If the spirit of the 60s was still alive, it’s probably not through the music. Nostalgia is what connects most folks to those simpler, but equally perplexing socioeconomic times in American history. On a grand scale, the human-be ins and connectivity that brought the young generation, the baby boomers, growing into adults of the late… Continue reading Stephen Stills | Boulder Theater | 5/17/2014 | Review/Photos
Since I began my professional music writing career over 20 years ago, one thing I have taught myself over that time when it comes to new album reviews is to never pass judgment after only one listen. Yes, there is something to be said about first impressions however one cannot truly digest the music until… Continue reading moe. | No Guts, No Glory | Review
The idea of the super group can be a tricky concept. Powerhouse musicians of their craft all accomplished individually, collaborating together as a new ensemble. Ego, style, and ability can clash. True cooperation is easier to envision than to execute properly. In the jazz world it gets even more complex. Since jazz is inherently less… Continue reading The Ringers | Fox Theater | Boulder, CO | 5/8/2014 | Review
Blending the elements of Blues, Rock, Funk, Jam & Soul, Chicago’s own Nick Moss Band, on this, their 10th album release, bring an electrifying smorgasboard to the table with Time Ain’t Free (Released March 18th 2014 and in stores now).With the addition of Michael Ledbetter (Descedant of Lead Belly) as rhythm guitarist and second lead… Continue reading Nick Moss Band | Time Ain't Free | New Music Review
Never has an LP’s title been more apt—Eccodek‘s sixth and latest, Singing in Tongues, is foreign to the letter. (And no, I couldn’t tell you what tongues we’re talking here.) But that’s precisely the point—the source material for Singing, originally pressed as a loose improvisation by Jah Youssouf of Mali, has since garnered treatment by… Continue reading Eccodek | Singing in Tongues | New Music Review
Those on the Henry & Co. payroll say “breezy melodies and relentless grooves” are par for the course with Onemanphunkband… okay, I’ll allow it. Sure, this funky little EP doesn’t really go all that far, but does it even need to? The Onemanphunkband sound is decidedly stuck a few decades en retro—I hear mined flakes… Continue reading Henry + The Invisibles | Onemanphunkband | New Music Review
The Mother Hips‘ve been around long enough and released a helluva ‘nough material that this collection of rarities and demo tapes, Chronicle Man, is gonna be for the band’s ready-converted disciples first and foremost. That being said, I still have my bones to pick with the set, as well as a few highlights of note.… Continue reading The Mother Hips | Chronicle Man | New Music Review
Master magician, Steve Martin performed a neat trick Friday night at Eugene’s Hult Center for the Performing Arts—he twisted a blazing-hot bluegrass band (Steep Canyon Rangers), a “notorious” singer/songwriter (Edie Brickell) and his own show-biz savoir-faire into an entertaining, vaudevillian blend of musicianship and comedy. Martin’s current act evokes a nostalgic, medicine show quality with… Continue reading Steep Canyon Rangers with Steve Martin & Edie Brickell | Review
“Art enables us to find ourselves and lose ourselves at the same time.” – Thomas Merton The first album from French Style Furs, “Is Exotic Bait,” is an existential collaboration. Nathan Willett and Matt Maust of Cold War Kids came together with lifelong friend and We Barbarians drummer Nathan Warkentin to document a spontaneous urgency… Continue reading French Style Furs | Is Exotic Bait | Review
There are many faces and aspects of love, and Tennessee singer/songwriter Joseph LeMay hits on many of them on his first full length album, Seventeen Acres. From past or potential love to new love to lasting and exciting love, his songs take you through the emotions of such experiences not only as they relate to… Continue reading Joseph LeMay Communicates Truth, Doubt, Love across Seventeen Acres
