I wanted to interview a member from The String Cheese Incident not because I have their whole collection, because I’m a huge fan or even because I’d seen a show of theirs before. Instead, the main driving force for my choice was because SCI is a mainstay in not only jam music but really in the music industry as a whole. It seems there aren’t a lot of bands these days that can keep a cohesive sound for 20+ years. So I know there’s something special about this band.
Grateful Web recently had a chance to speak with legendary bluegrass mandolinist, Jesse McReynolds. Jesse’s use of ‘crosspicking’, known as the ‘McReynolds style’ distinguished his picking from Bill Monroe and others. Jesse is a multiple Grammy award winner and in 1993 he was inducted into the Bluegrass Hall of Fame.
Slightly Stoopid, a prolific band touring for over a decade – modeling in their own way such acts as the Grateful Dead, Phish, Dave Matthews and similar acts. “Slightly Stoopid”, is a band name conceived while frivolous and young. Now after years of touring, they’ve added experience, family life but continues to tour. Slightly Stoopid talks to Grateful Web about tour experience, music, their continually growing fan base, and how they sustain such touring feat.GW
GW: Dylan Muhlberg of Grateful Web here. I am thrilled to be joined by two men whom I admire very much. Tom Constanten’s professional career began as a member of the Grateful Dead in the band’s early developmental years. His impressive solo career and collaborations on dozens of other albums make him an important fixture in American music.
The Sunshine City’s quartet, COPE keeps it in the family. This St. Petersburg/Tampa Bay band of brothers features Kenny Stadelman (bass), Dennis Stadelman (guitar and banjo), Michael Garrie (drums), and Juan Montero (keys and saxophone). COPE’s two recordings, “Going Home” and “See” are harbingers of their hairy funk, Southern jam, dance party prowess.
Before and after the Pigeons Playing Ping Pong show on St Patrick’s Day, I had the opportunity to chat with the band's front man, Greg Ormont. In the past couple years, he and his three other band members have been touring extensively, playing spectacular shows, and have even founded their own festival, Domefest. If you haven't heard of them yet, I'd bet you will soon.
GW: Thanks so much for taking the time to answer some questions, you’ve had a whirlwind SXSW week and GW appreciates your time. To get started, give us a little history into the evolution of you as an artist. You’ve been playing for almost a decade, not to mention that music is in your blood because your dad is also a musician. What was the impetus to become one yourself? Did you begin, in the days of those solo hole-in-wall gigs, with a clear image of yourself as an Americana artist?
Brian Haas, pianist and de-facto bassist of Jacob Fred Jazz Odyssey, took a moment from his extensive travels to speak with the Grateful Web about the big year ahead for JFJO, including two new albums, one of which was recorded live in Denver, Colorado at Dazzle Jazz and is slated for vinyl release on Record Store Day.
Tea Leaf Green percussionist and Coyote Hearing Studio engineer Cochrane McMillan recently took time out of his hectic yet welcomed schedule to discuss the balance in his life between the studio he co-owns and his solidified stance in the San Francisco based jam band. The second release from The Coyote Hearing Sessions, The Sideshow, features Steve Adams of ALO and Jesse Lauter as co-producer.
Before Looshuss’ Austin show this month, GW’s Caitlin St. Pierre sat down with the promising new artist. If you haven’t heard of him yet, you will soon. In the past couple years, he’s dropped his debut, self-titled album, won Best Electronic Dance Song at the Independent Music Awards, is gaining traction with fans and listeners, and is currently working on his second record. If you’re in the Austin area you should drop by the next time he plays and buy him a beer, and if you’re not, you can buy his album on iTunes—but be warned: Looshuss is addicting.