Reviews

Jiggley Jones | A Mountain, A Struggle, A Tunnel, A Light | Review

It’s funny how music can change. It’s so malleable; you could hear it in one setting and hate it, vowing to never again let such filth invade your eardrums again. I’m referring to sonic pop by the way. Then, you could hear it at a different time, in a different situation, a different artist and see something in it that you never considered. It’s not just to down to peer pressure, either. You could be listening to a song on repeat in the morning that by night time you can’t stand.

Umphrey's McGee | Similar Skin | New Music Review

Meshing musical styles ranging from Prog to Pop, with wholesome doses of 90’s Alternative & Electronica, Umphprey’s McGee “Similar Skin” (Release Date: June 10. 2014) reinvents the jam ethos uniquely, truly and respectably with sounds that simultaneously sail and soar.

Christina Rubino | Alive from the Scrapheap | Review

It's easy to know how to categorize an artist like Christina Rubino. Self-described as “a Female Johnny Cash” Alive from the Scrapheap’ is one of the more dark releases I’ve heard this year. It’s not so dark and apocalyptic steeped in the fog of shock mind you, but rather extremely truthful and honest. It’s got sold melodies and impressive musicianship – which is a rarity in today music.

Roosevelt Collier's Colorado Getdown | Review/Photos

Striking out on your own as a musician after being part of an ensemble is never easy to do, save for the fortunately marketable front men and Beyoncés of the world. Roosevelt Collier is doing his best, and while picking up steam, has never forgotten where he came from and what made him the musician he is today. Forged out of the Pentecostal beliefs surrounding “Sacred Steel,” Roosevelt is both carrier of the torch and genre-hijacking outlaw.

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Stephen Stills | Boulder Theater | 5/17/2014 | Review/Photos

If the spirit of the 60s was still alive, it’s probably not through the music. Nostalgia is what connects most folks to those simpler, but equally perplexing socioeconomic times in American history. On a grand scale, the human-be ins and connectivity that brought the young generation, the baby boomers, growing into adults of the late 1960s, was a time when youth stopped buying into their elder generations ideas of conformity and the lies about being patriotic by supporting a pointless war halfway across the world.

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moe. | No Guts, No Glory | Review

Since I began my professional music writing career over 20 years ago, one thing I have taught myself over that time when it comes to new album reviews is to never pass judgment after only one listen.  Yes, there is something to be said about first impressions however one cannot truly digest the music until given ample hearings.

The Ringers | Fox Theater | Boulder, CO | 5/8/2014 | Review

The idea of the super group can be a tricky concept. Powerhouse musicians of their craft all accomplished individually, collaborating together as a new ensemble. Ego, style, and ability can clash. True cooperation is easier to envision than to execute properly. In the jazz world it gets even more complex. Since jazz is inherently less about similar personnel compiling a unit and more about open collaboration and musical conversation, creating jazz “super-group” is a delicate operation.

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Nick Moss Band | Time Ain't Free | New Music Review

Blending the elements of Blues, Rock, Funk, Jam & Soul, Chicago’s own Nick Moss Band, on this, their 10th album release, bring an electrifying smorgasboard to the table with Time Ain’t Free (Released March 18th 2014 and in stores now).

Eccodek | Singing in Tongues | New Music Review

Never has an LP’s title been more apt—Eccodek’s sixth and latest, Singing in Tongues, is foreign to the letter. (And no, I couldn’t tell you what tongues we’re talking here.)

Henry + The Invisibles | Onemanphunkband | New Music Review

Those on the Henry & Co. payroll say “breezy melodies and relentless grooves” are par for the course with Onemanphunkband... okay, I’ll allow it. Sure, this funky little EP doesn’t really go all that far, but does it even need to?

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