Soul Rebels Brass Band & Marcus Eaton Trio @ Boulder Theater

Radio 1190's Krewe de Louisianne, KGNU & Boulder Weekly present:
Friday, June 12
doors 8:30pm, show 9:00pm

Imagine blending the sounds of Mardi Gras funk, soft rock, and reggae so seemingly it defies category. Now shrink that idea into a seven-piece ensemble, add a hip hop sensibility plus a hundred years of New Orleans jazz tradition, and you'll get the Louisiana sound known as the Soul Rebels. After parading around the streets of New Orleans in the traditions of the second line and jazz funerals, the Soul Rebels began their professional debut with the famed Neville Brothers in New Orleans at the Hot Spot Tipitina's! The Soul Rebels rocked so hard and so strong they continued opening for the Neville Brothers and beyond. The band was featured in Spike Lee's HBO Documentary "When the Levees Broke".

Marcus Eaton's lyrics often reflect the natural beauty that surrounded him growing up on top of a mountain in rural Idaho, but the level of talent of this entirely self-taught singer/songwriter/guitarist is world-class. Listener friendly, but steeped in technique - Marcus combines challenging rhythms with ornate melodies that glide with the appeal of mainstream pop songs. Incorporating rock, reggae, flamenco, classical, jazz and folk, it is Marcus' distinctive songwriting that gives this music its farthest reach. Captivating audiences wherever he plays with his guitar mastery and clear voice, Marcus Eaton is on the verge of all-out success. Performances include shows with Jake Shimabukuro, Rodrigo Y Gabriela, Dave Matthews Band, Tim Reynolds, Victor Wooten, Train, Bob Dylan, Jewel, and many others.

Tickets are on sale now at The Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.  Tickets are also available through our website @ www.bouldertheater.com.  All tickets are subject to tax and service charge.

National Jazz Museum in Harlem June Schedule

We launch an exciting month of programming in conversation with Will Friedwald, one of the nation’s top jazz critics and authorities on jazz singing, for Jazz for Curious Readers. Next, we present a listening and learning session on a classic album by Bill Evans, the first of five classic recordings for discussion at Jazz for Curious Listeners in June.

Living legend Jon Hendricks, the reigning master of vocalese, truly embodies the notion of “living history.” Hear history come alive at Harlem Speaks with Hendricks, and, later in the month, the legendary bassist/educator Rufus Reid.

A special session of Harlem Speaks will be held at The Riverside Theater, as part of its annual Family Arts Festival. Young New Orleans trumpeter and composer Etienne Charles will lead the NJMH All-Stars in a groove we call Caribbean Swing.

Come to Connecticut to hear the NJMH All-Stars celebrate the music of Benny Carter and swing back to Harlem in late June as they focus their fire on the music of Duke Ellington. Our Saturday Panel discussion celebrates the centennial of the peerless pianist Art Tatum and the mighty tenor saxophonist Ben Webster, and their continued relevance ion the 21st century.

Our Harlem in the Himalayas concert features one of the younger stars in jazz, pianist Kevin Hays, in a wonderful acoustic setting at the Rubin Museum of Art.

Whether it’s live performance or discussion, our public programming guarantees you a good time in the joyful spirit of swing.

Monday, June 1, 2009

Jazz for Curious Readers
Will Friedwald, Author
7:00 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300 or register online

Dubbed (by Past Times magazine) as "The Poet Laureate of vintage pop music," Friedwald is internationally recognized as the leading authority on jazz singing and "adult" pop music. He is the author of three books on the subject, the most recent of which is Tony Bennett's autobiography, The Good Life (1998, Pocket Books) and also include Jazz Singing and Sinatra! The Song is You, both published in hardcover by Scribners (Simon and Schuster) and in paperback by Da Capo Press. Sinatra! The Song is You is the first full-length musical biography of Frank Sinatra and was hailed by The New York Times Book Review as the "single most important book on Sinatra ever published." In 1996, Sinatra! Received the ASCAP Deems Taylor Award for Excellence In Music Criticism.

Since 1984, Friedwald has written regularly about music for The Village Voice and also appears frequently in the Wall Street Journal and The New York Times. His work has also appeared in The New York Times Sunday Magazine, The New York Times Book Review, Entertainment Weekly, Oxford American, New York, Entertainment Weekly, New York Newsday, L. A. Weekly, Mojo, BBC Music Magazine, Stereo Review, Fi(Delity), The New York Observer (where he was the resident jazz critic), Seven Days and numerous music and film journals.

With prolific television and radio experience under his belt, Friedwald has appeared on hundreds of programs in both mediums. He has served as a consultant and on-screen commentator on many television documentaries and news programs (including ABC Nightline, The MacNeil Lehrer Report, Good Morning America, The Today Show, CBS Sunday Morning, and A&E Biography's profiles of Frank Sinatra, Tony Bennett and Mel Tormé). On the radio, he has hosted many of his own regular disc jockey radio shows, and has also served as a commentator / "columnist" on the National Public Radio program Artbeat. He was a frequent guest with Stan Martin and Jonathan Schwartz on WQEW, and was the subject of an hour-long interview on Fresh Air with Terry Gross. He served as a consultant and interviewee on NPR's massive Ellington project as well as on dozens of installments of Jazz Profiles and other NPR documentary programs.

In addition, Friedwald has produced and annotated hundreds of compact disc reissues, including several Grammy-winning packages (out of a total of six Grammy nominations). Expect an insightful and humorous evening of wit and historical depth.

Tuesday, June 2, 2009

Special Event
Dine Around Downtown with the NJMH All-Stars 11AM – 3PM

Location: Chase Manhattan Plaza, between Liberty & Pine and Nassau & William Sts.  The Downtown Alliance is pleased to present Dine Around Downtown 2009.

Savor some of the best food in town at the 11th annual Dine Around Downtown - a Downtown tradition showcasing over 50 of the finest restaurants in Lower Manhattan. Sample signature menu items for $3 to $6 while enjoying an array of live entertainment and music by the Jazz Museum throughout the day. Rain date is Wednesday, June 3.

Jazz for Curious Listeners
5 Classic Albums: Bill Evans Trio at the Village Vanguard
7:00 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300 or register online

Learn how to listen to classic jazz albums from a musician’s perspective. This live recording by the Bill Evans Trio at the Village Vanguard on June 25, 1961, marked the end of one of the most sublime instrumental combinations in jazz history when bassist Scott LaFaro died in a car accident 10 days later. This unit is underdocumented because Evans, a notorious perfectionist, was reluctant to record. The interchange between Evans on piano, LaFaro on bass and Paul Motian on drums is balletic in its balance of emotional beauty and technical precision. Multiple takes of "Gloria's Step," "Alice in Wonderland," "All of You," and "Jade Visions" show how the invention these players brought to each performance makes repeated material sound like movements in a suite.

Thursday, June 4, 2009

Harlem Speaks

Jon Hendricks, Vocalist
6:30 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Jon Hendricks has been called the "James Joyce of Jive" by Times Magazine and "The Poet Laureate of Jazz" by jazz critic and historian Leonard Feather. He has distinguished himself as a vocalist capable of transforming instrumental choruses into lyrically rich voices, an art form called vocalese.

Before Hendricks reached his teens, his family moved to Toledo, Ohio, where he began appearing on radio and where he encountered the pianist extraordinaire Art Tatum, who took a keen interest in Hendricks’ musical development. A brief encounter with another iconoclastic musical genius—Charlie Parker—caused Hendricks to pursue music professionally.

He was the key lyricist and principal member of the trio Lambert, Hendricks and Ross formed in 1958. The group remained together for 6 years, during which time the trio toured widely and recorded extensively, featuring a repertory of jazz vocalese. The trio mastered the technique of adding words to jazz instrumental classics, including those of Basie and Ellington. After that, Hendricks performed with the new group, Jon Hendricks and Company. He moved to London in 1968 and performed in Europe and Africa for five years. He frequently performed on British television and appeared in the British film "Jazz is our Religion" and the french film "Hommage a Cole Porter".

He then moved to California where he was a jazz critic for the San Francisco Chronicle and taught classes at California State University at Sonoma and the University of California at Berkeley. His 1985 album Vocalese, featuring the Manhattan Transfer, won five Grammy Awards. His television documentary, Somewhere To Lay My Weary Head, received an Emmy, Iris and Peabody Award. His stage work, Evolution of the Blues, ran an unprecedented five years at the Broadway theatre in San Francisco.

Count Basie, Dizzy Gillespie, Art Blakey, Buck Clayton, Miles Davis, Thelonious Monk, Wynton Marsalis, and Bobby McFerrin are among those with whom he has worked. As written in the New Grove Dictionary of Jazz, "He is a fine scat singer, and is also adept at imitating instrumental sounds that his improvisations often surpass the solos played by his accompanists." None other than Al Jarreau declared that Hendricks is “pound-for-pound the best jazz singer on the planet—maybe that's ever been.”

His legacy of song, scat and puissant lyricism is perhaps matched only by his story-telling talents, as you will find out in this historic discussion. Come early: we expect a full house.

Friday, June 5, 2009

Harlem Speaks
Caribbean Swing with Etienne Charles and the NJMH All-Stars
7:00 – 9:00pm
Location: The Riverside Theater
(91 Claremont Avenue)
FREE | Family Arts Festival box office: 212-870-6784

Join us for an interview with and then music from 2006 National Trumpet Competition winner Etienne Charles. One listen to his debut recording Culture Shock shows the depth and breadth of his varied musical heritage. From the Calypso and Caribbean steel pan grooves of his native Trinidad, to sophisticated swing firmly rooted in the jazz tradition, Charles deftly incorporates a multitude of styles while maintaining continuity, freshness, and maturity in his sound.

Charles comes from a rich legacy of musical tradition. His grandfather was seldom seen without his cuatro or guitar.  His father Francis was a member of Phase II Pan Groove, one of the world’s top steel bands and one that Etienne would later join himself. Music surrounded Charles as a child, emanating from his father’s record collection, and the sounds of calypso, steel pan, and African shango and tassa drumming.  These formative years inform Charles’s playing and are evident in his sound today.

For his first album, Culture Shock, Charles assembled an outstanding and seasoned band of veteran musicians to help him bring his vision of jazz fused with Afro-Caribbean rhythms to fruition. Pianist extraordinaire Marcus Roberts is featured, with Lincoln Center Jazz Orchestra trombonist Vincent Gardner, Len “Boogsie” Sharpe, Ralph MacDonald, vocalist Pam Laws, saxophonist Dayve Stewart, and the hard swinging and solid rhythm section of Rodney Jordan and Leon Anderson on bass and drums respectively. This all-star cast brings together Charles’s diverse influences and creates a unified, fresh, and urgent musical presentation on par with the best jazz being made today. Etienne Charles is a talented, creative soul with a vision and the will to bring it to the world, as heard on his most recent recording, Folklore, a suite of jazz-oriented compositions that address the mythical heritage of the Caribbean region.
Saturday, June 6, 2009

Special Event
Benny Carter Memorial Concert, NJMH All-Stars

Loren Schoenberg, tenor saxophone; Kris Bowers, piano, Yasushi Nakamura, bass; Marion Felder, drums

Location: Jewish Community Center
(9 Route 39 S Sherman, CT 06784-2026)
FREE | For more information: 860-355-8050

Join the NJMH All-Stars in a tribute to jazz giant Benny Carter, an original and influential alto saxophonist, who was also a masterly composer and arranger and an important bandleader, trumpeter, and clarinetist. Along with Johnny Hodges and Charlie Parker, he is considered one of the three most influential alto sax stylists of the jazz idiom.

Carter grew up in New York City and attended Wilberforce College briefly before joining, as alto saxophonist and arranger, a series of big bands, including those led by Charlie Johnson, Horace Henderson, Chick Webb, and Fletcher Henderson.

Carter had learned the trumpet during his youth and began doubling on that instrument while leading McKinney's Cotton Pickers (1931–32); he then led his own big band in 1932–34. He spent most of 1935–38 playing and arranging in Europe. When he returned to the United States, he formed big swing bands in New York and California. Carter settled permanently in Los Angeles in 1945, where he concentrated largely on compositions for films and television, though he sometimes played alto saxophone on jazz tours and recordings.

Carter's saxophone work at its best is characterized by purity of tone, elegant ornamentation, rhythmic precision and swing, and diatonic phrasing; often it features closely constructed lines based on the development of simple musical motifs. As an arranger he was especially noted for his scoring for woodwind sections, and he composed attractive songs such as “Waltzing the Blues,” “Blue Star,” and “When Lights Are Low.” Among Carter's most acclaimed recordings are of the songs “Six or Seven Times,” “Dee Blues,” and “I Can't Believe That You're in Love with Me,” all of which were performed with the Chocolate Dandies; “Crazy Rhythm,” with Coleman Hawkins; “Shoe Shiner's Drag,” with Lionel Hampton; and a 1961 album led by Carter, Further Definitions.

Carter focused on composing and arranging during the 1960s, but he played with greater frequency from the mid-1970s. He maintained a highly active career well into the 1990s, when an octogenarian Carter was still regarded as one of the top alto saxophonists in the jazz world. He was awarded the National Medal of Arts in 2000.

Tuesday, June 9, 2009

Jazz for Curious Listeners
5 Classic Albums: Wayne Shorter, Speak No Evil
7:00 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300 or register online

Learn how to listen to classic jazz albums from a musician’s perspective. Tenor saxophonist Wayne Shorter came into his own in 1964, the year of this classic recording as well as the year Miles Davis hired him away from Art Blakey and the Jazz Messengers. Up until that time he was known primarily through his association with Blakey, but the combination of three Blue Note albums in one year as a leader, and his new gig with the Miles Davis Quintet left no doubt about his unique abilities as a player and composer.

Speak No Evil is comprised of six original tunes written by Shorter and played by Herbie Hancock, Freddie Hubbard, Ron Carter, and Elvin Jones. Herbie Hancock's classic Maiden Voyage was recorded just a few months earlier with the same basic group, and in many ways they are two sides of the same coin, with Shorter's collection having a darker tone. Over the next 40 years, Wayne Shorter would continue to explore the boundaries between traditional, free, and pop styles with Miles Davis, Weather Report and solo recordings, extending concepts that first came to light during this period in the early '60s.

Tuesday, June 16, 2009

Jazz for Curious Listeners
5 Classic Albums: Louis Armstrong plays W.C. Handy
7:00 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300 or register online

Learn how to listen to classic jazz albums from a musician’s perspective. A wonderful meeting of two institutions of American music, this 1954 album was perhaps the finest recording of Louis Armstrong's later career, with the great trumpeter-singer turning to material that was very close to his roots. Both W.C. Handy and Armstrong had a complex relationship with the blues, an essential source for both Handy's popular songs and Armstrong's improvisational art, and these recordings touch on the heart of the matter. On "Yellow Dog Blues," a product of Handy's own early and chance encounter with the rural blues, there's a majesty that recalls Armstrong's early recordings with Bessie Smith. Armstrong is clearly inspired by the classic material and the chance to stretch out on record, and his regular band of the period joins in perfectly. Trombonist Trummy Young, clarinetist Barney Bigard, pianist Billy Kyle, and singer Velma Middleton contribute stellar solos and support, while bassist Arvell Shaw and drummer Barrett Deems do an exceptional job of keeping the slower tempos rock steady. This is a deeply moving and consummately executed performance, as you will readily hear in this session of Jazz for Curious Listeners.

Saturday, June 20, 2009

Saturday Panels
Art Tatum and Ben Webster: A 2009 Centennial Celebration
10:00am – 4:00pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | Reservations: 212-348-8300

Tatum was blessed a prodigious technique and ironic sensibility that remained unsurpassed; Webster played in a fashion that exuded warmth, strength, passion and simplicity, but they were close friends and made one of the great albums of all times together, just months before Tatum died. Join us for panel discussions, rare film, and a lot of love directed at these two masters.

Art Tatum was among the most extraordinary of all jazz musicians, a pianist with wondrous technique who could not only play incredibly rapid lines with both hands (his 1933 solo version of "Tiger Rag" sounds as if there were three pianists jamming together) but was harmonically 30 years ahead of his time; all pianists have to deal to a certain extent with Tatum's innovations in order to be taken seriously. Able to play stride, swing, and boogie-woogie with speed and complexity that could only previously be imagined, Tatum's quick reflexes and boundless imagination kept his improvisations filled with fresh (and sometimes futuristic) ideas that put him way ahead of his contemporaries.

Born nearly blind, Tatum gained some formal piano training at the Toledo School of Music in Ohio but was largely self-taught. He first played professionally in Toledo in the mid-'20s and had a radio show during 1929-1930. In 1932 Tatum traveled with singer Adelaide Hall to New York and made his recording debut accompanying Hall (as one of two pianists). But for those who had never heard him in person, it was his solos of 1933 (including "Tiger Rag") that announced the arrival of a truly major talent. In the 1930s, Tatum spent periods working in Cleveland, Chicago, New York, Los Angeles, and (in 1938) England.

Although he led a popular trio with guitarist Tiny Grimes (later Everett Barksdale) and bassist Slam Stewart in the mid-'40s, Tatum spent most of his life as a solo pianist who could always scare the competition. Some observers criticized him for having too much technique (is such a thing possible?), working out and then keeping the same arrangements for particular songs, and for using too many notes, but those minor reservations pale when compared to Tatum's reworkings of such tunes as "Yesterdays," "Begin the Beguine," and even "Humoresque." Although he was not a composer, Tatum's rearrangements of standards made even warhorses sound like new compositions.

Art Tatum, who recorded for Decca throughout the 1930s and Capitol in the late '40s, starred at the Esquire Metropolitan Opera House concert of 1944 and appeared briefly in his only film in 1947, The Fabulous Dorseys (leading a jam session on a heated blues). He recorded extensively for Norman Granz near the end of his life in the 1950s, both solo and with all-star groups; all of the music has been reissued by Pablo on a six-CD box set. The best of these feature a collaboration with tenor saxophonist Ben Webster, “whose economy of means made for a perfect contrast with Tatum,” writes Executive Director Loren Schoenberg in his The NPR Curious Listener’s Guide to Jazz. Tatum’s premature death from uremia has not resulted in any loss of fame, for his recordings still have the ability to scare modern pianists.

Ben Webster was considered one of the "big three" of swing tenors along with Coleman Hawkins (his main influence) and Lester Young. He had a tough, raspy, and brutal tone on stomps (with his own distinctive growls) yet on ballads he would play with warmth and sentiment and deep romanticism.

After violin lessons as a child, Webster learned how to play rudimentary piano (his neighbor Pete Johnson taught him to play blues). But after Budd Johnson showed him some basics on the saxophone, Webster played sax in the Young Family Band (which at the time included Lester Young). He had stints with Jap Allen and Blanche Calloway (making his recording debut with the latter) before joining Bennie Moten's Orchestra in time to be one of the stars on a classic session in 1932. Webster spent time with quite a few orchestras in the 1930s (including Andy Kirk, Fletcher Henderson in 1934, Benny Carter, Willie Bryant, Cab Calloway, and the short-lived Teddy Wilson big band).

In 1940 (after short stints in 1935 and 1936), Ben Webster became Duke Ellington's first major tenor soloist. During the next three years he was on many famous recordings, including "Cotton Tail" (which in addition to his memorable solo had a saxophone ensemble arranged by Webster) and "All Too Soon." After leaving Ellington in 1943 (he would return for a time in 1948-1949), Webster worked on 52nd Street; recorded frequently as both a leader and a sideman; had short periods with Raymond Scott, John Kirby, and Sid Catlett; and toured with Jazz at the Philharmonic during several seasons in the 1950s. In this period, Webster's work on ballads became quite popular and Norman Granz recorded him on many memorable sessions.
Webster recorded a classic set with Art Tatum and generally worked steadily, but in 1964 he moved permanently to Copenhagen where he played when he pleased during his last decade. Webster could swing with the best and his tone was a later influence on such diverse players as Archie Shepp, Lew Tabackin, Scott Hamilton, and Bennie Wallace.

Tuesday, June 23, 2009

Jazz for Curious Listeners
5 Classic Albums: Paul Motian on Broadway
7:00 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300 or register online

Learn how to listen to classic jazz albums from a musician’s perspective. Paul Motian's On Broadway, Volume 1, released in 1989 is one of the best albums in Motian's long and varied career. Paul Motian is the drummer who played in Bill Evans' trio on such legendary albums like Waltz For Debby, Sunday Afternoon At The Village Vanguard, and Portrait In Jazz, to name a few. Motian has also recorded three more "On Broadway" sessions.

Motian is joined by guitarist Bill Frisell, saxophonist Joe Lovano, and bassist Charlie Haden. This recording is critically acclaimed for its fresh takes on jazz standards. Come discover why this modern recording deserves the designation of “classic.”

Thursday, June 25, 2009

Harlem Speaks
Rufus Reid, Bassist/Educator
6:30 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Rufus Reid, one of today's premiere bassists on the international jazz scene, with his reputation firmly established in the education arena, now adds composition to his vitae. For several years, Reid has been a participant in the BMI Jazz Composer's Workshop which has empowered him to move more deeply into the composing arena. He won the Charlie Parker Jazz Composition Award for his composition, "Skies Over Emilia." His composition, "Whims of the Blue Bird" is the result of this award's commission. This has led to further commissions. He is writing for string orchestra, jazz ensembles large and small, and double bass ensemble pieces.

Rufus Reid received a 2006 Fellowship from the New Jersey State Council on the Arts to enable him to continue composing, and he received The ASCAP/IAJE Commission for Established Jazz Composers, which was premiered at the 2007 IAJE Conference in New York City.

The 2006 Sackler Commission Prize was awarded to Rufus which allowed him to fulfill a dream he has had to compose a work dedicated to the artist, Elizabeth Catlett. Her life and work inspired in Rufus a desire to honor her and introduce her to people who might not know about her. This four movement work for Jazz Big Band, inspired by four of her sculptures, premiered at The University of Connecticut at Storrs and at Stamford in March, 2007.

Reid's book, The Evolving Bassist, published since 1974, continues to be recognized as the industry standard as the definitive bass method. As of January, 2000, the book is available in its millennium edition.

Rufus Reid is equally known as an exceptional educator as well, teaching clinics since 1971, holding associations with Jamey Aebersold Summer Jazz Workshops, the Stanford University Jazz Workshop, and the Lake Placid Institute, to name a few. Reid was on the faculty of William Paterson University in Wayne, New Jersey, as Full Professor and Director of the Jazz Studies and Performance program for twenty years completing his tenure in 1999.

Rufus Reid's major professional career began in Chicago and continues, since 1976, in New York City. Along with performing and recording with the remaining giants of jazz of today, he was privileged to share many musical moments with some that have passed on: Gene Ammons, Kenny Dorham, Eddie Harris, Sonny Stitt, Don Byas, Philly Joe Jones, Thad Jones, Mel Lewis, Dexter Gordon, Bill Evans, Stan Getz, Dizzy Gillespie, and Art Farmer.

Born on February 10, 1944 in Atlanta, GA, Rufus Reid was raised in Sacramento, California where he played the trumpet through junior high and high school. Upon graduation from Sacramento High School, he entered the United States Air Force as a trumpet player. During that period he began to be seriously interested in the bass. After fulfilling his duties in the military, Rufus had decided he wanted to pursue a career as a professional bassist. He moved to Seattle, Washington, where he began serious study with James Harnett of the Seattle Symphony. He continued his education at Northwestern University in Evanston, Illinois, where he studied with Warren Benfield and principal bassist, Joseph Guastefeste, both of the Chicago Symphony. He graduated in 1971 with a Bachelor of Music Degree as a Performance Major on the Double Bass.

In 1997, The International Association of Jazz Educators awarded Rufus with the Humanitarian Award. BASS PLAYER magazine, awarded Rufus the 1998 Jazz Educator Achievement Award, and DOWN BEAT magazine in March 1999, had a feature story on Rufus Reid as a legendary thirty year veteran. In November 1999, The New Jersey Chapter of the IAJE named him OUTSTANDING EDUCATOR of 1999.

Rufus Reid's new CD/DVD recording, Live at Kennedy Center, by noted Independent label, Motema Music was recorded October 13, 2006, at Washington, DC's venerable national home for the performing arts, and released May 29, 2007. This CD/DVD set features diverse moods and textures ranging from his dynamic opening jaunt "Come Out and Play," one of many compelling, accessible original compositions on the disc to "Ode to Angela," by Harold Land, "Heroes" by Billy Childs, and a sensitive solo bass interpretation of Duke Ellington's classic, "Sophisticated Lady." This package also includes a special in-depth feature, "Meet Rufus Reid," our sentiment exactly for this session of Harlem Speaks.

Friday, June 26, 2009

Harlem in the Himalayas
Kevin Hays
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
Box Office: 212-620-5000 ext. 344

Pianist/Composer Kevin Hays has recorded 10 CDs as a leader and is featured on dozens of recordings with a variety of leading jazz artists. Included in his leader discography are 3 critically acclaimed recordings for Blue Note Records. His 'Seventh Sense' was praised by The New York Times and recognized as one of the “Top 40 Jazz Releases of the Year” by Musician Magazine.

Kevin has performed and recorded with some of the most prominent and influential musicians in Jazz, including Sonny Rollins, John Scofield, Benny Golson, Roy Haynes, Chris Potter, Al Foster, Joe Henderson, Buster Williams, Art Farmer and Joshua Redman.

Born May 1st of 1968 in New York City and raised in Connecticut, he began studying piano at the age of 6 and was playing professionally by 15. At 17 he began playing with baritone saxophone great Nick Brignola. After spending a year at The Manhattan School of Music, he began traveling in the U.S., Japan, and Europe with various bands including The Harper Brothers, Benny Golson, Joe Henderson and Eddie Gomez. In 1995 Sonny Rollins invited him to join his group; a year and a half later he began touring with guitarist John Scofield in his celebrated “Quiet” band.

Today, Kevin continues to perform worldwide in Solo concerts, with his Trio which includes bassist Doug Weiss and drummer Bill Stewart, and with The Sangha Quartet which features Seamus Blake, Larry Grenadier, and Bill Stewart. He also conducts Master Classes in the U.S. and overseas.

Kevin's recent recording activity includes a new Solo Piano CD Open Range on the ACT label; the launching of PinonDisk Records, his own label on which he has released his latest Trio CD What Survives; a new trio project with the groundbreaking web-based company, and two releases under the JazzEyes label: For Heaven's Sake (2006) and the recently released You've Got a Friend.

Sunday, June 28, 2009

Special Event
NJMH Big Band Ellington Tribute
2:00 – 4:00pm
Location: Harlem Meer, just outside The Charles A. Dana Discovery Center (Central Park at 110th between Lenox and 5th Avenues)
FREE | For more information: 212-348-8300

Featuring the NJMH All-Star Big band directed by Loren Schoenberg

As a fine art, jazz is timeless. What makes this so? One great example is Duke Ellington’s genius as a composer, arranger, big band leader, and pianist. Duke’s compositions, which capture the spirit of America in sound, will be the focus of this free Saturday concert. Come, bring some friends, and don’t forget your dancing shoes!

Tuesday, June 30, 2009

Jazz for Curious Listeners
5 Classic Albums: Common, Like Water for Chocolate
7:00 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300 or register online

Learn how to listen to classic jazz albums from a musician’s perspective. Common is a hip hop lyricist and spoken word artist known for his integration of political, cultural and educational themes in a socially conscious musical package that eschews the necessity of a “gangsta” pose for legitimacy or to cow-tow to a minstrel aesthetic.

As is the case with his Brooklyn homeboy, Mos Def, Common draws from a wide palette of musical styles in his recordings, including jazz. The title Like Water for Chocolate, is a double entendre: one meaning is derived from the movie of the same title, the other from the Gordan Parks photo of a black girl drinking from a “Colored Only” water fountain, used as the CD cover.

The recording is known for its Afrocentric focus, and features collaborations with guest stars from rap, eliciting a range of themes from love songs (“The Light,”) to a flip-the-script discussion between a pimp and a potential employee that humorously belies his rep as a “conscious rapper,” to a tribute to real hip hop history (“Nag Champa”), as well as a hat’s off to Fela Kuti and Assata Shakur.

This album was Common’s commercial breakthrough recording in 2000; he demonstrated that he could maintain his artistic integrity and get “large” at the same time. Come discover a jazz perspective on a hip hop classic.

Sanofi-aventis Jazzfest 2009

Despite the demise of the JVC Jazz Festival, there will still be a major jazz festival in the New York area – the sanofi-aventis Jazzfest. Originally started as part of the Newport Jazz Festival New York, Jazzfest has been presented by the New Jersey Jazz Society for 34 years. This popular jazz festival will take place on the campus of Drew University in Madison, New Jersey on June 5 and 6 and is now the region’s only true straight ahead jazz festival.

jazzfestJazzfest kicks off with a free concert sponsored by Jazzmobile and the Madison Downtown Development Commission on Friday at 7:00. Featuring three of New Jersey’s best student jazz bands, the concert has become a New Jersey Jazz Society tradition of celebrating jazz education and young talented musicians.

On Saturday, the gates open at 11:00 am and the music begins at noon and runs until 10:00 PM. In the afternoon, four bands will alternate sets on three stages both indoors in the Dorothy Young Performing Arts Center and outdoors under the jazz tent. Those bands include a tribute to the great Benny Goodman with the Allan Vache Benny Goodman Tribute Big Band, the Houston Person Quartet, Vince Giordano and the Nighthawks, Trio da Paz and the Generations of Jazz with Pam Purvis.

In the evening, three groups take the main stage with the Rio Clemente Trio and vocalist Laura Hull kicking things off at 5:30 pm. At 7:00 pm, jazz singer Curtis Stigers takes the stage followed by Sherrie Maricle and the DIVA Jazz Orchestra.

·       The Benny Goodman Tribute Big Band is one of the official bands approved by the great clarinetist’s estate to celebrate the centennial of his birth. Led by Allen Vache, the band features some of the swingingest musicians in jazz, including Warren Vache, Terry Blaine, Randy Reinhart, Tom Artin, Mark Shane and Joe Ascione.

·       Complimenting the swing of the Goodman band will be Vince Giordano and the Nighthawks whose recreation of hot jazz from the twenties and thirties have made them one of the most sought after ensembles in the country, with many guest appearances in film and on radio.

·       Trio da Paz brings together three of Brazil’s top jazz musicians, Romero Lubambo, Nilson Matta and Duduka deFonseca. Their brand of infectious South American jazz has given them a worldwide audience.

·       Saxophonist Houston Person is riding a new wave of popularity as a younger generation is discovering his soulful, bluesy style. Although he has recorded more that 75 albums, he has never lost his creative, swinging edge.

·       In the evening, Jazzfest will feature the locally popular Rio Clemente Trio with singer Laura Hull from 5:30 to 7:00. They will be followed by singer Curtis Stigers who has made the transition from pop star in the 1980s to jazz star today. He has appeared with Eric Clapton, Herbie Hancock, Diana Krall and Wynton Marsalis, to name a few of the great artists who love his style. He has been called the “best male jazz singer of his generation” by the critics.

·       The evening concludes with one of the best big bands on the scene today, the all-woman big band Sherrie Maricle & the DIVA Jazz Orchestra. Leading critic and reader polls consistently rank them as one of the best big bands in the world and for good reason. Following in the tradition of the Buddy Rich Big Band, DIVA blends a contemporary sound with a big band tradition. Their performances are uniquely spontaneous, energetic and lots of fun.

The sanofi-aventis Jazzfest co-sponsored by RXR will also feature great food and many vendors all day on Saturday, including a special Southern Barbecue, sales of rare CDs and vinyl records, jazz related art and jewelry as well as many craft and retail vendors. The festival is also made possible by the generous support of corporations and local organizations, including JazzMobile, Riker Danzig, Madison Downtown Development Commission, Toyota of Morristown, WBGO Jazz88FM and JazzTimes Magazine. The Best Western Morristown Inn is the official festival hotel and offers a special discount room rate for attendees of the festival. The Morristown Inn is located just two miles from the Drew campus in historic Morristown.

The New Jersey Jazz Society will also take time out to honor Bill Hyland, for many years the legal and music advisor for Benny Goodman, Todd Rechler whose company RSR Realty is a champion of the arts in the region, and sanofi-aventis which has supported Jazzfest for the past five years.

Tickets are only $50.00 in advance, but will be $65.00 at the gate on June 6. New Jersey Jazz Society members enjoy even larger savings. For more information, advance sale discount tickets, membership information and hotel reservations log onto http://www.njjs.org/ or call 800-303-6557. Students are $10.00 at the gate and kids 16 and under are free. Drew University is conveniently located on Route 124 in Madison and parking is free. The university is also easily accessible by public transportation.

Jacob Fred Jazz Odyssey Summer Tour

Evolution defines the spirit of Jacob Fred Jazz Odyssey. In fact, evolution is what allows this Tulsa, Oklahoma institution to thrive. Greater than the sum of its parts, JFJO is hitting new creative peaks in an already historic 15-year career. Founding pianist Brian Haas and drummer Josh Raymer made the decision at the outset of 2009 to expand what was one of the fiercest modern jazz trios in recent memory to a quartet by adding lap steel guitarist Chris Combs and upright bassist Matt Hayes. Upon the departure of original bassist Reed Mathis at the end of '08, longtime JFJO fans wondered aloud what might become of JFJO. The new line-up quickly laid all fears to rest as they re-emerged with a bristling energy and an invigorated sound. Hitting the road with something to prove, they toured the U.S. for the better part of early '09, even visiting cities they hadn't played in years. In addition, as a thank you to fans for their loyal support, they released their final album with Mathis, entitled Winterwood, as a free download on their website.

Jacob Fred JazzFor those yet to hear the latest incarnation of JFJO, a description of their new sound is in order--after all this is a band once described by Signal To Noise as having "a breadth and vision nearly untouched in modern jazz except by the likes of Wayne Shorter and Bill Frisell." With the addition of Combs on lap steel and Hayes on acoustic bass, JFJO has perhaps invented its own genre: red dirt jazz, equal parts earthy and nimble, pastoral and sweeping, elegant and rollicking.  The quartet taps into their birthright, drawing upon "The Tulsa Sound" born of hometown heroes like JJ Cale and Leon Russell. These roots grow up into a jazz foundation that's built firmly upon the influence of Duke Ellington and Thelonious Monk among others.

Last month JFJO began documenting its rebirth at 58NS Studios in Brooklyn. The sessions are currently being mixed in Tulsa for an EP to be released in late summer on the quartet's own Kinnara Records. Until then JFJO will be playing select club dates and festivals around the country. While nothing is ever certain in the JFJO universe, it's clear for the time being that their fearless vessel has navigated the storm to arrive beneath sunshine and blue skies on the high and open seas.  The odyssey continues.

Upcoming Tour Dates are:

June 4 | Wakarusa Music Festival | Ozark, AR
June 12 | Jardine's | Kansas City, MO
June 13 | Jardine's | Kansas City, MO
June 17 | Elbo Room | San Francisco, CA
June 18 | Starry Plough | Berkeley, CA (w/ Antioquia)
June 19 | Starry Plough | Berkeley, CA
June 20 | Jambalaya | Arcata, CA
June 24 | First Street Pub & Grill | Nederland, CO
June 25 | B-Side Lounge | Boulder, CO (w/ Fareed Haque's Flat Earth Ensemble)
June 26 | Owsley's Golden Road | Denver, CO (w/ Fareed Haque's Flat Earth Ensemble)
July 9 | Piazza at Schmidt's | Philadelphia, PA
July 10 | The Lizard Lounge | Boston, MA (w/ Club D'Elf)
July 11 | The Lizard Lounge | Boston, MA (w/ Club D'Elf)
July 14 | The Iron Horse | Northampton, MA
July 17 | Downright Music & Arts | Collinsville, CT
July 18 | Joe's Pub | New York, NY

A Tribute To Horace Silver at the Iridium

michaelOne of the founding architects of hard bop in the 1950s, composer, pianist and bandleader Horace Silver has left a huge imprint on modern jazz. His compositions combine the ultimate in jazz sophistication with a common-man touch, blending tightly knit structures with hummable melodies, funky blues, soulful shouts and free-wheeling improvisation. Dozens of his songs have become jazz standards, including “Song For My Father,” “Nica’s Dream” and others.  Pianist and composer Michael Weiss is an ideal musician to pay tribute to Silver, one of his earliest and longest lasting influences. Silver’s “Blowing the Blues Away” was the first jazz LP Weiss ever bought at age 15, and he cut his teeth in New York in the 1980s working with former Silver sidemen Junior Cook, Art Farmer, Clifford Jordan, Joe Henderson, Bill Hardman and Lou Donaldson. Weiss was a prizewinner in the 1989 Thelonious Monk Institute's Solo Piano Competition, with Silver as one of the judges.  For this tribute, Weiss will focus on many of Silver's lesser known gems such as “Ecaroh,” “Moonrays,” “Shirl” and “Nutville.”

Joining Weiss is a perfect combination of Horace Silver alumni:  Randy Brecker and Tom Harrell each held the trumpet chair in Silver's quintet from 1968 to 1977.  Bassist John Webber and drummer Willie Jones III were Silver's last working rhythm section.  Eric Alexander, a hard-bop infected player joined Silver at his last New York appearance in 2004.  Weiss, best known as longtime sideman with Johnny Griffin, works with Frank Wess, the Vanguard Jazz Orchestra, and others. In addition to leading his own groups, most notably at the Village Vanguard, Weiss has produced concerts celebrating the music of Bud Powell, Charlie Parker and Thelonious Monk.

For more about Horace Visit: http://www.horacesilver.com/

For More About Michael Weiss Visit: http://www.michaelweiss.info/

1650 BROADWAY (Corner of 51st)
NEW YORK, NY 10023
RESERVATIONS: 212-582-2121
Sets At 8:30 & 10:30PM

MAY 21-24 

Tower of Power @ Boulder Theater

For over 40 years, Tower of Power has been creating their own kind of soul music. Since 1968, Tower of Power has delivered their unique brand of music to their fans, appearing before sold out crowds as they tour the world each year. Tower’s sound can be hard to categorize, but the band's leader and founding member, Emilio Castillo, has labeled their sound as "Urban Soul Music."

2009 will see the release of the “Great American Soulbook”, the bands first studio disc in five years.  "Great American Soulbook" is a bit different then pervious albums.  This time the group played some old songs by lifelong favorites.  “In the old days,” says the group’s co-founder, saxophonist Stephen “Doc” Kupka, “the thought of doing other peoples’ songs would have been unthinkable, but this felt like a really good way to go - our take on classic great soul songs that we listened to on the way up.”

•        EMILIO CASTILLO - Second tenor sax
•        STEPHEN ("DOC") KUPKA - Baritone saxophone
•        DAVID GARIBALDI - Drums
•        LARRY BRAGGS - Lead & background vocals
•        ROGER SMITH – Keyboards
•        TOM E. POLITZER - First tenor sax, alto sax
•        ADOLFO ACOSTA - Second trumpet, flugelhorn
•        MICHAEL BOGART – Lead trumpet, flugelhorn, trombone
•        MARK HARPER - Guitar

GA / 21+ / $36.50  -- On Sale Now!

Tickets are on sale now at The Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.  Tickets are also available through their website @ www.bouldertheater.com.  Ticket prices include tax and service charge.

Larry Carlton @ Boulder Theater

KUVO presents: LARRY CARLTON w/ guests. Thursday, August 20. doors 7:00pm, show 8:00pm

Larry Carlton is an American jazz fusion, pop, rock, guitarist and singer, dividing his recording time between solo recordings and session appearances with various well-known bands.

During the 1970s and early 1980s, Carlton was a busy session musician in Los Angeles, making up to five hundred recordings a year, including albums by Steely Dan, Joni Mitchell, Billy Joel, Quincy Jones,  the Partridge Family, and Charly García's Clics Modernos. His loopy, dazzling guitar work on Steely Dan's "Kid Charlemagne" from their 1976 LP The Royal Scam has been listed as the third best guitar solo on record by Rolling Stone Magazine. From 1971 to 1976 he played with the jazz-rock group The Crusaders. In 1977 he signed with Warner Bros. Records for a solo career.

Over his career, Carlton has won three Grammys for his performances and compositions, including the theme music for the hit television series, "Hill Street Blues" (1981).

Reserved=$34.00, GA Seated=$28.00 / 21+  On Sale Now

Tickets are on sale now at The Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.  Tickets are also available through our website @ www.bouldertheater.com.  Ticket prices include tax and service charge.

'Made In The UK' 2009 Concert Series

Rochester and New York City will play host to the largest ever series of UK jazz concerts in June 2008. Arts Council England have agreed to support the British artists programmed at this year’s Rochester International Jazz Festival, New York (RIJF), as part of their international concert series ‘Made in the UK’.

Produced by ESIP, the artists selected for the nine RIJF concerts from 12 – 20 June are The Peter King Quartet, Liane Carroll Trio, the Neil Cowley Trio, Tessa Souter Quartet, Tony Kofi Quartet, Norma Winstone with Gareth Williams & Tim Garland’s Lighthouse Trio. Huw Warren and the Paula Gardiner Trio will also be performing at the festival to represent ‘Welsh Jazz’.

Additional concerts in NYC will be launched with a double bill of BBC Jazz award winning singer-pianist, Liane Carroll, and legendary saxophonist Peter King at Dizzy's Club Coca Cola, Lincoln Center on 8 June. Neil Cowley is also confirmed for ‘Joe’s’ Pub in New York on 16 June with Grammy nominated singer Norma Winstone pairing up for a double bill with NYC-based Tessa Souter on 20 June, while saxophonists Tony KofiTim Garland pair up at the same venue on Sunday 21st. and

Tim Garland's Lighthouse Trio continue their tour with a concert at the Kennedy Center in Washington on 23 June before heading to Chicago, and then finishing up at the Catalina in LA on 29 June. Neil Cowley's Trio will play a date at Boston's Cafe 939 on 12 June.

RIJF has become one of the USA’s leading jazz festivals in the six years of its existence.  As well as presenting legendary artists from the jazz community such as Wynton Marsalis and Dave Brubeck the RIJF places strong emphasis on presenting the emerging artists from around the world. John Nugent, RIJF Producer and Artistic Director, said, “We’ve been impressed with jazz musicians coming from the UK for many years now and after the success of the pilot last year we have made ‘Made in the UK’ a regular part of the festival.”

ESIP has been programming cutting-edge concerts, tours and festivals for a variety of UK and international clients. “We’ve been given the opportunity to present British artists at one of the most prestigious jazz festivals in the world and introduce their music to a wider audience.  We are honoured to be working with John Nugent and his team in Rochester and grateful to Arts Council England & Welsh Arts International for supporting our concert series.”  John Ellson, Director of ESIP.
Made In The UK Concert Schedule

Dizzy's Club Coca Cola, Jazz at Lincoln Center, New York -- Monday 8th June   Peter King Quartet / Liane Carroll Trio

Rochester Jazz Festival
Christ Church, Rochester – 6.45pm/8.45pm
Friday 12th June   Peter King Quartet
Saturday 13th June   Liane Carroll Trio
Sunday 14th June   Neil Cowley Trio
Monday 15th June   Huw Warren
Tuesday 16th June   Paula Gardiner Trio with Huw Warren
Wednesday 17th June   Tessa Souter Quartet
Thursday 18th June   Tony Kofi Quartet
Friday 19th June   Norma Winstone with Gareth Williams
Saturday 20th June   Tim Garland’s Lighthouse Trio
Sweet Rhythm, New York

Saturday 20th June   Norma Winstone with Gareth Williams / Tessa Souter Quartet
Sunday 21st June   Tim Garland’s Lighthouse Trio / Tony Kofi Quartet
Cafe 939, Boston
Friday 12th June   Neil Cowley Trio
Joe's Pub, New York
Tuesday 16th June   Neil Cowley Trio
Kennedy Center, Washington
Tuesday 23rd June   Tim Garland’s Lighthouse Trio
Catalina Bar & Grill, Los Angeles
Monday 29th June   Tim Garland’s Lighthouse Trio
For Further information

Rochester International Jazz Festival – www.rochesterjazz.com

ESIP Limitedwww.esip.co.uk
For more information about the ‘Made in the UK’ international concert series please contact: John Ellson – john@esip.co.uk / tel: + 44 118 940 6812
Jazz Serviceswww.jazzservices.org.uk
For press enquiries, please contact: Joe Paice - info@jazzservices.org.uk / tel: + 44 207 928 9089

Produced by ESIP in association with Jazz Services Supported by the Arts Council of England

Artist Biographies

With Martin Drew (Drums), Steve Melling (piano) & Geoff Gascoyne (Bass)
For nearly forty years saxophonist Peter King has been internationally recognised as Europe's leading Parker-disciple. His virtuosity as a bebop player led him to play in small groups alongside Bud Powell, Max Roach and Milt Jackson and with the big bands of Count Basie, Ray Charles and Johnny Dankworth. His immensely powerful playing technique has continued to evolve drawing on more recent harmonic innovations, while never losing innate swing. King continues to tour regularly in Europe and is a regular soloist with the Charlie Watts Quintet.
Singer/pianist Liane Carroll is one of the most popular figures on the UK jazz scene. A beautiful singer, her shows lead an audience through soulful blues, powerful funk, and heart-rending ballads all delivered with wit and charm. She has worked with a huge variety of artists from Sir Paul McCartney and Gerry Rafferty to Ladysmith Black Mambazo. Since 2007 Carroll has won a number of awards including 'Best Vocalist' and 'Best of Jazz' categories at the BBC Jazz Awards and 'Musician of the Year' at the Parliamentary Jazz Awards 2008.
Fizzing with the energy of rock and the surging dynamics of dance music, the Neil Cowley Trio have been placed at the forefront of the British ‘Post-Jazz’ movement – a scene driven by simple musical curiosity, a post ipod, everything fits aesthetic that says the old certainties of form and genre are increasingly redundant. Classically trained, Cowley is a dazzling pianist and outstanding composer; indeed, his beautiful, sometimes forceful melodies and thrilling climaxes earned his trio’s debut recording, Displaced, a BBC Jazz Award for Best Album. Helped by Cowley's “mischievous humour” and “marvellously English wit”, the trio have built a reputation for their captivating, exciting live shows and remarkable rapport with their audience.
Pianist and composer Huw Warren is known as one of the UK's most individual and versatile creative forces with work crossing the divides between Jazz, Contemporary Music and World Music. Along with solo performances and commissions, he has collaborated internationally with Mark Feldman, Peter Herbert, Maria Pia De Vito and Theo Bleckmann amongst others. Huw is also known to many as co-founder of cult Brit jazzers "Perfect Houseplants" and regular arranger/musical director for folk singer June Tabor. As a composer Huw has been commissioned by the BBC, Piano Circus, RSC, Scottish Chamber Orchestra, Welsh Chamber Orchestra, Tango Siempre, LPO Renga Ensemble, ABRSM, Palladian Ensemble, Koch Ensemble, Elena Riu, and numerous festivals worldwide.
Paula Gardiner’s presence on the Welsh Jazz scene has been an inspiring one for a long time. As well as heading up the Jazz course at the Royal Welsh College of Music & Drama, Paula is the Honorary President of the Swansea-based organisation, Women in Jazz. In fact, Paula has been so active around the region that it is surprising that she has yet to achieve the wider recognition in Britain and Europe that she so richly deserves. One of Britain’s most lyrical and melodic bass players, Paula Gardiner is also an accomplished classical guitarist and flautist. Her first influences from the Jazz world came from European players like Eberhard Weber, highly melodic musicians and composers, who draw on a European heritage, as well as on Jazz.
With Jason Ennis (guitar), Gary Wang (bass), Conor Meehan (drums)
Born in the UK, the daughter of Trinidadian and English parents, now New York-based vocalist, composer, and lyricist Tessa Souter imbues a mix of jazz and stunning originals with the soul and passion of flamenco, Indian and Middle Eastern music. New York Sun critic Will Friedwald. The Philadelphia Inquirer raved about her "amazing" debut CD Listen Love and "crystal-clear voice with diamond-cut phrasing.” Drum legend Joe La Barbera says: "Tessa is a unique voice in jazz." She moved to New York in the late 90’s where she started sitting in at jazz jams. Following a brief spell at New York's Manhattan School of Music, she studied privately with jazz vocal legend Mark Murphy, who says of her, ‘She’s a complete musician - extraordinary and moving’.
Born in London, Norma Winstone first attracted attention in the late sixties when she shared the bill at Ronnie Scott's Club with Roland Kirk. Although she began her career singing jazz standards, she became involved in the avant garde movement, exploring the use of the voice in an experimental way and evolving her own wordless approach to improvisation. She continues in the forefront of British jazz and was nominated again in the 2007 BBC Jazz Awards for best vocalist as well as being awarded an MBE in the Queen’s Birthday Honours List in the same year. Norma performed her debut concert as a featured artist in New York in June 2008 at Joe’s Pub with great audience reaction and critical success. In 2009, she received a Grammy nomination, and the presigious Skoda Jazz Prize for her contribution to European Jazz. Gareth Williams is one of the most intensely creative, dynamic and exciting performers on the UK scene. He has been receiving increasing critical and public acclaim since becoming a professional musician in the early 90s. Described as “a jewel of a player... spinning out luminous introductions and codas” by Jazziz Magazine (USA), he has dazzled audiences not only by his virtuoso approach to the piano, but also by his multi-instrumentalist talents on guitar and vocals.
Kofi plays soprano, alto, and baritone saxophone with equal dexterity and accomplishment; his soprano has a Coltrane-like fluidity; his alto agile and peppery: his baritone dark toned, sonorous and bold. After studying at Berklee on a full scholarship, Kofi went on to be a member of two of British jazz's most influential groups in the 1990s - the Jazz Warriors and Gary Crosby's Nu Troop. He has since appeared with Branford Marsalis, Courtney Pine, Queen Latifah, Ralph Moore, Andrew Hill, Sam Rivers and was recently invited to join the World Saxophone Quartet alongside David Murray, Oliver Lake and Hamiet Bluiett. His quartet features his own compositions drawing on the blues, Gospel, Jazz, funk, Latin, African rhythms, Be-bop and infused with his love of Thelonious Monk.
Tim Garland is widely known as one of the UK’s most successful musical exports working in jazz. He first made international waves playing saxophone, bass clarinet and flute with Chick Corea, and has also toured and recorded extensively with Vibes player Joe Locke and drum legend Bill Bruford. He has orchestrated five of Chick’s best loved pieces for the Grammy Award winning "The New Crystal Silence" album - described by Pat Metheny as "magnificent and creative arrangements". The Lighthouse Trio features award-winning pianist Gwilym Simcock, described by Chick Corea as "...an original - a creative genius", and the incredible Israeli percussionist, Asaf Sirkis. They will be performing music from Tim’s new album Libra (Global Mix).

Les Paul's 94th Birthday Celebration

lesLes Paul's regular Monday night appearances at The Iridium Jazz Club since April 1995 attract devoted fans from all over the world.  World-class musicians like Paul McCartney, Keith Richards, Tony Bennett, Steve Miller, George Benson, Pat Metheny, Jeff Beck, Slash and countless others come to pay homage. By far, this is the music industry's most important regular music gig in NYC.   

Les Paul is a living legend and an icon of the music world. He was inducted into the Rock and Roll Hall of Fame, received multiple Grammy Awards, pioneered the modern electric guitar and invented numerous recording techniques. Les has influenced countless musicians and guitarists and is hailed as "The Father Of The Electric Guitar".

1650 BROADWAY (Corner of 51st)
NEW YORK, NY 10023
RESERVATIONS: 212-582-2121

SHOWS AT 8:00 & 10:00 PM

Monday, June 8th  -- Les Paul’s 94th Birthday Celebration

Jazz Fest At Sea 2009

jazzatseaThe year 2009 marks the 100th birthday of jazz legend Benny Goodman. We are very proud to announce that clarinetist Allan Vache has been given permission by the Goodman Estate and Bill Hyland, its executor, to present "A Benny Goodman Centennial Tribute" show. In addition to the Tribute show, Banu Gibson and her New Orleans Hot Jazz band will be headlining our jazz cruise. And our special guests from the West Coast, BED will be on board for your listening pleasure. We will be departing from Ft. Lauderdale, Florida to the Southern Caribbean on the MSC Poesia for 10-nights of jazz and fun. Not only will you have your choice of amazing performances each evening, but you are also invited to the afternoon sessions on days at sea. Take a look at the fantastic schedule! But remember, only those who book with Cruise & Vacation Depot will be allowed to participate!

Our JazzFest at Sea promises to be the Ultimate Jazz Cruise of the year for all Classic and Dixieland Jazz fans. Don't miss the boat! Our staterooms are in limited supply. Simply call 1-800-654-8090 or email JazzFest at Sea for more information.

The schedule is subject to change. Check back often or call us at 1-800-654-8090 for updates!

Monday - November 30

Le Moulin Rouge (Pigalle) Lounge - Deck 7 Aft
8:00 PM - Banu Gibson & The New Orleans Hot Jazz featuring Banu Gibson, Randy Reinhart, Marc Phaneuf, David Sager, David Boeddinghaus, Frank Tate and Jeff Hamilton
9:00 PM - A Benny Goodman Centennial Tribute featuring Allan Vaché, David Jones, Bill Allred, Matt Hoffmann, Mark Shane, Bob Leary, Charlie Silva, Ed Metz Jr. and Terry Blaine
10:00 PM - B.E.D. featuring Rebecca Kilgore, Eddie Erickson, Dan Barrett and Joel Forbes

Tuesday - December 1

Le Moulin Rouge (Pigalle) Lounge - Deck 7 Aft
1:00 PM - "Meet the Musicians" Cocktail Party
2:00 PM - Diva Duos featuring Rebecca Kilgore & Eddie Erickson, Terry Blaine & Mark Shane, Banu Gibson & David Boeddinghaus
8:00 PM - Dem Bones featuring Bill Allred, Dan Barrett, David Sager, Mark Shane, Joel Forbes, Bob Leary and Jeff Hamilton
9:00 PM - Allan Vaché's Swingtet featuring Allan Vaché, Randy Reinhart, Frank Tate, Matt Hoffmann, Eddie Erickson and Ed Metz Jr.
10:00 PM - Chicago Jazz featuring David Jones, Marc Phaneuf, Dan Barrett, David Boeddinghaus, Charlie Silva and Jeff Hamilton

Wednesday - December 2

Le Moulin Rouge (Pigalle) Lounge - Deck 7 Aft
1:00 PM - Musical Memories featuring Ed Clute on the piano playing your requests
2:00 PM - Allan Vaché's Big 4 featuring Allan Vaché, David Jones, Bob Leary and Charlie Silva
3:00 PM - 3 Girls 3 featuring Terry Blaine, Banu Gibson, Rebecca Kilgore, Mark Shane, Eddie Erickson, Joel Forbes and Ed Metz Jr.
8:00 PM - B.E.D. featuring Rebecca Kilgore, Eddie Erickson, Dan Barrett and Joel Forbes
9:00 PM - Banu Gibson & The New Orleans Hot Jazz featuring Banu Gibson, Randy Reinhart, Marc Phaneuf, David Sager, David Boeddinghaus, Frank Tate and Jeff Hamilton
10:00 PM - A Benny Goodman Centennial Tribute featuring Allan Vaché, David Jones, Bill Allred, Matt Hoffmann, Mark Shane, Bob Leary, Charlie Silva, Ed Metz Jr. and Terry Blaine

Thursday - December 3

Le Moulin Rouge (Pigalle) Lounge - Deck 7 Aft
8:00 PM - Cornet Chop Suey featuring Randy Reinhart, Dan Barrett,David Jones, David Boeddinghaus, Frank Tate amd Jeff Hamilton with guest Banu Gibson
9:00 PM  - With Benny in Mind featuring Allan Vaché, Matt Hoffman, Mark Shane, Bob Leary, Charlie Silva and Ed Metz Jr. with guest Terry Blaine
10:00 PM - Bill's Classic Jazz featuring Bill Allred, Randy Reinhart, Mark Phaneuf, Eddie Erikson, Joel Forbes and Ed Metz Jr. with guest Rebecca Kilgore

Friday - December 4

Le Moulin Rouge (Pigalle) Lounge - Deck 7 Aft
8:00 PM - A Benny Goodman Centennial Tribute featuring Allan Vaché, David Jones, Bill Allred, Matt Hoffmann, Mark Shane, Bob Leary, Charlie Silva, Ed Metz Jr. and Terry Blaine  
9:00 PM - B.E.D. featuring Rebecca Kilgore, Eddie Erickson, Dan Barrett and Joel Forbes
10:00 PM - Mostly Mercer - A Johnny Mercer Centennial Tribute featuring Banu Gibson, Randy Reinhart, Marc Phaneuf, David Sager, David Boeddinghaus, Frank Tate and Jeff Hamilton

Saturday - December 5

Le Moulin Rouge (Pigalle) Lounge - Deck 7 Aft
8:00 PM - The Matt Hoffmann Quartet featuring Matt Hoffmann, Mark Shane, Joel Forbes and Jeff Hamilton with guest Terry Blaine  
9:00 PM - Switch Hitters featuring Dan Barrett (cornet & trombone), Randy Reinhart (cornet & trombone), David Boeddinghaus, Frank Tate,
Bob Leary and Ed Metz Jr. with guest Banu Gibson
10:00 PM - Dixieland USA featuring Allan Vaché, David Jones, Bill Allred, Mark Phaneuf (saxophone), Mark Shane, Eddie Erikson (banjo), Charlie Silva and Jeff Hamilton with guest Rebecca Kilgore

Sunday - December 6

Le Moulin Rouge (Pigalle) Lounge - Deck 7 Aft
8:00 PM - B.E.D. featuring Rebecca Kilgore, Eddie Erickson, Dan Barrett and Joel Forbes
9:00 PM - Banu Gibson & The New Orleans Hot Jazz featuring Banu Gibson, Randy Reinhart, Marc Phaneuf, David Sager, David Boeddinghaus, Frank Tate and Jeff Hamilton
10:00 PM - A Benny Goodman Centennial Tribute featuring Allan Vaché, David Jones, Bill Allred, Matt Hoffmann, Mark Shane, Bob Leary, Charlie Silva, Ed Metz Jr. and Terry Blaine

Monday - December 7

Le Moulin Rouge (Pigalle) Lounge - Deck 7 Aft
8:00 PM - Reedmen featuring Allan Vaché, Mark Phaneuf, David Boeddinghaus, Joel Forbes, Eddie Erikson and Ed Metz Jr.
9:00 PM - Brass Masters featuring Randy Reinhart, Bill Allred, David Sager, Dan Barrett, David Jones, Mark Shane, Frank Tate and Jeff Hamilton
10:00 PM - Ladies Sing (and play) the Blues featuring Banu Gibson (banjo & vocal), Terry Blaine (flute & vocal) and Rebecca Kilgore (guitar & vocal) with guests Bob Leary, Charlie Silva and Ed Metz Jr.

Tuesday - December 8

Le Moulin Rouge (Pigalle) Lounge - Deck 7 Aft
1:00 PM - The Bob & Eddie Show featuring Bob Leary (banjo, guitar & vocal), Eddie Erikson (banjo, guitar & vocal), Charlie Silva and Jeff Hamilton
2:00 PM - The Piano Men featuring Mark Shane and David Boeddinghaus
3:00 PM - CD Signing and Autograph Session with personal photo opportunities
8:00 PM - Banu Gibson & The New Orleans Hot Jazz featuring Banu Gibson, Randy Reinhart, Marc Phaneuf, David Sager, David Boeddinghaus, Frank Tate and Jeff Hamilton
9:00 PM - B.E.D. featuring Rebecca Kilgore, Eddie Erickson, Dan Barrett and Joel Forbes
10:00 PM - A Benny Goodman Centennial Tribute featuring Allan Vaché, David Jones, Bill Allred, Matt Hoffmann, Mark Shane, Bob Leary, Charlie Silva, Ed Metz Jr. and Terry Blaine

Wednesday - December 9

Le Moulin Rouge (Pigalle) Lounge - Deck 7 Aft
8:00 PM - B.E.D. featuring Rebecca Kilgore, Eddie Erickson, Dan Barrett and Joel Forbes
9:00 PM - Final All-Star Jam Session featuring Allan Vaché, David Jones, Bill Allred, Matt Hoffmann, Mark Shane, Bob Leary, Charlie Silva, Ed Metz Jr., Terry Blaine, Banu Gibson, Randy Reinhart, Marc Phaneuf, David Sager, David Boeddinghaus, Frank Tate, Jeff Hamilton, Rebecca Kilgore, Eddie Erickson, Dan Barrett and Joel Forbes (Bring your Ax if you want to join in!)