Infamous Stringdusters + Leftover Salmon | Park West

Submitted by June Reedy on Mon, 02/26/2018 - 11:00 am

Two powerhouse bands in one night made for an incredible evening of music at the Park West Chicago on 2/17/2018.  Night two of the 2-night run was a packed house filled with gawking jaws agape at the Grammy-winning Infamous Stringdusters together with the loveable Leftover Salmon.  It was one of those shows that leaves you knowing what music should look and sound like.

Dark Star Orchestra | McDonald Theater | 2/12/18

Submitted by Chris Naugle on Mon, 02/19/2018 - 3:10 pm

Dark Star Orchestra came “high-stepping” into Eugene (Ore.) last Monday night and fulfilled their bold promise to “continue the Grateful Dead concert experience” which is no easy feat. A substantial, multi-generational crowd of familiar faces gathered to glow wild and celebrate the reawakening.

Midnight North & Special Guests ‘Experience CSNY’

Submitted by Alan Sheckter on Sun, 02/18/2018 - 3:29 pm

Midnight North on February 10 delivered a powerful and endearing three-hour show, dubbed “Experience CSN&Y,” that included a long and powerful set of Crosby, Stills, Nash & Young material. Phil Lesh and Eric Krasno guested on big chunks of the proceedings, which took place at Phil’s venerable Terrapin Crossroads in San Rafael, California.

The Devil Makes Three | Higher Ground | 1/23/18

Submitted by Stites McDaniel on Tue, 02/13/2018 - 6:32 pm

I ask for a lot. Usually, when it comes to music, all I do is ask. “Can we afford a Phish festival this year?”, “Can we take the kids to this show?” and most importantly “Mike, can you get me into this show?” For those of you reading this after its won the Pulitzer and was picked up by the AP, let me set the stage. Mike Moran is the owner, founder, and editor of It’s his pull that gets me into the shows. Our relationship is based solely on me asking and him obliging. But once in a great while, he does ask me to cover a show.

Stick Figure | Fox Theater | 2/3/18

Submitted by Nick Gumas on Mon, 02/05/2018 - 3:06 pm

We see live music not to hear the same music we can easily hear at home, but to experience something we otherwise never could.  Whether that difference is an artist’s speech, surrounding ourselves with the energy of a positive crowd, or hearing a unique rendition of a song that has never been recorded in a studio, live music gives us something our headphones just can’t, and hometown shows always have a way of giving us just a little bit more.  Saturday, February 3rd Stick Figure performed to a sold-out crowd at Oaklan

Alan Parsons Project | Chumash Casino Resort

Submitted by L. Paul Mann on Fri, 02/02/2018 - 8:25 am

Longtime Santa Barbara County resident Alan Parsons brought his latest incarnation of The Alan Parsons Project to a full house of adoring fans in the Samala showroom of the Chumash Casino Resort, the last weekend of January. Parsons, a legendary music producer and one of the most potent forces in the progressive rock movement of the 1970’s has only recently returned to more extensive touring.

Revelator Hill | Live By The Creek | Review

Submitted by Mercedes Mill on Fri, 02/02/2018 - 7:11 am

Revelator Hill’s new album, Live By The Creek, offers a personal invitation to experience their magnetic musical alchemy up-close. Recorded at the Lubber Run Amphitheater in Virginia, it captures the elusive lightning in a bottle that makes for the greatest live albums, and you can still feel the flames that ignited the show.

First Aid Kit | Oakland, CA | 1/24/18 | Review

Submitted by Alan Sheckter on Thu, 02/01/2018 - 5:36 pm

The harmonic sisters of Sweden’s First Aid Kit started their early 2018 American tour in impressive fashion at the ornate Fox Theater in Oakland, California, on January 24. In front of a plethora of varying video backdrops, the show was filled with lush layers of dreampop mixed with elements of alt-country/folk/rock.

The Devil Makes Three | Brooklyn Steel | 1/24/18

Submitted by Carter Shelter on Tue, 01/30/2018 - 11:57 am

The Devil Makes Three are one of those bands that seemed to emerge out the gate with their vision cast in concrete. There were no hidden tricks up their sleeves, no gimmicks to lure in some hip audience. From the get-go, they’ve managed to invigorate the old soul of bluegrass music with the kind of youthful spirit it seems it was always meant to possess, and in turn, the group has found themselves to be a shining light in the 21st-century scene.

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