Mon, 03/04/2019 - 3:37 am

When Grateful Web’s Aaron Dietrich asked me to see Colorado's best known polyethnic Cajun slamgrass band, Leftover Salmon at the Hult Center, I was thrilled.

The Leftover Salmon show was called 'Stories from the Living Room’ There is also a new book about the band called '30 years of Festivals' by acclaimed author Tim Newby.

Hult Center - Eugene, OR

As I walked in the Soreng Theater, a cozy room inside the historic Hult Center known for its fine acoustics, I felt immediately at home.

One of the first things I noticed was how much grey hair sat happily around me. It was amazing to think how many of us had once been shaking our bones barefoot and wild-eyed before the years helped our bodies change.   And yet decades later, we are still here as a family with a collective thread of Salmon songs that helped provide some of the soundtracks of our lives.

Salmon at the Hult Center

The beginning of the evening started with a short documentary with various members talking and reflecting in between flashes of an American music adventure.

The band came out as the film ended treating us to a rare intimate acoustic evening.

Leftover Salmon | Eugene, OR

The lineup is currently Greg Garrison on bass & guitar, Andy Thorn-Banjo, Alwyn Robinson-drums, Eric Deutsch-keyboards, and founders Vince Herman-guitar, vocals and Drew Emmitt-guitar, mandolin, vocals, and fiddle.

The show opened with a spirited song called 'Gold Hill Line.'  I was immediately reminded how great these players were with their finger picking and solid vocals.  The energy kept growing as the band smiled at each other and continued with 'New Lee Hwy Blues' and '99 years.'  These songs gave no doubt that Leftover Salmon is the purveyors of Bluegrass Americana that is distinctly their own.  Tonight, was a celebration and Vince wasted no time to let us know. He told a hilarious story of their first Oregon Country Faire and what happens when you hit the outer regions of reality there. 'Liza' was a natural song after the Faire story. This one had a Reggae Caribbean feel with playfully silly lyrics and some brilliant solos. One could see how nicely a guitar, banjo, and mandolin fit together.

Vince Herman in Eugene

Like many bands steeped in folk tradition, the stories kept flowing. Vince gave another entertaining story of how he worked at a fish market and would bring Salmon fish heads home to eat the meat that was attached. He had a music group called the Salmon Heads which played a lot of Cajun, Zydeco and Old Timey songs. I think I heard him tell graphically about having Salmon heads on sticks in across his front yard. Drew Emmitt was in a group called 'The Left Hand String Band who played a lot of Bluegrass. The two groups combined, and the rest is history. The original group also featured powerhouse banjo player Mark Vann. I was a huge fan of his playing and was saddened when he lost his fight with melanoma cancer in 2002.

Andy Thorn | LOS

I must admit Vann's shoes would be difficult shoes to fit. I was very skeptical of Andy Thorn the first time I saw him.  I was enjoying the show but was feeling a little nostalgia for the original band. That is when they broke into 'Thorn Pipe" Andy blew me away with his finger picking energetic playing leaving me realizing without a doubt that he is bad ass!    As the show continued, Aaron and I were absorbing the energy of the band and the responsiveness of the crowd; we started to yell out old school requests like "Pasta on the Mountain" and "Rise Up.” The band smiled as they realized they were amongst friends. The magic of Leftover Salmon is they do play a lot of favorites, but they are not stuck in the past. They have a brilliant new album out called 'Something Higher' This new album is a record that only a musically proficient group can pull off.  It's diverse, new sounding, deep in a higher purpose way, and groovy with that unmistakable sound we all know and love.  We were treated to two new songs from that album,” Evermore' a highly danceable love song dedicated to the beautiful Colorado mountains.  It was filled with many solid grooving solos.  The other song was ‘Southern Belle.'

Eric Deutch | Leftover Salmon

As a Georgia boy, I really appreciated this tune. I dug the sweet piano playing by Eric Deutch, and the country rock feel combined with a classic southern story line., Good stuff!

Leftover Salmon | January 31st, 2019

Leftover Salmon has that signature sound that works well when they do any number of covers. They have a gift that makes covers sounds like an original. So, no surprise when they went into a crowd favorite. The version of Bob Dylan's 'Tangled Up In Blue' elevated the audience to their feet. We started to boogie down in the way seasoned salmon heads do best. I was already impressed at how Greg Garrisons’ bass and Alwyn's drumming had kept that solid infectious rhythm throughout the night and this song was no exception. The house was singing, and the floor was bouncing.

Hult Center - Eugene, OR

Chey Ray was a beloved hippie icon in these parts. His passing had laid heavy on the hearts of our tribe and the Faire family at large, Vince who has his finger on the pulse on our scene talked about Ray and gave a nice story about him that brought his memory front and center. That is just the way Ray would have wanted it. Our hearts swelled with love and sorrow. Ray was a close friend, and I was very touched to listen. 'Love In My Baby's Eyes' from the band's Nashville Session album was next.  On that album, Taj Mahal is the lead vocalist.  The version they played kept with that rockin blues and deep-rooted and timeless feel. The crowd was back on its feet connecting with the musical vibes of a shared experience.

Drew Emmitt | LOS

As the one long set ended, the exuberance of a well-played show was evident. We all stomped our feet and clapped loudly waiting for the band to treat us with an encore.  A large roar charged my senses to giddiness. The band walked out and sang the final encore with the highly harmonious,' Gonna Rise Up Wake N Bake' Ahhhh, They heard our request after all. ;-)  The call and response aspect of this song left the crowd singing all the way out to the lobby where the band members were waiting to meet with fans, sign autographs and pose for selfies.  

Salmon hangs with the crowd after the show

Well done guys!

Tue, 11/05/2019 - 1:22 pm

Hot Tuna is not just a concert but also an event.  Folks can categorize their music as Blues, Folk, Psychedelic, Americana, or Blues Rock and they would all be right. I have been fortunate to have been listening to Hot Tuna since I was a youth. I have seen Jorma and Jack play electric, acoustic, and with the Jefferson Airplane reunion. They have been part of the soundtrack of so many friends’ lives as well as mine.

McDonald Theatre | Eugene, OR

Hot Tuna came to our town as part of the 50th-anniversary tour.  Jorma and Jack played as an electric trio with 3-time Grammy winner Justin Guip. The concert was a musical tapestry of timeless songs that carried us in a flowing motion through decades of story and sound. The musicianship of Jorma and Jack has a level of professionalism and joy that one might only find with people who have known each other over 60 years, Justin Quip has a solid rhythm with amazing timing, sensibilities and heart. His drumming fits perfectly with the Hot Tuna sound.

Eugene, Oregon

Eugene, Oregon is the Old Growth of Hippiedom. This is where Ken Kesey lived with the majority of his Merry Pranksters. The counterculture has strong roots here including many old Diggers, Rainbows, revolutionaries, Psychedelic Warriors, Growers, musicians, artists, and Vets.  What that means is when Hot Tuna plays here, they are playing to family. And family shows are always special.

Jack Casady

The band opened up their show with ‘Been So Long ‘from their 1971 album ‘First Pull Up Then Pull Down’. That song got the night rolling. The excited audience didn’t miss a beat as people sang along with the band for this distinctive reflective journey love song. “Since I still like to be besides you Tell Me Can I Stay? Beside you, I want you so much I want your smile.”   And everyone on the stage and in the audience was smiling indeed.

Jorma Kaukonen | Hot Tuna

The next number was “Nobody Knows You’ an old blues standard song written by Jimmy Cox back in 1923 and then later popularized by Bessie Smith. It’s a story of a prohibition-era millionaire who fell low and lost everything. And true to that world, his friends dried up with the cash and liquor. This song is a favorite of a lot of people as it evokes fear as we age and go through our life changes.  You can talk to anyone living on the streets or in a nursing home that no longer knows the friends they thought they once had.  But the beauty of songs is regardless of the tragedy in the lyrics there is still a sense of ironic celebration.  As Jorma sang this masterpiece, I kept envisioning the Fabulous Freak Brothers, down and out grinning while shuffling down the street, twirling their fingers in the air.

Next, they played Barbeque King a tongue and cheek song Jorma wrote when he was with the group Vital Parts. The song fits nicely with this set and left me hungry for more.

Hot Tuna | McDonald Theatre

The audience in our town is always hungry to dance and when we are not totally transfixed on Jorma’s brilliant guitar work or Jack’s genius bass playing.  We like to boogie. The band did not disappoint. Jorma hit the guitar riff for ‘Talkin About You’ and we got down. This hopping Chuck Berry cover, I first discovered on their live album ‘Double Dose.’  This was a rocking love number that had everyone on his or her feet.  I grinned as I looked around the crowd with delight seeing children as young as 3 and elders as old as 80 all swaying together and moving as one tribe to those electric sounds.  My feet started bouncing as the band turned it up again with another electric heavy blues number that I’ve come to expect from them. Hot Tuna has been playing ‘Rock Me Baby’ a BB King Cover for more than 50 years and they nailed it with soul, intensity, and emotion.

McDonald Theatre

One of the sweet things about these family affairs is so many of us know and love each other.  Our tribe has grooved, shakin our bones and gone on journeys both internally and on the road.  And for those lucky enough, they met the special someone along the way.  As emotional beings, when our spirits connect with each other, we bring with us all who we are which is often exposed, raw, hopeful, fearful, excited, and adventurous.  And when we heard the band break into the melodic ‘Letter to the North Star, from the album ‘Phosphorescent Rat’.  We collectively knew they knew that exact feeling. It’s a love song we can sing as we look at each other as the brightest star, and our purposeful destination.

‘Roads and Roads &’ is a track from ‘Jorma’, a solo album released in 1979. It fits beautifully as a mid-set tune. It’s an introspective longing song of sorrow and desire. The poetry flows with deep images.

Hot Tuna | Eugene, OR

The band was really excited and having a great time on stage. They are Musical brothers who have the hidden communication of minds that have gelled as one many times over. I have a close buddy who believes in magical energy that not only musicians have with each other but also the group has with the audience.  She told me earlier, she was sending the band little prayers to play ‘Bow Legged Women and a Knock Kneed Man’.  I saw the ecstasy light up in her eyes when they started playing it as if they knew and were playing it just for her.  This groovy Calvin Carter/ Bobby Rush blues number was from their album ‘Hopkorv’.   It was bouncy, silly and had us all Jumpin in time.

Hot Tuna | Eugene, OR

One thing about Hot Tuna concerts in Oregon is it brings out the Hippies. And they came out of the woodwork for this show.  When the next two numbers were Jefferson Airplane songs, flashbacks of flowers, beads, and revolution shot like a lightning bolt through the serotonin receptors of their mind.

Jack Casady | Eugene, OR

Jack had been stepping out hard through the show with his bass playing and ‘Trial by Fire’ was no exception, He continued though the psychedelic folk-rock song and crowd favorite ‘Good Shepherd.’  The idea for the song ‘Good Shepherd’ goes back more than a century but the Airplane took it to new heights.  Every one of us sang along to this great spiritual hymn as we have been doing for decades. The solos and jam took us to new and far places.

Jorma Kaukonen | Eugene, OR

Had the band left the stage right then everyone would have been highly satiated. But there was more fun to be had. ‘Funk #7’ from their album ‘America’s Choice’ took us out of our dream state and on to the concert hall.  The song is a rock classic layered with a soaring electric guitar, an intensely fun jam, solid beats and a bass solo. The band took the audience to yet another peak experience and walked off the stage with a roar.

McDonald Theatre

Our tribe was giving each other high 5s and hugs. People yelled and stomped their feet.  The band came back on stage and played one of my most favorite instrumentals, “Water Song” from Burgers.  We all held each other and stared at the band.  At the end of the night, Jack walked up to the microphone and said “Y'all are a great audience!’

What an honor to see this band as many times as I have and still be excited and happy after each show. Their playing was strong, they sounded great and we were all pleased. The only critics I heard was that Jorma’s microphone was a little low in the mix.

Hot Tuna | McDonald Theatre

People are still talking about how great the show was. I can hardly wait to see them again.

Mon, 08/01/2022 - 6:02 pm

What an amazing night of light, love, and Zero at the WOW Hall in Eugene OR. Zero is an accomplished band from the Bay Area, yet our tribe considers them to be one of our own, considering them our local family band.  

Zero has played in our town multiple times with multiple players since at least 1986, and they never disappoint. Perhaps, they always give us their best here because of all the hippies, Deadheads, and Country Fair folks who show up to dance. Our counter culture tribe is skilled at listening close to each musical note while the emotions of the songs fill our souls. Whatever the reason we all have a collective groove that shines when the band begins to play.

Photo Credit: Ian Stoy

I have personally been blessed to see these guys for more the 30 years starting back when John Cipollina, a founding member of Quicksilver Messenger Service, added his vigorous vibrato to Steve Kimock's psychedelic jazzy leads. Back then, they also had Martin Fierro, the wild Saxophonist, from the Legion of Mary, who always took it to the next level with his soaring improvisational playing and in your face humor. “Chut Up!” In fact, this group has had an amazing amount of my favorite musicians play with them over the years. For example, Judge Murphy, the go for it vocalist, and interpreter of Robert Hunter songs, Merl Saunders, Melvin Seals, Chip Roland, Banana, and Bobby Vega.

Zero | Wow Hall

The founders of Zero are drummer and composer Greg Anton and guitarist Steve Kimock. They came back to Eugene in support of their latest release ‘Naught Again’. A live album recorded at the Great American Music Hall way back in October 1992. This release is classic Zero with a healthy dose of Psychedelic jams, Jazz, blues and exploratory solos. The music on this record is so fun and danceable, I was curious if they could still pull it off at the WOW Hall. They did.

Steve Kimock and Zero | July 30th, 2022

The concert started with Steve Kimock introducing the band with a wide smile. He was at home with us. The first song was sweet and mellow in spite of the name ‘Severe Tire Damage’. We lent our ears to hear the complexities of the band’s tight rhythm and jazzy leads. This led in to a crowd favorite, ‘Tangled Hangers’ a song that appears on their new Live album. The interplay by Bassist virtuoso Pete Sears, Greg and Steve was right and tight. The crowd was on their feet dancing hard to this trippy jazz instrumental. The next song caught me by surprise. It was “Chance in a Million’. A song penned by Grateful Dead lyricist, Robert Hunter. Judge Murphy could always deliver this song with such power and grace. So admittedly, I was skeptical when the new keyboardist, Spencer Burrows, began to sing. I stopped dancing and tuned in, waiting to see if he could pull it off. I was relieved to hear him doing a fine job. I was impressed with his control of the song while actively engaging with the crowd.

Zero | Eugene, Oregon

“Forever is Nowhere” Featured Kimock on a Lap Pedal Steel guitar. The sound of the lap pedal gave this tune stretched out notes like a strange Hawaiian country song. It worked nicely and I enjoyed seeing Steve switch up instruments. The set ended with the classic ‘Golden Road’, another crowd pleaser. This old school instrumental featured some really nice playing with the new horn players, Hadi Al-Sassoon and Duke Davis. No-one should fill Martin Fierro’s shoes and that’s o.k. These fella’s had their own thing going and played really well. Their addition helped make the set beautiful and groovy. Golden Road was the second song they played from the new record ‘Naught Again’

Set break was filled with smiles. We all had that happy flash that we had been here before and we are here now with our tribe.

Zero | Wow Hall

Zero opened the second set with Anorexia (Is not for everyone). The audience rushed back in from the warm evening air to the sweetly air-conditioned dance floor. The funk Jam along with Spencer’s tasty keyboard jams had everyone shaking their bones, wiggling their bellies, and scooting their walkers. The horn solo’s fell perfectly into the jam and were met with cheers and applause. ‘The next tune had the mighty Pete Sears funkin it up on bass. Steve and Greg kept the beat, the sax soloed and once again Spencer nailed the vocals. We found ourselves “looking for love in the ‘Pits of Thunder.”

Young children ran around playing tag as folks with long grey beards jumped out of their way. I think some of those grey beards were even men. Our tribe is all ages and Zero has been around long enough to attract multiple generations. There is a timelessness to the music.

Zero | Wow Hall | Eugene, OR

The band treated us next to two songs in a row that are also part of their new release ‘Naught Again.’ The first was the heady heavy ‘End of the World Blues’ which I felt was an appropriate song for our times. This was followed by my favorite song of the evening. ‘Greg’s Eggs’. I have been digging that instrumental going all the way back to the 80’s when I first saw the band. It’s a traveling song that gets delightfully weird in the middle. This night would be no different. The band went into a playful deep space before bringing us back down to earth with that contagious groove which always makes me smile. The band left the stage to a roar of applause and appreciation. All of us in the audience clapped our hands and stomped our feet until they returned for their encore. Mischievously, Zero went in to ‘Straight Jacket’ keeping it weird with powerful chords going unusual places.

The whole experience reminds me why Zero feels like our local family band regardless where they originate.

Zero | Wow Hall | Eugene, Oregon

After completing this Pacific Northwest summer tour, the band will next play in their hometown San Francisco at The Fillmore on October 15th. Zero will then head to the East Coast, starting in New York City at the Brooklyn Bowl on October 27th.  The full East Coast tour is as follows:

10.27.22 Brooklyn Bowl – Brooklyn, NY
10.28.22 Ardmore Music Hall – Ardmore, PA
10.29.22 Sherman Theater – Stroudsburg, PA
10.30.22 Baltimore Soundstage – Baltimore, MD
11.02.22 Bearsville Theater – Woodstock, NY
11.03.22 Infinity Music Hall and Bistro (Hartford, CT)
11.04.22 The Cabot – Beverly, MA
11.05.22 The Flying Monkey Grill Bar – Plymouth, NH
11.06.22 The Double E – Essex Junction, VT
Dec 2,3 & 4 George’s Majestic Lounge – Fayetteville, AR

~ Shaggy RollingStone