While NASCAR superstar and eleven-year running fan favorite Dale Earnhardt Jr. captured an irrelevant win last weekend at Martinsville Speedway, Dale Earnhardt Jr. Jr. was hard at work racing down the road. The first leg of the glam-pop duo’s fall tour culminated in a voracious three-band onslaught at the Fox Theatre in The People’s Republic of Boulder, Colorado.

I moved to Colorado in 2010 to pursue my Masters degree in education. I chose CU because it had a strong program for my discipline, but I’d be lying if I said the town of Boulder, itself, held no sway in my decision. Having wandered in a proverbial desert of live music for five years, I was a deeply dehydrated Deadhead who needed an oasis to slake my thirst. Occasionally, a noteworthy band played at The Santa Fe Brewing Company or an hour south at one of Albuquerque’s few ramshackle venues, but these were rare occasions.

West Water Outlaws “Paranoid” New Year’s Eve at the Fox Theatre will feature one original set plus one cover set of the ENTIRE ALBUM of Black Sabbath’s “Paranoid”. The Yawpers and In the Whale join the special NYE show.

F.U....N.K. But seriously, funk. It was the theme of late night at The Fox Theatre, Monday, March 17^th. Coming all the way from Baltimore, Maryland, we had the honor of spending a night with Pigeons Playing Ping Pong on their twenty-five day tour, one of the funkiest, psychedelic, up and coming jam bands coming through this town.

Most folks going out to see live music generally seek a familiar favorite band, or at the very least a certain style or genre implied. Rarely can an act draw interest based on anything without these qualities. Matt Butler’s Everyone Orchestra is the exception. Butler is a fantastic multi-instrumentalist (primarily a drummer) who decided to abolish all of the above qualifiers of what constitutes a traditional band.

Genuine charisma is what sets Chris and Oliver Wood Brothers Band apart from other contemporary rock bands. Their own brand of Americana, fused by two different musical paths bound together, has evolved from a genre-bending project into a highly popular full time band. Before the groups’ inception in 2004, many were less familiar with guitarist Oliver Wood but knew his brother Chris as the virtuoso bass ace of avant-garde jazz trio MMW.

Halloween looms, and while most avid local music-goers are planning extravagant costumes for the Hallow’s Eve bash of their choice; last weekend the Fox Theatre hosted a rousing 2-night stand by growing “newgrass” favorites Greensky Bluegrass. Hailing from Michigan, these guys throw a range of soulful bluegrass originals, standards, and playful classic covers out on any given night.

For Les Claypool, image has never been an important part of being a god amongst bass players. He is the antithesis of image-orientation in rock music. The Claypool persona is obscurity. For years his live performances muffled any sense of ordinary human interaction. Pig and Ape masks would obscure his face. If not a mask then a large pair of specs and handlebar mustache added to his image vagary. He sings into two different microphones, both add a level of vocal distortion depending on how he controls his midi.

This past week seemed to go on forever. In between school and work shifts, all people could talk about was Saturday night and how wild it was going to be. Since their last appearance at the Lazy Dog in Boulder, Pigeons Playing Ping Pong (PPPP) has been racking up new friends and fans out west with serious momentum.

The good old boys of Poor Man’s Whiskey, featuring former Cornmeal fiddler Allie Kral, kicked things up a notch at the Fox Theatre on Friday, June 14th with two full sets of northern California bluegrass-based rhythms. The show was billed as Poor Man’s Whiskey playing the music of Old & In the Way, an early seventies bluegrass super group featuring Jerry Garcia of Grateful Dead notoriety, bluegrass pioneer Peter Rowan, and a who’s who of string pickers in David Grisman, Vassar Clements, and Jerry Garcia Band alumni John Kahn.