Ahead, Marcus Miller, Michael Brecker, Maceo Parker, Cannonball Adderley, percussionist Sheila E. and Janet Jackson. I wanted to be Janet Jackson but then with a saxophone entertaining and at the same time musically giving”

Today, her determination and passion remain, but her motivations are different. “These days, I play music to, hopefully, inspire younger people. When I was 12, I didn’t have many female saxophonists to look up to, and I want to be that person for the next generation of musicians,” she says.                        

‘We Never Stop’ – Track List
1. YeahYeahYeah
2. Mo’ Seats At The Table
3. Jammin’ Tonight (feat. Nile Rodgers)
4. Deeper
5. Say Something
6. Raindrops
7. We Never Stop
8. The Walls (feat. Marcus Miller)
9. Perspective (feat. Durand Bernarr, Aron Hodek, Philip Lassiter)
10. Since I Found U
11. Afraid For More
12. No Time For This
13. The Climb
14. Convergency (feat. Nile Rodgers)

On the heels of their performance at LA’s The Wiltern last month, original Talking Heads member Jerry Harrison and noted touring member Adrian Belew have announced that they will bring their popular ‘Remain In Light’ concert on the road this winter, in celebration of the band’s iconic 1980 record. Kicking off in Denver on February 16th before winding its way through the Midwest and east coast, the 19-date tour will find Harrison and Belew performing songs from this monumental period of the band’s history alongside a powerhouse band, including former members of Turkuaz, Julie Slick on bass, and Yahuba Garcia-Torres on percussion. Tickets will go on-sale this Friday, November 4th @ 10am local time. To purchase tickets visit remaininlight.net.
 
“’Remain In Light’ is a high point in my career,” comments Harrison. “Adrian and I had often discussed the magic of the 1980 tour and the sheer joy it brought to audiences. It is such a delight to see that joy once again in the audiences on the current tour.”
 
“A joyful show of Talking Heads songs you know and love performed by a hot, eleven-piece ensemble including Jerry and me,” Belew adds. “You can’t help but dance and go home with a happy smile on your face.”

Harrison and Belew first reunited to perform material from ‘Remain In Light’ at the 2021 Peach Music Festival with Turkuaz. Coming on the heels of the 40th anniversary of the release of ‘Remain In Light,’ it marked Harrison’s first live performance since 1996. The band then reunited at LA’s The Wiltern last month for a celebrated performance, which began with Harrison and Belew in conversation with Tawny Newsome, in a discussion about the Talking Heads’ incredible rise to fame and the impact they had on music and pop culture. Listen to Harrison and Belew discuss their careers on the “WTF with Marc Maron” Podcast.
 
The 2023 ‘Remain In Light’ tour will include an opening set by Cool Cool Cool, featuring former members of Turkuaz. A special pre-sale, including a very limited amount of “Once In A Lifetime” Meet & Greet VIP Experiences, will go on sale, Wednesday, November 2 at 10am local time.

“Once In A Lifetime” Meet & Greet VIP Experiences include:
 
• One premium reserved ticket in the first 10 rows -OR- general admission ticket (where applicable)
• VIP early entry into the venue
• Exclusive pre-show meet & greet with Harrison & Belew
• Personal photograph with Harrison & Belew
• Intimate pre-show stories behind the music and Q&A with Harrison & Belew
• Exclusive, limited edition Remain In Light poster, autographed by Harrison & Belew
• Limited edition Remain In Light tour tote bag
• Commemorative pre-show VIP laminate
• Merchandise shopping opportunity before doors open to public
• Very limited availability
 
Remain In Light - Tour Dates
Thu, February 16 - Denver, CO - Ogden Theatre
Fri, February 17 - Boulder, CO - Boulder Theater
Sat, Feb 18 - Beaver Creek, CO - Vilar Performing Arts Center (Auditorium)
Tues, February 21 - Oklahoma City, OK - Tower Theatre
Wed, February 22 - St. Louis, MO - The Factory
Thurs, February 24  - Minneapolis, MN - First Avenue
Sat, February 25 - Chicago, IL - Vic Theatre
Sun, February 26 - Indianapolis, IN - Egyptian Room
Mon, February 27 - Akron, OH - Goodyear Theater
Tue, February 28 - Buffalo, NY - Town Ballroom
Thurs, March 2 - Toronto, ON - Danforth Music Hall
Fri, March 3 - Pittsburgh, PA - Roxian Theatre
Sat, March 4 - Baltimore, MD - Rams Head Live!
Sun, March 5 - Sayreville, NJ - Starland Ballroom
Tues, March 7 - Philadelphia, PA - Keswick Theatre
Wed, March 8 - Albany, NY - Empire Live
Thurs, March 9 - New York, NY - Sony Hall
Fri, March 10 - Boston, MA - HOB Boston
Sat, March 11 - New Haven, CT - College Street Music Hall

At last night’s sold-out performance at The Fox Theatre in Boulder, moe.’s Al Schnier nearly brought the house down with the news that guitarist Chuck Garvey, who suffered a stroke last November, would sit-in as a “special guest” for a portion of the band’s NYE performance at the Fillmore Philadelphia for the first time in over a year. The announcement came exactly one year to the day since Garvey suffered his stroke, and his return appearance is also especially significant, since the Fillmore Philadelphia was the last venue he performed at on Halloween 2022. The band has yet to announce plans for Chuck to return to the band on a full-time basis.
 
“Today marks the one-year anniversary of my worst day ever,” wrote Chuck in a note to fans. “I scared my wife, my family, my friends, and many of you who heard of my stroke. Thank you for your well-wishes and your donations, without which my recovery would not have happened. This year has been a really long, difficult one for me, but a rewarding one, in that I learned what a person needs to do to achieve goals. Some are basic, everyday things like speech, and some are more about universal things that I noticed about family, friends, and community that keep us all afloat.”
 
“So, thank you for your help and your community,” Chuck continued. “I can’t wait to see all of you where the water falls, and the music calls. I will be joining my brothers on stage in Philly, the city of brotherly love.”
 
Chuck first spoke about his stroke and recovery on moe.'s recently launched “Podcrash,” a new podcast series addressing all things moe. Michael “Suke” Cerulo from Schleigho has been subbing in for Chuck throughout the year, alongside keyboardist Nate Wilson from Percy Hill and Assembly of Dust.
 
The NYE performance will include an opening set by the New Haven, CT based 4-piece Eggy, and also feature The Horn Section, a 3-piece horn group featuring former members of Turkuaz, who will be performing with moe. throughout the night. The concert will follow moe.’s appearance at the North Beach Music Festival in Miami Beach, and a handful of Rob & Vinnie shows with BlueStar Radiation through the remainder of 2022.
 
moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.
 
moe.’s longevity is no doubt due to the family spirit shared between its members and its engaged fanbase, the Famoe.ly, a bond that has been fortified through decades on the road. moe. has performed innumerable headline tours, international festival sets, music-themed cruises, and sold-out shows alongside countless household name artists. They’ve also promoted and headlined multiple festivals of their own, including snoe.down and moe.down. The band’s vibrant blend of inventive musicality and genre-blurring is on full display on two recent releases, their 12th studio album, 'This Is Not, We Are,' and the 'Not Normal' EP.
 
For ticketing and show info, please visit https://moe.org/tour
 
moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums)

Today, the Dutch rock band DeWolff have released “Counterfeit Love,” the second single from their upcoming, full-length album 'Love, Death & In Between,' out February 3rd via Mascot Records / Mascot Label Group. "'Counterfeit Love" is all about fake love," the band explains. "Where does it come from? What is it worth? Where can you spend it? How can you spot it? Held up to the light it might show its color shifting truth! Like the rest of the album, everything you hear was recorded live in one take to analog tape at the Kerwax Studio in France. It’s got a blistering Hammond solo that was conceived at the very last minute, and it might just be the most Zeppelin-esque thing we ever recorded!"

"Counterfeit Love" follows the album's lead single "Heart Stopping Kinda Show," which was released just after the band finished up a 13-date run with The Black Crowes across mainland Europe. Mixing psychedelic southern rock with classic soul, 'Love, Death & In Between' is a reaction to the band's previous two studio albums: 'Tascam Tapes,' which was recorded on the road with a four-track cassette recorder from the 1980s, and their socially distanced recording 'Wolffpack,' which debuted at #2 on the Dutch charts. "For this, we wanted to do something with people," singer/guitarist Pablo van de Poel recalls - "as many people as possible."

The lightning strike moment for 'Love, Death & In Between' came via Memphis. "In 2019, I attended a sermon by Al Green at his own church, and it was a life-changing experience, musically," Pablo remembers. In May 2022, they went to Kerwax, an analogue studio in the village of Loguivy-Plougras in Brittany. "We thought, let's go on an adventure," he says. Located in Northwestern France and surrounded by forests, they retreated to the residential studio for two weeks, engulfed in vintage recording equipment from the 1940s to the 1970s.

Recording live to tape, with no overdubs, brothers Pablo (guitar/vocals) and Luka van de Poel (drums/vocals) alongside Robin Piso (Hammond/Wurlitzer) were joined by a host of friends for the recording. The themes on the album were partly inspired by novels from 20th-century American authors, particularly John Steinbeck's Tortilla Flat. "There is a quote from him, 'The good story lay in half-told things which must be filled in out of the hearer's own experience,' and that was something I really wanted to do with lyrics on this record." At the same time, the band was diving deep into old soul and R&B records – Sam Cooke, The Impressions, The Coasters, The Clovers, Ray Charles and Little Richard, as well as a heavy dose of gospel – The Soul Stirrers, Al Green and early records by The Staple Singers.

"Counterfeit Love," wears its heart on its sleeve, whereas the 16-minute "Rosita" shows their progression. "How I want to write now, is more reflected in songs like this," he says. "I wanted those lyrics to feel like a story, but also a journey within itself." "Heart Stopping Kinda Show" is "how I see life," he adds. "Life is the heart-stopping kinda show. I was writing with Tortilla Flat in mind. These characters are not constantly overthinking things; they live, drink wine, and have these beautiful moments. They are doing the ultimate living. In the song, I wanted to describe the things in life that are beautiful." "Will o' the Wisp" has a seductive darkness, whilst "Night Train," "Message for my Baby", and "Wontcha Wontcha" are joyous roof-raisers.

Out of the rural surroundings of Brittany, DeWolff left with twelve songs, over four tapes, with friends, having fun and remembering what is most important to them. On a diet of Al Green, Sam Cooke, and John Steinbeck, they've created some of their most soulful but rousing music. When they sing, "Hey there baby won't you come on in, I got plenty of old records that we can play, some rhythm & blues, some old rock 'n roll, yes, the type of stuff that can save a soul", you better get ready for that heart-stopping kinda show.

Stay tuned for continued updates.

'Love, Death & In Between' by DeWolff
1. Night Train
2. Heart Stopping Kinda Show
3. Will o’ the Wisp
4. Jacky Go To Sleep
5. Rosita
6. Mr. Garbage Man
7. Counterfeit Love
8. Message For My Baby
9. Gilded (Ruin of Love)
10. Pure Love
11. Wontcha Wontcha
12. Queen of Space & Time

On the heels of the announcement that guitarist Chuck Garvey will be sitting-in as a “special guest” for their NYE performance, moe. has announced a short run of tour dates for early 2023, which will include select performances up and down the east coast. Beginning with three nights in NY, NJ, and DC in late January, the tour will resume with a 2-night run at the State Theatre in Portland, ME over President’s Day weekend, and an additional 2-night run at the Palace Theater in Albany, NY on February 24-25, coinciding with “moe.day” in Albany on 2/24. The band has yet to announce plans for Chuck to return to the band on a full-time basis following his sit-in on NYE.

A special artist pre-sale will begin tomorrow, Wednesday, November 16th at 10am local time - for details click here. Tickets go on sale to the general public this Friday, November 18th at 10am local time. For ticketing and show info, please visit https://moe.org/tour

The band made its long-awaited return to Colorado this month, where they played their first three-night run in nearly a year at the Fox Theater in Boulder. On the final night of the run, the band announced that Garvey, who suffered a stroke last November, would sit-in as a “special guest” for a portion of the band’s NYE performance at the Fillmore Philadelphia for the first time in over a year. The announcement came exactly one year to the day since Garvey suffered his stroke, and his return appearance is also especially significant, since the Fillmore Philadelphia was the last venue he performed at on Halloween 2022.

“Today marks the one-year anniversary of my worst day ever,” wrote Chuck in a note to fans. “I scared my wife, my family, my friends, and many of you who heard of my stroke. Thank you for your well-wishes and your donations, without which my recovery would not have happened. This year has been a really long, difficult one for me, but a rewarding one, in that I learned what a person needs to do to achieve goals. Some are basic, everyday things like speech, and some are more about universal things that I noticed about family, friends, and community that keep us all afloat.”

“So, thank you for your help and your community,” Chuck continued. “I can’t wait to see all of you where the water falls, and the music calls. I will be joining my brothers on stage in Philly, the city of brotherly love.”

moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.
 
moe.’s longevity is no doubt due to the family spirit shared between its members and its engaged fanbase, the Famoe.ly, a bond that has been fortified through decades on the road. moe. has performed innumerable headline tours, international festival sets, music-themed cruises, and sold-out shows alongside countless household name artists. They’ve also promoted and headlined multiple festivals of their own, including snoe.down and moe.down. The band’s vibrant blend of inventive musicality and genre-blurring is on full display on two recent releases, their 12th studio album, 'This Is Not, We Are,' and the 'Not Normal' EP.
 
The band is gearing up for the holidays with a selection of limited-edition merch, currently on-sale via the moe. online store. Offerings include “ugly” t-shirt and crewnecks sold alongside a moe. holiday ornament. For more information, click here.
 
moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums)
 
moe. 2022 Tour Dates
Friday, December 9th – North Beach Music Festival – Miami Beach, FL
Saturday, December 31st – The Fillmore Philadelphia – Philadelphia, PA
Thursday, January 19 – The Paramount – Huntington, NY
Friday, January 20th – 9:30 Club – Washington, D.C.
Saturday, January 21st – Wellmont Theater – Montclair, NJ
Friday, February 17th – State Theatre – Portland, ME
Saturday, February 18th – State Theatre – Portland, ME
Friday, February 24th – Palace Theater – Albany, NY
Saturday, February 25th – Palace Theater – Albany, NY

Kenny Wayne Shepherd’s landmark 1997 release ‘Trouble Is…’ contains plenty of technical dazzle and old-soul touches, but what truly set the album apart was the mature songwriting that it featured from Shepherd, an indication that he was shaking off the tedious “teenage sensation” tag that had followed him previously. “Blue On Black,” the album’s rootsy fan favorite, hit #1 on the Mainstream Rock chart, set a new record for its 104-week tenure, and still blares from stateside radios today. Now, Shepherd is revisiting the record breaking hit on ‘The Trouble Is…25,’ a top-to-bottom reinterpretation of his seminal album, out 12/2 via Provogue Records/Mascot Label Group.
 
 “The beauty of Blue On Black is that the lyrics conjure up imagery for the listener to apply to their own experience. Some people tell me it helped them through a breakup, or the loss of a loved one, or they were suffering domestic abuse and that song spoke to them.” Shepherd continued on, “The original video implied a relationship and the many futile attempts to salvage it. So we made a new video for Blue on Black, which, I think, is open to more interpretations of the song.”
 
Great songs are not set in stone. Since he burst from the blues clubs of Louisiana onto the global music scene with 1995’s breakthrough first album ‘Ledbetter Heights, followed by his career defining second album ‘Trouble Is…’ in 1997, Shepherd has twisted those classic cuts into bold new shapes each night on the stage. Led by the pulse of the crowd, every last note alive in his hands, the ‘Trouble Is…’ tracks have always been on the move, never settling into museum pieces. But to give a quarter-century-old album a second birth is another matter. And in more recent times, the multi-platinum-selling artist looked up the road and saw the 25th anniversary of ‘Trouble Is…’ on the horizon, he hatched an audacious plan.
 
To join the dots from the hungry 18-year-old gunslinger who caught lightning in a bottle in 1997 to the still-questing master musician, with a lifetime’s soul under his fingers. To assemble the old crew from the original ‘Trouble Is…’ sessions at the Record Plant in Sausalito, California and attack the track listing afresh. And to remind seasoned fans and new listeners alike how this album struck the match that reignited modern blues.
 
“One of the coolest things about re-recording ‘Trouble Is…’ has been finding out – or verifying – how timeless this album really is,” says Shepherd, who is also leading a triumphant anniversary tour across the United States in 2022 and 2023, performing the album in full. “I’m so proud of what we accomplished, and also the fact I was just 18 years old when I did it. I mean, I had an experience with this album that most musicians can only dream about. ‘Trouble Is…’ sold millions of copies. There’s validation in all of that for me.”
 
Having pricked up ears with 1995’s sparky debut ‘Ledbetter Heights,’ ‘Trouble Is…’ hurled Shepherd headlong into contention. These were songs and performances that shouldn’t have been feasible from a teenager barely out of the classroom, yet the bandleader was already standing shoulder-to-shoulder with a veteran studio band that included the iconic Double Trouble lineup (drummer Chris Layton, bassist Tommy Shannon and keys man Reese Wynans).
 
And while he had yet to find his own singing voice (then, as now, Noah Hunt handles powerhouse lead vocals on ‘Trouble Is…) Shepherd’s precocious guitar work was in a different class to the fading grunge scene, one moment white-hot on originals like Slow Ride or the title instrumental, the next rivalling Jimi Hendrix himself on a wiry cover of “I Don’t Live Today.”

In the ensuing 25 years – a period in which Shepherd has released a further eight acclaimed solo albums, not to mention two with his all-star side-project The Rides, alongside Stephen Stills and Barry Goldberg – some aspects of the reborn ‘Trouble Is…’ album are unavoidably changed. The Record Plant closed its doors in 2008 (the new sessions went down at The Village in Los Angeles and Nashville’s Ocean Way), while Shannon has retired from the music scene (he’s capably replaced by Shepherd’s regular low-ender, Kevin McCormick).
 
“Aside from Tommy, we got the whole crew back together, with Jerry Harrison co-producing once again,” reflects the bandleader. “And in the studio, it felt like no time had passed. If you play well together, you play well together. It worked back then and it worked just as well this time. It was all of us live in a room. That’s just how I do it, man. I’m old-school. Human beings need to be in the same room to be able to play music together.”
 
Other elements of the re-recording were uncannily identical, with Shepherd digging out the exact same ’61 Fender Stratocaster model and backline that he’d used back in the late-’90s. “For amps, I had one of the very first Fender Blackface Twin reissues that was ever made. And then I had a Vibro-King – and that hasn’t really been used again since I recorded that record the first time. So we had those two amps and then a Blackface ’64 Vibroverb. I still had all the original pedals I used back in ’97 – a Uni-Vibe, a TS808 Ibanez Tube Screamer, a Klon overdrive, the Roger Mayer Octavia. I’ve never gotten rid of anything. I’ve never sold anything. So if there’s anything floating around out there that once belonged to me, it’s because somebody must have gotten sticky fingers, y’know?”
 
Ultimately, says Shepherd, the minutiae of his rig was less important than the spirit in the air. “I didn’t want ‘Trouble Is…25’  to be a surgical process. I don’t like to overthink things. I just wanted to go in and capture the vibe. There were a couple of ways we could have approached this new recording. We could have done a one-hundred-per-cent faithful reproduction. Or we could have done a complete reinterpretation.
 
Times change. Artists evolve. Music scenes rise and fall. Back in 1997, the original ‘Trouble Is…’ was embraced by a rock ‘n’ roll generation crying out for something of substance as vapid manufactured pop began its inexorable rise. “ A full quarter-century later – with manufactured pop holding sway and humanity clawing its way back from a spirit-sapping global pandemic – the anticipation surrounding the reborn ‘Trouble Is…’ album and live shows stands as testament to a collection of songs that have never sounded so thrilling, empowering, unflinchingly honest and unapologetically human.
 
“During the ‘Trouble Is…’ anniversary tour,” says Shepherd, “everybody was commenting on how this album could be released today and still be just as relevant as it was 25 years ago. Making this album in 1997 was just a really monumental achievement. The new recording was a serious trip down memory lane for me. And I’m still so proud of these songs…”
 
‘Trouble Is…25’ will be accompanied by a live DVD and/or Blu-Ray filmed at The Strand Theatre in Shepherd’s hometown of Shreveport, Louisiana, shot at the launch of his year-long celebration of the 25th anniversary of ‘Trouble Is…,’ which found the band performing the album start to finish across the US. Shepherd will continue to tour in support of ‘The Trouble Is…25’ this winter. For more information and to purchase tickets please visit https://www.kennywayneshepherd.net/
 
‘The Trouble Is…25’ - Track List
1. Slow Ride
2. True Lies
3. Blue on Black
4. Everything Is Broken
5. I Don't Live Today
6. (Long) Gone
7. Somehow, Somewhere, Someway
8. I Found Love (When I Found You)
9. King's Highway
10. Nothing to Do with Love
11. Chase the Rainbow
12. Trouble Is...
13. Ballad Of a Thin Man

moe. has announced 14-additional tour dates for winter 2023, extending their previously announced east coast tour through March. Centered around the southeast, with a number of dates in Florida, the tour will wrap with a 2-night run at Variety Playhouse in Atlanta on March 23-24. A special artist pre-sale will begin tomorrow, Wednesday, December 14th at 12pm ET/9amPT - for details click here. Tickets go on sale to the general public this Friday, December 16th at 10am local time. For ticketing and show info, please visit https://moe.org/tour
 
moe.’s winter tour follows the announcement that guitarist Chuck Garvey, who suffered a stroke last November, would sit-in as a “special guest” for a portion of the band’s NYE performance at the Fillmore Philadelphia for the first time in over a year. The announcement came exactly one year to the day since Garvey suffered his stroke, and his return appearance is also especially significant, since the Fillmore Philadelphia was the last venue he performed at on Halloween 2022. The band has yet to announce plans for him to return to the band on a full-time basis.
 
“Thank you for your well-wishes and your donations, without which my recovery would not have happened,” Garvey said in a note to fans. “This year has been a really long, difficult one for me, but a rewarding one, in that I learned what a person needs to do to achieve goals. Some are basic, everyday things like speech, and some are more about universal things that I noticed about family, friends, and community that keep us all afloat.”
 
moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.
 
moe.’s longevity is no doubt due to the family spirit shared between its members and its engaged fanbase, the Famoe.ly, a bond that has been fortified through decades on the road. moe. has performed innumerable headline tours, international festival sets, music-themed cruises, and sold-out shows alongside countless household name artists. They’ve also promoted and headlined multiple festivals of their own, including snoe.down and moe.down. The band’s vibrant blend of inventive musicality and genre-blurring is on full display on two recent releases, their 12th studio album, 'This Is Not, We Are,' and the 'Not Normal' EP.
 
The band is celebrating the holiday season with a selection of limited-edition merch, currently on-sale via the moe. online store. Offerings include “ugly” t-shirt and crewnecks sold alongside a moe. holiday ornament. For more information, click here.
 
moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums)
 
moe. Winter Tour Dates
Saturday, December 31st – The Fillmore Philadelphia – Philadelphia, PA
Thursday, January 19 – The Paramount – Huntington, NY
Friday, January 20th – 9:30 Club – Washington, D.C.
Saturday, January 21st – Wellmont Theater – Montclair, NJ
Friday, February 17th – State Theatre – Portland, ME
Saturday, February 18th – State Theatre – Portland, ME
Friday, February 24th – Palace Theater – Albany, NY
Saturday, February 25th – Palace Theater – Albany, NY
Thursday, March 9th – Brooklyn Bowl – Nashville, TN
Friday, March 10th – Mars Music Hall – Huntsville, AL
Saturday, March 11th – Minglewood Hall – Memphis, TN
Sunday, March 12th – Vinyl Music Hall – Pensacola, FL
Wednesday, March 15th – Music Hall – Charleston, SC
Thursday, March 16th – The Plaza Live – Orlando, FL
Friday, March 17th – Culture Room – Ft. Lauderdale, FL
Saturday, March 18th – Jannus Live – St. Petersburg, FL
Sunday, March 19th – PV Concert Hall – Ponte Vedra Beach, FL
Tuesday, March 21st – Lincoln Theatre – Raleigh, NC
Wednesday, March 22nd – Jefferson Theatre – Charlottesville, VA
Thursday, March 23rd – The Orange Peel – Asheville, NC
Friday, March 24th – Variety Playhouse – Atlanta, GA
Saturday, March 25th – Variety Playhouse – Atlanta, GA

Southern roots rockers Robert Jon & The Wreck have released “Who Can You Love,” the captivating, Americana-infused second single from their new EP ‘One Of A Kind,’ out March 10th via Joe Bonamassa’s newest independent label, Journeyman Records. Produced by the renowned, multi-GRAMMY Award winning producer Don Was (Bonnie Raitt, The Stones, John Mayer), “Who Can You Love” was recorded at Hensen Studios in Los Angeles (the same studio that gave us legendary albums including “Tapestry” by Carole King and “Blue” by Joni Mitchell, and many others). Listen/stream the track HERE.
 
“Don is a mysterious guy,” commented frontman Robert Jon Burrison on the collaboration with Was. “He’s so much about the vibe of the song, rather than the details, and he loves making stuff that sounds raw. He would tell awesome stories about the Dead and the Stones, and there was just so much gravity in his words because he’s been in those legendary rooms. It’s hard not to be intimidated but he made us feel right at home.”
 
“There aren’t a lot of great rock and roll bands out there playing’ right now,” added Was. “It’s a real thrill to be able to record this kind of music with such a great band.”

With its infectious melodies, catchy riffs, and Americana sound, “Who Can You Love” showcases another side of the band following the release of the EP’s explosive lead single “Pain No More,” an outstanding riff-driven roots rock track produced by the eight-time Grammy Award winner Dave Cobb (Chris Stapleton, Brandi Carlile, Blackberry Smoke, Rival Sons). In contrast, “Who Can You Love” is a reflective, inward-looking track about questioning what you are looking for in a partner. From the uplifting lyrics and velvety vocals of Robert Jon to Henry James' soul-stirring fretwork, "Who Can You Love" has all the makings of a timeless Southern Rock ballad. The Wreck's latest track will be right at home alongside cherished classics like The Allman Brothers' "Melissa" and Lynyrd Skynyrd's "Simple Man," as well as modern gems like Chris Stapleton's rendition of "Tennessee Whiskey" & John Mayer's "Last Train Home (Ballad Version).”

“Who Can You Love” is the latest in a series of singles that Robert Jon & The Wreck will roll out over the next year, beyond the release of the ‘One Of A Kind’ EP. Prolific songwriters with a wealth of new material who refuse to be constrained by traditional release strategies, the band’s new partnership with Journeyman Records affords them the opportunity to work with the world’s top producers and release a steady stream of high quality singles on an ongoing basis, cutting through the industry chaos and ensuring new music is accessible to fans as intended.
 
Reigning from Southern California, Robert Jon & The Wreck take the Southern rock sound from the east coast and make it their own. Since their inception in 2011, these four native Californians; Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, background vocals), Henry James Schneekluth (lead guitar, background vocals), and Warren Murrel (bass) have been electrifying audiences all over the world with their soaring guitar leads, rich vocal harmonies, and memorable tunes. Simply put, it is difficult to ignore when these talented musicians take the stage.
 
Little wonder they have made an impact on audiences across the world, where they’ve played a run of sold-out shows and proudly shared bills with talent the likes of Joe Bonamassa, Peter Frampton, Buddy Guy and Rival Sons. 2020’s ‘Last Light On The Highway’ garnered worldwide acclaim for the band and 2021’s ‘Shine A Light On Me Brother’ continued their upward trajectory, leading to a collaboration with Journeyman Records. They released two singles in early 2022 “Waiting For Your Man” and “She’s A Fighter.” On September 30th, The Wreck released their latest Album ‘Wreckage Vol. 2,’ which has paved the way for even more new and exciting music from the band.
 
Stay tuned for continued updates.

moe. continued its tradition of epic New Year’s Eve shows with a performance at the Fillmore Philadelphia on December 31st. Opening the show with “Spaz Medicine,” the band welcomed guitarist Chuck Garvey onto the stage for “meat.” during the first set, marking his first appearance with the band since suffering a stroke in November 2021, shortly after their last performance at the Fillmore Philadelphia. Garvey treated the crowd to a standout performance on the voice box during “Nebraska,” and performed with the band for the entire second set, which included covers of “Ophelia” by The Band and Spanish Moon” by Little Feat.

moe.’s 21-date, winter 2023 tour will feature select performances throughout the east coast. Beginning with three nights in NY, NJ, and DC in late January, the tour will resume with a 2-night run at the State Theatre in Portland, ME over President’s Day weekend, and an additional 2-night run at the Palace Theater in Albany, NY on February 24-25, coinciding with “moe.day” in Albany on 2/24. Following a short break, the second leg of the tour will center around the southeast, with a number of dates in Florida, and wrap with a 2-night run at Variety Playhouse in Atlanta on March 23-24. For ticketing and show info, please visit https://moe.org/tour
 
moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.

moe.’s longevity is no doubt due to the family spirit shared between its members and its engaged fanbase, the Famoe.ly, a bond that has been fortified through decades on the road. moe. has performed innumerable headline tours, international festival sets, music-themed cruises, and sold-out shows alongside countless household-name artists. They’ve also promoted and headlined multiple festivals of their own, including snoe.down and moe.down. The band’s vibrant blend of inventive musicality and genre-blurring is on full display on two recent releases, their 12th studio album, 'This Is Not, We Are,' and the 'Not Normal' EP.

moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums)
 
MOE. – 12/31/22 SETLIST
 
SET 1
1. Spaz Medicine
2. Late In The Evening (Paul Simon)
3. Jazz Cigarette
4. Doo Doo Doo Doo Doo (Heartbreaker)
5. Dangerous Game
6. Sensory Deprivation Bank
7. meat.
 
SET 2
1. Not Coming Down
2. Wormwood
3. Okayalright
4. Nebraksa
5. Johnny Linup
6. Ophelia (The Band)
7. Spanish Moon (Little Feat)
8. Gonna Fly Now
9. Dayman
10. 25 or 6 to 4 (Chicago)
11. Plane Crash
 
ENCORE
1. Blue Jeans Pizza
 
moe. Winter Tour Dates
Thursday, January 19 – The Paramount – Huntington, NY
Friday, January 20th – 9:30 Club – Washington, D.C.
Saturday, January 21st – Wellmont Theater – Montclair, NJ
Friday, February 17th – State Theatre – Portland, ME
Saturday, February 18th – State Theatre – Portland, ME
Friday, February 24th – Palace Theater – Albany, NY
Saturday, February 25th – Palace Theater – Albany, NY
Thursday, March 9th – Brooklyn Bowl – Nashville, TN
Friday, March 10th – Mars Music Hall – Huntsville, AL
Saturday, March 11th – Minglewood Hall – Memphis, TN
Sunday, March 12th – Vinyl Music Hall – Pensacola, FL
Wednesday, March 15th – Music Hall – Charleston, SC
Thursday, March 16th – The Plaza Live – Orlando, FL
Friday, March 17th – Culture Room – Ft. Lauderdale, FL
Saturday, March 18th – Jannus Live – St. Petersburg, FL
Sunday, March 19th – PV Concert Hall – Ponte Vedra Beach, FL
Tuesday, March 21st – Lincoln Theatre – Raleigh, NC
Wednesday, March 22nd – Jefferson Theatre – Charlottesville, VA
Thursday, March 23rd – The Orange Peel – Asheville, NC
Friday, March 24th – Variety Playhouse – Atlanta, GA
Saturday, March 25th – Variety Playhouse – Atlanta, GA

Less than two weeks after his special appearance at the band’s New Year’s Eve performance in Philadelphia, moe. guitarist Chuck Garvey has announced that he will be returning to the road full-time for the band’s 21-date winter 2023 tour, beginning with the January 19th performance in Huntington, NY. The long-awaited announcement comes 13 months after Garvey suffered a stroke, just after the band’s Halloween 2021 performance, and according to the band, would not have happened without the support of the moe. community.
 
“Thank you for your well-wishes and your donations, without which my recovery would not have happened,” Garvey said in a letter to fans in November. “This year has been a really long, difficult one for me, but a rewarding one, in that I learned what a person needs to do to achieve goals. Some are basic, everyday things like speech, and some are more about universal things that I noticed about family, friends, and community that keep us all afloat.”
 
“So, thank you for your help and your community,” Chuck continued. “I can’t wait to see all of you where the water falls, and the music calls.
 
“This past year has been a trying time for moe., as a band,” commented bassist Rob Derhak. “We were faced with an unthinkable decision of replacing our brother Chuck with another guitarist. Suke stepped in and stepped up. He brought his unique style, unparalleled talent, and hyper-focused work ethic into the group. Without his help, we wouldn’t have been able to survive the last year, and I think I speak for all of us when I say that we are eternally grateful. Thank You Suke Cerulo.”

moe.’s 21-date, winter 2023 tour will feature select performances throughout the east coast. Beginning with three nights in NY, NJ, and DC in late January, the tour will resume with a 2-night run at the State Theatre in Portland, ME over President’s Day weekend, and an additional 2-night run at the Palace Theater in Albany, NY on February 24-25, coinciding with “moe.day” in Albany on 2/24. Following a short break, the second leg of the tour will center around the southeast, with a number of dates in Florida, and wrap with a 2-night run at Variety Playhouse in Atlanta on March 23-24. For ticketing and show info, please visit https://moe.org/tour
 
moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.
 
moe.’s longevity is no doubt due to the family spirit shared between its members and its engaged fanbase, the Famoe.ly, a bond that has been fortified through decades on the road. moe. has performed innumerable headline tours, international festival sets, music-themed cruises, and sold-out shows alongside countless household-name artists. They’ve also promoted and headlined multiple festivals of their own, including snoe.down and moe.down. The band’s vibrant blend of inventive musicality and genre-blurring is on full display on two recent releases, their 12th studio album, 'This Is Not, We Are,' and the 'Not Normal' EP.
 
moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums)

moe. Winter Tour Dates
Thursday, January 19 – The Paramount – Huntington, NY
Friday, January 20th – 9:30 Club – Washington, D.C.
Saturday, January 21st – Wellmont Theater – Montclair, NJ
Friday, February 17th – State Theatre – Portland, ME
Saturday, February 18th – State Theatre – Portland, ME
Friday, February 24th – Palace Theater – Albany, NY
Saturday, February 25th – Palace Theater – Albany, NY
Thursday, March 9th – Brooklyn Bowl – Nashville, TN
Friday, March 10th – Mars Music Hall – Huntsville, AL
Saturday, March 11th – Minglewood Hall – Memphis, TN
Sunday, March 12th – Vinyl Music Hall – Pensacola, FL
Wednesday, March 15th – Music Hall – Charleston, SC
Thursday, March 16th – The Plaza Live – Orlando, FL
Friday, March 17th – Culture Room – Ft. Lauderdale, FL
Saturday, March 18th – Jannus Live – St. Petersburg, FL
Sunday, March 19th – PV Concert Hall – Ponte Vedra Beach, FL
Tuesday, March 21st – Lincoln Theatre – Raleigh, NC
Wednesday, March 22nd – Jefferson Theatre – Charlottesville, VA
Thursday, March 23rd – The Orange Peel – Asheville, NC
Friday, March 24th – Variety Playhouse – Atlanta, GA
Saturday, March 25th – Variety Playhouse – Atlanta, GA

Today, the Indiana blues-rock outfit The Cold Stares have announced ‘Voices,’ their new full-length album, out March 10th via Mascot Records. Recorded almost entirely over the course of just two days with producer/engineer/mixer Mark Needham (Taj Mahal, The Killers, Imagine Dragons, Walk the Moon, Fleetwood Mac), the album stands as the band’s most mature, eclectic collection yet, balancing gritty muscle and tender emotion in equal measure. To celebrate the announcement, the band has unveiled an official music video for the album’s lead single “The Joy,” which draws from Pink Floyd as it revels in the happiness that comes with finding your true soulmate.
 
“This song takes a step outside of our normal catalog and tackles the topic of finding happiness after heartache,” guitarist/vocalist Chris Tapp explains. “I think it will connect with those people that have overcome trials, and those who have survived toxic relationships and finally found happiness.”
 
For the past ten years, The Cold Stares have toured the world relentlessly as a duo, blowing away audiences across the US and Europe with a fierce, blistering live show that belied their bare bones, guitar-and-drums setup. Now, the band is embracing a whole new kind of chemistry as they launch their next chapter, adding a third member and channeling the classic power trio sound they grew up on with their explosive new album. “The chains were off when we made this record,” says Tapp. “Suddenly, all the parameters that had dictated what we could and couldn’t do just disappeared and we were free to create whatever sound we wanted.”

That sense of total artistic liberation lies at the heart of Voices, which pushes The Cold Stares’ signature mix of blues, southern, and hard rock to bold new heights. It would have been easy for Tapp and drummer Brian Mullins to simply crank the volume here, but instead they make the most of bassist Bryce Klueh’s arrival by getting more nuanced and adventurous in their approach, chasing a raw, unvarnished sound that manages to feel both vintage and modern all at once. Add it all up and you’ve got a gutsy, cinematic record that’s as honest as it is exhilarating, a high-octane dose of unadulterated rock and roll that tips its cap to everything from Cream to Led Zeppelin as it reckons with love and loss, sin and redemption, hope and regret.

“A lot of these tunes deal with really personal things that have been on my mind for a while,” says Tapp. “I just had to live enough life and get enough experience under my belt to know how to talk about them, to know how to feel comfortable opening up those veins and sharing whatever came out.”

Characters fueled by similarly desperate longings—for hope, for purpose, for comfort—turn up throughout the record. The haunting “The Ghost” channels the redemptive fervor of a Sunday morning tent revival, while the epic anthem “Nothing But The Blues” wrestles with hard times in a down-and-out town.
 
“Nothing But The Blues is kind of a continuation of the theme of our song ‘Hard Times,’” adds tapp. “I was thinking about what it takes to play ‘authentic blues,’ which traditionally meant suffering through the horrors of the old south. In my mind, there are so many things that can definitely set you down in the blues in the current world we live in.”
 
Launched in 2012, The Cold Stares got their start when longtime friends Tapp and Mullins agreed to team up for a fill-in gig that caught them both by surprise. With a sound far bigger than any duo should rightfully have been able to create, the pair of Kentucky natives began turning heads almost immediately, releasing a series of acclaimed albums that landed them on the road with the likes of Larkin Poe, Rival Sons, Reignwolf, Spoon, Grand Funk Railroad, and Thievery Corp, among others. American Songwriter praised the group’s “hard-won commitment, honesty, and intensity,” while No Depression hailed their sound as a “roots rocking firestorm,” and tunes from their albums turned up everywhere from ESPN and TNT to the hit video game Cyberpunk 2077.
 
After wrapping up touring for 2021’s ‘Heavy Shoes’ (their fifth studio album and debut release for Mascot Records), Tapp and Mullins returned to their adopted hometown of Evansville, Indiana, with a decision to make. The band’s sound had been growing increasingly elaborate in the studio, but unless they wanted to start playing along to pre-recorded backing tracks onstage, they were reaching a point where they wouldn’t be able to faithfully replicate their tunes anymore as a duo.
 
“We’d been a two-piece for a decade, so it wasn’t something we took lightly,” says Tapp. “But we’d also known Bryce for a long time and knew he’d fit right in.”
 
Stay tuned for continued updates.
 
‘Voices’ by The Cold Stares
1. Nothing But The Blues
2. Come For Me
3. The Joy
4. Lights Out
5. Got No Right
6. Sorry I Was Late
7. Voices
8. Waiting On The Rain
9. Sinnerman
10. Throw That Stone
11. It’s Heavy
12. Thinking About Leaving Again
13. The Ghost

On the heels of the release of their captivating new single “Who Can You Love,” the Southern roots rockers Robert Jon & The Wreck have announced a select run of performances throughout the southeast this winter. Kicking off in Clearwater, FL on Friday, March 17th before winding its way through Florida, Georgia, the Carolinas, and Tennessee, the tour will celebrate the release of the band’s ‘One Of A Kind’ EP, out March 10th via Joe Bonamassa’s newest independent label, Journeyman Records. Tickets are on-sale this Friday, January 20th at 10am local time. For more information and to purchase tickets visit https://robertjonandthewreck.com/
 
Hailing from Southern California, Robert Jon & The Wreck take the Southern rock sound from the east coast and make it their own. Since their inception in 2011, these four California natives - Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, background vocals), Henry James Schneekluth (lead guitar, background vocals), and Warren Murrel (bass) - have been electrifying audiences around the world with their soaring guitar leads, rich vocal harmonies, and memorable tunes. Simply put, when these talented musicians take the stage, it is difficult to ignore.
 
“Energetic, emotional, and inspiring,” Metal Express Radio declared of their live show. “At times, it felt like standing at the side of the stage at Woodstock witnessing some of the greats before they made their breakthrough.” Raw Ramp adds, “If you want kickass southern commotion with the kind of buzz that lifts your cowlick hackles to new levels of euphoria, this is for you!” Little wonder the band has made an impact on audiences across the world, where they’ve played a run of sold-out shows and proudly shared bills with talent the likes of Joe Bonamassa, Peter Frampton, Buddy Guy and Rival Sons.
 
The announcement of Robert Jon & The Wreck’s winter 2023 tour follows the release of “Who Can You Love,” the Americana-infused second single from their upcoming EP, ‘One Of A Kind.’ Produced by the renowned, multi-GRAMMY Award-winning producer Don Was (Bonnie Raitt, The Stones, John Mayer), “Who Can You Love” was recorded at Hensen Studios in Los Angeles (the same studio that gave us legendary albums including “Tapestry” by Carole King and “Blue” by Joni Mitchell, and many others) Listen/stream the track HERE.

“Don is a mysterious guy,” commented Burrison on the collaboration with Was. “He’s so much about the vibe of the song, rather than the details, and he loves making stuff that sounds raw. He would tell awesome stories about the Dead and the Stones, and there was just so much gravity in his words because he’s been in those legendary rooms. It’s hard not to be intimidated but he made us feel right at home.”
 
“There aren’t a lot of great rock and roll bands out there playing’ right now,” added Was. “It’s a real thrill to be able to record this kind of music with such a great band.”

With its infectious melodies, catchy riffs, and Americana sound, “Who Can You Love” showcased another side of the band following the release of the EP’s explosive lead single “Pain No More,” an outstanding riff-driven roots rock track produced by the eight-time Grammy Award winner Dave Cobb (Chris Stapleton, Brandi Carlile, Blackberry Smoke, Rival Sons). In contrast, “Who Can You Love” is a reflective, inward-looking track about questioning what you are looking for in a partner. From the uplifting lyrics and velvety vocals of Robert Jon to Henry James' soul-stirring fretwork, "Who Can You Love" has all the makings of a timeless Southern Rock ballad. The Wreck's latest track will be right at home alongside cherished classics like The Allman Brothers' "Melissa" and Lynyrd Skynyrd's "Simple Man," as well as modern gems like Chris Stapleton's rendition of "Tennessee Whiskey" & John Mayer's "Last Train Home (Ballad Version).”
 
“Who Can You Love” is the latest in a series of singles that Robert Jon & The Wreck will roll out over the next year, beyond the release of the ‘One Of A Kind’ EP. Prolific songwriters with a wealth of new material who refuse to be constrained by traditional release strategies, the band’s new partnership with Journeyman Records affords them the opportunity to work with the world’s top producers and release a steady stream of high-quality singles on an ongoing basis, cutting through the industry chaos and ensuring new music is accessible to fans as intended.
 
The band’s partnership with Journeyman Records followed the release of their 2020 album ‘Last Light On The Highway,’ which garnered worldwide acclaim, and 2021’s ‘Shine A Light On Me Brother,’ which continued their upward trajectory. They released two singles in early 2022, “Waiting For Your Man” and “She’s A Fighter.” On September 30th, The Wreck released their latest Album ‘Wreckage Vol. 2,’ which has paved the way for even more new and exciting music from the band.
 
Stay tuned for continued updates.

THE WRECK’S WINTER 2023 US TOUR
 
3/17/2023 The Murray Theatre At Ruth Eckerd Hall – Clearwater, FL
3/18/2023 King Center Studio Theatre – Melbourne, FL
3/19/2023 Alexis & Jim Pugh Theater – Orlando, FL
3/21/2023 Hargray Capitol Theatre – Macon, GA
3/22/2023 Booth Playhouse – Charlotte, NC
3/23/2023 Lincoln Theatre – Raleigh, NC
3/24/2023 Gunter Theatre – Greenville, SC
3/25/2023 Songbirds – Chattanooga, TN

On their cinematic new single “Throw That Stone,” featuring guest vocals by bluegrass singer Brenna Macmillan and mandolin by the acclaimed multi-instrumentalist Warren Hood, the Indiana blues-rock outfit The Cold Stares channel some of the greatest artists in gospel blues and American roots for a stirring tale of judgement and acceptance. Released alongside a lyric video that retells biblical stories in an old west setting, drawing on visual influences that include the video game Red Dead Redemption and the western films singer/guitarist Chris Tapp grew up watching with his grandfather, “Throw That Stone” will be featured on the band’s explosive new full-length album ‘Voices,’ out March 3rd via Mascot Records.
 
"I was drawing from my heroes like Son House, Blind Willie Johnson and even Johnny Cash,” explains Tapp. “To me, ‘Throw That Stone’ speaks to the redemption that can be found by not judging others. I felt that was what Cash did with the prison stuff, and Son and Willie did that with blending the gospel into everyday life."
 
Self-produced by the band and recorded almost entirely over the course of just two days with engineer Mark Needham (Taj Mahal, The Killers, Imagine Dragons, Walk the Moon, Fleetwood Mac), The Cold Stares’ new album stands as the band’s most mature, eclectic collection yet, balancing gritty muscle and tender emotion in equal measure. The release of “Throw That Stone” follows previous single “The Joy,” which draws from Pink Floyd as it revels in the happiness that comes with finding your true soulmate. “This song takes a step outside of our normal catalog and tackles the topic of finding happiness after heartache,” Tapp explains.
 
For the past ten years, The Cold Stares have toured the world relentlessly as a duo, blowing away audiences across the US and Europe with a fierce, blistering live show that belied their bare bones, guitar-and-drums setup. Now, the band is embracing a whole new kind of chemistry as they launch their next chapter, adding a third member and channeling the classic power trio sound they grew up on with their explosive new album. “The chains were off when we made this record,” says Tapp. “Suddenly, all the parameters that had dictated what we could and couldn’t do just disappeared and we were free to create whatever sound we wanted.”

That sense of total artistic liberation lies at the heart of Voices, which pushes The Cold Stares’ signature mix of blues, southern, and hard rock to bold new heights. It would have been easy for Tapp and drummer Brian Mullins to simply crank the volume here, but instead they make the most of bassist Bryce Klueh’s arrival by getting more nuanced and adventurous in their approach, chasing a raw, unvarnished sound that manages to feel both vintage and modern all at once. Add it all up and you’ve got a gutsy, cinematic record that’s as honest as it is exhilarating, a high-octane dose of unadulterated rock and roll that tips its cap to everything from Cream to Led Zeppelin as it reckons with love and loss, sin and redemption, hope and regret.
 
“A lot of these tunes deal with really personal things that have been on my mind for a while,” says Tapp. “I just had to live enough life and get enough experience under my belt to know how to talk about them, to know how to feel comfortable opening up those veins and sharing whatever came out.”
 
Characters fueled by similarly desperate longings—for hope, for purpose, for comfort—turn up throughout the record. The haunting “The Ghost” channels the redemptive fervor of a Sunday morning tent revival, while the epic anthem “Nothing But The Blues” wrestles with hard times in a down-and-out town.

Launched in 2012, The Cold Stares got their start when longtime friends Tapp and Mullins agreed to team up for a fill-in gig that caught them both by surprise. With a sound far bigger than any duo should rightfully have been able to create, the pair of Kentucky natives began turning heads almost immediately, releasing a series of acclaimed albums that landed them on the road with the likes of Larkin Poe, Rival Sons, Reignwolf, Spoon, Grand Funk Railroad, and Thievery Corp, among others. American Songwriter praised the group’s “hard-won commitment, honesty, and intensity,” while No Depression hailed their sound as a “roots rocking firestorm,” and tunes from their albums turned up everywhere from ESPN and TNT to the hit video game Cyberpunk 2077.
 
After wrapping up touring for 2021’s ‘Heavy Shoes’ (their fifth studio album and debut release for Mascot Records), Tapp and Mullins returned to their adopted hometown of Evansville, Indiana, with a decision to make. The band’s sound had been growing increasingly elaborate in the studio, but unless they wanted to start playing along to pre-recorded backing tracks onstage, they were reaching a point where they wouldn’t be able to faithfully replicate their tunes anymore as a duo.
 
“We’d been a two-piece for a decade, so it wasn’t something we took lightly,” says Tapp. “But we’d also known Bryce for a long time and knew he’d fit right in.”
 
Stay tuned for continued updates.

‘Voices’ by The Cold Stares
1. Nothing But The Blues
2. Come For Me
3. The Joy
4. Lights Out
5. Got No Right
6. Sorry I Was Late
7. Voices
8. Waiting On The Rain
9. Sinnerman
10. Throw That Stone
11. It’s Heavy
12. Thinking About Leaving Again
13. The Ghost

On the heels of an emotional first leg of their winter 2023 tour, which saw guitarist Chuck Garvey return to the road full-time following his stroke in 2021, moe. has announced an additional run of performances for April/May, beginning in Tulsa, OK on Wednesday, April 26th. The tour will then route through Texas, Arizona, and Missouri, and include a two-night run at Tipitina’s in New Orleans during Jazz Fest 2023. The announcement comes with the news that keyboardist Nate Wilson, who first sat in with the band during Garvey’s recovery last year, is now an official member of the band and will perform at all of moe.’s performances, going forward.
 
“We are thrilled to announce that our long-time friend, keyboardist Nate Wilson will be joining moe. full-time moving forward,” bassist Rob Derhak comments. “Former founding member of both Percy Hill, and Assembly of Dust (and current band leader for Ghosts Of Jupiter), Nate has been part of our lineup since our first shows without Chuck Garvey. He has since proven himself a valued contributor to our sound, and now with Chuck back in the groove, he compliments our overall style. His sense of humor and overall breadth of musical knowledge is a welcome addition.”

“I’m beyond excited to embark on this new adventure as full-time keyboardist for moe.,” Wilson adds. “The band and their fans are legends. Can’t wait to hit the road this spring!”

A special artist pre-sale will begin this Wednesday, February 1st at 10am local time – click here for more information. Tickets go on sale to the general public this Friday, February 3rd at 10am local time. For ticketing and show info, please visit https://moe.org/tour

moe.’s winter 2023 tour will resume with a 2-night run at the State Theatre in Portland, ME over President’s Day weekend (2/17-18), and an additional 2-night run at the Palace Theater in Albany, NY on 2/24-25, coinciding with “moe.day” in Albany on 2/24. Select February performances will include an opening set by Karina Rykman. Following a short break, the next leg of the tour will center around the southeast, with a number of dates in Florida, followed by a 2-night run at Variety Playhouse in Atlanta on March 23-24. The tour will then conclude with the newly announced April/May dates, culminating in Kansas City on Wednesday, May 3rd.
 
moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.
 
moe.’s longevity is no doubt due to the family spirit shared between its members and its engaged fanbase, the Famoe.ly, a bond that has been fortified through decades on the road. moe. has performed innumerable headline tours, international festival sets, music-themed cruises, and sold-out shows alongside countless household-name artists. They’ve also promoted and headlined multiple festivals of their own, including snoe.down and moe.down. The band’s vibrant blend of inventive musicality and genre-blurring is on full display on two recent releases, their 12th studio album, 'This Is Not, We Are,' and the 'Not Normal' EP.
 
moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums) * Nate Wilson (keys)
 
moe. Winter Tour Dates
Friday, February 17th – State Theatre – Portland, ME*
Saturday, February 18th – State Theatre – Portland, ME*
Friday, February 24th – Palace Theater – Albany, NY*
Saturday, February 25th – Palace Theater – Albany, NY
Thursday, March 9th – Brooklyn Bowl – Nashville, TN
Friday, March 10th – Mars Music Hall – Huntsville, AL
Saturday, March 11th – Minglewood Hall – Memphis, TN
Sunday, March 12th – Vinyl Music Hall – Pensacola, FL
Wednesday, March 15th – Music Hall – Charleston, SC
Thursday, March 16th – The Plaza Live – Orlando, FL
Friday, March 17th – Culture Room – Ft. Lauderdale, FL
Saturday, March 18th – Jannus Live – St. Petersburg, FL
Sunday, March 19th – PV Concert Hall – Ponte Vedra Beach, FL
Tuesday, March 21st – Lincoln Theatre – Raleigh, NC
Wednesday, March 22nd – Jefferson Theatre – Charlottesville, VA
Thursday, March 23rd – The Orange Peel – Asheville, NC
Friday, March 24th – Variety Playhouse – Atlanta, GA
Saturday, March 25th – Variety Playhouse – Atlanta, GA
Wednesday, April 26th – Cain’s Ballroom – Tulsa, OK
Thursday, April 27th – The Echo Lounge – Dallas, TX
Friday, April 28th – Paramount Theatre – Austin, TX
Saturday, April 29th – Tipitina’s – New Orleans, LA
Sunday, April 30th – Tipitina’s – New Orleans, LA
Tuesday, May 2nd – JJ’s Live – Fayetteville, AR
Wednesday, May 3rd – The Truman – Kansas City, MO
 
* with Karina Rykman

After a 20-year hiatus, Les Claypool’s Fearless Flying Frog Brigade has announced its long-awaited return with the massive, 41-date Summer of Green Tour 2023, which will mark the band’s first appearances since summer 2003. Kicking off in Stateline, NV on Wednesday, May 17th before winding its way from coast-to-coast, the tour will feature several festival appearances, including the Summer Camp Music Festival, the Mountain Music Festival, the Riverbend Music Festival, and the Peach Music Festival. Featuring Les Claypool (bass), Sean Lennon (guitar), Harry Waters (keys), Paulo Baldi (drums), Mike Dillon (percussion), and Skerik (horns), the set will include a full performance of Pink Floyd’s iconic tenth studio album ‘Animals,’ which was famously captured on the band’s second 2001 live recording ‘Live Frogs Set 2.’
 
“In an age of calibrated chaos, moral constipation, and conspiranoia, it is reassuring to know that certain frogs can and do fly,” Claypool comments.
 
Select June performances will include a co-headlining set with Jerry Harrison and Adrian Belew’s ‘Remain In Light’ Tour, which finds the Talking Heads members performing songs from a monumental period of the band’s history alongside a powerhouse band. Additional support throughout the tour include Fishbone, Neal Francis, Budos Band, W.I.T.C.H., and Moon Duo.
 
A limited pre-sale, including VIP upgrade options, will go on sale February 1 at 10am local time, using the code WHAMOLA.  General public on sale is this Friday, February 3 at 10am local time. All show and ticket/VIP information can be found at http://www.lesclaypool.com/
 
Formed by Claypool in the summer of 2000 during a short break from Primus, the Fearless Flying Frog Brigade made its debut appearance at the Mountain Aire Festival before embarking on several celebrated US tours. Described by Claypool as “kind of a King Crimson meets Pink Floyd meets Frank Zappa type thing," the band released two live albums in 2001, as well as a studio album ‘Purple Onion’ in 2002. The band’s most recent performance took place on May 10th, 2003 at the House of Blues in Orlando, Florida.
 
The return of the Fearless Flying Frog Brigade follows a busy year for Claypool, who in addition to performing with Bastard Jazz on NYE and throughout winter 2022, traveled the country with Primus for the band’s wildly popular ‘A Tribute To Kings’ Tour, and appeared alongside Ween at Comedy Central’s South Park: 25th Anniversary Concert” at Red Rocks Amphitheatre. Last year also saw the release of Primus’ first new music in more than five years, the sprawling 3-song ‘Conspiranoid’ EP, which included the epic 11-minute opening track, “Conspiranoia,” and second single, “Follow The Fool.”
 
Claypool is one of the most unlikely success stories in entertainment history. His trademark voice, thumping bass lines and unique worldview have become the calling cards for a number of wildly successful and influential albums in the last two decades. But through his myriad of musical and creative projects, Claypool has also become a favorite of jam banders, funk connoisseurs and pretty much everything in-between.
 
“Let’s put it this way … I think, with Primus and without, I’ve played every music festival in the last ten years, except Lilith Fair,” he comments. “You could say I’m the guy who doesn’t fit in anywhere, but a little bit everywhere.”
 
For more information on Les Claypool’s Fearless Flying Frog Brigade, please visit https://lesclaypool.com/

LES CLAYPOOL’S FEARLESS FLYING FROG BRIGADE - The Summer of Green Tour 2023
Wednesday, May 17th – Stateline, NV – TBA venue ^
Friday, May 19th - Napa, CA – Blue Note Summer Sessions at TBA venue ^
Saturday, May, 20th - Santa Cruz, CA - Santa Cruz Civic Auditorium ^
Sunday, May 21st - San Diego, CA - Observatory North ^
Tuesday, May 23rd - Salt Lake City, UT – TBA venue ^
Wednesday, May 24th - Denver, CO - Mission Ballroom ^
Friday, May 26th - Kansas City, MO - Grinders KC
Saturday, May 27th - Chillicothe, IL - Summer Camp Music Festival
Sunday, May 28th - Louisville, KY - Iroquois Amphitheater ~
Tuesday, May 30th - Buffalo, NY - Town Ballroom ~
Wednesday, May 31st - Columbus, OH - KEMBA Live! ~
Friday, June 2nd - Detroit, MI - Royal Oak Music Theatre ~
Saturday, June 3rd - Oak Hill, WV - Mountain Music Festival
Sunday, June 4th - Chattanooga, TN – TBA venue
Tuesday, June 6th - Richmond, VA - Brown's Island *
Wednesday, June 7th - Raleigh, NC - Raleigh Memorial Auditorium *
Friday, June 9th - Asheville, NC - Rabbit Rabbit *
Saturday, June 10th - Atlanta, GA - The Eastern *
Sunday, June 11th - Columbia, SC - Township Auditorium *
Tuesday, June 13th - Dallas, TX - Music Hall at Fair Park *
Wednesday, June 14th - Austin, TX - The Moody Amphitheater *
Friday, June 16th - Houston, TX - White Oak Music Hall Lawn *
Saturday, June 17th - New Orleans, LA - Mardi Gras World *
Monday, June 19th - Mobile, AL - Saenger Theatre *
Tuesday, June 20th - Tampa, FL - Seminole Hard Rock Hotel & Casino *
Thursday, June 22nd - Baltimore, MD - The Lyric %
Friday, June 23rd - Port Chester, NY - Capitol Theatre ~
Saturday, June 24th - Westbury, NY - NYCB Theatre [In The Round] ~
Monday, June 26th - Northampton, MA - The Pines Theater ~
Wednesday, June 28th - Portland, ME - State Theatre #
Thursday, June 29th - Boston, MA - MGM Music Hall at Fenway #
Saturday, July 1st - Scranton, PA - Peach Music Festival
Sunday, July 2nd - Chicago, IL - Salt Shed [Indoor] #
Monday, July 3rd - St. Paul, MN - Palace Theatre #
Friday, July 7th - Bonner, MT - Kettlehouse Amphitheater +
Saturday, July 8th - Redmond, WA - Marymoor Park Live +
Sunday, July 9th - Forest Grove, OR - Grand Lodge +
Tuesday, July 11th - Wheatland, CA - Hard Rock Live +
Thursday, July 13th - San Luis Obispo, CA - Madonna Inn +
Friday, July 14th - Los Angeles, CA - The Wiltern +
Saturday, July 15th - Phoenix, AZ - Van Buren +
 
* Jerry Harrison & Adrian Belew Remain In Light
^ Fishbone
~ Neal Francis
# Budos Band
+ Moon Duo
% W.I.T.C.H.

Original Talking Heads member Jerry Harrison and noted touring member Adrian Belew have announced 18-additional tour dates for their upcoming ‘Remain In Light’ tour, in celebration of the band’s iconic 1980 record. After wrapping the first leg of the tour in New Haven, CT on March 11th, the tour will resume with appearances at the Golden Road Music Festival, Mill Valley Music Festival, and Riverbend Music Festival in May, as well as a run of performances with Cool Cool Cool, featuring former members of Turkuaz. The tour will then join forces with Les Claypool’s Fearless Flying Frog Brigade, who are returning to the road for the first time since 2003.
 
The ‘Remain In Light Tour’ will find Harrison and Belew performing songs from this monumental period of the band’s history alongside a powerhouse band, including former members of Turkuaz, Julie Slick on bass, and Yahuba Garcia-Torres on percussion. Tickets will go on-sale this Friday, February 3rd @ 10am local time. For more information and to purchase tickets, please visit remaininlight.net.
 
“’Remain In Light’ is a high point in my career,” comments Harrison. “Adrian and I had often discussed the magic of the 1980 tour and the sheer joy it brought to audiences. It is such a delight to see that joy once again in the audiences on the current tour.”
 
“A joyful show of Talking Heads songs you know and love performed by a hot, eleven-piece ensemble including Jerry and me,” Belew adds. “You can’t help but dance and go home with a happy smile on your face.”
 
Harrison and Belew first reunited to perform material from ‘Remain In Light’ at the 2021 Peach Music Festival with Turkuaz. Coming on the heels of the 40th anniversary of the release of ‘Remain In Light,’ it marked Harrison’s first live performance since 1996. The band then reunited at LA’s The Wiltern last month for a celebrated performance, which began with Harrison and Belew in conversation with Tawny Newsome, in a discussion about the Talking Heads’ incredible rise to fame and the impact they had on music and pop culture. Listen to Harrison and Belew discuss their careers on the “WTF with Marc Maron” Podcast.
 
A special pre-sale, including a very limited amount of “Once In A Lifetime” Meet & Greet VIP Experiences, will go on sale, Wednesday, February 1st at 10am local time. “Once In A Lifetime” Meet & Greet VIP Experiences include:
 
• One premium reserved ticket in the first 10 rows -OR- general admission ticket (where applicable)
• VIP early entry into the venue
• Exclusive pre-show meet & greet with Harrison & Belew
• Personal photograph with Harrison & Belew
• Intimate pre-show stories behind the music and Q&A with Harrison & Belew
• Exclusive, limited edition Remain In Light poster, autographed by Harrison & Belew
• Limited edition Remain In Light tour tote bag
• Commemorative pre-show VIP laminate
• Merchandise shopping opportunity before doors open to public
• Very limited availability
 
Remain In Light - Tour Dates
Thu, February 16 - Denver, CO - Ogden Theatre *
Friday, February 17 - Boulder, CO - Boulder Theater *
Sat, February 18 - Beaver Creek, CO - Vilar Performing Arts Center (Auditorium) *
Tuesday, February 21 - Oklahoma City, OK - Tower Theatre *
Wednesday, February 22 - St. Louis, MO - The Factory *
Thursday, February 24  - Minneapolis, MN - First Avenue *
Saturday, February 25 - Chicago, IL - Vic Theatre *
Sunday, February 26 - Indianapolis, IN - Egyptian Room *
Monday, February 27 - Akron, OH - Goodyear Theater *
Tuesday, February 28 - Buffalo, NY - Town Ballroom *
Thursday, March 2 - Toronto, ON - Danforth Music Hall *
Friday, March 3 - Pittsburgh, PA - Roxian Theatre *
Saturday, March 4 - Baltimore, MD - Rams Head Live! *
Sunday, March 5 - Sayreville, NJ - Starland Ballroom *
Tuesday, March 7 - Philadelphia, PA - Keswick Theatre *
Wednesday, March 8 - Albany, NY - Empire Live *
Thursday, March 9 - New York, NY - Sony Hall *
Friday, March 10 - Boston, MA - HOB Boston *
Sat, March 11 - New Haven, CT - College Street Music Hall *
Saturday, May 13 - Placerville, CA - Golden Road Music Festival
Sunday, May 14 - Mill Valley, CA - Mill Valley Music Festival
Tuesday, May 16 - Seattle, WA - Neptune Theater *
Wednesday, May 17 - Portland, OR - Crystal Ballroom*
Friday, June 2 - Chattanooga, TN - Riverbend Music Festival
Saturday, June 3 - Columbus, OH - Newport Music Hall *
Sunday, June 4 - Detroit, MI - The Majestic *
Tuesday, June 6 - Richmond, VA - Virginia Credit Union Live! ^
Wed, June 7 - Raleigh, NC - Raleigh Memorial Auditorium ^
Friday, June 9 - Asheville, NC - Rabbit Rabbit ^
Saturday, June 10 - Atlanta, GA - The Eastern ^
Sunday, June 11 - Columbia, SC - Township Auditorium ^
Tuesday, June 13 - Austin, TX - ACL Live @ The Moody Theater ^
Thursday, June 15 - Dallas, TX - Music Hall at Fair Park ^
Friday, June 16 - Houston, TX - Bayou Music Center ^
Saturday, June 17 - New Orleans, LA - Mardi Gras World ^
Monday, June 19 - Mobile, AL - Saenger Theatre ^
Tuesday, June 20 - Tampa, FL - Seminole Hard Rock Hotel & Casino ^
 
* w/ Cool Cool Cool
^ w/ Les Claypool's Fearless Flying Frog Brigade

Today, the three-time GRAMMY-nominated guitarist and 25x Billboard chart-topper Joe Bonamassa has announced Tales Of Time, a sprawling and expansive live concert film and album featuring material from his latest #1 studio album, Time Clocks. Filmed at the breathtaking Red Rocks Amphitheatre in Colorado in August 2022, with a stunning visual backdrop that served to highlight the beauty of the music, Tales Of Time captures a stratospheric performance by the blues-rock titan, as his virtuoso guitar style and unique technique and flair elevate the evening to an almost heavenly high.
 
This incredible undertaking produced by long-time collaborator and producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey). Tales Of Time will be released April 14th worldwide via Bonamassa’s J&R Adventures in CD/DVD, CD/BR, vinyl, and digital formats. To Pre-order, please visit https://joeb.me/talesoftime. Watch the official music video of the first single “The Loyal Kind” at https://youtu.be/7scxFza1aJ8
 
“This live show represents our most progressive and largest production to date, focusing on my most ambitious studio album to date, “Time Clocks.” The iconic Kevin Shirley once again has produced both wonderful music and a wonderful visual. My band was a force of nature on this show and it truly was a special night.” – Joe Bonamassa
 
Cited by Guitar World as “arguably the world’s biggest blues guitarist,” Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career. His latest studio album ‘Time Clocks’ marked his most raw, rocking studio album yet, with American Songwriter sharing, “Bonamassa pushes into fresh territory while staying within a blues-based framework,” and “there is more than enough proof in this sprawling set that Bonamassa doesn’t intend to rest on his laurels or take his star status in the blues-rock genre for granted.”

The announcement of ‘Tales Of Time’ comes on the heels of Bonamassa’s U.S. Spring Tour 2023, which kicks off in Charleston, West Virginia on February 15th before winding its way throughout the Midwest and East Coast. The Spring tour will conclude with Bonamassa’s sold out Keeping The Blues Alive at Sea VIII, set for March 13-17, 2023, departing from Miami, Florida to Puerto Plata, Dominican Republic. The festival line-up includes legendary artists like Little Feat, Dion, Bobby Rush, Robert Randolph Band, Joanne Shaw Taylor, Jimmy Vivino, and more. KTBA at Sea is one of the largest fundraisers for Bonamassa’s Keeping The Blues Alive Foundation, aiding in its mission to promote music education by providing grants and resources to schools and musicians in need.
 
Bonamassa and his long-time manager Roy Weisman also recently announced the launch of Journeyman LLC, a full-service artist management, record label, concert promotion, and marketing company that builds awareness for independent artists worldwide. Journeyman provides the infrastructure needed to jumpstart the careers of exceptional independent artists, who are too often overlooked by the major labels or concert promoters while circumventing the resistance of typical “gatekeepers” who don’t support indie acts. “I wanted to take what I've had to learn the hard way to create a company that could make navigating this process a little easier,” Bonamassa explains.
 
For more information on ‘Tales Of Time’ and to purchase tickets to Bonamassa’s upcoming tour, please visit https://jbonamassa.com
 
‘Tales Of Time’ by Joe Bonamassa (CD)
1. Notches
2. The Heart That Never Waits
3. Curtain Call
4. Mind’s Eye
5. Questions And Answers
6. The Loyal Kind
7. Known Unknowns
8. Time Clocks
9. Just ‘Cos You Can Don’t Mean You Should
10. Evil Mama
 
‘Tales Of Time’ by Joe Bonamassa (DVD/BR)
Dawn Of Time (Intro)
Notches
The Heart That Never Waits
Curtain Call
Mind’s Eye
Questions And Answers
The Loyal Kind
Known Unknowns
Time Clocks
Evil Mama
Midnight Blues
I Didn’t Think She Would Do It
Just ‘Cos You Can Don’t Mean You Should
Mountain Time
Times Tail (Credits)
Bonus Features:
Dust Bowl
Band Intros
The Ballad Of John Henry
 
‘Tales Of Time’ by Joe Bonamassa (3 LP - 180 Gram Vinyl)
Side A
1. Notches
2. The Heart That Never Waits
Side B
1. Curtain Call
2. Mind’s Eye
3. Questions And Answers
Side C
1. The Loyal Kind
2. Known Unknowns
3. Time Clocks
Side D
1. Dust Bowl
2. Evil Mama
3. Midnight Blues
Side E
1. Just ‘Cos You Can Don’t Mean You Should
2. Mountain Time
Side F
1. I Didn’t Think She Would Do It
2. The Ballad Of John Henry
 
Joe Bonamassa U.S. Spring Tour 2023
Feb. 15 - Clay Center - Charleston, WV
Feb. 17 - Playhouse Square - Cleveland, OH          
Feb. 18 - Riverside Theater - Milwaukee, WI
Feb. 20 - The Orpheum Theater - Madison, WI
Feb. 22 - Peoria Civic Center Theater - Peoria, IL
Feb. 24 - DeVos Performance Hall - Grand Rapids, MI
Feb. 25 - Morris Performing Arts Center - South Bend, IN         
Feb. 28 - Shea’s Buffalo Theatre - Buffalo, NY                          
March 1 - Benedum Center - Pittsburgh, PA
March 3  - Ovens Auditorium - Charlotte, NC
March 4 - Fox Theatre - Atlanta, GA
March 5 - Soldiers And Sailors Memorial Auditorium - Chattanooga, TN                  
March 7 - Montgomery Performing Arts Centre - Montgomery, AL
March 8 - Saenger Theatre - New Orleans, LA
March 10 - The King Center - Melbourne, FL
March 11 - The St. Augustine Amphitheatre - St. Augustine, FL
March 13 - Keeping The Blues Alive at Sea VIII - Miami, FL

Blues rock icon and five-time GRAMMY-nominated guitarist Kenny Wayne Shepherd has announced the second annual KWS Backroads Blues Festival, which will make stops across the US this spring and summer. Beginning with two performances in the Pacific Northwest featuring 25x Billboard chart-topper Joe Bonamassa, NYC-based blues star King Solomon Hicks, and the GRAMMY-Award-winning blues artist Bobby Rush, the tour will then make its way across the US, with additional stops and guests to be announced in the coming weeks.

A limited pre-sale is currently underway using the code KWS for the first two dates at the Hayden Homes Amphitheater in Bend, OR on Saturday, May 27th and the Chateau Ste. Michelle Winery in Woodinville, WA on Sunday, May 28th. General public on sale for the Bend, OR performance begins today, February 3rd at 10amPT. General public on sale for the Woodinville, WA performance is this Monday, February 6th at 10amPT. For more information and to purchase tickets visit kennywayneshepherd.net/tour

“I wanted to offer a traditional touring blues festival,” Shepherd commented. “One that will give people a chance to see the best of the best all in one place.” The announcement follows a hugely successful inaugural run of the Backroads Blues Festival in 2022, which featured Buddy Guy and Christone “Kingfish” Ingram. “I’m really happy Joe and I were able to work out our schedules to do these shows together,” Shepherd continued. “And King Solomon Hicks is such a great talent, I’m thrilled he’s able to join us.”

The Backroads Blues Festival is an extension of Shepherd’s award-winning, Platinum-selling 10 Days Out: Blues from the Backroads film and album project, which saw him travel the country with his band and a portable studio alongside the world’s most renowned blues players, as well as some of the genre’s lesser known, but rare and towering talents. Featured artists included Etta Baker, Pinetop Perkins, Honeyboy Edwards, Lazy Lester, Willie “Big Eyes” Smith, Hubert Sumlin, and B.B. King, among others.
 
Remembering the B.B Kin Blues Festival Tour, Shepherd recalled, “In the past, I really looked forward to those blues packages both as a fan and as an artist, so I decided to bring the concept back with the Backroads Blues Festival. Those were very special shows, and once that ended, there was a void. Our Backwoods Blues Festival Tour is firmly rooted in that same tradition.”
 
"Really thrilled to be a part of these Backroads Blues Festivals,” commented Bonamassa. “Anytime I can make music with my friends and it all be on one bill is a real treat, not only for the fans but for me personally, as well.”

The announcement of the second annual Backroads Blues Festival comes on the heels of Shepherd’s latest project ‘Trouble Is…25,’ a top-to-bottom reinterpretation of his seminal album ‘Trouble Is…,’ which struck the match that reignited modern blues upon its release 25 years ago. The release is accompanied by a live DVD filmed at The Strand Theatre in Shepherd’s hometown of Shreveport, Louisiana, shot at the launch of his year-long celebration of the 25th anniversary of ‘Trouble Is…,’ which found the band performing the album, in its entirety, across the US. Shepherd’s ‘Trouble Is…25’ tour continues this spring. For more information and to purchase tickets visit kennywayneshepherd.net/tour
 
The Kenny Wayne Shepherd Band:
Kenny Wayne Shepherd - Guitar + Vocals
Noah Hunt - Vocals
Chris Layton - Drums
Kevin McCormick - Bass
Joe Krown - Keys
 
Backroads Blues Festival – Tour Dates
Saturday, May 27th - Hayden Homes Amphitheater - Bend, OR
Sunday, May 28th - Chateau Ste. Michelle Winery Woodinville, WA
 
More dates to be announced in the coming weeks.

Today, Southern roots rockers Robert Jon & The Wreck have released “Come At Me,” the hard-charging, rock & roll infused final single from their new EP ‘One Of A Kind,’ out March 10th via Joe Bonamassa’s newest independent label, Journeyman Records. An instant rock & roll classic produced by the renowned, multi-GRAMMY Award winning producer Don Was (Bonnie Raitt, The Stones, John Mayer), “Come At Me” was recorded at Hensen Studios in Los Angeles (the same studio that gave us legendary albums including “Tapestry” by Carole King and “Blue” by Joni Mitchell, and many others). Watch the official music video for “Come At Me” NOW.
 
“’Come at Me’ was one of the first new songs we wrote for our summer recording sessions,” commented frontman Robert Jon Burrison. “The song happened so fast, it almost wrote itself. It’s another fun upbeat song that makes you wanna scream along with the chorus after hearing it just once.”
 
“Working with Don was great because he has a zen-like quality about him that makes you feel very comfortable,” Burrison added. “He knows what it takes to make a band feel relaxed to get the best performances from each player.”
 
“Come At Me” follows the release of the album’s captivating, Americana-infused single “Who Can You Love,” and the “Pain No More,” an outstanding riff-driven roots rock track produced by the eight-time Grammy Award winner Dave Cobb (Chris Stapleton, Brandi Carlile, Blackberry Smoke, Rival Sons). In contrast, “Come At Me” showcases another side of the band’s dynamic sound, as they gear up to release a series of diverse singles over the next year, beyond the release of the ‘One Of A Kind’ EP. Prolific songwriters with a wealth of new material who refuse to be constrained by traditional release strategies, the band’s new partnership with Journeyman Records affords them the opportunity to work with the world’s top producers and release a steady stream of high quality singles on an ongoing basis, cutting through the industry chaos and ensuring new music is accessible to fans as intended.

Reigning from Southern California, Robert Jon & The Wreck take the Southern rock sound from the east coast and make it their own. Since their inception in 2011, these four native Californians; Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, background vocals), Henry James Schneekluth (lead guitar, background vocals), and Warren Murrel (bass) have been electrifying audiences all over the world with their soaring guitar leads, rich vocal harmonies, and memorable tunes. Simply put, it is difficult to ignore when these talented musicians take the stage.
 
Little wonder they have made an impact on audiences across the world, where they’ve played a run of sold-out shows and proudly shared bills with talent the likes of Joe Bonamassa, Peter Frampton, Buddy Guy and Rival Sons. 2020’s ‘Last Light On The Highway’ garnered worldwide acclaim for the band and 2021’s ‘Shine A Light On Me Brother’ continued their upward trajectory, leading to a collaboration with Journeyman Records. They released two singles in early 2022 “Waiting For Your Man” and “She’s A Fighter.” On September 30th, The Wreck released their latest Album ‘Wreckage Vol. 2,’ which has paved the way for even more new and exciting music from the band.

Robert Jon & The Wreck is currently gearing up for a select run of performances throughout the southeast this winter, kicking off in Clearwater, FL on Friday, March 17th before winding its way through Florida, Georgia, the Carolinas, and Tennessee. For more information and to purchase tickets visit https://robertjonandthewreck.com/

THE WRECK’S WINTER 2023 US TOUR
3/17/2023 The Murray Theatre At Ruth Eckerd Hall – Clearwater, FL
3/18/2023 King Center Studio Theatre – Melbourne, FL
3/19/2023 Alexis & Jim Pugh Theater – Orlando, FL
3/21/2023 Hargray Capitol Theatre – Macon, GA
3/22/2023 Booth Playhouse – Charlotte, NC
3/23/2023 Lincoln Theatre – Raleigh, NC
3/24/2023 Gunter Theatre – Greenville, SC
3/25/2023 Songbirds – Chattanooga, TN
 
Stay tuned for continued updates.

Three-time GRAMMY-nominated guitarist and 25x Billboard chart-topper Joe Bonamassa has announced the return of the summer’s biggest rock & roll event with “Keeping the Blues Alive presents: Joe Bonamassa & Friends,” featuring special guests Styx and Don Felder, formerly of the Eagles. The special two-night performance run will stop at Northwell Health at Jones Beach Theater on Saturday, August 12th and Bethel Woods Center for the Arts on Sunday, August 13th. Tickets go on-sale this Friday, February 10th at 10am EST. For more information and to purchase tickets visit jbonamassa.com.

Like the concert series’ inaugural event last year, Keeping The Blues Alive Presents: Joe Bonamassa & Friends will feature full performances from each act before culminating into a jaw-dropping encore featuring members from all three bands.

Felder is a true American rock and roll guitar hero. Not only is he a proud, longstanding member of the Rock and Roll Hall of Fame, having been inducted with the Eagles back in 1998, but he was also inaugurated into the Musicians Hall of Fame and Museum in Nashville in 2016 and the Florida Artists Hall of Fame in 2017. Felder spent 27 years with the Eagles, who own the fine distinction of recording the top-selling album of all time — Their Greatest Hits (1971-1975), which has sold over 38 million copies (and counting).
 
The news comes of the special, two-night event just after the announcement of Bonamassa’s upcoming release Tales Of Time, a sprawling and expansive live concert film and album featuring material from his latest #1 studio album, Time Clocks. Filmed at the breathtaking Red Rocks Amphitheatre in Colorado in August 2022, with a stunning visual backdrop that served to highlight the beauty of the music, Tales Of Time captures a stratospheric performance by the blues-rock titan, as his virtuoso guitar style and unique technique and flair elevate the evening to an almost heavenly high.
 
This incredible undertaking was produced by long-time collaborator and producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey). Tales Of Time will be released April 14th worldwide via Bonamassa’s J&R Adventures in CD/DVD, CD/BR, vinyl, and digital formats. To pre-order, please visit https://joeb.me/talesoftime. Watch the official music video of the first single “The Loyal Kind” at https://youtu.be/7scxFza1aJ8
 
Bonamassa is currently gearing up for his U.S. Spring Tour 2023, which kicks off in Charleston, West Virginia on February 15th before winding its way throughout the Midwest and East Coast. The Spring tour will conclude with Bonamassa’s sold-out Keeping The Blues Alive at Sea VIII, set for March 13-17, 2023, departing from Miami, Florida to Puerto Plata, Dominican Republic. The festival line-up includes legendary artists like Little Feat, Dion, Bobby Rush, Robert Randolph Band, Joanne Shaw Taylor, Jimmy Vivino, and more. KTBA at Sea is one of the largest fundraisers for Bonamassa’s Keeping The Blues Alive Foundation, aiding in its mission to promote music education by providing grants and resources to schools and musicians in need.
 

Cited by Guitar World as “arguably the world’s biggest blues guitarist,” Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career. His latest studio album ‘Time Clocks’ marked his most raw, rocking studio album yet, with American Songwriter sharing, “Bonamassa pushes into fresh territory while staying within a blues-based framework,” and “there is more than enough proof in this sprawling set that Bonamassa doesn’t intend to rest on his laurels or take his star status in the blues-rock genre for granted.”

Joe Bonamassa U.S. Tour 2023
Feb. 15 - Clay Center - Charleston, WV
Feb. 17 - Playhouse Square - Cleveland, OH          
Feb. 18 - Riverside Theater - Milwaukee, WI
Feb. 20 - The Orpheum Theater - Madison, WI
Feb. 22 - Peoria Civic Center Theater - Peoria, IL
Feb. 24 - DeVos Performance Hall - Grand Rapids, MI
Feb. 25 - Morris Performing Arts Center - South Bend, IN         
Feb. 28 - Shea’s Buffalo Theatre - Buffalo, NY                          
March 1 - Benedum Center - Pittsburgh, PA
March 3  - Ovens Auditorium - Charlotte, NC
March 4 - Fox Theatre - Atlanta, GA
March 5 - Soldiers And Sailors Memorial Auditorium - Chattanooga, TN                  
March 7 - Montgomery Performing Arts Centre - Montgomery, AL
March 8 - Saenger Theatre - New Orleans, LA
March 10 - The King Center - Melbourne, FL
March 11 - The St. Augustine Amphitheatre - St. Augustine, FL
March 13-17 - Keeping The Blues Alive at Sea VIII - Miami, FL
August 12 - Northwell Health at Jones Beach Theater - Wantagh, NY *
August 13 - Bethel Woods Center for the Arts - Bethel, NY *
 
* Keeping the Blues Alive presents: Joe Bonamassa & Friends: Styx and Don Felder, formerly of the Eagles

Today, the blues-roots guitarist Chris Duarte announces ‘Ain’t Giving Up,' his 15th studio album, out April 14th via Provogue Records. Featuring a wide range of outlaw blues, Americana, roots, and even alt-country influences, ‘Ain’t Giving Up’ finds the Austin, Texas guitarist teaming up for the first time in 22 years with producer-guitarist Dennis Herring, also known for his work with artists like Buddy Guy, Modest Mouse, Elvis Costello, and the Hives. But the resulting album isn’t a calculated return to roots affair. Recorded live on the studio floor with vintage gear and minimal overdubs, it’s a raw and revved-up showcase for the virtuoso’s jaw-dropping chops; his mastery of the elusive Texas shuffle; and his deep love and commitment to the blues.

Duarte is celebrating the announcement with the release of the album’s opening track, the super-charged Allman Brother-style riffy blues-rocker, “Nobody But You.” Watch the official music video here.

Duarte dropped his sophomore album, ‘Texas Sugar Strat Magik,’ in 1994, and it sold an excess of 100,000 units. Duarte went on to win the highly coveted “Best New Talent” in Guitar Player’s Reader’s Poll, and he finished fourth in the magazine’s “Best Blues Guitarist” category, behind legends Eric Clapton, Buddy Guy and B.B. King. He would go on to issue a string of critically-acclaimed blues, blues-rock albums, and experimental fusion-tinged albums.
 
‘Ain’t Giving Up’ siphons from the same spirit as ‘Texas Sugar,’ but the new album is definitely its own monster. The album was tracked live as a trio with ‘Texas Sugar’ drummer Brannen Temple, but it also features a rhythm machine with some raw, looped beat patterns Duarte plays over, much like the same funky groove stylings as on J.J. Cale’s iconic 1971 album ‘Naturally.’ “This album explores a wider spectrum of musicality,” shares Duarte. “I love Muddy Water and Howlin’ Wolf, but also feel like it’s part of me to introduce some unexpected influences. For this album, I didn’t feel scared to explore beyond hard-driving blues. I view this as expanding on the format that I love.”

“I planted my flag with ‘Strat Magik,’ and on this album, I am pushing the music forward,” Duarte continues. “I’ve explored lots of different facets of my playing, but this album says, ‘I’m here, and I’m not giving up on blues or my career.’ And I’m not playing it safe, either—the solos were all tracked live.”
 
Duarte has been known for his physical and athletic playing style—he often plays so hard his fingers bleed while he’s onstage (there are photos to prove this legend). Because of this fiery dedication, many fans and critics have playfully referred to his music as “punk blues” or “rockin’ blues.” “My style is super aggressive and physical,” Duarte affirms. “These days I’m a bit older, but I still put as much heart into my playing as I ever did—I still love playing.”

The guitarist, singer, and songwriter came up as a force to be reckoned with in the 1990s Austin, Texas roots and blues scene. He rose to prominence in the wake of Stevie Ray Vaughan’s passing, and was noted for his muscular playing style; his jazz and rock n’ roll-infused blues solos; and his command of the Texas blues tradition. Since those early days, Duarte has carved his own niche through a series of beloved blues-flavored albums, and a calendar of more than 150 dates a year which includes performances billed as Chris Duarte and as The Chris Duarte Group. In both of these contexts, Duarte has headlined major festivals and clubs throughout the US, Canada, Japan, and Europe.
 
Reunited with Herring who produced his best-selling record, Duarte instantly found a lot hadn’t changed with the two men. “There’s more grey hair and creases in our faces,” Duarte says with a chuckle. “But we have that same music connection we had years ago.  Dennis’s approach is to capture raw emotion, and, because of this, he records literally everything, even snippets between songs.” Duarte continues: “I brought my guitar with me when we tracked vocals, and he said I didn’t need it—the guitar parts were all done. He used the solos I played on the fly during the basic sessions.  They were fun, and off-the-cuff, and the tone and grooves were great. I was really dialed in.”
 
'Ain't Giving Up' is intimate and gritty, but it also boasts pristine fidelity, as if we the listener are in the studio with Duarte and his buddies. It’s a reset for Duarte that shows his resilience and his undiminished love of the blues and American roots. “I am so grateful to be signed to Provogue and to work with Dennis again—it’s been a dream come true,” Duarte enthuses. “I have been so fortunate to play music and do my thing for almost 30 years, and I couldn’t ask for a better life.”

‘Ain’t Giving Up' by Chris Duarte
1. Nobody But You
2. Big Fight
3. Bye, Bye, Bye
4. Can Opener
5. Gimme Your Love
6. Come My Way
7. Half As Good As Two
8. Lies Lies Lies
9. Ain’t Giving Up On Us
10. Look What U Made Me Do
11. The Real Low Down
12. Weak Days

Just in time for Valentine’s Day, GRAMMY award-winning bassist/producer Ben Williams and Broadway’s Nala Syndee Winters have returned with “Lifetime,” the latest single from Butterfly Black, a fresh new R&B duo that delivers bubbly, boogie-centric, and upscale R&B. Bursting with infectious energy for our post-pandemic times, and drawing upon the legacy of iconic male-female soul duos like Marvin Gaye & Tammi Terrell, Ike & Tina Turner, and Ashford & Simpson, the contemporary lyrics of “Lifetime” touch on the topic of love in all its forms – love of others, love of self, and even the importance of self-care through therapy. The single was released today alongside a gorgeous black-and-white music video directed by Lauren Desberg. Watch here.
 
"During the pandemic, I wanted to create music that reunited people,” comments Winters. “To get them to dance, love, and take care of one another again. I want our music to help with that. ‘Lifetime’ is a love anthem for today's time.”
 
“This song represents love in its truest sense,” Williams adds. “Not just romanticism, but love of one’s self and accountability. I believe this would be the type of music that Marvin Gaye and Tammi Terrell would make in 2023.”

For many artists, the last few years of the pandemic have been transformative. Some have had to reinvent themselves to continue creating and engaging with their audiences in new virtual and/or social-distancing environments. Others had to reassess what was important to them in terms of creativity and the practicalities of sustaining a livelihood. Whatever the situation may be, it’s no surprise that as the world emerges from the pandemic, many artists will also re-emerge with new personas. Such was the case for Williams and Winters, who joined forces to create a fresh and electric new duo that honors a time that made you dance, love, and want to live your best life.
 
“I don’t see a lot of those duos existing nowadays,” Williams comments. “Having a true duo group, I think will be something special to present to people now.” The release of “Lifetime” follows Butterfly Black’s infectious debut “I Just Want To Love You,” a summery mid-tempo jam that recalls Leon Sylvers’ legendary production and songwriting work at SOLAR Records in the early-’80s.
 
Butterfly Black’s strength lies not only in the couple’s intoxicating musical chemistry that is evident both in the studio and onstage; it comes from their divergent individual artistic pasts. Williams is among the upper echelon of his contemporaries in the jazz scene. After winning the 2009 Thelonious Monk Institute International Jazz Competition, he has released a handful of critical-acclaimed solo albums and recorded and/or performed with numerous heavyweights such as Pat Metheny, David Sanborn, George Benson, Robert Glasper, Kamasi Washington, Jose James, among others. Winters is a commanding Broadway stage singer, dancer and actor, who has performed in such defining productions as Hamilton, The Lion King, Pippin, Motown The Musical, and Jesus Christ Superstar. Before working on Broadway, she was a dancer for the New York Knicks basketball team and a hip-hop and soul singer, who worked with Grandmaster Flash on his 2009 album, ‘The Bridge.’
 
Butterfly Black is currently at work on their debut 5-song EP, due out later this year, and gearing up for a series of performances both individually and as Butterfly Black. Next on the calendar is Winters’ solo performance at 54 Below in NYC on March 8th (tickets here). Keep an eye on Butterfly Black’s Instagram for continued updates!

As they gear up to return to the road with a 2-night run at the State Theatre in Portland, ME this weekend, moe. has announced a special 3-night run at Brooklyn Bowl in Brooklyn, NY on May 18-20, to cap their 2023 US winter/spring tour. The news follows the return of guitarist Chuck Garvey to the road full-time following his stroke in 2021. An official, multi-camera recording of the band’s NYE 2022 performance, which marked Garvey’s return to the band, is now available to stream on the band’s YouTube page here. The announcement also follows the news that keyboardist Nate Wilson, who first sat in with the band during Garvey’s recovery last year, is now an official member of the band and will perform at all of moe.’s performances, going forward.

A special artist pre-sale is currently underway using the password WINDITUP – click here for more information. Tickets go on sale to the general public this Friday, February 17th at 10amET. For ticketing and show info, please visit https://moe.org/tour

moe.’s winter 2023 tour will resume their 2-night run at the State Theatre this weekend, as well as an additional 2-night run at the Palace Theater in Albany, NY on 2/24-25, coinciding with “moe.day” in Albany on 2/24. Select February performances will include an opening set by Karina Rykman. Following a short break, the next leg of the tour will center around the southeast, with a number of dates in Florida, followed by a 2-night run at Variety Playhouse in Atlanta on March 23-24. The tour will then conclude with the band’s recently announced April/May dates, culminating in Kansas City on Wednesday, May 3rd, the 3-night run at Brooklyn Bowl, and the Summer Camp Music Festival from May 25-28th.
 
moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.

moe.’s longevity is no doubt due to the family spirit shared between its members and its engaged fanbase, the Famoe.ly, a bond that has been fortified through decades on the road. moe. has performed innumerable headline tours, international festival sets, music-themed cruises, and sold-out shows alongside countless household-name artists. They’ve also promoted and headlined multiple festivals of their own, including snoe.down and moe.down. The band’s vibrant blend of inventive musicality and genre-blurring is on full display on two recent releases, their 12th studio album, 'This Is Not, We Are,' and the 'Not Normal' EP.

moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums) * Nate Wilson (keys)
 
moe. US Tour Dates
Friday, February 17th – State Theatre – Portland, ME*
Saturday, February 18th – State Theatre – Portland, ME*
Friday, February 24th – Palace Theater – Albany, NY*
Saturday, February 25th – Palace Theater – Albany, NY
Thursday, March 9th – Brooklyn Bowl – Nashville, TN
Friday, March 10th – Mars Music Hall – Huntsville, AL
Saturday, March 11th – Minglewood Hall – Memphis, TN
Sunday, March 12th – Vinyl Music Hall – Pensacola, FL
Wednesday, March 15th – Music Hall – Charleston, SC
Thursday, March 16th – The Plaza Live – Orlando, FL
Friday, March 17th – Culture Room – Ft. Lauderdale, FL
Saturday, March 18th – Jannus Live – St. Petersburg, FL
Sunday, March 19th – PV Concert Hall – Ponte Vedra Beach, FL
Tuesday, March 21st – Lincoln Theatre – Raleigh, NC
Wednesday, March 22nd – Jefferson Theatre – Charlottesville, VA
Thursday, March 23rd – The Orange Peel – Asheville, NC
Friday, March 24th – Variety Playhouse – Atlanta, GA
Saturday, March 25th – Variety Playhouse – Atlanta, GA
Friday, April 14th – Higher Ground – Burlington, VT
Saturday, April 15th - Higher Ground – Burlington, VT
Wednesday, April 26th – Cain’s Ballroom – Tulsa, OK
Thursday, April 27th – The Echo Lounge – Dallas, TX
Friday, April 28th – Paramount Theatre – Austin, TX
Saturday, April 29th – Tipitina’s – New Orleans, LA
Sunday, April 30th – Tipitina’s – New Orleans, LA
Tuesday, May 2nd – JJ’s Live – Fayetteville, AR
Wednesday, May 3rd – The Truman – Kansas City, MO
Thursday, May 18th – Brooklyn Bowl – Brooklyn, NY
Friday, May 19th – Brooklyn Bowl – Brooklyn, NY
Saturday, May 20th – Brooklyn Bowl – Brooklyn, NY
Thursday, May 25th-Sunday, May 28th – Summer Camp Music Festival – Chillicothe, IL
Friday, June 16th – Red Rock Amphitheatre – Morrison, CO^
Saturday, June 17th – Red Rock Amphitheatre – Morrison, CO^
Thursday, July 13th-Saturday, July 15th – 4848 Festival – Snowshoe, WV
 
* with Karina Rykman
^ supporting Umphrey’s McGee

The three-time GRAMMY-nominated guitarist and 25x Billboard chart-topper Joe Bonamassa has released a mind-blowing live rendition of “Mind’s Eye,” a standout track from his most recent studio album ‘Time Clocks.’ Featured on ‘Tales Of Time,’ his sprawling and expansive live concert film and album shot at the breathtaking Red Rocks Amphitheatre in Colorado, the psychedelic influences of the song were augmented by the stunning visual backdrop produced by the iconic Kevin Shirley, serving to highlight the beauty of the music. The live video captures a stratospheric performance by the blues-rock titan, as his virtuoso guitar style and unique technique and flair elevate the evening to an almost heavenly high.
 
‘Tales Of Time’ will be released on 4/14 via Bonamassa’s J&R Adventures in CD/DVD, CD/BR, vinyl, and digital formats. For more information and to pre-order, please visit https://jbonamassa.com/
 
“The song has a very Pink Floyd feel,” commented Roy Weisman, CEO of Bonamassa's J&R Adventures label, upon the song’s original release. “The whole ‘Time Clocks’ record is about a journey, and ‘Mind’s Eye’ gives you a fun glimpse of what could be swimming around inside someone’s mind.”
 
“This live show represents our most progressive and largest production to date, focusing on my most ambitious studio album to date,” adds Bonamassa. “My band was a force of nature on this show, and it truly was a special night.”
 
Cited by Guitar World as “arguably the world’s biggest blues guitarist,” Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career. ‘Time Clocks’ marked his most raw, rocking studio album yet, with American Songwriter sharing, “Bonamassa pushes into fresh territory while staying within a blues-based framework,” and “there is more than enough proof in this sprawling set that Bonamassa doesn’t intend to rest on his laurels or take his star status in the blues-rock genre for granted.”

The release of “Mind’s Eye” coincides with the launch of Bonamassa’s U.S. Spring Tour 2023, which kicked off in Charleston, West Virginia this week. The Spring tour will conclude with Bonamassa’s Keeping The Blues Alive at Sea VIII, set for March 13-17, departing from Miami, Florida to Puerto Plata, Dominican Republic. The festival line-up includes legendary artists like Little Feat, Dion, Bobby Rush, Robert Randolph Band, Joanne Shaw Taylor, Jimmy Vivino, and more. KTBA at Sea is one of the largest fundraisers for Bonamassa’s Keeping The Blues Alive Foundation, aiding in its mission to promote music education by providing grants and resources to schools and musicians in need. Bonamassa also just announced “Keeping the Blues Alive presents: Joe Bonamassa & Friends,” a special two-night performance run with Styx and Don Felder at Northwell Health at Jones Beach Theater on Saturday, August 12th and Bethel Woods Center for the Arts on Sunday, August 13th.
 
Bonamassa and his long-time manager Roy Weisman recently launched Journeyman LLC, a full-service artist management, record label, concert promotion, and marketing company that builds awareness for independent artists worldwide. Journeyman provides the infrastructure needed to jumpstart the careers of exceptional independent artists, who are too often overlooked by the major labels or concert promoters while circumventing the resistance of typical “gatekeepers” who don’t support indie acts. “I wanted to take what I've had to learn the hard way to create a company that could make navigating this process a little easier,” Bonamassa explains.

For more information on ‘Tales Of Time’ and to purchase tickets to Bonamassa’s upcoming tour, please visit https://jbonamassa.com
 
‘Tales Of Time’ by Joe Bonamassa (CD)
1. Notches
2. The Heart That Never Waits
3. Curtain Call
4. Mind’s Eye
5. Questions And Answers
6. The Loyal Kind
7. Known Unknowns
8. Time Clocks
9. Just ‘Cos You Can Don’t Mean You Should
10. Evil Mama
 
‘Tales Of Time’ by Joe Bonamassa (DVD/BR)
1. Notches
2. The Heart That Never Waits
3. Curtain Call
4. Mind’s Eye
5. Questions And Answers
6. The Loyal Kind
7. Known Unknowns
8. Time Clocks
9. Evil Mama
10. Midnight Blues
11. I Didn’t Think She Would Do It
12. Just ‘Cos You Can Don’t Mean You Should
13. Mountain Time
Bonus:
1. Dust Bowl
2. Band Intros
3. The Ballad Of John Henry
 
‘Tales Of Time’ by Joe Bonamassa (3 LP 180 Gram Vinyl)
1. Notches
2. The Heart That Never Waits
3. Curtain Call
4. Mind’s Eye
5. Questions And Answers
6. The Loyal Kind
7. Known Unknowns
8. Time Clocks
9. Dust Bowl
10. Evil Mama
11. Midnight Blues
12. Just ‘Cos You Can Don’t Mean You Should
13. Mountain Time
14. I Didn’t Think She Would Do It
15. The Ballad Of John Henry
 
Joe Bonamassa U.S. Spring Tour 2023
Feb. 15 - Clay Center - Charleston, WV
Feb. 17 - Playhouse Square - Cleveland, OH           
Feb. 18 - Riverside Theater - Milwaukee, WI
Feb. 20 - The Orpheum Theater - Madison, WI
Feb. 22 - Peoria Civic Center Theater - Peoria, IL
Feb. 24 - DeVos Performance Hall - Grand Rapids, MI
Feb. 25 - Morris Performing Arts Center - South Bend, IN          
Feb. 28 - Shea’s Buffalo Theatre - Buffalo, NY                           
March 1 - Benedum Center - Pittsburgh, PA
March 3  - Ovens Auditorium - Charlotte, NC
March 4 - Fox Theatre - Atlanta, GA
March 5 - Soldiers And Sailors Memorial Auditorium - Chattanooga, TN                   
March 7 - Montgomery Performing Arts Centre - Montgomery, AL
March 8 - Saenger Theatre - New Orleans, LA
March 10 - The King Center - Melbourne, FL
March 11 - The St. Augustine Amphitheatre - St. Augustine, FL
March 13-17 - Keeping The Blues Alive at Sea VIII - Miami, FL
August 12 - Northwell Health at Jones Beach Theater - Wantagh, NY *
August 13 - Bethel Woods Center for the Arts - Bethel, NY *
 
* Keeping the Blues Alive presents: Joe Bonamassa & Friends: Styx and Don Felder, formerly of the Eagles

As moe. prepares for a 2-night run at Albany’s Palace Theatre beginning tonight (2/24), coinciding with the fifth annual “moe.day,” the city has announced that it is temporarily renaming N. Pearl, the street on which the Palace Theatre stands, to moe.street, effective immediately. The decision honors the deep ties between moe. and the City of Albany, which began with the band’s early days living together on Central Avenue in the ‘90s. Their first performance at the Palace Theatre took place on February 23rd, 1996, as part of a “Rock The Vote” concert, and this Saturday will mark the band’s 17th appearance at the venue, in addition to a short video concert they filmed in the Palace Theatre Lobby in the fall of 2020.

“We are overwhelmed with the love the City Of Albany has given our band over the years,” comments guitarist Al Schnier. “From declaring Feb 24th as ‘moe.day’ to this, the dedication of ‘moe.street in front of The Palace Theatre, we are humbled and deeply honored.”

Albany’s annual moe.day was established in February 2018, to celebrate the band’s first appearance in the city following bassist Rob Derhak’s treatment for oropharyngeal cancer. Today, less than two months after the return of guitarist Chuck Garvey to the road full-time following his stroke in 2021, Albany Mayor Kathy Sheehan declared moe.day “alive and well.”

Following moe.’s apperances in Albany this weekend, the next leg of the band’s tour will center around the southeast, with a number of dates in Florida, followed by a 2-night run at Variety Playhouse in Atlanta on March 23-24. The tour will then conclude with a string of April/May dates, culminating in Kansas City on Wednesday, May 3rd, a 3-night run at Brooklyn Bowl, and the Summer Camp Music Festival from May 25-28th. It was also recently announced that keyboardist Nate Wilson, who first sat in with the band during Garvey’s recovery last year, is now an official member of the band and will perform at all of moe.’s performances, going forward.

moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.
 
moe.’s longevity is no doubt due to the family spirit shared between its members and its engaged fanbase, the Famoe.ly, a bond that has been fortified through decades on the road. moe. has performed innumerable headline tours, international festival sets, music-themed cruises, and sold-out shows alongside countless household-name artists. They’ve also promoted and headlined multiple festivals of their own, including snoe.down and moe.down. The band’s vibrant blend of inventive musicality and genre-blurring is on full display on two recent releases, their 12th studio album, 'This Is Not, We Are,' and the 'Not Normal' EP.
 
moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums) * Nate Wilson (keys)

moe. US Tour Dates

Friday, February 24th – Palace Theater – Albany, NY*
Saturday, February 25th – Palace Theater – Albany, NY
Thursday, March 9th – Brooklyn Bowl – Nashville, TN
Friday, March 10th – Mars Music Hall – Huntsville, AL
Saturday, March 11th – Minglewood Hall – Memphis, TN
Sunday, March 12th – Vinyl Music Hall – Pensacola, FL
Wednesday, March 15th – Music Hall – Charleston, SC
Thursday, March 16th – The Plaza Live – Orlando, FL
Friday, March 17th – Culture Room – Ft. Lauderdale, FL
Saturday, March 18th – Jannus Live – St. Petersburg, FL
Sunday, March 19th – PV Concert Hall – Ponte Vedra Beach, FL
Tuesday, March 21st – Lincoln Theatre – Raleigh, NC
Wednesday, March 22nd – Jefferson Theatre – Charlottesville, VA
Thursday, March 23rd – The Orange Peel – Asheville, NC
Friday, March 24th – Variety Playhouse – Atlanta, GA
Saturday, March 25th – Variety Playhouse – Atlanta, GA
Friday, April 14th – Higher Ground – Burlington, VT
Saturday, April 15th - Higher Ground – Burlington, VT
Wednesday, April 26th – Cain’s Ballroom – Tulsa, OK
Thursday, April 27th – The Echo Lounge – Dallas, TX
Friday, April 28th – Paramount Theatre – Austin, TX
Saturday, April 29th – Tipitina’s – New Orleans, LA
Sunday, April 30th – Tipitina’s – New Orleans, LA
Tuesday, May 2nd – JJ’s Live – Fayetteville, AR
Wednesday, May 3rd – The Truman – Kansas City, MO
Thursday, May 18th – Brooklyn Bowl – Brooklyn, NY
Friday, May 19th – Brooklyn Bowl – Brooklyn, NY
Saturday, May 20th – Brooklyn Bowl – Brooklyn, NY
Thursday, May 25th-Sunday, May 28th – Summer Camp Music Festival – Chillicothe, IL
Friday, June 16th – Red Rock Amphitheatre – Morrison, CO^
Saturday, June 17th – Red Rock Amphitheatre – Morrison, CO^
Thursday, July 13th-Saturday, July 15th – 4848 Festival – Snowshoe, WV
 
* with Karina Rykman

As he enters the third week of his nearly sold-out Spring U.S. Tour, three-time GRAMMY-nominated guitarist and 25x Billboard chart-topper Joe Bonamassa has announced a handful of additional performances for 2023. Starting with the Capitol Theatre in Yakima, WA on Friday, May 26th, Bonamassa will wind his way across the west, culminating in a performance at the iconic Red Rock Amphitheatre in Morrison, CO on August 6th. Capping the summer with a previously announced two-night run with Styx and Don Felder in the northeast, Bonamassa will round out the year with performances at the Hertz Arena in Ft. Myers, FL on Friday, December 1st and Hard Rock Live in Hollywood, FL on Saturday, December 2nd.

Tickets for the additional performances will go on sale this Friday, March 3rd at 10am local time. For more information visit https://jbonamassa.com/tour-dates/

The news of Bonamassa’s additional tour dates follows the announcement of ‘Tales Of Time,’ a sprawling and expansive live concert film and album featuring material from his latest #1 studio album, ‘Time Clocks.’ Filmed at the breathtaking Red Rocks Amphitheatre in Colorado in August 2022, with a stunning visual backdrop that served to highlight the beauty of the music, ‘Tales Of Time’ captures a stratospheric performance by the blues-rock titan, as his virtuoso guitar style and unique technique and flair elevate the evening to an almost heavenly high.

This incredible undertaking produced by long-time collaborator and producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey). ‘Tales Of Time’ will be released April 14th worldwide via Bonamassa’s J&R Adventures in CD/DVD, CD/BR, vinyl, and digital formats. To pre-order, please visit https://joeb.me/talesoftime.

“This live show represents our most progressive and largest production to date, focusing on my most ambitious studio album to date,” commented Bonamassa. “My band was a force of nature on this show, and it truly was a special night.”

Bonamassa is currently in the middle of his U.S. Spring Tour 2023, which will be stopping at Shea’s Buffalo Theatre in Buffalo, NY for a sold-out show tomorrow night, February 28th. The spring performances will conclude with Bonamassa’s Keeping The Blues Alive at Sea VIII, set for March 13-17, departing from Miami, Florida to Puerto Plata, Dominican Republic. The festival line-up includes legendary artists like Little Feat, Dion, Bobby Rush, Robert Randolph Band, Joanne Shaw Taylor, Jimmy Vivino, and more. KTBA at Sea is one of the largest fundraisers for Bonamassa’s Keeping The Blues Alive Foundation, aiding in its mission to promote music education by providing grants and resources to schools and musicians in need.
 
Cited by Guitar World as “arguably the world’s biggest blues guitarist,” Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career. His most recent full-length ‘Time Clocks’ marked his most raw, rocking studio album yet, with American Songwriter sharing, “Bonamassa pushes into fresh territory while staying within a blues-based framework,” and “there is more than enough proof in this sprawling set that Bonamassa doesn’t intend to rest on his laurels or take his star status in the blues-rock genre for granted.”
 
Bonamassa and his long-time manager Roy Weisman also recently announced Journeyman LLC, a full-service artist management, record label, concert promotion, and marketing company that builds awareness for independent artists worldwide. Journeyman provides the infrastructure needed to jumpstart the careers of exceptional independent artists, who are too often overlooked by the major labels or concert promoters while circumventing the resistance of typical “gatekeepers” who don’t support indie acts. “I wanted to take what I've had to learn the hard way to create a company that could make navigating this process a little easier,” Bonamassa explains.

For more information on ‘Tales Of Time’ and to purchase tickets to Bonamassa’s upcoming tour, please visit https://jbonamassa.com

Joe Bonamassa – 2023 U.S. Tour Dates

February 28 - Shea’s Buffalo Theatre - Buffalo, NY                           
March 1 - Benedum Center - Pittsburgh, PA
March 3 - Ovens Auditorium - Charlotte, NC
March 4 - Fox Theatre - Atlanta, GA
March 5 - Soldiers And Sailors Memorial Auditorium - Chattanooga, TN                   
March 7 - Montgomery Performing Arts Centre - Montgomery, AL
March 8 - Saenger Theatre - New Orleans, LA
March 10 - The King Center - Melbourne, FL
March 11 - The St. Augustine Amphitheatre - St. Augustine, FL
March 13 - 17 - Keeping The Blues Alive at Sea VIII - Miami, FL
May 26 - Capitol Theatre - Yakima, WA
May 27 - Backroads Blues Festival - Hayden Homes Amphitheatre - Bend, OR*
May 28 - Backroads Blues Festival - Chateau Ste Michelle Winery - Woodinville, WA*
August 2 - Vina Robles Amphitheatre - Paso Robles, CA
August 4 - The Cosmopolitan of Las Vegas - Las Vegas, NV
August 5 - Eccles Theater - Salt Lake City, UT
August 6 - Red Rocks Amphitheatre - Morrison, CO
August 12 - Northwell Health at Jones Beach Theater - Wantagh, NY**
August 13 - Bethel Woods Center for the Arts - Bethel, NY**
December 1 - Hertz Arena - Ft. Myers, FL
December 2 - Hard Rock Live - Hollywood, FL

*Featuring Kenny Wayne Shepherd and Joe Bonamassa
**Keeping the Blues Alive presents: Joe Bonamassa & Friends: Styx and Don Felder, formerly of the Eagles

On the heels of a monumental weekend in Albany, NY, moe. has announced that they will be returning to their home state for another 2-night run at Saranac Brewery in Utica, NY on June 9-10, just after they return from the Summer Camp Music Festival. A special artist pre-sale begins at 10amET tomorrow (3/1) using the password HOPPYHOUR, and 2-day passes will be available for purchase here. A limited number of VIP Experience tickets will also be available via the artist pre-sale, to include a pre-show party at 1888 Tavern, early concert entry, a private bar & viewing area, and more. Tickets go on sale to the general public this Friday, March 3rd at 10amET. For ticketing and show info, please visit https://moe.org/tour

moe. celebrated the fifth annual moe.day in Albany this weekend with a stellar 2-night run at the Palace Theatre. Featuring new official member Nate Wilson on keys and an opening set by guitarist Karina Rykman - who joined the band for a performance of “Meat” – set highlights included an extended “Billy Goat,” a rare appearance of “Again and Again,” and a four-song, hour-long second set on Saturday night. The weekend also saw a special appearance by guitarist Suke Cerulo, who toured with the band during guitarist Chuck Garvey’s recovery from a stroke last year.

On Friday, to mark the fifth anniversary of moe.day, Albany Mayor Kathy Sheehan declared moe.day “alive and well” and temporarily renamed N. Pearl, the street on which the Palace Theatre stands, to moe.street. The proclamation honored the deep ties between moe. and the City of Albany, which began with the band’s early days living together on Central Avenue in the ‘90s. moe.day was established in February 2018, to celebrate the band’s first appearance in the city following bassist Rob Derhak’s treatment for oropharyngeal cancer.

“We are overwhelmed with the love the City Of Albany has given our band over the years,” commented guitarist Al Schnier. “From declaring Feb 24th as ‘moe.day’ to this, the dedication of ‘moe.street in front of The Palace Theatre, we are humbled and deeply honored.”

The next leg of the band’s tour will center around the southeast, with a number of dates in Florida, followed by a 2-night run at Variety Playhouse in Atlanta on March 23-24. For more information and to purchase tickets visit https://moe.org/tour.

moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.

moe.’s longevity is no doubt due to the family spirit shared between its members and its engaged fanbase, the Famoe.ly, a bond that has been fortified through decades on the road. moe. has performed innumerable headline tours, international festival sets, music-themed cruises, and sold-out shows alongside countless household-name artists. They’ve also promoted and headlined multiple festivals of their own, including snoe.down and moe.down. The band’s vibrant blend of inventive musicality and genre-blurring is on full display on two recent releases, their 12th studio album, 'This Is Not, We Are,' and the 'Not Normal' EP.
 
moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums) * Nate Wilson (keys)

Setlist - Palace Theatre, Albany – Friday February 24
Set 1: Billy Goat -> Bearsong, Crushing, Blue Jeans Pizza, ATL, Don’t Wanna Be -> McBain*
Set 2: Again and Again^, Faker -> The Road, Water#, Downward Facing Dog -> The Pit
Encore: Letter Home, Captain America

* with Suke Cerulo of Schleigho on guitar
^ LTP 12/30/2018
# Not played since before Chuck’s break
 
Setlist – Palace Theatre, Albany – Saturday, February 25
Set 1: Lazarus, Seat Of My Pants > Sensory Deprivation Bank, Jazz Cigarette, Happy Hour Hero*, Meat^
Set 2: Waiting for the Punchline, Kyle’s Song -> Puebla -> Rebubula
Encore: Plane Crash
 
* with Shannon Lynch of Conehead Buddha on saxophone
^ with Karina Rykman joining on bass. Karina and Rob traded licks during the jam.
 
moe. US Tour Dates

Thursday, March 9th – Brooklyn Bowl – Nashville, TN
Friday, March 10th – Mars Music Hall – Huntsville, AL
Saturday, March 11th – Minglewood Hall – Memphis, TN
Sunday, March 12th – Vinyl Music Hall – Pensacola, FL
Wednesday, March 15th – Music Hall – Charleston, SC
Thursday, March 16th – The Plaza Live – Orlando, FL
Friday, March 17th – Culture Room – Ft. Lauderdale, FL
Saturday, March 18th – Jannus Live – St. Petersburg, FL
Sunday, March 19th – PV Concert Hall – Ponte Vedra Beach, FL
Tuesday, March 21st – Lincoln Theatre – Raleigh, NC
Wednesday, March 22nd – Jefferson Theatre – Charlottesville, VA
Thursday, March 23rd – The Orange Peel – Asheville, NC
Friday, March 24th – Variety Playhouse – Atlanta, GA
Saturday, March 25th – Variety Playhouse – Atlanta, GA
Friday, April 14th – Higher Ground – Burlington, VT
Saturday, April 15th - Higher Ground – Burlington, VT
Wednesday, April 26th – Cain’s Ballroom – Tulsa, OK
Thursday, April 27th – The Echo Lounge – Dallas, TX
Friday, April 28th – Paramount Theatre – Austin, TX
Saturday, April 29th – Tipitina’s – New Orleans, LA
Sunday, April 30th – Tipitina’s – New Orleans, LA
Tuesday, May 2nd – JJ’s Live – Fayetteville, AR
Wednesday, May 3rd – The Truman – Kansas City, MO
Thursday, May 18th – Brooklyn Bowl – Brooklyn, NY
Friday, May 19th – Brooklyn Bowl – Brooklyn, NY
Saturday, May 20th – Brooklyn Bowl – Brooklyn, NY
Thursday, May 25th-Sunday, May 28th – Summer Camp Music Festival – Chillicothe, IL
Friday, June 9th – Saranac Brewery – Utica, NY
Saturday, June 10th – Saranac Brewery – Utica, NY
Friday, June 16th – Red Rock Amphitheatre – Morrison, CO^
Saturday, June 17th – Red Rock Amphitheatre – Morrison, CO^
Thursday, July 13th - Saturday, July 15th – 4848 Festival – Snowshoe, WV

A brand new music festival is coming to the Catskills this fall, and it promises to be one of the most exciting events of the year. Cave Mountain Catskills Music Festival will take place on September 15-16, 2023 at the beautiful Windham Mountain. With a lineup that includes Weezer, Joe Russo’s Almost Dead, Dinosaur Jr., Preservation Hall Jazz Band, Albert Hammond Jr., Lee Fields, Courtney Marie Andrews, Sheer Mag, and more, this festival is sure to be a hit with music lovers from all over the region.
 
Organized by the team behind Brooklyn Made Presents and Crush Music, the Cave Mountain Catskills Music Festival will offer an incredible experience for attendees. The festival's organizers have a proven track record of bringing together top-notch musical talent and creating unforgettable events.
 
“Brooklyn Made Presents couldn't be more excited to be a part of this exciting new festival at the beautiful Windham Mountain in the Catskills,” comments Brooklyn Made President and CEO Anthony Makes. “When Bob McLynn of Crush Music came to me with this idea, it was a no-brainer to jump in and partner on this amazing event. We can't wait to present this festival to all of New York’s incredible music fans this fall.”
 
For those who want to experience the festival in style, there is a VIP ticket option available. VIP ticket holders will receive a dedicated VIP entrance, exclusive prime viewing locations, special access to private lounge areas, commemorative festival poster, and other exclusive amenities.
 
VIP ticket holders will also have access to The Club, Windham Mountain’s exclusive private lounge with stunning mountain views. The Club provides a luxurious setting for guests to relax, unwind, and enjoy the best of what Windham Mountain has to offer. From private cash bars and food for purchase to plush seating areas and top-of-the-line restrooms, The Club provides a truly VIP experience that will elevate the festival weekend to new heights.
 
"We're thrilled to bring this amazing lineup of talented artists to the Catskills," comments Makes and McLynn. "Windham Mountain is the perfect location for a music festival, and we can't wait to see everyone come together for a weekend of great music, food, and fun."
 
Tickets for the festival go on sale Friday, March 10th and are expected to sell out quickly. Fans can purchase general admission and VIP tickets at the festival's website https://cavemountainmusicfest.com or through Ticketmaster.
 
In addition to the incredible musical lineup, the festival offers a wide range of food and beverage options, local craft vendors, as well as the opportunity to experience the beautiful setting of Windham Mountain in the Catskills. The resort's stunning scenery provides a breathtaking backdrop for the festival. Festival-goers will have the chance to soak up the natural beauty of the region while enjoying some of the best music around.
 
"We want to create an experience that is about more than just the music," adds Makes and McLynn. "We want to create a community where people can come together and have a great time."
 
Don't miss out on the chance to be a part of this exciting new music festival in the Catskills. Get your tickets now and get ready for a weekend you'll never forget.
 
For more information about the festival, visit the festival's website.

Today, Southern roots rockers Robert Jon & The Wreck have released ‘One Of A Kind,’ their dynamic, multi-faceted new EP, out now on all digital platforms via Joe Bonamassa’s Journeyman Records. Featuring material produced by GRAMMY-Award winners Don Was (Bonnie Raitt, The Stones, John Mayer) and Dave Cobb (Chris Stapleton, Brandi Carlile, Blackberry Smoke, Rival Sons), ‘One Of A Kind’ showcases Robert Jon & The Wreck’s wide range and dynamic sound, from the instant rock & roll classic “Come At Me” and the captivating, Americana-infused “Who Can You Love,” to the outstanding riff-driven roots rock track “Pain No More.” The album was recorded at two legendary Studios. Don Was produced at Hensen Studios in Los Angeles (the same studio that gave us legendary albums including “Tapestry” by Carole King and “Blue” by Joni Mitchell, and many others) and Dave Cobb produced in Nashville at the Historic RCA Studio A, the same room famous for recording The Beach Boys, Chris Stapleton, Dolly Parton, The Monkees and B.B. King.

To celebrate the release, the band has unveiled a music video for the EP’s title track, “One Of A Kind,” a supercharged rock & roll anthem produced by Cobb. “This song started off with a riff from Henry and a riff from Robert, and Dave just kind of took it and flew with it,” the band recalls. “We got to nerd out on a bunch of old guitars, amps, and fuzz boxes for this one and really get some fun sounds dialed in as well. Everything happened so quickly working with Dave that we didn’t really even have time to process what was going on! And we were all blown away listening to the end result!”

The ‘One Of A Kind’ EP is the first taste of a slate of material that Robert Jon & The Wreck will roll out over the next year. Prolific songwriters with a wealth of new material who refuse to be constrained by traditional release strategies, the band’s new partnership with Journeyman Records affords them the opportunity to work with the world’s top producers and release a steady stream of high-quality singles on an ongoing basis, cutting through the industry chaos and ensuring new music is accessible to fans as intended.

Reigning from Southern California, Robert Jon & The Wreck take the Southern rock sound from the east coast and make it their own. Since their inception in 2011, these four native Californians; Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, background vocals), Henry James Schneekluth (lead guitar, background vocals), and Warren Murrel (bass) have been electrifying audiences all over the world with their soaring guitar leads, rich vocal harmonies, and memorable tunes. Simply put, it is difficult to ignore when these talented musicians take the stage.
 
Little wonder they have made an impact on audiences across the world, where they’ve played a run of sold-out shows and proudly shared bills with talent the likes of Joe Bonamassa, Peter Frampton, Buddy Guy and Rival Sons. 2020’s ‘Last Light On The Highway’ garnered worldwide acclaim for the band and 2021’s ‘Shine A Light On Me Brother’ continued their upward trajectory, leading to a collaboration with Journeyman Records. They released two singles in early 2022 “Waiting For Your Man” and “She’s A Fighter.” On September 30th, The Wreck released their latest Album ‘Wreckage Vol. 2,’ which has paved the way for even more new and exciting music from the band.
 
Robert Jon & The Wreck is currently gearing up for a select run of performances throughout the southeast this winter, kicking off in Clearwater, FL on Friday, March 17th before winding its way through Florida, Georgia, the Carolinas, and Tennessee. For more information and to purchase tickets visit https://robertjonandthewreck.com/
 
THE WRECK’S WINTER 2023 US TOUR
3/17/2023 The Murray Theatre At Ruth Eckerd Hall – Clearwater, FL
3/18/2023 King Center Studio Theatre – Melbourne, FL
3/19/2023 Alexis & Jim Pugh Theater – Orlando, FL
3/21/2023 Hargray Capitol Theatre – Macon, GA
3/22/2023 Booth Playhouse – Charlotte, NC
3/23/2023 Lincoln Theatre – Raleigh, NC
3/24/2023 Gunter Theatre – Greenville, SC
3/25/2023 Songbirds – Chattanooga, TN
4/13/2023 TempleLive – Fort Smith, AR*
4/14/2023 Arlington Live – Arlington TX*
4/15/2023 KC Live – Kansas City MO*
4/16/2023 TempleLive – Wichita KS*
4/27/2023 Charleston Music Hall – Charleston SC*
4/28/2023 Albany Municipal Auditorium – Albany GA*
4/30/2023 Cain’s Ballroom – Tulsa OK*
 
* Opening for Blackberry Smoke

Today, the Indiana blues-rock outfit The Cold Stares has released ‘Voices,’ their explosive new full-length album, out now via Mascot Records. Self-produced by the band and recorded almost entirely over the course of just two days with engineer Mark Needham (Taj Mahal, The Killers, Imagine Dragons, Walk the Moon, Fleetwood Mac), ‘Voices’ stands as The Cold Stares’ most mature, eclectic collection yet, balancing gritty muscle and tender emotion in equal measure. To celebrate the release, the band has shared a live performance video for the album’s latest single “Got No Right,” an upbeat jam about not being able to leave a bad relationship for all the right reasons. Watch HERE.

“We approached ‘Voices’ as each song being an idea or a film to itself, giving each effort its own ‘voice,’” guitarist/vocalist Chris Tapp explains. “I think they still work well together, but provide the listener a little bit more of a journey through the course of the album than we’ve provided in the past.”

For the past ten years, The Cold Stares have toured the world relentlessly as a duo, blowing away audiences across the US and Europe with a fierce, blistering live show that belied their bare bones, guitar-and-drums setup. Now, the band is embracing a whole new kind of chemistry as they launch their next chapter, adding a third member and channeling the classic power trio sound they grew up on with their explosive new album. “The chains were off when we made this record,” says Tapp. “Suddenly, all the parameters that had dictated what we could and couldn’t do just disappeared and we were free to create whatever sound we wanted."

That sense of total artistic liberation lies at the heart of Voices, which pushes The Cold Stares’ signature mix of blues, southern, and hard rock to bold new heights. It would have been easy for Tapp and drummer Brian Mullins to simply crank the volume here, but instead they make the most of bassist Bryce Klueh’s arrival by getting more nuanced and adventurous in their approach, chasing a raw, unvarnished sound that manages to feel both vintage and modern all at once. Add it all up and you’ve got a gutsy, cinematic record that’s as honest as it is exhilarating, a high-octane dose of unadulterated rock and roll that tips its cap to everything from Cream to Led Zeppelin as it reckons with love and loss, sin and redemption, hope and regret.

“A lot of these tunes deal with really personal things that have been on my mind for a while,” says Tapp. “I just had to live enough life and get enough experience under my belt to know how to talk about them, to know how to feel comfortable opening up those veins and sharing whatever came out.”

Characters fueled by similarly desperate longings—for hope, for purpose, for comfort—turn up throughout the record. The haunting “The Ghost” features Southern Gothic and western overtones, while the epic anthem “Nothing But The Blues” wrestles with hard times in a down-and-out town. The release of ‘Voices’ follows album singles “Throw That Stone,” a cinematic track that channels some of the greatest artists in gospel blues, and “The Joy,” which draws from Pink Floyd as it revels in the happiness that comes with finding your true soulmate. “This song takes a step outside of our normal catalog and tackles the topic of finding happiness after heartache,” Tapp explains.

Launched in 2012, The Cold Stares got their start when longtime friends Tapp and Mullins agreed to team up for a fill-in gig that caught them both by surprise. With a sound far bigger than any duo should rightfully have been able to create, the pair of Kentucky natives began turning heads almost immediately, releasing a series of acclaimed albums that landed them on the road with the likes of Larkin Poe, Rival Sons, Reignwolf, Spoon, Grand Funk Railroad, and Thievery Corp, among others. American Songwriter praised the group’s “hard-won commitment, honesty, and intensity,” while No Depression hailed their sound as a “roots rocking firestorm,” and tunes from their albums turned up everywhere from ESPN and TNT to the hit video game Cyberpunk 2077.

After wrapping up touring for 2021’s ‘Heavy Shoes’ (their fifth studio album and debut release for Mascot Records), Tapp and Mullins returned to their adopted hometown of Evansville, Indiana, with a decision to make. The band’s sound had been growing increasingly elaborate in the studio, but unless they wanted to start playing along to pre-recorded backing tracks onstage, they were reaching a point where they wouldn’t be able to faithfully replicate their tunes anymore as a duo.

“We’d been a two-piece for a decade, so it wasn’t something we took lightly,” says Tapp. “But we’d also known Bryce for a long time and knew he’d fit right in.”

‘Voices’ by The Cold Stares
1. Nothing But The Blues
2. Come For Me
3. The Joy
4. Lights Out
5. Got No Right
6. Sorry I Was Late
7. Voices
8. Waiting On The Rain
9. Sinnerman
10. Throw That Stone
11. It’s Heavy
12. Thinking About Leaving Again
13. The Ghost

On April 17th, Primus will perform an intimate benefit concert at The Belasco in LA in support of their close friend, film director, screenwriter, and animator Jimmy Hayward, who is currently undergoing cancer treatment. Featuring Danny Carey and Justin Chancellor of Tool and surprise guests, the event will raise funds for Hayward and his family, as he continues to battle this invasive disease. Tickets are on-sale this Friday, March 24th at 10amPT. For more information and to purchase tickets visit primusville.com.
 
“Every now and again cancer steps into our world and pulverizes the lives of people that are dear to us,” Claypool comments. “Such a thing happened a while back with our good friend Jimmy Hayward. Over the past couple years Jimmy has undergone many major surgeries to remove then reconstruct major damage from a cancer that invaded his bones. With a wife and two very young children at hand, Jimmy has shown incredible courage and tenacity in an unbelievably challenging time.”
 
“It is at this time that we in Primus and some of Jimmy's good friends in the music/entertainment world have decided to give a ‘brother a hand,’ and do a live performance in his honor and for the benefit of his family,” Claypool continues. “Please come down and witness a one-time collaborative music event in celebration of our good friend.”
 
Claypool is currently gearing up for a massive 41-date Summer of Green Tour 2023 with the Fearless Flying Frog Brigade, which marks the band’s first appearances together in 20-years. Kicking off in Stateline, NV on Wednesday, May 17th before winding its way from coast-to-coast, the tour will feature several festival appearances, including the Summer Camp Music Festival, the Mountain Music Festival, the Riverbend Music Festival, and the Peach Music Festival. Featuring Les Claypool (bass), Sean Lennon (guitar), Harry Waters (keys), Paulo Baldi (drums), Mike Dillon (percussion), and Skerik (horns), the set will include a full performance of Pink Floyd’s iconic tenth studio album ‘Animals,’ which was famously captured on the band’s second 2001 live recording ‘Live Frogs Set 2.’
 
Select June performances will include a co-headlining set with Jerry Harrison and Adrian Belew’s ‘Remain In Light’ Tour, which finds the Talking Heads members performing songs from a monumental period of the band’s history alongside a powerhouse band. Additional support throughout the tour include Fishbone, Neal Francis, Budos Band, W.I.T.C.H., and Moon Duo.
 
The return of the Fearless Flying Frog Brigade follows Primus’ wildly popular ‘A Tribute To Kings’ Tour, paying tribute to Rush, which toured the country in 2022. Last year also saw the release of Primus’ first new music in more than five years, the sprawling 3-song ‘Conspiranoid’ EP, which included the epic 11-minute opening track, “Conspiranoia,” and second single, “Follow The Fool.”
 
LES CLAYPOOL’S FEARLESS FLYING FROG BRIGADE - The Summer of Green Tour 2023

Wednesday, May 17th – Stateline, NV – TBA venue ^
Friday, May 19th - Napa, CA – Blue Note Summer Sessions at TBA venue ^
Saturday, May, 20th - Santa Cruz, CA - Santa Cruz Civic Auditorium ^
Sunday, May 21st - San Diego, CA - Observatory North ^
Tuesday, May 23rd - Salt Lake City, UT – TBA venue ^
Wednesday, May 24th - Denver, CO - Mission Ballroom ^
Friday, May 26th - Kansas City, MO - Grinders KC
Saturday, May 27th - Chillicothe, IL - Summer Camp Music Festival
Sunday, May 28th - Louisville, KY - Iroquois Amphitheater ~
Tuesday, May 30th - Buffalo, NY - Town Ballroom ~
Wednesday, May 31st - Columbus, OH - KEMBA Live! ~
Friday, June 2nd - Detroit, MI - Royal Oak Music Theatre ~
Saturday, June 3rd - Oak Hill, WV - Mountain Music Festival
Sunday, June 4th - Chattanooga, TN – TBA venue
Tuesday, June 6th - Richmond, VA - Brown's Island *
Wednesday, June 7th - Raleigh, NC - Raleigh Memorial Auditorium *
Friday, June 9th - Asheville, NC - Rabbit Rabbit *
Saturday, June 10th - Atlanta, GA - The Eastern *
Sunday, June 11th - Columbia, SC - Township Auditorium *
Tuesday, June 13th - Dallas, TX - Music Hall at Fair Park *
Wednesday, June 14th - Austin, TX - The Moody Amphitheater *
Friday, June 16th - Houston, TX - White Oak Music Hall Lawn *
Saturday, June 17th - New Orleans, LA - Mardi Gras World *
Monday, June 19th - Mobile, AL - Saenger Theatre *
Tuesday, June 20th - Tampa, FL - Seminole Hard Rock Hotel & Casino *
Thursday, June 22nd - Baltimore, MD - The Lyric %
Friday, June 23rd - Port Chester, NY - Capitol Theatre ~
Saturday, June 24th - Westbury, NY - NYCB Theatre [In The Round] ~
Monday, June 26th - Northampton, MA - The Pines Theater ~
Wednesday, June 28th - Portland, ME - State Theatre #
Thursday, June 29th - Boston, MA - MGM Music Hall at Fenway #
Saturday, July 1st - Scranton, PA - Peach Music Festival
Sunday, July 2nd - Chicago, IL - Salt Shed [Indoor] #
Monday, July 3rd - St. Paul, MN - Palace Theatre #
Friday, July 7th - Bonner, MT - Kettlehouse Amphitheater +
Saturday, July 8th - Redmond, WA - Marymoor Park Live +
Sunday, July 9th - Forest Grove, OR - Grand Lodge +
Tuesday, July 11th - Wheatland, CA - Hard Rock Live +
Thursday, July 13th - San Luis Obispo, CA - Madonna Inn +
Friday, July 14th - Los Angeles, CA - The Wiltern +
Saturday, July 15th - Phoenix, AZ - Van Buren +
 
* Jerry Harrison & Adrian Belew Remain In Light
^ Fishbone
~ Neal Francis
# Budos Band
+ Moon Duo
% W.I.T.C.H.

On the heels of his sold out music festival cruise Keeping The Blues Alive at Sea VIII, the three-time GRAMMY-nominated guitarist and 25x Billboard chart-topper Joe Bonamassa has just released an unforgettable live rendition of “Time Clocks,” the beautifully poignant title track of his most recent studio album. Featured on ‘Tales of Time,’ his sprawling and expansive live concert film and album shot at the breathtaking Red Rocks Amphitheatre in Colorado, the epic 7+ performance finds the blues-rock superstar at his most expressive and ambitious, casting a spell of pure timelessness over the enraptured crowd. As the heart on sleeve narrative plays out in front of a stunning visual backdrop that served to highlight the beauty of the music, the rousing chorus rises to the heavens as Bonamassa sings, “and the rain soaking through my coat, about to capsize my boat I push it along away from the docks, I was never a good puncher of time clocks.” Watch the live performance HERE.
 
Out 4/14 via Bonamassa’s J&R Adventures in CD/DVD, CD/BR, vinyl, and digital formats, ‘Tales Of Time’ captures a stratospheric performance by the blues-rock titan, as his virtuoso guitar style and unique technique and flair elevate the evening to an almost heavenly high. This incredible undertaking was produced by long-time collaborator and producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey). “This live show represents our most progressive and largest production to date, focusing on my most ambitious studio album to date,” commented Bonamassa. “My band was a force of nature on this show, and it truly was a special night.” For more information and to pre-order, visit https://shop.jbonamassa.com/collections/tot

Bonamassa has just announced a handful of additional performances for 2023. Starting with the Capitol Theatre in Yakima, WA on Friday, May 26th, Bonamassa will wind his way across the west, culminating in a performance at the iconic Red Rock Amphitheatre in Morrison, CO on August 6th. Capping the summer with a previously announced two-night run with Styx and Don Felder in the northeast, Bonamassa will round out the year with performances at the Hertz Arena in Ft. Myers, FL on Friday, December 1st and Hard Rock Live in Hollywood, FL on Saturday, December 2nd. Tickets are available now at https://jbonamassa.com/tour-dates/.
 
Cited by Guitar World as “arguably the world’s biggest blues guitarist,” Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career. His most recent full-length ‘Time Clocks’ marked his most raw, rocking studio album yet, with American Songwriter sharing, “Bonamassa pushes into fresh territory while staying within a blues-based framework,” and “there is more than enough proof in this sprawling set that Bonamassa doesn’t intend to rest on his laurels or take his star status in the blues-rock genre for granted.”
 
For more information on ‘Tales Of Time’ and to purchase tickets to Bonamassa’s upcoming tour, please visit https://jbonamassa.com

Joe Bonamassa – 2023 U.S. Tour Dates
May 26 - Capitol Theatre - Yakima, WA
May 27 - Backroads Blues Festival - Hayden Homes Amphitheatre - Bend, OR*
May 28 - Backroads Blues Festival - Chateau Ste Michelle Winery - Woodinville, WA*
August 2 - Vina Robles Amphitheatre - Paso Robles, CA
August 4 - The Cosmopolitan of Las Vegas - Las Vegas, NV
August 5 - Eccles Theater - Salt Lake City, UT
August 6 - Red Rocks Amphitheatre - Morrison, CO
August 12 - Northwell Health at Jones Beach Theater - Wantagh, NY**
August 13 - Bethel Woods Center for the Arts - Bethel, NY**
December 1 - Hertz Arena - Ft. Myers, FL
December 2 - Hard Rock Live - Hollywood, FL

*Featuring Kenny Wayne Shepherd and Joe Bonamassa
**Keeping the Blues Alive presents: Joe Bonamassa & Friends: Styx and Don Felder, formerly of the Eagles

Just weeks after the release of their celebrated EP One Of A Kind, Southern roots rockers Robert Jon & The Wreck have announced Live At The Ancienne Belgique, their first-ever live DVD, out 4/21 via Joe Bonamassa’s Journeyman Records. Recorded during their sold-out show at the Ancienne Belgique in Brussels, Belgium on June 29th, 2022, the live album captures the Wreck amid their longest-ever tour – 67 performances in 75 days across 9 countries. The tour had been postponed for nearly two years due to the pandemic, so by the time the band hit the stage in Brussels, 50+ performances into the tour, they were a well-oiled machine ready to blow the roof off the place. The night was nothing less than spectacular, featuring a setlist that spanned the last decade of their prolific career, from their 2013 debut to their 2022 release. Stream “Shine A Light On Me Brother” live HERE.

“A lot of time and effort went into our show at the Ancienne Belgique,” comments frontman Robert Jon Burrison. “We had been meaning to make a live album for years, so we saw this as an opportunity to document and release unique, more evolved versions of our songs.”

To celebrate the announcement, Robert Jon & The Wreck have released the first live video from the show for “Shine a Light on Me Brother,” originally the title track of their 2021 studio album. “’Shine’ is always an exhilarating song to play live,” Robert Jon adds. “There are a lot of moving pieces and even a time change between the verse and chorus. Without the horns from the studio recording, it definitely has more of a ‘rock’ feel to it in a live setting. This song also features the talents of two backup singers, which added a lot to our sound!”

The band's new EP One Of A Kind, out now on all digital platforms, received rave reviews around the world and helped catapult the band’s awareness into new heights. Featuring material produced by GRAMMY-Award winners Don Was (Bonnie Raitt, The Stones, John Mayer) and Dave Cobb (Chris Stapleton, Brandi Carlile, Blackberry Smoke, Rival Sons), One Of A Kind showcases Robert Jon & The Wreck’s wide range and dynamic sound, from the instant rock & roll classic “Come At Me” and the captivating, Americana-infused “Who Can You Love,” to the outstanding riff-driven roots rock track “Pain No More.”

The One Of A Kind EP was the first taste of a slate of new material that Robert Jon & The Wreck will roll out over the next year and beyond. Prolific songwriters with a wealth of new material who refuse to be constrained by traditional release strategies, the band’s new partnership with Journeyman Records affords them the opportunity to work with the world’s top producers and release a steady stream of high-quality singles on an ongoing basis, cutting through the industry chaos and ensuring new music is accessible to fans as intended.
 
Reigning from Southern California, Robert Jon & The Wreck take the Southern rock sound from the east coast and make it their own. Since their inception in 2011, these native Californians; Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, background vocals), Henry James Schneekluth (lead guitar, background vocals), and Warren Murrel (bass) have been electrifying audiences all over the world with their soaring guitar leads, rich vocal harmonies, and memorable tunes. Recently, keyboardist Jake Abernathie joined the band for their tour and in studio. Simply put, it is difficult to ignore when these talented musicians take the stage.
 
Having just wrapped up a run of performances throughout the southeast, Robert Jon & The Wreck will return to the road next month opening up for Blackberry Smoke. For more information and to purchase tickets visit https://robertjonandthewreck.com/
 
Robert Jon & The Wreck - Live At The Ancienne Belgique
1. The Devil Is Your Only Friend
2. Do You Remember
3. Henry Guitar Solo
4. Hey Hey Mama
5. She's A Fighter
6. Blame It On The Whiskey
7. Old Friend
8. Shine A Light On Me Brother
9. Oh Miss Carolina
10. Steve Keyboard Solo
11. The Death Of Me
12. Don't Let Me Go
13. Tired Of Drinking Alone
14. Cold Night
 
2023 US TOUR DATES
*4/13/2023 TempleLive – Fort Smith, AR
*4/14/2023 Arlington Live – Arlington TX
*4/15/2023 KC Live – Kansas City MO
*4/16/2023 TempleLive – Wichita KS
*4/27/2023 Charleston Music Hall – Charleston SC
*4/28/2023 Albany Municipal Auditorium – Albany GA
*4/30/2023 Cain’s Ballroom – Tulsa OK
5/1/2023 The Coda Concert House – Joplin, MO
5/3/2023 Sam’s Burger Joint – San Antonio, TX
5/5/2023 The Guitar Sanctuary – Mckinney, TX
5/6/2023 The Continental Club – Houston, TX
5/7/2023 Billy Bob’s Texas – Fort Worth, TX
5/9/2023 Stickyz – Little Rock, AR
5/10/2023 Hernando’s Hide-A-Way – Memphis, TN
5/11/2023 Tooneys – Mccaysville, GA
5/12/2023 Artisphere Festival – Greenville, SC
5/13/2023 Jones von Drehel Vineyards & Winery – Thurmond, NC
5/14/2023 Salvage Station – Asheville, NC

* Opening for Blackberry Smoke

Today, Ivan Neville has announced ‘Touch My Soul,’ his first solo album in nearly 20 years, out 4/21 via Mascot Label Group / The Funk Garage. Tough-minded but tender, filled with joy, beauty, and pain, ‘Touch My Soul’ exudes an unmistakable New Orleans ambiance while breathing new life into Neville’s singular sound. It’s both a love letter to the Crescent City and a celebration of Neville’s emotional and spiritual journey as an artist, a father, and a man. The album’s lead single, the joyful New Orleans tribute “The Greatest Place On Earth,” is an authentic slice of street corner soul; a deliriously Mardi Gras-styled salute packed with incisive rhythms, booting horn parts, and vocal fireworks.

“I haven’t written any new material for myself in a long time,” Ivan explains, “so this project is very special to me. I made it up as I went along, a song here and there, in between my work with Dumpsta and my work with good musical friends.”

As a standard bearer for the musical culture of New Orleans, Ivan takes his anointing as seriously as the swamp water that courses through his veins. From the ferocious funk he makes with his bandmates in the dynamic Dumpstaphunk to his high-profile gigs with Keith Richards and Bonnie Raitt, he embodies the irrepressible spirit of New Orleans, holding the keys to the Crescent City at his fingertips. He can summon the barrelhouse mambo of Professor Longhair and the spidery intricacies of James Booker; he can play spooky, atmospheric chords like Dr. John; he can riff like Sly Stone with catchy, melodic chord progressions; or he can throw intense, impulsive jabs when he jams with his brothers in Dumpstaphunk.

“Music is a way to make people feel better, it brings spiritual healing,” he says. “I take my job very seriously.”

Consider that Ivan’s blood line runs through two of the most influential groups that New Orleans has produced, and that he has played with them both. His uncle Art Neville was the vocalist and keyboardist with the Meters, who epitomized New Orleans funk and are among modern music’s most sampled groups. Art also founded the Neville Brothers with Ivan’s uncles Charles and Cyril, and his father, the great balladeer and stylist Aaron Neville. The Nevilles’ musical range not only spanned generations but also idioms like carnival rhythms, pop, soul, R&B, and jazz; their collective identity galvanized Black New Orleans's cultural life to create a musical identity that focused their individual gifts with grace and grit.

Ivan is even more humble about his stature at the highest echelon of modern music. He has performed and recorded with the Rolling Stones, Bonnie Raitt, Don Henley, Robbie Robertson, Ani DeFranco and the Spin Doctors, among many others. He’s a charter member of Keith Richards’ X-Pensive Winos. He’s a founding member of the New Orleans Social Club and the group Neville Jacobs, in partnership with the songwriter Chris Jacobs. And he plays a vital role in preserving New Orleans’s musical culture. When Dumpstaphunk joined Trombone Shorty’s national Threauxdown Tour last year, he saw how audiences were affected by the otherworldly magic of a sound that could only come from New Orleans.

The writing of ‘Touch My Soul’ began with another epiphany. “When I was growing up,” Ivan says, “people interacted differently on the street. They acknowledged each other. There was a feeling of connection. Just a nod or a look that said, ‘Where y’at?’” That sense of community-mindedness extends throughout an album that’s alive with the pulse of the Crescent City. Ivan constructed ‘Touch My Soul’ around piano pieces that he composed in the pictured- filled “sun room” in his house in Uptown New Orleans. “The drum loops were inspired by the sounds I heard on Sly Stone’s Fresh album,” he says, “which was a big influence on me as a teen.”

The vocals on his previous albums have always been tart and sweet. But his voice comes from a more evolved different spiritual place on ‘Touch My Soul.’ “People try to warn us about the risks in life, but we want to learn for ourselves,” he says. “And we have a choice whether we want to learn from our mistakes. I believe the more we embrace our vulnerabilities, our imperfections, our insecurities, the better we become. That’s my goal: stay teachable.”

‘Touch My Soul’ is not unlike a good bowl of chicken soup, he adds, “very soothing for the soul.” Which is what Ivan strives to bring to the world as an artist and a fellow traveler. “When I think about the way music has touched my soul and all the songs that became special moments in my life, I become very emotional. Music should touch your soul. I hope this record and this music touches someone’s soul.”

Stay tuned for continued updates.

‘Touch My Soul’ by Ivan Neville

1. Hey All Together (feat. Aaron Neville, Bonnie Raitt, Michael McDonald, Trombone Shorty, Dave Shaw

2. Greatest Place On Earth (feat. Trombone Shorty, Ben Jaffe, Charlie Gabriel)

3. Might Last A Lifetime (feat. Cyril Neville)

4. Dance Music Love (Feat. Doyle Bramhall II)

5. Touch My Soul

6. Stand For Something

7. Blessed

8. This Must Be The Place

9. Pass It All Around

10. Beautiful Tears (Thoughts & Prayers)

Southern roots rockers Robert Jon & The Wreck have released an extended live version of “Hey Hey Mama,” a fan favorite that will be featured on their first ever live DVD Live At The Ancienne Belgique, out 4/21 via Joe Bonamassa’s Journeyman Records. “Hey Hey Mama” was initially on the Good Life Pie (2016) album, which featured Kris Butcher on guitar and Dave Pelusi on bass,” recalls frontman Robert Jon Burrison. “It’s always been a common selection in the live set, featuring vocal harmonies in the chorus and tons of space for trading and improvising licks. With the addition of Henry and Warren in 2017, the song evolved and took on a new life. This live version features a fuzzy guitar solo as the intro and an extended, psychedelia-influenced outro jam.

Recorded at a sold-out show at the Ancienne Belgique in Brussels, Belgium on June 29th, 2022, Live At The Ancienne Belgique captures the Wreck in the midst of their longest-ever tour – 67 performances in 75 days across 9 countries. The tour had been postponed for nearly two years due to the pandemic, so by the time the band hit the stage of the Ancienne Belgique, 50+ performances into the tour, they were a well-oiled machine ready to blow the roof off the place. The night was nothing less than spectacular, featuring a setlist that spanned the last decade of their prolific career, from their 2015 debut to their 2023 release.

The band's new EP One Of A Kind, out now on all digital platforms, received rave reviews around the world and helped catapult the band’s awareness into new heights. Featuring material produced by GRAMMY-Award winners Don Was (Bonnie Raitt, The Stones, John Mayer) and Dave Cobb (Chris Stapleton, Brandi Carlile, Blackberry Smoke, Rival Sons), One Of A Kind showcases Robert Jon & The Wreck’s wide range and dynamic sound, from the instant rock & roll classic “Come At Me” and the captivating, Americana-infused “Who Can You Love,” to the outstanding riff-driven roots rock track “Pain No More.”

The One Of A Kind EP was the first taste of a slate of new material that Robert Jon & The Wreck will roll out over the next year and beyond. Prolific songwriters with a wealth of new material who refuse to be constrained by traditional release strategies, the band’s new partnership with Journeyman Records affords them the opportunity to work with the world’s top producers and release a steady stream of high-quality singles on an ongoing basis, cutting through the industry chaos and ensuring new music is accessible to fans as intended.

Reigning from Southern California, Robert Jon & The Wreck take the Southern rock sound from the east coast and make it their own. Since their inception in 2011, these native Californians; Robert Jon Burrison (lead vocals, guitar), Andrew Espantman (drums, background vocals), Henry James Schneekluth (lead guitar, background vocals), and Warren Murrel (bass) have been electrifying audiences all over the world with their soaring guitar leads, rich vocal harmonies, and memorable tunes. Recently, keyboardist Jake Abernathie joined the band for their tour and in studio. Simply put, it is difficult to ignore when these talented musicians take the stage.

Robert Jon & The Wreck will return to the road next month opening up for Blackberry Smoke. For more information and to purchase tickets visit https://robertjonandthewreck.com/

Live At The Ancienne Belgique CD/DVD – by Robert Jon & The Wreck
 
1. The Devil Is Your Only Friend
2. Rollin’*
3. She’s A Fighter*
4. Do You Remember
5. Henry Guitar Solo
6. Hey Hey Mama
7. Blame It On The Whiskey
8. Oh Miss Carolina
9. Tired Of Drinking Alone
10. Steve Keys Solo
11. The Death Of Me
12. Waiting For Your Man*
13. Andrew Drum Solo*
14. Don't Let Me Go
15. Old Friend
16. Shine A Light On Me Brother
17. Cold Night
18. Glory Bound*
19. On The Run
 
* DVD Only
 
2023 US TOUR DATES
4/13/2023 TempleLive – Fort Smith, AR*
4/14/2023 Arlington Live – Arlington TX*
4/15/2023 KC Live – Kansas City MO*
4/16/2023 TempleLive – Wichita KS*
4/27/2023 Charleston Music Hall – Charleston SC*
4/28/2023 Albany Municipal Auditorium – Albany GA*
4/30/2023 Cain’s Ballroom – Tulsa OK*
5/1/2023 The Coda Concert House – Joplin, MO
5/3/2023 Sam’s Burger Joint – San Antonio, TX
5/5/2023 The Guitar Sanctuary – Mckinney, TX
5/6/2023 The Continental Club – Houston, TX
5/7/2023 Billy Bob’s Texas – Fort Worth, TX
5/9/2023 Stickyz – Little Rock, AR
5/10/2023 Hernando’s Hide-A-Way – Memphis, TN
5/11/2023 Tooneys – Mccaysville, GA
5/12/2023 Artisphere Festival – Greenville, SC
5/13/2023 Jones von Drehel Vineyards & Winery – Thurmond, NC
5/14/2023 Salvage Station – Asheville, NC

* Opening for Blackberry Smoke

Following the return of guitarist Chuck Garvey to the road and the permanent addition of keyboardist Nate Wilson to the band, moe. has announced 17-additional summer tour dates, following their 2-night run at the Saranac Brewery in Utica, NY on June 9-10. Beginning with a performance at Meow Wolf in Sante Fe, New Mexico on June 15th, moe. will wind their way across the Midwest in June, and resume for a string of east coast dates in mid-July, culminating at The Caverns in Pelham, TN on July 22nd. The newly announced dates include a 2-night run at the Pine Creek Lodge in Livingston, MT on June 23rd-24th.
 
A special artist pre-sale will begin tomorrow, Wednesday, April 12th at 10am local time using the password MOREMOE – click here for more information. Tickets go on sale to the general public this Friday, April 14th at 10am local time. For ticketing and show info, please visit https://moe.org/tour
 
moe. recently wrapped the first leg of their spring tour throughout southeast, which included a 2-night run at Variety Playhouse in Atlanta. On March 24th, the band treated the crowd to their second-ever performance of “Hot ‘Lanta,” an instrumental piece by the Allman Brothers Band that debuted on their seminal live album ‘At Fillmore East.’ The first performance of the song was in 2004 at the Fox Theatre in Atlanta. Watch here.
 
moe.’s spring tour will resume this Friday with a 2-night, sold-out run at Higher Ground in Burlington, VT. A live stream of the run will be available via Volume here. A special moe.merch for less sale will be taking place at the Higher Ground this Saturday, April 15th from 12-3pm, featuring moe. merch at discounted prices, as well as opportunity to grab some Higher Ground merch including limited commemorative poster book "Echo" as well as select prints from their 25 year archive. The kitchen will be pumping out tacos to snack on, and special 25th anniversary drinks will be available at the bar including a canned Black Flannel vodka cocktail, special recipe Zergo Gravity IPA and n/a IPA. Cere's Collaborative will be on site tabling with free goodies for patrons as well as info on their rec + med programs. For more information and to purchase tickets for the band’s upcoming performances, please visit https://moe.org.
 
moe. is a one-of-a-kind band that has never been easily categorized. Their sonic adventurousness and tongue-in-cheek humor are distinctly and undeniably their own. Praised by American Songwriter for their “mind-bending musicality,” moe. is treasured for their mesmerizing musical synergy, unfettered showmanship, and smart, resonant songcraft.
 
moe.’s longevity is no doubt due to the family spirit shared between its members and its engaged fanbase, the Famoe.ly, a bond that has been fortified through decades on the road. moe. has performed innumerable headline tours, international festival sets, music-themed cruises, and sold-out shows alongside countless household-name artists. They’ve also promoted and headlined multiple festivals of their own, including snoe.down and moe.down. The band’s vibrant blend of inventive musicality and genre-blurring is on full display on two recent releases, their 12th studio album, 'This Is Not, We Are,' and the 'Not Normal' EP.
 
moe. is Al Schnier (guitar, vocals) * Chuck Garvey (guitar, vocals) * Rob Derhak (bass, vocals) * Jim Loughlin (percussion, vibes) * Vinnie Amico (drums) * Nate Wilson (keys)

moe. US Tour Dates

Friday, April 14th – Higher Ground – Burlington, VT [SOLD OUT]
Saturday, April 15th - Higher Ground – Burlington, VT [SOLD OUT]
Wednesday, April 26th – Cain’s Ballroom – Tulsa, OK
Thursday, April 27th – The Echo Lounge – Dallas, TX
Friday, April 28th – Paramount Theatre – Austin, TX
Saturday, April 29th – Tipitina’s – New Orleans, LA
Sunday, April 30th – Tipitina’s – New Orleans, LA
Tuesday, May 2nd – JJ’s Live – Fayetteville, AR
Wednesday, May 3rd – The Truman – Kansas City, MO
Thursday, May 18th – Brooklyn Bowl – Brooklyn, NY
Friday, May 19th – Brooklyn Bowl – Brooklyn, NY
Saturday, May 20th – Brooklyn Bowl – Brooklyn, NY
Thursday, May 25th-Sunday, May 28th – Summer Camp Music Festival – Chillicothe, IL
Friday, June 9th – Saranac Brewery – Utica, NY
Saturday, June 10th – Saranac Brewery – Utica, NY
Thursday, June 15th – Meow Wolf – Santa Fe, NM  
Friday, June 16th – Red Rock Amphitheatre – Morrison, CO^
Saturday, June 17th – Red Rock Amphitheatre – Morrison, CO^
Tuesday, June 20th – Pub Station Ballroom – Billings, MT  
Wednesday, June 21st – Center for the Arts – Jackson, WY  
Thursday, June 22nd – The Wilma – Missoula, MT  
Friday, June 23rd – Pine Creek Lodge – Livingston, MT  
Saturday, June 24th – Pine Creek Lodge – Livingston, MT  
Monday, June 26th – Knitting Factory – Boise, ID
Tuesday, June 27th – Commonwealth Room – Salt Lake City, UT  
Thursday, June 29th-Sunday, July 2nd – High Sierra Music Festival – Quincy, CA
Wednesday, July 12th – Oceanfront Concert Series – Virginia Beach, VA [FREE SHOW]
Thursday, July 13th – Bottle & Cork – Dewey Beach, DE  
Thursday, July 13th - Saturday, July 15th – 4848 Festival – Snowshoe, WV
Friday, July 14th – Penn’s Peak – Jim Thorpe, PA  
Sunday, July 16th – Neighborhood Theatre – Charlotte, NC  
Tuesday, July 18th – Miller Theater – Augusta, GA  
Thursday, July 20th – The Windjammer – Isle of Palms, SC  
Friday, July 21st – Avondale Brewing Co. – Birmingham, AL  
Saturday, July 22nd – The Caverns – Pelham, TN
Friday, September 1st – Lowell Summer Music Series – Lowell, MA
 
^ with Umphrey’s McGee

Today, Ivan Neville has released “Hey All Together,” the uplifting second single from ‘Touch My Soul,’ his first solo album in nearly 20 years, out April 21st via Mascot Label Group / The Funk Garage. The single features vocal contributions from Bonnie Raitt, Aaron Neville, Michael McDonald and David Shaw (The Revivalists), with instrumental sparks from Troy “Trombone Shorty’ Andrews and violinist Theresa Anderson. “Hey All Together” was inspired by an epiphany Ivan had at the beginning of the album’s recording process. “When I was growing up, people interacted differently on the street,” Ivan recalls. “There was a feeling of connection.” That sense of community-mindedness extends throughout the album’s opening track. “I wanted familiar voices to bring back a feeling of community,” Ivan explains. “I figured, if everyone said hello to a stranger, spontaneously but within reason, it might make the world a better place. It certainly can’t hurt.”  
 
To listen to “Hey All Together” visit HERE. To pre-order/pre-save ‘Touch My Soul’ on CD, Vinyl or Digital, visit HERE.
 

'Touch My Soul’ exudes an unmistakable New Orleans ambiance while breathing new life into Neville’s singular sound; it’s a love letter to the Crescent City and a celebration of Neville’s emotional and spiritual journey as an artist, a human, a father, and a man. The album’s first single, the joyful New Orleans tribute "Greatest Place On Earth,” is an authentic slice of street corner soul; a deliriously Mardi Gras-styled salute to the Crescent City packed with incisive rhythms, booting horn parts, and vocal fireworks, and features special guests Trombone Shorty along with Preservation Hall Jazz bandleaders Ben Jaffe and Charlie Gabriel.

As a standard bearer for the musical culture of New Orleans, Ivan takes his anointing as seriously as the swamp water that courses through his veins. From the ferocious funk he makes with his bandmates in the dynamic funk supergroup Dumpstaphunk to his high-profile gigs over the years with Keith Richards and Bonnie Raitt, Ivan embodies the irrepressible spirit of New Orleans, holding the keys to the Crescent City at his fingertips. Whether summoning the barrelhouse mambo of Professor Longhair, the spidery intricacies of James Booker; or spooky, atmospheric chords like Dr. John; Ivan can riff like Sly Stone with catchy, melodic chord progressions; or throw intense, impulsive jabs when he jams with his musical kin in Dumpstaphunk.

“I haven’t written any new material for myself in a long time,” Ivan explains, “so this project is very special to me. I made it up as I went along, a song here and there, in between my work with Dumpstaphunk and my work with good musical friends. Music is a way to make people feel better, it brings spiritual healing.”

Musically, Ivan constructed ‘Touch My Soul’ around piano pieces that he composed in the portrait photograph- filled “sun room” in his house in Uptown New Orleans. “The drum loops were inspired by the sounds I heard on Sly Stone’s Fresh album,” he says, “which was a big influence on me as a teen.” While vocals on his previous albums have always been tart and sweet, Ivan’s voice comes from a more evolved place on ‘Touch My Soul, which makes sense nearly 20 years removed from his last solo effort ‘Scrape’ (2004).

“People try to warn us about the risks in life, but we want to learn for ourselves,” he says. “And we have a choice whether we want to learn from our mistakes. I believe the more we embrace our vulnerabilities, our imperfections, our insecurities, the better we become. That’s my goal: stay teachable.” The lyrics and compositions in ‘Touch My Soul’ reflect that maturity.

Ivan’s blood line runs through two of the most influential groups that New Orleans has ever produced, and he grew up playing with them both. His uncle Art “Poppa Funk” Neville was vocalist and keyboardist with the Meters, the seminal New Orleans funk band and one of modern music’s most sampled groups. Art also founded the Neville Brothers with Ivan’s uncles Charles and Cyril, and Ivan’s father, the world renown balladeer and vocal stylist Aaron Neville. The Nevilles’ musical range not only spanned generations but also idioms like carnival rhythms, pop, soul, R&B, and jazz; their collective identity galvanized Black New Orleans's cultural life to create a musical identity that focused their individual gifts with grace and grit.

And while Ivan Neville grew up playing the music of his family, ‘Touch My Soul’ delivers another chapter of Ivan’s own songbook and musical DNA.

‘Touch My Soul’ is not unlike a good bowl of homemade gumbo, he adds, “very soothing for the soul.” Which is what Ivan strives to bring to the world as an artist and a fellow traveler. “When I think about the way music has touched my soul and all the songs that became special moments in my life, I become very emotional. Music should touch your soul. I hope this record and this music touches someone’s soul.”

‘Touch My Soul’ by Ivan Neville
1. Hey All Together (feat. Aaron Neville, Bonnie Raitt, Michael McDonald, Trombone Shorty, David Shaw
2. Greatest Place On Earth (feat. Trombone Shorty, Ben Jaffe, Charlie Gabriel)
3. Might Last A Lifetime (feat. Cyril Neville)
4. Dance Music Love (Feat. Doyle Bramhall II)
5. Touch My Soul
6. Stand For Something
7. Blessed
8. This Must Be The Place
9. Pass It All Around
10. Beautiful Tears

The three-time GRAMMY-nominated guitarist and 25x Billboard chart-topper Joe Bonamassa has just released Tales Of Time, a sprawling and expansive live concert film and album shot at the breathtaking Red Rocks Amphitheatre in Colorado, out today in CD/DVD, CD/BR, vinyl, and digital formats. Hailed as “a near spiritual experience” by Classic Rock Magazine and featuring songs from his latest #1 studio album, Time Clocks, Tales Of Time captures a stratospheric performance by the blues-rock titan, as his virtuoso guitar style and unique technique and flair elevate the evening to an almost heavenly high.

To celebrate the release, Bonamassa has shared a clip of “The Heart That Never Waits (Live),” a monumental, 9+ minute rendition of the soulful and emotive standout from Time Clocks. Featuring Bonamassa's signature guitar skills and powerful vocals, along with a dynamic rhythm section, the lyrics tell the story of a restless heart that cannot wait for love to come, always searching and yearning for a deeper connection. Bonamassa's heartfelt delivery and poignant phrasing capture the essence of the song's message, making it a standout track in his vast discography. Watch the live rendition HERE.

Tales Of Time was produced by long-time collaborator and producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey). “This live show represents our most progressive and largest production to date, focusing on my most ambitious studio album to date,” commented Bonamassa. “My band was a force of nature on this show, and it truly was a special night.” For more information and to pre-order, please visit https://jbonamassa.com/

Bonamassa has just announced a handful of additional performances for 2023. Starting with the Capitol Theatre in Yakima, WA on Friday, May 26th, Bonamassa will wind his way across the west, culminating in a performance at the iconic Red Rock Amphitheatre in Morrison, CO on August 6th. Capping the summer with a previously announced two-night run with Styx and Don Felder in the northeast, Bonamassa will round out the year with performances at the Hertz Arena in Ft. Myers, FL on Friday, December 1st and Hard Rock Live in Hollywood, FL on Saturday, December 2nd. For more information and to purchase tickets, visit https://jbonamassa.com/tour-dates/

Cited by Guitar World as “arguably the world’s biggest blues guitarist,” Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career. His most recent full-length ‘Time Clocks’ marked his most raw, rocking studio album yet, with American Songwriter sharing, “Bonamassa pushes into fresh territory while staying within a blues-based framework,” and “there is more than enough proof in this sprawling set that Bonamassa doesn’t intend to rest on his laurels or take his star status in the blues-rock genre for granted.”

Bonamassa and his long-time manager Roy Weisman also recently announced Journeyman LLC, a full-service artist management, record label, concert promotion, and marketing company that builds awareness for independent artists worldwide. Journeyman provides the infrastructure needed to jumpstart the careers of exceptional independent artists, who are too often overlooked by the major labels or concert promoters while circumventing the resistance of typical “gatekeepers” who don’t support indie acts. “I wanted to take what I've had to learn the hard way to create a company that could make navigating this process a little easier,” Bonamassa explains.

For more information on ‘Tales Of Time’ and to purchase tickets to Bonamassa’s upcoming tour, please visit https://jbonamassa.com

‘Tales Of Time’ by Joe Bonamassa (CD)
1. Notches
2. The Heart That Never Waits
3. Curtain Call
4. Mind’s Eye
5. Questions And Answers
6. The Loyal Kind
7. Known Unknowns
8. Time Clocks
9. Just ‘Cos You Can Don’t Mean You Should
10. Evil Mama
 
‘Tales Of Time’ by Joe Bonamassa (DVD/BR)
1. Notches
2. The Heart That Never Waits
3. Curtain Call
4. Mind’s Eye
5. Questions And Answers
6. The Loyal Kind
7. Known Unknowns
8. Time Clocks
9. Evil Mama
10. Midnight Blues
11. I Didn’t Think She Would Do It
12. Just ‘Cos You Can Don’t Mean You Should
13. Mountain Time
Bonus:
1. Dust Bowl
2. Band Intros
3. The Ballad Of John Henry
 
‘Tales Of Time’ by Joe Bonamassa (3 LP 180 Gram Vinyl)
1. Notches
2. The Heart That Never Waits
3. Curtain Call
4. Mind’s Eye
5. Questions And Answers
6. The Loyal Kind
7. Known Unknowns
8. Time Clocks
9. Dust Bowl
10. Evil Mama
11. Midnight Blues
12. Just ‘Cos You Can Don’t Mean You Should
13. Mountain Time
14. I Didn’t Think She Would Do It
15. The Ballad Of John Henry
 
Joe Bonamassa – 2023 U.S. Tour Dates
May 26 - Capitol Theatre - Yakima, WA
May 27 - Backroads Blues Festival - Hayden Homes Amphitheatre - Bend, OR*
May 28 - Backroads Blues Festival - Chateau Ste Michelle Winery - Woodinville, WA*
August 2 - Vina Robles Amphitheatre - Paso Robles, CA
August 4 - The Cosmopolitan of Las Vegas - Las Vegas, NV
August 5 - Eccles Theater - Salt Lake City, UT
August 6 - Red Rocks Amphitheatre - Morrison, CO
August 12 - Northwell Health at Jones Beach Theater - Wantagh, NY**
August 13 - Bethel Woods Center for the Arts - Bethel, NY**
December 1 - Hertz Arena - Ft. Myers, FL
December 2 - Hard Rock Live - Hollywood, FL

*Featuring Kenny Wayne Shepherd and Joe Bonamassa
**Keeping the Blues Alive presents: Joe Bonamassa & Friends: Styx and Don Felder, formerly of the Eagles

After a nearly 20 year wait, Ivan Neville has released ‘Touch My Soul,’ his new solo album, out today via Mascot Label Group / The Funk Garage. The 10-song collection is a celebration of Neville’s emotional and spiritual journey as an artist, a human, a father, and a man; featuring special guest appearances by Bonnie Raitt, Michael McDonald, Aaron Neville, Cyril Neville, Trombone Shorty, David Shaw and members of Preservation Hall. Touch My Soul is available now to purchase/stream HERE.

The album’s latest single is its lone cover, a hypnotizing version of the Talking Heads’ “This Must Be The Place,” which fits like the final piece of a jigsaw puzzle. “It’s taken me years to understand that it’s all about the journey, it’s not about the finish line,” Ivan says. “Everything serves a purpose. We just have to pay attention. So I look for blessings everywhere.”

'Touch My Soul’ exudes an unmistakable New Orleans ambiance while breathing new life into Neville’s singular sound. The release follows album singles “Hey All Together” – featuring Bonnie Raitt, Aaron Neville, Michael McDonald and David Shaw (The Revivalists), with instrumental sparks from Troy “Trombone Shorty’ Andrews and violinist Theresa Anderson – and  “Greatest Place On Earth,” a deliriously Mardi Gras-styled salute to the Crescent City packed with incisive rhythms, booting horn parts, and vocal fireworks, featuring special guests Trombone Shorty along with Preservation Hall Jazz bandleaders Ben Jaffe and Charlie Gabriel.

As a standard bearer for the musical culture of New Orleans, Ivan takes his anointing as seriously as the swamp water that courses through his veins. From the ferocious funk he makes with his bandmates in the dynamic funk supergroup Dumpstaphunk to his high-profile gigs over the years with Keith Richards and Bonnie Raitt, Ivan embodies the irrepressible spirit of New Orleans, holding the keys to the Crescent City at his fingertips. Whether summoning the barrelhouse mambo of Professor Longhair, the spidery intricacies of James Booker; or spooky, atmospheric chords like Dr. John; Ivan can riff like Sly Stone with catchy, melodic chord progressions; or throw intense, impulsive jabs when he jams with his musical kin in Dumpstaphunk.

“I haven’t written any new material for myself in a long time,” Ivan explains, “so this project is very special to me. I made it up as I went along, a song here and there, in between my work with Dumpstaphunk and my work with good musical friends. Music is a way to make people feel better, it brings spiritual healing.”

Musically, Ivan constructed ‘Touch My Soul’ around piano pieces that he composed in the portrait photograph- filled “sun room” in his house in Uptown New Orleans. “The drum loops were inspired by the sounds I heard on Sly Stone’s Fresh album,” he says, “which was a big influence on me as a teen.” While vocals on his previous albums have always been tart and sweet, Ivan’s voice comes from a more evolved place on ‘Touch My Soul, which makes sense nearly 20 years removed from his last solo effort ‘Scrape’ (2004).

“People try to warn us about the risks in life, but we want to learn for ourselves,” he says. “And we have a choice whether we want to learn from our mistakes. I believe the more we embrace our vulnerabilities, our imperfections, our insecurities, the better we become. That’s my goal: stay teachable.” The lyrics and compositions in ‘Touch My Soul’ reflect that maturity.

Ivan’s blood line runs through two of the most influential groups that New Orleans has ever produced, and he grew up playing with them both. His uncle Art “Poppa Funk” Neville was vocalist and keyboardist with the Meters, the seminal New Orleans funk band and one of modern music’s most sampled groups. Art also founded the Neville Brothers with Ivan’s uncles Charles and Cyril, and Ivan’s father, the world renown balladeer and vocal stylist Aaron Neville. The Nevilles’ musical range not only spanned generations but also idioms like carnival rhythms, pop, soul, R&B, and jazz; their collective identity galvanized Black New Orleans's cultural life to create a musical identity that focused their individual gifts with grace and grit.

And while Ivan Neville grew up playing the music of his family, ‘Touch My Soul’ delivers another chapter of Ivan’s own songbook and musical DNA.

‘Touch My Soul’ is not unlike a good bowl of homemade gumbo, he adds, “very soothing for the soul.” Which is what Ivan strives to bring to the world as an artist and a fellow traveler. “When I think about the way music has touched my soul and all the songs that became special moments in my life, I become very emotional. Music should touch your soul. I hope this record and this music touches someone’s soul.”

‘Touch My Soul’ by Ivan Neville
1. Hey All Together (feat. Aaron Neville, Bonnie Raitt, Michael McDonald, Trombone Shorty, David Shaw
2. Greatest Place On Earth (feat. Trombone Shorty, Ben Jaffe, Charlie Gabriel)
3. Might Last A Lifetime (feat. Cyril Neville)
4. Dance Music Love (Feat. Doyle Bramhall II)
5. Touch My Soul
6. Stand For Something
7. Blessed
8. This Must Be The Place
9. Pass It All Around
10. Beautiful Tears

Three-time GRAMMY-nominated Joe Bonamassa is celebrating his 26th #1 Billboard Blues album “Tales Of Time” this week. Joe is known for “keeping the blues alive” through his adventurous albums, stellar live performances, and his Keeping The Blues Alive foundation, which provides scholarships to schools and artists in need. Another creative way he does this is by collecting and preserving important, historic musical gear. Now, in partnership with Fender, Bonamassa lives up to his mission with the release of a special edition original 1948 Dual Professional guitar amplifier, an extremely rare and collectible model that has never been reissued—until now. Honored by Guitar World magazine with its Platinum Award of Excellence, the 1948 Dual Professional guitar amplifier is the first Fender amp with two speakers, boasting a striking “V-front” appearance, an early-era Fender classic, and a throaty growl, which can be leveraged for its original lap steel purpose or for blues, rock, or country guitar.

An avid collector of the world’s greatest vintage guitars and amplifiers with a deep knowledge of the technical side of his craft, Bonamassa partnered with Fender to revive this classic amp, which otherwise would have been lost to the guitar community. This is Bonamassa’s second piece of vintage gear that Bonamassa has helped bring back to life in partnership with Fender, following the ‘59 Twin-Amp JB Edition released in 2018. “This is an amp that, for a Fender connoisseur, goes back 74 years,” Bonamassa said. “It was one of Leo Fender’s first professional amps made for the stage and they’re extremely rare.” He continues, “Sitting next to it, it just feels like you’re going back in Fender’s history books.”

Bonamassa loaned his own prized ’48 Dual Pro to Fender, who, at his request, developed this hand-wired reissued model, which delivers the amazing look, tone, feel and overall vibe of that special vintage tube amp. The amp includes two 6L6 power tubes, two EF806 preamp tubes, and one 12AU7 phase inverter tube to replicate the sound and feel of the unavailable octal tubes in the original. Hand-made in Corona, Calif., the 1948 Dual Professional JB Edition is designed and built to Joe Bonamassa’s specifications and is sure to appeal to his fans, collectors, and pro guitarists everywhere. Priced at $3,499.99, the amplifier is available in limited quantities exclusively HERE.

The announcement of the 1948 Dual Professional guitar amplifier comes just after the release of ‘Tales of Time,’ Bonamassa’s sprawling and expansive live concert film and album, shot at the breathtaking Red Rocks Amphitheatre in Colorado. Joe’s latest #1 Blues album, out now in CD/DVD, CD/BR, vinyl, and digitally, captures a stratospheric performance by the blues-rock titan, as his virtuoso guitar style and unique technique and flair elevate the evening to an almost heavenly high. This incredible undertaking was produced by long-time collaborator and producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey). “This live show represents our most progressive and largest production to date, focusing on my most ambitious studio album to date,” commented Bonamassa. “My band was a force of nature on this show, and it truly was a special night.” For more information visit www.jbonamassa.com

Bonamassa has just announced a 26-date U.S. Fall Tour, which will take him from coast-to-coast and all points in between. Kicking off at The Cannon Center in Memphis, TN on October 23rd before winding its way throughout the south and Midwest, the tour will feature stops at historic theaters like The Fabulous Fox in St. Louis, MO and The Lyric in Baltimore, MD before culminating with Hard Rock Live in Hollywood, FL. Tickets go on sale to the general public this Friday, April 28th at 10am local time. For more information, visit HERE.

Bonamassa is currently in Europe on an 18-date tour and will return to the U.S. for a short run of dates beginning on May 26th in Yakima, WA. In addition, Bonamassa has also just announced his first-ever appearance at the iconic Hollywood Bowl to perform an exclusive, one-night-only concert experience alongside an orchestra on August 9th that will be recorded for his next live concert film. Tickets go on sale to the general public on Friday, May 2nd at 10am local time. For more information, click HERE.

Cited by Guitar World as “arguably the world’s biggest blues guitarist,” Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career. His most recent full-length ‘Time Clocks’ marked his most raw, rocking studio album yet, with American Songwriter sharing, “Bonamassa pushes into fresh territory while staying within a blues-based framework,” and “there is more than enough proof in this sprawling set that Bonamassa doesn’t intend to rest on his laurels or take his star status in the blues-rock genre for granted.”

Summer U.S. Tour
May 26 – Capitol Theatre – Yakima, WA
May 27 – Backroads Blues Festival – Hayden Homes Amphitheatre – Bend, OR*
May 28 – Backroads Blues Festival – Chateau Ste Michelle Winery – Woodinville, WA*
August 2 – Vina Robles Amphitheatre – Paso Robles, CA
August 4 – The Cosmopolitan of Las Vegas – Las Vegas, NV
August 5 – Eccles Theater – Salt Lake City, UT
August 6 – Red Rocks Amphitheatre – Morrison, CO
August 9 – Hollywood Bowl – Los Angeles, CA^
August 12 – Northwell Health at Jones Beach Theater – Wantagh, NY**
August 13 – Bethel Woods Center for the Arts – Bethel, NY**

*Featuring Kenny Wayne Shepherd and Joe Bonamassa
**Keeping the Blues Alive presents: Joe Bonamassa & Friends: Styx and Don Felder, formerly of the Eagles
^Joe Bonamassa with Orchestra

Fall U.S. Tour
October 23 – Memphis, TN – The Cannon Center                                                   
October 25 – Shreveport, LA – Shreveport Municipal Auditorium
October 27 – San Antonio, TX – Majestic Theatre                                          
October 28 – Sugar Land, TX – Smart Financial Centre At Sugar Land
October 29 – Austin, TX – ACL Live
November 1 – Fayetteville, AR – Walton Arts Center                                                  
November 3 – Little Rock, AR – Robinson Performance Hall                               
November 4 – Grand Prairie, TX – Texas Trust CU Theatre
November 5 – Oklahoma City, OK – Civic Center Music Hall
November 8 – Tulsa, OK – Tulsa Theater
November 10 – Kansas City, MO – The Midland Theatre
November 11 – St. Louis, MO – The Fabulous Fox
November 12 – Cedar Rapids, IA – Paramount Theatre
November 14 – Rochester, MN – Mayo Civic Center       
November 15 – Rockford, IL – Coronado Performing Arts Center
November 17 – Fort Wayne, IN – Embassy Theatre
November 18 – Detroit, MI – Fox Theatre
November 19 – Columbus, OH – Palace Theatre
November 21 – Reading, PA – The Santander Performing Arts Center
November 22 – Providence, RI – Providence Performance Arts Center
November 24 – Springfield, MA – Symphony Hall
November 25 – Baltimore, MD – The Lyric
November 28 – Savannah, GA – Johnny Mercer Theatre
November 30 – Sarasota, FL – Van Wezel Performing Arts Hall
December 1 – Estero, FL – Hertz Arena`
December 2 – Hollywood, FL – Hard Rock Live`

`On-sale now

On the heels of the release of his sprawling and expansive live concert film and album ‘Tales Of Time,’ the three-time GRAMMY-nominated guitarist and 25x Billboard chart-topper Joe Bonamassa has announced a 26-date U.S. Fall Tour, which will take him from coast-to-coast and all points in between. Kicking off at The Cannon Center in Memphis, TN on October 23rd before winding its way throughout the south and Midwest, the tour will feature stops at historic theaters like The Fabulous Fox in St. Louis, MO and The Lyric in Baltimore, MD before culminating with Hard Rock Live in Hollywood, FL. A special artist pre-sale will begin tomorrow, Tuesday, April 25th at 10am local time. Tickets go on sale to the general public this Friday, April 28th at 10am local time. For more information, visit HERE.

Bonamassa is currently in Europe on an 18-date tour and will return to the U.S. for a short run of dates beginning on May 26th in Yakima, WA. In addition, Bonamassa has also just announced his first-ever appearance at the iconic Hollywood Bowl to perform an exclusive, one-night-only concert experience alongside an orchestra on August 9th that will be recorded for his next live concert film. A venue and artist pre-sale for Joe’s Hollywood Bowl show begins tomorrow, Tuesday, April 25th at 10am local time. Tickets go on sale to the general public on Friday, May 2nd at 10am local time. For more information, click HERE.

Cited by Guitar World as “arguably the world’s biggest blues guitarist,” Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career. His latest live concert release, Tales of Time, recorded at Red Rocks Amphitheatre, was hailed as “a near spiritual experience” by Classic Rock Magazine. The concert captures a stratospheric performance by the blues-rock titan, which found his virtuoso guitar style and unique technique and flair elevating the evening to an almost heavenly high. The performance features songs from his latest #1 studio album, Time Clocks, which marked his most raw, rocking studio album yet, with American Songwriter sharing, “Bonamassa pushes into fresh territory while staying within a blues-based framework”. The project was produced by long-time collaborator and producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey).

“This live show represents our most progressive and largest production to date, focusing on my most ambitious studio album to date,” commented Bonamassa. “My band was a force of nature on this show, and it truly was a special night.” For more information on ‘Tales Of Time’ and to purchase tickets to Bonamassa’s upcoming tour, click HERE.

Summer U.S. Tour
May 26 – Capitol Theatre – Yakima, WA
May 27 – Backroads Blues Festival – Hayden Homes Amphitheatre – Bend, OR*
May 28 – Backroads Blues Festival – Chateau Ste Michelle Winery – Woodinville, WA*
August 2 – Vina Robles Amphitheatre – Paso Robles, CA
August 4 – The Cosmopolitan of Las Vegas – Las Vegas, NV
August 5 – Eccles Theater – Salt Lake City, UT
August 6 – Red Rocks Amphitheatre – Morrison, CO
August 9 – Hollywood Bowl – Los Angeles, CA^
August 12 – Northwell Health at Jones Beach Theater – Wantagh, NY**
August 13 – Bethel Woods Center for the Arts – Bethel, NY**
 
*Featuring Kenny Wayne Shepherd and Joe Bonamassa
**Keeping the Blues Alive presents: Joe Bonamassa & Friends: Styx and Don Felder, formerly of the Eagles
^Joe Bonamassa with Orchestra
 
Fall U.S. Tour
October 23 – Memphis, TN – The Cannon Center                                                   
October 25 – Shreveport, LA – Shreveport Municipal Auditorium
October 27 – San Antonio, TX – Majestic Theatre                                          
October 28 – Sugar Land, TX – Smart Financial Centre At Sugar Land
October 29 – Austin, TX – ACL Live
November 1 – Fayetteville, AR – Walton Arts Center                                                  
November 3 – Little Rock, AR – Robinson Performance Hall                               
November 4 – Grand Prairie, TX – Texas Trust CU Theatre
November 5 – Oklahoma City, OK – Civic Center Music Hall
November 8 – Tulsa, OK – Tulsa Theater
November 10 – Kansas City, MO – The Midland Theatre
November 11 – St. Louis, MO – The Fabulous Fox
November 12 – Cedar Rapids, IA – Paramount Theatre
November 14 – Rochester, MN – Mayo Civic Center                                                       
November 15 – Rockford, IL – Coronado Performing Arts Center
November 17 – Fort Wayne, IN – Embassy Theatre
November 18 – Detroit, MI – Fox Theatre
November 19 – Columbus, OH – Palace Theatre
November 21 – Reading, PA – The Santander Performing Arts Center
November 22 – Providence, RI – Providence Performance Arts Center
November 24 – Springfield, MA – Symphony Hall
November 25 – Baltimore, MD – The Lyric
November 28 – Savannah, GA – Johnny Mercer Theatre
November 30 – Sarasota, FL – Van Wezel Performing Arts Hall
December 1 – Estero, FL – Hertz Arena`
December 2 – Hollywood, FL – Hard Rock Live`
 
`On-sale now

On August 9th, the three-time GRAMMY-nominated guitarist and 26x Billboard chart-topper Joe Bonamassa will make his historic, first-ever appearance at the iconic Hollywood Bowl in Los Angeles, CA, where he will perform alongside an orchestra for an exclusive one-night-only event. The performance will be part of the Los Angeles Philharmonic Association’s Jazz Plus series, which offers an eclectic trip through the world of jazz, blues, R&B and beyond, with LA Phil Creative Chair for Jazz Herbie Hancock at the helm. The appearance will cap Bonamassa’s 8-night run across the western U.S., which includes two nights with Kenny Wayne Shepherd’s Backroads Blues Festival on May 27 & 28, as well as a return appearance to Red Rocks Amphitheatre on August 6th, the setting of his most recent live concert release Tales Of Time, out now. Joe will wrap up his U.S. summer tour in New York with a two-night run with Styx and Don Felder formerly of the Eagles on August 12th at Northwell Health at Jones Beach Theater and August 13th at Bethel Woods Center for the Arts. Tickets for Joe’s Hollywood Bowl show will go on sale today (5/2) at 10amPT. For more information, click HERE.

Bonamassa has also just announced a 26-date U.S. Fall Tour, which will take him from coast-to-coast and all points in between. Kicking off at The Cannon Center in Memphis, TN on October 23rd before winding its way throughout the south and Midwest, the tour will feature stops at historic theaters like The Fabulous Fox in St. Louis, MO and The Lyric in Baltimore, MD before culminating with Hard Rock Live in Hollywood, FL. Tickets are on sale now, click HERE.

Cited by Guitar World as “arguably the world’s biggest blues guitarist,” Bonamassa is known for taking risks and venturing into uncharted territory throughout his wide-ranging career. His latest live concert release, Tales of Time, recorded at Red Rocks Amphitheatre, was hailed as “a near spiritual experience” by Classic Rock Magazine. The concert captures a stratospheric performance by the blues-rock titan, which found his virtuoso guitar style and unique technique and flair elevating the evening to an almost heavenly high. The performance features songs from his latest #1 studio album, Time Clocks, which marked his most raw, rocking studio album yet, with American Songwriter sharing, “Bonamassa pushes into fresh territory while staying within a blues-based framework”. The project was produced by long-time collaborator and producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey).

“This live show represents our most progressive and largest production to date, focusing on my most ambitious studio album to date,” commented Bonamassa. “My band was a force of nature on this show, and it truly was a special night.” For more information on ‘Tales Of Time’ and to purchase tickets to Bonamassa’s upcoming tour, click HERE.
 
Summer U.S. Tour
May 26 – Capitol Theatre – Yakima, WA
May 27 – Backroads Blues Festival – Hayden Homes Amphitheatre – Bend, OR*
May 28 – Backroads Blues Festival – Chateau Ste Michelle Winery – Woodinville, WA*
August 2 – Vina Robles Amphitheatre – Paso Robles, CA
August 4 – The Cosmopolitan of Las Vegas – Las Vegas, NV
August 5 – Eccles Theater – Salt Lake City, UT
August 6 – Red Rocks Amphitheatre – Morrison, CO
August 9 – Hollywood Bowl – Los Angeles, CA^
August 12 – Northwell Health at Jones Beach Theater – Wantagh, NY**
August 13 – Bethel Woods Center for the Arts – Bethel, NY**
 
*Featuring Kenny Wayne Shepherd and Joe Bonamassa
**Keeping the Blues Alive presents: Joe Bonamassa & Friends: Styx and Don Felder, formerly of the Eagles
^Joe Bonamassa with Orchestra
 
Fall U.S. Tour
October 23 – Memphis, TN – The Cannon Center
October 25 – Shreveport, LA – Shreveport Municipal Auditorium
October 27 – San Antonio, TX – Majestic Theatre                                          
October 28 – Sugar Land, TX – Smart Financial Centre At Sugar Land
October 29 – Austin, TX – ACL Live
November 1 – Fayetteville, AR – Walton Arts Center                                  
November 3 – Little Rock, AR – Robinson Performance Hall                               
November 4 – Grand Prairie, TX – Texas Trust CU Theatre
November 5 – Oklahoma City, OK – Civic Center Music Hall
November 8 – Tulsa, OK – Tulsa Theater
November 10 – Kansas City, MO – The Midland Theatre
November 11 – St. Louis, MO – The Fabulous Fox
November 12 – Cedar Rapids, IA – Paramount Theatre
November 14 – Rochester, MN – Mayo Civic Center
November 15 – Rockford, IL – Coronado Performing Arts Center
November 17 – Fort Wayne, IN – Embassy Theatre
November 18 – Detroit, MI – Fox Theatre
November 19 – Columbus, OH – Palace Theatre
November 21 – Reading, PA – The Santander Performing Arts Center
November 22 – Providence, RI – Providence Performance Arts Center
November 24 – Springfield, MA – Symphony Hall
November 25 – Baltimore, MD – The Lyric
November 28 – Savannah, GA – Johnny Mercer Theatre
November 30 – Sarasota, FL – Van Wezel Performing Arts Hall
December 1 – Estero, FL – Hertz Arena
December 2 – Hollywood, FL – Hard Rock Live

Primus, Tool’s Danny Carey & Justin Chancellor, and Queens Of The Stone Age’s Troy Van Leeuwen have just released a live Video Of Tool’s classic song "Ænima.” The performance was shot this month at an intimate benefit concert at The Belasco in LA in support of their close friend, film director, screenwriter, and animator Jimmy Hayward, who is currently undergoing cancer treatment. Exclusive, one-of-a-kind merchandise from the night, autographed by all performers, is currently being auctioned HERE, with 100% of proceeds going to support Hayward, as he continues to battle this invasive disease. Bids can be made until May 10th at 3pmET/12pmPT. A GoFundMe has also been set-up to raise funds to support Hayward and his family. Donations can be made HERE.
 
Signed items featured in the auction include:

    Dunable Cyclops Guitar
    Dunable USA Custom Yeti Bass
    Dunlop Justin Chancellor Signature Cry Baby Wah Pedal
    Danny Carey Custom Drum Head
    Limited Edition Concert Poster

“Every now and again cancer steps into our world and pulverizes the lives of people that are dear to us,” Claypool commented. “Such a thing happened a while back with our good friend Jimmy Hayward. Over the past couple years Jimmy has undergone many major surgeries to remove then reconstruct major damage from a cancer that invaded his bones. With a wife and two very young children at hand, Jimmy has shown incredible courage and tenacity in an unbelievably challenging time.”

Claypool is currently gearing up for a massive 41-date Summer of Green Tour 2023 with the Fearless Flying Frog Brigade, which marks the band’s first appearances together in 20-years. Kicking off in Stateline, NV on Wednesday, May 17th before winding its way from coast-to-coast, the tour will feature several festival appearances, including the Summer Camp Music Festival, the Mountain Music Festival, the Riverbend Music Festival, and the Peach Music Festival. Featuring Les Claypool (bass), Sean Lennon (guitar), Harry Waters (keys), Paulo Baldi (drums), Mike Dillon (percussion), and Skerik (horns), the set will include a full performance of Pink Floyd’s iconic tenth studio album ‘Animals,’ which was famously captured on the band’s second 2001 live recording ‘Live Frogs Set 2.’

Select June performances will include a co-headlining set with Jerry Harrison and Adrian Belew’s ‘Remain In Light’ Tour, which finds the Talking Heads members performing songs from a monumental period of the band’s history alongside a powerhouse band. Additional support throughout the tour include Fishbone, Neal Francis, Budos Band, W.I.T.C.H., and Moon Duo.

The return of the Fearless Flying Frog Brigade follows Primus’ wildly popular ‘A Tribute To Kings’ Tour, paying tribute to Rush, which toured the country in 2022. Last year also saw the release of Primus’ first new music in more than five years, the sprawling 3-song ‘Conspiranoid’ EP, which included the epic 11-minute opening track, “Conspiranoia,” and second single, “Follow The Fool.”
 
LES CLAYPOOL’S FEARLESS FLYING FROG BRIGADE - The Summer of Green Tour 2023
Wednesday, May 16th – Stateline, NV – TBA venue ^
Thursday, May 17th – Stateline, NV – TBA venue ^
Friday, May 19th - Napa, CA – Blue Note Summer Sessions at TBA venue ^
Saturday, May, 20th - Santa Cruz, CA - Santa Cruz Civic Auditorium ^
Sunday, May 21st - San Diego, CA - Observatory North ^
Tuesday, May 23rd - Salt Lake City, UT – Red Butte Amphitheatre ^
Wednesday, May 24th - Denver, CO - Mission Ballroom ^
Friday, May 26th - Kansas City, MO - Grinders KC
Saturday, May 27th - Chillicothe, IL - Summer Camp Music Festival
Sunday, May 28th - Louisville, KY - Iroquois Amphitheater ~
Tuesday, May 30th - Buffalo, NY - Town Ballroom ~
Wednesday, May 31st - Columbus, OH - KEMBA Live! ~
Friday, June 2nd - Detroit, MI - Masonic Temple Theatre~
Saturday, June 3rd - Oak Hill, WV - Mountain Music Festival
Sunday, June 4th - Chattanooga, TN – Riverbend Festival
Tuesday, June 6th - Richmond, VA - Brown's Island *
Wednesday, June 7th - Raleigh, NC - Raleigh Memorial Auditorium *
Friday, June 9th - Asheville, NC - Rabbit Rabbit *
Saturday, June 10th - Atlanta, GA - The Eastern *
Sunday, June 11th - Columbia, SC - Township Auditorium *
Tuesday, June 13th - Dallas, TX - Music Hall at Fair Park *
Wednesday, June 14th - Austin, TX - The Moody Amphitheater *
Friday, June 16th - Houston, TX - White Oak Music Hall Lawn *
Saturday, June 17th - New Orleans, LA - Mardi Gras World *
Monday, June 19th - Mobile, AL - Saenger Theatre *
Tuesday, June 20th - Tampa, FL - Seminole Hard Rock Hotel & Casino *
Thursday, June 22nd - Baltimore, MD - The Lyric %
Friday, June 23rd - Port Chester, NY - Capitol Theatre ~
Saturday, June 24th - Westbury, NY - NYCB Theatre [In The Round] ~
Monday, June 26th - Northampton, MA - The Pines Theater ~
Wednesday, June 28th - Portland, ME - State Theatre #
Thursday, June 29th - Boston, MA - MGM Music Hall at Fenway #
Saturday, July 1st - Scranton, PA - Peach Music Festival
Sunday, July 2nd - Chicago, IL - Salt Shed [Indoor] #
Monday, July 3rd - St. Paul, MN - Palace Theatre #
Friday, July 7th - Bonner, MT - Kettlehouse Amphitheater +
Saturday, July 8th - Redmond, WA - Marymoor Park Live +
Sunday, July 9th - Forest Grove, OR - Grand Lodge +
Tuesday, July 11th - Wheatland, CA - Hard Rock Live +
Thursday, July 13th - San Luis Obispo, CA - Madonna Inn +
Friday, July 14th - Los Angeles, CA - The Wiltern +
Saturday, July 15th - Phoenix, AZ - Van Buren +
Thursday, Oct 26th -Oct 29th - Live Oak, FL – Suwannee Hulaween
 
* Jerry Harrison & Adrian Belew Remain In Light
^ Fishbone
~ Neal Francis
# Budos Band
+ Moon Duo
% W.I.T.C.H.