Matthew Szlachetka

GW Premiere: Szlachetka's “Cutting The Firelines”

Matthew Szlachetka

Nashville based Americana artist Szlachetka's new single "Cutting The Firelines" is being released on Friday November 20. It was produced by Grammy winning producer Scott Underwood (Drummer/ founding member of TRAIN). They recorded it live at Blackbird Studio A and Thunderwood Sound in Nashville between June 30- July 12 of 2019.

Read More

Szlachetka releases "Old Soul"

Nashville based Americana artist Matthew Szlachetka's new single "Old Soul" was released on Friday October 2. It was produced by Grammy winning producer Scott Underwood (Drummer/ founding member of TRAIN). They recorded it live at Blackbird Studio A and Thunderwood Sound in Nashville between June 30- July 12 of 2019.

Read More

Subscribe to Matthew Szlachetka

Archived news

web-image1

Be A Part Of The Grateful Web

CHECK US OUT ON FACEBOOK

grateful web

Grateful Web

May 17 at 4:52pm

grateful web

Progressive jam giants Umphrey's McGee‘s return to Las Vegas for the seventh installment of the massively popular UMBowl production was marked once again by a stand-out tour closing dual evening extravaganza where all stops were pulled out and the power given directly to the fans, for better or for worse.

grateful web

Grateful Web

May 17 at 4:52pm

grateful web

On June 24, Round Records & ATO Records will release GarciaLive Volume Six: July 5, 1973 – Jerry Garcia & Merl Saunders, the latest installment of the celebrated GarciaLive archival series. The three-CD set was recorded at the 200 capacity Lion’s Share club formerly located in the small town of San Anselmo, CA, just 20 miles north of San Francisco. The performance features Jerry Garcia performing with friend, mentor and legendary keyboardist/vocalist Merl Saunders. The duo is joined by drummer Bill Vitt and bassist John Kahn, who soon became a lifelong Garcia collaborator.

grateful web

Grateful Web

May 17 at 4:52pm

grateful web

Progressive jam giants Umphrey's McGee‘s return to Las Vegas for the seventh installment of the massively popular UMBowl production was marked once again by a stand-out tour closing dual evening extravaganza where all stops were pulled out and the power given directly to the fans, for better or for worse.