Close your eyes. Visualize a hot, early-August day in Central New Jersey. Two-hundred smiley, red-eyed people, mostly in their late teens and early twenties, are congregating in a field for a music festival. Many of them are wearing tie-dye, bell-bottoms, cowboy hats, and boots. The PA system is projecting the psychedelic-twang of The Byrds, Gram Parsons, and The Grateful Dead into air already filled with a thick, unrelenting, haze of dank smoke. If I asked you to guess what year all of this was taking place, you’d probably guess somewhere in the 60’s or ’70s, rightfully so, but you’d be wrong. The mental image I’ve painted for you is a scene from the band, Mojohand’s 3rd annual DIY summer music festival, “Mojofest III: Cosmic Jamboree” this past summer.

Hot on the heels of their first annual Woodlands Music and Arts Festival in Charleston, SC, and gearing up for their first annual Rockjavik event in Reykjavik, Iceland, world-renowned improv-rockers Umphrey’s McGee are ready to release new music. Earlier this year, on a show day in New Haven, CT, the band found themselves recording a studio version of live show fan-favorite, “Ride On Pony,” at Telefunken Recording Studio.

Friends with Benefits Productions (FWBpro) and prolific rockers

Marcus Rezak is a seasoned veteran at opening the gateway to galactic collaborations. He has shared the stage with the heaviest hitters on the jam scene including members of Umphrey’s McGee, moe., Lotus, STS9, and more. Couple that with the worldly talents of Frank Zappa and David Bowie band members and add the icing from the likes of Stanley Jordan and Fareed Haraquee on top of Berklee-educated cake and you have an artist with limitless possibilities. In November 2018, Rezak took his first steps as a solo artist releasing a stellar shoegaze jam-rock debut album Gateway to the Galaxy. Wanting to release a single to preface a sophomore album he called upon ‘GTTG’ collaborator Joel Cummins to do a track at Color Red Studios during this summer’s Umphrey’s McGee run at Red Rocks. From there, he filled out the session with Allen Aucoin (The Disco Biscuits) on drums and Josh Fairman (SunSquabi, Analog Son) on bass.

Prolific rockers Umphrey’s McGee are proud to announce The Woodlands Fall Music & Arts Festival, a brand new event happening in Charleston, SC, on November 8-9.

Music-fan tribes of all stripes gathered for the Independence Day weekend to luxuriate in the 29th annual High Sierra Music Festival in tiny Quincy, California, basking in the music, vibes, joy, and friendships old and new. Over the four-day celebration, among the beautiful clear-aired mountainous sky and mountains, fun oozed everywhere, from the scheduled and numerous unscheduled live performances and collaborations to the often luxurious and nicely appointed home bases set up in the campgrounds.

So, I’m breaking out my camping gear - cleaning out the tent, waterproofing it, freshening up the sleeping bag.  It’s the weekend before Summer Camp Music Festival! Recently, I caught Pigeons Playing Ping Pong and Twiddle on the Road to Red Rocks, and they were on fire! Twiddle is new to me. I really enjoyed the vibe going on between these two east coast bands.  They both are playing Summer Camp festival on a seemingly relentless touring schedule.

Veteran midwestern rockers, Umphrey’s McGee returned to Eugene (Ore.) for the first time in five years and unleashed a torrent of heavy, metallic, guitar-driven jams on a packed, Friday night crowd at the McDonald Theater. Combining a taste for crunching, head-banging riffs with mind-melting prog-rock fusion, Umphrey’s are an intriguing musical complexity.

Commemorating the 15th anniversary of the fan favorite Anchor Drops, Umphrey's McGee is proud to announce Anchor Drops Redux, an expanded edition of the album and first ever vinyl pressing. The pending release, announced this morning during an interview with Ari Fink on SiriusXM's Jam On, features two distinct versions of the record, a remastered edition of the original mix and a remixed version from the original master tapes.