Artists

Ray Davies | Fillmore | Silver Spring, MD | 11/15/2011

Since the The Kinks last played together in 1996, their music has been used in movie soundtracks (i.e., Rushmore, The Darjeeling Limited) and commercials, and has been cited as influential by rising pop bands like Oasis (who have since imploded.)  This exposure has turned a whole new generation of fans on to The Kinks’ extensive catalogue of pop hits and guitar driven mash-ups.

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Phil Lesh and Friends Announce 3 Shows in Broomfield, CO

Phil Lesh and Friends will be playing three shows at the 1stBank Center in Broomfield, CO February 16, 17 and 18, 2012! The band features Phil, John Scofield, Warren Haynes, Jackie Greene and Joe Russo.

Mail order starts Saturday, November 26 through GDTS and internet pre-sale starts Monday, November 28 at noon EST through Thursday, December 1 at 6 PM EST. Public onsale Friday, December 2 at 10 AM MST.

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How Do You Even Write a Review About Elephant Revival?

I first heard of Elephant Revival when I met Bridget Law at a fiddle contest five years ago. She had a magnetic personality and played the fiddle with the best of them, so I made sure to look up her band when I got home. The first Elephant song I listened to was "Ring Around the Moon", and it was stuck in my head for days. Since then I have seen them play many times.

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Bear Creek, Take Me To Funkytown | Bear Creek Festival

The Bear Creek music festival at the Spirit of the Suwannee Music Park was a fun filled sensual delight from the tingling chill of a Friday night freeze, the warmth of the campfire, fuzzy bear costumes all around, campfire smoke whimsically dancing through the air, laser light spectacles such as green naked lady outlines surfing through the trees, and did I mention the music? Destination Funkytown. Houston, we have landed. Bear Creek kept us movn and  groonvn all night long.

Kyle Hollingsworth Band | Cervantes | Denver, CO | 11/19/2011

Nobody needs to remind any live music goer how active of a place Colorado and its Front Range are for seeing concerts. Intimate or gigantic, we have as much of a draw for jazz, rock, hip-hop, bluegrass, blues, indie, classical or pretty much anything else you could think of. People come in hordes from all around the country to see their favorite acts at our one-of-a-kind venue scene. Something about the Colorado attitude meshes well with hassle-free lot scenes, and of course the most important part, the concert.

Cornmeal | Fox Theater | Boulder, CO | 11/18/2011

With so many bluegrass offshoot outfits actively touring in the States, sometimes it’s hard to decide whose show to go to on a Friday night. Especially in the bluegrass supported state of Colorado, where fans cannot get enough of its dance-ability and energetic tempo, its one of the most popular options for the live concert-going scene. While longer existing outfits have the option at playing large seated venues, most fans seem to come to dance.

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Elephant Revival | Boulder Theater | 11/19/2011

I had never seen Elephant Revival before tonight. And sometimes, ignorance is bliss, and the best way to see a live band. Having no expectations or prior convictions of how a show will sound or make you feel is liberating.  After all, music is foremost an innate emotional reaction to rhythms, melodies, and lyrics, and when you have no existing mental model, your mind is forced to make one, which, in its synthesis, is one of the best parts of man’s love affair with music.

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Polytoxic: 7th Annual The Last Waltz Revisited | 11/18/2011

When Polytoxic and the Denver Horns come together every year to perform the Last Waltz Revisited, they remind us of the difference between going to a show and going to a SHOW.  Everything was in place- a food drive to support a local charity, a brilliant parade of local talent, non-stop entertainment, and an energy that danced through the ears of everyone nearby.

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Greensky Bluegrass: "Handguns" | Review

It’s hard to exactly pinpoint where the resurgence in popularity of bluegrass music in the last fifteen years has come from. Perhaps it has to do with American’s wanting to reconnect with roots music. It could be that it blends vocal elements of folk music with musical complexity of jazz and classical composition. Perhaps people are just plain sick of what has been coined now as “country”, which appears to have transitioned into electric big-band steel guitar nonsense with even shallower lyrics.

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