Legendary jazz-funk bassist Meshell Ndegeocello recently brought her band to Boulder Theater in support of her new album, Devil's Halo – a show totally unlike the one I expected (more on that in a minute).

Any Questions?  If you have not been to a David Bazan show, you might be caught a little off guard when he solicits questions from the audience. His show with Say Hi at the Hi-Dive was reminiscent of the times I have seen him in the past. He answered questions, joked around and eliminated any barrier that traditionally exists between musicians and their fans.

Describe them anyway you want; whether it be glitch, trance, trip-hop, ambient, dub-step, or electronica.  The fact remains that the explosive improvisational duo known as EOTO are just plain badass.  Multi-instrumentalists and sometimes String Cheese Incident members Jason Hann and Michael Travis continue to explore the universe and conquer galaxies with their house-pounding beats and cosmic rhythms.  What was born out of the extended SCI hiatus as an experimental project has grown to a full-on club headliner.  With the release of

Bob Dylan still rocking a place like the Greek Theater in 2009? Anyone who would stated that to be possible in the late sixties would have others thinking it to be very unlikely. By the late sixties Dylan had crashed his motorcycle badly and had turned into a recluse poet, shying away from the claims that he was one of the big “prophets” or “fathers” of the hippie generation. Dylan rejected the notion preferring to be labeled a human being like the rest of us. He changed his harmonica folk blues to a more country tinged rock n’ roll.

Pete Yorn is back...well almost. The title back and forth is very appropriate for his latest offering. It feels as though Yorn has spent a good part of his music career trying to figure out his sound. His first two albums MusicfortheMorningAfter and Day I Forgot were very similar. Both played to Yorn's strong songwriting abilities. Yorn went a bit off course with his third album Night Crawler. Do not get me wrong, Night Crawler has its moments but it is incredibly overproduced to the point that it drowns out Yorn's vocals.

Summer is officially over.  According to the calendar, it happened several weeks ago, but in my mind it happened last weekend - the day Red Rocks Amphitheater finished their concert season.  At this point in the year, the weather becomes too unpredictable, and more importantly too cold, to continue sitting outside late in to the night, even for the noble cause of seeing live music.  This year, Flogging Molly closed out the concert season, bringing So Cal acts Hepcat, and Fitz and the Tantrums along for the ride.

One of the most anticipated shows of the Fall was Bob Weir and Phil Lesh’s new side project together called Furthur. The lineup also consists Dead keyboardist Jeff Chimenti and Dark Star Orchestra lead guitarist and vocalist John Kadlecik. Dark Star Orchestra is considered the best Grateful Dead cover band in the country because of Kadlecik’s ability to sing in a very similar mellifluous voice like Jerry Garcia is part of his attraction to longtime Dead Heads.

Say hello to the crowd, tell some stories, play a few songs, crack a couple of jokes and say goodnight. The format for a live concert is fairly predictable, even for those who have not attended very many. The Gaslight Anthem's ability to take this simple formula and turn it into something memorable is what separates them from many of the others bands I have seen.

Have you ever had ‘make-up sex?’And I mean the ‘grown-up’ kind – full of the peaks and valleys of intimate knowledge of the other, with an understanding of the significance of the recent pasts’ dissonance… It’s sex with the knowledge that one nearly lost this person, and is lucky to have retrieved their relationship from the brink. Sex with someone you LOVE - or maybe ‘loved’ in the past. Sex that’s like physical history in action and re-action - with all the emotional lights left on.