Albums

Elephant Revival | 'It's Alive' | New Music Review

The Nederland, Colorado based indie acoustic quintet, Elephant Revival releases the staggeringly beautiful It’s Alive EP. This seven song collection comes with an illustrated hardcover songbook that contains lyrics from their first two albums. The complete package contains bonus digital downloads and a full color book with chord charts, notations, arrangements, and artwork by all the band members.

The Preservation Hall 50th Anniversary Box Set | Review

Fifty years ago Preservation Hall opened its doors in New Orleans, Louisiana with a mission to preserve, honor, and protect New Orleans Jazz. In celebration of turning a half century Preservation Hall Jazz Band is releasing: The Preservation Hall 50th Anniversary Box Set. This ear bud time capsule consists of specific tracks from recordings released between 1962 and 2010.

The Infamous Stringdusters' Silver Sky-Deluxe Edition | Review

All genres of music must evolve – Electronic music evolved into house music – Rhythm and blues became rock-n-roll – And now bluegrass, one of the oldest and most revered genres of Americana music, has transitioned into a new era many are calling “newgrass”.  With artists such as Yonder Mountain String Band, Leftover Salmon, Rumpke Mountain Boys and

Phish | The Palace of Auburn Hills | December 6, 1997 | Review

Ahhh…the fall of 1997.  It was an interesting time for America. Bill Clinton was still fresh into his second term, Steve Jobs had just returned to managing Apple after a “hiatus”, people were flocking to the theaters to watch the Titanic sink, a woman in Iowa gave birth to seven children, internet companies were booming, and I was back at college in Minnesota for junior year studying sociology and tearing up the majestic lacrosse field at St. John’s University.

Widespread Panic | 'Wood' | New Music Review

On the eve of their 20th anniversary as a band, southern jam rocker’s Widespread Panic had a difficult decision to make. The decision to dismiss their new lead guitar player George McConnell was most likely a mutual one.

Leftover Salmon | 'Aquatic Hitchhiker' | New Music Review

Eight years is a long time to wait for a new helping of Cajun-infused bluegrass poly-funk, but it was definitely worth the wait.  Aquatic Hitchhiker, Colorado jam legends Leftover Salmon’s new studio release, delivers with an album that defies genres.  Vince Herman and Drew Emmitt started the group with banjo master Mark Va

John Lee Hooker Jr. | All Hooked Up | New Music Review

It’s no surprise that John Lee Hooker Jr. has some big shoes to fill. The son of the incomparable bluesman John Lee Hooker Sr., Hooker Jr. has been out to make a name for himself as more than “the son of a blues great.” It’s hard to escape though, and in the end Hooker Jr. is fine with embracing his roots. In the booklet that accompanies his most recent album, All Hooked Up, he thanks his father at the end of the letter to his fans.

Aaron Embry | 'Tiny Prayers' | New Music Review

There are some songs that put you back into the time a place you first heard them.  The first time I heard Queen’s Bohemian Rhapsody was on my father’s turn table when I was in the eighth grade. I can still see the needle spinning in the grooves perplexing me on many levels.

Nick Miller & the Hustle Standard: The Brave Abraham Judah

The date and location is unknown, all that is certain is that The Brave Abraham Judah walks the Earth. This six track concept album by Nick Miller & the Hustle Standard follows the fictional Abraham Judah as his spurs spin and his brow furrows. Released on August 14, of this year and peaking at the eight spot on the itunes Blues chart, you need to hear this tale.

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Ben Sollee | Half-Made Man | New Music Review

On September 25th, 2012, Ben Sollee will release his fourth studio album, titled Half-Made Man.  Sollee is known for his innovative cello playing, which he skillfully uses to highlight his songs and grab your attention, and this album is no exception.  Half-Made Man consists of ten well-balanced tracks, including the single “Unfinished.”  The album’s tracks stand strongly alone, as individual pieces of music, and also operate cohesively when pieced together as an album.  Methodical instrumentation is sup

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