John Scofield

Rock ‘n’ Roll Fantasy Camp, now in its 25th year, announces the inaugural Relix Rock Camp in New York City, October 27-30. The camp features 4 full days of jamming, masterclasses, instruction and exclusive Q&A’s in a private studio to prepare campers to jam with the legendary PHIL LESH, JOHN SCOFIELD and ROBERT RANDOLPH. This exclusive limited capacity Camp will offer musicians the chance to live out their dream and check off this bucket list experience.

The scene opens on lonely janitor Larry Goldings, with bucket and mop, working after-hours, eyeing an unused Hammond B3 organ under a spotlight in an otherwise dark studio. Gingerly, he presses down the D key. He recoils at the sound. A brief hesitation and he gathers the courage to hit a full-on chord. The scene erupts, cutting to the actual session at which Scary Goldings IV was recorded.

Lots of festivals are dropping their line ups for 2020 which has us dreaming of warmer days, oceanside sunsets, and the feel-good music we all love. One of the first big festivals of the year will be Skull & Roses Festival in Ventura, CA, April 2-5, 2020.  With Billy and the Kids and Oteil & Friends headlining, let’s dig into more artists that will also be playing.

As you entered the theater, you were given a postcard which had instructions for the “cue” for when to sing happy birthday to the birthday boy. Some of my fellow attendees were already wearing birthday hats and even giving them out to their friends. The theater was hoppin’, and the vibe was that of a celebration. It was a sold-out crowd (GA/LOGE/BALCONY). Of course, it really didn’t matter if you had a seat anyway when I looked around, people were standing and dancing everywhere.

On March 3rd, Durham’s Performing Arts Center was the site of a show that if you were fortunate enough to attend, will stand as one of the shows of your lifetime.  If you are familiar with the Grateful Dead’s March 29th, 1990 show with Branford Marsalis; get that show roaming around your mind.

From their debut performances at the Village Gate, a historic jazz club located on the west side of Lower Manhattan, to their high-profile collaborations with an eclectic variety of musicians, avant-jazz funk trio Medeski, Martin & Wood have developed a signature style that has continued to push the boundaries of American jazz for the last 23 years.

So many years after the disbandment of Grateful Dead that in turn relocated tens of thousands of devoted tour followers to various other acts and bigger life purposes, folks still crave that familiar feeling that kept them on tour. It didn’t only come from the music that Garcia and the gang connected with so many people through, but the sense of community and thriving weirdness that expanded continuously over decades of different intersections.

The ever-evolving, genre-defying collaboration between influential trio Medeski Martin & Wood and maverick guitarist John Scofield continues to flourish. Since first convening nearly 17 years ago, Medeski Scofield Martin & Wood's kinship both onstage and off has fostered an escalating degree of musical interplay, exquisitely captured on Juice—their third studio effort and fourth album overall, available September 16, 2014, via MMW's Indirecto Records imprint.

Instead of sweating getting his wallet even fatter or having his name rolling off more folks’ tongues, Warren Haynes puts hammers, nails and efforts of kind-hearted, hard working Habitat for Humanity supporters where his guitar is to improve life for others. “Sweat Equity”, which simply means an individual needs to do for themselves and community to have the community return the favor is the driving force behind Haynes’ efforts.

Archived news