Albums

Thee Oh Sees | Putrifiers II | New Music Review

After fourteen full length albums, eight EPs and five record labels Thee Oh Sees are starting to relax.  Well, sort of. In a press release for Putrifiers II out September 11, John Dwyer spells it out, “I will still strike an audience in the brain,” although he admits, “maybe every now and then it would be okay if we relaxed a little.”

Rachel Brown | Building Castles | New Music Review

Rachel Brown's roots are apparent from the moment you hear her music. Her roots are stemmed from Ethiopian, Bermudian and Southern influences are beautifully carried throughout her sound. Brown's distinct sound crosses the genres of pop, Caribbean, Hawaiian, African, country, hip- hop, and soul.

Pomegranates | Heaven | New Music Review

If indie-rock ever could ever possibly get together for a night of baby-making romance with disco then they might spawn the new Pomegranates CD entitled Heaven.  This romance may never actually happen but that is the beauty of art.  The falsetto vocals and heavy hi-hat carry the first two-tracks and then dive into fevered lo-fi rock into the third and fourth.  So far, I'm loving the Summer-driving-music sound of the CD.  Where I really get turned-on though is the fifth track breakdown aptly n

Jimmy Herring | Subject To Change Without Notice | Album Review

Jimmy Herring’s second solo album, Subject to Change Without Notice -available via Abstract Logix- is an instrumental album inspired by the human voice. Herring reveals on his website “It’s ironic: I play instrumental music and all I want to do is be a singer.”  Yet, his iconic playing style has a voice of its own. With an extensive vocabulary that spans almost 40 years. Herring studied guitar at Berklee College of Music and the Guitar Institute of Technology before becoming a luminary in the Jazz Fusion scene.

Von Ehrics | Two Foot Stomp | CD Review

Though there are plenty of Texas swing and Red Dirt bands claiming roots in the Lone Star state, the Von Ehrics leave tradition on the railroad tracks out in the rain, letting it rust and corrode until they can bend it into their own warped brand that they call Texas-styled country punk rock and roll. In reality, it’s more like speed metal country than punk, and highly addictive.

Brazos Stone | Pleasurable Pain | CD Review

Brazos Stone is representative of Red Dirt bands of the southwest but definitely is not typical. Though the press has said they’re from Lubbock, Wichita Falls, and Ft Worth, they really all grew up in Throckmorton TX, a town of 800 people with a general store, a post office, two banks, a gas station, three cafes, and a private club. The town swells during fowl season as hunters flock to the region to shoot doves and other small birds.

Domino Effect | Music For My Soul | New Music Review

Domino Effect’s Music For My Soul is a rock-hard reggae album that shows its lineage throughout, sounding like a cross between Pepper and SOJA with classical roots to back it all up. As far as the mix, the vocal delivery is a dead ringer for Kaleo Wassman with emphasis (as the album title suggests) firmly rooted in the power of music as personal salvation.

Ruby Jane | Celebrity | New Music Review

Even with just one listen to Ruby Jane’s new album, Celebrity, it becomes immediately clear that the seventeen year old singer-songwriter is quite the talented musician. Boasting a mature vocal delivery and practiced instrumentals, the indie-folk record is solid throughout, with few weak points to detract from a complete collection of songs.

David Grisman updates the Garcia/Grisman classic, Grateful Dawg

Didn’t you always dream of having Jerry Garcia and David Grisman pick the night away in your living room?

Yeah, me too.

Allen Thompson | Salvation in the Ground | New Music Review

Allen Thompson is on a new departure with his upcoming album Salvation in the Ground, due to be released on September 4, 2012.  In this new project, Allen made a conscious decision to use the powerful energy of increased collaborative effort, resulting in a cohesive album with a well-rounded sound, and most importantly, it is fun to listen to.  Thompson seems to have hit a sweet spot with a new philosophy: more is more.  Starting with a thr

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