The Walkmen Sign To Fat Possum Records

Esteemed indie rock act, The Walkmen, announce their signing to Fat Possum Records.  The band is currently in the studio with Chris Zane recording the follow-up to 2008's widely-acclaimed LP You & Me.

The band kicks off 2010 with a couple New York City plays including MOMA's Opening Night Armory Show benefit on March 3rd and an intimate engagement at Brooklyn's The Bell House on April 1st where they'll showcase songs from the upcoming album.  A 24-hour pre-sale begins tomorrow (more details below).

The band also travels to Austin, TX to play NPR's South By Southwest Showcase March 17th at Stubbs. For the third year running, NPR Music will present, broadcast, and webcast the opening night showcase which features performances by The Walkmen, Spoon, and soon to be named acts.

The Bell House pre-sale begins at noon EST on Thursday, February 11th.  Public onsale  will take place on Friday, February 12th. More details can be found at

Earl Greyhound To Release Sophomore LP "Suspicious Package"

EARL GREYHOUND is pleased to announce the release of Suspicious Package, a blistering rock inferno spun out of the Brooklyn trio’s inspired and innovative rock-n-roll imagination machine.  Suspicious Package was recorded at Red Bull Studios in Santa Monica, under the nimble and keen producerly auspices of Dave Schiffman (Mars Volta, Red Hot Chili Peppers, System of a Down).

Earl Greyhound formed in 2002 with the collaboration of songwriters Matt Whyte and Kamara Thomas, who began performing regularly as a duo in NYC. All the while, they were crafting the unique sound and songs that would form the foundation for a colossal rock band. Their influences swept from the strident English three-and four-pieces of the 70’s, to the dark pop and heavy grunge grooves of the 90’s, to the transcendental, noisy acid sounds of modern rock.

In 2005, EG recorded their first album, Soft Targets, but they also hit their first snag when drummer Chris Bear left to pursue his fortunes with the band Grizzly Bear. Reluctant to release the album without a permanent drummer, Matt and Kamara vowed to play relentlessly until their dream drummer found them. Guitar player Kirk Douglass (The Roots) witnessed a show and brought his friend and Gold Crowns band mate Ricc Sheridan to the next few gigs. Ricc says, “I awoke from a dream one night, and I knew this was my band.” A few weeks later, a rockneck-inducing jam confirmed that the band had found its soul mate, and they hit the ground running.  Soft Targets and EG’s wrecking ball of a live show earned them oodles of fans and critical acclaim from The New Yorker, SPIN, Rolling Stone, Brooklyn Vegan and Pitchfork, among others. The next three years were spent touring the US, Canada and Japan as well as opening for Gov’t Mule, Chris Cornell and Saul Williams.

Suspicious Package is Earl Greyhound’s sophomore release. The album marks a turning point in the band’s maturation since the benefit of Mr. Sheridan’s full creative collaboration. Listeners will notice a marked expansion into the higher reaches of the sonic territories. Heavy, dark, groovy and grand—Suspicious Package is a reminder that though ROCK is still only a four-letter word, it can still pack a load of splendor.


Jan 30 - Brooklyn Bowl - Brooklyn, NY
Mar 23 - Harro East Theatre & Ballroom w/ Coheed and Cambrial - Rochester, NY
Mar 24 - The Westcott Theater w/ Coheed and Cambria - Syracuse, NY
Mar 25 - Northern Lights w/ Cohee d and Cambria - Clifton Park, NY
Mar 26 - Higher Ground w/ Coheed and Cambria - South Burlington, VT
Mar 28 - Port City Music Hall w/ Coheed and Cambria - Portland, ME
Mar 29 Webster Theater w/ Cohee d and Cambria - Hartford, CT
Mar 30 Hardware Bar w/ Coheed a nd Cambria - Scranton, PA
Mar 31 - Music Hall of Williamsbu rg w/ Coheed and Cambria - Brooklyn, New York
Jun 4 - Wakarusa Festival - Ozark, ArkansasJun 5 - Wakarusa Festival - Ozark, Arkansas

The Antlers Play DENVER At Ogden Theater On 2.13

The Antlers play DENVER, COLORADO At The Ogden Theater On 2.13 with The Editors.  They're also playing The Brooklyn Academy of Music With Ra Ra Riot Feb. 5th, 2010.  Their new album, Hospice is out now on Frenchkiss Records.  The Antlers are on tour starting the end of January.



1/29/10 - Legends of Notre Dame - Notre Dame, IN
1/30/10 - Musica - Akron, OH
2/05/10 - Brooklyn Academy of Music Opera - Brooklyn, NY*
2/08/10 - Teh Warfield - San Francisco, CA#
2/09/10 - House of Blues - San Diego, CA#
2/11/10 - Wiltern Theatre - Los Angeles, CA#
2/13/10 - Ogden Theatre - Denver, CO#
2/15/10 - Vic Theatre - Chicago, IL#
2/16/10 - Phoenix Concert Theatre - Toronto, ON#
2/17/10 - Il Motore - Montreal, QB
2/18/10 - House of Blues Boston - Boston, MA#
2/19/10 - Terminal 5 - New York, NY#
2/20/10 - Trocadero - Philadelphia, PA#
2/21/10 - 9:30 CLub - Washington, DC#

* w/ Ra Ra Riot# w/ Editors

White Denim Play DENVER At Larimer Lounge On 1/27

At any given moment, White Denim occupy a myriad of musical spaces without locking themselves into in any particular one. The Austin based trio’s go-for-broke attack can encompass Stooges-esque punk, prog, Live At Leeds-era Who, psychedelia and post-bop jazz- all within a single song. Yet the band’s music, as evidenced in their new album, Fits, is the product of a cohesive aesthetic that is anything but random. With a rabid and growing following in the UK, and rave reviews in numerous U.S. publications such as The New York Times, White Denim have made their name not just by being great at what they do, but by seemingly being the only ones doing what they do.

Fits breathes with the sense of self-discovery that arises when a band has put the work in, exposed its true identity, and has more fully developed its craft. Lead vocalist and guitarist James Petralli says, “On our first album, we introduced a ton of ideas. Fits feels a bit more natural, more like it’s our real first record.” That becomes apparent on tracks like “Say What You Want” and “Radio Milk How Can You Stand It,” which are badass garage rock killers, shot through with an obvious intelligence that leaves the listener beguiled, overwhelmed and wanting more. NME has called Fits, “A fantastic record, a slow-burn masterpiece that buds gradually and thrives on the oxygen of repeated exposure,” and Mojo has echoed that praise, raving that Fits is, “a fantastic, exploratory record.”

With Petralli, Steve Terebecki on bass, and Joshua Block on drums, White Denim have been entrancing audiences since their formation in 2005. Originally a four-piece playing under the name Parque Touch, they became White Denim when their first lead singer moved to Russia. Playing the gritty rock clubs in the Red River area of Austin, the band quickly found their own sound - one with roots in the past, but with a thoroughly modern direction. James says, “We wanted to approach the band in an old school way, with a real focus on musicianship. With a lot of the stuff we like, there’s a focus on pushing boundaries in whatever form the players are messing with.”

Almost as soon as they formed they began recording and producing at Josh’s home studio, which is housed in his 1940’s Spartan trailer. James states, “When I think about the old rock groups, they made a lot of music in a short period of time. It was common to put out a couple of records a year while also touring extensively, and we knew that we wanted to take a similar direction in regards to recording and touring.”

In early 2007, the band released its first EP, “Let’s Talk About It,” (on vinyl) and quickly followed it up with a nine-song tour EP titled, “Workout Holiday,” sold exclusively at shows. Catching the attention of the tastemakers at, three of White Denim’s songs were included on an exclusive online-only EP that was released through RCRDLBL’s inhouse digital imprint in early 2008. This EP produced positive notices in both Rolling Stone and Drowned In Sound. Exposion, the band’s first full-length, came in 2008, earning accolades from a multitude of publications. PopMatters said of the band, “They’re as catchy as any pop band going, but they also handle strange sounds, texture, and off-kilter compositions as well as your favorite noise experimenter.”

But it’s been White Denim’s live show that has been the catalyst for spreading the band’s reputation. Intensely kinetic and bordering on frenzied, the band attacks each song in its own inimitable fashion; with Josh’s combustible drumming driving each twist and turn of the action. James’s guitar and vocals operate, by turn, as dagger and balm, living out the drama and intensity of each song. Steve’s bass functions as both lead instrument and anchor, pushing the music into further realms while knowing exactly when to bring things back to the earth.

The U.K.’s reaction to White Denim has been nothing short of ecstatic, and the band has responded in kind. Signed to Full Time Hobby in the U.K., the band’s critical reception has been incredible, with raves from NME, the Guardian and more. The band has really put their time in - as James recounts, “Last year, we did 30 weeks in the U.K., and really attacked it there. The audience there has truly made us feel at home there.”

Fits was born out of the collaborative process that followed the band home after so much time on the road. James explains, “When we came off tour, we let the ideas that were generating the most excitement in the group come to the fore. If something wasn’t immediately happening with the tune, we junked it.” The stylistic differences between the harder rocking and jagged first half of the album and the soul-fused second half were also a conscious move on the part of the band. “We definitely tried to do an A-Side/B-Side thing - the B-Side is our breezy soul side.” And indeed, songs like “Paint Yourself” and “Regina Holding Hands” provide softer, more melancholic and almost trippy elements to White Denim’s sonic palette, songs that wash over the listener joyously, rather than thunderously.

With the release of Fits, White Denim have fashioned their most definitive expression yet of the full dimensions of their sound. It’s a sound that is uniquely the band’s own – and it is a sound that is winning converts one by one with its sheer power, nuance and inventiveness. Remaining on the road for the rest of 2009 and into 2010, White Denim will continue to defy genre labels and easy categorization, rewarding listeners and concertgoers with a musical experience that is way beyond the current usual order of things: an experience that coheres like few others, even amidst the clamor and the storm.


US Tour Dates:

1/15 - Padres - Marfa, TX

1/16 - Club Congress - Tuscon, AZ

1/17 - Casbah - San Diego, CA

1/19 - Troubadour - Los Angeles, CA

1/20 - The Independent - San Francisco, CA

1/22 - Doug Fir - Portland, OR

1/23 - Media Club - Vancouver, BC

1/24 - Neumos - Seattle, WA

1/26 - Urban Lounge - Salt Lake, UT

1/27 - Larimer Lounge - Denver, CO

THE MAIN DRAG's "Dove Nets"

The Boston-based band, The Main Drag, make sophisticated and infectious indie-pop using music production as an instrument, cleverly stacking harmonies, synthesizers, guitars, strings, horns and drums within accessible songs. THE MAIN DRAG will release their third effort YOU ARE UNDERWATER digitally on December 8 via their imprint RPL Audio. Their rapidly growing fanbase was bolstered by the inclusion in the hugely successful video game Rock Band 2 and they’ll also participate in the Rock Band Network--a new initiative launching in early 2010 that allows independent acts to sell their music to the Rock Band fanbase. In addition to the success via Rockband, they were named “Best Unsigned Artist” by in 2007; garnered airplay and praise in key markets across the US and in Europe; had track “Love During Wartime” featured in the February issue of Paste Magazine; and released a cover of LCD Soundsystem’s “All My Friends” exclusively to the Coke Machine Glow “Fantasy Covers” series to rave reviews.

Check out The Main Drag's new video:  The video mixes animation + real actors while wavering between surrealism + psychedelia. It even comes with a coinciding web-based video game! Check out both the video and game here.

Jonah Werner & Friends @ Boulder Theater

Jonah Werner is a singer songwriter you don’t want to miss. He's a musical and lyrical phenom. His music style is unique and cutting edge. He writes lyrics like a modern day Kerouac, and he plays the guitar like you've never seen. With open tuning mastery, Jonah incorporates tapping, looping, finger and flat-picking in his songs. His concert style is a cross between David Wilcox and Jason Mraz, with original storytelling, wordplay and crowd interaction. Jonah has released 5 albums in the last 7 years and tours internationally.

Safehouse Benefit Concert
Tuesday, December 15
doors: 7:00pm, show:7:30pm


Boulder Theater
2032 14th Street
Boulder, CO 80302

Indie Folk-Rock Singer-Songwriter Collin Herring To Release New Album OCHO Today

Fort Worth-born singer-songwriter-guitarist Collin Herring will release today, Tuesday, November 17, his fourth distinctive album of originals that defy easy categorization, the sophisticated and haunting OCHO: eight songs with essences of rock, folk-rock and country in both the lyrics and instrumentation and subtle surprises in each.

Herring and band play a series of shows to introduce the album to longtime fans and new listeners, starting with an in-store performance at Austin’s Waterloo Records & Video on the day of release.

From the first track to the last — including “Young Ones,” “Seemed to Be,” “Little Aches” and “Nothing’s Wrong” — Herring engages audience attention with the twang of his vocals, the mix of contemporary and traditional in electric and steel guitars, lyrics that lament love with modern insight rather than tears, and wry twists that add texture and mystery.

“I wanted it to sound like I’m just sitting in my living room,” says Herring about OCHO. “I wanted something haunting and organic. It’s not country. It’s not rock ’n’ roll. It’s just Collin Herring. It’s music the way I wrote it.”

On the album with Herring, who moved to Austin a year ago, are Centro-matic’s Will Johnson (backup vocals, guitar), Monahans members Roberto Sanchez (percussion) and Britton Beisenherz (bass), and Keith Hanna (bass) — and, as he’s done on his son’s previous three records, Herring’s father, Ben Roi Herring, contributed pedal steel, keyboards and harmony vocals. It was tracked at Beisenherz’s Ramble Creek Studio in Austin and produced by Johnson.

Herring’s first three albums — AVOIDING THE CIRCUS (2002), THE OTHER SIDE OF KINDNESS (2005) and PAST LIFE CRASHING (2008) — earned awards and comparison to a number of other indie genre-benders including Alejandro Escovedo and Drive-By Truckers.

Upcoming shows include:

November 17, Waterloo Records & Video, Austin
November 26, The Moon Bar, Fort Worth
November 28, The Ghost Room, Austin
December 12, Jake’s Back Room, Lubbock
December 16, Mohawk, Austin

The Avett Brothers - 2 Nights @ Boulder Theater

There is no harmony like brotherly harmony. Something indelible in the weave of voices and play of sensibilities is stamped into the fraternal DNA and also stems from a lifetime of shared experiences. You can hear it in classic brother acts across the musical spectrum, from the Louvin Brothers to the Everly Brothers and on down the decades through the Wilson brothers (Beach Boys), the Davies brothers (Kinks), the Allman Brothers and even the Brothers Gibb (a.k.a., the Bee Gees). You can clearly hear fraternal magic at work in the songs of Scott and Seth Avett, better known as the Avett Brothers, as well.

That magic is abundantly evident on I and Love and You, the Avett Brothers’ big-label debut. Its 13 songs are delivered in a style that defies pigeonholing but might be described as a rootsy amalgam of folk, country, bluegrass, rock and pop – even a jab of punk-style dynamics here and there. Drawn by the naked honesty of their songs and the rousing intensity of their live shows, legendary producer and talent scout Rick Rubin signed the Avett Brothers – consisting of siblings Scott and Seth, plus bassist Bob Crawford - to his American Recordings label in 2008.

w/ guests
Tuesday, April 20 & Wednesday, April 21
doors 7:00pm, show 8:00pm


Boulder Theater
2032 14th Street
Boulder, CO 80302

Here We Go Magic Release Black Cab LIVE Session

It's been a big year for Here We Go Magic following the release of their much celebrated self-titled debut (Western Vinyl), and now they have their sights firmly set on 2010 with a new album, a new record label, and an ever expanding sound. Having just signed to Secretly Canadian, the band is targeting Spring of 2010 to release their highly anticipated follow-up to 2009's breakthrough record.

The band have spent much of the year on the road touring with indie giants including Grizzly Bear and are currently supporting The Walkmen before playing Austin City Limits.

Here We Go Magic are also hard at work recording the self-produced sophomore album in a house they've commandeered in upstate New York, and while the first record was the result of Luke Temple getting creative in his bedroom, this release is a fully fledged team effort.

With an eye towards 2010 the band is looking forward to expanding their audience as their unique sound continues to permeate throughout the indie world.

Dinosaur Jr. @ Boulder Theater

Indie rocker giants, Dinosaur Jr.'s latest release, "Farm", has received critical acclaim and praise from fans. Dinosaur Jr.'s, bassist, Lou Barlow opens with his solo project featuring Mike Watt's Missingmen band.

The worry about the reunion of the original Dinosaur Jr. line-up, more than 20 years after their formation and legendary dissolution, was that these guys were just flogging the back catalog as a marketing gimmick. With the release of Beyond, in 2007, the band gave a hearty Marshall-driven "F**K YOU!" answer to those inquiring ears. Restoring the sound established by the opening hat-trick gambit of Dinosaur, You're Living All Over Me, and Bug, the Beyond record continued the band's march into rock greatness by making old ears smile and new ears bleed afresh. And now comes Farm, Dinosaur Jr.'s first double LP and their fifth full length record by the original line-up -- J Mascis, Lou Barlow, and Murph -- set to release on their new label home Jagjaguwar on June 23rd.

If Beyond was Dinosaur Jr.'s return to form, Farm is proof that this band continues to deliver that which makes rock worth cranking to 11. At times wholly 70's guitar-epic, at times perfect for sitting by a babbling brook with Joni and Neil, Farm encompasses Dinosaur Jr.'s signature palette - soaring and distorted guitar, unshakable hooks, honey-rich melodies - songs that get into your head and, bouncing around happily, stay there. The ear-catching "Plans" is nearly 7 minutes of classic whipped-topping rock dessert, while "I Don't Wanna Go There" is a meat-and-potatoes main dish, mixing unapologetic lead guitar with straight-ahead delivery a la James Gang or Humble Pie. These two tunes round out twelve tracks propelled by the unique energy of one of America's greatest living rock bands hitting their stride.

Channel 93.3 & Westword present
w/ lou barlow + the missingmen and Violent Soho
Thursday, October 29
doors 8:00pm, show 9:00pm