jazz

Bootleg Theater Presents David J's Thrilling New Play Opening Tonight

David J (Bauhaus/Love and Rockets) premieres a provocative new take on the unsolved murder of Elizabeth Short, better known as the Black Dahlia on Thursday, September 8, 2011 at the Bootleg Theater. Performances run every Thursday, Friday and Saturday through October 1.  Curtain time is at 7:30 PM.

National Jazz Museum September 2011 Schedule

For a combination of jazz dialogue, education, and live performance, look no further than the National Jazz Museum in September.

Our flagship conversation series, Harlem Speaks, first features soprano saxophonist Jane Ira Bloom in our first of several Harlem Speaks @ The New School events, which will occur in Greenwich Village (details below). Next, elder master Jimmy Heath will regale the live audience at our Visitor’s Center with tales from his illustrious history as a jazz artist.

Our Jazz for Curious Listeners series focuses on four classic recordings—Kind of Blue, Art Tatum: Solo Masterpieces, Red Clay, and Jazz at Massey Hall. The monthly Saturday panel peers into the legacy of jazz at Carnegie Hall.

We launch a new series this month, Tune Talk. We’ll find out where our favorite jazz songs come from and how they evolve into standards. This month’s featured song: “Body and Soul.”
Last but not least, our collaborative series with the Rubin Museum of Art—Harlem in the Himalayas—features alto saxophonist David Binney’s quartet and some special guests.
Mark your calendars, and bring some friends to share in pleasurable listening and learning!

Tuesday, September 6, 2011
Jazz for Curious Listeners
How to Listen to Jazz: “Kind of Blue”
7:00– 8:30pm
Location: NJMH Visitors Center 
(104 E. 126th Street, Suite 2C) 
FREE | For more information: 212-348-8300
Whether you’re new to jazz, or a seasoned listener, you’ll appreciate this session on the best-selling jazz recording of all time. Recorded and released in 1959, leader Miles Davis’s Kind of Blue has stood the test of time as a jazz classic.

Why? Is it the fact that the ensemble played a “modal” approach instead of a string of chord changes as was prominent in the bebop style? Is it the fact that legendary artists participated: trumpeter Davis, tenor saxophonist John Coltrane, alto saxophonist Cannonball Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb? Was it songs such as “So What,” “Freddie Freeloader,” and “All Blues”? All of the above?

Come discover the answers, as explained by Executive Director Loren Schoenberg.

Tuesday, September 13, 2011

Jazz for Curious Listeners
How to Listen to Jazz: “Art Tatum: Solo Masterpieces”
7:00– 8:30pm
Location: : NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Pianist Art Tatum’s prodigious technical facility was awe-inspiring. His inventiveness, harmonic acuity, and melodicism puts him at the top of the jazz piano mountain.

The recordings you’ll hear tonight are from the latter part of his life. Impresario Norman Granz produced these dates, which displays Tatum’s marvelous agility and artistry at a peak.

We invite you to an enlightening listening and learning session that will take you inside of the genius of one of the most startling artists of the 20th century.

Thursday, September 15, 2011

Harlem Speaks
Jane Ira Bloom
6:30 – 8:30pm
Location: The New School for Jazz and Contemporary Music
(55 West 13th St., Arnhold Hall, 5th floor )
FREE | For more information: 212-348-8300

Soprano saxophonist/composer Jane Ira Bloom has been full-time faculty at the New School for Jazz and Contemporary Music since 1989, and holds degrees from Yale University and Yale School of Music. She is a pioneer in the use of live electronics and movement in jazz and winner of the Guggenheim Fellowship in music composition, the Mary Lou Williams Jazz Award for lifetime service to jazz, Downbeat International Critics Poll & Jazz Journalists Award for soprano saxophone, the IWJ Jazz Masters Award, and the Charlie Parker Fellowship for jazz innovation. Bloom also has an asteroid named in her honor by the International Astronomical Union (asteroid 6083janeirabloom).

She adjudicated the prestigious Thelonious Monk International Saxophone Competition, the BMI Jazz Workshop Composition Prize, and served on a distinguished panel of faculty composers at the new Jazz Composers Orchestra Institute at the Center for Jazz Studies at Columbia University.  Recipient of the Doris Duke Jazz New Works Award, and fellowships from the NEA, Rockefeller, Pew & Ford Foundations, she has performed, recorded, and/or collaborated with Charlie Haden, Ed Blackwell, Fred Hersch, George Coleman, Kenny Wheeler, Julian Priester, Rufus Reid, Bob Brookmeyer, Mark Dresser, Bobby Previte, Matt Wilson, Jerry Granelli, Marc Copland, Jay Clayton and Cleo Laine.

Her compositions and commissions include the American Composers Orchestra, St. Luke¹s Chamber Ensemble, Pilobolus & Paradigm Dance Companies, NY City Center's Fall for Dance Festival, and the NASA Art Program. She has also produced and recorded for CBS, ENJA, JMT, Arabesque Jazz Recordings and Artistshare.  Bloom has been presented in the most prestigious halls, clubs, and festivals around the world, and a new event in Brooklyn, NY featuring cutting edge woman artists was named in her honor (the 2009 Bloom Festival).

Friday, September 16, 2011
Harlem in the Himalayas
David Binney Quartet and Special Guests
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door | 
For tickets: RMA Box Office or call 212-620-5000 ext. 344

David Binney, alto saxophone
Craig Taborn, piano
Elvind Opsvik, bass
Tyshawn Sorey, drums

Back after sold out shows in years past, acclaimed and highly individual saxophonist/composer David Binney is one of the most prolific jazz musicians on the scene today.  David's distinctive saxophone sound and innovative compositions have been heard from basement clubs in New York to jazz festivals in Europe.

In addition to David's extensive work as a leader, he has also been sought after as a sideman, appearing on recordings with Medeski, Martin & Wood and Uri Caine's Mahler Project. He has produced all of his own albums in addition to two Lost Tribe releases. David started his record label, Mythology Records, in 1998.

Saturday, September 17, 2011

Saturday Panel
Carnegie Hall Jazz
12:00– 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Starting with Benny Goodman’s historic 1938 concert, Carnegie Hall has hosted jazz concerts that gained classic status when they were issued on commercial recordings. Join us for an afternoon of superlative music courtesy of Miles Davis, Ella Fitzgerald, Duke Ellington, Count Basie and others.
Tuesday, September 20, 2011

Jazz for Curious Listeners
How to Listen to Jazz: Freddie Hubbard’s “Red Clay”
7:00– 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Trumpet icon Freddie Hubbard’s Red Clay marks a transitional moment in his career, in which he had been playing a form of straight-ahead jazz that some called “hard bop” on the Blue Note label. Red Clay incorporated electronic instrumentation (played on keyboard by Herbie Hancock, and bass by Ron Carter) and tapped into soul/funk styling. This was also the first recording on Creed Taylor’s CTI label, a forerunner of what came to be called “fusion jazz.”

Come to hear the various streams of style identified and made crystal clear, as this recording is placed within the historical context of Hubbard’s career as well as the stylistic direction of the music.

Wednesday, September 21, 2011

Tune Talk
“Body and Soul”
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

A key reason why“Body and Soul” is considered a classic is the very famous rendition by Coleman Hawkins in 1939. As a rite of passage, professional tenor saxophonists everywhere learned that solo. But is one famous version of a song enough to make it an enduring classic?

Or, in this case, do superlative versions by the Benny Goodman Trio, and Chu Berry and Roy Eldridge before Hawkins’, plus re-workings by John Coltrane, Dexter Gordon and others add to the aura of legend?

Tenor saxophonist and museum executive director Loren Schoenberg will go deep into the archives tonight, so join the journey!

Tuesday, September 27, 2011

Jazz for Curious Listeners
How to Listen to Jazz: Charlie Parker and Dizzy Gillespie at Massey Hall
7:00– 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

In what turned out to be their last recording together, Dizzy Gillespie and Charlie Parker performed in Canada at Massey Hall on May 15, 1953 in a show marketed as “the greatest jazz concert ever.” The two primary founders of the bebop movement were joined by drummer Max Roach, bassist Charles Mingus, and pianist Bud Powell.

This concert was indeed a great affair in which they performed songs by Gillespie (“Salt Peanuts,” “A Night In Tunisia”), Thelonious Monk (“52nd Street Theme”), Tadd Dameron (“Hot House”), Juan Tizol (“Perdido”), Jerome Kern (“All the Things You Are”), among others. Come feed your ears with the thrilling sounds and your minds with the keen analysis of Loren Schoenberg.

Thursday, September 29, 2011

Harlem Speaks
Jimmy Heath, saxophonist, composer and arranger
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Long recognized as a brilliant instrumentalist, Heath is also a magnificent composer and arranger. He has performed with nearly all the jazz greats of the last 50 years, from Howard McGhee, Dizzy Gillespie, and Miles Davis to Wynton Marsalis. For the past 30 or so years, Heath performed regularly with his brothers, Percy and Albert, as the Heath Brothers, a band that often included contributions from his son Mtume, a noted percussionist, composer, and rhythm-and-blues producer.
During his career, Heath has performed on more than 100 albums. He has written more than 125 compositions, many of which have become jazz standards and have been recorded by artists such as Art Farmer, Cannonball Adderley, Clark Terry, Chet Baker, Miles Davis, James Moody, Milt Jackson, Ahmad Jamal, Ray Charles, Dizzy Gillespie, J.J. Johnson, and Dexter Gordon. Heath has also composed extended works, premiering his first symphonic work "Three Ears" in 1988 at Queens College (CUNY) with Maurice Peress conducting.
Heath retired from the Aaron Copland School of Music at Queens College in 1998, where he served as a Professor of Music for more than 11 years. Still, he maintains an extensive performance schedule and continues to conduct workshops and clinics throughout the United States, Europe, and Canada. He holds honorary degrees from Sojourner-Douglass College and the Juilliard School, and has a chair endowed in his name at Queens College. Currently, he serves on the board of the Thelonious Monk Institute of Jazz.
In January 2010, his long-awaited life story, I Walked With Giants, was published by Temple University Press.

Sketchy Black Dog at Birdland | NYC | 8/26/11

Experience the daring, explosive mix of classic rock and originals; sonic temptations that are both seductive and unpredictable. This piano trio with string quartet plays unique spins of Bowie, Zeppelin, Hendrix, and more. Sketchy Black Dog takes timeless rock songs and originals to places both irreverent and fragile. Sketchy Black Dog is the brainchild of pianist Misha Piatigorsky and drummer Chris Wabich – both internationally recognized musicians.

The virtuosic and super-creative Jazz pianist, Misha Piatigorsky, is no stranger to Jazz audiences, but you’ve never seen – or heard – him quite like this! The Russian born Piatigorsky fled from behind the Cold War-era Iron Curtain and moved with his family to New York. It didn’t take long for this Classical pianist to morph into one of the most innovative Jazz artists on the international scene, taking first place in the Thelonious Monk Composers Competition, and playing everything from Brazilian music to straight-up Jazz with Mark Murphy, Joe Lovano and Jon Faddis. Sketchy Black Dog is his current obsession - cranking out his original arrangements of Classic Rock tunes alongside his own award-winning compositions. Piatigorsky’s fiery performances leave audiences screaming for more.

Chris Wabich has collaborated with the leading authorities in Jazz, World, and Rock music, including the Zappa family, Leonard Cohen, Sting, Nenette Evans (pianist Bill Evans' widow) and Omar Faruk Tekbilek. This three-time Grammy nominated artist is known for his dynamic extremities, clarity, melodicism and power. Wabich’s understanding and cross-pollination of genres is evident in his original voice, sought after by the likes of Ludacris to Stanley Jordan. Aside from being the rudder for Sketchy, Chris frequents as music director/producer for LA based artists and full-scale theater productions. His soundtrack credits include "Malcolm in the Middle", "American Idol", and work with film legend Lalo Shifrin.

Together Piatigorsky and Wabich have toured in Japan, Russia and throughout the USA, taking Sketchy Black Dog to Jazz and Rock clubs, Philharmonic halls, Opera houses, and even won over the crowd in one mistakenly booked lumberjack bar.

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BIRDLAND Jazz Club
315 West 44th Street (between 8th and 9th Ave)
New York, NY 10036
Phone: (212) 581-3080

Frank Sinatra/Count Basie Reprise recordings coming from Concord

By the early 1960s, Frank Sinatra and Count Basie had already cemented their respective reputations as two of the most versatile and enduring entertainers of the 20th century. When these two titans united in the studio for recordings on Reprise — Sinatra’s own label, which he’d launched at the start of the decade — the results were historic. The first album was simply titled Sinatra-Basie: An Historical Musical First, a 1963 release that climbed to the top five on Billboard’s pop album charts over the course of a 42-week run. A year later, It Might As Well Be Swing rose to #13 during a 31-week stretch on the same charts.

On September 6, 2011, Concord Records will reissue both of these recordings in a single collection, Frank Sinatra & Count Basie: The Complete Reprise Studio Recordings. Under license from Frank Sinatra Enterprises (FSE), the 20-song compilation is enhanced via digital restoration and remastering, and includes brand new liner notes from music journalist and historian Bill Dahl that provide historical context for these pivotal recordings. Also included are original anecdotes from Quincy Jones, who produced It Might As Well Be Swing.

“It’s virtually impossible to imagine a more swinging combination than Frank Sinatra — the premier pop vocalist of an adoring generation — and the mighty orchestra of Count Basie,” says Dahl in his liner notes. “Such a scintillating summit meeting actually unfolded not once but twice in the studio. This collection brings together both of these historic album-length collaborations, first out on the label Sinatra founded, Reprise. It’s a thoroughly satisfying soiree.”

Dahl provides background information about the history of Basie’s orchestra in the decades leading up to the two recordings. He also discusses Sinatra’s transition from Capitol to Reprise and the artistic freedom that came with it, as well as Neal Hefti’s arrangements for both albums, Quincy Jones’ production of the latter, and brief annotations of every song in the collection.

“Another memorable collection between the Chairman and the Count would soon be recorded for posterity by Reprise, [with Jones] arranging and conducting 1966’s Sinatra at the Sands,” says Dahl. “But even performing for those hip high rollers in Vegas couldn’t top what Sinatra and Basie accomplished during these two studio collaborations. This was musical history in the making, as fabulously fresh and frisky now as it was back then. Let the swinging commence.”
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TRACK LIST
Pennies from Heaven
Please Be Kind
(Love Is) The Tender Trap
Looking at the World Thru Rose Colored Glasses
My Kind of Girl
I Only Have Eyes for You
Nice Work If You Can Get It
Learnin’ the Blues
I’m Gonna Sit Right Down and Write Myself a Letter
I Won’t Dance
Fly Me to the Moon (In Other Words)
I Wish You Love
I Believe in You
More [Theme from Mondo Cane]
I Can’t Stop Loving You
Hello, Dolly! (from Hello, Dolly!)
I Wanna Be Around
The Best Is Yet To Come
The Good Life
Wives and Lovers

Colin Stetson 2011 Fall Tour + Video Release

To say Colin Stetson has come into his own in 2011 would be an understatement. February 2011 saw the release of Colin's highly acclaimed solo album New History Warfare Vol. 2: Judges, broadly received as a sonic, conceptual, compositional and technical tour de force. Thanks to his trajectory as a session and guest player with a diverse crop of iconoclastic pop/rock practitioners ­– Tom Waits, Laurie Anderson, TV On The Radio, Arcade Fire – as well as his own tenure in bands like Sway Machinery and Bell Orchestre, Stetson was poised to bridge the gap between contemporary rock and more rarified currents of avant jazz. With the Judges album, he did just that, garnering high praise from the both the jazz and pop/rock worlds.

Colin's astounding physical engagement with his instruments (chiefly bass and alto saxophones) produces emotionally rich and polyphonic compositions that transcend expectations of what solo horn playing can sound like. Stetson is equally at home in the avant jazz tradition of players who have pushed the boundaries of the instrument through circular breathing, embouchure, etc. (i.e. Evan Parker, Mats Gustafsson) and at the nexus of noise/drone/minimalist music that encompasses genres like dark metal, post-rock and contemporary electronics (i.e. Tim Hecker, Ben Frost – both of whom have mixed or remixed Stetson recordings).

Stetson's non-stop gigging at SXSW 2011 (on the NPR, Pitchfork and Pop Montreal stages) led to hundreds of dropped jaws and just as many superlatives about the man's mind-altering, heart-rending music: how it defies both genre boundaries and the physical boundaries of what one person can sonically generate in live performance with a single acoustic instrument, without recourse to looping pedals or other effects.

Through the 30-odd solo performances delivered in the wake of the Judges release in spring 2011, Colin continued delving into new compositions and especially more long-form trance/transcendental explorations. Having premiered a couple of these new songs at a small art gallery show in Montreal in May 2011, we were duly blown away (along with everyone else in the room) and encouraged Colin to record them while still in their raw, stamina-testing glory. He agreed and brought in good friend (and now Grammy-winning engineer) Mark Lawson (Arcade Fire, Islands) to help capture the performances in Stetson's own basement rehearsal/studio space.

The two pieces on this new EP both clock in at 10 minutes and are documented in direct fashion, using a handful of mic positions and, as usual, no looping or overdubbing of any sort. They are brilliant single-take performances that showcase Stetson's love for minimalism, a subtle pop sensibility, and a mesmerising, mantric, time-warping technical ability.

Those Who Didn't Run EP is an amazing addition to what will no doubt be an expanding Colin Stetson discography in coming years; a wonderfully-realized portrait of Colin's solo playing before he embarks on a year's worth of touring as part of Bon Iver's live band.

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Tour Dates

8/12 - 92Y Tribeca - New York, NY *
8/23 - Wadsworth Atheneum Museum of Art - Hartford, CT *
8/24 - Delilah's - Ithaca, NY
8/25 - Casbah Lounge - Hamilton, CA
8/26 - The Drake Hotel - Toronto, ON
8/27 - Zaphod Beeblebrox - Ottawa, CA
8/28 - Le Cercle - Quebec, CA
9/2 - Il Motore - Montreal, QC *
10/1 - ATP Festival - Asbury Park, NJ
10/3 - Burlington City Arts Center - Burlington, VT

*8.12 – w/Callers
*8.23 – 8.28 – w/Emily Wells
*9.2 – w/Rebecca Foon

2011 Morristown Jazz & Blues Festival

The Mayor of Morristown in northern New Jersey will host a free all day concert on the Town Green on Saturday, August 20th. The Morristown Jazz & Blues Festival will run from noon until 10:00 p.m. and features the Rusty Paul Band, the Duke Ellington Legacy Band, the Winard Harper Sextet, Baby Soda and the Jerry Vezza Quartet.

The music begins at noon with two sets by the Rusty Paul Band, led by the son of the legendary guitarist Les Paul. With a special blend of jazz, blues and funk, the six musicians will pay tribute to the great Les Paul as well as feature other popular tunes.

At 2:00, the Duke Ellington Legacy Band, under the leadership of Duke’s grandson Edward Kennedy Ellington II, takes the stage. With fresh arrangements by pianist Norman Simmons and sax great Virginia Mayhew, this 9-piece ensemble is dedicated to keeping Duke’s music alive and current. Most recently, the Legacy Band headlined the New Jersey Jazz Society’s Jazzfest 2011.

Following the Legacy Band will be the popular Winard Harper Sextet. Regarded as one of the elite jazz drummers on the current scene, Harper has performed with many jazz legends including Dr. Billy Taylor, Betty Carter, Dexter Gordon and Ray Bryant. Surrounding himself with extraordinary young musicians, Harper is an explosive drummer who is in demand all over the world.

At 6:00, five young musicians known as Baby Soda take the stage. On the forefront of a new movement known as street jazz, Baby Soda draws on an eclectic set of influences ranging from 30’s era swing, New Orleans jazz and gospel. The band maintains a busy schedule of performances which includes venues such as the Village Vanguard, the Knitting Factory and the Louis Armstrong House.

The festival closes with the Jerry Vezza Quartet featuring two of the regions’ most popular jazz musicians, pianist Jerry Vezza and singer/guitarist Grover Kemble. Joining Jerry and Grover will be Tom Sayek on drums and Rick Crane on bass.

The brainchild of Mayor Timothy Dougherty, the festival has been made possible by business sponsors including PSE&G, JCP&L, Riker Danzig, Brown and Brown Metro, The Metropolitan, 40 Park, Weichert Realtors, Roots, Trenk Depasquale, TSS Facility Services, Integra Management Corporation, Realty Management Associates, Belle Associates, Inglesino Pearlman and the Grasshopper Restaurant. Additional sponsors include WBGO, the Star-Ledger and the New Jersey Jazz Society.

The Morristown Jazz & Blues Festival will take place on the Green in Morristown rain or shine from noon until 10:00 p.m. Admission is free and many local restaurants will be offering specials for festival attendees. Bring your lawn chairs and blankets.


Preservation Hall Jazz Band Performs Ballet Score at Lincoln Center This Wednesday

The ever prolific Preservation Hall Jazz Band are on a perpetual quest to bring New Orleans jazz to new places and faces.  This Wednesday August 3rd at NYC’s Lincoln Center, they will reunite with celebrated choreographer Trey McIntyre to perform the live score for two ballets: “Ma Maison” and “The Sweeter End.”  The two creative forces originally came together in 2008 for “Ma Maison,” commissioned by the New Orleans Ballet Association, and performed again last year at The Hollywood Bowl in LA..  Then earlier this year, they reunited to debut a companion piece to that ballet, titled “The Sweeter End.”  This Wednesday’s performance is free and begins at 7:30pm.

Another one of Pres Hall’s long-running collaboration has been with My Morning Jacket, the subject of which is documented in the film Louisiana Fairytale, directed by Danny Clinch.  The piece was shown at SXSW and Bonnaroo this past year and will have upcoming screenings at the Sidewalk Moving Picture Festival (Aug 26 – 28th in Birmingham, AL) and at the New Orleans Film Festival (Oct 14 – 20th in New Orleans, LA).  Click HERE to watch the trailer.

Pres Hall’s most recent collaboration has been with Grammy-winning bluegrass icons, the Del McCoury Band, who they will perform with at this year’s Austin City Limits Festival September 17th at 7pm.  The two groups released a joint album earlier this year titled American Legacies, and have been performing together regularly including a spot on the Late Show With David Letterman.  Click HERE to watch their take on “I’ll Fly Away” for the show.

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Preservation Hall Jazz Band US Tour Dates:

8/2: Wellfleet, MA @ Wellfleet Preservation Hall
8/3: New York, NY @ Lincoln Center w/ Trey McIntyre Project
8/4: Gettysburg, PA @ The Majestic Theatre
8/5: Clayton, NY @ Clayton Opera House
8/13: Windsor, CT @ Summerwind Perf. Arts Center w/ The Del McCoury Band
8/20: Eagle, ID @ Eagle River Outdoor Pavillion w/ Trey McIntyre Project
9/2: Camp Mather, CA @ Strawberry Music Festival
9/3: Irvine, CA @ Great Park Summer Series
9/17: Austin, TX @ Austin City Limits
9/22: Grinnell, IA @ Grinnell College Herrick Chapel
9/23: Des Moines, IA @ Drake University - Sheslow Auditorium
9/24: Grand Rapids, MI @  Calvin College
9/25: S. Milwaukee, WI @ South Milwaukee Performing Arts Center
9/26: S. Milwaukee, WI @ South Milwaukee Performing Arts Center
10/2: San Francisco, CA @ Hardly Strictly Bluegrass w/ The Del McCoury Band
10/15: Aurora, IL @ Aurora University - Crimi Auditorium
10/19: Easton, MD @ The Avalon Theatre
10/21: Florence, SC @ Southeastern Institute of Manufacturing and Technology
10/22: Athens, GA @ University of Georgia w/The Del McCoury Band
10/29: Plymouth, NH @ Plymouth State University - Silver Cultural Arts Center
11/5: Carmel, IN @ The Center for the Performing Arts
11/12: Davis, CA @ UC Davis - Mondavi Center for the Performing Arts
11/13: Arroyo Grande, CA @ Clark Center for the Performing Arts
11/19: Shreveport, LA @ Highland Jazz & Blues Festival - Columbia Park

Mocean Worker | 'Candygram For Mowo!'

It’s been four years since we last heard from our favorite fast-talking, electro-funk, party-jams beat-maker Adam Dorn a.k.a. Mocean Worker. Since then tough economics have turned tougher, smug indie bands have become smugger and raving mad religious fanatics have grown, well, raving madder. What the world could use in these troubling times is some good ol' fashioned, happy days are here again, get up on the good foot grooves. Mocean Worker--who has built a reputation for exactly that over a ten-year plus career as a recording artist, songwriter, remixer, DJ, bassist and more--returns made to order with his sixth studio album, Candygram For Mowo!

From the opening salvo of the record’s first track "Shooby Shooby Do Yah!" in which 1930s big band horns are met by the syncopated rattle of a tambourine, it's apparent that the Mocean Worker feel-good brand is intact.  Joined by a divers cast of special guests, including Lyrics Born, Mindy Abair, Bill Frisell, Charlie Hunter, John Ellis, Hal Willner and Rahsaan Roland Kirk, Mowo! brings the funk in all manner of delectable shapes and sizes. Whether crossing swing era rave-ups with ‘70s rare groove ("Do Like Ya Like"), Les McCann meets Marvin Gaye-flavored house party, soul jazz ("Sistas & Bruthas"), North Cali hip-hop with ‘50s hard bop ("My Own Little World") or injecting deep house with Nuyorican rhythms ("Out There In The Random"), the beats are infectious, the hooks irresistible and the attitude always cheeky.

In Mocean Worker's own words, "These ain't good times, so why not have something that makes us feel good?"

Candygram For Mowo! is indeed what our collective sweet tooth craves.

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Candygram For Mowo! track listing:

1. Shooby Shooby Do Yah! (featuring Steven Bernstein)
2. Swagger
3. My Own Little World (featuring Lyrics Born & Mindi Abair)
4. Hoot & Hollah
5. Sistas & Bruthas (featuring Mindi Abair)
6. It Still Don’t Mean A Thing (featuring Steven Bernstein)
7. Mel’s Torment (featuring Rahsaan Roland Kirk)
8. Out There In The Random
9. Do Like Ya Like
10. Ya Damn Right
11. Say Yeah Yeah Yeah
12. Jive, Jive, Jive
13. Sho Nuff (featuring Rahsaan Roland Kirk, Bill Frisell, Charlie Hunter & Hal Willner)
14. JD

Wade Barnes & The Bottom Line Ensemble at the Moldy Fig Jazz Club

Called, “The Future of Bebop (House of Blues, Review May 5, 2000), Wade Barnes is certainly considered by many to be one of the great drummers, and composers.  The Albany Times Union stated about his appearance at the 1997 Saratoga Jazz Festival, “Mr. Barnes has developed into a premier drummer, composer, and educator.”

Receiving a Master of Arts, in Music, Vermont College, Norwich University and two Bachelor of Arts degrees in Music, Empire State College, S.U.N.Y., and in History, Queens College, after years of study and performing in New York City, as a teenager, has facilitated a holistic conception which incorporates the entire history of American music.

Drummers, who were born in the nineteenth and early twentieth centuries such as: Cornelius Tillman; Buddy Gilmore; Paul Barbarin; Baby Dodds; and Chick Webb have been extremely influential. Notwithstanding, Wade Barnes is commonly recognized as extending the tradition of the drums, pioneered by drummers Kenny Clarke, Max Roach, ‘Philly’ Joe Jones, and Roy Haynes. It has been stated, by many, that Mr. Barnes has the “swing of Philly Joe Jones and the technique of Buddy Rich.” Although all the musicians stated above have been profound influences, Wade Barnes has incorporated the ideas of these and others, to fashion his very distinct personal sound.

Mr. Barnes is the director of The Brooklyn Repertory Ensemble (a 17 member ensemble) noted for its unique sound. In addition, he leads smaller ensembles. Two of his other regular working bands are: Wade Barnes and The Bottom Line (a ten member ensemble); and Wade Barnes and Unit Structures. Mr. Barnes, also, performed with: “Doc” Cheatham; Earle Warren; Dicky Wells; Howard McGhee; Cecil Payne; Leonard Gaskin; Joe Knight; Franklin Skeets; Candido; Albert Dailey; Billy Mitchell; Benny Powell; Jimmy Garrison; Bob Crenshaw; Archie Shepp; George Coleman; James Spaulding; Sonny Fortune; Jon Faddis among others.

Mr. Barnes has performed in venues such as: The Smithsonian Institute; The JVC Festival (in New York City and Saratoga Springs, N.Y.); Sweet Basil, Slug’s Saloon, The Village Vanguard, Small’s; Fat Cat; and The Iridium, New York City; Larry’s Hideaway, Toronto; The Rising Sun, Montreal; Snug Harbor, Satchmo Summer Fest and Club Strut, Tiptina’s, Ashe Cultural Arts Center, New Orleans.

His discography includes: Pragmatic Optimism, The Brooklyn Repertory Ensemble (360 Records); Passport To Brooklyn, The Brooklyn Repertory Ensemble (Progressive Records); The Brooklyn Four Plus One, Self-titled, (Progressive Records); The Sounds…They Show Us, The Wade Barnes Septet (360 Records); Bridgin’The Gap, The Brooklyn Conservatory Faculty Jazz Ensemble (360 Records); Deane’s Basics, Deane and The Jazz Masters (Progressive Records); In Your Eyes, Linda Presgrave (Metropolitan Records); Wild As The Wind, Pucci Amanda Jhones (CIMP Records); Fantasy For Orchestra, The Universal Jazz Symphonette (Independent).

The Brooklyn Four Plus One Inc. has been awarded grants to conduct education programs from: The Charles Evans Foundation; The New York City Council and The Department of Cultural Affairs; The Music Performance Fund; The Vermont Arts Council; Vermont College; New England Life; and The Jazz Foundation Of America. The grants were awarded to The Brooklyn Four Plus One Inc. in order to administer music education programs created by Mr. Barnes.

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WADE BARNES AND THE BOTTOM LINE ENSEMBLE
Appearing Monday nights at the Moldy Fig Jazz Club
Beginning Monday, July 11, 2011
Time: 8pm - 12am  | Cover - $5.00
The Moldy Fig Jazz Club is located at 178 Stanton Street between Clinton and Attorney.    Lower East Side, NY
Open from 5:00pm to 2:00am Sun. - Thur. and 5:00pm to 4:00am Fri. and Sat.

National Jazz Museum in Harlem July 2011 Schedule

The National Jazz Museum in Harlem kicks off the summer of 2011 with our very first Music Festival! Dubbed “Summer Serenades,” the festival includes performances at the Highline Ballroom downtown, Orchard Beach in the Bronx, and Jackie Robinson Park, Grants Tomb and the NJMH Visitor’s Center in uptown Manhattan. Check schedule below for details.

Bassist Avery Sharpe leads a quintet in a live show at the Rubin Museum of Art, and live jazz on film will be presented for several of our programs at the Museum of the City of New York, Maysles Cinema, and at our home Visitor’s Center. A highlight of these film presentations will be two led by the museum co-director, Christian McBride.

The Midwest connection will be pursued at our Saturday Panel, where special guests will venture details about Missouri’s national music legacy.

As well, our flagship public program, Harlem Speaks, brings two keepers of the tradition of swinging jazz—trumpeter Warren Vache and tenor saxophonist and flutist Lew Tabackin—to share the story of their life and career in the music.

It’s a busy month with loads of events for you to attend—most free—so mark your calendar now and call some friends to share the musical wealth!

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Saturday, July 2, 2011

Summer Serenades: The NJMH Summer Music Festival
Jonathan Batiste Band plus Blackberry Winter Play the Music of“Winter’s Bone”

8:00pm
Location: Highline Ballroom
(431 West 16th Street)
$20 in advance | $25 at door | Doors open @ 6pm
For tickets: RMA Box Office or call 212-620-5000 ext. 344

This summer musicians from the Oscar nominated film Winter’s Bone and its soundtrack will be taking to the road, performing their unique take on the traditional music of the Missouri Ozarks to audiences across the US and Canada.

This intimate evening of music will feature Marideth Sisco, Blackberry Winter, Bo Brown, Van Colbert, Dennis Crider, Tedi May, and Linda Stoffel - the original Ozarks musicians from the Winter’s Bone film, playing their authentic blend of traditional Americana in what will be their first ever North American tour. Bear witness to a legacy that spans generations in the making, performed by the heirs of the Great American Songbook.

New Orleans native Jonathan Batiste is a young ambassador of the culture of jazz music in America. By the age of 17, he released his first of his two CDs as a leader entitled "Times In New Orleans" which features the talents of some of New Orleans’ finest musicians including Jason Marsalis, Donald Harrison and Christian Scott. He presently studies Jazz Piano at The Juilliard School of music in New York.

Seen recently on the HBO series Treme, Batiste has headlined numerous performance and discussion sessions for the NJMH, and swings his band into this new venue for the jazz museum.

Saturday, July 2, 2011

Saturday Panel
Missouri on My Mind: An American Legacy
12:00– 4:00pm

Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Join us for an exciting and unusual afternoon as we trace the history of music in the great state of Missouri and its trail to Harlem. Some people think of Missouri as the home of ragtime, some as the home of KansasCity swing, but there are many strands that led to ragtime and Kansas City swing. Join music historian Jonathan Scheuer, radio host/singer Marideth Sisco and others for an afternoon you won’t forget.

Monday, July 4, 2011

Summer Serenades: The NJMH Summer Music Festival

Jazz in the Parks

3:00 – 7:00pm
Location: Jackie Robinson Park
(147th and Bradhurst Avenue)
FREE | For more information: 212-348-8300

The National Jazz Museum in Harlem and Jonathan Batiste present a special afternoon of music in Harlem's own Jackie Robinson Park inside the newly renovated bandshell (at W147th and Bradhurst Ave.). Young performers,from a variety of genres, will come together to celebrate July 4th in the spirit of America. From modern dance, country western, to swinging jazz music and gospel music, this performance will have a
little something for everyone!

The Jonathan Batiste Band - 3pm
The Jonathan Batiste Band (with Mary Ellen Beaudreaux and guest) - 3:15pm
Jerome Bell (of American Idol) with Michael T's Eclectic- 3:30pm
The Bailen Brothers Band - 4:15pm
Damien Sneed - 4:45pm
The Tres Amigos- 5:15pm
Michael T's and the Eclectic - 6pm
Fourth of July Jam with all performers and guests - 6:45 - 7:00pm

(w/ D.J. UWS spinning all afternoon)

Tuesday, July 5, 2011

Jazz for Curious Listeners
JAZZ ON A SUMMER’S NIGHT: Jazz on Film—Rare Ellingtonia

7:00– 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Duke Ellington’s leadership of his sui generis orchestra for over 50 years is a definitive accomplishment in the annals of 20th century America. Come witness on film the evolution of jazz through the prism of Maestro Ellington, the most comprehensive composer of the jazz idiom!

Thursday, July 7, 2011

Harlem Speaks

Warren Vache, Trumpet
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Several years before Wynton Marsalis garnered headlines for breathing life into straight-ahead, acoustic jazz, Warren Vache had been leading the charge of a small group swing revival. He’s the son of bassist Warren Vache, Sr. and the brother of clarinetist Allen Vache, making yet another musical family of note in jazz. He studied music with Pee Wee Erwin, and early on played with Benny Goodman, Vic Dickenson, and Bob Wilber.

He’s played as a leader since the mid-‘70s, and was known in those days for teaming up with tenor saxophonist Scott Hamilton. His warm tone belies an adventurous, soulful style of playing, which is akin to Vache’s approach to conversational engagement also, as you will see tonight!

Sunday, July 10, 2011

MCNY Summer Film Shows
52nd Street Swing: Jazz Films

2:00pm
Location: Museum of the City of New York
(1220 Fifth Avenue)
FREE with Museum Admission| For more information: 212-348-8300

In the late 40s to early 50s, 52nd Street was known for its amazing array of jazz talent, sprinkling the cultural scene with the magic of jazz styles of every imaginable genre. Come and experience filmic representation of the excitement of an era central to jazz lore and history!

Tuesday, July 12, 2011

Jazz for Curious Listeners
The World of Christian McBride, Pt. 1: Rare Films at Maysles Cinema

7:00– 8:30pm
Location: Maysles Cinema
(343 Lenox Avenue, bet. 127th and 128th)
FREE | For more information: 212-348-8300

Coming off his world travels on the road, museum co-director Christian McBride will present rare films from his vast treasure trove of archival footage. It’s always a happening when McBride presents, so make sure to arrive early!

Wednesday, July 13, 2011

Summer Serenades: The NJMH Summer Music Festival
Film and Live Music(co-sponsored by Maysles Cinema)

7:00pm
Location: Jackie Robinson Park
(147th and Bradhurst Avenue)
FREE | For more information: 212-348-8300

Check http://jmih.org for more details.

Friday, July 15, 2011

Harlem in the Himalayas
Avery Sharpe Quintet
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Avery Sharpe - acoustic bass

Onaje Allen Gumbs – piano

Yoron Israel – drums

Craig Handy - tenor and soprano sax

Maya Sharpe – vocals

CD release concert for "Running Man."

A bass player and composer of note who’s played with a plethora of jazz greats, from Dizzy Gillespie to Pat Metheny and McCoy Tyner, Avery Sharpe has an acclaimed career of his own. His quartet (with guest vocals) comes to the Rubin Museum to celebrate the release of their brand new album, Running Man.

Sunday, July 17, 2011

Summer Serenades: The NJMH Summer Music Festival

SALSA MEETS JAZZ: Dave Valentin Live in a Free Concert

12:00pm

Location: Orchard Beach Stage in Pelham Bay Park, Bronx

FREE | For more information: 212-348-8300

Live music returns to the Orchard Beach stage as acclaimed Grammy Award-winning flutist and Bronx resident Dave Valentin offers a free, sizzling hot concert at Orchard Beach. Party all day starting at 12:00pm! Co-sponsored by Bronx Lebanon Hospital in association with the Bronx Tourism Council.

Tuesday, July 19, 2011

Jazz for Curious Listeners
JAZZ ON A SUMMER’S NIGHT: A Jazz Potpourri – 1927-2011

7:00– 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Jazz music was born in the sweltering heat of the tragic tale of race and culture at the turn of the century in New Orleans, but the resulting musical idiom carries the sweet smell of fine art. We invite you to a visual tour of jazz, from the early days of Armstrong to the biting modernity of today’s sounds!

Wednesday, July 20, 2011

Summer Serenades: The NJMH Summer Music Festival

Harlem Nocturne: Eric Comstock and Barbara Fasone

7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

The husband-wife musical team, Eric Comstock and Barbara Fasone, have been thrilling cabaret audiences at renowned rooms such as the Algonguin for several years. In this special, intimate performance they will serenadeeach other and you too.

Tuesday, July 26, 2011

Jazz for Curious Listeners
The World of Christian McBride, Pt.2:

7:00– 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

The most acclaimed bassist of his generation, Christian McBride, will take visitors into his musical world, which encompasses jazz, funk, fusion, and other genres, and share select videos for your viewing pleasure. His commentaries are always humorous and soulful, so don’t miss this special evening.

Thursday, July 28, 2011

Harlem Speaks

Lew Tabackin, Tenor Saxophone and Flute
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Lew Tabackin is known for co-leading one of the most innovative big bands of the past quarter century, the Toshiko Akiyoshi-Lew Tabackin big band. Yet he’s also one of the keepers of the flame of tenor sax stylings of masters such as Ben Webster, Coleman Hawkins and Don Byas. Plus, he’s one of the most original voices on jazz flute living today.

Come here his intriguing story of stylistic development from his days as a Philadelphia teen through his world travels as a soloist and bandleader with his wife Toshiko Akiyoshi, herself a former guest of Harlem Speaks, the flagship public program of the National Jazz Museum in Harlem.

Sunday, July 31, 2011

Summer Serenades: The NJMH Summer Music Festival

CONCERT UNDER THE STARS: NJMH Afro-Cuban All Stars

6:30 PM
Location: Grants Tomb
(122nd St. and Riverside Drive

FREE | For more information: 212-348-8300

An explosive gathering of Latin jazz titans! Flutist Dave Valentin, trumpet legend Chocolate Armenteros, percussionist Johnny Rodriguez, pianist and arranger Edy Martinez and others will blaze the outdoor stage on the opening day of Harlem Week festivities. They’ll make you wanna move and groove, so bring your dancing shoes!