Emily Gabriel is a Tallahassee-based singer-songwriter. She has performed at various renowned venues in Tallahassee including the Wilbury, Black Dog Cafe, The Bark, Bird’s, The Yard, Live on Landis, Fire Betty’s, and The Plant. As a Music Therapy student at Florida State University, she has also performed with several vocal ensembles in the College of Music and she is a renowned regular at the legendary Calvin’s Coffee House’s open mic nights.

It’s not often that a single person has both BAFTA and American Songwriter’s Bob Dylan Songwriting Contest awards on their bookshelf at home, but then again it’s not often that an anomaly like Rod Abernethy comes along. Southern folk troubadour, master acoustic guitarist, and award-winning composer for film, TV, and video games, Abernethy is now adding to his vast catalog of works with a brand new full-length album, Normal Isn’t Normal Anymore—available everywhere February 5th, 2021.

Feminist folk ensemble Ruby Mack imagine themselves as direct descendants of Eve. Not in the traditional story’s sense, but in a timeline in which she unashamedly consumed the forbidden fruit in the Garden of Eden, biting into knowledge and sharing it with all the world.

The legendary label 415 Records was instrumental in forging San Francisco’s musical identity at the dawning of the new wave era. 415 started with releases by SVT, the Uptones, and Pop-O-Pies, and eventually broke through to the mainstream with latter-day signings like Romeo Void, Translator, and Red Rockers.

Bob Margolin has been a leading force in the blues world for more than 50 years now, as guitarist, bandleader, featured sideman, producer, teacher, writer, recording artist, and keeper of the flame. In the last couple years he reprised his iconic 1976 performance alongside former boss Muddy Waters in Warren Haynes’s hugely successful, star-studded “Last Waltz” tribute tours, and won last year’s “Acoustic Blues Album” Blues Music Award for his first all-acoustic album, “This Guitar and Tonight.”

Van Plating wasn’t sure how her self-titled album would be received in 2019 after a nine-year hiatus from music.

GLIDE’s Annual Holiday Jam: Rise Up For Change is going virtual for the fist time ever on Thursday, November 19th and will feature a joyful, star-studded evening of music, celebration and community benefitting GLIDE’s programs and services. The evening will bring together GLIDE’s supporters and community members virtually, for a special program of live-streamed performances intermingled with archival footage of outstanding moments in Holiday Jam history.

The latest radio release from High Fidelity features the oldest living patriarch of bluegrass music and oldest active member of the Grand Ole Opry. The one and only Jesse McReynolds guests on mandolin and vocals on “Tears of Regret,” a Jim & Jesse song originally recorded in 1955.

Florida-based groove phenoms, The Ellameno Beat, have returned with their follow-up to 2017’s acclaimed album Surface with a new single “Break Through,” due out October 30th, 2020. The track sees The Ellameno Beat mix their signature grooves and dub elements with a heavy psychedelic edge, signaling an expansion of their sonic vision.

While protest songs never went away, a worldwide awakening has created a need for more voices to rise, enter The Johnson Party a musical collective based out of the mountain ski town of Truckee, CA.  At the height of the 2020 global pandemic and social unrest, while millions of people are risking their health and safety by waiting in long lines to cast their vote, The Johnson Party are delivering a simple yet powerful message by way of their new song and video “Can't let the Bastards Win” out digi