Japanese Breakfast entertained a Sunday late afternoon crowd at the Pitchfork Music Festival with their high energy music.  Opening her set by exclaiming" "We're Japanese Breakfast and we're from Philadelphia!," lead singer/ songwriter Michelle Zauner's solo project impressed fans with a high energy stage presence and hard-hitting music.  Jumping around for her entire set, whether playing her guitar or not, Zauner's enthusiasm carried over to the audience, who clearly enjoyed

The War on Drugs rocked the Pitchfork Music Festival Saturday night to an enthusiastic and appreciative audience.  The Philadelphia indie-rock band (which is what you would expect at Pitchfork) was ably led by front-man/co-founder/ primary songwriter/guitarist  Adam Granduciel, who did not speak to the crowd much during The War on Drug's hour-plus set, but rather let the music do the talking.  The music was carried by the rhythm section of Charlie Hall on drums and David H

The ALLMAN BROTHERS BAND in 1970 were on the brink of superstardom. They had only been together for 11 months when promoter Bill Graham, who had booked them in San Francisco and New York, invited them back to Fillmore East on a triple bill with Grateful Dead and Love. And fortunately for us, the Dead's soundman (and early acid progenitor) Owsley "Bear" Stanley had his tapes rolling.

Liz Beebe is best known as the female powerhouse of the critically acclaimed band Dustbowl Revival. With an international touring schedule that spans over continents, and months on the road, Beebe found herself becoming an aunt in the midst of the madness. A desire to be present and contribute to the lives of her family and loved ones became what is her first lullaby album, Hush Now, Lullabies for Sleepy People.
 

Policulture, a Boulder based band, combines conscious lyrics, horns and roots rhythm into an authentic group best described as original mountain reggae music. No doubt that their environment growing up has not only affected their sound, but transcended them into a modern, mindful and inspiring collective.

Following twenty albums over 50 years, Yoko Ono's Warzone is strikingly different from any record she has made previously, but it is also strikingly different from any album that anyone is making...

With the roar of a Saturn V rocket and the agility of a glider (EP?), Desert Daze releases Phase III. Followers of Desert Daze have reached a fever pitch while organizers have moved assuredly and with poise to put everything in place. With anticipation at a blinding fervor, the gates have been opened.

A story with a head wound is always a good story. This story has a head wound. But it's not the best part of the story. This story is about music. Music at Grey Fox Bluegrass Festival. You'll notice I omitted the. It's not The Grey Fox Bluegrass Festival. It’s Grey Fox. We’ll get to that just like we’ll get to the head wound. But first, music. After all, that’s why we travel to the Catskills every year. But why this music? What about this music sets it apart? Truth be told, bluegrass can feel so rigid.

Nashville's Uberphonics share a seriously groove-heavy new jam from recent studio sessions for their upcoming Apogee EP. "Body Buzz" is the first taste of the follow-up to 2016's full-length album, What Do You Want To Do. This single is a grungy, organic fusion track with layers of cosmic texture and impressive technical virtuosity on show.

Front Country released a brand video covering k.d. lang’s cowgirl poetry classic, “Pullin’ Back the Reins." It’s the fifth release in their Kitchen Covers video series, in which they’ve also done covers of Tom Petty, Tina Turner, Grateful Dead, and tUnE-yArDs. Front Country is excited to share their version of “Pullin’ Back the Reins” as their appearance at Calgary Folk Fest in Alberta, Canada approaches next week.