GRiZ | Rebel Era | Review

I’ll keep this one short and sweet, let y’all enjoy the record for yourselves—and it’s a tight one, trust me.

Racoon Wedding | Raccoon Dead On The Side Of The Road | Review

So what does a Racoon Wedding sound like, exactly? Something akin to Kings of Leon circa Aha Shake Heartbreak if the boys went on a bender in Nawlins and never quite lost the itch they caught down in the Big Easy.

Breathe Owl Breath | Passage of Pegasus | Review

I’m not quite sure what to make of this one—on the one hand, Passage of Pegasus is a tidy little dream pop album with tight instrumentals and a light concept; on the other... no, I just don’t know. A short anecdote:

Phish | Niagra Falls '95 | Review

After the grand way the band has been performing the last few years, we can sometimes forget how much Phish used to dominate the 90s live music scene.  By the winter of 1995 the band was still performing slightly under the radar and these four musical wizards were summoning magic on-stage nightly.  The band is currently in the midst of an excellent fall tour, and with another winter looming has offered up an archival release from that distinguished

Don’t Stop Please | New Music Review + Interview

On the fateful day after extended taxes were due, October 16, 2013, I sat down with [and interviewed) Fayetteville, Arkansas-based band Don’t Stop Please. During the interview there were many jokes, lots of sarcasm and some discussion about music, including insight on their newest album, the creation process and that pesky (now historical) government shutdown.

Yo Mama's Big Fat Booty Band | Onward! | Review

What’s in a name? For a band, a lot. A band’s name often gives a descriptor to their image, something that can vaguely sum up what the band is all about. The Beach Boys wrote songs about being on the beach. The Allman Brothers were a band made up of brothers named Allman. Aerosmith...I’ll get back to you on that. But my point remains. Band names are like the tagline to their music. It’s what people see first and remember the most.

Griz | Rebel Era | New Music Review

A true pioneer takes great risks, stepping out of the social norm to create something revolutionary and different. They visualize a new way of doing things by bringing a fresh perspective that could potentially change the game forever. These types of people are becoming few and far between, and in a music industry that running dry of inspirational ideas, we need these revolutionaries now more than ever.

The Ballroom Thieves | New Music Review + Interview

The Ballroom Thieves. Maybe you haven’t heard of this band – I hadn’t until I received the album. But that’s okay…this band is going to be around for a while so you’ll get your chance. If you go to your local record store, chances are you might find an album, but it’s unlikely. The band has only put out two EPs since they formed in 2011. Their first EP, The Devil & The Deep released in 2012. The band’s latest, and second, EP released October 4, 2013.

CAVE | Threace | New Music Review

You’re listening to Threace, and you’re smoking a hand-rolled tobacco joint and drinking mescal from a vintage mason jar and proclaiming it the True Agave Spirit of the South; your record player was bought used and old, you tell anyone who’ll listen; you’re bemoaning the death of the open road in modern times while you sit in circles amongst the likeminded in your New Amsterdam meatpacking district loft. I know all this, yet the scene’s alright by me this time.

Old & In The Way | The Complete Boarding House Tapes | Review

What was once an anomaly is now a standard. Many lovers of classic Bay Area rock, blues, bluegrass, and beyond are investing in live archival releases above studio albums. Thanks to accessibility through vault discoveries and painstaking restoration, live recordings that are forty-plus years old are being heard by the band and fans alike for the first time.


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