Albums

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Mike Mizwinski: East Hope Avenue

Submitted by Dylan Muhlberg on Fri, 10/07/2011 - 3:52 pm

Pop music since the 2000s has gone through interesting evolutions and continues as a topic of focus. So many styles and genres have been amalgamated and fused together. It seems as if modern pop seeks to embrace non-style or attaining something off-blues. The trend almost seems be a sound that denies roots and style, as if that would make it more interesting inherently through its disobedience of definition. In light of this goofy paradox, artists that reach out to roots seem to captivate my interest more so.

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Wilco: The Whole Love

Submitted by Henry Hauser on Mon, 09/26/2011 - 10:19 am

Throughout Wilco’s two decades on the scene, the vacillating brain chemistry of frontman Jeff Tweedy has unfailingly fueled the band’s highflying creative trajectory.  Backed by the always vicious electric guitar chops of studio legend Nels Cline, the Chicago band’s 8th studio LP The Whole Love -self-released on Wilco’s nascent dBpm Records- presents Tweedy at a critical juncture. 

Del McCoury Band- Old Memories- The Music of Bill Monroe

Submitted by Dylan Muhlberg on Fri, 09/23/2011 - 7:06 pm

It is such a gem that the large family of bluegrass music still has the likes of Del McCoury around. And simply declaring that Del is “still around” is a gross understatement. More accurately would be acknowledging his linage and persona as being at a career-high peak moment. Not only has classic bluegrass music had resurgence in popularity over the last twenty years, but also many of the oldies of the genre are still hashing out quality work.

Rene Lopez: ELS (Electric Latin Soul)

Submitted by Tela Phishman on Thu, 09/08/2011 - 4:37 pm

Rene Lopez (pronounced Ren-ey) is a striking Spanish hipster born in the heart of Bronx, New York creating a fusion of sound he calls “electric Latin soul.” His newest solo album, aptly titled ELS, is being released on Nat Geo Records alongside the recently signed festival favorites Toubab Krewe. Lopez seems to be gaining a similar, jam-rock oriented fan base, and it’s clear from his album why, though his work with John Butler Trio’s Money Mark and ‘90’s jam band Wasabi doesn’t hurt.  

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