The Motet

"adimage1"
"adimage2"

It was all Scarlet Begonias, a touch of the blues, and a whole lot of funk and soul last night at the Boulder Theater. The Motet was back in town for an encore performance of their "Funk is Dead Show." They were in Boulder for the Halloween show last October and it just wasn't enough to last us another full year.

The night is young around midnight; the music loud, beads and balloons reflect the Mardi Gras aura at Fox Theatre with WhiteWater Ramble. The show, much like their music, is unpredictable to say the least. The evening consists of staple WhiteWater tunes, a few Mardi Gras classics, an always-packed stage of welcome accompaniments, and a crowd as wild as the performers.

If you are a Deadhead living in SFO, PDX, PHL, BWI, or NYC, I need to talk to you about time and energy. But not in the “How do you get to Carnegie Hall?” tradition of “Practice, Practice, Practice”. Instead, I need to talk to you about the temporal evolution and aggregate electrical output that are quickly molding The Motet’s funkified adaptations of the Grateful Dead songbook into an instant must-see classic.

Yoshi's SF is very excited to announce that for their first show in San Francisco in more than three years The Motet will be paying tribute to the music of one of the most influential rock bands of the last 40 years: THE GRATEFUL DEAD!Yes, we know what some of you are thinking: How does the Grateful Dead's sound fit into the energy and vibe of a Motet

You always know you’re in for a treat when Reed Foehl takes the stage.  He has been providing an intricate blend of heartfelt soul and smooth jams for more than two decades.  A Boston transplant he quickly gained local fame after moving to Boulder with his former band, Acoustic Junction, in the early nineties.  He has become largely known for his lyrical ability as an artist.  He possesses a talent that is very seldom seen (or heard

Going to a Trace Bundy show is like going to a family dinner that you actually want to be at. The first time I listened to Trace Bundy’s music was in college. A friend had a copy of his “Adapt” CD and I used to play it when I needed to relax. This was the 3rd time I have seen Trace perform.

How many successful Grateful Dead tribute projects have graced the music scene since the death of Mr. Jerry Garcia and the disbandment of the original 30-year “long strange trip”? Too many to bother keeping track of. The religious obsession that has continued to develop and flourish is due to an enormous number of factors. First and foremost, we weren’t done listening.

When I got the news that I could write a review for the Motet’s Best of their Halloween shows at my favorite indoor venue in the world, I jumped at the opportunity. Not only was it just their “best of” show, but it was the 7th Anniversary Grand Re-Opening Celebration for the venue that has demonstrated its appeal to the fans of music in many ways.

Archived news