Albums

Whiskey Tango | Groggy Mountain Mornings | New Music Review

Honing their chops each Tuesday evening for a full year at the famed Denver jamband venue Quixote's, Denver based quintet Whiskey Tango became known as a "must-see live" type of band.  Much of the group's show is based around live improvisation, and attempting to convey this energy and passion to an album has proved troublesome for many bands tagged with this phrase; however, the band's much anticipated debut release Groggy Mountain Mornings is a proper

DJ Muggs | Bass For Your Face | New Music Review

In an ever-changing music industry musicians and producers alike must learn to adapt to new sounds, trends, and styles to stay relevant. Nobody knows this more than longtime beat master and hip-hop veteran DJ Muggs, whose illustrious career has helped solidify himself a position as one of the utmost pioneers in hip-hop music today. Muggs began deejaying back in 1985 and started to build a reputation as one of the premier DJ’s of his time.

Allies For Everyone | Scavenger (The Remix EP) | Review

Combining the sounds of 90’s dance progressive house with modern age electro has given singer/songwriter/producer Brian Suarez quite a reputation in the electronic music today. Catch Allies for Everyone live and you will see him combine forces with Arvin Ajamian to form a synth-heavy wonderland of beats and bass. Eclectic pop music with a twist, Allies For Everyone blends the roots of house music with today’s modern feel of electro house.

Divine Fits | A Thing Called Divine Fits | Review

2012 saw the release of critically acclaimed album A Thing Called Divine Fits, by what, ostensibly, could be called a “super-group.”  Divine Fits is the new project comprised of Britt Daniel (Spoon), Dan Boeckner (Handsome Furs/Wolf Parade), Sam Brown (New Bomb Turks) and keyboardist Alex Fische.

Bill Staines Soars in New Album, 'Beneath Some Lucky Star'

The only time I ever saw Bill Staines live was several years ago in East Grand Forks, MN. I was eager for him to sing his (for me) signature song, “Roseville Fair.” It was a song my husband at the time had made into his own, creating a tender arrangement of this most romantic song of lasting love. I had never heard the original recording.

Digging Deeper: Rusted Root's Devotion to the Light with the Music of The Movement

Perhaps at the most simple level musicians view it as their job to deliver the music their fans love them for and to put on a good, entertaining live performance. Beyond that however, making and performing music is about much more. For world jam rockers Rusted Root, this means a new devotion to consciousness, focus, and discovering the vibe and light of being for both themselves and their community of fans.

Mighty Sam McClain | Too Much Jesus Not Enough Whiskey | Review

46 years after his first recorded Success, Mighty Sam McClain continues to bring the funk, the soul and the ‘tude with his latest album, “Too Much Jesus (Not Enough Whiskey).” Along with the musical talents of his guitarist, Pat Herlehy, the duo creates rhythm and blues flowing through his songs with powerful messages behind each.

Minnesota | Altered States | New Music Review

With 2012 wrapping up shortly and 2013 on the horizon, the future looks incredibly bright for 23-year-old music producer Christian Bauhofer, better known as Minnesota.

Junkie XL | Synthesized | New Music Review

Few producers can stand the test of time and survive the modern-day music industry like Dutch music producer Tom Holkenborg, better known as Junkie XL. A one-man wrecking machine, Holkenborg has accomplished more in his 15-year career than many musicians could ever fathom. "When I found out in 1986 how my sampler could produce sounds, I knew it was pointless to ever leave the studio," says Holkenborg.

Jimkata | Die Digital | New Music Review

Listening to northeastern synth-tinged rock band Jimkata, it’s obvious that these boys want to add their own special blend of spice to the standard of indie fare that’s become business-as-usual in an increasingly predictable genre. And with their fourth studio album, Die Digital, the foursome augments what might otherwise function as stale pop-rock with vintage keys and electronics, adding a layer oftentimes absent from other lyrics-centric acts of this sort.

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