Samantha Fish | Fayetteville, AR | Review

On a Friday night at 6 pm you won’t usually find folks in Fayetteville, AR packed into the back room of a bar. But there are special occasions for such shows; one of which happened June 12 at George’s Majestic Lounge. Punctual as ever, the older-than-usual but rambunctious audience stood waiting for Samantha Fish to grace the stage.

Phish | Amsterdam '97 | Review

With another summer tour looming the “Phab Phour” from Vermont have whet the appetites of their fan base by unleashing another monstrous concert box-set.  The band continues their string of excellent archival releases with the newest addition to their ever-expanding live catalogue; an 8-disc collection presenting three incendiary shows performed at the Paradiso in the Netherlands during their heralded 1997 European tours, which for all intents and purposes will be called Amsterdam ’97.

Mason Porter: Key To The Skyway | Review

In less than ten years, Pennsylvania alt-grass group Mason Porter has built an honest following. Genuine musical expression and staying true to one’s roots can be challenging when critics marginalize through categorizing and genre labeling. It seems as if the quintet isn’t really bothered by anybody else’s opinion on what type of music they play, or could be playing. Their authenticity has won over a loyal family of fans.

Umphrey's McGee | The London Session

Never one to shy away from giving fans something unexpected, prog-rockers Umphrey’s McGee have surprised their followers by releasing their second studio in album in less than a year.  Just ten months after the fantastic Similar Skin was produced, the band took advantage of an once-in-a-lifetime opportunity to record music in the famed Abbey Road Studios in London; the same room that iconic artists like The Beatles, Pink Floyd, The Hollies, Fel

Analog Son | Stomp and Shout | Review

Last summer, Analog Son released one of the strongest debut albums I’ve heard in quite some time. Guitarist Jordan Linit and bassist Josh Fairman composed the tracks and enlisted 18 musicians – ranging from nationally recognized to locally cherished – to imbue the songs with a euphonious blend of fusion and funk.

Phish | 12-16-99 | Raleigh, NC | Review

It is no secret that most Phish fans consider the band’s finest, or at least most grand, performances were heard over the 1999 New Year’s Eve run at Big Cypress Seminole Indian Reservation in Florida.  Even the band members themselves have hinted that those shows may have been the pinnacle of their storied history.  Phish-heads have been clamoring for years that the organization needs to release legitimate soundboard copies of those epic NYE shows, and alt

Dopapod | Never Odd or Even | Review

Stuck somewhere between obscure, psychedelic Frank Zappa B-sides and the soundtracks to retro Sega Genesis videogames you’ll find the ultra-versatile, moog-driven sounds of Northeast-based jam quartet Dopapod.

Grace Potter & The Nocturnals | Vaulturnal Vol. 1 | Review

Grace Potter & The Nocturnals, long known for their rock’em sock’em live shows, are the latest group to tap into their vast vault of concert recordings for official release. They launched the series, dubbed Vaulturnal, with the release of a complete headlining show recorded at the Tanglewood Music Center in Lenox, MA on the night of Aug. 19, 2013.

Leftover Salmon | High Country | Review

Oh, how time flies.  It doesn’t seem all that long ago that we were seeing the birth of a jamband movement emerge to throw a wrench into the music industry.  They helped define how artists can be successful without mainstream radio play or multi-platinum records by relying on grassroots ventures and dynamic live concerts.  One of those burgeoning groups from that era are amazingly celebrating their 25th birthday this year, that being Colorado’s own progressive jamgrass outfit

Earphunk | Sweet Nasty | Review

First of all, if you are into funk at all, download Sweet Nasty. Period.


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