The Mother Hips’ve been around long enough and released a helluva ‘nough material that this collection of rarities and demo tapes, Chronicle Man, is gonna be for the band’s ready-converted disciples first and foremost. That being said, I still have my bones to pick with the set, as well as a few highlights of note.
Master magician, Steve Martin performed a neat trick Friday night at Eugene’s Hult Center for the Performing Arts—he twisted a blazing-hot bluegrass band (Steep Canyon Rangers), a “notorious” singer/songwriter (Edie Brickell) and his own show-biz savoir-faire into an entertaining, vaudevillian blend of musicianship and comedy.
There are many faces and aspects of love, and Tennessee singer/songwriter Joseph LeMay hits on many of them on his first full length album, Seventeen Acres. From past or potential love to new love to lasting and exciting love, his songs take you through the emotions of such experiences not only as they relate to relationships, but to life in general.
Not only is heavy metal rare to see in Boulder, but Sweden’s mysterious and anonymous Ghost is a rarity on the tour circuit in general. What a treat this was! For me, it started almost five years ago when my aptly named friend, Metal Steve from Long Island, NY told me how I have to hear this band Ghost. It was not an easy task. At the time, Pandora and Spotify did not know who they were, and their music was hard to get a hold of. Finally, I found their music and instantly became a fan.
Representing’s titular track opens harmlessly enough with pan flutes that could’ve come right out of a fifth grade recorder songbook—off-beat, a few clinks on the cymbals, notes here and there... and then those reverb-laden drums start to build in the fourth bar, the trills become methodical... and we’ve arrived.From here on out, the album can be divided into two halves—the first, a solid mix of old simplicity and new production, an all-around fun listen without many breaks.
There’s one thing you can count on from a Gogol Bordello show; you’re going to leave it dripping, either from your sweat, everybody else’s sweat, or with some red wine that frontman Eugene Hutz uses to liberally douse the crowd. You’re also going to leave immensely satisfied at having seen one of the best live acts going, period.
California based Jimmy Pinchak composes in an eclectic style borrowing from Rocking Blues music, combined with an Alt-Rock aesthetic. His lyrics share a black humor/self-deprecating sensibility. He writes of the mundane and the complex, and probably doesn’t understand everything but questions what he already knows. His latest debut CD entitled Make it Better captures the spirit of more Blues based rock material from Bon Jovi, Goo Goo Dolls and even Keith Urban.
The venue’s Velvet Jones, a small-to-medium set in downtown Santa Barbara with Zion-I headlining—my first California show. Born and bred in New England, I had zero idea what I should be expecting from the Friday night gig out here on the western coast.I arrived early to a long line out the door.