We like to think of ourselves as intellectually superior beings. I am speaking of the jamband fan of course; but based on my observation, I am sure you already assumed that. We like to think of ourselves as intellectually superior, and we talk out of both sides of our mouth in doing so. We promote inner balance and are renowned for drug use. We promote originality, but foam at the mouth at a song played every 3rd show on summer tour for 30 years. We liken our musical preferences to art at its highest and we ignore anything that the masses have given the same validation.
GW: This is Dylan Muhlberg of Grateful Web here with Bay Area music legend Greg Anton. Greg began his professional career in the late 70s drumming with Keith and Donna Godchaux’s Heart of Gold Band. Later he cofounded the prolific Jam Band Zero. Since he’s participated in countless musical endeavors and projects. He’s a lawyer and an advocate for marijuana legalization. And now he’s an author. But instead of an autobiography he wrote a novel.
Back on August 2nd of this year, Railroad Earth rolled up on Red Rocks amphitheater, just outside of Denver, for a return performance from a triumphant show in July of 2013. What transpired was nothing short of amazing- a transcendent evening of music with the band giving fans 3 hours worth of RRE classics that not only involved the group’s 6 members, but a horn section, to boot, (dubbed that very night as “the Mile High Horns”)!
Stuck somewhere between obscure, psychedelic Frank Zappa B-sides and the soundtracks to retro Sega Genesis videogames you’ll find the ultra-versatile, moog-driven sounds of Northeast-based jam quartet Dopapod. Between the recent release of their fourth studio effort Never Odd or Even, and an extensive collection of East Coast and Midwest dates alongside the incomparable Umphrey’s McGee, it’s clear the future is looking exceedingly bright for the progressive dance-rock group.
Grace Potter & The Nocturnals, long known for their rock’em sock’em live shows, are the latest group to tap into their vast vault of concert recordings for official release. They launched the series, dubbed Vaulturnal, with the release of a complete headlining show recorded at the Tanglewood Music Center in Lenox, MA on the night of Aug. 19, 2013.
Bluegrass singer/songwriter Peter Rowan makes his way around the whole United States performing intimate gigs and festival headliners on a regular basis. Rowan is generally touring with multiple different projects at once and in the studio. He’s released four original albums since 2010 including with his bluegrass band, his Twang an’ Groove project and solo. The bluegrass icon began his career in 1965 when he was hired by founding father of bluegrass Bill Monroe into his Bluegrass Boys band.
As a high school student in Des Moines, Iowa during the early 90s it was difficult to hear about new or good music. The internet as we know it today did not exist yet and therefore the only way to learn about such things was via print, commercial radio, or word of mouth; most all of which only focused on popular or classic music. You can only turn on the radio so many times and hear the same crap before you get jaded. Around my sophomore year a friend obtained a copy and played for me an album by this roots-rock-reggae act from Colorado called
2015 is already looking to be a big year for STS9. The acclaimed instrumental electronic rock band—who will kick off the new year in Denver with four nights at the Fillmore Auditorium--have announced multiple night runs in Aspen, Chicago and Athens for February and March.