Nashville Tennessee might not be where you would think to look for an original reggae sound, but for Roots of a Rebellion, that proved to be just the place to develop their own unique style of music. The six-piece band has been performing together for almost a decade. From college dorm rooms to cross-country tours, they have grown into themselves as musicians over the years and are enjoying the “blessing” as they put it to now finally be given the opportunity to spend more time performing on the West Coast.
When I first met Monique Powell, she was sitting on a bench, eager to show everyone around her photos that were taken of her around the grounds at Back to the Beach and admiring the production values that went into the festival’s decorations. Her energy and warmth were abundantly present, and it became immediately clear that the enthusiasm she brings to every Save Ferris show is not simply an act.
If you give a mouse a cookie, he’s going to ask for a glass of milk. If you give a moose a muffin, he’ll want some jam to go with it. If you give a Pigeon a Ping Pong, he will create high-energy psychedelic funk music from jam given to previously said moose. By now you’ve heard the name Pigeons Playing Ping Pong, rising up the ranks of the jam world and dominating sold-out shows around the country. Their energy is unmatchable, their enthusiasm is undeniable, and they are just getting things started.
March 29th, on a drizzly spring evening in Chicago, Trevor Hall and Dirtwire performed at Concord Music Hall to an all-ages show. The show collided two tribal influenced acts into one wholesome performance that nourished the crowd. After treating audiences of this tour to their new single “Strength in One”, the track is now out available for all to hear.
In a little over a week, on March 29, veteran roots-rock band O.A.R. will release their ninth studio album, The Mighty. In a career pushing past two decades that has seen them sell out both Madison Square Garden and Red Rocks, the alternative-rock leaders seem to be striding confidently ahead, with this new record that meets their more classic musical tastes with a new, exciting sounds.
I get asked a lot about the current crop of young (as in, never saw Jerry Garcia live) Dead Heads and whether they’re “real.” And no question, they are. They get the music, the code of ethics behind the music, the reason we do this stuff. There is, however, one thing that reveals the passage of time. Many—not all, but quite a few—members of the younger generation suffer from P.D. – Pigpen Deficiency.
Singer-songwriter Tim Bluhm himself affirms below in this new interview with Grateful Web: “I never come up short when it comes to songs.” And It’d be really hard to discredit the man. The California-bred musician has been touring professionally for the better part of thirty years, many of those as the frontman for the legendary Mother Hips, but also during that time as a prolific individual artist, putting his unique mark on modern country.
Since the Grateful Dead has always cherished weirdness as a super-positive adjective, it’s not totally surprising that the post-Dead scene should have the weirdest possible outcome….namely, instead of fading away, Dead-Head-ism is growing just as it always has. Now, it turns out, Dead Heads are fans of the music even more than the band, so that who’s playing the music is mostly a matter of taste and choice.
The Outfield was one of the biggest bands of the 1980s, playing to sold-out arenas. The group's music continues to be well known to most any young dance club regulars, with hits like “Your Love” standing the test of time into the new millennium. The lead singer and guitarist of the band, Tony Lewis released his first solo album last summer, “Out of The Darkness.” The album comes five years after the untimely death of fellow Outfield founder John Spinks and is a very personal return to music for Lewis.