Where in the world can you go to sit back, relax, leave your worries at the gate, enjoy the campground atmosphere and participate in campfire jamming?  Where can you go to experience the most exciting, thoroughly entertaining bunch of pickers and singers ever assembled in the most laid-back atmosphere in the country?

Grateful Web proudly presents a thrash-grass, double-night - double-feature of Pennsylvania powerhouse Cabinet and Michigan-bred wonder-kid Billy Strings. They will be together at the Fox Theatre on the hill in Boulder, November 8th and 9th.

It’s 10:27 pm at The 8th Annual Festy Experience and I am sitting under the stage, directly beneath Mike Cooley’s feet (of Drive-By Truckers), hacking away at my typewriter. The rain is falling, not strong but steady, and I need somewhere dry to write. The music is flowing through me, his boot bottoms stomping out a beat inches from my head.

Billy Strings plays hard and he lives hard, picking so fast and intensely that he’s known to break multiple strings per song, and basing the songs he writes on the hard lives he grew up around in the abandoned rural communities of America. His new album, Turmoil & Tinfoil, taps into a deep vein of psychedelia in Americana, referencing everything from the Dead to Sturgill Simpson, but all underlaid by Billy’s undeniable virtuosity and his knowledge of the roots of American music.

Billy Strings plays hard and he lives hard, picking so fast and intensely that he’s known to break multiple strings per song, and basing the songs he writes on the hard lives he grew up around in the abandoned rural communities of America. His new album, Turmoil & Tinfoil, taps into a deep vein of psychedelia in Americana, referencing everything from the Dead to Sturgill Simpson, but all underlaid by Billy’s undeniable virtuosity and his knowledge of the roots of American music.

It’s at about five minutes and thirty seconds into the second track (“Meet Me At the Creek”) on the debut LP, Turmoil & Tinfoil, from Nashville bluegrass iconoclast Billy Strings that you start to see his intense vision for American roots music. It’s right after a jagged, spiraling solo from Billy’s mandolinist Drew Matulich, when Billy’s guitar starts aggressively stacking power chords and suddenly leaps into a screaming acoustic guitar solo that twists its way through a dark-Cthulhu bluegrass jam.