Henry Kaiser
In today’s times, with so much music out there, one can easily retreat into their known area, with their known bands, rather than take on the easily overwhelming journey of searching to find new music to their liking. Yet sometimes an album has the natural ability to float to the top of an ever-flooded market and shine forth.
Live music lovers in the North Bay Area know Mill Valley’s Sweetwater Music Hall as a hotbed for unexpected collaborations and special one-off celebratory performances. Not surprising considering the primary investors behind the intimate café/venue in the music savvy Marin County town are rock ‘n’ roll investors (Bob Weir and Sammy Hagar namely) bringing in one-of-a-kind collaborations.
Grateful Web recently had a unique opportunity to speak with veteran psychedelic guitarist, producer and composer Henry Kaiser. Few have as vast of a musical resume as Kaiser, who has contributed to countless studio recordings both as bandleader and accompaniment. His inventiveness has additionally yielded a long list of film scoring credits and soundtrack work. While Kaiser is frequently busy and rarely promoting a certain singular work, Dylan Muhlberg focused the conversation on Kaiser’s potent new album Ocean of Storms.
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