Newswire

Pepper Announce 'Here Comes the Law Tour 2008'

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Jazz Museum Events: Oct. 14-17, 2008

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Panjea Featuring Chris Berry & Michael Kang Plan Colorado Dates

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The Mimi Fishman Foundation Launches Charity Auction Featuring the Return of Phish

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National Jazz Museum in Harlem October Schedule

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U-Melt Back on the Road with Fall Tour

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New Jersey Blues & Jazz Festival at the Backstage Jazz Club

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Moran on Monk at Harlem Stage Thursday, October 2nd

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PBS featuring Page McConnell + PORTER, BATISTE, STOLTZ

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Debut Album From Joey+Rory Streets October 28th

Joey+Rory, along with Grammy-award winning producer Carl Jackson, have put the finishing touches on their debut album, The Life Of A Song, to be released by Vanguard/Sugar Hill Records on October 28th. Having produced such greats as Alison Krauss and Merle Haggard, Jackson proved the perfect choice to help husband and wife team Rory Feek and Joey Martin create a traditional countr

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Grateful Web

May 17 at 4:52pm

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Progressive jam giants Umphrey's McGee‘s return to Las Vegas for the seventh installment of the massively popular UMBowl production was marked once again by a stand-out tour closing dual evening extravaganza where all stops were pulled out and the power given directly to the fans, for better or for worse.

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Grateful Web

May 17 at 4:52pm

grateful web

On June 24, Round Records & ATO Records will release GarciaLive Volume Six: July 5, 1973 – Jerry Garcia & Merl Saunders, the latest installment of the celebrated GarciaLive archival series. The three-CD set was recorded at the 200 capacity Lion’s Share club formerly located in the small town of San Anselmo, CA, just 20 miles north of San Francisco. The performance features Jerry Garcia performing with friend, mentor and legendary keyboardist/vocalist Merl Saunders. The duo is joined by drummer Bill Vitt and bassist John Kahn, who soon became a lifelong Garcia collaborator.

grateful web

Grateful Web

May 17 at 4:52pm

grateful web

Progressive jam giants Umphrey's McGee‘s return to Las Vegas for the seventh installment of the massively popular UMBowl production was marked once again by a stand-out tour closing dual evening extravaganza where all stops were pulled out and the power given directly to the fans, for better or for worse.