We live in a time where plenty of incredibly entertaining funk acts with talented players are saturating the live music scene. Funk has almost become synonymous in meaning to being just a good times band with some soul. Digging back toward the true roots of the genre reveals a particular form and structure with certain places breading their own unique spin and history on it. New Orleans musicians are held in a high caliber for a reason. They don’t just learn to play in their own niche group; these stellar players are constantly collaborating and have been for decades.

After hanging out with Mike Gordon a bit the night before his show during the Toubab Krewe concert at the Fox Theater, I was more than ready to see his new lineup at the Boulder Theater. I pre-ordered his new album and enjoy listening to it especially on vinyl. Each time I have met him has been a peculiar, but enlightening experience.

The biggest blessing that jazz music has brought to the world is it’s ability to tie different cultures, places, and musical ideas, all bound together by one common unity; love. Guitarist John McLaughlin, a pioneer of the jazz-fusion movement and continuation lets his music thrive in a state of flexibility that had lead him to brilliant collaborations with other craft masters worldwide. McLaughlin’s impressive career reveals a pivotal purpose of exploration and always reaches for more questions rather than answering old ones.

Galactic is not just a band. They are a community. They are a party. They are a movement and a force that comes to town to bring an awakening or awareness that is deeply entrenched in a carnival type New Orleans experience. With Mardi Gras at our heels, Denver was still feeling the holiday spirit, and the circus was in town. I call Galactic a community because I have never really seen a band with more of an open family type jam spirit that welcomes so many different types of musicians depending on their latest albums or motives.

The greatest thing about The Travelin' McCourys, or Del’s Boys, is that they are so open to collaboration. They were bread in a family of musical versatility that never limited any possibility if they could do something interesting.

It’s felt like eons since David “Dawg” Grisman has played in Boulder. Not that is really been all too long, but since then residents have all sorts of jammy and traditional grass growing underneath them. Theater performances and community picks become increasingly popular and plentiful. A sort of roots resurgence has blossomed and a generation of newgrass players is inheriting while reinventing this tradition. Purists need to a look back a few generations to what Dawg music did for what was then current in bluegrass.

After a great interview on Valentine’s Day with probably the best blues Americana musician alive, it was my pleasure to see him perform at the Boulder Theater. As I approached the theater, I noticed that there were a lot of people looking for extra tickets. I should not have been surprised, but the show was very sold out.

Loyal fans of Nederland, Colorado’s Mountain Standard Time must be thrilled at the feats accomplished since their recalibration and return to touring in 2012. Long time members Nick Dunbar (mandolin), Stan Sutton (guitar) and Zach Scott (drums) welcomed Otis Lande on bass and Ryan Ebarb on keys.

Though jazz connotes many meanings to many different people something most can agree upon is that jazz necessitates devotion to an instrument. How that layout translates is wide spanning. Jazz can also be narrowed down stylistically by place of origin. Chicago and New York jazz will have signature qualities and different style. Modern day, the city of New Orleans is host to the hardest working jazz community and even broader live performance in general.

After hearing about how much fun J2G’s previous super jam shows (The Dance Party Time Machine) turned out without being there, I was not going to miss this one. Even with Zappa Plays Zappa playing across town, I chose to take my ladies to sushi and then to the Love Shack.