Interviews

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Grateful Web Interview with Joel Cummins

Submitted by Elliot Engebretson on Fri, 05/08/2015 - 8:30 am

From their latest release The London Session recorded at the legendary Abbey Road Studios in England, to their four-quarter fan interactive jam extravaganza fittingly titled UMBowl, the boys from Umphrey’s McGee have developed into a genre-defying powerhouse that only grows by the day. Keyboardist extraordinaire Joel Cummins recently sat down with the Grateful Web to discuss their latest release, how UMBowl came to be, along with what’s in store for guys in 2015 and beyond.

Grateful Web Interview w/ Keller Williams

Submitted by Elliot Engebretson on Tue, 04/21/2015 - 10:11 am

Since his debut album Freek back in 1994, Keller Williams has never stopped pushing musical boundaries when it comes to the exploration of different genres and sounds. The lively, self taught multi-instrumentalist plays whatever he feels is right at the time, most of the time barefoot and always with a big grin on his face.

Grateful Web Interview with Jay Bianchi

Submitted by underwoodschumm on Tue, 04/07/2015 - 6:15 pm

With the acquisition of The Goose, a college watering hole at the corner of Broadway and Pleasant, Jay Bianchi has finally extended his Grateful Dead-inspired bar empire into (The People’s Republic of) Boulder, Colorado. Known as The Goose since 2008, the bar is undergoing modest yet incremental transformations. Bianchi is currently booking bands on the patio under the moniker “Owsley’s Presents at The Goose,” with plans to re-brand the bar into Owsley’s Golden Road in May. This is while staying open to the public, of course, because the show must go on.

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Grateful Web Interview with Sage Cook

Submitted by Ben Welp on Mon, 04/06/2015 - 7:41 pm

After eight years of playing with Elephant Revival, the ambitious Sage Cook decided to chase a different dream. He moved to an isolated patch of land on the border of Oklahoma and Kansas with the long-term goal of setting up a farming community. After a year of pruning fruit trees, caring for livestock, and cultivating that community- new music was just another logical, organic process. We Dream Dawn is the product of living close to the land and letting ideas slowly develop over time.

Grateful Web Interview w/ Reggie Scanlan

Submitted by underwoodschumm on Mon, 03/23/2015 - 5:08 pm

Bass player Reggie Scanlan built an extensive resume throughout The Radiators’ three decade-plus run. Not everybody can say they played with Professor Longhair or James Booker, but Reggie can. When The Rads hung it up in 2011, Reggie was already on to the next one and saying so long to a bout with cancer. A road warrior with an appreciation for the arts and photography, Reggie has soaked up the substance that came before him and carefully selected the mold he performs within to this day.

Grateful Web Interview with Lisa Purze

Submitted by Dylan Muhlberg on Mon, 03/23/2015 - 2:55 pm

Grateful Web took notice of the recently announced Grateful Dead Family Jubilee web auction and wanted to know more about it. How did these seemingly priceless things become auction worthy? Where did these artifacts come from? One of the auction organizers, Lisa Purze was kind enough to chat with Grateful Web about it. Providing us with the lowdown on the event that’s in honor of the 50th anniversary of Grateful Dead.

Bittersweet Symphony in the Tempo of Life

Submitted by Michael Welter on Sun, 02/22/2015 - 4:17 pm

When Matthew Mirro received an electronic drum set for Christmas in 1985, he had visions of creating a song for a movie in the vein of Axl F. from Beverly Hills cop.  When the instrument proved to not be his thing, it was no surprise when his younger brother picked up the sticks and ran with them.  “Mikey was just born with it inside him”, Matt says.  “He was a natural.”

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