With a career spanning more than four decades, there are not a lot of "firsts" for Grammy-winner Tim O’Brien, until now. O'Brien's new album, Cup of Sugar, finds the renowned songwriter and multi-instrumentalist delivering 13 original new tracks which he's either written or co-written. The cover art says a lot about the album, with its black and white hands extended in a neighborly fashion. The title track features the lyrics, "I try to pick my battles, don't want to start a war.

Today, renowned GRAMMY-nominated band Gov’t Mule, led by guitar legend, vocalist, songwriter and producer Warren Haynes, has released their new studio album, Peace…Like A River, via Fantasy Records. PRESS HERE to listen.

Multi-Platinum artist and “undeniably entertaining” (Tennessean) Dierks Bentley today announced his return to Colorado the first week of September for two nights at the iconic Red Rocks Amphitheatre.  On Sept. 5, Bentley will headline the night with special guests Ashley McBryde, The Red Clay Strays and Harper O’Neill.

Twenty years since the release of his best-selling album ‘Blues Deluxe,’ which celebrated what the US government had declared “the year of the blues” with a mix of originals and reinterpretations of classic songs, superstar Joe Bonamassa is taking stock of how far he and the genre have come with Blues Deluxe Vol. 2, out October 6th via J&R Adventures.

Celebrated jam-meets-jazztronica band Papadosio returns with ‘To Live A Making’, their ninth studio album. After more than 15 years of writing and performing together, the five-piece ensemble still prioritizes pushing their individual boundaries in playful yet purposeful ways. Transmuting life experience into audible adventure, they have collaboratively brought forth an LP that is consequently informed by their catalog while simultaneously superseding it.

Day four of Cali Roots wrapped up the weekend in a style befitting its own legacy. In a statement on the theme of the Reggae festival, it was the only day of the weekend not to feature a pure Hip Hop artist on any of its stages. The focus on the roots of the festival made for a lowkey pace at the tail end of a weekend that had been so fulfilling and so energy-consuming.

On Tuesday, June 13, Dead and Company made their fifth and final stop in Cincinnati for one final night with the Queen City Deadheads. In an effort to leave a memorable impression on the sold-out crowd at Riverbend Music Center, the band delivered an unbelievable performance that is sure to echo in the memories of the audience for years to come.

Day three of Cali Roots featured the support of artists at many stages of their careers, but almost all of whom had a strong root in the festival, dubbed that day by Alborosie as “Montereggae.” As many of the artists performing were those who were just this year given their first opportunity to take the stage, it also highlighted a theme of the weekend as many acts who had started playing smaller stages earlier in their careers were given the opportunity to truly shine in the limelight.

Day two of Cali Roots seemed to shine brighter than the last, at least metaphorically. The fog rolled in early in the afternoon, feeling less gloomy than one would expect, rather more metaphorical for the day to come.

The twelfth annual California Roots Festival came and went this year leaving a mark on all who attended from near and far. The annual family reunion for the Reggae community featured many of the classic names we have come so accustomed to seeing on the marque while welcoming in a few new faces, including some of the most inspirational names in early Hip Hop from Hieroglyphics to The Wu-Tang Clan. While the lineup fostered inspiration for a fun-filled weekend, it was clear that the festival had evolved.