Spafford
Spafford have announced their Winter 2020 headline tour. The 39–date trek gets underway January 15 at Houston, TX’s White Oak Music Hall (Upstairs) and then travels the U.S. through early April. Among the tour’s highlights is a three-night-stand at Brooklyn, NY’s Brooklyn Bowl, set for February 7-9 and including a very special acoustic only performance on February 9. The band will be joined throughout by an array of special guests, including The Iceman Special, Eggy, Cycles, Yak Attack, and The Jauntee.
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Spafford have announced that they are releasing a new 5- song EP titled Gaff Tapes. Gaff Tapes is a collection of songs ranging in musical styles and characteristics that are unique and true to the band that Spafford is. The band will kick off their “Fall into Place” tour on Oct 3 in Louisville. As things are, indeed falling into place for Spafford.
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Charleston, SC
Prolific rockers Umphrey’s McGee are proud to announce The Woodlands Fall Music & Arts Festival, a brand new event happening in Charleston, SC, on November 8-9.
Spafford just recently finished an extensive Spring/Summer tour, and are excited to announce brand new Fall tour dates, dubbed the “Fall Into Place Tour,” the band will be traveling throughout the Midwest and mountain states. The band has also announced their four show New Year’s Eve Run, with two shows in West Hollywood and two shows in San Francisco.
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The Great South Bay Music Festival – Long Islands longest running, and largest 4 day, all ages Music & Arts Festival, returns to the picturesque waterfront at Shorefront Park in Patchogue Village from Thursday, July 18 through Sunday, July 21st.
Boulder, CO
Spafford are among the most dynamic and sophisticated young jammers. They stretch the boundaries of improvisation. Spafford will bring a massive crowd of “Spaffnerds” along for the ride in Boulder, and likely make some new ones before the night is over.
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The final day of Lockn’ 2018 dawned hot and sweaty and ended in spectacular fashion with two sets by Dead and Co., joined by master saxophone player Branford Marsalis. A cloudy sky kept the atmosphere steamy until the afternoon when the hot summer sun broke through. Keller Williams got the MainStage started just after noon with a different entourage in tow than from the day before. This time he appeared with a group he calls the Grateful Gospel. The idea was to play music in the spirit of Jerry Garcia in the tune of Black Gospel music. The concept was born at Lockn’.
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