Award-winning Canadian duo Whitehorse—Melissa McClelland and Luke Doucet—just released their eighth LP, I’m Not Crying, You’re Crying, leaving no emotional, personal, fantastical, or political stone unturned. The new album finds the pair venturing deeper into classic country music touchstones than ever before; a move that is both a homecoming and an evolution of their sound.

Alma Mater is Dirk Sullivan and Andrew Paul Woodworth. The two are veterans of the Los Angeles and of the Portland, Oregon music scenes. Sullivan was signed to Interscope Records with his band Love On Ice and Woodworth fronted Elephant Ride, signed to Sony Records. They have since spent two decades recording and touring in various projects.

“Let Go” is a new collection of songs written and recorded by multi-instrumentalist Matt Dorsey. Stylistically it stands as a blend of all the artists and bands that influenced him including, Rush, Yes, Genesis, Pink Floyd, XTC, The Police, Peter Gabriel, Steely Dan and more. It can be described as progressive-pop-rock. On it Matt sings and plays guitars, bass, keyboards, percussion and, on two of the songs, the drums. Marco Minnemann provides drums on three tracks and Jonathan Mover on another three. Dave Kerzner performs a keyboard solo that he wrote for one of the songs.

High Definition Tape Transfers, as part of its bundle of new Judy Garland releases celebrating the centennial of her birth, is proud to announce its latest release in her honor, Judy Garland – The Lost Vegas Show – New Frontier Hotel – July 16, 1956, a previously unissued performance taped on her opening night, which was also her nightclub debut.

The single shows Underground Springhouse's reggae influence, keeping true to their established style while including many new layers of sounds. The music is a feel-good combination of reggae and rock, but the lyrics are a bittersweet take on the highs and lows of life. “I kind of wrote this song to cheer myself up one day” said singer Charlie Haas. “It’s about how life can be incredible one day and terrible the next, and everyone goes through that”.

“End in Tears” is the guttural and gritty first single from the independent debut album, Generations. Slated for a 2023 release, Generations is written and recorded by Nashville-based newcomer, Nightless Days – the collaborative brainchild led by Dublin-native, Seamus Ross. One of three songs recorded over the span of just three days at the historic EastWest Studios in Los Angeles, “End in Tears” conjures themes of admiration and envy while elevating the project’s darker tones through authentic and honest lyrics.

“Long Way Home” is the second single and video from Marcus Gad & Tribe’s upcoming new album titled Ready For Battle, which is scheduled for a February 10, 2023, release. Gad, the rising reggae star from the island nation of New Caledonia, returns here to work with his usual backing band, Tribe, for a more organic, roots oriented sound. A warm contrast from his last project where he and his producer Tamal dived into modern, programmed beats on the Brave New World album (2021).

Oak View Group (OVG) today announced the creation of its national Theater Alliance, and the Boch Center has joined the inaugural roster of 39 marque theaters and performing arts venues in 18 markets across North America that will benefit from collective buying power, routing of non-traditional content, sponsorship opportunities, industry best practices and resources, and shared proceeds from an annual fundraising gala.

Today DADDY LONG LEGS, New York City's most diabolical Rhythm & Blues street gang, have announced their eagerly anticipated new album Street Sermons, to be released on March 17th via Yep Roc Records. The group has also shared the title track “Street Sermon,” which sees the group beseeching their troubled congregation to “Work with one another/Not against each other” as the Brooklyn band evolve into a chain gang that sounds like they’re emanating through the cracks of a hot and sticky subway station. Street Sermons is currently available for pre-order here.

For twenty-five years now, Boston-based dub-jazz collective Club d’Elf has been helping audiences lose track of time while creating mesmerizing musical chimeras that weave their distinct, Moroccan folk-infused trance with elements from an astonishing spectrum of other styles, including jazz, hip-hop, electronica, avant-garde, prog-rock, and dub.